Page 1-3: BLACK NOISE, Iron Oxide Black on glas and wall cm. resonator, sound loop

Transcription

1 ANJA BRAUN 1

2 Page 1-3: BLACK NOISE, 2017 Iron Oxide Black on glas and wall cm resonator, sound loop manifesto Magnets in the City by Geta Brătescu 100 copies distributed on the 4th of May SOX, Berlin, DE sound: password: Berlin2017 1

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4 Magnets in the City The magnets live in the city or in the outskirts. The gigantic magnet lives in the field, twenty kilometers away from the entrance into the city and at a fair distance from the highway lest its extremely powerful influence should affect the traffic. He who comes near this magnet will see his metallic objects popping through the coat out of their pockets. The smaller magnets live in the city square. They remind people of their own will. The passer-by tries to move them, to establish new connections among them, to give a new orientation to the magnetic pieces attracted by the magnets. Thus he investigates the space. The sense of time also changes because magnets can play tricks, they can stop or delay the time. People can imagine themselves throwing iron objects, ironing machines, nibs, crowbars, sieves etc. at these magnets. Once they enter the magnetic field, in people s minds the common objects acquire a life of their own: a permanent studio is distributed to each of them. The even smaller magnets, some of which are round, very mobile, are to be found at hand in kindergartens, schools and parks. Thus, the children play with toys that seem to be endowed with a will of their own, with specific orientation. The children try to decipher the movements of the magnets; they try to play along or against their attraction exercises in time and space. Geta Bratescu Magnets in the City 1974, Bucharest 13

5 Page 4-5: SATELLITEN, 2017 collaboration with Wendelin Schmidt-Ott resonators, sound loop, installation variable sound: password: Bern2017 Resonators are installed on sculptures of other artists. The unique resonance of each sculpture is stimulated by the acoustic vibrations and thus is used as a sound body. 14

6 exhibition view SANS TITRE (PARAMÈTRES COMPOSÉS) - SANS PARAMÈTRES (COMPOSITION AGILE), Stadtgalerie, Bern, CH, 2017 UNTITLED, 2016 SATELLITEN,

7 Page 5-6: UNTITLED, 2016 Black Sand from Ureki, magnet dimension variable 16

8 ANNIVERSAIRE DE L ART, 14th of January pigment explosion with Chalk from Champagne, Venetian Red, Italian Gold Ochre and Nickel-Titanium Yellow Galerie C, Neuchâtel, CH video: password: Neuchatel

9 PAGE 8-9: TAGESTEPPICH, 2017 Fluorescent Pigment Green, Pastel Green, Paliotol Orange, Poppy Red, Irgazine Orange, Burnt Umber, Bismuth-Vanadate Yellow, Chrome Oxide Green, Irgazine Ruby, Ultramarine Violet, Kremer White, Manganese Gray, Madder Lake Violet and Indigo Synthetic on canvas 1 35 m, installation variable exhibition view Kaskadenkondensator, Basel, CH 18

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11 PANORAMA, 2016 Paris Blue on lense OHNE TITEL, ,5 5 5 cm 10

12 SANTA CRISTINA IN SALIVOLPE, 2016 Fluorescent Pigment Green and Pastel Green, Paliotol Orange and Poppy Red, Irgazine Orange and Burnt Umber, Chrome Oxide Green and Bismuth-Vanadate Yellow, Ultramarine Violet and Irgazine Ruby, Manganese Gray and Kremer White, Indigo Synthetic and Madder Lake Violet on white stuff on wood 7 parts: each ,5 cm 11

13 SOURCE, 2016 Irgazine Red, Caput Mortuum and resonators on glass, sound 2 parts: each cm, 50 loop, installation variable sound design Wendelin Schmidt-Ott video: password: Move

14 PAGE 13-15: UNSERE ZUKUNFT LIEGT VIELLEICHT AUF DEM MEER, 2015 Irgazin Red, Nickel-Titanium Yellow, Paris Blue, Caput Mortuum, Iron Oxide Black and Titanium White on glass and white stuff, wood, 6 parts: each cm exhibition view, Kunsthaus Glarus, CH 13

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16 exhibition view UNTER 30 XI, KIEFER HABLITZEL PRIZE, Kunsthaus Glarus, 2015 UNSERE ZUKUNFT LIEGT VIELLEICHT AUF DEM MEER, 2015 OHNE MOVEMENT TITEL, 1-9,

17 PAGE 15-17: MOVEMENT 1-9, 2011 oil on paper, 9 parts: each cm exhibition view Kunsthaus Glarus,

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19 PAGE 18-19: DUO 8007, 2015 Iron Oxide Black and video on glass, 4-channel sound cm, video 15 loop, sound 148 loop exhibition view Kunstmuseum Thun, CH video: password: Paris

20 video: keyword: Paris2015 DUO 8007, 2015 Iron Oxide Black and video on glass, 4-channel sound cm, video 15 loop, sound 148 loop exhibition view Kunstmuseum Thun 19

21 L ANCIEN HÔPITAL, 2015 collaboration with Wendelin Schmidt-Ott HD video, 4-channel sound, loop video: password: Paris

22 200 JOURNAUX POUR PARIS, 26. Mai Performance:I distributed 200 journals with photographs made in Georgia in public places in Paris. 121

23 Page 22-23: exhibition view ANJA BRAUN Stadtgalerie, Bern, CH,

24 UNTITLED, 2014 Caput Mortuum, Elba Brown Ocre, Paris Blue, Green Jasper, Russian Green Earth, Fluorescent Pigment Green, Irgazin Red, Cadmium Yellow, Cadmium Orange, Magnetite, Iron Oxide Black, Iron Glimmer from Morocco, Iron Powder from Brussels, Black Sand from Ureki, stone, magnet, steel, chrome steel / Nickel-Titanium Yellow, glass, neon tubes exhibition view Stadtgalerie, Bern, CH 123

25 BUTTES CHAUMONT, 2014 video, sound, 7 loop sound design Wendelin Schmidt-Ott video: password: Paris