PORTFOLIO. Publications, dummies and exhibitions, Are they Rocks or Clouds? Dummy, 2017

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Stella Pierce
5 years ago
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Academy of Arts, Den Haag, 2017 The Walking

Caneve Design - SYB - Self publish Calamita/à

1 PORTFOLIO Publications, dummies and exhibitions, Are they Rocks or Clouds? Dummy, 2017 Too Big To Be Depicted, Photography between authonomy and an interdisciplinary approach Thesis, Royal Academy of Arts, Den Haag, 2017 The Walking Mountain Curated by Gianpaolo Arena, Marina Caneve Design - SYB - Self publish Calamita/à October 2016 Calamita/à exhibition and book launch Matèria gallery Via Tiburtina Rome October 29th - December 3rd 2016

Abitare il Deserto curated by Giovanni Zaffagnini and Osservatorio

San Rocco Museum - Fusignano (RA) Abitare il Deserto collective

15 Architecture Biennale - Padiglione Venezia UP!

Porto Marghera, one of the biggest industrial sites in Italy In the

Bridges are Beautiful Video Installation and Fine Art print Book Dummy

2 Abitare il Deserto curated by Giovanni Zaffagnini and Osservatorio Fotografico Edited by Osservatorio Fotografico Design Emilio Macchia San Rocco Museum - Fusignano (RA) Abitare il Deserto collective Exhibition curated by Giovanni Zaffagnini September 1st - November 6th 15 Architecture Biennale - Padiglione Venezia UP! Marghera On Stage Commissioned Assignement about the contemporary Porto Marghera, one of the biggest industrial sites in Italy In the same exhibition part of Bridges are Beautiful is exhibited together with B22 - architecture group. May 28th - November 27th 2016 Paradise collective exhibition - KABK Bridges are Beautiful Video Installation and Fine Art print Book Dummy January 2016 Ricicli. Teorie da concetti nomadi e di ritorno Curated by Sara Marini and Vincenza Santangelo IUAV University - Venice Aracne editions 2014

DOMUS 1000 1km curated by Mario Bellini and Leonardo

Padiglione Italia 2014 SIFEST 23 - Laboratorio

Guardians for Landscape Stories Savignano sul

Collective exhibition and catalogue 97 Collective

Marco, Venezia November 2013, January 2014 SIFEST 23

curated by Béatrice Andrieux & Nathalie Herschdorfer

3 DOMUS km curated by Mario Bellini and Leonardo Sonnoli March 2016 Domus Nel corpo della città, Padiglione Italia 2014 SIFEST 23 - Laboratorio Italia curated by Massimo Sordi and Stefania Rossl Guardians for Landscape Stories Savignano sul Rubicone, 2014 Fondazione Bevilacqua la Masa Collective exhibition and catalogue 97 Collective exhibition of Young Artists Galleria di Piazza San Marco, Venezia November 2013, January 2014 SIFEST 23 - Laboratorio Italia curated by Massimo Sordi and Stefania Rossl Calamita/à Savignano sul Rubicone, 2014 ALT. plus Festival de la Photographie du Montagne curated by Béatrice Andrieux & Nathalie Herschdorfer calamita/à Rossiniére, 2015 Padova Fotografia Festival 1km solo exhibition 2014

catastrophic events have a return period we might

signs in our environment; my project, trough an

commencement of significant human impact on the Earth's

4 Are they rocks or clouds? Dolomites ongoing Due to the fact that natural catastrophic events have a return period we might hypothesize that a catastrophe is supposed to happen where a natural event already occurred. The work questions our capability to read fragility s signs in our environment; my project, trough an interdisciplinary approach, aims to make our knowledge stronger. The Anthropocene is a proposed epoch dating from the commencement of significant human impact on the Earth's geology and ecosystems, including, but not limited to, anthropogenic climate change. In my research project Are they rocks or clouds? I question ways of understanding the vulnerability of our environment.

6 Il Monumento Firenze 2016 Investigation on the construction of the new tramline in Firenze. Il Monumento focuses on the debat between historical centers and new infrastructures. Artist residency at Fondazione Studio Marangoni

Bridges are Beautiful Europe 2015-2016 A Migration System all over Europe:

Bridges are Beautiful is a research about a migration system breaking all

These bridges are designed in order to connect all over Europe.

7 Bridges are Beautiful Europe A Migration System all over Europe: bridges for the animals. Bridges are Beautiful is a research about a migration system breaking all european borders: the wildlife crossings. These bridges are designed in order to connect all over Europe. They are made in order to preserve and support the biodiversity. In this work is hidden a paradox concerning our continent, the United Europe, and the current events.

9 Motherboard Vajont ongoing In one hour, it became a desert, people said. Vajont is a human made catastrophe (1963). At Vajont almost 2000 people died because of other people profit. In my work I question the meaning of a catastrophe and its effects on the phisical and social environment.

11 Monopoli Manifesto Frammentario della città di Venezia ongoing Scenic Machine Mechanical mobility Love Excitement Utopia Welfare Goods Wealth Boredom Disgust Dystopia Misery Repetition Expulsion Escape Prison Tourism Mass Solitude Tale Trap The sectors of the city are somehow decipherable

1km - The Labyrinth Villeneuve La Garenne

The demolitions created new visual cones and

13 1km - The Labyrinth Villeneuve La Garenne La Caravelle is a grand ensemble which has been des-enclaved by punctual demolitions. The demolitions created new visual cones and new connection with the mother city. The La Caravelle remodelage is part of the Grand Paris.

15 BIO Marina Caneve (1988) is a visual artist focusing on photography with an interdisciplinary approach. Caneve graduated from the IUAV University of Architecture in Venice (2013) and from the KABK Royal Academy of Arts, Den Haag (2017). Caneve s work has been exhibited internationally at institutions such as La Biennale di Venezia (Venice, 2016), Matèria gallery (Rome, 2016), ALT (Switzerland, 2015), Fondazione Benetton (Treviso, 2014), Savignano Immagini Festival (Savignano, 2014), Fondazione Bevilacqua La Masa (Venice, 2013). She is co-founder of CALAMITA/Á, a research platform focusing on the topics of catastrophes, changes, memories and politics. CALAMITA/Á has born researching the Vajont story (1963). info@marinacaneve.com CV Awards 2018 Activism Giovane Fotografia Italiana #06, Fotografia Europea Reggio Emilia, Shortlisted Docking Station Artist Residency, Amsterdam (NL) 2017i 101 Collettiva, Fondazione Bevilacqua la Masa, Shortlisted (IT) La Fàbrica Photo London Book Dummy Award, Shortlisted (ES/UK) Unseen Dummy Award, Shortlisted, Amsterdam (NL) 2015 Francesco Fabbri Prize for Contemporary Arts, shortlisted Photo Annual Awards, Honorable Mention (E) MOTIONS Series and (M) OTIONS Series Rovinj Photodays Artistic Concept, 1st Prize ALT.+1000, Photography Festival of Rossiniére 2014 Premio Nascimben, 2nd Prize ma Collettiva Giovani Artisti, Fondazione Bevilacqua la Masa Artist Residency Private Investigations curated by Francesco Jodice, Fondazione Fabbri Exhibitions Collettiva, Fondazione Bevilacqua la Masa, Venezia (IT) Unseen Dummy Award, Unseen, Amsterdam (NL) Royal Academy of Art, Graduation festival, The Hague (NL) Prospettive Trasversali, Le Murate. Progetti Arte Contemporanea, Florence (IT) The Power of the Single Image, Melkweg Expo, Amsterdam (NL) 2016 CALAMITA/À, Matèria gallery, Rome (IT) Abitare il Deserto, curated by Giovanni Zaffagnini & Osservatorio Fotografico, Museo San Rocco, Fusignano (IT) Biennale di Architettura Reporting from the Front, UP!margheraonstage, La Biennale di Venezia (IT) CALAMITA/À All favorites of the european Festivals, Festival Circulations, Paris (FR) PARADISE Group Exposition, Den Haag (NL) 2015 Premio Francesco Fabbri, Villa Brandolini, Pieve di Soligo (IT) Rovinj Photodays finalists, Muzej za umjetnost i obrt / Museum of Arts and Crafts, Zagabria (HR) ALT.+1000, Festival della Fotografia di Montagna, Rossiniére (CH) Photo Annual Awards, Wall Gallery, Teplice (CZ) Rovinj Photodays, Rovinj (HR) Half-Time, ECAL, Lausanne (CH) 2014 Premio Nascimben, Fondazione Benetton, Treviso (IT) CALAMITA/À, SI Fest23, Savignano Immagini Festival Landscape Stories / Guardians, SI Fest #23, curated by Gianpaolo Arena, text by Camilla Boemio (IT) ISSP 2014, Kuldiga Arts Hall, Kuldiga (LT) Southern Photographs, Museo Pino Pascali, curated by Michele Cera, Polignano a Mare (IT) CALAMITA/À, Festival Padova Fotografia, Padova (IT) Investigazioni private, Fondazione Francesco Fabbri, curated by Carlo Sala, Asolo (IT) 1km at Festival Padova Fotografia, testi di Silvia Casi, Giaime Meloni e Carlo Sala, Padova (IT) ma Collettiva Fondazione Bevilacqua la Masa, curated by Stefano Coletto, Venezia (IT) 2012 Sin_Tesis 04, a cura di Stefania Rössl, Massimo Sordi e Guido Guidi, Savignano sul Rubicone (IT) Publications 2017 Humble Cats, Yoffi Press 2016 The Walking Mountain, CALAMITA/À Abitare il deserto, Osservatorio Fotografico 2014 RICICLI. Teorie da concetti nomadi e di ritorno, Aracne editions Riflessioni sulla crisi, FFF Catalogues and magazines 101ma Collettiva, Fondazione Bevilacqua la Masa (2017), Domus 1000 (2017), Aint Bad Magazine, Issue 3 From Here On (2016), ALT Catalogue (2015), Rovinj photodays catalogue (2015), Southern Photographs 03, LAB ed (2014), SiFEST #23 (2014), Quaderni #2, MIMESIS edizioni (2014), 97ma Collettiva, Fondazione Bevilacqua la Masa (2013), SiFEST #21 (2012) Interviews La vulnerabilità umana, interview curated by Alice Caracciolo, IL FOTOGRAFO n.292 (2017) LAND\SLIDE 18 \\ Marina Caneve, Concretamente Sassuolo, curated by Giovanni Fantasia Lectures CALAMITA/À interdisciplinary workshop, Parco Naturale delle Dolomiti Friulane (2015) CALAMITA/À,Vajont. Gianpaolo Arena e Marina Canevein collaboration with LATITUDE platform urban research and design at PILA 40, RIGA Summer Intensive Workshop (2014) Scuole di Venezia: la fotografia, Università IUAV Venice, Phd departement (2014) I luoghi della fotografia. La fotografia come strumento conoscitivo e interpretativo, OAPPC (2014)

Francesco Alici, 2017, oil on canvas, 123,5x80 cm

beatrice alici Francesco Alici, 2017, oil on canvas, 123,5x80 cm Sulltane, 2017, oil on canvas, 177x120 cm Vagina s painting, 2017, oil on canvas, 119,5x140 cm Next pages: A black girl and my grandfather,