Antoni Tàpies Revulsion and Desire 16 February 18 March 2017

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1 Revulsion and Desire 16 February 18 March Carlos Place, London W1K 2EX T mail@timothytaylor.com timothytaylor.com

2 Revulsion and Desire 16 February 18 March 2017 Timothy Taylor is honoured to present an exhibition of works by celebrated Catalan artist Antoni Tàpies ( ) that, for the most part, have never been shown outside of Spain before. Emerging in the period between 1999 until the artist s death, these late works, often monumental in size, reveal the artist at his most vigorous. As early as 1955, Antoni Tàpies declared: If forms are not capable of wounding, irritating or inducing society to meditate, to make it realise how backward it is, if they are not a revulsive, then they are not authentic works of art. This position is evident in the works he produced throughout his long and prolific career, not least of all the explicitly confrontational, ambiguous works produced after Tàpies believed that an artist s responsibility was to interpret the contemporary situation. Now more than ever, these late works seem to demand a reflection on the human condition. In bringing us directly back to the body, in confrontational works that suggest violence, sex, bodily excrement the abject Tàpies undermines the ease of disassociation our screen-based culture has produced. Tàpies was of the generation defined by Maurice Merleau-Ponty s assertion that instead of understanding our bodies as something we have, we rather are our bodies. For Tàpies, the body was a site of representation since the 1950s, and a way of exposing what we refuse to see and confront, but that is essential to understanding our own conscience. In order to access the universal through the personal, Tàpies employed pathos an artwork s ability to effect an emotional response in an audience by triggering a personal recollection. In Cames i AT (2011), the artist offers us a pelvis and legs, as well as genitalia comprised of abstract, black gestures and human hair. This bold image is juxtaposed with the artist s name, and the name of his wife, suggesting a portrait the union of man and woman, a figure neither explicitly male nor female, but possibly both. This way interpretation is left open through strategic ambiguity. According to Theodor Adorno s definition of late in an artist s oeuvre, the works included in this exhibition can be categorised as such due to their fragmentary nature where the process is manifest, and the works maintain the superiority of their mystery. The fragment became a more determined strategy for Tàpies in his late work. Tàpies flirted with figuration and abstraction simultaneously. Even at his most abstract, images emerge from matter. In the painting Matèria sinuosa (2010), violent images materialise from the seemingly abstract forms, suggesting a human torso and arms engaged in a brutal act. While his materials create an immediate, physical experience, his distortion of the image has an unsettling effect matter offers nothing concrete. In this way the viewer completes the work by intercepting the image with personal experience and imagination. As he stated in conversation with Barbara Catoir in 1991: I see that by barely suggesting things the association of ideas I like to provoke in the spectator widens. Antoni Tàpies was one of Spain s most accomplished and prolific artists. He extended Spain s early avant-garde lineage (Pablo Picasso, Joan Miró, Salvador Dalí) to become a leading figure in the country s art world in the second half of the twentieth century. His work is included in numerous public and private collections internationally including Tate Galleries, UK; The Museum of Modern Art, New York; Galleria Nazionale d Arte Moderna, Rome; Le Centre Pompidou, Paris; Stedelijk Museum, Amsterdam; and the Museum of Contemporary Art, Los Angeles. Tàpies represented Spain in the 45th Venice Biennale in 1993 and was awarded the Golden Lion. He remained an influential presence in Spain for over sixty years, until his death in 2012.

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4 Capgirat, 2005 Mixed media and collage on wood 88 5/8 78 3/4 in cm T Provenance Estate of the artist

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6 Matèria sinuosa, 2010 Mixed media on wood in cm T Provenance Estate of the artist

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9 Personatge, 2011 Mixed media on wood 63 3/4 51 1/8 in cm T Provenance Estate of the artist Exhibitions Tàpies. Lo sguardo dell artista, Palazzo Fortuny, Venice, Italy, 1 June 24 November 2013

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11 Mitjà hàbil núm , 2004 Mixed media on wood 118 1/8 98 3/8 in cm T Provenance Estate of the artist Exhibitions Tàpies, Des de l interior, Fundació Antoni Tàpies, Barcelona, Spain, and Museu Nacional D Art de Catalunya, Barcelona, Spain, 8 Apri 24 July 2011, cat. no. 104 Literature Agustí, Anna, Tàpies: Catalogue raisonné, Volume 8e, , Barcelona: Ediciones Polígrafa/Fundació Antoni Tàpies, 2006, no Rasell, Laurence, and Pepe Serra (eds.), Tàpies, Des de l interior, , Barcelona: Fundació Antoni Tàpies, no. 104, p. 193

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13 Cames, 2010 Mixed media on wood 25 5/8 63 3/4 in cm T Provenance Estate of the artist Exhibitions Antoni Tàpies. Cap braços cames cos, Fundació Antoni Tàpies, Barcelona, Spain, 22 June 4 November 2012, cat. no. 6 Realisme(s). L emprenta de Courbet, Museu Nacional D Art de Catalunya, Barcelona, Spain, 8 April 24 July 2011 Literature Doñate, M., E. Llorens, C. Mendoza, and F. M. Quílez i Corella (eds.), Realisme(s). L emprenta de Courbet, Barcelona: Museu Nacional D Art de Catalunya, 2013, p. 231

14 Cames i AT, 2011 Mixed media on wood 59 1/8 59 1/8 in cm T Provenance Estate of the artist Exhibitions Antoni Tàpies. Cap braços cames cos, Fundació Antoni Tàpies, Barcelona, Spain, 22 June 4 November 2012, cat. no. 35

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16 Cames i diari, 2005 Mixed media and collage on wood 21 1/4 25 5/8 in cm T Provenance Estate of the artist Exhibitions Antoni Tàpies. Cap braços cames cos, Fundació Antoni Tàpies, Barcelona, Spain, 22 June 4 November 2012, cat. no. 16 Antoni Tàpies, Waddington Galleries, London, UK, 23 March 22 April 2006, cat. no. 14

17 Respiració, 1999 Mixed media on wood 18 1/8 21 5/8 in cm T Provenance Estate of the artist Literature Agustí, Anna, Tàpies: Catalogue raisonné, Volume 8e, , Barcelona: Ediciones Polígrafa/Fundació Antoni Tàpies, 2006, no. 7193

18 Materia amorfa, 2001 Mixed media on wood 38 1/4 51 1/4 in cm T Provenance Estate of the artist Exhibitions Antoni Tàpies, Waddington Galleries, London, UK, 2006 Antoni Tàpies, Sala de Cultura García Castañón, Fundación Caja Navarra, Pamplona, Spain, 16 May 16 June 2002 Literature Agustí, Anna, Tàpies: Catalogue raisonné, Volume 8e, , Barcelona: Ediciones Polígrafa/Fundació Antoni Tàpies, 2006, no. 7460

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20 Selected Public and Private Collections Albright-Knox Art Gallery, Buffalo, New York, USA Allen Memorial Museum of Art, Oberlin College, Ohio, USA Ars Nova Museum, Turku, Finland The Baltimore Museum of Art, Maryland, USA Centro Atlántico de Arte Moderno, Las Palmas, Spain Centro Calego de Arte Contemporánea, Santiago de Compostela City Hall, Barcelona, Spain Essl Museum Kunst der Gegenwart, Klosterneuburg, Austria Fondation Beyeler, Riehen, Switzerland Fondation Maeght, Saint-Paul de Vence, France FRAC Picardie, Amiens, France FRAC Provence-Alpes-Côte d Azur, Marseilles, France Fundació Antoni Tàpies, Barcelona, Spain Fundació Caixa de Pensions, Barcelona, Spain Funcació Joan Miró, Barcelona, Spain Galerie für Moderne Kunst, Hannover, Germany Galleria Communale d Arte Moderna, Bologna, Italy Galleria Nazionale d Arte Moderna, Rome, Italy Göteborgs Konstmuseum, Göteborg, Sweden Guggenheim Bilbao, Spain Hakone Open-Air Museum, Hakone-machi, Japan Hamburger Kunsthalle, Hamburg, Germany Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington. D.C., USA Instituto di Tella, Buenos Aires, Argentina The Israel Museum, Jerusalem, Israel I.V.A.M. Centre Julio González, Valencia, Spain Kiasma Museum of Contemporary Art, Helsinki, Finland Kunsthalle Hamburg, Germany Kunsthaus Zürich, Switzerland Kunstmuseum Basel, Switzerland Kunstmuseum Berlin, Germany Kunstmuseum St. Gallen, Switzerland Kunstmuseum Winterhur, Switzerland Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany Louisiana Museum of Modern Art, Humlebæk, Denmark Marion Koogler McNay Art Museum, San Antonio, USA Moderna Museet, Stockholm, Sweden Musée Cantini, Marseilles, France Musée d Art Contemporain, Montreal, Canada Musée d Arte Moderne de la Ville de Paris, France

21 Musée des Beaux-Arts, Lyon, France Musée d art moderne, Centre Georges Pompidou, Paris, France Museo de Arte Contemporáneo de Caracas Sofía Imber, Caracas, Venezuela Museo de Arte Contemporáneo Internacional Rufino Tamaya, Mexico D.F., Mexico Museo de Arte Abstracto Español de Cuenca, Spain Museo de Arte Contemporaneo, Madrid, Spain Museo d Arte Moderna, Bologna, Italy Museo d Arte Moderna, Venice, Italy Museo de Arte Moderno, São Paulo, Brazil Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain Museu d Art Contemporain, Barcelona, Spain Museu Colecção Berardo, Lisbon, Portugal Museu Nacional d Art de Catalunya, Barcelona, Spain Museum Bochum-Kunstsammlung, Bochum, Germany Museum Boijmans-van Beuningen, Rotterdam, The Netherlands Museum Folkwang, Essen, Germany Museum Lissone, Milan, Italy Museum Ludwig, Cologne, Germany Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria Museum des 20. Jahrhunderts, Vienna, Austria Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania, USA Museum of Contemporary Art, Los Angeles, USA Museum of Fine Arts, Boston, USA The Museum of Fine Arts, Houston, USA The Museum of Modern Art, New York, USA Museum of Modern Art, Shiga, Japan National Gallery of Victoria, Melbourne, Australia Nationalgalerie, Berlin, Germany Ohara Museum of Art, Okayama, Japan Reed College, Portland, Oregon, USA Sammlung Essl, Vienna, Austria San Francisco Museum of Modern Art, USA Scotish National Gallery of Modern Art, Edinburgh, UK Seibu Museum of Art, Tokyo, Japan Sezon Museum of Modern Art, Karuizawa, Nagono, Japan Sintra Museu de Ate Moderna, Portugal The Berardo Collection The Solomon R Guggenheim Museum, New York, USA Sprengel Museum, Hannover, Germany Staatsgalerie, Stuttgart, Germany Städel Museum, Frankfurt am Main, Germany

22 Städtische Galerie im Städelsches Kunstinstitut, Frankfurt am Main, Germany Städtische Kunsthalle, Mannheim, Germany Stedelijk Museum, Amsterdam, The Netherlands Sutai Pinacotheca, Osaka, Japan Tate, London, UK Tehran Museum of Contemporary Art, Iran University Art Museum, University of California, Berkeley, USA University of Michigan Museum of Art, Ann Arbor, USA Washington University Gallery of Art, St. Louis, Missouri, USA Wilhelm Lehmbruck Museum, Duisburg, USA Williams College Museum of Art, Williamstown, Massachusetts, USA Yale University Art Gallery, New Haven, Connecticut, USA Ruhr Universitat Bochum, Germany Saastamoisien Saatio, Helsinki, Finland Sala Rekalde, Bilbao, Spain Sammlung Essl-Vienna, Austria Santa Barbara Museum of Art, Santa Barbara, California, USA Smithsonian American Art Museum, Washington, D.C. USA Snite Museum of Art, Notre Dame, Indiana, USA San Diego Museum of Art, San Diego, California, USA Sara Hilden Art Museum, Tampere, Finland Stattsgalerie, Stuttgard, Germany Stadtische Galerie im Lenbachhaus, Munich, Germany The St. Louis Art Museum, St. Louis, Missouri, USA The Tate Gallery, London, UK Tokyo International Forum, Tokyo, Japan Ulster Museum, Belfast, Ireland University of Limerick, Ireland Victoria and Albert Museum, London, UK Walker Art Center, Minneapolis, Minnesota, USA Whitworth Art Gallery, Manchester, UK Zentrum fur Kunst und Medien Technologie, Karlsruhe, Germany

23 Revulsion and Desire 16 February 18 March Carlos Place, London W1K 2EX T mail@timothytaylor.com timothytaylor.com

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