JAGNA CIUCHTA

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1 JAGNA CIUCHTA jagnaciuchta@gmail.com 1

2 3 sans titre Un socle de l exposition when you see me again it won t be me

Exposition when you see me again it won t be me. again., partie 1 - entrée, pointdom, Toulouse, 2011.

be me, a cut-out photograph, variable dimesions.

2 2 3 sans titre Un socle de l exposition when you see me again it won t be me décomposé, une photographie (photo Samir Ramdani) découpée, dimensions variables. Exposition when you see me again it won t be me. again., partie 1 - entrée, pointdom, Toulouse, untitled A decomposed pedestal from the exhibition when you see me again it won t be me, a cut-out photograph, variable dimesions. Exhibition when you see me again it won t be me. again., part 1 - entrance, pointdom, Toulouse, France, 2011.

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6 7 when you see me again it won t be me. again. partie 2 - l exposition.

utilisés pour esquisser une composition dans l espace, proposer une grille, un simulacre d exposition.

The components of two decomposed pedestals (from the exhibition when you see me again it won t be me), are

4 6 7 when you see me again it won t be me. again. partie 2 - l exposition. Les composants de deux socles (de l exposition when you see me again it won t be me) déconstruits, sont utilisés pour esquisser une composition dans l espace, proposer une grille, un simulacre d exposition. Dimensions variables, PointDom, Toulouse, when you see me again it won t be me. again. part 2 - the exhibition. The components of two decomposed pedestals (from the exhibition when you see me again it won t be me), are used to sketch a composition in the space, to propose a grid, a simulacrum of an exhibition. Variable dimesions, PointDom, Toulouse, France, 2011.

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6 EVA, CAN I STAB BATS IN A CAVE? Un palindrome, un piège où est tombée la pensée qui rôdait dans les couloirs de la langue. En sortira-t elle ou bien restera-elle dans un va-et-vient sans fin? Le temps y avance en reculant à la fois, c est comme s il n existait pas. EVA, CAN I STAB BATS IN A CAVE? A palindrome, a trap where a thought, that prowled the corridors of language, has fallen. Will it emerge or will it endlessly move back and forth? The time advances as going backwards as if it didn t exist pages Galeria AT, Poznań, Pologne, Les pièces ont été réalisées avec le soutien de Galeria AT, DRAC Ile-de-France, Maison des Arts Georges Pompidou - Cajarc, Centre de Préhistoire du Pech-Merle. Photos : Mariusz Jagniewski pages Galeria AT, Poznań, Poland, Those works were produced with the support of Galeria AT, DRAC Ile-de-France, Maison des Arts Georges Pompidou - Cajarc, Centre de Préhistoire du Pech-Merle. Photos : Mariusz Jagniewski

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8 14 15 empty version socle en bois peint (75x24x36cm) et photographie d archives - exposition de Jagna Ciuchta when you see me again it won t be me (18x24cm, photo Samir Ramdani, 2010). empty version a wooden pedestal painted (75x24x36cm) and an archive photograph - exhibition when you see me again it won t be me (18x24cm, photo Samir Ramdani, 2010).

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18 19 panstwa - miasta (états - villes) 11 fusains sur photocopie (16x24cm chaque) de

10 panstwa - miasta (states - towns) 11 drawings, charcoal on xerox (16x24cm each) of the archive photos - Jagna Ciuchta s performance panstwa - miasta (photos Hanna Luczak, 2000) panstwa - miasta (états - villes) 11 fusains sur photocopie (16x24cm chaque) de photographies d archives - performance de Jagna Ciuchta panstwa - miasta (photos Hanna Luczak, 2000).

20 21 doesn t just explode, it erupts with volcanic force skotch papier sur le mur, dimensions variables (proportions écran cinématographique standard) - Extrait de la série a tease, basée sur les

11 20 21 doesn t just explode, it erupts with volcanic force skotch papier sur le mur, dimensions variables (proportions écran cinématographique standard) - Extrait de la série a tease, basée sur les citations des trailers de cinéma. doesn t just explode, it erupts with volcanic force paper skotch on the wall, variable dimensions (proportions of the standard cinema screen). From the series a tease, which is based on quotations from the movie trailers.

yellow painting plâtre (55x42x21cm), perforation, photographie d archives - exposition de peintures de Jagna Ciuchta, photo Daniel Rumiancew, 2001 (55x42cm), socle.

12 yellow painting plâtre (55x42x21cm), perforation, photographie d archives - exposition de peintures de Jagna Ciuchta, photo Daniel Rumiancew, 2001 (55x42cm), socle. yellow painting plaster cast (55x42x21cm) and archives photography of the Jagna Ciuchta s MFA exhibition of paintings, photo Daniel Rumiancew, 2001 (55x42cm), wooden pedestal

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14 1 1A collage (50x33cm) sur photographie couleur des perles de cavernes de la Grotte du Pech-Merle, France (photo Jagna Ciuchta/Yohann Gozard, 2010). 1 1A collage (50x33cm) on colour photography of cave pearls, Pech-Merle Cave, France, (photo Jagna Ciuchta/Yohann Gozard, 2010)

15 28 29 WHEN YOU SEE ME AGAIN IT WON T BE ME. pages Exposition Water Walk Centre d art Contemporain de Cajarc - Maison des arts Georges Pompidou, Socles laqués (53x67x123cm, 67x53x123cm et 123x53x67cm) empilement de plaques de plâtre façonné par les intempéries, végétation (110X40X65cm) diapositive provenant d archives privées - voyageurs anonymes des années 70 (dimensions variables) photographie découpée d une documentation d exposition personnelle - Jagna Ciuchta, 2005, voir page 40, (53x80cm) Photos Samir Ramdani WHEN YOU SEE ME AGAIN IT WON T BE ME. pages Exhibition Water Walk Centre d art Contemporain de Cajarc - Maison des arts Georges Pompidou, Enameled pedestals (53x67x123cm, 67x53x123cm et 123x53x67cm) pile of plaster construction materials, transformed by time and rain, plants (110X40X65cm) slide shot by anonymous travellers in the 70 s (variable dimensions) cut-out archives photography on dibbond, view of Jagna Ciuchta s exhibition, 2005, see page 40. (53x80cm) Photos Samir Ramdani

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21 sans titre (lignes de fuite) Jagna Ciuchta, 2005, vue d extérieur, Photo Yohann Gozard. 400 cannes d aveugle, fils nylon, dimensions variables, ici : 23 m de longueur, diamètre 2 m, dimensions de la galerie : 24 m x 6 m. untitled (vanishing lines) Jagna Ciuchta, 2005, installation external view, Photo Yohann Gozard. 400 white (blind man) sticks, variable dimensions, here : 23m x 1,9m x 2m. CIAM Toulouse, France,

22 42 43 WHEN YOU SEE ME AGAIN IT WON T BE ME. pages Exposition Water Walk Centre d art Contemporain de Cajarc - Maison des arts Georges Pompidou, Socles laqués (53x67x123cm, 67x53x123cm et 123x53x67cm). Photos Samir Ramdani WHEN YOU SEE ME AGAIN IT WON T BE ME. pages Exhibition Water Walk Centre d art Contemporain de Cajarc - Maison des arts Georges Pompidou, Enameled pedestals (53x67x123cm, 67x53x123cm et 123x53x67cm). Photos Samir Ramdani

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nightmare Photocopie (reproduction de David et Goliath de Caravage), et carton découpés, scotch, 15 x 21 x 0,5 cm, 2010.

29 nightmare Photocopie (reproduction de David et Goliath de Caravage), et carton découpés, scotch, 15 x 21 x 0,5 cm, Cut-out photocopy (Caravaggio s David and Goliath reproduction), cardboard, scotch-tape, 15 x 21 x 0,5 cm,

30 How are you doing? Impressions sur contreplaqué chêne, Prints on oak plywood, modified. modifiées. À l origine de ce travail, les The images come from the film Citizen images du film Citizen Kane, où Susan Kane, where Susan Alexander, Charles Alexander, l épouse de Charles Foster Foster Kane s wife, spends all days long Kane, passe des jours entiers à faire des on doing jigsaw puzzles. The image has puzzles. L image a été partiellement effacée par abrasion, en commençant par le from the void of missing puzzle pieces. been partly erased by abrasion starting vide des pièces manquantes du puzzle. Dimensions 60 x 45 cm each, Dimensions 60 x 45 cm chacune, Photos Nelly Blaya

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peinture, cire, éclairage, 66,6 x 86,5 cm. Exposition Fantasmagories, Point de Fuite, Fronton, 2010.

) a volume replica of Cornelis Norbertus Gysbrecht s Back of a painting ; wood, linen canvas, nails, paint, wax,

32 56 57 sans titre (63.) Réplique en volume du Dos d un tableau de Cornelis Norbertus Gysbrechts ; bois de ramin, toile de lin, clous, peinture, cire, éclairage, 66,6 x 86,5 cm. Exposition Fantasmagories, Point de Fuite, Fronton, Photo Yohann Gozard. Untitled (63.) a volume replica of Cornelis Norbertus Gysbrecht s Back of a painting ; wood, linen canvas, nails, paint, wax, lighting, 66,6 x 86,5 cm. Exposition Fantasmagories, Point de Fuite, Fronton, Photo Yohann Gozard. Dos d un tableau, Cornelis Norbertus Gysbrechts, 1670, huile sur toile, 66,6 x 86,5 cm, Copenhague, Statens Museum. Back of a painting, Cornelis Norbertus Gysbrechts, 1670, oil on canvas, 66,6x86,5cm, Copenhague, Statens Museum.

33 58 59 sans titre (lignes de fuite) 400 cannes d aveugle, fils nylon, dimensions variables, ici : 23m x 1,9m x 2m. CIAM, Toulouse, Photo Yohann Gozard untitled (vanishing lines) 400 white (blind man) sticks, variable dimensions, here : 23m x 1,9m x 2m. CIAM Toulouse, France, Photo Yohann Gozard

exhibition Projection vidéo, 4 phrases (0 25 ) en boucle, citation d un dialogue du film A Woman Under The Influence de John Cassavetes, 2009. who do you want me to be? / how do you want me to be?

34 exhibition Projection vidéo, 4 phrases (0 25 ) en boucle, citation d un dialogue du film A Woman Under The Influence de John Cassavetes, who do you want me to be? / how do you want me to be? / I can be that / I can be anything Exhibition, Video projection of 4 sentences (0 25 ) in loop, a quotation of a dialogue from the John Cassavetes film A Woman Under The Influence, who do you want me to be? / how do you want me to be? / I can be that / I can be anything 60 61

Nanterre-Amandiers, 2017

Vue d installation Nanterre-Amandiers, 2017 Vue d installation Nanterre-Amandiers, 2017 Vue d installation Nanterre-Amandiers, 2017 Vue d exposition Galerie Bugada Cargnel Paris, 2017 Vue d exposition