OBSESSED A BOX COLLECTIVE PRODUCTION

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1 OBSESSED A BOX COLLECTIVE PRODUCTION

! The box is an international artistic collective established to explore and present new and emerging theatre work that blurs the line between art and performance.

2 ! The box is an international artistic collective established to explore and present new and emerging theatre work that blurs the line between art and performance. Where the goal is to break down the barrier between performer and audience and in doing so create an immersive performance experience. The objective is the creation of living art that allows an audience to exist within the production and thus in turn be changed by the experience. The box is a collective company run by women that originated as an ensemble in New York City. Consisting of artists who hunger to challenge the traditional theatre scene and engage their audience through a real experience, our work evokes visceral reactions beyond passive entertainment. From the beginning, the vision of the box was to create a company that would perform not only in New York, but take this approach to theatre around the world. In the past few years we ve forged international relationships and throughout Europe and New York and we continue to grow into new territories both artistically and geographically. Our first piece, La Cueca premiered in the Hamptons and in New York s Chelsea Art Museum to critical acclaim. Our most recent work, The Stadt Elegies toured through Italy in the Summer of 2015 and was performed at Biennale di Venezia and in esteemed galleries during the Milan Expo. This is theatre of immediacy, necessity and risk-taking. Beginning from an organic creative process, the ensemble works together to create a holistic performance experience. This is theatre that comes from a question and a need to know.

Manipulation, distortion and gas lighting have become useful and valuable tools whenever a private or public opinion is about to be shaped.

3 The Project We are currently developing Obsessed with an international team of award-winning artists. Obsessed is a story about lies. In the world of today, with all the entangled webs, one lie does not only lead to another, it can actually turn into reality. Manipulation, distortion and gas lighting have become useful and valuable tools whenever a private or public opinion is about to be shaped. How is it possible that the more we know the more we seem to be prone to lies? Is it because the truth is often very painful? Is it because a certain distortion of reality lets us get away with horrible things? Or could it be that in reality truth does not exist and therefore neither do lies? Obsessed deals with different situations which are decisively shaped by lies and our willingness to belief in them. Illusion and truth, the struggle for possession, manipulation and revelation are the topics of the three parts. Three women are confronted with or exercise mental, physical and intellectual corruption of various kinds. However, this project will not be offering any solutions or even claim to be morally right. Any consensus will be avoided at any price. The audience is being played as well, as, eventually, massive doubts about the action and the talk on stage is supposed to unfold. Although it is quite clear, that actors can t be trusted after all, this project uses and abuses all the methods of modern manipulation in public, private and self-deception.

Original productions with The Box Collective include: La Cueca that premiered at Solar and New York s Chelsea Art Museum, Sometimes at Night, a surrealist musical, in Berlin, 116 at the New Ohio

4 The Team Andrea Goldman (Deviser / Performer / Producer) Originally from St. Louis, Missouri, Andrea is a graduate of the New York Stella Adler Studio Conservatory and trained classically in England with the Bristol Old Vic Theatre School. Original productions with The Box Collective include: La Cueca that premiered at Solar and New York s Chelsea Art Museum, Sometimes at Night, a surrealist musical, in Berlin, 116 at the New Ohio Theatre and The Stadt Elegies at the Milan Expo and Venice Biennale. Recent acting credits include the role of Olivia in Twelfth Night, Calpurnia in Julius Caesar under the direction of Alvin Epstein, Drama Desk Award Nominated Frankenstein, work with the young ensemble at the Pearl Theatre Company, and The Rover at the Bristol Old Vic. She is also an alumni of The Flea Theatre. She established the box collective as an artistic collaborative to explore provocative new ways into live performance. Sara Fay George (Deviser / Performer / Producer) Sara Fay George, the creator and founder of the Holistic Actor Method, was born in a rural town in Northern California. Her study of classical music began early in life, studying Shakespeare and Ballet from the age of seven. In 2008, she moved to New York and completed the two year conservatory program at The William Esper Acting Studio where she studied, Linklater, Laban, Williamson, Meisner, and was first introduced to Energy Work. From she was offered a position as the Resident Movement Teacher at the Actors Space, Berlin. Today she lives in New York City and is the Co-Artistic Director of The Box and works with collaborators around the world as a performer, playwright, director, producer, and educator of all ages.

Right after school she started working as a Video Journalist for a local TV station in Vienna with a great interest in the field of media and communication.

5 Esther S. Artner (Deviser / Performer / Producer) Esther S. Artner is a New York based actress and producer, originally from Vienna, Austria. Esther went to a Rudolph Steiner school where she started to incorporate art and acting in her life. Right after school she started working as a Video Journalist for a local TV station in Vienna with a great interest in the field of media and communication. She gained a BFA degree in Business Studies and moved to Berlin to found a company, FlavourSys Technology GmbH, that sells an editing- collaboration software to the media and entertainment market. At the age of 28 she moved to New York to master her craft as an actress at the Actors Studio Drama School. She has acted in various independent film projects and pilots in New York. Her favorite acting credits in theater includes the role of Blanche in A Streetcar Named Desire, Nora in A Doll House and Harper in Angels in America. Marcel Luxinger (Playwright / Dramaturg) Marcel Luxinger, is a writer who was born and raised in Zurich. After his law studies he discovered his love for the theater in 1998 and worked on many projects in Zurich and Hamburg he was a dramaturg and in charge of international cooperation at Schauspiel Frankfurt. Since 2010 he is a writer and dramaturg based in Berlin. His works include Seven Steps to Selfdissolution, Elevator to Bankruptcy, Tell the Truth, Think Tank (Versions I-IV), Creep or: Guidelines for a Moral Compass, Hotel Palestine, Bondage, The Source and The House Speaks among other works. a s The Castle, Magic Mountain by T. Mann, Autodafè by E. Canetti, M. Houellebecq. His plays and librettos have been produced in Berlin, Frankfurt, Hamburg, Dresden, Rio de Janeiro a.o. He is the founder of the Company for preemptive and sustainable Debate.

6 The Press The Box Collective is a true discovery of the Berlin Art scene -ArtiBerlin

7 Press Quotes From their wounds, we are left feeling the liberation of three strong women in search of themselves and tougher skin, while we (as audience) simultaneously experience a diverse form of art in which innovation goes hand in hand with creative aesthetics -ArtiBerlin Recalling the surrealism and paranoia of the relationship conveyed in the works of the Danish filmmaker Lars von Trier, the piece also evokes Richard Yates and his theme of middle class ennui- a marriage troubled by infidelity and plagued by infertility but perhaps more important, an unnerving sense of entrapment. -East Hampton Star Forgiveness we learn, is not always a simple choice, or even a choice at all. It is sometimes thrust upon us, wether we accept it or not. -East Hampton Star The play owes a debt to playwrights including Beckett and Pinter, who frequently employed metaphor and economy of language -The New York Times

8 The Box Collective CONTACTS Miriam Petritz: Esther S. Artner: Sara Fay George: Andrea Goldman: "

present TANGLED YARN Friday, February 4 th Saturday, February 5 th 8:00 pm

present TANGLED YARN Friday, February 4 th Saturday, February 5 th 8:00 pm Tickets: $20 general / $10 students Reservations in advance :http://www.brownpapertickets.com/event/138830 Tickets will be also