2015 The Anarchist Banker, Goethe Institute, Paris, Francia. Tilikum, Supportico Lopez, Berlín, Alemania.

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1 Jan Peter Hammer Vive y trabaja en Berlín, Alemania. Individual(selección) 2015 The Anarchist Banker, Goethe Institute, Paris, Francia. Tilikum, Supportico Lopez, Berlín, Alemania Monarchs, Men and Monsters, LABOR, Ciudad de México, México The Invisible Hand, Kunstverein Arnsberg The Fable of the Bees, Supportico Lopez, Berlín 2010 The Anarchist Banker, Supportico Lopez, Berlín 2007 The End of Love, Centre for Opinions in Music and Art, Berlín 2006 Galerie Meerrettich - Pavillon an der Volksbühne, Berlín 2004 Elizabeth Dee Gallery, New York Exposición colectivas & festivales de cine (selección) 2018 DUG, Berlín International Film Festival, Berlín, Alemania Rewriting History, Edith-Russ. Haus fur Medienkunst. Oldenberg, Alemania. Mumol Kino. Treasure Hunters. Museum Moderner Kunst. Stiftung, Ludwig Viena. Vienna, Austria. The Art of War. Artistic Research Spring Forum. Oslo, Noruega. Tito s Bunker. Project D-O Dark Biennale. Sarajevo, Bosnia. Made of Sunshine, Arsenal Film Festival, Berlín, Alemania. The Dig, Film Festival Cologne, Alemania The Beast and the Sovereign. Württembergischer Kunstverein WKV. Stuttgart, Alemania. 12x2 Videoraum, Monarchs & Men and The Anarchist Banker. Berlín, Alemania.

2 It s The Political Economy, Stupid DAAP Galleries at the University of Cincinnati. Cincinnati, Ohio, USA. The Elegance of an Empty Room Tilikum. Kunstverein in Hamburg. Hamburg, Alemania The cinema program of the 14th Istanbul. Turquía. Biennial SALTWATER, Istanbul, Turquía. Das Als-ob-Prinzip (The as-if-principle),bregenzer, Kunstverein, Austria. Life s finest values, Kunsthalle Exnergasse, Vienna, Austria. Toys Redux On Play and Critique, curated by Raphael Gygax and Judith Welter Migros Museum für Gegenwartskunst Zurich, Suiza Art Basel 2014, Film Program, Suiza. Speculations an Economy, Goethe-Institut, Montreal, Canadá. Cinema & Contemporary Visual Arts Film Forum, Gorizia, Italia. It s the Political Economy, Stupid, Galerija Nova, Zagreb, Croatcia It s the Political Economy, Stupid, Gallery 400 at the University of Chicago, USA. Impakt Festival, Utrecht. Países Bajos. An Opal World, Kunstraum, Londres, UK. It s the Political Economy, Stupid, Rosa Luxemburg Stiftung, Belgrado, Serbia. 4th Athens Biennale (AB4) AGORA 2013, Grecia. Liquid Assets, Steirischer Herbst 2013, Graz, Austria. Without Reality there is No Utopia, YBCA, Yerba Buena Centre for thearts, San Francisco, USA.

3 To Have and Have Not, Halle 14, Spinnerei Galerien, Leipzig, Alemania. It s the Political Economy, Stupid, PoriArtMuseum, Finlandia Selected Artists 2012, NGBK, Neue Gesellschaft für Bildenden Kunst,Berlín, Alemania. Lo schermo dell arte Film Festival Florencia, Italia. Florence The Presence of Multiple Possibilities, French Reviera, Francia. Newtopia: The State of Human Rights, Museum and Documentation Centre for the Holocaust and Human Rights, Mechelen, Bélgica. It s the Political Economy, Stupid, CACT Thessaloniki, Grecia. The Fable of the Bees, Docaviv, Documentary Film Festival, Tel- Aviv. It s the Political Economy, Stupid, Austrian Cultural Forum, New York, USA. Systems of Self-Interest, Open Systems, Vienna, Austria. Differenza e Ripetizione, Galleria Lia Rumma, Napoles, Italia The Savage Transparence, youngprojects, Los Angeles, Con base en Berlín, Alemania. The Anarchist Banker, Kadist Art Foundation SF, San Francisco, USA. Indie Lisboa 8th International Independent Film Festival, Lisbóa. Without Reality there is no Utopia, CAAC - Centro Andaluz de Arte Contemporaneo, Sevilla, España. IFFR 40th International Film Festival Rotterdam, Países Bajos. Image-Movement, Centre d Art Contemporain Genéve, Suiza.

4 2010 The Art of Comouflage, Cardi Black Box, Milan Schermo dell'arte Film Festival, Florencia, Italia. Dok Leipzig, 53rd International Leipzig Festival for Documentary und Animated Film 25FPS, Alemania. International Festival for Experimental Film and Video, Zagreb, Croacia. Cultures of Economics, Kulturstiftung des Bundes en colaboración con University Munich, Alemania. Novel II, Limoncello, Londres, UK. Novel II, International Project Space, Birmingham, UK. Bibliography: (selección) 2013 Bergen Assembly, ARTFORUM December, review, Eva Scharrer Am Schönen Kolwitzplatz (The Losers of the Reunification). Der Freitag, by Stefan Heidenreich A()proposal, B-Open, by Rasmus Hungnes. The Perception of Paradox in Jan Peter Hammer s Monarchs & Men Arte et Critica, by Vincenzo Estremo Selected Artists 2012, NGBK, Catalogue, by Jörg Heiser The Mutation of Homo Economicus, The Barber Shop, by Marina Vishmidt. Wenn sich der Chef für einen Anarchisten hält, Westfälische Rundschau, by Rolf Pfeifer. Bernard Mandeville and Adam Smith, The Lost Legacy of Adam Smith, by Gavin Kennedy Current Account, Art Faces The Economy, Kaleidoscope, by Nav Haq Conversation with Thomas Locher, Mousse Magazine The Anarchist Banker, Frieze magazine, by Jörg Heiser. The Anarchist Banker, Art Press, by Thibaut de Ruyter Gieb ihm die Pistole!, Taz, April Lamm and Franz von Stauffenberg.

5 2009 Light is a kind of Rhythm, Catalogue, by Alena Williams The End of Love, by Ariane Beyn Notes to the Frozen Sun, New Wight Biennial, UCLA, Catalogue, Cletus Dalglish-Schommer Suspensionen, by Sebastian Egenhofer.

2015 The Anarchist Banker, Goethe Institute, Paris, France. Tilikum, Supportico Lopez, Berlin, Germany.

Jan Peter Hammer Lives and works in Berlin, Germany. Solo shows(selection) 2015 The Anarchist Banker, Goethe Institute, Paris, France. Tilikum, Supportico Lopez, Berlin, Germany. 2014 Monarchs, Men and