Andreia Lexim. [Espaço Bloom] "No man's land"

Transcription

1 Andreia Lexim [Espaço Bloom] "No man's land" Nomad, free, rootless, wandering, vagabond, global / local. The idea of a free people, unfettered, that moves, that knows, that seeks to survive on what the land and opportunity offers. Globalization is the theme for this collection, the idea of a metropolitan nomadic tribe, that must learn from the nomadic Bedouin people, so as to survive today. It is the idealization of an urban tribe that moves between cities in search of better living conditions. Inspired by the nomadic tribes of Arabia and the arrival of tourism and globalization, this collection is a mix of West - Middle East influences. Black, dark blue, grey, brown and beiges. COLOURS Crepe, knits, wool fabrics, serge, silk and cotton. MATERIALS Dysfunctional Shoes. SHOES ANDREIA LEXIM e. andreialexim@gmail.com w. / andreialexim1

2 Atelier do Sapato [Collective Footwear] "Personal Favourites" The main theme for the new autumn-winter 2012/13 season of Atelier do Sapato is vintage manhood. Men's classics such as combat boots, buckled boots and shoes have been redesigned, resulting in a contemporary and elegant feeling and style.holes, embossing, colour contrast, mixing of materials, layers and buckled straps are details that can be found throughout the collection.the shoes for both men and women are clearly from the same family and a great attention to detail was given in every model. "I am very glad to see that many of my friends wear my models and can see which have become their favourites and am curious to know why.with this information I always try to reach the magic formula: how to make shoes that are both beautiful to look at and loved by the feet. I want each of my models to be a potential Personal Favourite! "Says Rense Hekstra, designer and partner of the brand. The result is clear: this is probably the most comfortable and lusted after Atelier do Sapato collection to date. MATERIALS Though most groups have comfortably low heels, the high heel groups are equally covered with layers and leather soles. The basic materials are oiled by hand, washed suede, tanned and brushed vegetable nubuck. To complete all these finishes we also have the possible choices of pony skin with fur, lambskin, polished skins and even micro-laminated buffalo skins. COLOURS As for the colours used, we selected several shades of brown (cognac, whiskey and brandy), military green, aged pink and a touch of ochre (yellow).

3 DETAILS As usual, the brand's characteristic details could not be missing, such as scar stitching, visible metal zippers, washed leather soles, rivets and zip pullers with the ADS logo, high relief and top quality materials. CAMPAIGN The art campaign, as always, was designed by the artist Salimah Gablan The new campaign was based on the previously used trademark of this artist, that is, ink drawings mixed with photographs of the models. This time, the artist responded to the shoes by trying to create a sequence of images as for a movie. Thus, not only was an identity given to the brand, but a background for the collection was also created. ATELIER DO SAPATO Head Office: Macosmi Fábrica de Calçado Lda. Rua Manuel de Sousa Oliveira, S. Martinho do Campo c. José Machado/ José Barros t e. info@atelierdosapato.com e. josebarros@atelierdosapato.com w.

4 Autopsy by Jordann Santos [Espaço Bloom] "La Hire" "La Hire" takes us to a medieval imaginary realm, a landscape wrapped in flames, inhabited with echoes and voices from the past. The collection is developed in structured and oversized forms. MATERIALS Brocade silk, wool serge, knits, jerseys, lint, nappa leather and cambric. COLORS Colour palette dominated by black as well as green, blue, coral, grey, kakhi and brown. JORDANN SANTOS Avenida Dr. Antunes Guimarães 102, 4º andar, sala Porto t e. jordannsantos@autopsystyle.com

5 Carlos Gil Carlos Gil presents a collection inspired by an era regarded by many as the most beautiful and sensual of the twentieth century. The 20s, 30s and 40s are a reflection of an explosion of feelings. The movements of war in opposition to stardom in Hollywood.The actresses create multifaceted images, with an emphasis on fashion. Woman became attractive and charming at that time and Carlos Gil casts unto the runway a very feminine silhouette, emphasizing its forms, highlighting the shoulders and hips, marking the waist.this silhouette is accompanied by vintage details, to which certain military elements are associated that render it touches of austerity and ensure its success. MATERIALS AND COLOURS Cashmere and wool, combined with lace and paillettes. Fur and brocade, coordinated with bright and contrasting colours, convey a sense of elegance and glamour, which gives prominence to Carlos Gil's fall / winter 2012/13 collection. CARLOS GIL Av. da Liberdade, 57, Fundão t e. assessoriacarlosgil@gmail.com w.

6 Claudia Garrido [Espaço Bloom] "Diaghilev" The collection was inspired by the "Ballets Russes". Diaghilev is the name of the founder of one of the largest ballet companies in the world. It was he who chose the best choreographers, dancers and artists of the time to work with, such as the Russian composer Igor Stravinsky, the Spanish artist Pablo Picasso, the French artist Henri Matisse and the French poet and filmmaker Jean Cocteau.Among the dancers there were Anna Pavlova, Tamara Karsavina, George Balanchine, and Vaslav Nijinsky. SILHOUETTE / COLOUR / MATERIALS The appropriation of these forms is reflected in a men's collection, marked by unexpected yet sober pieces, with volumes set on the shoulder area and the small hips. The colors are the negative of the colourful palette of the costumes we know. Black and dark grey are the dominant colours. The materials most used are knits and jeans. A. Ferreira & Filhos SA (AFF). SPONSORS ACKNOWLEDGEMENTS Maria da Silva, Solange Pereira, Carolina Brito, Maria Cristina and Miguel Gomes. CLAUDIA GARRIDO e. claudia_garrido@sapo.pt

7 Cohibas [Coletivo de calçado] MENSWEAR COLLECTION Classic Line: designed for the executive who lives and works in the city, this line is composed of conventional classic models with details that give it a modern twist. It is a line of comfortable and stylish models for the man who seeks formality and sophistication without being boring. Urban Line: For weekends and all moments of leisure, this line is practical and has an urban style, with finishes that give it a vintage look. This includes the "Ankle Boots", which combine two colours and their interior is lined with fur. Casual Line: is the sportier line by Cohibas and where the brand's monogram appears engraved.this season's models combine smooth materials with textures and play with two colours. In the trainers or Ankle Boots version, these models are recommended for those who prefer a different concept of athletic shoes. WOMEN'S COLLECTION This Cohibas bet proved to be a success and led to the expansion of the collection.the men's style footwear adapted to the women's market was a trend that allowed Cohibas to develop successful models due to its vast expertise in men's shoes.the Oxford models, which are clearly urban, as well as the Ankle Boots and the ballerina shoes are part of this line. Fabrica de Calçado Evereste, Lda R. Afonso de Albuquerque, S. Joao da Madeira - Portugal t Press Contact - Cª das Soluções t e. companhiasolucoes.com w.

8 Concreto by Helder Baptista [Coletivo Indústria] "Forestry and Fire" We look at the earth's crust, the tops of trees and fire as inspiration for the fall - winter 2012/13 season. SILHOUETTES AND COLOURS Ample silhouettes, contrasting with those tight-fitted, where the thick knits in forest green tones mingle with fine and tight pieces in hot and intense brick / fire orange tones that convey a warm and comfortable feeling. MATERIALS In this combination of pieces and colours, the raw materials used are 100% wool and cashmere, wool derivatives, such as the traditional lambswool, 80% wool and 20% polyamide. With all these features, Concreto creates a sensual and irreverent woman, prepared for an intense winter... AIDA SANTOS / JOAQUIM SANTOS R. Alexandre Herculano, 55 - Apartado Mangualde t f w.

9 Daniela Barros [Espaço Bloom] "Akkadian" Symbology and uniqueness are characteristics that are prevalent in "Akkadian", translated in this collection by a strong and stern woman, with a tough yet feminine personality. The divine and mythological, present in the figure of Akkadian through the birds, are reflected by the felt hats and the long and melancholic sleeves. "Akkadian" manifests herself in an ambiguous figure, stern and deep, endowed with a divine and feminine beauty. SILHOUETTE AND MATERIALS Structure and geometry are the key points of the silhouette, whose construction is made from the union of rigid technological materials with noble and fluid materials. The palette is mainly composed of dark blues. COLOURS DANIELA BARROS Largo São Domingos, 13, 3º andar, 4000 Porto t e. gmail.com w. / danielabarros w. danieladebarros.blogspot.com

10 Dielmar This collection reflects an interventionist, bohemian spirit, strongly rooted in a remarkable popular culture for generations. DIELMAR thus joins Fado, Intangible Heritage of Humanity, whose music creates the environment for this collection in a 100% Portuguese brand. MATERIALS Dedicated to fado, its singers, the Portuguese guitar players and experts, sets the beat of the season in innovative compositions and mixtures of wool / cotton, washed wool and wool / cashmere / silk fabrics in superior versions of Super 130's and Super 150's threads. Thick knits with a handmade look, leather boots and bags and fabric caps reflect the strength of a people who fights and feels like a winner.

11 The scarves in pure wool or mixed wool / cashmere is one of the icons of Fado and fado singers, as well as knitted bows and ties, which accentuate the rustic character and, simultaneously, the charm and subtlety of an art now recognized as Intangible Heritage of Humanity. The fabrics are top quality, as always, and are presented with a washed air through de-structured jackets with no shoulder pads, no lining and without any kind of crinoline or buckram, with natural shoulders. COLOURS The chromatic harmony reflects a predominantly grey and brown palette, brightened by either cheerful or nostalgic tone, with splashes of orange, aubergine, teal and beige. Soc Industrial de Confecções DIELMAR, SA Largo do Chafariz Velho Ap Alcains PORTUGAL t. (+315) f. (+351) w.

12 Diogo Miranda "Self Service" [Collection 1] Pure lines, neutral colours, clean aesthetics, new materials and personality turn minimalism into the motto.less is more! After all, it is a matter of a personal and very individualistic attitude. A minimal look may, indeed, be glamourous, be practical, have a good design, cut and fit, whilst being unique and exclusive. Navy, white, black and silver grey. COLOURS

13 "Fever Nights" [Collection 2] During the disco days of the 70s, all the streets of Manhattan ended up at Studio 54.In the nightclub where celebrities gathered, each night was unique and glamour was the only entry card. Amidst the shine of satin, fishnet tights, stilettos, the gloss of cherry red lipsticks, vaporous fabrics, sequins, deep necklines and voluminous hair, Bianca Jagger, Jerry Hall and Lauren Hutton showed all their sensuality. COLOURS Purple, red, black, blue and gold. DIOGO MIRANDA ATELIER Rua Dr. Manuel Faria e Sousa Edifício Atlântida, º andar direito frente Felgueiras t STORE Avenida Dr. Leonardo Coimbra Edifício Channel, Loja 1-B Felgueiras c. Eduarda Monteiro t e. gmail.com w.

14 Dkode [Coletivo Calçado] "Secrets" We all have our hidden treasures. Many surprises are yet to be discovered. Life is full of secrets. The new collection is inspired by the DKODE Urban Rhapsody. The mixture of different cultures, aesthetics and lifestyles is increasingly common. Past and future merge into an alternative present. DKODE WOMAN The details of the "Rebeltrip" line are inspired by the bags with rivets and micro volume cuts found in pieces of luggage from the past. This results in an urban vintage, a mixture of masculine with feminine.the "Victorian" line brings us back to a classic, a romantic feminine yet with a powerful look. DKODE MEN The "Taylor" line is a typically DKODE vintage worker, simulating a shoe under the boot, playing with the matte / gloss effects. "Rockfreeze" takes us to the Antarctic, mixing the city man with the fearless man from the adventures in the icy mountains. A look that combines three moments of Man's everyday life: music, work, leisure. MATERIALS In the 2012 DKODE Fall Winter collection, natural leather with a vintage look is combined with wrinkled, stained and oiled suede. COLOURS The colour palette is serene: amber, brick, forest shades, aged blue. DKODE is the urban fashion brand for a self-determined and demanding "vast minority", who does not renounce to the best design with comfort and believes that this is not necessarily an unattainable luxury. DKODE SOZÉ, SA t f e. marketing@dkode.com w.

15 Estelita Mendonça [Espaço Bloom] The constant socio-economic changes impose the need to travel, yet simultaneously promote and encourage new perspectives on the world. Indeed, the whole concept of the new collection focuses on the image of the citizen of the world who, without prejudice, absorbs the traditions and customs of the places he or she goes to, building their lives as a melting pot of unique experiences. Without resorting to the typical clothing of different places, the collection attempts to translate the harmonious inclusion of other cultures in a comfortable and natural as much as aesthetic experience, which happens in these people's lives by agglutination through felting and / or sewing of different pieces into one. So what is in principle a classic and basic piece corresponds to, in a creative process, a mutation, agglutinating itself to others and becoming another previously conceived piece. In short, it is this contemporary man, highly influenced by his habitat, the world, who translates the concept presented in this collection. MATERIALS 100% wool materials are used, traditional wool fabrics and the recycling of some pieces, whose interaction of completely different materials are brought together in a very unique silhouette. ESTELITA MENDONÇA e. estelitamendonca@gmail.com

16 Fly London [Coletivo Calçado] "Always progressive, never conventional" is the constant motto of FLY London and the 2012 autumn / winter collection is no exception! The collection reflects inspiration from the Victorian era, the 60s, 70s and 80s and is characterized by the combination of different materials and different finishing techniques, including the dyeing and washing of the finished footwear. Different looks united by an adventurous spirit that is within each of us makes the collection unique and inimitable.different styles, yet all of them Fly! BANSHEE Lined wedge and "retro" inspiration line, highlighting the combination of materials. NINA A modern silhouette and distinct shaped line. Its banana heel and inner platform gives it the eclectic status the FLY London brand always emanates. KINGSLEY AND SHERLOCK Lines that combine the casual look with the unmistakable style that conveys individuality and originality, especially in the details of the brogues and the vintage finishing obtained by the technique of dyeing and washing the finished shoe. Don't Walk, FLY! FLY LONDON Fortunato O. Frederico & C ª Lda Rua 24 de Junho, Penselo Guimarães t f e. info@flylondon.com w.

17 Fátima Lopes À Flor da Pele For next winter, Fátima Lopes studies morphology, the visual aspect of the body and its external structure. She plays with the body and accentuates its forms. The waistlines are very marked and the shoulders are narrow. Clothes become a second skin. The contrasts of volumes predominate and reduce the initial proportions of silhouettes, boosting femininity. COLOURS Solid colours - especially in the nude to blood red gradation mixed with black and burgundy - contrast with exclusive prints, which resemble the human venous system, confusing our perception: we do not know whether we are seeing the inside or the outside of the body. DETAILS Dresses and tights are decorated with bones, pieces inspired by the spine. SILHOUETTE AND MATERIALS Belted dresses, pants with draped sides and multilayered jackets reinforce the idea of body strangeness and reveal an extremely graphic silhouette. The paradox between fluids and rigid materials intensifies the idea of a nude body. The silhouette is covered, the clothes are "skin deep". FÁTIMA LOPES ATELIER Rua da Atalaia, Lisboa t , f /59 e. gmail.com w.

18 Hugo Costa [Espaço Bloom] Apache Collection inspired by the indigenous Native Americans, distinguished by a strong graphic component, with geometric shapes and patterns and with plenty of references to the North American pre-colonized era, as the use of dry landscapes with red earth tones.the collection takes us to the imagery that comes to us through the cinema stories with which we grew. MATERIALS The reuse of materials associated to a strong handmade element and even to a quest for their use announce a more traditional presence, characteristic of this and other tribal cultures. SILHOUETTES The collection's silhouettes and shapes have been developed thinking of the flexibility required today, transporting us to nomadism, with resistant materials in contrast to comfortable and somewhat delicate materials. e. gmail.com

19 Katty Xiomara Futuralma "As nothing has been understood from the past, nothing can be dreamt for the future." "In general, all ideas that aimed to the future are utopian, they are not yet made anywhere, so they are most active the less they are carried out." Agostinho da Silva

20 We perceive the soul of the future, the future needs as much guidance and experience from the past as it does the ideological utopian futuristic dream. The current vision of the future seems more realistic. On the one hand, a closer, and on the other, a more distant vision of that glimpsed in the science and fiction literature of the '60s, today's technological evolution is radically fast and the need for "convenience", self-renewal, reconstruction and recycling follow this rhythm.self-sustainability begins to grow following on the one hand, and refuting it on the other, the techno-virtual world where the future, life, death and the soul belong. The collection gathers information from this entire retro futuristic perimeter making the setting more practical and synchronized; pieces are made up and broken down into one or many, sometimes three in one, or one that simulates three, recycling its use in a practical, intelligent and funny way. COLOURS Almost primary colors appear acidulated and are distinguished with blocks of light and elegance. Lime, nude, mauve, brick, royal blue, midnight blue and black. MATERIALS Spongy and light, textured and smooth fabrics, with lacy trims and stained details, defining the contours outlining clean and pure pieces. KATTY XIOMARA ATELIER Rua da Boavista Porto c. José Manuel Silva t e. info@kattyxiomara.com w. LOVE FASHION SHOWROOM Lisboa - Portugal c. Raquel Vences t e. lovefashionshowroom@gmail.com NEXUS Showroom & Townhouse 39 West 56th Street, New York, NY NEW YORK - USA t e. laura@nexusshowroom.com L APPART 36 Rue du Mont Thabor Paris - France t e. caroline@laappartpr.com

21 LIV by Fernando Lopes and Hugo Veiga Inspired by Rugby and the strong image of athletes, the makers of LiV FashionLab present a distinctively sporty collection where femininity and sensuality contrast with the strong and robust image of the structures that protect women from direct physical contact on the field. SILHOUETTES Using traditional techniques such as rag, so characteristic of Portuguese tapestry, maximized and externalised structures are developed to create a silhouette that highly contrasts with the thin lines of the ergonomically designed female body. MATERIALS AND COLOURS Materials such as jerseys, corrugates and ribs in skin tones contrast with the wool broadcloths, the rags and black crêpes that underpin the ultramarine blue and dark yellow that maximize the sporting aspect of the collection. THANKS TO ULab Laboratório Urbano TMG Fabrics FERNANDO LOPES t e. fernando@livfashionlab.com HUGO VEIGA t e. hugo@livfashionlab.com

22 Lion of Porches For this season, Lion of Porches suggests coordinates that are traditional, elegant and have a strong Preppy inspiration. LION On the Lion theme, the traditional colours of the brand mix with the dark green, brown and burgundy, on motifs with stripes, vichy squares, diamond-shape and tartans, used on details and all over the knits and outerwear. Materials with excellent quality, such as cotton finished with silicon or carbon, wool/cashmeres and cotton baielas are privileged in this topic. PREPPY Introducing elements of collegial and heraldic inspiration, the Preppy theme stands out in particular by using lots of colour. The jackets, duffle coats and straight knits are essential in this line, always decorated with heritage monograms and emblems. British-inspired materials, such as tweeds, are combined with leather, coloured denims and coarse knits. CITY Finally, the City theme proposes more sophisticated and glamorous urban pieces, especially for the women's collection. Comfortable pieces, with more classic but modern cuts and more elaborate interiors, are the basis of this theme. The black and silver grey associated with the beige and oriental green are the basis for the women s wear. The men s wear is dominated by navy-blue and light blue, with browns, beiges and camel. The materials for this theme are more sophisticated, thanks to the use of silk, cashmeres and cotton with tencel. LION OF PORCHES - Textil Cães de Pedra, S. A. Rua Belmiro de Oliveira - Selho S. Lourenço, Apartado Guimarães t t e. comercial@lionofporches.pt w. PRESS AND PR CONTACT Marisa Queirós e. marisaqueiros@lionofporches.pt t f N-ATITUDES COMUNICAÇÃO Ângela Teixeira e. angelateixeira@n-atitudes.com t

23 Luís Buchinho The proposal for the winter of 12/ 13 is based on an inspiration obtained directly from that which surrounds us in the cities, namely the streets paved with Portuguese cobblestone. These geometric elements that are drawn on the pavement with long graphic lines were developed in a very feminine and elegant collection, despite the introduction of "sport/casual" elements to reaffirm its urban inspiration.

24 Black, navy, strong blue, stone and white tones. COLOURS MATERIALS Interplay between natural and synthetic materials such as silk crepes, wool crepes, featherweight double wools and wool tweeds, combined with polyester crepes and details lacquered in nylon for a more technical/sporty effect. Digital Prints punctuate the entire collection as a full expression of the theme. Knits with geometric effects in jacquard. SILHOUETTES Lines close to the body, enhancing narrow waists. Cigarette pants, tube dresses in midi or maxi version, combined with short or three-quarter coats of male inspiration. LUÍS BUCHINHO ATELIER Rua José Falcão, Porto t f e. geral@luisbuchinho.pt w.

25 Luís Buchinho Knitwear THEME Urban, with a very strong graphic aspect, which echoes from the main theme of the collection "The Portuguese cobblestone", now simplified to the max, worked in blocks of colours with unusual combinations. MATERIALS Jacquard knits with graphics of stone, thick and involving knits, heavy wool and delicate yarns, light and slightly textured. Crepes of silk or polyester with rough textures, combined with denim aspects of a more casual kind.

26 COLOURS Emerald green, strong blue, black, navy blue and aubergine colour with hints of white Narrow and anatomical with elegant contours. SILHOUETTE LUÍS BUCHINHO ATELIER Rua José Falcão, Porto t f e. w.

27 Lúis Onofre Sex Appeal Desire and sensuality are attributes that the collection by Luis Onofre releases into the atmosphere. The proposals by Luis Onofre assume leadership from among various trends. The 50 s inspire the LO models and bring back the escarpins - the famous "stilettos". Closed shoes with thin high-heels are the centrepiece of the collection. The charm accompanies each stride, translated in the footsteps of the modern woman. Chamois leather, varnishes, crocus, and brushed leather an LO classic wrap up the design in a palette of irresistible colours. Peacock blue, Venetian pink, burgundy, grey and black are the colours that also paint boots and booties. The mustard colour stands out in some creations. At times, the fur adds mink, resulting in the refinement that the brand has already gotten us used to. Aware of the female desire, Luis Onofre also surprises with a younger and more casual line... Rebel suggests "rock star"-style boots. The Swarosvky crystals maintain the shine, appearing as a detail or imitating python in some suggestions. Once again, the boxes transport limited edition models. More demanding, they are now presented in leather. The handbags complement the visuals, with the concept of "toiletry bag" being conveyed for the everyday handbag or for a night out, always with one common denominator: sensuality! LUÍS ONOFRE t f e. geral@luisonofre.com w.

28 Mad Dragon Seeker by Alexandrine Cadilhe & Daniel Simões [Coletivo Indústria] ( Industry Collective ) New Beginning Between the maturity and class of essential pieces and the irreverence of the jeanswear universe, the collection "New Beginning" is inscribed in a renewed vision of each person s everyday concepts. Fine materials worked in casual pieces give the collection a casual elegance that portrays a way of thinking: focus on what is really important, get to the point, uncomplicate to achieve goals. It's the cosmopolitan relaxation of (s)he who walks the world with the security of his/her added value in any project that life sets forth. The collection is proof that comfort can rhyme with elegance, and relaxation with class. Rua da Cachada, Alvelos, Barcelos t f e. geral@mdscollection.com w.

29 MEAM by Ricardo Preto O Mundo é Meu! ( The World is Mine! ) Somewhere in this contemporary present the world swirls in people who spin among each other and circulate through borders, continents and seas. They draw high-speed routes. They transport memories in vintage items, freeze time in patterns of landscapes, in static watercolours and in hair paused in the wind. MATERIALS Silks, cottons, wool broadcloth are the canvas for the postcards that result from these trips. COLOURS The colours are both soft and strong, anchored by the ecru and black, floating in blues, contemplating greens and greys... MEAMSTYLE LDA Lugar de Cabanos - Galegos Stª Maria Barcelos PORTUGAL t w.

30 Miguel Vieira Vestir o Fado ( Wearing Fado ) The search never ends and the discovery is the elixir of life. But more than discovering, rediscovering may be something magical. Today, the search revolves around ourselves, our feelings, our soul, our roots...

31 Slowly, life starts to pulsate in traditional neighbourhoods, and in the Fado houses new voices are heard. But if Fado is old, you cannot say that it is outdated and this generation of performers does not merely reproduce the memory of its ancestors. They are also changing Fado. They drink in its roots, in the nostalgia and add to it new expressions, proving that Fado never dies. In addition to a different "singing", these new sounds lend Fado a new look, a new face, wearing it in a more contemporary fashion COLOURS Caviar black, fossil grey, shitake brown, nomadic beige, lipstick red and lake green. SILHOUETTE For men, structured pieces with taylor cut. For women, pieces with hourglass figure ranging from long to short. MATERIALS Duchese satin, silk velvet, pure wool with 180 yarns, furs, technical sequins, leathers, fabrics, neck ties, greased fabrics, Egyptian cotton and jacquard fabrics developed by the studio. DETAILS Classic cuts with contemporary details, printed, patterned fabrics and sets of textures with several fabrics. Shoes, belts, wallets, handbags and jewelery. ACCESSORIES MIGUEL VIEIRA, I. C. MODA, LDA. Rua Alexandre Herculano, S. João da Madeira t f e. geral@miguelvieira.pt w.

32 Nobrand [Coletivo Calçado] ( Footwear Collective ) The Globe Trekker The look suggested for next fall/winter is less colourful than the previous look of the "Peacewalk" collection, but no less sober. The "Globe Trekker" collection breathes wood, outdoors and nature, mixing earth tones with touches of classic colours, bold and bright. The collection invites the mountains to descend to the city by proposing a folk design of Scandinavian influence. Models of comfortable shoes, light and bohemian, give the collection a "classical-casual" look. An organic and earthly concept that consistently embodies an arty, ethnic and unconventional relaxation, which is consistent with both the most original fashionists and with the biggest fans of nature. MAXIMO INTERNACIONAL S.A. Lugar da Longra - Rande Felgueiras t t f e. info@nobrand.com w.

33 Silvia Rebatto [Coletivo Calçado] ( Footwear Collective ) Fashion and trends change and evolve, and the Silvia Rebatto brand too. The goal is to become closer to those who want to be a step ahead in fashion. The spirit of our brand conveys the spirit of demanding, versatile, happy and relaxed collections, which are meant to be part of all occasions of the everyday life, so you can find everything you dream of even before looking. Discover models that allow you to leave your mark everyday on the fashion world. Besides the latest trends, it offers all the quality assurance of the Handsteps group, with the expertise of those who have operated in the footwear market for more than 20 years, combining manual work to the latest technology. SILVIA REBATTO - CALÇADO Apartado São Roque t f e. info@silviarebatto.com w.

34 Storytailors Gold Star/Estrela de Oiro* "... There will be a day, somewhere, in a unique and homogeneous civilization, in which symmetry will be the rule, in which similarity will be commended, in which there will be no room for the exception. In this place, life will have a discipline and rigor that to our eyes will seem to have military cadence. And also the individuality and beauty, like all other aspects of life, will have an implicit legislation. Behold, one day, a third child is born in a family; or rather, the third of three daughters. But, to their surprise, the child is grossly different from all others, and has a mark (on the forehead). The parents, in panic, do not know what you think: ugly? Pretty? One thing is certain she will draw everyone's attention. She will be adored or hated, but surely discriminated. What about the other daughters? So similar to each other and to everyone... What does this third child mean? The case is taken to the public council and the couple is persuaded to make a decision: no one should know of the event or see this daughter. Nor shall she see herself in the mirror, so as to not fully be aware of her difference. The child, then a girl, then a woman, grows well in her enclosure, letting her imagination run free. She can go out to the garden, surrounded by high walls, but always alone. She communicates with the outside world through a tiny machine, given to her by her parents, through which she connects to the "global network". In this virtual universe she imagines herself free; in a context so different that she does not understand why the rules that she feels as a punishment on the skin are imposed upon her. In fact, nobody had explained them clearly to her, but they require that she intuits, understands and follows them without raising questions. When communicating with the outside world, she gives herself a name, aviator bird. Yes, the concept may seem redundant, but it explains perfectly the will she has to fly away, leaving all those incomprehensible rules behind... and be free to grow and thrive!..." *Story inspired by the regional tail The girl with the gold star on her forehead (which, a hundred years ago, used to be told in Baixo Alentejo, in Serra do Caldeirão).

35 The collection "Estrela de Oiro" ( Gold Star ) is a beginning; the first chapter of a new story. With the motto of convertible and versatile dress-coats, under the influence of the lines of aviator suits, this collection of pieces and ideas shows us the work of Storytailors Atelier. Their cuts, silhouettes, details and colour diversity will subsequently lead to the collection of ready-towear clothing Storytailors Narke, to be sold in the Storytailors store as from next fall/winter 2012/13. Our "Gold Star" is a symbol of hope, dream, elevation, freedom, action, and distinction. Its story will continue in Storytailors next collection - not to be missed! PARTNERS AND COLLABORATORS Shoes: only 2 me by Storytailors Fabrics: Santo Condestável Hair: Helena Vaz Pereira for Griffe Hair Style Music: Lisbonera Press release/digital inviations: Lisbonera To other members of the Storytailors team, internal and external, Modelling and Technical Coordination: Aldina Semedo Master Seamstress: Madalena Cerqueira Sales: Joana Figueiredo Couture Corseterie: Armando Gabriel Seamstresses: Fernanda Bogarim, Isabel Duarte, Lurdes Pereira, Rosa Inácio Production: Dress Up (especially to Mónica Coelho) a heart-felt thank you, with all the love and affection. STORYTAILORS STORE - LISBOA Calçada do Ferragial, 8 Chiado Lisboa t e. info@storytailors.pt w. STORYTAILORS STORE - PORTO CCB, Rua Miguel Bombarda, 283, Lj 13 t e. store.porto@storytailors.pt

36 Susana Bettencourt [Espaço Bloom] WEB - Wide Entangled Being After "Conductive Wire of Life", Susana Bettencourt continues to explore human relationships in her new collection. In "Web" the designer looks at how experiences and individual connections intersect and merge to form a network, a web of collective experiences. Through the decomposition of electric maps, with their lines and vibrant colours, Susana Bettencourt reflects on this global map shared and built through common coordinates. QUOTES BY THE DESIGNER "I am pleased to present our fall/winter 2012/13 collection, 'WEB - Wide Entangled Being'. The concept of this collection is a perfect follow-up of the previous collection. This one can be considered a sequel, the continuation of the story. The main goal was to create a work that could be a representation of our relationships, of how we interact as intelligent beings and how those interactions and different circumstances can shape and even determine our path in life. Today, all such interactions are developed and rely almost entirely on our ability to be connected to each other, through technology or otherwise. In my mind, the maps of electric power, with all their lines and vibrant colours, are a complete and detailed representation of these connections and of the many possible paths that can be chosen for travelling through life. The result is a light green, red, dark green and grey map, as if we were seeing our own interactions from above. The bold jacquard and detailed pattern with an intricate network of the collection were a direct transcription of the development of conceptual art that we made from the maps. Therefore, this collection is built on the image and artwork that we create when we develop this "Web" concept. From the physical map, I created the jacquards, and from the forms - the silhouette.

37 This is the map of my life, of your life, of the lives of everyone and how, to some extent, we all meet on the web". SUSANA BETTENCOURT Studio 2; 13, Goldhawk Road London W12 8QQ c. Inês Sanchez t. +44 (0) e. w.

38 TM Collection by Teresa Martins Threads of Identity "Textiles define civilizations as much as architecture, religion or language. From the morning of time, Man has judged his fellow Man by the fabrics he uses to dress himself and his home." In Threads of Identity, fabrics, colours, patterns, embroidery and shapes create a scenario, recreating undated stories in clothes that speak of memories and emotions of our experiences. This collection speaks of different inspirations and reflects the true identity of the brand as a whole: loose forms, a palette of intense and strong colours, unique embroideries and prints, silks in different layers, velvet and wool, a unique mix that blends with the surrounding memories of a brand that created its identity daring to be different. FABRICS Silks (noile, satin, velvet, jacquards, georgettes, chiffon and habotai), wool broadcloth, pashmina, cotton/silk, cotton and mushroo. COLOURS Antq. Moss Moonstruck Jade Smoke Plum Burnt Ochre Baton Rouge Mad. Orange Charcoal PRINTS JACQUARDS IN SILK ROSE BOUQUET Small mosaic Arlequim Brush stripes Plum/Jade Moonstruck/ Charcoal Burnt Ochre/ Charcoal

39 EMBROIDERY Bird Geometric Cherry Blossom Photography credits: Ana Paula Carvalho TM COLLECTION BY TERESA MARTINS Rua das Padarias, 11 Armazém C Alcabideche Press Contact: Fábia Campos t f e. fabia.campos@tmcollection.com e. info@tmcollection.com w. b.

40 Teresa Abrunhosa [Espaço Bloom] Age of Consent Teresa Abrunhosa presents a collection that embodies the evocative imagery of the hypnotic feminine silhouettes of the fifties and the powerful persona of the women that Helmut Newton captures. COLOURS AND MATERIALS The colour juxtaposition of the black and grey tones, faced with intense gold details with shades of burgundy and green comes in contrasting materials, such as leather with geometric laser cut-outs, muslin and satin. TERESA ABRUNHOSA Rua Damião de Góis, 461 2º direito Porto t e. mteresa.abrunhosa@gmail.com

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42 Vicri Global Heritage/Património Global For the winter 2012 season, Vicri presents proposals for a more global, travelled man, fond of the cultures from around the world. Vicri wants this collection to demonstrate that the removal of geographical and cultural limitations allow us to acquire the freedom to rewrite the history of design using global influences. COLOURS The palette is sober and very masculine, speckled with almost unperceivable details of bright colours, almost phosphorescence, which are the hallmark of the brand. MATERIALS The prints continue to be present with influences on the cashmeres and brocades, inspired by Peruvian, Japanese and Mexican patterns. SILHOUETTES/DETAILS These cultures were also represented in the silhouettes and shapes, inspiring kimono-style shirts and ring scarves in silk. They also present again some details in patchwork on exclusive pieces made by hand. VICRI RIOPELE FASHION SOLUTIONS S.A. Avenida Riopele, Pousada de Saramagos t f e. info@vicri.com w.

43 Carla Pontes [Espaço Bloom - Design Competition] "First Element" As in a manifesto, a process is developed that sees fashion objects as common elements.threedimensional shapes are polished, study elements and environments. Simple objects, products, visual appeals. "First Element" is the starting point and finds in the shirt the desire piece for development.this is the common factor, the classical form that is repeated, constructs and deconstructs, interprets and allows to be interpreted in relaxed looks with controlled volumes and layers. Each outfit receives the objects in layers, where natural aspects are mixed with evidently synthetic elements.in a neutral palette with a black contrast, there are industrial materials whose treatment allows for minimalist finishes and materials that were shaped manually. e. carla@exporgal.com Sara Maia [Espaço Bloom - Design Competition] This collection brings together at its core two cultures: Western and Islamic. These two worlds join in their essence a set of symbolic elements, where the face and back are parts on which beliefs, values, and an entire cultural baggage claimed by these societies, are carried. Black vs. white is a prominent factor that sustains all these barriers of differences and points in common, in a collection that is intended as its own vision of reality and its physical implementation. CONTACTOS SARA MAIA e. sara_maia12_@hotmail.com

44 João Melo Costa [Espaço Bloom - Design Competition] "Facade" Facade vs Facade. The first image. Looks. The facade is deteriorated by being exposed, but the structure may never be shaken.the collection reflects and focuses on elements that characterize the fronts of buildings and compares the architectural concept and the figurative. JOÃO MELO COSTA e. joaomigmelo@sapo.com Elionai Campos [Espaço Bloom - Design Competition] "Pli" The directional line starts from the "PLI" concept - pleated, fold, double up, wrinkle - worked by French philosopher Gilles Deleuze. Concept also suggests that "link", "c ONNECTION" or "fold".this concept leads to the undulations of the rocks, caused by the movement of water, which in turn refer to undulation - tides.the latter are "folds of water" or flexible deformations, though not fragile, which undo the rectilinear form presented in a slim and rigid silhouette.the high relief obtained by the handling of anticlinal pleats, connected / closed, addresses the sand ripples - the desert - as forms. PARTS AND DETAILS

45 Structured jackets, minimal, no seams.m inissaias, slim leggings, the band went up.opacity, semishines, transparency, prints.pleats, symmetry, asymmetry and straight and accurate forms are a counterpoint to the insertion of pleats closed as fans, in an organic way, close to Art Nouveau. COLORS AND MATERIALS Trans parências in shades of gray, pale green, green and copper.metallic and plain black. Pleated silk satin in shades of neutral grey, greenish grey and pearl white. ELIONAI CAMPOS e. elionai_campos@hotmail.com

46 Júlio Torcato Fernando Pessoa [Alberto Caeiro] Rather the flight of the bird passing and leaving no trace, Than creatures passing, leaving tracks on the ground. A bird goes by and forgets, which is as it should be. The creature, no longer there, and so, perfectly useless, Shows it was there, also perfectly useless. Remembering betrays Nature, Because yesterday s Nature is not Nature. What s past is nothing and remembering is not seeing. Fly, bird, fly away, and teach me how to fly!

47 This poem by Alberto Caeiro was the motto for the collection Júlio Torcato FALL The aesthetics of the futurist movement in Portugal has been transported to current days with care being taken not to use obvious graphics, or recreations of fashion styles of the period. SILHOUETTES / MATERIALS The result is a collection with a very young look, where the materials and lines (silhouettes) are mixed sometimes in an unexpected and surprising manner. Long overcoats in pure wool and mohair, classic suits with three buttons and double-breasted jackets, with micro-designs in wool with silk and in jersey, with leather and polyamide appliqués, worn with shirts of the same materials for visual effects of a total look. Trousers in two opposite lines (slim and baggy) create modern and irreverent silhouettes. Extremely fine knitwear with mouliné effects, and in some cases with mould and vegetable dyes, reinforce the concept. COLOURS Black, grey, midnight blue, forest green, brick and blue. JÚLIO TORCATO W. juliotorcato@gmail.com