List of Works. Claudie Gagnon Time of Ice. From February 1 to April 26, 2009

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1 List of Works Claudie Gagnon Time of Ice From February 1 to April 26, 2009 The Secret, 1995 Mural installation Wood, acrylic, fabric, printed paper, cardboard on foamboard, plaster, sand, steel wire, china cup and ball of wool In 1995 Claudie Gagnon was artist in residence for six months at the Studio Cormier in Montreal. She filled the space with Where Does the Wind Go When it s not Blowing?, her first performative work that revives the art of the living tableau. While there, she also presented Flowers, Sorrows and Small Noises, an in situ installation in which The Secret was displayed, as a variant incorporated into a group of objects against a background of scarlet walls. Pass Me the Sky, 1998 Video, 4 min. 31 sec. Co-production with La Bande Video For the Snow on Snow show (1998), the artists centre La Bande Video of Quebec City invited Claudie Gagnon to make her first video, entitled Pass Me the Sky. The inaugural screening was held on a screen of snow outdoors in Saint Matthew s cemetery in Quebec City. It is the artist s only film. Both the imagery and the narration provide a good overview of her performative art.

2 Cabinets of curiosities, 2000, partially reconstructed in 2007 Sculptural installation Wood, Plexiglas, glass, dust, fabric, metal, lighting, various objects and materials To mark the year 2000, the artist Robert Lepage designed Métissages/Crossings ( ), an exhibition at the Musée de la civilisation in Quebec City that focused on notions of identity and mixed blood, and invited Claudie Gagnon to participate. She created eight Cabinets of Curiosities, four of which have been revived for this retrospective. They evoke the Surrealist movement, the passing of time, and partnerships, through the use of dust, metal, glass and fabric. Parade, 2001 Glass dishes, various objects and materials This work, which can be variously arranged, was inspired by Charles Perrault s fairy story Hop o My Thumb, in which a little boy drops white pebbles one by one along his path in order to find his way back home. In Claudie Gagnon s installation, the trail left through the ground-floor and first-floor galleries is made of little imitation cakes. Chandelier, Glass objects, nylon thread and lighting Chandelier is undoubtedly the best known of Claudie Gagnon s works. Since 1995 a number of versions of it have been exhibited in Quebec, across Canada and abroad. The format and colours vary, but all the versions are made of glass found by the artist in flea markets. Untitled, from Pumpkins and Glass Beads, 2004, reconstructed in 2007 sculpture originally presented in the in situ installation Pumpkins and Glass Beads Glass objects, water, crystals, mirror, fabric, tables, lighting In 2004, Pumpkins and Glass Beads was presented at the home of the artist, who lives in the country. The work forms a circuit starting in a barn with this table, the legs of which are sunk in the ground. The glass items on the table are therefore only precariously balanced. At the opening of the presentation, a piece of theatre was performed. On either side of the table two actors wearing black bonnets and red robes ate strings of liquorice with forks. They can be seen in the documentary video of the artist s performative works screened in the next gallery.

3 Buffet, Sculpture installation Various objects and materials The initial effect of a magnificent reception hall fades the closer we get to the Buffet, and become aware of its smell, a mixture of medical odours and food smells. One of the pendants is made of paper napkins soiled by the guests the artist had invited on the occasion of another project. This was The Illustrious and Grotesque Wednesday Society (2006), which marked her twenty years of artistic practice. Untitled, 1989 Collection of Jocelyn Théberge Untitled, 1989 Acrylic, photocopies, printed paper and cardboard on foamboard Collection of Christiane Jobin Untitled, 1996 Collection of Jocelyn Théberge

4 Acrylic, photocopies, printed paper and cardboard on foamboard Collection of Claude Edgard Dalphond Untitled, 1993, reconstructed in 2007 Bed, chest of drawers, fabric, pillow, earth, wheat, electric train, glass eye, ustensile, hair alarm clock, plastic, teapot, silk stocking, nylon thread, glass, dentures, water, book, chicken feet and feathers Untitled, 1994, reconstructed in 2007 Mural installation with elements on the ground Wood, acrylic, fabric, glass objects, ash, porcelain, horns, printed paper, cardboard on foamboard, printed cardboard and stag s hooves Ice Time, Sculpture installation Various objects and materials Documentary extracts from performative works Vidéo, 8 min 50 s Produced by Stéphan Bernier and Pascal Vermette, Sublim Digital Arts and Technologies Turkeys and Slugs, 2008 Performances during the exhibition It Happened in your Neighbourhood. Contemporary Art in Quebec, organized in the context of the celebrations of the 400th anniversary of Quebec City by the Musée national des beaux-arts du Québec Production of the Musée national des beaux-arts du Québec

5 Saturnalia, 2006 Closing performance of the Mois Multi event in Quebec City Photos: Idra Labrie Pumpkins and Glass Beads, 2004 Theatrical intervention in the in situ installation of the same name. Both the intervention and the installation were presented at the artist s home in the country Photos: Hélène Doyon Merchandise, 2003 Theatrical intervention in the installation of the same name, which were both presented in a disused grocery store during the first edition of Orange, the contemporary art event in Saint-Hyacinthe. Photos: Emanuel Vanasse, Alain Chagnon Wretched and Marvellous Little Miracles, First presentation during the Manifestation internationale d art de Québec at Notre-Dame-de-Grâce church in Quebec City Photos : Ivan Binet Goodies, Beasties and Sweethearts, Performances within an installation. Goodies, Beasties and Sweethearts is a work for children that has been shown in a number of Canadian provinces and in Germany, China and Japan. Théâtre des Confettis, co-production with the Carrefour international de théâtre de Québec Actors: Valérie Descheneaux, Éric Leblanc Photos: Louise Leblanc The Goat and the Cabbage, First performance in the in situ installation Fill Up With Regular. Both the intervention and the installation were presented at the artist s home in Quebec City. Photos : Ivan Binet Where Does the Wind Go When it s Not Blowing?, 1995 Result of an artist s residence at the Studio Cormier in Montreal, funded by the Conseil des arts et des lettres du Québec. Photos: Sylvain Moreau