Abramovic, Marina. Perfomance Artist Tehching Hsieh Talks Taking Risks with Marina Abramovic, Interview Magazine, November 6, 2017.
|
|
- Blanche Evans
- 5 years ago
- Views:
Transcription
1 Abramovic, Marina. Perfomance Artist Tehching Hsieh Talks Taking Risks with Marina Abramovic, Interview Magazine, November 6, Life is a life sentence, the Taiwanese-born artist Tehching Hsieh once said. Arguably no one has deployed that maxim to more extreme and illuminating ends than the speaker himself. Even considering the boon of limitpushing, life-threatening performance art pieces that took place in the 1970s from Vito Acconci s 1972 work Seedbed, in which he masturbated under a ramp on a gallery floor, to Chris Burden s many bodily infractions that included being crucified on a Volkswagen, shot in the arm, and stuffed in a locker for five days
2 Hsieh s durational works shatter all of our conventional notions of liberty, safety, security, and solitude. Hsieh s early works in Taipei particularly his now famous 1973 jump from a second floor window, caught on camera, that ended in his breaking both ankles point to his interest in the human body in conflict with the environment, as well as his willingness to suffer for his art. Hsieh also seems to be experimenting with the line between actions of purported value (work for money or advancement) versus acts that might seem valueless or costly outside of their aesthetic life. In 1974, Hsieh, working as a sailor on an oil tanker, fled the ship when it was docked in an American port, and headed to the art-world capital of New York City as an illegal immigrant. It was here, in such a rich and one often thinks socially free city that Hsieh began formulating a series of durational performance works, each lasting 365 days without pause, that would define his legacy. ForOne Year Performance , Hsieh locked himself in a wooden cage that he built in his own Tribeca loft without any outside conversations or reading material, bridging the uncomfortable gap between religious monasticism and penal incarceration. For One Year Performance , Hsieh punched a factory time clock every hour on the hour; having shaved his head at the beginning, the series of self-portraits he took after marking each time card proved the duration of the piece by the length of his hair. For One Year Performance , Hsieh spent a year on the streets of New York, never once entering a building or any interior shelter (except for the 15 hours he spent in jail); through fall, winter, spring, and summer he bathed only once in a fire hydrant by the Hudson River, ate takeout he ordered through doors and windows, and left himself entirely vulnerable to the urban elements. For Art/Life One Year Performance , he tied himself to the artist Linda Montano by an eight-foot rope, and because they agreed not to touch for a year, that marathon of togetherness was as frightening as, and even more restrictive than, total isolation. In 1985, Hsieh created another set of rules: he wouldn t make, discuss, or see art for an entire year. In 2000, the Brooklyn-based artist (who finally became a U.S. citizen in 1994) decided to stop making art altogether. He now confines his practice to archiving and showing those master works. One such exhibition occurred at this year s Venice Biennale, which introduced his year-long experiments to a whole new generation perhaps even more shocked than their predecessors by voluntary self-abnegation. This past summer, Hsieh, now 66, stopped by the Manhattan apartment of his friend and admirer Marina Abramovic, a fellow performance artist who famously sat in the atrium of MoMA for six days a week until she reached 736 hours. Clearly they had things to discuss. MARINA ABRAMOVIC: Did you really think you were going to fly when, at age 23, you jumped from the second-floor window of a building and broke both of your ankles in Jump Piece? TEHCHING HSIEH: No. It was more of an experiment. Maybe I thought I was Yves Klein and could fly like he did [referring to the famous 1960 picture Leap Into the Void, of the artist bounding from a suburban rooftop in Paris]. But Jump Piece is not a mature piece. It was conceived quickly all I needed was a window and a camera and I knew the pain would be quick, too. I wouldn t do that kind of thing anymore. I knew I d likely get hurt, but I didn t even think about the possibility of broken legs. I overestimated myself or underestimated the concrete below. ABRAMOVIC: Tehching, the difference between you and Yves Klein is a very big one. You are real, and you jumped in real life. Yves Klein s jump is unreal. He knew he couldn t perform that leap without hurting himself, so he made that as a photomontage. HSIEH: You say unreal, but he is very important for those of us who use action. I quit painting very early. I just jumped ship. In a way, the window is the tragic possibility you can jump out into your future. That kind of action is more like a direction. It s that same thinking that brought me to New York. ABRAMOVIC: You jumped into New York in HSIEH: And into myself. I was here for 14 years without a green card, surviving. I did it without getting the necessary paperwork. So I ve grown into the role of my work. ABRAMOVIC: In that jumping piece, as well as your other work, I see a direct link from Yves Klein to the Gutai group in Japan [a collective founded in 1954 whose work anticipated later performance art] to the Dutch artist
3 Bas Jan Ader, who also created without a net, and finally to you. The last is Tehching. We are talking about jumping over something, into something, through something. One member of the Gutai group, who isn t much talked about, attempted to make a final painting by placing a canvas on the floor and jumping to his death on it from a great height. HSIEH: He jumped and then died? ABRAMOVIC: Right onto the canvas. And, as we know, Klein was influenced by the Gutai group when he visited Japan in the 1950s. HSIEH: I know. He also learned martial arts. ABRAMOVIC: Yes, he got a black belt. And it s clear he took ideas from the Gutai group back to France as inspirations one of which became that photoshopped leap. Then Bas Jan Ader made a career out of jumping. It started with books from reading the first sentence and letting his eye fall to the bottom of the page. Then he fell from chairs, sitting on the roof in a chair and falling off; then he fell from a bicycle into a canal, then from a tree branch, and his final fall was horizontal he would cross the Atlantic in a small boat and reach Europe from America. He never made it across the ocean. HSIEH: He disappeared. Nobody knows what happened. ABRAMOVIC: Anyway, my point is, even if you don t think of Jump Piece as a mature work, it is extremely important because you re in a line of artists who did something real. Whatever it was, it was a real action that carried with it the possibility of accident or death. And you continued that in every subsequent work. Your work has always been real and honest in One Year Performance , you made sure that every single hour of that year was recorded. Why is that kind of honesty so important to you? HSIEH: Because I can t do it dishonestly. I perform in art time and in real time, and you can t tell the difference no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn t know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece. ABRAMOVIC: Is agreeing to punch in every hour the equivalent of some sort of hardcore Buddhist meditation tradition? It almost seems religious in its discipline. How can your mind not shift after three months and say, Fuck, I m going crazy. This is ridiculous! It s so hard to keep that kind of performance up. I know from experience. HSIEH: There is no simple answer. It would be impossible to understand a work by talking about one week of training or experimenting to prepare for it. Rather, you d have to understand my philosophy and the influences of my life, where I m coming from and all the philosophers and literature I ve read. They ve influenced me and enabled me to create these works. Now, a lot of people look for answers in spirituality or different texts, but for me this is life. This is what life is: the passage of time. It s not about how to pass the time, but about the acceptance of the time passing. I know people think of my work as spiritual, but really it s just that I consume time. That s all. ABRAMOVIC: That s true and not true. If a man sits in solitude for ten years in a cave, he comes out of that experience a different person. If anyone did the same thing you did for one year, they would come out of it an entirely different person. Whatever you want to call it, there is some transformation. HSIEH: I m trying to say that I m the same and also different. ABRAMOVIC: One fascinating element about your work is how it plays with so many shifting contexts. There is a religious context, an artistic context, a social context. But there is a transformation taking place no matter which context we are speaking of yes or no? HSIEH: For me, I make a schedule and I pass the time. I don t think about the transformation. When my schedule says I m finished on this day, I put it in the past and go toward my future.
4 ABRAMOVIC: This blows my mind! In a way, these pieces are tools, then, to accept life as it is. That s why these works will never die, because you are dealing with the nature of life itself. HSIEH: Each of these projects you are referring to required one year of work two equinoxes. One year to me is just a small section of life. For most humans, one year is a long time and so much happens. But for the universe, it s very temporary ABRAMOVIC: That s not even one second for the universe. HSIEH: Yeah, and in this way I know I am a human being. I can give myself to one year for a project. That is why I say I m primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn t go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach to do the job first and then to respond to it after I finish and learn what people think about it. That s how I develop, and I m more of an outsider in that way. I communicate very slowly and in my own language, and it takes time. That is why I appreciate you including me in that line of artists. ABRAMOVIC: Sweet baby. [both laugh] Be less humble. You have that disease where you re overly humble. I talk to artists all the time who have egos as high as the Himalayas and their art is often bullshit. Not you. Okay, so I have a question about repetition, about the repetition of the same activity or action in the same period of time. It can be easy to achieve and very difficult to maintain. Why is repetition so important to you? Punching the clock, being in the cell, and waking up and sitting in one corner of the bed; it s all so precise. Even when the Hudson River is your bathroom and the street is your kitchen, you create a small universe inside a big universe; you re always so well organized. HSIEH: I come from a painting background, and although my painting is completely different from my performances, there is something about the fundamentals of that training that transfers over to this idea of an exercise and being diligent about mapping something out in advance even if it is just being aesthetically diligent. ABRAMOVIC: What was your first painting? HSIEH: I didn t go to art school. I quit high school. ABRAMOVIC: You re avoiding the question! [laughs] A curator recently saw my early paintings and pointed out that they already had an element of performance to them. I was shocked to see that, but I was also made aware of how important first works are in finding your direction even if you are ashamed to show them. I was. So tell me what your first painting was. HSIEH: I can t really answer what my first paintings were. I was 10 years old when I did them. I painted myself, my own portrait. ABRAMOVIC: There you go, that s the answer. You painted yourself. Thank you. Done, done, done. [both laugh] HSIEH: I painted myself and I didn t like the way my face came out, so I cut that head out and put a new one in its place. I had to make the portrait to my liking. But I didn t consider that art. ABRAMOVIC: That s not for you to say. That s for history to decide. Artists tend to make all the wrong choices about which of their works will end up being the most important. HSIEH: Why do I have to wait until after I die? But maybe that is okay. The world has always been slow to respond to my work. ABRAMOVIC: The world has been slow because your work is so advanced. Society can t understand it when they first see it. HSIEH: I think my problem is that I don t have the tools of language.
5 ABRAMOVIC: Well, why did it take you so long to learn English? HSIEH: Because I like being primitive, okay? MARINA ABRAMOVIC IS A NEW YORK BASED PIONEER OF PERFORMANCE ART. A RETROSPECTIVE OF HER WORK, THE CLEANER, TRAVELS TO THE HENIE ONSTAD KUNSTSENTER MUSEUM IN NORWAY THIS MONTH.
SAN FRANCISCO LONDON NEW YORK BERLIN LOS ANGELES SINGAPORE CHICAGO AMSTERDAM PERTH DENVER
SAN FRANCISCO LONDON NEW YORK BERLIN LOS ANGELES SINGAPORE CHICAGO AMSTERDAM PERTH DENVER Boston January 21, 2016 Written by Liz Glass Marilyn Arsem: 100 Ways to Consider Time at MFA Boston I visited the
More informationAlbrecht, Elliat. Profile: Tehching Hsieh at the 57 th Venice Biennale, Ocula, May 26, 2017.
Albrecht, Elliat. Profile: Tehching Hsieh at the 57 th Venice Biennale, Ocula, May 26, 2017. Taiwan's contribution to the 57 th Venice Biennale is an exhaustive record of the passing of time an ostensibly
More informationINTERVIEW // NIR HOD: THE LIFE AND DEATH OF A STAR BY ALISON HUGILL; PHOTOS BY MAIKE WAGNER IN BERLIN
INTERVIEW // NIR HOD: THE LIFE AND DEATH OF A STAR BY ALISON HUGILL; PHOTOS BY MAIKE WAGNER IN BERLIN Nir Hod at Michael Fuchs Galerie, Berlin; Photo by Maike Wagner On the opening night of Nir Hod s solo
More informationAlcatraz - Quick Facts
Alcatraz - Quick Facts How big was the average cell? Each cell in B & C block was 1.5 m wide and 2.70 m long. Cells Alcatraz had a small sink with cold running water, small sleeping cot, and a toilet.
More informationWHITEWALL Barry McGee V2.indd 2 11/10/13 5:21 PM
WHITEWALL 93 12 Barry McGee V2.indd 2 11/10/13 5:21 PM When we met with Barry McGee in New York, on an unseasonably hot fall day, he seemed relieved to have his recent retrospective at the ICA behind him.
More informationRobert Mapplethorpe: From suburbia to subversive gay icon
Robert Mapplethorpe: From suburbia to subversive gay icon Vincent Dowd 12 th July 2018 Robert Mapplethorpe, seen here in a self-portrait, became a controversial star of the art world. Copyright Mapplethorpe
More informationgood for you be here again down at work have been good with his cat
Fryʼs Phrases This list of 600 words compiled by Edward Fry contain the most used words in reading and writing. The words on the list make up almost half of the words met in any reading task. The words
More informationThis video installation Boundary is a metaphor for how it felt to be raised in a
Boundary A University of Michigan Thesis Integrative Project Portfolio: www.cylentmedia.com by Cy Abdelnour This video installation Boundary is a metaphor for how it felt to be raised in a different culture
More informationMarina Abramović born 11/30/1946 Grandmother of Performance Art 2010 NYMOMA Retrospective. Ulay (Frank Uwe Laysiepen) Born Nov 30, 1943
Marina Abramović born 11/30/1946 Grandmother of Performance Art 2010 NYMOMA Retrospective Ulay (Frank Uwe Laysiepen) Born Nov 30, 1943 Rest Energy Amsterdam 1980 Relation Work. Universal conditions: -
More informationContact for further information about this collection
Baruch, Aliza Israel Documentation Project Hebrew RG-50.120*0007 1.00 From Saloniki Greece. Her father worked at the harbor, and their family was religious, but not extremely so. She attended a private
More informationTHE ART OF PUNK: EMBROIDERY ARTIST, JUNKO OKI, FINALLY RELEASES HER LONG AWAITED ART BOOK
Honno-Hanashi, The Art Of Punk: Embroidery Artist, Junko Oki, Finally Releases Her Long Awaited Art Book, Hon Bunshun, June 2014 THE ART OF PUNK: EMBROIDERY ARTIST, JUNKO OKI, FINALLY RELEASES HER LONG
More informationContents. A reflection of twoness, and a sense of making room for someone else
DUO Contents A reflection of twoness, and a sense of making room for someone else 2 Abstract 3 Background and Idea 4 The Designer 6 The Beginning 8 Finding a Way 10 Creating My Own Material 10 The Method
More informationFamily becomes nudists
Family becomes nudists By AlwaysNude Published on Lush Stories on 09 Jan 2009 https://www.lushstories.com/stories/taboo/family-becomes-nudists.aspx My name is Kayla. I am 18 years old and just started
More informationSkin Deep. Roundtable
Roundtable Skin Deep Words Isabel Webb Photos Jenna Foxton Makeup James Duprey Learning to love the skin you re in is a common bump on the road to coming-of-age. For many of us, our skin is our home: it
More informationThe Visit. by Jiordan Castle. There are never any white families. It s a medium security prison with some
The Visit by Jiordan Castle There are never any white families. It s a medium security prison with some minimum-security inmates like my father. They put prisoners wherever they can fit them, stacking
More informationMeredith Woolnough 92 X-RAY MAG : 64 : 2015
Meredith P O R T F O L I O 92 X-RAY MAG : 64 : 2015 Star Coral Bowl, by Meredith 20cm diameter PREVIOUS PAGE: A collection of small embroidered pieces inspired by the shapes and patterns found in the natural
More informationAlcatraz - Quick Facts mid level
Alcatraz - Quick Facts mid level How big was the most cells? Each cell in B & C block was 1.5 m wide and 2.70 m long. Cells at Alcatraz had a small sink with cold running water, a small bed, and a toilet.
More informationMarina Abramovic: The Artist is Present Directors: Matthew Akers Year: 2012 Time: 104 min You might know this director from: We Are Legion: The Story of the Hacktivists (2012) David Blaine: Real or Magic
More informationI Think Art Is a Way of Intensity.
I Think Art Is a Way of Intensity. Interview with Hermann Nitsch by Paul Laster Photo: Simon Harsent One of the founders of the radical art movement Viennese Actionism in the 1960s, Hermann Nitsch is widely
More informationHow to Develop a Successful Strategy
How to Develop a Successful Strategy Intermediate Level: Listening: Zara - Company Strategy Grammar: Review of the Past Simple Tense irregular verbs Reading Text: Zara s Ability to Grow Pronunciation point:
More informationEulogy After Brian Turner s Eulogy
Eulogy After Brian Turner s Eulogy It happened on a Thursday, sometime in the morning as children rode school busses, and birds flew back for the spring. People went to work and sat at desks watching clock
More informationGOING BALD CAN BE A BLOW TO YOUR SELF ESTEEM BUT A HAIR TRANSPLANT COULD BE THE ANSWER
GOING BALD CAN BE A BLOW TO YOUR SELF ESTEEM BUT A HAIR TRANSPLANT COULD BE THE ANSWER Hair transplants could change your life Baldness is an option, it isn t compulsory The procedure didn t hurt at all
More informationBURDEN A CONVERSATION WITH FILMMAKERS TIMOTHY MARRINAN & RICHARD DEWEY
BURDEN A CONVERSATION WITH FILMMAKERS TIMOTHY MARRINAN & RICHARD DEWEY Why did you want to make a documentary on Chris Burden? Timothy: We had been working with Chris for quite a few years. Initially we
More informationMarnie Weber on Fairy Tales, Performance Art and Edward Kienholz
Marnie Weber on Fairy Tales, Performance Art and Edward Kienholz I had the immense pleasure of meeting with Los Angeles artist Marnie Weber in her studio in Eagle Rock. She is getting ready for a solo
More informationMy Positive Plastic Footprint - Upcycle
WISDOM S WORKSHEET 1.1 / TOPIC 4 / AGE 6-8 My Positive Plastic Footprint - Upcycle What new words did you learn in Topic 4? Draw a line to match the words (A, B, C) with the correct picture (1, 2, 3)?
More informationHow Lorraine O'Grady Transformed Harlem Into a Living Artwork in the '80s and Why It Couldn't Be Done Today
How Lorraine O'Grady Transformed Harlem Into a Living Artwork in the '80s and Why It Couldn't Be Done Today By Karen Rosenberg July 22, 2015 A detail of Lorraine O'Grady's Art Is... (Troupe Front), 1983/2009.
More informationThe Place I Call Home. Maria Mazziotti Gillan. Books. The New York Quarterly Foundation, Inc. New York, New York
The Place I Call Home Maria Mazziotti Gillan Books The New York Quarterly Foundation, Inc. New York, New York NYQ Books is an imprint of The New York Quarterly Foundation, Inc. The New York Quarterly Foundation,
More informationof Trisda, they would return some of the joy to her life, at least for a handful of days. Momentarily, Scarlett entertained the idea of experiencing
of Trisda, they would return some of the joy to her life, at least for a handful of days. Momentarily, Scarlett entertained the idea of experiencing not only a little happiness, but magic. She thought
More informationBleeds. Linda L. Richards. if it bleeds. A Nicole Charles Mystery. Richards has a winning way with character. richards
Chicago Sun-Times $9.95 richards Richards has a winning way with character. if it bleeds M ore than anything, Nicole Charles wants to be a real reporter. She didn t go to journalism school to work the
More informationCOOL HUNTING INTERVIEWS LEO VILLAREAL
COOL HUNTING INTERVIEWS LEO VILLAREAL Two decades ago, New York-based light sculptor Leo Villareal attended Burning Man (the annual week-long art event in Black Rock City, Nevada, which culminates around
More informationTHE BODY IN TIME A PRINTED MATTER PUBLICATION BY SARA JORDENÖ
THE BODY IN TIME A PRINTED MATTER PUBLICATION BY SARA JORDENÖ IT S BEEN DAYS, it s been months. It takes four to eight seconds for something swallowed to move down into the stomach, where it could remain
More informationCan Archimedes find out how the goldsmith tricked the king?
Archimedes and the thieving goldsmith: Can Archimedes find out how the goldsmith tricked the king? Archimedes Part I: The plot is set. We have a king, a crown, and a sneaky goldsmith. (Missing-Still to
More informationLinda Wallace: Journeys in Art and Tapestry
Linda Wallace: Journeys in Art and Tapestry Long before I became an artist, a feminist, or a health care practitioner, I developed a passionate interest in textiles. Their colour, pattern and texture delighted
More informationLittle Boy. On August 6, in the one thousand nine hundred and forty fifth year of the Christian
Zac Champion A Picture is Worth 1,000 Words Little Boy On August 6, in the one thousand nine hundred and forty fifth year of the Christian calendar, a nuclear bomb nicknamed Little Boy was dropped on the
More informationInterview Transcript
Interview Transcript Interviewee: Shaun Gladwell Artist Australia Venice Biennale 2009 Interviewer: Lisa Rumble COFA Art Education Student Australia Venice Biennale 2009 Education Team. Date: 7 th April
More informationInterview: Mads Lynnerup
http://www.kopenhagen.dk Interview by Liberty Paterson October 27, 2008 Interview: Mads Lynnerup U-TURN 05. september - 09. november 2008 website: www.uturn-copenhagen.dk Mads Lynnerup s excellent contribution
More informationIn Another Country. Ernest Hemingway
In Another Country Ernest Hemingway In the fall the war was always there, but we did not go to it any more. It was cold in the fall in Milan and the dark came very early. Then the electric lights came
More informationCHILD OF WAR HAL AMES
CHILD OF WAR HAL AMES Olga Lehrman looked down at her left arm where the fading reminder of events long ago remained. Her life as a child had been the worst it could be for any child. She had survived,
More informationBasic Forms Timeless Design: New Acoustic Options
The Icelandic sheep has long been recognized as a crucial element in the struggle for survival in the harsh climate of Iceland. Photos courtesy of Bryndis Bolladottir. Basic Forms Timeless Design: New
More informationTag! You re Hit! By Michael Stahl
Tag! You re Hit! By Michael Stahl Paul and Jimmy were chatting during lunch period in the cafeteria one day about their friend Taso s upcoming birthday. Taso was going to turn 13 in two weeks. Paul and
More informationTRAGEDY IN THE CLASSROOM How food in the classroom can endanger allergic children
TRAGEDY IN THE CLASSROOM How food in the classroom can endanger allergic children by Gina Clowes GINA CLOWES: Amy, you have an unforgettable story to tell, one that is shocking and terrifying. Would you
More informationDeadlines. James Brandon. Name James Brandon
Deadlines by James Brandon Name James Brandon Email jamiebrandon@btinternet.com FADE IN: INT. STUDENT DORM. DAY An overflowing laundry basket sits in the corner of an unkept dorm room. The curtains are
More informationMartha Rosler Isn t Done Making Protest Art
Martha Rosler Isn t Done Making Protest Art The artist s work has been canonized, and feminist slogans are enshrined on T-shirts, but where does that leave her? A retrospective at the Jewish Museum takes
More informationNorth Beach Artist Guild October Artist of the Month Terry DeHart
North Beach Artist Guild October Artist of the Month Terry DeHart Artist Terry DeHart is the October Artist of the Month at The Gallery of Ocean Shores. Terry s work will be featured all month in The Gallery
More informationBehind the Scenes: Mary Conner Contemporary Art
Behind the Scenes: Mary Coble @ Conner Contemporary Art May 12, 2010 by Deb Photos by Kimberly Cadena Performance art can be hard hard on the viewer, hard on the artist and difficult to capture, either
More informationINDIAN SCHOOL MUSCAT MIDDLE SECTION
INDIAN SCHOOL MUSCAT MIDDLE SECTION SUBJECT: ENGLISH TOPIC: KINDS OF SENTENCES Class VIII Name: Roll No: Date: /10/18 Worksheet Number: 14 I. Identify the underlined words in the given sentences as phrases
More informationPURSUIT OF MEMORY THROUGH LANDSCAPE
PURSUIT OF MEMORY THROUGH LANDSCAPE by Sueim Koo Submitted to the School of Art + Design In partial fulfillment of the requirements for the degree of Bachelor of Fine Arts Purchase College State University
More information============================================================================
Cubital Tunnel Release Surgery Posted by missfroggirl - 2010/04/23 22:25 Hi, I am so glad to have found this place. I was in a crazy small car wreck in November and suffered from whiplash. A few weeks
More informationMali Twist. 18th January André Magnin s curated celebration of Malick Sidibé
Mali Twist 18th January 2018 André Magnin s curated celebration of Malick Sidibé Fondation Cartier pour l Art Contemporain was the first museum outside of Africa to present a solo exhibition of Malian
More informationKino, Carol. Rebel Form Gains Favor. Fights Ensue., The New York Times, March 10, 2010.
Kino, Carol. Rebel Form Gains Favor. Fights Ensue., The New York Times, March 10, 2010. By CAROL KINO Published: March 10, 2010 ONE snowy night last month, as New Yorkers rushed home in advance of a coming
More informationsoftly. And after another step she squeezed again, harder. I looked back at her. She had stopped. Her eyes were enormous, and her lips pressed
You Scared Me Though it was late, the air outside was hot. But here, inside the dark gap in the sheer earth wall, the air was cool. Just a few paces back, it was almost cold. I led, with one hand on the
More informationThe Professional Photo, Film, TV & Personal Stylist s Course. Food Styling
The Professional Photo, Film, TV & Personal Stylist s Course Food Styling 1 The Professional Photo, Film, TV & Personal Stylist s Course Food Styling Get into Professional Styling The Really Good News
More informationESL Podcast 321 Buying a Jacket or Coat
GLOSSARY trench coat a very long coat that has large pockets and is closed with a belt * Trench coats are comfortable because they re big and loose. raincoat a coat made from fabric that keeps one dry
More informationPortfolio Development. Follow this and additional works at:
California State University, San Bernardino CSUSB ScholarWorks Portfolio Development Curricula 2015 Chris Burden CBA PAC Follow this and additional works at: http://scholarworks.lib.csusb.edu/portfolio-dev
More informationLesson Plan Guide 1. STUDENTPATHS connecting students to their future ASSESSMENT: GOALS: ASCA STANDARDS ADDRESSED: COMMON CORE STANDARDS ADDRESSED:
STUDENTPATHS connecting students to their future Lesson Plan Guide 1 TITLE: Getting Inked RELEVANT H.S. SUBJECT AREAS: Advisory, Health, Social Studies, English GRADE LEVELS: 9-12 SP TAB/CONTENT AREA:
More informationHeat Camera Comparing Versions 1, 2 and 4. Joshua Gutwill. April 2004
Heat Camera Comparing Versions 1, 2 and 4 Joshua Gutwill April 2004 Keywords: 1 Heat Camera Comparing Versions 1, 2 and 4 Formative Evaluation
More informationBuy The Complete Version of This Book at Booklocker.com:
Long before there was a Las Vegas, there was a Shelby Beach. A century-old summer resort, Shelby Beach was eventually destroyed and replaced with a middle-class suburb. Sex, murder, and intrigue led to
More informationMoby Dick Herman Melville
Moby Dick Herman Melville a d a p t e d b y Janet Lorimer Literature Set 1 (1719-1844) A Christmas Carol The Count of Monte Cristo Frankenstein Gulliver s Travels The Hunchback of Notre Dame The Last of
More informationReading Jump Plus 3 Midterm Test. futuristic revered depleted parched live complicated controversial domestic professional corrosive
Units 1-10 Reading Jump Plus 3 Midterm Test A. Fill in the blanks with the words from the box. futuristic revered depleted parched live complicated controversial domestic professional corrosive 1. The
More information35. Jan Karras 06. At the time of this interview Jan Karras was owner and director of Raglan Gallery
Abridged interview with Wayne Pearson: 14/03/06 Subject: Australian kiln glass with specific reference to style and glass artists Deb Cocks, Warren Langley, Jessica Loughlin and Richard Whiteley At the
More informationShe Will Be Loved. This song was written and performed by Maroon 5. This song is a love song. It is about a girl and the boy who loved her.
She Will Be Loved This song was written and performed by Maroon 5. This song is a love song. It is about a girl and the boy who loved her. Fill in the blanks with the words you hear and then we ll go over
More informationI-70 West: Mile Marker Miles to Zanesville
I-70 West: Mile Marker 82 334 Miles to Zanesville * When I die I want to come back as a 1969 Plymouth Barracuda midnight blue with black-tape accents, twin dummy hood scoops, and a 440 big-block engine
More informationFACTS & MYTHS ABOUT HEAD LICE
FACTS & MYTHS ABOUT HEAD LICE Head lice are generally misunderstood. Below are facts and myths about lice. FACTS Head lice do not fly (they have no wings), jump or hop About half of all infested individuals
More informationFires of Eden. Caleb Ellenburg
Fires of Eden By Caleb Ellenburg EXT. BACK ALLEY BEHIND TAILFIN NIGHT CLUB - NIGHT Detective Adrian Strauss, age 32, of the New Chicago Police Department, arrives on the scene of a crime. Strauss is somewhat
More informationBy treatments.net
Natural Scabies Treatments FFiinndd R Reelliieeff tthhee N Naattuurraall W Waayy By www.scabies- treatments.net Introduction If you have downloaded this report, you have no doubt been suffering with scabies
More informationThis week s issue: Word Generation UNIT diversity enhance migration presume reveal
Word Generation UNIT 1.11 This week s issue: and how they lived and died. They can also help to enhance archaeologists understanding of human migration patterns. For example, scientific tests have revealed
More informationwww.newsflashenglish.com ESL ENGLISH LESSON (60-120 mins) 5 th July 2012 Auschwitz A lesson in history Today, let s talk about Auschwitz. It s a lesson in history we should never forget. Why discuss it
More informationMadonna NUDE SESSIONS. Martin Schreiber
Madonna NUDE SESSIONS Martin Schreiber ARTIST S PHILOSOPHY What is photography, then you may as well ask what is an image, what is a painting or drawing or a design? It is an expression, it is an idea,
More informationTHE BEST ESCAPE TEN MINUTE PLAY. By Carolyn West
THE BEST ESCAPE TEN MINUTE PLAY By Carolyn West All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC The writing of plays is a means of livelihood. Unlawful use of a playwright
More informationNEXT GENERATION ASSESSMENT PRACTICE
NEXT GENERATION ASSESSMENT PRACTICE Student Edition Grade 3 Narrative Copyright Zaner-Bloser, Inc. All rights reserved. Name Date PART 1: Close Reading Your Task You will view three sources about inventors.
More informationAppendix XVIII: Plates
Walid Raad Appendix XVIII: Plates 22-257 01/06 e-flux journal #56 june 2014 Walid Raad Appendix XVIII: Plates 22-257 If you take a close look, you can see it. With The Atlas Group (1989 2004), I spent
More information3 Material world. I wonder... 2 Do a report on the classroom. 3 Write about the things in your bedroom. Lesson 1
Lesson 3 Material world I wonder... How many objects in the classroom can you name? How many different materials can you see? 2 t What s the most common ma terial? 3 4 back arms seat leg.24 Listen and
More informationTokyo Nude, 1990 Kishin Shinoyama
Tokyo Nude, 1990 Kishin Shinoyama BOND ART KISHIN SHINOYAMA 91 CELEBRATED JAPANESE PHOTOGRAPHER KISHIN SHINOYAMA IS KNOWN FOR HIS DIVERSE STYLE, WHICH INCLUDES NUDES, TOPICAL EVENTS AND CELEBRITY PORTRAITS.
More informationI remember the night they burned Ms. Dixie s place. The newspapers
THE NIGHT THEY BURNED MS. DIXIE S PLACE DEBRA H. GOLDSTEIN I remember the night they burned Ms. Dixie s place. The newspapers reported it was an incendiary, but the only hot thing that night was Ms. Dixie.
More informationEmma Goedde. The White Oblivion
1 Emma Goedde Buckeye Creativity Award The White Oblivion I was having that dream again. That dream where I m in a place where it s all white and I can t see anything. My chest was heaving and I was trying
More informationMinister Application of Tiffany M. LeClair
Minister Application of Tiffany M. LeClair What do you see as your major strengths or talents? My forte is not in what I know, but what I am capable of figuring out. There will always be someone who knows
More informationFrom an early age, I always wanted to be inked, and I always heard the usual warnings
Medina 1 Eolo Medina Professor Darrel Elmore English 1102 10 December 2015 Don t Judge a Book by its Cover From an early age, I always wanted to be inked, and I always heard the usual warnings about tattoos:
More informationYOUR PERSONAL STYLE AND IMAGE STATEMENT WORKSHEET
YOUR PERSONAL STYLE AND IMAGE STATEMENT WORKSHEET ello, I m Robin Fisher and I have loved fashion, image and style my entire life. I truly believe that any individual regardless of their size, shape or
More informationTIMOTHY CURTIS: NEVER ONE DAY NOT HAVING FUN
MAGAZINE TIMOTHY CURTIS: NEVER ONE DAY NOT HAVING FUN BY JOEY GARFIELD In the summer of 2009, I embarked on a film project with Steve ESPO Powers entitled A Love Letter For You. The film was part of a
More informationBEFORE. Saturday Night. August. Emily
BEFORE 1 Saturday Night. August. Emily omething was draped across Dad s outstretched arms. S A deer? A fawn that was injured? It was sprawled and long-legged, something that had been caught in a poacher
More informationWe wish you all the best with your future plans and hope that we will meet you again!
How quickly the time has passed! We hope that you have enjoyed your time with us and that you will remember your Summer English Explorer experience with much happiness. This Memories Booklet is your souvenir.
More informationAurora Pictures, David Dyck, Jamie Cameron Dyck
ERI Safety Videos DVDs, Digital Media & Custom Production 2986 PPE: Wear It For You Leader s Guide Aurora Pictures, David Dyck, Jamie Cameron Dyck PPE: Wear It For You This easy-to-use Leader s Guide is
More informationA Beginners Guide to Capulanas
A Beginners Guide to Capulanas When I first arrived here in Mozambique I didn t even know how to say capulana. I must have asked Heather at least 10 times What are they called again? and I just couldn
More informationLesson 7. 학습자료 10# 어법 어휘 Special Edition Q. 다음글의밑줄친부분이어법또는문맥상맞으면 T, 틀리면찾아서바르게고치시오. ( ) Wish you BETTER than Today 1
Lesson 7. Q. 다음글의밑줄친부분이어법또는문맥상맞으면 T, 틀리면찾아서바르게고치시오. My school s drama club is preparing Shakespeare s play The Merchant of Venice so that we can perform it at our school festival in August, and I have
More informationSTOLEN If the world was in peace, if he wasn t taken, if we were only together as one, we could get through this as a family. But that is the exact
STOLEN If the world was in peace, if he wasn t taken, if we were only together as one, we could get through this as a family. But that is the exact opposite of my family s story. My father is probably
More informationSPERONE WESTWATER. 257 Bowery New York T F
Thackara, Tess. Guillermo Kuitca on His Immersive, David Lynch-Inspired Installation at the Fondation Cartier. www.artsy.net (Artsy), 10 December 2014. Guillermo Kuitca during the set-up of the exhibition
More informationActivity Worksheets LEVEL 6
While reading Chapter 1 1 Put the words in the right place to make a sentence. a tall Conklin his about man age saw a own.. b eyes in anger the his look had man a of. c large to people table thirty enough
More informationUcky Duck. Illustrated by: Chris Werner. Edited for Multi-Level Readability by: Amanda Hayes, 1st Grade Teacher Linda Helgevold, 3rd Grade Teacher
Ucky Duck Retold by: Elaine Carlson Illustrated by: Chris Werner Edited for Multi-Level Readability by: Amanda Hayes, 1st Grade Teacher Linda Helgevold, 3rd Grade Teacher Mini-Playbook Playbook The full-length
More informationGoshka Macuga: Thinker, Maker, Institutional Spy
Goshka Macuga: Thinker, Maker, Institutional Spy Text by Emily Steer Pushing through the boundaries of the traditional idea of the artist, Goshka Macuga s practice also involves her taking on the roles
More informationContents. About this workbook... iv
Contents About this workbook... iv Lesson 1 Understanding Stress...1 Lesson 2 The Black Widow Spider...9 Lesson 3 Mount St. Helens...17 Lesson 4 Bread... 25 Crossword Puzzle 1...33 Wordsearch 1... 34 Lesson
More informationThe Quick and the Dead
The Quick and the Dead Salvatore Scarpitta s imagination was wild and full of high jinks. It is one reason why the art world has never known what to do with him. By John Yau, November 20, 2016. Salvatore
More informationPROLOGUE. field below her window. For the first time in her life, she had something someone to
PROLOGUE April 1844 She birthed her first baby in the early afternoon hours, a beautiful boy who cried out once and then rested peacefully in her arms. As the midwife cleaned up, Mallie clung to her son
More informationLaser Technician Jobs & Market Analysis
Laser Technician Jobs & Market Analysis Where will I work as a Certified Laser Technician? There are numerous possibilities for employment in this booming and ever-changing industry. Our graduates have
More information2 8 N O V E M B E R F O R B E S I T A L I A ( I T A L Y )
The inventor of online fashion Federico Marchetti is a real dynamo. He has always dreamt of being an entrepreneur. He finally became one with a revolutionary idea: bringing fashion to everybody s doorstep
More informationSuddenly, I tripped over a huge rock and the next thing I knew I was falling into a deep, deep, deep hole. The ground had crumbled.
Stone Age Boy As I light heartedly trampled over the dark-brown broken twigs I could hear the snap and then the crunch of them breaking and then they would splinter and lie there lifeless.the smell of
More informationExhibition // Muscle Memory: Donna Huanca and Przemek Pyszczek at Peres Projects
MAGAZINE BERLIN BAL PRODUCTIONS Exhibition // Muscle Memory: Donna Huanca and Przemek Pyszczek at Peres Projects Donna Huanca Performance View, Peres Projects (2015), Muscle Memory; Courtesy of Peres Projects
More informationHow Meditation Has Inspired an Artist s Vision
INTERVIEWS How Meditation Has Inspired an Artist s Vision When artist Aaron Fowler discovered he might have been a father, he created a powerful series of works about how it s okay to not be a perfect
More informationSandwich Money. I flip grilled cheese sandwiches for a living.
I flip grilled cheese sandwiches for a living. Seriously. No joke. Everything I pay for the posters on my bedroom walls, the repairs for the bicycle I take to work, my new red sneakers with the little
More informationPresentation for Christo and Jeanne Claude
Presentation for Christo and Jeanne Claude I Slide 1 A fun idea: You may want to wrap an object or package before the presentation. You can wrap it in plain fabric, white paper or colored wrapping paper.
More informationThe Forbidden Red Violin. By: Swetha Vishwanath Submitted to: Mr. Craven Course Code: Eng2D1-01 Date: Sept. 22 nd 2003
The Forbidden Red Violin By: Swetha Vishwanath Submitted to: Mr. Craven Course Code: Eng2D1-01 Date: Sept. 22 nd 2003 1 The Red Violin, an exquisite piece of art, preciously gleaming in full glory, stood
More information