Parcours: An array of site-specific artworks installed around Basel's Münsterplatz

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1 PRESS RELEASE BASEL MAY Parcours: An array of site-specific artworks installed around Basel's Münsterplatz The 2015 edition of Parcours will be sited in the historical center of Basel around the city's iconic cathedral, infiltrating key locations such as the Museum of Culture, the Natural History Museum, the Town Hall and the Münsterplatz itself. 23 sitespecific artworks by internationally renowned as well as emerging artists will be featured, the biggest selection to date, including works by Alexandra Bachzetsis, Davide Balula, Adriano Costa, Alicia Framis, Piero Golia, Tobias Kaspar, Alicja Kwade, Nate Lowman, Michaela Meise, Jonathan Monk, Vik Muniz, Ciprian Mureşan, Peter Regli, David Renggli, Ugo Rondinone, Yves Scherer, Lara Schnitger, Alyson Shotz, Daniel Silver, Philippe Thomas, Blair Thurman and Francisco Tropa. Parcours looks to engage with Basel s past and present by weaving artistic interventions into the fabric of the specific location each edition inhabits. Florence Derieux, Director of FRAC Champagne-Ardenne, will curate Parcours for the third consecutive year. The sector will be open to the public from Wednesday June 17 to Sunday June 21, culminating in Parcours Night on Saturday June 20 an evening of late night openings of all Parcours projects, a special intervention by Lara Schnitger and an evening program curated by Derieux of performances by Rosa Barba, Julien Bismuth and Erkka Nissinen as well as a DJ set by Haroon Mirza with London-based band Factory Floor. As part of the evening, Art Basel with HeK (House of electronic Arts Basel) will present a new live performance by Edwin van der Heide. 'LSP' is a series in which the artist creates composed relationships between light and sound in space. In addition, the following museums and institutions in the Münsterplatz area will extend their opening times into the night: Naturhistorischesmuseum Basel, Museum der Kulturen Basel, Antikenmuseum Basel und Sammlung Ludwig, Historisches Museum Basel. On Münsterplatz, Gladstone Gallery (New York, Brussels) and Galerie Eva Presenhuber (Zurich) will present the gracious (2015), a new large-scale stone sculpture by Swiss artist Ugo Rondinone of a human form of imposing size and mass. Close by, Massimo De Carlo (Milan, London) and Maccarone (New York, Los Angeles) will show 'Multicolored tow truck' (2015) by American artist Nate Lowman, a series of sculptures created from rusted and painted tow trucks, traditionally used to transport other vehicles. Lowman transforms these mechanical objects into religious crosses displayed on Münsterplatz. Galerie Guido W. Baudach (Berlin) will present a 3D-printed mermaid designed by Yves Scherer in Dreizackbrunnen, a fountain on Münsterberg. Little Mermaid (2015) comprises a mermaid s tail merged with the torso and head of actress Emma Watson. Exhibited in the cloister of Basel s gothic cathedral, Alicja Kwade s Der Tag ohne Gestern I - III ( ), presented by 303 Gallery (New York), Galerie König, Berlin (Berlin) and kamel mennour (Paris), explores the fundamental questions of space and time. The work consists of three large corten-steel structures, the forms of which are inspired by pre-scientific attempts to illustrate the inherent structure of the universe. The viewer can walk through the space, peer down the barrels of the sculptures and find clocks staring back indicating the accurate time, demonstrating one of the most ostensibly inherent truths we use to place ourselves in the universe. In the council hall of

2 Basel's cathedral, Galeria Juana de Aizpuru (Madrid) will present Habitación de libros prohibídos / Room for forbidden books (2014) by Alicia Framis. The installation consists of a closed room containing over a hundred books that have been banned at certain times in particular countries. Framis will highlight the problematic nature of censoring by juxtaposing seemingly innocuous titles such as Beatrix Potter s The Tale of Peter the Rabbit with Karl Marx s The Communist Manifesto. Visitors can read these forbidden works in the quiet and private confines of the room. The Natural History Museum will house three site-specific artworks. Presented by Meyer Riegger (Berlin, Karlsruhe) and kurimanzutto (Mexico City), Alexandra Bachzetsis performance Gold (2004) plays with the ambiguous vernacular behind hip hop and R&B culture. Focused on the eroticized and strong female figure, Bachzetsis piece offers a powerful and fully embodied reflection on dance culture, visual pleasure and the commodification of fantasy. galerie frank elbaz (Paris) will present Painting the roof of your mouth (Ice Cream) (2015), a fully functioning ice cream parlour by Davide Balula. Based on his previous paintings series, River, Buried and Burnt Paintings ( ), the artist will serve unusual ice cream flavours including burnt wood, graphite, linen and smoke, creating a sensorial work. The flavours, developed in collaboration with Michelin Starawarded chef Daniel Burns, can be sampled either at the main parlour or from ice cream trolleys placed in different parts of the city. The third project on display in the museum, presented by Gagosian Gallery (New York, Beverly Hills, London, Geneva, Hong Kong, Le Bourget, Paris, Rome, Athens) and galerie frank elbaz (Paris) will be Widows' Walk (A Coat of Arms and/or Tails for a Whale)' (2015) by Blair Thurman, a new large-scale neon installation, based on 'Merry Widow', one of Thurman s signature works. In the Museum of Culture, Mendes Wood DM (São Paulo) and Sadie Coles HQ (London) will present two works by Adriano Costa, both relating to Costa s own life as a Latin American artist working in Europe. International Division of Labour 2 (2014) is an installation of counterfeit handbags placed on a platform, dislocating them from their original purpose. The second work, How to be Invisible in High Heels (2014), is a sequence of monochromatic steles whose different heights refer to those of Brazilian transsexuals in high-heeled shoes Costa met in Milan. At the city hall, Gagosian Gallery (New York, Beverly Hills, London, Geneva, Hong Kong, Le Bourget, Paris, Rome, Athens) and Bortolami (New York) will present Untitled (Evil exists where good men do nothing) (2005), a life-size guillotine by Piero Golia. In the courtyard of Basel s state archives, Galerie Peter Kilchmann (Zurich) will present Reclining Nude (2014) by David Renggli, a sculpture consisting of powder-coated aluminum. Placed on a pedestal, Renggli s sculpture takes cues from ancient Greece, where only partial fragments of the figure remain, creating a sculpture reminiscent of a fragmented body. In the Gymnasium am Münsterplatz nearby, Michaela Meise s Im Kreis, am Kreis (Chelsea Kramer and Portraits) (2013), presented by Galerie König, Berlin (Berlin) and Standard Oslo (Oslo), consists of a table bench where people can sit, eat or work together. It was created with Berlin locksmith Bernd Euler and takes its form from the 1928 design of Ferdinand Krammer for a kindergarten in Frankfurt, pointing out the political and pedagogical strategy of the time of pulling the community together. A selection of ceramic portraits will be hung inside the school, depicting random people the artist met during her life. The Puppet Theater will be home to a live performance of puppetry by Ciprian Mureşan, presented by David Nolan Gallery (New York). Having re-staged classical texts and worked with contemporary Romanian playwrights such as Gianina Cărbunariu and Saviana Stănescu, Mureşan s theater may initially seem classical in format, but beyond its traditional appearance, a focus on technical apparatus along with the use of improvisation and spontaneity will shift the viewer s perspective.

3 At the corner of Rittergasse and St. Alban-Graben, Lisson Gallery (London, Milan, New York, Singapore) will present Jonathan Monk s Covered Motorbike (2013), the largest bronze sculpture the artist has created to date. Monk plays, mocks, questions, deflates and multiplies by breaking up images and ideas, before putting them back to create new ones, often recalling the approach of 1960s Conceptualism. Observatoire d insectes (1996) by Francisco Tropa will be presented by Galerie Jocelyn Wolff (Paris) at the old university. First presented in 1996, the work comprises two trestles holding a plate which is colored with safran yellow and painted with honey. The viewer will witness the work transform into an observatory as both the color and the honey attract insects to the work. Presented on stone walls throughout the Parcours area will be Alyson Shotz s Imaginary Sculptures ( ), presented by Carolina Nitsch (New York). As six panels of text on enamel, these signs are initially experienced as ordinary street signs. However, each panel contains a short text describing an imagined sculpture, using language to conjure forms in the mind of the viewer, demonstrating the notion that every work of art exists in the imagination, first in the mind of the artist and later in the memory of the viewer. Jan Mot (Bruxelles, Mexico City) will present Chiat/Day/Mojo - readymades belong to everyone (1990) by Philippe Thomas. The artist founded a communication and events agency in reference to Marcel Duchamp, and the advertising work on show, first exhibited in Art & Publicité at the Center Pompidou in Paris in 1990, will be displayed in Basel on a billboard pillar in the city s marketplace. Presented by Anton Kern Gallery (New York) and Stuart Shave / Modern Art (London), Lara Schnitger 'Suffragette City' (2015) consists of a fabric and sculpture environment, accompanied by a single performance. The installation is made of a room with brightly colored tapestries lining the interior walls and banners suspended from the ceiling displaying bold messages about gender, sexuality and motherhood, as well as freestanding sculptures. The work will be activated by a procession through the streets of Basel on Saturday, June 20 as part of Parcours Night. On display at the Antikenmuseum Basel und Sammlung Ludwig, Daniel Silver s Rock Formations', ( ) is composed of a series of semi-figurative sculptural works that embody the artist s ongoing obsession with the ancient world. Presented by Frith Street Gallery (London), the works which make up the installation are composed of couplings or collages of stone and bronze heads placed directly on a piece of Carrara marble. Presented by Galerie Peter Kilchmann (Zurich), Tobias Kaspar THE STREET (NYC 1995) (2015) will transform the entrance of Scala Basel into 1995 New York City. With props, a backdrop, music and three teenage characters in 1990s clothes, Kaspar is choreographing a period piece both addressing the influence of mainstream culture as well as offering an insight into his own biography having grown up in Basel and New York at the time. Pace (New York, London, Zuoz, Beijing, Hong Kong) will present Mnemonic Vehicle (Ferrari) (2015), an installation by Vik Muniz comprising a life-size sculpture of the iconic Matchbox toy car at St. Martin s church. A project about memory, desire and scale, the artist has been collecting vintage toy cars from flea markets, old toyshops and ebay over the last year, considering the importance of toys and playing to our adult selves. Nearby on Mittlere Bücke, Peter Regli s marble sculpture RH No 256, Travelling Snowman #01 (2007), rooted in land art and interventionism, will be presented by Art : Concept (Paris).

4 The full list of Parcours projects are: Alexandra Bachzetsis Gold, 2004 Meyer Riegger (Berlin, Karlsruhe) and kurimanzutto (Mexico City) Naturhistorisches Museum Basel, Augustinergasse 2 Davide Balula 'Painting the roof of your mouth (Ice Cream)', 2015 galerie frank elbaz (Paris) Naturhistorisches Museum Basel, Atelier, Schlüsselberg 5 Adriano Costa International Division of Labour 2, 2014 How to be Invisible in High Heels, 2014 Mendes Wood DM (São Paulo) and Sadie Coles HQ (London) Museum der Kulturen Basel, Münsterplatz 20 Alicia Framis 'Habitación de libros prohibídos'/ 'Room for forbidden books', 2014 Galeria Juana de Aizpuru (Madrid) Basler Münster, Konzilssaal Piero Golia Untitled (Evil exists where good men do nothing), 2005 Bortolami (New York) and Gagosian Gallery (New York, Beverly Hills, London, Geneva, Hong Kong, Le Bourget, Paris, Rome, Athens) Basler Rathaus, Marktplatz Tobias Kaspar THE STREET (NYC 1995), 2015 Galerie Peter Kilchmann (Zurich) Scala Basel, Freie Strasse 89 Alicja Kwade Der Tag ohne Gestern l - lll, Gallery (New York), Galerie König, Berlin (Berlin) and kamel mennour (Paris) Basler Münster, Kreuzgang Nate Lowman 'Multicolored tow truck', 2015 Massimo De Carlo (Milan, London) and Maccarone (New York, Los Angeles) Münsterplatz Michaela Meise Im Kreis, am Kreis (Chelsea Kramer and Portraits), 2013 Galerie König, Berlin (Berlin) and Standard Oslo (Oslo) Gymnasium am Münsterplatz, Münsterplatz 15 Jonathan Monk Covered Motorbike, 2013 Lisson Gallery (London, Milan, New York, Singapore) Corner of Rittergasse and St. Alban-Graben

5 Vik Muniz Mnemonic Vehicle (Ferrari), 2015 Pace (New York, London, Zuoz, Beijing, Hong Kong) Martinskirchplatz Ciprian Mureşan untitled, 2015 David Nolan Gallery (New York) Basler Marionettentheater, Münsterplatz 8 Peter Regli RH No 256, Travelling Snowman #01, 2007 Art : Concept (Paris) Mittlere Brücke, Eisengasse 1 David Renggli Reclining Nude, 2014 Galerie Peter Kilchmann (Zurich) Staatsarchiv Basel-Stadt, Martinskirchgasse 2 Ugo Rondinone the gracious, 2015 Gladstone Gallery (New York, Brussels) and Galerie Eva Presenhuber (Zurich) Münsterplatz Yves Scherer Little Mermaid, 2015 Galerie Guido W. Baudach (Berlin) Dreizackbrunnen, Münsterberg Lara Schnitger Suffragette City, 2015 Anton Kern Gallery (New York) and Stuart Shave / Modern Art (London) Bau- und Verkehrsdepartement Basel-Stadt, Münsterplatz 11 Alyson Shotz Imaginary Sculptures, Carolina Nitsch (New York) Multiple sites Daniel Silver Rock Formations, Frith Street Gallery (London) Antikenmuseum Basel und Sammlung Ludwig, St. Alban-Graben 5 Philippe Thomas Chiat/Day/Mojo - readymades belong to everyone, 1990 Jan Mot (Brussels, Mexico City) Schifflände Blair Thurman Widows' Walk (A Coat of Arms and/or Tails for a Whale), 2015 Gagosian Gallery (New York, Beverly Hills, London, Geneva, Hong Kong, Le Bourget, Paris, Rome, Athens) and galerie frank elbaz (Paris) Naturhistorisches Museum Basel, Augustinergasse 2

6 Francisco Tropa Observatoire d insectes, 1996 Galerie Jocelyn Wolff (Paris) Alte Universität, Rheinsprung 9 Opening hours Parcours: Wednesday Friday, June 17 to 19, 2015, 11am to 10pm Saturday, June 20, 2015, 11am to 12 midnight Sunday, June 21, 2015, 11am to 7pm Parcours Night takes place on Saturday, June 20, from 6pm to 12 midnight. All performances on the evening are free of charge, food and drinks are available on-site. Free public access Guided tours Parcours: Daily public guided tours of Parcours are available between June 18 and June 21 at 5.30pm in English and German. Meeting Point: Münsterplatz Info Point Adult: CHF 25/ 16 Schools, Student, Senior, AHV: CHF 15 / 12 For reservations: Online shop ( Guided Tours desk in Hall 1 or Parcours Info Point on Münsterplatz Private guided tour: Per Group: CHF 400- / 400 VAT excl. entrance fee not incl. (max. 15 Pax) Students (university): CHF 300.-/ 300. VAT excl. entrance fee not incl. Duration: 1 Hour Languages: German, French, English, Spanish, Italian, Russian, Mandarin, Portuguese Meeting Point: Münsterplatz Info Point For reservations and information contact Nicole Reber, NOTES TO EDITORS Florence Derieux Florence Derieux is the Director of FRAC Champagne-Ardenne, which conceives and produces exhibitions of contemporary art, and organizes educational activities and events to engage the public in contemporary art. She has curated independent projects worldwide and has authored several books, essays and articles on the subject of contemporary art and artists. She lectures frequently at art institutions around the world. About Art Basel Art Basel stages the world's premier art shows for Modern and contemporary works, sited in Basel, Miami Beach and Hong Kong. Defined by its host city and region, each show is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition. In addition to ambitious stands featuring leading galleries from around the world, each show's exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas, new inspiration and new contacts in the art world. Partners UBS, global Lead Partner of Art Basel, has supported the organization for more than 20 years. As Art Basel s global network has expanded, so too has UBS s commitment and lead partnership, which includes all three shows in Basel, Miami Beach and Hong Kong.

7 In addition to its support of Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world s most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news-focused app, 'Planet Art'. Associate Partners Davidoff, the prestigious Swiss cigar brand, Audemars Piguet, the independent high-end watch manufacturer, and NetJets, the world leader in private aviation, support Art Basel across its three shows. Art Basel's Media Partners are The Financial Times and the Neue Zürcher Zeitung, and the VIP car service at the show is by BMW. Long-standing partner AXA ART, the international art insurance specialist, provides VIP guided tours at all shows. For further information on Art Basel's partners, please visit artbasel.com/partners. Important Dates for Media Art Basel Private View Tuesday, June 16, 2015, 11am to 8pm (by invitation only) Wednesday, June 17, 2015, 11am to 3pm (by invitation only) Art Basel Vernissage Wednesday, June 17, 2015, 3pm to 8pm (by invitation only) Art Basel Public Days Thursday, June 18, 2015, 11am to 7pm Friday, June 19, 2015, 11am to 7pm Saturday, June 20, 2015, 11am to 7pm Sunday, June 21, 2015, 11am to 7pm Press accreditation: Online registration for press accreditation is now open and will close on Wednesday, June 3, Please visit artbasel.com/accreditation. Media information online Media information and images can be downloaded directly from artbasel.com/press. Journalists can subscribe to our media mailings to receive information on Art Basel. For the latest updates on Art Basel, visit artbasel.com, find us on Facebook at facebook.com/artbasel or on Instagram, Google+, Twitter, Weibo and Wechat. Press Contacts Art Basel, Dorothee Dines Tel , PR Representatives for Europe Sutton PR, Sarah Norton Tel , PR Representatives for North and South America and the Middle East FITZ & CO, Katrina Weber Ashour Tel ext. 1653, PR Representatives for Asia Sutton PR Asia, Erica Siu / Charlotte Yip Tel , /

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