Aural Spatiality: Hearing Events in Space

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1 Aural Spatiality: Hearing Events in Space Barry Blesser 5/18/2011 Blesser

2 Survival Value of Hearing The mammalian auditory cortex answers these questions: What is happening? Where are events located? Where should you look? Where are you? 5/18/2011 Blesser

3 Music and Sound Art Modern aural artists use trial and error experiments in order to discover those evolutionary properties of the auditory system that have artistic meaning. The aural arts are based on neurological artifacts. 5/18/2011 Blesser

4 Uniqueness of Sound 1. Flows around obstacles, into openings 2. Reveals the interior state of objects 3. Requires energy to create 4. Disperses over large distances 5. Contains time: never static 6. Time, frequency, and direction sharing 7. No respect for private property 5/18/2011 Blesser

5 Sound Transports Events 1. Mechanical energy creates sound 2. Natural and human events 3. Temporal sequence of events 4. Language of sound based on events 5. Events can broadcast over wide area 6. Events compete for our attention 7. Events evokes sense of place 5/18/2011 Blesser

6 Uniqueness of Hearing 1. Evolutionary optimization for survival 2. Influences action and reaction 3. Echolocation among many species 4. Controls direction of visual focus 5. No ear-lids, involuntary connection 6. Early warning system: 24/7 always on 5/18/2011 Blesser

7 Soundscape is an Eventscape An aural event is a natural, intentional, or accidental conversion of mechanical energy into sound, which is then broadcast to the inhabitants of a space. An eventscape is the composite of temporal & spatial distributed dynamic events that are transported to listeners. 5/18/2011 Blesser

8 Perceptual Labeling of Events We perceive sonic events not sound There is no language for sound itself Events are tagged: good, bad, neutral Connects us to external world Events are always dynamic energy Sound is only a transport mechanism 5/18/2011 Blesser

9 Where Are You Now? You exists in a landscape of static objects and in an eventscape of dynamic activities. We hear events and see objects. 5/18/2011 Blesser

10 Bilateralism of Sound and Space 1. Recognizable events are associated with particular spaces. 2. Spatial acoustics changes how events are transported to consciousness. 3. Sound illuminates spatial objects and geometries. Space Sound 5/18/2011 Blesser

11 Events Identify the Place Crowd at Sports Arena Deep in African Forest Passing Freight Train Inside Busy Restaurant Ocean at Rural Beach Running in Hallway 5/18/2011 Blesser

12 Spatial Acoustics Change Events Dry (close) 30 ft tank Vienna Konzerthaus Ferry Car Space Elevator 5/18/2011 Blesser

13 Musical Spatiality Reverberation as temporal spreading Meta-instruments incorporates temporal spreading Created by performance space (recording studio) Reverberation as spatial spreading Enveloping reverberation as aural caffeine Created in reproduction topology and space Artistic space: with contradictions Musical rules in electro-acoustic space Concert hall does it all: historic artifact 5/18/2011 Blesser

14 Stockhausen in Jeta Caves 5/18/2011 Blesser

15 Amsterdam Concertgebouw 5/18/2011 Blesser

16 Sound Illuminates Environment Open Plains Small Bathroom Living Room Large Tank Large Atrium Wall Reflection (echo) Open Plains 5/18/2011 Blesser

17 Navigational Spatiality Hearing passive objects & geometries Open door way Nearby wall Rugs and upholstery Size of closet, cave, cathedral Low ceiling Curved and domed surfaces Volume of enclosed space 5/18/2011 Blesser

18 Blind Teenagers in Mountains 5/18/2011 Blesser

19 Aesthetic Spatiality Unique local acoustics Spatial variety and diversity Aural wallpaper Reduces sensory boredom Often artifact of visual embellishments Spatial niches with unique personality 5/18/2011 Blesser

20 Sempere s Sculpture in Madrid 5/18/2011 Blesser

21 Coupled & Overlaid Eventscapes Baboon in reverberant cave embedded in forest. Identifying event, spatial acoustics changes event, and audible spatial attributes. 5/18/2011 Blesser

22 One Aural (Social) Space, Two Physical Spaces 5/18/2011 Blesser

23 Overlaid Eventscapes Existing in multiple eventscapes (aural spaces) at the same time Functional deafness Democratic Individual control Double exposure 5/18/2011 Blesser

24 Definition of Aural Architecture The aural influence of passive objects and geometries on the emotions and behavior of inhabitants of a space. 5/18/2011 Blesser

25 Experiential Dimensions of Aural Architecture Social spatiality Navigational spatiality Musical spatiality Aesthetic spatiality Symbolic spatiality 5/18/2011 Blesser

26 Aural Architecture Changes Experience of the Eventscape Modifies emotional connections Partitions events into regions Influences behavior of inhabitants Sound modified when transported Changes winners and losers in aural combat Cultural preferences: season to taste Auditory spatial awareness is learned Inadequacy of common language 5/18/2011 Blesser

27 Definition of Eventscape Audible Eventscape = Aural Architecture + Sonic Events = Experience of Place and Space 5/18/2011 Blesser

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