PAGE 1 OF6 20" BRANDY 1996 PA TTERN BY LINDA HORNE PA TTERN NUMBER DA 1351 BODY PATTERN DA 1260 REVISED

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1 20 BRANDY 1996 (fits 20 Bailey shoulder plate 20 long or short Blythe arms and 20 ballerina legs) FABRC AND NOTONS 12 yd. satin 1 34 yd. decorative tulle 4 yds. of 18 ribbon 1 12 yds. of lace beading 1 yd of 12 trim (sequins) 23 yd. of 14 elastic snaps or Velcro ribbon roses PA TTERN BY LNDA HORNE PA TTERN NUMBER DA 1351 BODY PATTERN DA 1260 REVSED THE DDLC ATWOKS RT. BOX HWYZ74 5EVEN PONTS. TX TEL. 0343Z4Z6 FAX 0343Z50Z OROERSONLY BOO READ ALL NSTRUCTONS BEFORE CUTTNG FABRC AND NOTONS. NOTES; 1. This pattern has pattern pieces for both long and short sleeves so you have a choice. 2. WRST indicates with right sides together. 3. Finish all seams with a serge or zigzag stitch. 4. Because we all stuff differently please try costumes on your doll during construction for proper fit. 5. All seams ar 14 unless otherwise indicated. LEOTARD CONSTRUCTON; (LEG ELASTC 8) (ARM ELASTC 4) 1. WRST sew center front seam. 2. WRST join front to back at shoulder seam. 3. WRST sew front facing to back facing at shoulder seams. 4. WRST sew neck facing to neck of leotard. With right side up and seam toward the facing sew very close to seam but on the facing side. Now trim the seam and press. 5. Gather lower edge of sleeves overlay to fit sleeve sew in place. Sew upper edge of sleeve overlay to sleeve having gathers in shoulder area. 6. Fold shoulder ruffle in half lengthwise and trim end to form a curve stay stitch. Gather this edge to approximately Sew shoulder ruffle to armhole on leotard between dot in back through shoulders to dot in front. 8. Gather upper edge of sleeve. Set sleeve to leotard having the gathers within 2 of each side of the shoulder seam. 9. Fold the sleeve ruffle in half lengthwise and gather to fit lower edge of sleeve then sew in place. 10. Sew again 38 from lower sleeve edge turn up on wrong side and stitch for casing. nsert 5 of 14 elastic in arm casing securing both ends. 11. Sew both pieces of front inset together around edges having decorative tulle on top of the satin with right sides up. Sew short ends of inset ruffie together then fold in half lengthwise and stay stitch. Gather to fit front inset then sew down. 12. Fold under 14 all around the front inset and sew on leotard front. Cover your stitches with sequin trim. 13. Sew underarm and side seams starting at lower sleeve edge. 14. Fold up 38 on legs for casing. nsert 8 of 14 elastic securing ends. 15. Weave ribbon through 52 of lace beading then sew to the longer edge of one skirt piece. 16. Lay the skirts on top of each other with the bottom being the one with the ribbon fold in half lengthwise the ribbon one is now on top and right side out. Sew very close to the folded edge. Gather this edge either by a ruffle attachment a shirring foot or basting threads. This piece will have to be gathered very tightly to measure approximately Sew skirt on leotards as indicated starting and stopping approximately 14 from center back seam. Then sew decorative trim over your stitches. 18. Sew center back from crouch to notch. 19. Sew crouch seam. 20. Sew top layer of tulle up from lower edge about half way up. 21. Apply fasteners of choice and decorate with ribbon roses. SHOES 1. With right side out sew two soles together on edges repeat for other foot. 2. Stay stitch decorative tulle to two upper shoe pieces. 3. Cut 4 pieces of 18 ribbon each 15 long and stay stitch on top of decorative tulle as indicated on pattern in seam area. PAGE 1 OF6

2 PATTERN NUMBER DA 1351 PAGE20F6 4. WRST sew other piece of shoe to the ones you placed the ribbon on and sew the inside seam. 5. Trim inside seam and clip CUNes. 6. WRST sew center back seam from lower edge to inside seam to other edge. 7. Turn right side out pushing lining inside. 8. Stay stitch lining to shoe and treat as on piece repeat for other shoe. 9. WRST starting at dot sew toward center back seam around to toe section and up to dot gathering excess fabric at toes. 10. Turn right side out and sew rose at upper center front. THS PATTERN CONTANS THE FOLLOWNG PECES A LEOTARD FRONT B LEOTARD BACK C SHOE SOLES o SHOES E LONG SLEEVE F LONG SLEEVE OVER LAY G FRONT NSET H SHORT SLEEVE BACK NECK FACNG J FRONT NECK FACNG K GUDE FOR STRAGHT CUTS L SHORT SLEEVE OVER LAY

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5 PATTERN NUMBER DA 1351 PAGE 5 OF6 K 20 BRANDY BALLERNA THERE ARE NO PA TTERN PECES FOR THE FOLLOWNG SKRTCUT 5 OF DECORA TlVE TULLE EACH 9 BY 52 BOTTOM SLEEVE RUFFLECUT 2 STRPS OF DECORATVE TULLE EACH 212 BY 16 FRONT NSET RUFFLECUT 1 OF DECORA TVE TULLE 2 12 BY 25 SHOULDER RUFFLECUT 2 OF DECORATVE TULLE EACH 3112 BY 12 $ s as if' 20SRANDYSALLERNA SACK NeCK FACNG CU2 GATHER ' :» «0 _ O J ':6 v«' 1P. 20BRANDYBALLERNA FRONT NECK FACNG < CUT 1 ON FOLD r G 20 BRANDY BALLERNA FRONT NSET CUT 1 SATN CUT 1 FANCY TULLE i ' H 20 BRANDY BALLERNA SHORT SLEEVE CUT 2 SATN. FOLD FOR CASNG U

6 PA TTERN NUMBER DA 1351 PAGE60F6. f L 20' BRANDY BALLERNA SHORT SLEEVE OVERLAY CUT 2 FANCY TULLE

7 GENERAL PANTNG TECHNQUE AS DONE BY DONNA RUBERT FY: After the initial mixing of Watersilks #2 with the dry paint only use water to thin my paint. The only other time use Watersilks #2 is after washing my brush. dip my clean brush into Watersilks #2 then blot. This is more to get the water out of my brush than it is to add medium. When mixing two colors of paint always mix each color separately then pull a small amount of one color into the other color; then mix completely Unless otherwise stated mix paints to the consistency of toothpaste. When refer to antiquing a piece that means putting color in the creases or low points of the piece (i. e.: behind the knees in the bend of the arm between the fingers and toes etc.). On a head antiquing would be done under the chin behind the ears in the ears around the nose in the space between the nose and the upper lip and in each nostril etc.. When blush put paint on the high points on the piece ( i. e. the knees the back of the hands the elbows the knuckles etc.) On the head blush the cheeks chin forehead and hairline etc.. Clean greenware as usual beveling the eyes to the proper size. FRE TO A TRUE CONE Coat head sp arms legs and with Watersilks #2. Wipe back with Tshirt material until there is a soft sheen. 2. Mix the antiquing color with Watersilks #2. Paint the fingernails and toenails with the antique color then blot so just a hint of color is on the nail bed. Apply and smooth out the antique color in the creases of the sp arms and legs. Use a china mop to even out the color. Reminder antiquing is always done in the low points of a piece. 3. Mix the eyelid color with Watersilks #2. Apply the eyelid color and even out using a cosmetic Qtip. Apply the lip crease color in the crease of the mouth. With a square shader pull the color out just a little and make several lip lines on the lips. This color is not done heavy. Apply the antiquing to the head. Use china mop to even out color. FRE HEAD SP ARMS LEGS TO A TRUE CONE Coat entire head with Watersilks #2. Wipe back with Tshirt material until there is a soft sheen. 5. Mix eyelash color with Watersilks #1. Apply lower lashes that are short straight and close together. They should not be heavy. 6. Mix eyebrow color with Watersilks #1. Brush in single hairs of brows. The eyebrows should look natural avoid long and heavy strokes. Children's brows should not be perfect. 7. Mix the lip color with Watersilks #2. Paint the lips making sure you go to and follow the lip line. Soften the outer lip with a Qtip. Be sure there is no harsh line of paint left on the lip line. FRE TO A TRUE CONE Coat head sp arms and legs with Watersilks #2. Wipe back with Tshirt material to a soft sheen. 9. Mix nail color with Watersilks #2. Paint a nail tip and a half moon (half moon is at the base of each nail) on each finger and toenail. This should be done very light. You want just a hint of color to look natural. 10. Mix blush color with Watersilks #2. Using your forefinger apply the blush color to cheeks chin temple forehead hairline knuckles knees toes etc. Even out the color with a china mop. Reminder When blushing always put paint on the high points. When you are satisfied with the color intensity FRE TO A TRUE CONE Coat head with Watersilks #2. Wipe back with Tshirt material. 12. With the eyebrow color take a Qtip and scrub the color on top of the fired on brows. Use a clean Qtip and soften the color until it appears like a light shadow under the brow hairs. With the eyelash color shade over the lower lashes the same way; softening out the color at the lower edge away from the eye opening. f there is a second color on the eyelid now is the time to apply it. Be sure to stay away from the eyebrow color you just applied. 13. Mix the lip accent color with Watersilks #2. Accent the fullest part of the center of the lower lip. Accent the fullest part of the upper lip (the milk lip). DOing this makes a hot spot of color on the lips. 14. Mix the cheek accent color with Watersilks #2. Blush the top half of the already blushed cheek area with the cheek accent color. Applying this color makes a hot spot of color on the cheeks. FRE TO A TRUE CONE With the eyebrowleyelash color paint accent hairs on the brows and the lower lashes. Accent hairs are extra hairs to fill in or put on top of shading done in Step f the head has teeth (and you are painting them with china paint) mix teeth color with Watersilks #2 and paint the teeth. Be sure you don't get any of this color on the lips. 17. Check the color intensity on all of your pieces. f you need more color anywhere now is the time to intensify your colors. f you are completely satisfied with your work FRE TO A TRUE CONE The final step is to apply a nofire sealer on the lips and teeth. The sealer should be thinned with water to cut the gloss somewhat. Note: This sealer can be removed with alcohol when it is completely dry.