European Furniture & Decorative Arts

Transcription

1 European Furniture & Decorative Arts Sale 2740B July 19, 2014 Boston

2 European Furniture & Decorative Arts

3 Specialists Stuart Slavid Department Director Leah Kingman Stephanie Opolski Department Inquiries: Auction Information Auction 2740B Preview Absentee Bidding Saturday, July 19 10AM 63 Park Plaza Boston, MA Thursday, July to 5PM Friday, July to 8PM Lot 246 available for preview in our Marlborough gallery by appointment T: F: General Inquiries: SkinnerLive!: skinnerinc.com View all lots online at frontispiece: 246

4 Bid online with SkinnerLive! Simply click the BID LIVE button on the auction schedule: Hear the bidding with crystal-clear audio Log in to bid or just watch the action Follow the auction in real time See full catalog descriptions and condition reports See upcoming and past lots while bidding SkinnerLive!

5 Table of Contents 1 Auction & Specialist Information 2 Web Site & Online Bidding 4 Glossary of Terms 5 Lots Conditions of Sale 135 Absentee Bid Form 136 Company Directors & Specialty Departments 137 Administrative Staff & Client Services 138 Map & Driving Directions 139 Parking & Accommodations 141 Dining 143 Subscription Form Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 133 of this catalog for the full terms and conditions governing your purchase. Copyright Skinner, Inc All rights reserved MA/Lic. #2304 Proudly printed by I T S O U R C O M M I T M E N T 5 Almeida Avenue, East Providence, R.I., USA Toll Free:

6 Glossary of Terms All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale. Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture. Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as attributed to, school of, manner of, or after the artist. 4

7 Fine Silver Lots 1 158

8 British Silver & Plate 3 1 Georgian Sterling Silver Coffeepot, bearing marks for London, , Francis Spilsbury I, maker, tall, tapered form with floral sprays and swirled gadrooning to the body, with a flared foot and wood handle, ht. 10 in., approx troy oz. 2 Four George III Sterling Silver Salts, London, , Robert Hennell, maker, each ovoid with a reticulated frame centering an engraved medallion, with an inset cobalt liner, raised on four claw-and-ball feet, lg. 3 1/4 in.; together with four salt spoons with shell-form bowls, each London, , two Peter & Ann Bateman, two: Samuel Godbehere & Edward Wigan; approx. 6.0 total troy oz. 3 George III Sterling Silver Bowl, London, December 1, 1784-July 25th, 1785, maker s mark H-, made for export, the swirled gadrooned circular body with a gold-washed interior, floral and foliate motifs radiating from the squat circular foot, and two figural handles joined by scrolls, lg. handle to handle 9 5/8 in., approx troy oz. $ George III Sterling Silver Roast Cover, London, , John Wakelin & Richard Garrard, maker, with a circular reeded handle, presentation inscription to center, and gadrooned border to lower body, ht. 7 in., approx troy oz. $1,000-1,500 5 George III Sterling Silver Tea Urn, London, , Peter & Ann Bateman, maker, the inverted pear-form urn with lift-off cover, two foliate handles, and Neoclassical ornament, on base with pierced apron and four claw-andball feet, ht. 20 in., approx troy oz. $ Pair of George III-style Sterling Silver Sauce Tureens and Covers, bearing marks for London, , Thomas Robins, maker, each ovoid urn-form, the cover with finial cast as a marquis coronet, framed by narrow leaftips, the body with gadrooned edges, two auricular handles, and engraved heraldry, on conforming foot further decorated with leaftips and gadrooning, lg. handle over handle 11 1/4 in., approx troy oz. $1,000-1,500 6 Additional information and photos at

9 7 Three-piece George IV Sterling Silver Tea Service, London, teapot: , Joseph Angell, maker, marks rubbed to creamer and sugar, each with a squat, gadrooned body, the teapot with a flower spray finial, the creamer and sugar bowl with a gold-washed interior, ht. 5 1/4 in., approx troy oz. $ Assembled Three-piece George IV/William IV Sterling Silver Tea Service, all London, teapot: , Charles Gordon, maker; covered sugar: , Richard Pierce & George Burrows, maker; creamer: date mark rubbed, John, Henry & Charles Lias, maker; each squat and bulbous with a reeded band to the center and engraved monogram R/ M+F to the body, teapot, ht. 5 in., approx total troy oz. 9 Two Victorian Elkington, Mason & Co. Silver-plate Wine Coolers, Birmingham, probably , each of campana form, with an inset liner, flared mouth, central presentation engraving, and applied cast grapevines to the lower body, marked to foot, ht. 11 1/4 in. $1,000-1, Two Pieces of Victorian Silver-plated Hollowware, each Sheffield, mid-19th century, T.J. Creswick & Co., maker, a large salver with a shell and scroll border, with engraved armorial to the center, dia. 21 1/2; and entree dish, the lid with engraved armorial and gadrooned edge, the warming tray with two handles and four paw-form feet, lg. handle to handle 14 1/4 in. $ Silver-plate Tray, circular with central monogram surrounded by engraved rocaille scrolls, the rim decorated with various classical figures and Bachanalian masks, raised on four dolphin and scroll feet, dia. 18 in. 12 Two Victorian Sterling Silver Tea Wares, each Sheffield, a teapot: , William Gibson & John Langman, maker, urn-form, with a wood handle and finial, ht. 8 3/4; and a covered sugar: , William Fordham & Albert Faulkner, maker, with a hinged lid, wood finial, and gadrooned lower body, ht. 4 7/8 in.; approx total troy oz. Online bidding at 7

10 13 13 Five-piece Victorian Sterling Silver Tea and Coffee Service, London, , Robert Hennell III, maker, bearing St. Petersburg, Russia import marks, each repoussédecorated with a basketweave design, pearform coffeepot, ht. 9 3/4, teapot, and creamer, and flared waste bowl engraved with crowned monogram BAB to underside, and oval basket with Pomian Armorial to center, lg. 11 3/8 in., approx troy oz. N.B. A number of Polish noble families use the Pomian Armorial, which dates back to c $7,000-9, Victorian Sterling Silver-mounted Glass Claret Jug, London, , John Wilmin Figg, maker, Chapple & Mantell, retailer, the glass body with star-cut base and etched stars throughout, the mount to the neck with grotesque masks within a shield cartouche with pendant fruit, the lid with a lion rampant finial, and foot with masks and fruit, ht. 11 in. $1,000-1, Victorian Sterling Silver Caster, Sheffield, , Lee & Wigfull, maker, with a flame final, baluster body decorated with gadroons and rocaille cartouches on a circular foot, ht. 9 1/8 in., approx. 6.0 troy oz. 16 Victorian Sterling Silver-mounted Mirror, London, , William Comyns, maker, the beveled, heart-shaped mirror plate within a reticulated silver frame decorated with grotesque masks, birds, and flowers amidst scrolls and centering an upper monogrammed cartouche, ht. 11 in. 17 Thirteen English Sterling Silver and Silverplated Stamp Boxes and Applicators, late 19th/early 20th century, most Birmingham, various makers and dates, ten sterling silver and formed as books or rectangular boxes, one book-form with sterling hinged cover and colorless glass base with two compartments, lg. 2 5/8, and two silver-plated and book-form; together with an American sterling silver box with reeded body, lg. 7/8 in.; approx. 4.4 total troy oz. weighable silver. 8 Additional information and photos at

11 Fifteen American Sterling Silver Stamp Boxes, Applicators, and Dispensers, late 19th/early 20th century, various makers, five fobs with hinged covers, four stamp roll dispensers, two topped with animals, ht. to 2 1/2, three flat boxes with hinged covers, ht. to 2 3/8 in., a box with hinged cover, doublesided applicator with chased covers, a stamp roll dispenser fob; approx total troy oz. 19 Victorian Novelty Ship s Lamp-form Sterling Silver Table Lighter, London, , Samuel Jacob, maker, labeled Starboard, with green glass panel to body, and monogrammed, ht. to top of cap 3 1/4 in. 20 Boxed Set of Nine Victorian MacNeill s Patent Sterling Silver Stamp Applicators, London, , maker s mark R.H within a rectangular lozenge, possibly for Robert Hennell III or IV, each applicator with profile bust of Victoria, Patent, and unidentified monogram to obverse, and strapwork decoration to sides, ht. 1 1/16, wd. 7/8 in., approx. 3.8 troy oz., in a fitted case embossed Postage and Telegraph Stamps to cover. $1,500-2, Twelve English Sterling Silver Personal Items, 20th century, various makers and dates, six fobs with stamp compartments in addition to sovereign holders and/or matchsafes, ht. to 3 1/2, four flat stamp boxes, lg. to 3 1/8, small lady s purse on chain with fitted leather interior, lg. 4 3/4, and monogrammed bill fold with fitted leather interior, lg. 3 1/2; together with a book-form silver-plated fob with matchsafe and stamp box, and sterling silver-mounted leather envelope, lg. 3 1/2 in.; approx total troy oz. weighable silver. 22 Six English Sterling Silver Stamp Boxes, Applicators, and Dispensers, 20th century, various makers and dates, three rectangular stamp boxes with hinged covers enclosing two compartments, inkwell with three stamp compartments, lg. 3, applicator with wood handle, ht. 3 1/8, and dispenser with colorless glass roller, lg. 3; together with a silvermounted colorless glass stamp box with three compartments, lg. 3 3/8, rectangular box with sterling silver-mounted cover, lg. 4 3/8, sterling silver box, ht. 1 7/8, and rectangular silverplated stamp box with three compartments, lg. 3 3/8 in.; approx. 8.6 total troy oz. weighable silver. 23 Three Pieces of English Silver-plated Hollowware, 19th to 20th century, an Ellis- Barker Silver Co. covered entree dish heavily cast and chased with flowerheads and C-scrolls and with presentation inscription, lg. 13 1/2, a wine bottle caddy with pierced body and unidentified marks, ht. 8 3/4, and warming tray with unidentified mark containing four Ellis-Barker covered tureens, lg. handle over handle 25 1/2 in. $ Online bidding at 9

12 32 24 George V Sterling Silver Ink Stand, London, , Lionel Alfred Crichton, maker, the scallop-edged stand with two pen trays and two square ink wells with inset glass and engraved armorials to the top, raised on spade feet, lg. 9 3/4 in., approx troy oz. 25 Elizabeth II Sterling Silver Salver, London, , maker s mark T&Co. probably for Tiffany & Co., with a piecrust rim and monogram to center, on four scrolled feet, lg. 13 3/4 in., approx troy oz. 26 Elizabeth II Sterling Silver Coffeepot, London, , Goldsmiths & Silversmiths Co. Ltd., retailer, base marked Barrard & Co. Ltd./12 Regent Street W, with baluster-form body, wood handle, and berry-form finial, ht. 11 1/4 in., approx troy oz. 27 Six Stamp Boxes, early 20th century, three English sterling silver miniatures by various makers: a desk, lg. 2 1/4, coal scuttle, ht. 1 3/8, and wheelbarrow, lg. 2 3/4; German.800 silver miniature house, ht. 1 7/8, rectangular brass box with three compartments and micromosaic inlay decorated with flowers to hinged cover, lg. 3 5/8, and rectangular Japanese mixed-metal box decorated with a sailboat on a lake and with two interior compartments, lg. 2 3/4 in., approx. 4.3 total troy oz. weighable silver. 28 Fourteen Envelope-form Sterling Silver Stamp Boxes, 20th century, most English, various makers and dates, nine chased or engraved, four plain, one hammered, lg. 1 to 1 5/8; together with an envelope-form sterling silver business card case, lg. 3 1/2 in.; approx. 5.5 total troy oz. 29 Five English Sterling Silver Stamp Boxes, 20th century, various makers and dates, three London: one long with hinged lid, five compartments, and a weighted base, lg. 5 3/8, another of a similar form with a weighted base and two compartments, lg. 2 5/8, and the third with three deep compartments, lg. 3 1/2; the fourth: Chester, tall with glass enclosed sides and top opening to two compartments, ht. 2 3/8; the fifth Birmingham: with a leather base, silver-mounted lid and two compartments, lg. 2 1/2 in., approx. 4.1 troy oz. weighable silver. 30 Twelve English Trough-form Sterling Silver Stamp Boxes, most Birmingham, early 20th century, various makers and dates, ten with hinged covers with colorless glass windows: six with two compartments, two with three compartments, and two with single compartment; one with four compartments and hinged cover marked Stamps in blue enamel and presentation inscription to interior, lg. 3 5/8 in., and one uncovered with central handle; approx total troy oz. 31 Five Continental Silver Stamp Boxes and Dispensers, 20th century, a French silver and gold box with cabochon stone to clasp, ht. 2 1/4 in., two rectangular sterling silver boxes retailed by Tiffany & Co., one with engineturned decoration, and two sterling silver stamp roll dispensers, one retailed by Tiffany & Co., the other Cartier; approx. 4.4 total troy oz. 32 Elizabeth II Parcel-gilded Sterling Silver Liberty Chess Pieces, London, 1973, James Goodbrand, maker, the pieces representing figures from the American Revolution, the gilt side with King George III, ht. 4 1/4, and Queen Charlotte, the bishops as Lord North and Edmund Burke, knights as ships prows, rooks as turrets, and pawns as East India Company tea chests; the silver side with George Washington, ht. 4, Betsy Ross, bishops as Sam Adams and John Hancock, knights as Paul Revere on horseback, rooks as cupolas, and pawns as Native Americans, thirty-two pieces total, each side fitted in a wood case, approx troy oz. $5,000-7, Additional information and photos at

13 Continental Silver & Plate 33 Bavarian Silver-gilt Emblem Beaker, Nuremberg, Germany, , Hans Reiff, maker, cylindrical, engraved with three emblematic scenes, each with a Latin motto within the emblem cartouche and corresponding German epigram below, the pictorial emblem in an ovoid cartouche framed by a foliate and floral wreath and joined to the other emblems by pendant fruit garlands amidst foliate scrolls, monogram to the underside, ht. 3 1/4 in., approx. 3.5 troy oz. N.B. This emblem beaker would have originally been part of a set. Another example from this set sold at Sotheby s Paris, June 26, 2013, Lot 246. $2,000-3, Silver Master Salt, probably Continental, 19th century, bearing spurious marks for Paris, , ovoid urn-form, with flared and pierced crenulated rim over fluted body on conforming foot, with dolphin-form handles, lg. 5 3/4 in., approx. 8.7 troy oz. $ Three-piece German.800 Silver Tea Service, Hanau, late 19th/early 20th century, Georg Roth & Co., maker, teapot, creamer with gold-washed interior and covered sugar decorated throughout with scenes of peasants merrymaking within rocaille cartouches and surrounded by floral sprays, raised on four claw-and-ball feet, with a presentation engraving to underside, teapot ht. 5 1/2 in., approx troy oz. 33 Online bidding at 11

14 Continental Silver Center Bowl, possibly Hanau, Germany, late 19th/early 20th century, lacking hallmarks, ovoid, with an inset glass liner, the reticulated silver frame decorated throughout with rocaille scrolls and flowers centering two cartouches of putti frolicking, with two scrolled handles, raised on four hoof feet, lg. 17 1/4 in., approx troy oz. 37 Austrian Enamel and Silver Miniature Urn, Vienna, , with two central cartouches depicting courting couples in 18th century dress to a pale pink ground, mounted with silver ram s head handles, rim, and footrim, ht. 3 1/4 in. $ Austrian Enamel and Gilded Silver Case, Vienna, , maker s mark JW, circular, the exterior decorated with polychrome scenes of classical-style figures, the interior with picturesque landscapes, dia. 2 1/8 in. $ German.800 Silver Figure of a Woman, Hanau, late 19th/early 20th century, unidentified maker s marks, the old woman with a removable head, holding a game bird in one hand and with a basket of birds on her back, mounted to a raised base with a naturalistic ground and rim decorated with rocaille cartouches and grapevines, ht. 10 3/4 in., approx troy oz. 40 Three-piece German.800 Silver Tea Service, late 19th/early 20th century, lacking maker s mark, teapot, covered sugar, and creamer, each urn-form body with leaf-tip registers raised on four legs joined by a female bust and terminating in hoof feet further mounted to a chamfered plinth, teapot ht. 10 3/4 in., approx troy oz. $ German.800 Silver Flatware Service, Bremen, late 19th/early 20th century, Koch & Bergfeld, maker, monogrammed, twelve each: dinner forks, hollow dinner knives, tablespoons, luncheon forks, luncheon knives, dessert forks, teaspoons, and demitasse spoons; two each: large serving spoons, smaller serving spoons, large carving forks, and small carving forks; a salad serving set, gravy ladle, sauce ladle, master spreader, and cheese knife, together with twentyeight miscellaneous German silver pieces of different patterns, and fourteen silver-plate pieces of different patterns, approx troy oz. total weighable silver, in a cloth case. 42 Three-piece Dutch.833 Silver Tea Service, late 19th/early 20th century, made for export, bearing various marks including SH and MG, each spherical and decorated with scrolling foliate vines and birds centering a cartouche with landscape to one side and a peasant couple to the other, teapot ht. 3 3/4 in., approx 15.3 troy oz. 12 Additional information and photos at

15 43 43 Austro-Hungarian.800 Silver Figural Inkwell, Vienna, , maker s mark KM in a circular cartouche, also marked to lower silver band enclosing base entw. Raszka and aug. Krahl, cast as St. George slaying the dragon on a textured oynx ground, the dragon with emerald-set eyes and its tail wrapped around a silver-hinged inkwell, with a lower metal band and a two-part wood base, lg. of onyx 12 1/4 in. N.B. A document stating that the piece was purchased by the House of Ottoker Huebner, Vienna, from a near relative of the late Emperor Franz Joseph II, accompanies the lot. $ German Art Nouveau Amethyst-mounted.800 Silver-gilt Tankard, Augsburg, late 19th/ early 20th century, Schmedding, maker, the bowl with eight panels alternating between amethyst cabochons to a hammered ground and scrolled registers, over fluted stem and spreading foot, ht. 11 in., approx troy oz Tiffany & Cie Silver Overlay Opera Glasses, Paris, late 19th century, monogrammed, each barrel with red guilloche enameling overlaid with rococo ornament, birds, and butterflies, with mother-of-pearl eyepieces and focusing ring, and original velvet case, ht. 3 in. 46 Four-piece German.835 Silver Tea and Coffee Service, Schwasbisch Gmund, late 19th/early 20th century, Wilhelm Binder, maker, coffeepot, teapot, creamer, and covered sugar, all with beaded rims and lower gadrooned bodies, coffeepot ht. 8, together with a silver-plate tray lg. 17 1/4 in., approx troy oz. weighable silver. $ German Silver-mounted Etched Glass Claret Jug, Hanau, early 20th century, Vereinigte Silberwarenfabriken, maker, the hinged lid with rose finial, the neck decorated with various peasant figures, the bulbous quatrefoil glass body with etched floral sprays, on a flared silver foot, ht. 10 3/4 in. 48 Austrian.900 Silver, Guilloche Enamel, and Cameo-mounted Box, Vienna, , maker s mark R S within a shaped cartouche, the rectangular box with canted corners and hinged cover with central oval cameo depicting a woman in profile, framed in pearls and surrounded by brown enamel ground and white enamel meander border, with gilded interior, lg. 4 in. 49 French.950 Silver, Enamel, and Glass Traveling Vanity Case, early 20th century, with unidentified JM maker s mark, decorated with purple enamel, four jars of various sizes, two perfume bottles, clothes brush, hair brush, oval mirror, shoe horn, and button hook, in a fitted silk-lined leather case with two leather boxes and key, case ht. 5 1/8, wd. 15 7/8, dp. 12 in. Online bidding at 13

16 14 Additional information and photos at 57

17 50 Danish.826 Silver Christening Spoon, Copenhagen, , maker s mark A_, assay mark SG possibly for Simon Groth, the bowl engraved to either side with a Scandanavian text around the Madonna with two children to one side and St. Olaf of Norway to the other, the stem with head above a warrior with sword and a hand and hammer, lg. 5 7/8 in., approx. 1.9 troy oz. 51 Three Pieces of David-Andersen Goldwashed Sterling Silver and Enamel Tableware, Norway, , tea strainer, spoon with a looped stem, and salt, each with blue cloisonné enamel scrollwork framed by white enamel beads, approx. 3.0 total troy oz. $ German.800 Silver Reticulated Basket, Hanau, early 20th century, Ferdinard Henzler, maker, with a bail handle and flared rim, decorated with floral garlands and cornucopia enclosing two monogrammed medallions, raised on a flared circular foot, ht. to handle 16 1/2 in., approx troy oz. 53 Cut Glass and.800 Silver Wine Ewer, Pforzheim, Germany, c. 1915, A. Schöllkopf, maker, with a foliate spout and faux-bois handle, ht. 12 1/4 in. $ Twelve Hungarian.800 Silver Cups and Saucers with an Associated Tray, after 1937, cups and saucers bearing maker s marks AH or HI, tray bearing maker s marks B, the cups and saucers with lobed bodies, cups with inset glass liners, the rectangular tray similarly decorated, with two handles, lg. 25; together with an unmarked hammered silver tray, lg. 14 in., approx total troy oz. 55 Swedish.830 Silver Flatware Service, Stockholm, , C.G. Hallbergs, retailer, six each: hollow dinner knives, hollow luncheon knives, hollow dessert knives, solid fish knives, dinner forks, luncheon forks, place spoons, tablespoons, monogrammed teaspoons, and pastry forks; and a hollow master spreader, approx troy oz. weighable silver. 56 Danish Sterling Silver Flatware Service, Copenhagen, mid-20th century, Anton Michelsen, maker, twenty-three bouillion soupspoons, twelve each: dinner forks, place spoons, fish forks, solid spreaders, gumbo soupspoons, hollow dinner knives, and hollow luncheon knives; eleven dessert forks, ten each luncheon forks and teaspoons, a gravy ladle, casserole spoon, large serving spoon and serving fork, approx troy oz. weighable silver. $2,000-4, Five-piece Georg Jensen Sterling Silver Tea and Coffee Service with Associated Sterling Silver Tray and Tea Strainer with Stand, Copenhagen, Denmark, second quarter 20th century, teapot, coffeepot, and hot milk jug pattern no. 32C, sugar bowl and creamer pattern no. 32A, all with a beaded band to neck and demilune border to the foot, teapot, coffeepot, and jug each with ebony handles and berry-form finials, coffeepot ht. 9 1/2; the ovoid tray, pattern no. 251A, with ebony handles, lg. handle to handle 27 in.; the single-handled tea strainer, pattern no. 10, and stand no. 40A, approx total troy oz. $8,000-12, Nineteen Pieces of Georg Jensen Sterling Silver Flatware, Denmark, 20th century, thirteen Acorn pattern: six hollowhandled knives, six post-1945 forks, and a pickle fork; and six post-1945 Bittersweet pattern teaspoons; approx total troy oz. weighable silver. 59 Two Buccellati-type Sterling Silver Shellform Dishes, Italy, mid-20th century, each hand-hammered, raised on two shell-form feet, incised BUCCELLATI 925 ITALY, lg. 3 1/2 in., approx. 4.7 troy oz. Online bidding at 15

18 Russian, Middle Eastern & Asian Silver & Plate Pair of Imperial Russian.875 Silver Candlesticks, St. Petersburg, c. 1867, Carl Gustav Ekqvist, maker, assayer s mark in Cyrillic P.M, each with an urn-form sconce above a weighted, inverted baluster stem on a flared foot, decorated throughout with rocaille cartouches and floral sprays, ht. 12 in. $1,200-1, Two Small Enameled Silver Objects, a salt with shaded cloisonné enamel, cabochon stones, and gilded interior, bearing second Kokoshnik and 6th Artel marks, ht. 2; and Austro-Hungarian polychrome enameled.800 silver spoon with rock crystal bowl, lg. 5 in. 62 Imperial Russian Gold-washed.875 Silver Throne-form Salt Cellar, Moscow, c. 1870, maker s mark AK, assayer s mark B.C, possibly for Veniamin Savinsky, engraved throughout with various motifs including a rooster to the seat, foliate scrollwork, and inscriptions, ht. 2 1/4 in., approx. 1.7 troy oz. 63 Russian.875 Silver and Hardstonemounted Kovsh, Moscow, , Orest Fedorovich Kurlyukov, maker, Russian Revivalstyle, the boat-form bowl with the figure of Boyan playing the gusli seated on the prow and decorated with flowers and scrolls, with crowned cipher and hardstone cabochons to handle, lg. 15 5/8 in., approx troy oz. N.B. Boyan is a bard who appears in the Russian epic poem The Lay of Igor s Campaign. He was a popular figure with Russian Romantic artists. $20,000-30, Additional information and photos at

19 64 64 Large Russian.875 Silver Covered Tankard, St. Petersburg, , Grachev Brothers, maker, the stepped and domed cover with a cast figural finial of a putto feeding grapes to a goat, the cylindrical body with allover repoussé diaper pattern centering stylized flowerheads, with one diamond unworked and intended for engraving, with S-scroll handle surmounted by bust-form thumbpiece, on a spreading foot with similar diaper design, with gilded interior, ht. 13 1/2 in., approx total troy oz. $2,000-4,000 Online bidding at 17

20 66 65 Three Pieces of Middle Eastern or Indian Silver Hollowware, late 19th/20th century, all repoussé-decorated, an unmarked circular bowl with dancing figures within an arcade, the underside chased with a peacock and engraved with the Sheldon family motto Optimum Pati, dia. 7; balustroid mug with field of tightly scrolled foliage and animals, underside engraved Sheldon, body ht. 5 3/4; and Turkish circular covered box decorated with flower sprays and leaftips, with unidentified maker s mark, dia. 3 1/4 in.; approx total troy oz. $ Four-piece Chinese Export Silver Tea Service, early 20th century, unidentified maker s mark, monogrammed, each with decoration of various birds amongst prunus branches, kettle on unmarked stand, total ht. 13 in., teapot, covered sugar, and creamer, approx troy oz. $1,500-2, Chinese Silver Bowl, character marks for pure silver on underside, with a dragon in high relief wrapped around the outer edge of the bowl on a hammered silver ground, raised on a short foot, ht. 4 in., approx troy oz. 18 Additional information and photos at

21 American & Canadian Silver & Plate 68 Four American Coin Silver Mugs, 19th century, each with hollow handle, two Gorham with cylindrical bodies: one with chased flowers centering a vacant medallion, ht. 3 3/8, the other with engraved foliage centering medallion with presentation inscription, ht. 3 1/8; another John B. Jones & Co. balusterform with presentation inscription, ht. 3 3/4, the fourth marked only coin and cylindrical with chased leaftips and presentation inscription, ht. 3 1/4 in.; approx total troy oz. $ Seventeen Pieces of Corinthian Pattern Sterling Silver Flatware, New York, mid-19th century, John Polhamus, maker, Tiffany & Co., retailer, six each serving spoons and place spoons, five teaspoons, approx troy oz Peter L. Krider Medallion Pattern Coin Silver Condiment Caddy, Philadelphia, Pennsylvania, c. 1860, the caddy with central loop handle with presentation inscription above stems with stylized flower heads terminating in oval medallions filled with putto busts, accomodating six circular bottles and on six feet, ht. 11 3/4 in., approx troy oz.; together with six unmarked silver-platemounted colorless cut glass bottles for various condiments and a coin silver mustard spoon. 71 Rogers & Wendt Coin Silver Pitcher, Boston, Massachusetts, , retailed by Jones, Shreve, Brown & Co., with darted and beaded rim over baluster body with engraved registers centering a monogrammed cartouche, further darting, and stop-fluting, S-scroll handle with foliage and fluting, on a spreading foot with scalloped edge, ht. 13 in., approx troy oz. $1,500-2, Tiffany & Co. Sterling Silver Pitcher, New York, , the squat baluster form monogrammed to the front with a leaftipdecorated handle joint and spout and a rocaille scroll and floral rim band to neck, ht. 8 1/4 in., approx troy oz. $1,500-2, Six Pieces of American Silver Hollowware, 19th century, four coin silver: a small Gorham ewer with engraved decoration and monogram, ht. 6 1/2, monogrammed Federal-style creamer marked for G. Forbes, ht. 5 3/8, Tift & Whiting repoussé-decorated goblet with presentation inscription, ht. 5 1/2, and monogrammed Lincoln & Foss creamer repoussé-decorated with strawberries, ht. 3 3/4; and two Wood & Hughes sterling silver salts, ht. 2 1/4 in.; approx total troy oz. 74 Two Pieces of Gorham Silver Hollowware, Providence, Rhode Island, mid-19th century, a Japanesque sterling silver teapot and cover with date cipher for 1869, globular with flattened sides, engraved medallions with Asian figures and monogram, and bail handle, body ht. 4 3/4; and coin silver goblet with neoclassical die-cast rim and chased ornament centering an engraved scene of a woman pointing to a ship off the coast and presentation inscription dated 1868, ht. 6 1/2 in.; approx total troy oz. 75 Six Tiffany & Co. Sterling Silver Tablespoons, New York, , each with applied monogram to terminal, lg. 8 3/8 in., approx troy oz. $ Online bidding at 19

22 81

23 76 American Coin Silver Pitcher, mid to late 19th century, maker s mark redacted, the baluster form with a scrolled handle with a rooster head to the lower joint, the body decorated with a floral garland enclosing a presentation inscription, on a domed foot, ht. 10 3/4 in., approx troy oz. $ Eleven Pieces of Tiffany & Co. Japanese Pattern Sterling Silver Flatware, New York, , monogrammed, nine ice cream spoons, a berry scoop, and ice cream server, approx troy oz. 78 Three Whiting Armor Pattern Sterling Silver Ladles, New York, late 19th century, each with a gold-washed bowl, one large, lg. 13 5/8, two small, lg. 8 in., approx. 8.3 troy oz., in their original fitted case. 79 Five Small American Silver Items, two late 19th century Gorham sterling silver perfumes: one oval with allover repoussé floral design, ht. 3 3/4, the other narrow with beaded spirals and engraved with owner s name, ht. 4; a mid-19th century Leonard & Wilson coin silver card case with a high-relief view of the U.S. capitol to obverse and flower spray to reverse, ht. 3 1/2; an unmarked sterling silver match safe with appled Prince of Wales plumes to obverse and monogrammed and dated to reverse, ht. 2 1/2, and Durgin heart-shaped covered sterling silver box with C-scrolls surrounding a monogrammed medallion, lg. 2 3/8 in.; approx. 6.9 total troy oz. $ Three Tiffany & Co. Sterling Silver Items, New York, , a two-handled cup with an engraved monogram, ht. 4 1/4; a hammered silver bowl and saucer each with a presentation engraving to underside, the bowl with a gold-washed interior and applied name and date to surface, the saucer with applied insects and a leafy spray, bowl dia. 5 in., approx total troy oz. 81 Tiffany & Co. Sterling Silver Epergne, New York, , the three-arm stem with a domed foot decorated with various motifs including registers of abstract fruit forms terminating in three bracket feet, the three arms joined to the stem with reticulated scrollwork with three small dishes, centering a single upright with a larger dish, the interior of each gold-washed dish with a presentation inscription, total ht. 17 5/8 in., approx troy oz. $15,000-20, Three Pieces of Gorham Sterling Silver Hollowware, Providence, Rhode Island, two reticulated dishes: a narrow ovoid dish with an egg-and-dart rim, 1893, lg. 13 1/4, and a dish with rocaille scrolls and flowers to the rim and monogram to the center, 1904, lg. 12 1/2; and a sauceboat with gadrooned rim and flying scroll handle, lg. 7 5/8; together with a shallow circular dish with a beaded rim and foot and presentation engraving to body, bearing Gorham hallmarks, 1893, dia. 9 in., approx total troy oz. $ Thirty-eight Pieces of Whiting Japanese Pattern Sterling Silver Flatware, New York, late 19th/early 20th century, monogrammed, twelve teaspoons, six each: tablespoons, place spoons, and dinner forks; five luncheon forks, two master spreaders, and a soup ladle, approx troy oz. $ Ten Pieces of American Sterling Silver Flatware, late 19th/early 20th century, most monogrammed, six Gorham: a Lancaster pattern punch ladle, Baronial pattern berry spoon and cold meat serving fork, a No. 5-S hot cake server, and a Versailles pattern pierced bonbon spoon and pie knife; two Tiffany & Co.: a Florentine pattern tomato server and a St. Dustan pattern serving fork; Cartier tea strainer and a Whiting Dresden pattern sardine fork; together with a Tiffany salt shaker; approx total troy oz. 85 Four-piece Simons Brothers Sterling Silver Tea Service, Philadelphia, 19th/20th century, teapot, creamer, sugar, and open waste bowl, together with an associated Gorham kettleon-stand of a similar pattern with a silver-plate burner, all monogrammed with urn-form bodies and beaded details to the rims, kettle on stand ht. 13 3/4 in., approx troy oz. total weighable silver. $1,000-1, Four American Silver Serving Pieces, late 19th/early 20th century, three coin silver: a monogrammed Wood & Hughes Medallion pattern berry spoon with a gold-washed bowl, lg. 8 3/4, a John Cox berry shovel with a gold-washed bowl decorated with repoussé berries, lg. 9 1/2, and a Ball, Black & Co. cake saw with a hollow handle and an engraved floral motif to the blade, lg. 12; and a Starr & Marcus sterling silver punch ladle, lg. 12 1/2 in., approx. 9.5 troy oz. weighable silver. 87 Reed & Barton Sterling Silver Box, Taunton, Massachusetts, late 19th/early 20th century, allover decorated with acidetched Art Nouveau floral design centering a monogrammed reserve, the hinged cover enclosing a green velvet-lined interior, ht. 2 1/4, wd. 15 3/4, dp. 4 1/4 in. $ Twenty-four Pieces of Sterling Silver Vermeil Flatware, late 19th/early 20th century, retailed by Brand-Chatillon Co., New York, twelve each dessert forks and spoons, the handles with pierced scrollwork and fruitfilled baskets to terminals, approx troy oz. $ Shiebler & Co. Sterling Silver Ink Blotter, New York, c. 1900, the handle formed as a lion holding a crest with an engraved monogram, the reticulated edges with hinged compartments, lg. 4 3/4 in. $ Online bidding at 21

24 94 94 Pair of Tiffany & Co. Sterling Silver Sandwich Trays, New York, , each shell-form, decorated with chased rocailles, some filled with a pierced diaper pattern, rim cast with flower heads and C-scrolls, on four bun feet, lg. 15 3/4 in., approx troy oz. $3,000-5, Pair of Tiffany & Co. Sterling Silver Compotes, New York, , each with a reticulated rim decorated with flowers and C-scrolls and an engraved armorial to the center, raised on a short stem and domed foot with similar decoration and four scrolled feet, ht. 4 3/4 in., approx troy oz. $ Dominick & Haff Sterling Silver Urn, New York, 1905, with two hollow handles, girdle, and spreading foot, monogrammed and with presentation inscription, ht. 11 in., approx troy oz. $ Tiffany & Co. Shell and Thread Pattern Sterling Silver Flatware Service, New York, , monogrammed, eight each: dinner knives, tablespoons, dinner forks, salad forks, and oyster forks; seven each: flat spreaders and iced tea spoons; five teaspoons, a serving spoon, serving fork with pierced tines, and gravy ladle, approx troy oz. weighable silver. $2,000-4, Fourteen Pieces of American Sterling Silver Hollowware, New York, late 19th/early 20th century, a J.F. Fradley & Co. bowl with a floraldecorated rim, dia. 5; a Redlich & Co. bowl with a flared reticulated rim and monogram to the interior, dia. 7 3/8; a pair of Redlich reticulated tazza each with a monogram to the center, ht. 3 1/2; and a set of ten Wallace monogrammed butter dishes, dia. 3 in., approx total troy oz. $ Theodore Starr Sterling Silver Vase, New York, late 19th/early 20th century, with a flared and beaded mouth, narrow neck with engraved monogram, and neoclassical swags and masks, terminating on a flared circular foot, ht. 11 3/4 in., approx troy oz. 92 Twelve George C. Shreve & Co. Sterling Silver Spoons, San Francisco, California, late 19th/20th century, each stem with different modernist design, monogrammed to back of bowls, lg. 4 3/4 in., approx. 7.6 troy oz. $ Gorham Sterling Silver Tray, Providence, Rhode Island, 1900, rectangular with a monogrammed and gold-washed interior, the flared rim with various flowers, lg. 14 1/2 in., approx troy oz. 98 Two Pieces of American Sterling Silver Hollowware, each monogrammed, a 1909 Gorham dish with border engraved with flowers and foliage and shaped and molded rim, lg. 10 3/4; and Frank M. Whiting bowl with fluted sides, border with engraved garlands, and shaped and molded rim, lg. 10 1/4 in.; approx total troy oz. $ Theodore Starr Sterling Silver Compote, New York, first quarter 20th century, the reticulated edge with various flowers amidst foliate scrollwork, raised on a similarly decorated domed foot, dia. 11 5/8 in., approx troy oz. 22 Additional information and photos at

25 Thirty-two Pieces of Assorted American Sterling Silver Flatware, nineteen pieces of Tiffany Shell and Thread pattern, most monogrammed, six each: place spoons, forks, and teaspoons, and a butter pick, eight monogrammed Tiffany Faneuil pattern solid spreaders, one monogrammed Tiffany Olympian pattern gravy/dressing spoon, a Gorham souvenir spoon from Normal College, New York, a Gorham Versailles pattern five o clock teaspoon, a Webster hollow-handled pie slice, and a pair of tongs, together with a silver-plate spoon with a looped handle, approx troy oz. total weighable silver. 101 Tiffany & Co. Sterling Silver Dish, New York, , rim with leaves and grape bunches centering a vacant cartouche, dia. 8 in., approx. 9.5 troy oz. $ Gorham Sterling Silver Center Bowl, Providence, Rhode Island, 1912, J.E. Caldwell & Co., retailer, the paneled circular bowl with a cusped rim and engraved floral decoration, dia. 10 in., approx troy oz. $ Black, Starr & Frost Sterling Silver Tazza, New York, early to mid-20th century, with a central monogram and a shell- and scrolldecorated rim, on a short stem terminating in a similarly decorated foot, dia. 12 1/2 in., approx troy oz. 104 Tiffany & Co. Sterling Silver Center Bowl, New York, , circular, with central Persian-influenced acid-etched design of a bird amidst scrolling stylized foliage, the border with fish scale pattern interrupted by six reserves, one monogrammed, dia. 13 1/4 in., approx troy oz. $1,500-2, Dominick & Haff Pointed Antique Pattern Sterling Silver Flatware Service, New York, 20th century, retailed by Bigelow Kennard & Co., monogrammed, thirteen dessert forks, twelve each: salad forks and teaspoons; nine dinner forks, eight each: flat spreaders, dinner knives, dessert knives, and soupspoons; six tablespoons, and gravy ladle, approx troy oz. weighable silver, in a wood case. $1,500-2, Gorham Sterling Silver Covered Tray, Providence, Rhode Island, 1915, circular tray with a shallow domed top, the rim decorated with floral and foliate garlands, dia. 14 1/2 in., approx troy oz. $1,500-2, Twenty-eight Pieces of American Goldwashed Sterling Silver Flatware, New York, first half 20th century, Brand-Chatillon, retailer, each with pierced terminal depicting a putto with a basket on fruit on his head, ten dessert spoons and forks, eight fruit knives, approx troy oz. $ Three-piece Newburyport Silver Co. Sterling Silver Coffee Service, Keene, New Hampshire, early 20th century, monogrammed, each with octagonal tapered body, reeded borders, and rectilinear handles, coffeepot, ht. 7 3/8 in., creamer, and open sugar, approx troy oz. $ Tiffany & Co. Sterling Silver Footed Bowl, New York, c. 1918, the flared circular rim decorated with flowerheads on a short stem and circular foot, dia. 9 1/4 in., approx troy oz. $ Online bidding at 23

26 24 Additional information and photos at 121

27 110 Five Pieces of American Sterling Silver Hollowware, 20th century, four Tiffany & Co., : a porringer with a pierced handle, lg. from handle 6 5/8, a small bowl with a flared rim, dia. 5 5/8, and a monogrammed, urnform covered sugar and creamer, ht. 5 1/2, 5; and a Georg Jensen Inc. bowl, dia. 5 1/4 in., approx total troy oz. $ Six Tiffany & Co. Sterling Silver Wineglasses, New York, , each with engraved bands to tapered bowl and stem, and circular foot, ht. 3 7/8 in., approx troy oz. $ Dominick & Haff/Reed & Barton Sterling Silver Platter, New York, 1931, oval, monogrammed to rim, lg. 18 in., approx troy oz. $ Tiffany & Co. Sterling Silver Platter, New York, , with a flared and stepped rim, lg. 20 in., approx troy oz. 114 Five-piece Watson Dorian Pattern Sterling Silver Tea and Coffee Service, Attleboro, Massachusetts, c. 1935, designed by Percy Ball, Art Deco-style, each piece with tapered body ornamented with vertical chased bands and on stepped foot, coffeepot, ht. 9 1/2 in., teapot, and covered sugar with ebonized wood finials and domed stepped covers, creamer and waste bowl, approx total troy oz. N.B. Percy Bertram Ball ( ) worked as a silver designer and craftsman at Gorham, Frank Whiting, and Wallace, among others, before settling at Watson sometime in the mid to late 1920s. $2,000-4, Assembled American Sterling Silver Flatware Service, 20th century, most with various monograms, most Towle Lafayette pattern: fourteen bouillon soupspoons, twelve each: hollow knives, dinner forks, and luncheon forks; eight teaspoons and solid spreaders, a sauce ladle, and a preserve spoon; twelve Frank Smith Martha Washington pattern teaspoons, six Dominick & Haff Pointed Antique pattern oyster forks, and five Gorham Old Colony teaspoons, approx troy oz. total weighable silver, in a wood case. $1,000-1, Tiffany & Co. Sterling Silver Bowl, New York, , with a flared rim decorated with various flowerhead and scrolls, monogrammed to center, dia. 11 1/4 in., approx troy oz. 117 Six Pieces of American Sterling Silver Flatware, four Gorham monogrammed with gold-washed bowls and tines: Meadow pattern salad serving fork and spoon, bonbon scoop in pattern 437, and Marguerite Engraved pattern small pierced ladle; Tiffany & Co. monogrammed Chrysanthemum pattern claret spoon with spiral stem, and Durgin Chrysanthemum pattern bonbon spoon; approx total troy oz. $ Six-piece Shreve, Crump & Low Sterling Silver Tea and Coffee Service, 20th century, each octagonal balustroid-form and chased with acanthus leaves and floral garlands supported by ribbands, with vacant reserves intended for monogramming, a kettle on stand with burner, coffeepot, ht. 10 3/4 in., teapot, covered sugar, creamer, and waste bowl; together with George III tea tongs, , George Burrows, maker, with bright-cut decoration; approx total troy oz. $3,000-5, Assembled Gorham Cluny Pattern Sterling Silver Flatware Service, Providence, Rhode Island, most with various monograms, eleven hollow luncheon knives and salad forks, ten tablespoons and dinner forks, seven place spoons, six citrus spoons with gold-washed bowls, five luncheon forks, two cheese knives, a pair of sugar tongs, and a teaspoon, approx troy oz. weighable silver. $1,500-2, Towle Lady Mary Pattern Sterling Silver Flatware Service, Newburyport, Massachusetts, 20th century, most monogrammed, eighteen salad forks, thirteen each: teaspoons and dessert forks; twelve each: dinner knives, dessert knives, orange knives, flat spreaders, bouillon spoons, gumbo spoons, dessert spoons, demitasse spoons, iced tea spoons, salt spoons, ice cream forks, and oyster forks; eleven dinner forks, seven orange spoons, six serving spoons, two sugar spoons, salad serving fork and spoon, gravy ladle, sauce ladle, almond spoon, butter knife, lemon fork, olive fork, olive spoon, jelly server, cucumber server, pie server, cheese server, egg server, small three-piece carving set, large three-piece carving set, small cold meat serving fork, lettuce fork, and long-handled jelly spoon, approx troy oz. weighable silver. $1,200-1, Gorham Tuileries Pattern Sterling Silver Flatware Service, Providence, Rhode Island, early 20th century, monogrammed, twentyone teaspoons, twelve each: coffee spoons, bouillon spoons, ice cream forks, oyster forks, flat spreaders, tablespoons, dinner forks, salad forks, fish forks, dessert forks, fish knives, blunt dinner knives, blunt dessert knives, and citrus or fruit knives; eight dessert spoons, six salt spoons, two each: sugar sifters, cream ladles, one with gold-washed bowl; ice serving spoon, sugar tongs, sauce ladle, butter pick, pie server, soup ladle, asparagus server, serving fork with pierced tines, small serving spoon with pierced bowl, ice cream server, large fish serving knife, crumb knife, salad serving fork and spoon, two carving forks, large and small carving knives, and sharpening rod, approx troy oz. weighable silver, in original brass-mounted oak fitted case on stand labeled for Gorham & Co. New York. $4,000-6, Four Tiffany & Co. Sterling Silver Dishes, New York, all but one small dish , three poppy-form dishes, dia. 5 1/4; and a shallow, ovoid serving dish with a pierced scrollwork handle on three ball feet, lg. 10 3/4 in.; approx total troy oz. 123 Four Pieces of American Sterling Silver Hollowware, 20th century, two Gorham: circular center bowl on four scrolled feet, dia. 12 1/4, and monogrammed circular dish, dia. 10; George C. Erickson circular low bowl, dia. 8, and Tiffany & Co. circular tray, dia. 13 in.; approx total troy oz. Online bidding at 25

28 124 Towle Louis XVI Pattern Sterling Silver Flatware Service, Newburyport, mid-20th century, monogrammed, twelve dinner forks, eight each: hollow dinner knives, salad forks, oyster forks, place spoons, five o clock teaspoons, demitasse spoons, bouillon soupspoons, solid spreaders; seven each: teaspoons, fruit spoons, and ice tea spoons, four hollow luncheon knives, three tablespoons, a tomato server, large cold meat serving fork, small cold meat serving fork, lemon fork, hollow pie slice, and hollow waffle server, approx troy oz. weighable silver. 125 Twelve Assembled American Sterling Silver Goblets, 20th century, each with bell-form bowl and trumpet-form foot, ten Gorham and one each International and Wallace with presentation inscription and gold-washed interior, ht. 6 5/8 in.; approx total troy oz. $1,200-1, Tiffany & Co. Assembled Olympian Pattern Sterling Silver Flatware Service, New York, , some pieces bearing various monograms or armorials, thirteen dinner knives, twelve each: pie forks, fish forks, and bouillon soupspoons; eleven each: dessert knives, dessert forks, dessert spoons, and orange knives; nine flat spreaders, six each orange spoons and serving spoons; two oyster forks, a dinner knife, demitasse spoon, teaspoon, five o clock teaspoon, fruit fork, salt spoon, fish serving fork and spoon, ice cream slicer, master spreader, sugar tongs with shell tips, cold meat serving fork, gravy ladle with fluted bowl, large soup or oyster ladle with scalloped bowl, sardine serving fork, and a small four-tined fork, and two similar salts decorated with putti; approx total troy oz. weighable silver. $10,000-15, Additional information and photos at

29 127 Tiffany & Co. Sterling Silver Bowl, New York, , the lobed bowl with an engraved monogram, dia. 9 1/4 in., approx troy oz. 128 Wallace Sterling Silver Kettle on Stand, Wallingford, Connecticut, 20th century, paneled kettle with an engraved monogram to body, on a stepped circular stand on four ball feet with an associated burner, ht. 13 in., 46.3 troy oz. 129 Three-piece Steiff Sterling Silver Tea Service, Baltimore, Maryland, , teapot, creamer, and sugar, each repoussédecorated throughout with various flowers and foliage raised on four scrolled feet, teapot ht. 9 1/2 in., approx troy oz. $1,000-1, Towle Tipped Pattern Sterling Silver Flatware Service, Newburyport, Massachusetts, 20th century, monogrammed, nine teaspoons, eight each: hollow knives, solid spreaders, forks, soupspoons, and salad forks, approx troy oz. weighable silver. $ Assembled Towle Old Newbury Sterling Silver Flatware Service, Newburyport, Massachusetts, 20th century, several with assorted monograms, ten teaspoons (two monogrammed), eight each hollow knives and forks, six each monogrammed five o clock teaspoons and salad forks, two slightly shorter salad forks, a dessert fork, tablespoon, sugar spoon, soupspoon, master butter knife, and a hollow cheese knife, approx troy oz. weighable silver. 132 Pair of Sterling Silver Candlesticks, mid to late 20th century, weighted, each slender inverted baluster form with an urn-form sconce and a flared circular foot, ht. 23 3/4 in. 133 Pair of Sterling Silver Candlesticks, 20th century, lacking maker s mark, each with a narrow urn-form sconce raised on a baluster stem with domed, floriform knobs terminating on a domed circular foot with three claw-andball feet, ht. 9 1/4 in., approx troy oz. 134 Five-piece Gorham Plymouth Pattern Tea Service, Providence, Rhode Island, , kettle on stand with burner, teapot, covered sugar, open waste bowl with a gold-washed interior, and a creamer with a gold-washed interior, kettle on stand ht. 13, together with a Gorham silver-plate tray, lg. 25 in., approx troy oz. weighable silver. $2,000-3, Twenty Pieces of Reed & Barton Burgundy Pattern Sterling Silver Flatware, Taunton, Massachusetts, mid to late 20th century, ten each fish forks and hollow fish knives with stainless steel blades, approx troy oz. weighable silver. $ Oneida Heirloom Mansion House Sterling Silver Flatware Service, Sherrill, New York, mid-20th century, twenty-four teaspoons, thirteen salad forks, twelve each dinner knives and soupspoons, ten dinner forks, eight each cocktail forks and spreaders, two dessert forks, a serving spoon, sauce ladle, and cream ladle, approx troy oz. weighable silver. 137 Birks Orleans Pattern Sterling Silver Flatware Service, Canada, 20th century, monogrammed, twelve each: teaspoons, five o clock teaspoons, salad forks, dinner forks, and solid spreaders; eleven each hollow dinner knives and soupspoons; a hollow salad serving set with wooden bowl and tines, two cold meat serving forks, a hollow sharpener, tablespoon, gravy ladle, sauce ladle, and sugar spoon, approx troy oz. weighable silver. $1,000-1, Towle Legato Pattern Sterling Silver Flatware Service, Newburyport, Massachusetts, mid to late 20th century, fifteen hollow spreaders, thirteen each hollow luncheon knives and hollow dinner knives; twelve each: dinner forks, luncheon forks, salad forks, teaspoons, and soupspoons; eleven demitasse spoons, three each: serving spoons, youth spoons, and youth forks; a pierced serving spoon, cold meat serving fork, gravy ladle, sauce ladle, hollow pie server, hollow cheese slice, and tomato server, approx troy oz. weighable silver. $1,200-1, Assembled Three-piece Tiffany & Co. Sterling Silver Coffee Service, New York, , the slender coffeepot with a wood handle and grape-form finial, the creamer and open sugar bowl with a grape design to each handle, coffeepot ht. 10 in., approx total troy oz. $ Fifteen Pieces of American Sterling Silver Hollowware, 20th century, twelve B. Altman monogrammed plates, dia. 6 1/2, a Watson monogrammed dinner plate, dia. 9, and a pair of Farmington weighted candlesticks, ht. 3 in., approx troy oz. total weighable silver. Online bidding at 27

30 Pair of Sterling Silver Candlesticks, late 20th century, marked for Cartier, weighted, with a flared sconce on a tapered stem and circular foot, ht. 9 3/4 in. 148 Boxed Set of Six Cartier Sterling Silver Beakers, late 20th century, ht. 2 1/8 in., approx troy oz., in the original box. 149 Reed and Barton French Renaissance Pattern Sterling Silver Flatware Service, Taunton, mid to late 20th century, some monogrammed, fifteen teaspoons, thirteen oyster forks, twelve each: hollow knives, dinner forks, luncheon forks, salad forks, and soupspoons; and eleven solid spreaders; together with two silver teaspoons of different patterns; approx troy oz. weighable silver. $1,200-1, Wolfgang Schroth Sterling Silver Ship Model, Montville, New Jersey, second half 20th century, the sloop Azulejo with single mast, two sails, and rigging with polychrome enamel-decorated American flag, set between rolling waves, ht. 8 3/4, marked Schroth and sterling, mounted to a verde marble base and with Plexiglas case, total ht. 13, wd. 9 5/8, dp. 6 5/8 in. N.B. Wolfgang Schroth was a Tiffany & Co. silversmith before founding his own company manufacturing and retailing jewelry and silver. His firm supplied silver hollowware to Cartier for retail, including ship models. Schroth gifted this boat to the present owner s step-father as a thank-you for allowing Schroth free use of the Azulejo. 142 Pair of Gorham Sterling Silver Candlesticks, Providence, Rhode Island, mid to late 20th century, weighted, each with an urn-form sconce with engraved monogram to one side, raised on a tapered and fluted stem terminating in a flared ovoid foot with a beaded rim, ht. 12 in. 143 Five-piece Gorham Sterling Silver Tea and Coffee Service, Providence, Rhode Island, 1957, coffeepot, teapot, covered sugar, creamer, and open waste bowl, each bulbous, with shell and scroll border to rim, raised on four splayed feet, coffeepot ht. 9 1/2 in., together with a Gorham hot milk jug, approx total troy oz. $1,200-1, Wallace Rose Pattern Sterling Silver Flatware Service, Wallingford, Connecticut, 20th century, monogrammed, twelve teaspoons, six each: blunt knives, dinner forks, and luncheon forks; a master spreader, and jelly spoon, in brass-mounted mahogany fitted case labeled for retailer Charles E. Graves & Co., Chicago, approx troy oz. weighable silver. $ Five-piece Watson Exemplar Pattern Sterling Silver Tea and Coffee Service, Attleboro, Massachusetts, 20th century, teapot, coffeepot, covered sugar, open waste bowl, and creamer, coffeepot ht. 9 1/4 in., approx troy oz. $ Gorham Lyric Pattern Sterling Silver Flatware Service, Providence, Rhode Island, mid to late 20th century, twelve teaspoons and hollow knives, nine luncheon forks, eight solid spreaders and salad forks, seven soupspoons, two sets of salad servers, two gravy ladles and demitasse spoons, a cold meat serving fork, salt spoon, five o clock teaspoon, preserve spoon, sauce ladle, hollow master spreader, and small hollow carving fork and knife, together with a silver-plated ladle of a similar pattern, approx troy oz. weighable silver. 150 International Brocade Pattern Sterling Silver Flatware Service, Meriden, Connecticut, mid to late 20th century, twentytwo teaspoons, twelve each forks, hollow knives, and soupspoons, ten solid spreaders, nine salad forks, three tablespoons, a master spreader, sugar spoon, gravy ladle, and pair of sugar tongs; together with six assorted sterling silver pieces, including a monogrammed Dominick & Haff salad serving set, a hollow Web carving fork and knife, a Towle serving spoon, and a Blackinton & Co. mustard spoon, approx troy oz. total weighable silver, in a fitted wood case. $1,000-1, Towle Old Colonial Sterling Silver Flatware Service, Newburyport, Massachusetts, mid to late 20th century, monogrammed, six each: hollow dinner knives, dinner forks, salad forks, soupspoons, oyster forks, teaspoons, and solid spreaders; and two tablespoons, approx troy oz. weighable silver. $ Two Pieces of American Sterling Silver Hollowware, last quarter 20th century, a Tiffany & Co. shell-form dish, lg. 5 3/8, and Reed & Barton square dish with gadrooned border, lg. 9 3/4 in.; approx total troy oz. 28 Additional information and photos at

31 Mexican & South American Silver & Plate 153 Peruvian Sterling Silver Casket, 20th century, unidentified maker s marks to underside, rectangular with stepped lid decorated throughout with various stylized Incan motifs including masks, figures and animals, raised on four feet formed as warriors, ht. 7 1/2 in., approx troy oz. without fitted trays. $2,000-4, Three-piece Sanborns Mexican Sterling Silver Diminutive Tea Service, Mexico City, mid-20th century, teapot, covered sugar, and creamer, each squat, with a ribbed body decorated with flowerheads, teapot ht. 7 1/8 in., approx troy oz. 155 Mexican Sterling Silver Three-light Centerpiece, Mexico City, mid-20th century, Tane Orfebres, maker, with central circular bowl surrounded by three sconces and drip cups supported by scrolled arms, lg. 13 5/8 in., approx troy oz. 153 Online bidding at 29

32 Seven-piece Mexican Sterling Silver Tea and Coffee Service, mid-20th century, lacking maker s mark, each with lobed, inverted baluster body offset by scrolled register to mouth and footrim, and flying scroll handles, kettle on stand with burner, teapot, coffeepot, covered sugar, creamer, open waste bowl, and tray, kettle on stand ht. 12, tray lg. handle to handle 31 in., approx troy oz. $3,000-5, Four Mexican Sterling Silver Serving Dishes, mid to late 20th century, all with scroll-decorated border, two Juvento Lopez Reyes: a small ovoid dish with flared rim, lg. 13 1/8, and a larger ovoid platter, lg. 18; a meat or roast tray on four scrolled feet, lacking maker s mark, lg. 17 3/4, and a segmented ovoid tray with rubbed marks, lg. 15 3/4 in., approx troy oz. $1,000-1, Mexican Sterling Silver Center Bowl, Mexico City, mid to late 20th century, Jose Marmolejos, maker, the lobed ovoid body with two scrolled handles raised on four scrolled feet, lg. handle to handle 19 1/2 in., approx troy oz. $ Additional information and photos at

33 Viennese Table Clocks from a Private Southern Collection Lots

34 Viennese Silver and Enamel Tower-form Timepiece, Austria, c. 1880, attributed to Hermann Bohm, the architectural body with multi-faceted top adorned with figures of soldiers, putti, and mythical heads and capped with a maiden and llama finial, all atop a pentagonal body with paneled sides, one inset with a circular clock, overall ht. 11 1/2 in. $7,000-9, Viennese Silver and Enamel Tower-form Clock, Austria, late 19th century, enamel panel sides with owl-topped columns and circular clock, the movement inscribed John Wolffle Wien, overall ht. 10 1/4 in. $5,000-7, Continental Silver, Gilt-metal, Lapis Lazuli, and Jewel-encrusted Mantel Clock, late 19th century, reticulated urn and floral crest atop an architectural case supporting a circular case with hexagonal lapis columns set on a raised base, overall ht. 9 3/4 in. $3,000-5, Viennese Gilt-metal and Enamel Figural Clock, Austria, late 19th century, urn finial to an octagonal clock case supported atop the head of a classical figure playing the lyre and standing on a trumpet-form base set on four satyr mask feet, overall ht. 11 in. $4,000-6, Viennese Gilt-metal and Enamel Figural Clock, Austria, late 19th century, modeled as hinged globe-form clock case with finial of a cherub riding on the back of a swan, supported aloft by an allegorical figure of Atlas standing on a trumpet-form base with four paw feet, movement inscribed Angeli in Wien, ht. 13 in. $7,000-9, Additional information and photos at

35 Viennese Silver, Enamel, and Rock Crystal Figural Clock, Austria, late 19th century, modeled as a mermaid supporting a circular clock case and mounted atop an enameled pad set on a rock crystal base, overall ht. 9 3/8 in. $3,000-5, Continental Silver, Gilt-metal, Enamel, and Jeweled Fountain-form Clock, 19th/20th century, the urn-form finial atop a circular case supported by four scrolled arms adorned with cherubs, and set on an octagonal dish bordered with festoons and supported atop columns set on a raised octagonal base, ht. 9 1/8 in. $4,000-6,000 Online bidding at 33

36

37 Continental Silver-plated Diorama-form Clock, late 19th/early 20th century, depicting a clock tower behind a figural landscape, with domed glass cover, overall ht. 5 7/8 in. 167 Viennese Mother-of-pearl Clock, Austria, late 19th century, tower form inscribed with a crown above foliage with circular case, pierced gallery to base, movement inscribed Porter London, face inscribed Maier Wien, ht. 6 in. $1,200-1, Continental Silver Figural Clock, late 19th/ early 20th century, the cylindrical case held aloft by an allegorical figure of Atlas, ht. 8 3/8 in. 169 Viennese Silver, Gilt-metal, Enamel, Jeweled, and Lapis Lazuli Clock, Austria, late 19th century, the circular case set atop four square columns seated on a platform held aloft by two male attendants, all set on a raised rectangular base, overall ht. 5 7/8 in. $3,000-5, Viennese Silver, Enamel, Lapis Lazuli, Beaded Pearl, and Jeweled Clock, Austria, late 19th century, modeled as three floral vases atop a case suspended below festoons supported by architectural columns, the stepped rectangular base with two children adorned with flowers, movement inscribed B. Eppner & Co, overall ht. 8 1/4 in. $5,000-7, Viennese Silver, Enamel, Jeweled, and Lapis Lazuli Clock, Austria, late 19th century, oval basin with swans finial atop a circular jewel beaded case mounted on the wings of sphinxes seated in opposing positions on stepped plinths set on a rectangular base, the movement inscribed Andreas Widenman a Vienne, ht. 7 in. $4,000-6, Silver, Gilt-metal, Enamel, and Ivory Table Casket, Continental, 19th century, the top with circular clock case set to the wheel of a horse-drawn chariot with maiden and putti, the rectangular case with grillwork to an ivory paneled body set with green gemstones and pearls, two hinged doors revealing interior portrait miniatures flanking ten drawers, all set on four paw feet, overall ht. 11 3/4 in. $5,000-7, Viennese Silver, Enamel, Rose Quartz, and Gem-set Cockerel-form Clock, Austria, late 19th century, the drum-shaped clock mounted to the back of the rooster set on a stepped octagonal base, ht. 4 3/4 in. $2,000-3, Viennese Silver, Enamel, and Jeweled Camel-form Clock, Austria, late 19th century, the circular case mounted with two angels flanking a central crown with lovebirds, all set atop the back of a camel being tended by a cupid, the octagonal base with four scrolled paw feet, movement inscribed B.W. Raymond, Elgin Ill., overall ht. 7 1/4 in. $3,000-5, Viennese Silver and Enamel Camel-form Clock, Austria, late 19th century, by Hermann Bohm, mermaid finial to an oval case set atop the back of a camel standing on a raised oval plinth mounted to a domed base adorned with figural medallions, all on four angel mask feet, stamped HB and with Austrian control mark, overall ht. 7 in. $4,000-6,000 Online bidding at 35

38 Viennese Silver, Enamel, and Freshwater Pearl Figure, Austria, late 19th/early 20th century, modeled as a standing figure of a violinist mounted atop a rasied rectangular base with paneled sides, ht. 6 3/4 in. $1,200-1, Viennese Silver, Enamel, and Freshwater Pearl Figural Clock, Austria, late 19th century, modeled as a violinist standing atop a raised cylindrical column set with a clock, the octagonal base with paneled sides between angelic mounts, movement inscribed Stekly, overall ht. 9 1/2 in. $3,000-5, Viennese Silver, Enamel, and Freshwater Pearl Figural Clock, Austria, late 19th century, possibly depicting a guardsman or gondolier, the standing figure modeled holding a staff and mounted atop a raised square base with circular clock and paneled sides, overall ht. 9 in. $2,000-3, Silver, Enamel, and Rock Crystal Figural Architectural Clock, Continental, 19th century, the putti-adorned oval clock case flanked by two lyres set to a base supported by two columns with central figures of Shakespeare and two theater muses, all atop an elaborately enameled and stepped plinth, movement inscribed Romilly a Paris, overall ht. 18 1/8 in. $5,000-7, Viennese Gilt-bronze and Enamel Bergereform Clock, Austria, late 19th century, the circular clock case set to the back of a birdmolded chair set with enameled panels and mounted atop a rectangular enamel base, ht. 4 3/4 in. $2,000-3, Additional information and photos at

39 Viennese Gilt-bronze and Enamel Figural Mantel Clock, Austria, late 19th/early 20th century, Cupid and Psyche seated atop an architectural frame with suspended case and enameled columns and base, overall ht. 5 in. $2,000-4, Viennese Gilt-metal and Enamel Harp-form Clock, Austria, late 19th century, the hinged base revealing the clock, inscribed movement Breguet, overall ht. 7 1/2 in. $4,000-6, Viennese Silver, Enamel, and Rock Crystal Clock, Austria, late 19th century, by Karl Rossler, octagonal case with bird finial atop a central maiden flanked by a minstrel and servant standing on a hexagonal base, stamped RK, movement inscribed Ageron a Paris, overall ht. 6 7/8 in. $4,000-6, Viennese Silver, Enamel, and Rock Crystal Figural Clock, Austria, late 19th century, by Karl Rossler, modeled as an owl perched atop an oval case framed within the foliate branches of a tree and with Viking and hound figures, all set atop an oval rock crystal base, stamped RK, ht. 8 1/2 in. $5,000-7, Continental Handpainted Alps Boudoir Clock, 20th century, brass-framed rectangular panel with village landscape and mountains, set atop an onyx base, overall lg. 3 3/4, ht. 3 1/4 in. Online bidding at 37

40 Viennese Silver, Enamel, Jeweled, and Rose Quartz Clock, Austria, late 19th century, floral garland supporting an urn finial atop a case flanked by a woman and child and mounted on a stepped, cut-corner, rectangular base, ht. 5 in. $3,000-5, Sterling Silver and Mother-of-pearl Figural Clock, late 19th/early 20th century, the hinged case set atop an architectural column supported by model of Cupid, all mounted atop a raised square plinth, ht. 4 3/4 in. 188 Viennese Silver, Enamel, and Jeweled Clock, Austria, late 19th century, modeled as a lyre with regal portrait bust finial and trimmed with foliage, a circular case to one side, the reverse with a classical portrait medallion, stamped Austrian control mark, movement marked EB within a shield-shaped cartouche, overall ht. 5 1/2 in. $1,500-2, Gold and Quartz Sculpture, 20th century, depicting a boy skiing and being pulled by a large snail atop a large quartz specimen, label inscribed Setay 14k, overall ht. 3 7/8, lg. 6 1/4 in. $ Gilt-metal and Enamel Boudoir Clock, Continental, early 20th century, the rectangular frame decorated with scrolled foliage and a central horseshoe, the enameled face plate with classical figures surrounding the central face, overall ht. 4 3/8 in. 191 Silver-framed Blue Guilloche Boudoir Clock, Continental, late 19th/early 20th century, domed top with foliate border, including a leather case, clock ht. 1 3/4 in. 38 Additional information and photos at

41 Miniature Gilt-bronze Mantel Clock, Continental, late 19th century, allover foliate decoration and with a bail handle, ht. with handle 3 1/2 in. 193 Continental Enameled Boudoir Clock, late 19th/early 20th century, rectangular plaque depicting a maiden and knight by the clock tower of a castle, framed in brass, 2 3/8 x 3 1/4 in. $ Argent Doré Sterling Silver and Enamel Boudoir Clock, late 19th/early 20th century, rectangular case with hand-painted parrot and flowers to paneled sides and top, stamped mark, ht. 2 5/8 in. 195 Viennese Silver, Gilt-metal, Enameled, and Jeweled Architectural Clock, Austria, late 19th century, a child with two dogs atop a pierced helmet-shaped dome on a circular case over a draped and pillared staircase with figure of Diana, a stag, and an eagle, movement inscribed Courvoisier Bros. London, embossed trademark, overall ht. 10 1/4 in. $8,000-12,000 Online bidding at 39

42

43 196 Continental Gilt-metal, Guilloche Enameled, and Jeweled Musical Clock, late 19th/early 20th century, the rectangular case with paneled sides and foliate trim, music box key stamped Reuge, overall ht. 7 1/8 in. $2,000-4, Continental Silver, Gilt-metal, Blue Enamel, and Pearl Musical Clock, late 19th/early 20th century, the circular case set atop a column on a raised, circular base, music box key stamped Reuge Ste Croix, overall ht. 6 1/2 in. 197 Continental Gilt-metal and Enamel Table Clock, 19th/20th century, the rectangular shape with St. George and the Dragon finial, circular face, either side with a full-relief soldier, the reverse with an arched enamel panel, ht. 5 1/4 in. $2,000-3, Viennese Silver, Enamel, and Rock Crystal Figural Clock, Austria, late 19th century, the case adorned with jeweled and amethystcolored fruiting grape leaves supported atop the shoulders of a satyr seated on a tree stump, the cut-corner square base in rock crystal, movement inscribed Ferdinand Reuff in Wien, ht. 7 5/8 in. $3,000-5, Viennese Silver, Enamel, Lapis, and Amethyst Figural Clock, Austria, late 19th century, modeled as a Bacchanalian figure mounted atop a tree-form clock case flanked by jewel-adorned kneeling maidens supporting a fruiting grapevine, all set atop a raised octagonal base, ht. 8 3/8 in. $3,000-5,000 Online bidding at 41

44 Swiss Eight-day Ball Clock, 20th century, glass and silver plate, dia. 2 1/2 in.; set in a velvet presentation box inscribed Ch. Heiniger & Co Bombay Swiss Made. 202 Three Viennese Enameled Gilt-metal Table Clocks, Austria, late 19th and 20th century, each with foliate frames, two modeled as folding screens: a dark red enameled guilloche ground, ht. 8, and a pink ground, ht. 4 1/2; and one oval, ht. 5 7/8 in. $3,000-5, Additional information and photos at

45 19th Century Marble Sculpture from a Private Midwest Collection Lots

46 Thomas Ball (American, ) White Marble Bust of a Statesman, the figure wearing a high-neck shirt and cloak, reverse inscribed T : BALL 1875, ht. 24 1/2 in. $2,000-3, Italian School, Late 19th/Early 20th Century Two Alabaster Busts of Art Nouveau Maidens, each with reverse inscribed C. Cipriani and resting atop a circular alabaster socle, one carved as a woman with large wreath in her hair, bust ht. 12 3/4, total ht. 17; the other carved as a woman with her hair piled atop her head, her dress adorned with flowers, bust ht. 11 3/4, total ht. 16 1/4 in Italian School, 19th Century Carrara Marble Bust of a Classical Warrior, possibly Ares, the figure carved wearing a helmet and armor, with a full beard, unsigned, bust ht. 31 1/2, total ht. 39 in. $3,000-5, Marmo Rosso Antico Marble Pedestal, late 19th/20th century, the circular top over austere stem and conforming base, approx. ht. 44 1/2 in. 207 Carved Alabaster Floor Lamp, late 19th/ early 20th century, the bulbous two-piece shade carved with cartouches filled with putti at various pursuits, on a tapered foliate stem surrounded by four nude children, on festooned base and four paw feet, electrified. $4,000-6, Additional information and photos at

47 After Antoine-Denis Chaudet (French, ) White Marble Bust of Napoleon, in the neoclassical style, the subject carved as a young man, unsigned, ht. 24 in. $2,000-4, Marian Owczarski (Polish, ) Stainless Steel Head of a Man, possibly Ulysses S. Grant, unsigned, resting on a wood base, approx. steel ht. 18 in Carved Black Marble Pedestal, late 19th/20th century, with wide oval top over tapered and fluted stem with lower floriform knop, on octagonal base, approx. ht. 43 in. Online bidding at 45

48 Italian School, 19th Century Two White Marble Busts of Diana, after the antique, one indistinctly inscribed Roma..., ht. 24 1/2; the other unsigned, ht. 15 3/4 in. $1,000-1, White Marble Bust of a Standing Male Figure, second half 19th century, possibly depicting William Ewart Gladstone, the figure carved in a contemplative pose, holding papers tucked under crossed arms, unsigned, ht. 29 1/2 in. $3,000-5, Italian School, Early 20th Century Alabaster Figure of Diana the Huntress, the figure after the painting by Guillaume Seignac (French, ), carved as a classical woman shading her eyes with her hand and carrying a quiver of arrows, the reverse inscribed A. Cipriani, ht. 25 3/4 in. 214 Italian School, 19th Century Alabaster Figure of Laura, carved as a young woman holding a book and descending a staircase, titled on her collar, incised G. Gennai, with a separate square base, total ht. 25 1/4 in. 215 Emilio Fiaschi (Italian, ) Relief-carved Carrara Marble Profile Bust of Dante, carved wearing a laurel wreath, on a naturalistic ground, reverse inscribed E. Fiaschi, ht. 11 1/2 in. $2,000-4, Camilo Romairone (Argentinian, act. Late 19th Century) White Marble Bust of a Woman, the subject carved wearing Victorian dress and with hair pulled back in a severe bun, inscribed Romairone Cam. B. Aires 1889, ht. 24 in. $2,000-4, Additional information and photos at

49 Carved Marble Pedestal, late 19th/early 20th century, the square lift-off top with canted corners, over reeded gray-veined stem with medial meander register, on octagonal base, ht. 41 1/4 in Italian School, 19th Century Carrara Marble Bust of a Greek Statesman, possibly Solon, carved with diadem in on his head and full beard, unsigned, ht. 20 3/4 in. $2,000-4,000 Online bidding at 47

50 Italian School, 19th Century Marble Bust of Hadrian, with head and neck carved in Carrara marble, and general s uniform and cloak in marmo rosso antico marble, unsigned, ht. 35 in. $5,000-7, Thomas Dow Jones (American, ) White Marble Bust of a Man, herm-form, inscribed T. D. Jones, Sculptor, 1854, ht. 22 1/2 in. $2,000-3, Carved Black Marble Pedestal, late 19th/20th century, the circular top over tapered stop-fluted stem, on octagonal base, approx. ht. 42 in. 222 Italian School, Early 20th Century Alabaster Bust of a Young Woman, carved wearing a kerchief and tie-front dress, the reverse incised A. Michelotti Made in Italy, on a rectangular socle, total ht. 13 1/4 in. $ Aesthetic Movement Carved and Ebonized Wood Pedestal, third quarter 19th century, the circular lift-off top with molded edge, over stem carved with stylized lilies and flowerheads, on square base with four feet, unmarked, ht. 37 3/4 in. 224 Galleria Fratelli Lapini (Italian, act. Late 19th Century) Alabaster Bust of a Woman Personifying Night, the figure carved with her arms behind her head, and surrounded by stars and a crescent moon, mounted to a circular socle, the reverse inscribed Gall. Flli. Lapini Firenze 1895, total ht. 25 in. 48 Additional information and photos at

51 Carved and Tinted Alabaster Table Lamp, Continental, 20th century, the two-piece globe shade with floriform finial and meander register, supported by a stem with foliate capital, surrounded by three women clad in robes, on a tripod rouged base, unsigned, electrified, ht. 31 in. $1,500-2, Continental School, 19th Century Alabaster Bust of Faust s Marguerite, the young woman carved with braided hair and shirt with high collar, adorned with daisies, unsigned, ht. 20 1/2 in. $1,500-2,500

52 Additional information and photos at

53 227 After Jean-Antoine Houdon (French, ) White Marble Bust of Voltaire, mid to late 19th century, the figure carved as an elderly man wearing a band on his head, reverse inscribed Houdon F, 1782, mounted to a square socle, ht. 22 1/4 in. $2,500-3, American School, 19th Century Alabaster Bust of Emerson, carved with long sideburns and bow tie, titled, and mounted to a circular socle, total ht. 15 5/8 in. $ Horatio Stone (American, ) Moses, the Carrara marble figure carved with long curling beard, inscribed to reverse Horatio Stone Fec. Rome 1867, and mounted to a white marble socle, total ht. 29 1/4 in. N.B. In an obituary for Stone by Mary E. Nealy, published in The Aldine, Vol. 8, No. 6, 1876, the author lists a magnificent bust of Moses as one of Stone s ideal works. $5,000-7, Denys Puech (French, ) White Marble Portrait Bust of the Duc de Loubat, the figure carved wearing a formal jacket emblazoned with medals from various honorary societies, inscribed D. Puech Paris 1911, and mounted to a socle inscribed Duc de Loubat , total ht. 30 in. N.B. Pope Leo XIII ennobled the Americanborn philanthropist Joseph Florimond Loubat in Both Loubat and Puech were members of the French Legion d honneur. $2,500-3, Nine Marble Socles, 19th to 20th century, six circular: four white and two verde, and three white square: a pair with unfinished backs and one finished on all four sides; ht. 4 3/4 to 8 1/2 in. 233 Carved Marble Pedestal, late 19th/20th century, the circular top over tapered spiralcarved stem, on circular foot, ht. 43 1/4 in. 234 Cesare Lapini (Italian, ) Carrara Marble Bust of an Veiled Beauty, the woman carved wearing a lace shawl over her head, inscribed C. Lapini Firenze 1887, ht. 20 in. $2,000-3, Art Deco Figural Alabaster and White Onyx Table Lamp, Italy, c. 1930, the alabaster carved as a woman wearing a pants suit and exposing her breasts, standing beneath a street lamp with onyx stem and two-piece plaster shade, mounted to a gray-veined marble base, reverse inscribed Della S----- & Figli-Volterra-Italy, electrified, ht. 30 1/2 in. Online bidding at 51

54 After Antonio Canova (Italian, ) Bronze Figure of the Pugilist Creugas, Nelli Foundry, Rome, late 19th century, the figure with fist resting atop his head and wraps on the ground beneath him, incised with Italian name Creugante, mounted to a conforming marble base, bronze ht. 19 5/8, total ht. 25 3/8 in. $2,000-4, Two Diminutive Busts, Continental, 19th century, a white marble herm bust of Napoleon, ht. 9 3/4, and alabaster bust of a woman in medieval dress, resting atop a rectangular base, total ht. 10 1/4 in. 237 Galleria Fratelli Lapini (Italian, act. Late 19th Century) Carrara Marble Bust of a Gentleman, the figure with mustache and beard and dressed in coat and tie, reverse inscribed Fralli Lapini Firenze 1894, ht. 25 1/2 in. $2,000-3, Italian School, Late 19th/Early 20th Century White Marble Bust of Antinous as Dionysus, carved as a young man wearing a fruiting ivy wreath, unsigned, ht. 21 3/8 in. $2,500-3, Carved Marble Pedestal, late 19th/early 20th century, the lift-off square top with canted corners, over gray-veined stem with medial meander register, on octagonal base, ht. 45 3/4 in. 240 Emilio Fiaschi (Italian, ) Alabaster Bust of an Art Nouveau Beauty, the woman carved with a diadem and wreath in her long hair, inscribed Emilio Fiaschi Firenze 1900, and resting atop a socle, total ht. 28 in. $ Additional information and photos at

55 Online bidding at 53

56 Randolph Rogers (American, ) Pair of Marble Portrait Busts, depicting a well-dressed middle-aged man and woman, each inscribed Randolph Rogers Rome, and seated atop circular socles, bust ht. 25, total ht. 30 in. $4,000-6, Pair of Ebonized and Gilded Wood Pedestals, late 19th/early 20th century, each with circular top over fluted stem and conforming foot, with gilded collars and accents carved with neoclassical ornament, unmarked, ht. 32 3/4, top dia. 19 in. $1,000-1, Carved White Marble Frame, mid to late 19th century, oval with molded edge and floral border, unmarked, ht. 15 in. $ French School, 19th Century Carved White Marble Bust of Napoleon, neoclassical-style, labeled to the front and with incised P to the reverse, resting atop a circular verde marble socle, bust ht. 9 3/8 in. $ White Marble Bust of a Man, mid to late 19th century, classical-style, the clean-shaven man with face tilted to the left and clad in robes, unsigned, ht. 21 1/2 in. $2,000-4, Additional information and photos at

57 Online bidding at 55

58 56 Additional information and photos at 246

59 246 After Antonio Canova (Italian, ) Pair of Carrara Marble Figures of the Pugilists Creugas and Damoxenos, Rome, late 19th/early 20th century, each inscribed Morelli e Rinaldi Roma and with figure s Italian names, Creugante and Damosseno, on base, Creugas with his fist resting atop his head, ht. 83, and Damoxenos poised to strike his fatal blow, ht. 80 in. Preview by appointment only in Skinner s Marlborough Gallery. N.B. Canova s original models are housed in the Pio Clementino Museum, part of the Vatican Museums. He began sketches and models of the figures in the 1790s and completed the marble figure of Creugas in Pope Pius VII acquired it for the Vatican collections and commissioned the figure of Damoxenos as well. Canova s figures helped to fill the void left after Napoleon pillaged ancient sculpture from the Vatican collections. The workshop of Morelli e Rinaldi specialized in high-quality reproductions of famous sculpture in marble and bronze. Located at Via del Babuino 132, Roma, English travel guides and U.S. customs documents record their existence from c The Olympic Club in San Francisco owns another pair of marble pugilists signed by Morelli e Rinaldi. $70,000-90,000 Online bidding at 57

60 George Edwin Ewing (English, ) White Marble Bust of a Man, Possibly Daniel Macnee, the figure with mid-19th century hairstyle and classical robes, reverse inscribed G.E. EWING FECIT 1862 and GLASGOW, ht. 24 in. $2,000-4, White Marble Bust of Menelaus, mid to late 19th century, after the antique, the figure with helmet resting on top of his head and looking over his shoulder, unsigned, resting atop a circular socle, bust ht. 27 1/8, total ht. 34 5/8 in. $3,000-5, Gilt-bronze-mounted Specimen Marble Pedestal, 19th century, the square black marble top over register with two lion s head masks, cylindrical rosso marmo antico stem with neoclassical bronze collars, and square black-and-white marble base, unmarked, ht. 42 in. 58 Additional information and photos at

61 Egyptian Revival White Granite and Bronze Figure of a Woman, late 19th century, the standing figure carved in high relief and set within a tapered frame, wearing a headdress, loincloth, and bronze jewelry, unsigned, housed in a wood frame, total ht. 77, wd. 24 1/2 in. $3,000-5, Carved Gray-veined Marble Pedestal, late 19th/early 20th century, the square top over stop-fluted balustroid stem, on square base carved with acanthus leaves to four feet, approx. ht. 39 in. $ Online bidding at 59

62 After Professor Giuseppe Bessi (Italian, ) Alabaster Bust of Jesus Christ, reverse inscribed Prof. G. Bessi, ht. 20 in. $2,000-4, White Marble Bust of Jesus Christ, mid to late 19th century, the figure carved with long flowing hair and dressed in robes, unsigned, ht. 25 in. $2,000-3, After Professor Giuseppe Bessi (Italian, ) Alabaster Bust of Jesus Christ, the figure carved wearing the crown of thorns, reverse inscribed Prof. G. Bessi, ht. 19 1/4 in. $1,200-1, J. Daniel Perry (American, act. Late 19th Century) White Marble Bust of Horace Greeley, the figure carved with signature facial hair and inscribed J. DanL. Perry Sc. 1872, and resting atop a circular socle, bust ht. 23 1/2, total ht. 28 3/4 in. N.B. The September 2, 1871, issue of The Brooklyn Eagle notes, J. Daniel Perry, a Boston sculptor, is modeling a bust of Horace Greeley. This bust closely matches the bronze example atop Greeley s gravestone in Green- Wood Cemetery, Brooklyn. $3,000-5, Additional information and photos at

63 Italian School, 19th Century White Marble Bust of the Apollo Belvedere, after the antique, the figure wearing a cloak and looking over his shoulder, unsigned, mounted to a socle, total ht. 32 1/2 in. $3,000-5, Continental School, Late 19th/Early 20th Century White Marble Bust of a Woman, the figure carved wearing medieval dress, unsigned, ht. 7 3/4 in. $1,200-1, Cesare Lapini (Italian, ) Carrara Marble Bust of an Orientalist Beauty, the woman carved wearing a headdress and necklace, and partially disrobed, inscribed C. Lapini Firenze 1883, ht. 24 1/2 in. $2,000-4, Carved Alabaster Floor Lamp, probably Italy, early 20th century, with two-piece shade carved with pendant garlands, supported by three seated satyrs, over a stem with three columns and hexagonal base, electrified, approx. ht. 73 1/2 in. $2,000-3,000 Online bidding at 61

64 Verde Marble Pedestal, late 19th/20th century, the circular top over austere stem and octagonal base, approx. ht. 35 1/2 in. 261 After Professor Giuseppe Bessi (Italian, ) Alabaster Bust of Rebecca, carved as a young woman wearing a head scarf and with tinted marble dress, attached to a square titled socle, reverse inscribed Prof G. Bessi, ht. 17 1/2 in. $1,500-2, After Professor Giuseppe Bessi (Italian, ) Alabaster Bust of a Woman, with tinted alabaster head scarf and dress, reverse inscribed Prof. G Bessi, ht. 18 in. $1,000-1, White Marble Figure of Mercury Preparing to Slay Argus, 19th/early 20th century, after Bertel Thorvaldsen (Danish, ), carved as a nude figure of a young man seated on a stump, holding a sheathed sword in one hand and a set of panpipes in the other, on a circular base, unsigned, ht. 42 in. $4,000-6, Short Black Marble Pedestal, late 19th/20th century, the circular top over fluted stem and octagonal base, approx. ht. 25 in. $ White Marble Bust of a Man, mid to late 19th century, the figure with sideburns and wearing classical-style robes, unsigned, ht. 25 1/2 in. $2,000-4, White Marble Bust of Seneca, mid to late 19th century, carved as an older man with wavy hair and beard, crudely incised 1850, ht. 18 in. $2,500-3, Russian Black Onyx Pedestal, late 19th/ early 20th century, the cylindrical stem on conforming foot mounted to a square base, ht. 49 3/4 in. 268 Alabaster Bust of a Woman Wearing a Lace Collar, 19th century, the young woman in 17th century dress, inscribed N. 5691/83, and resting atop an onyx and reticulated bronze base, bust ht. 21 in. 269 Continental School, 19th Century Alabaster Bust of Faust s Marguerite, the young woman carved with braided hair and shirt with high collar, adorned with daisies, unsigned, ht. 22 1/4 in. $ Alabaster Bust of a Woman on Pedestal, late 19th/early 20th century, the woman carved with a diadem and braids in her hair, unsigned, on spiral-carved pedestal with balustroid stem and octagonal foot, approx. bust ht. 19, approx. pedestal ht. 39 3/4 in. $1,000-1, Additional information and photos at

65

66 Bronze Bust of a Greek Man, 20th century, the male figure with head tilted down, with diadem and full beard, black patina with areas of verdigris, unsigned, bust ht. 19 1/4, mounted to a white-painted wood pedestal, total ht. 65 1/2 in. $1,200-1, American School, 19th Century White Marble Bust of George Washington, the carved figure in wig and formal dress, unsigned, ht. 23 1/2 in. N.B. This bust is after a marble bust of Washington gifted to the Old North Church (Christ Church) in the North End of Boston in The Old North Church bust is thought to be after a plaster bust of Washington made by Christian Gullager (Danish-American, ) c Gullager also painted a portrait of Washington now in the collection of the Massachusetts Historical Society. The sculptor of this bust, as well as the Old North Church version, remains unknown. When the Marquis de Lafayette saw the bust of Washington during a visit to the Old North Church in 1824 he is said to have remarked, Yes, that is the man I knew and more like him than any other portrait. $7,000-9, Additional information and photos at

67 White Marble Bust of a Renaissance Woman, 19th century, the figure carved wearing a jeweled dress and cap, unsigned, titled AVRELIAS, ht. 21 1/4 in. $2,000-4, White Marble Bust of Napoleon, 19th century, the figure wearing a bicorne hat and cloak over his jacket, unsigned, mounted to socle, total ht. 24 3/4 in. $2,000-4, Continental School, 19th Century Carrara Marble Bust of a Greek God, Possibly Dionysus, carved with a diadem and grapevine wreath, unsigned, sitting atop a socle, total ht. 27 in. $3,000-5,000 Online bidding at 65

68 Carved Figural Alabaster Table Lamp, Italy, early 20th century, the two-part shade with foliate finial and adorned with garlands tied with ribband, over a stem with foliate capital surrounded by three classical-style maidens, on a hexagonal base with further garlands and foliate decoration, unmarked, electrified, ht. 32 1/4 in. $3,000-5, Guglielmo Pugi (Italian, act ) Carrara Marble Bust of an Art Nouveau Beauty, the young woman carved with flowing hair, reverse inscribed Flli Pugi Firenze, ht. 17 in. $1,500-2, Italian School, 19th Century Carrara Marble Bust of Caesar Augustus, after the antique, unsigned, ht. 17 in. $1,000-1, Antonio Piazza (Italian, Late 19th/Early 20th Century) Carrara Marble Bust of Napoleon, reverse inscribed A. Piazza Carrara, resting atop a circular marble socle, bust ht. 15 1/4, total ht. 19 3/4 in. $1,200-1, Additional information and photos at

69 European Furniture & Decorative Arts Lots

70 Nicolaas Riegen (Dutch, ) Ketch in a Blustery Wind Signed and dated N. Riegen/1879 l.r. Oil on canvas, 20 3/4 x 33 in. (52.5 x 83.4 cm), framed. Condition: Lined, old retouch, craquelure, discolored varnish, surface grime. 281 Wedgwood Black Basalt Crater Urn, England, 19th century, the bowl with scrolled loop handles, applied rosso antico classical and foliate relief, impressed mark, handle to handle lg. 10 in. $ Wooton Walnut and Burl Walnut Standard Grade Rotary Desk Sales Model, Indianapolis, Indiana, last quarter 19th century, with a cloth-lined writing surface and two rotating pedestals: one side with various drawers and pigeonholes each with a green cardboard liner and the other side with various document slots and compartments, with a label from the Smithsonian Traveling Exhibition Service, mounted to a felt-lined stand encased in a plastic display box with a wood base, model ht. 7 5/8, wd. 19, dp. 7 3/4, case ht. 18 1/2, wd. 25 1/4, dp. 16 1/8 in. $7,000-9, Georgian-style Mahogany Tilt-top Tea Table, 19th century, the circular piecrust top raised on a baluster stem with three splayed legs terminating in three pad feet, ht. closed 28 1/4, dia. 29 3/4 in. 284 Three Wedgwood Black Basalt Season Figures, England, late 19th century, each depicting a standing figure of a scantily clad maiden, titled Spring, Summer, and Autumn, impressed marks, ht. 9 3/4 to 10 1/4 in. 285 Wedgwood Black Basalt Bowl, England, late 18th century, oval shape with foliate loop handles, molded body with arabesque floral and foliate decoration, impressed upper lower case mark, lg. 6 3/4 in. Provenance: Bleier Collection. 286 Wedgwood Black Basalt Vestal Lamp and Cover, England, 19th century, modeled with a female figure seated and pouring from a jug atop the shoulder of an oval lamp with fluted neck and acanthus leaves and bellflowers, impressed mark, ht. 8 5/8 in. $ Wedgwood Black Basalt Tea Kettle and Cover, England, c. 1875, simulated bamboo body with bail handle, impressed retailer s mark for John Mortlock and factory mark, ht. 6 1/4 in. $ Additional information and photos at

71 Pair of Wedgwood Black Basalt Chambersticks, England, 19th century, the elongated engine-turned nozzles supported with two scrolled and foliate decorated handles, impressed mark, ht. 4 in. 289 Attributed to Sir Thomas Lawrence (British, ) Portrait Sketch of a Boy Unsigned, identified on a label from the Paul Magriel Collection affixed to the frame backing. Chalk on paper, 8 3/4 x 6 5/8 in. (22.0 x 16.8 cm), framed. Condition: Toning, staining, subtle handing creases, abrasions to edges of the reverse. $2,000-3, Charles X Birch-veneered Cupboard, early 19th century, the recessed three-tiered shelf on a two-door cabinet framed by rosewood marquetry and gilt-metal mounts, on four curved feet, ht. 60 3/4, wd. 42 1/2, dp. 17 1/2 in. $1,000-1, Louis XVI-style Marble-top Mahogany Console Table, late 19th century, marble top enclosed on three sides by a pierced brass gallery, with concave sides and a single brassmounted frieze drawer, raised on four turned and reeded legs joined by a lower gallery, on tapered, toupie feet, ht. 33, wd. 56, dp. 13 in. $ Meissen Porcelain Figure Group of a Putto and Infant Satyr, Saxony, late 19th century, polychrome enamel-decorated and gilt-accented, the satyr lifting the putto in his arms, a tambourine on the rocky base beside them, with first quality crossed swords mark and incised D. 28, ht. 7 3/8 in. $1,000-1, Meissen Porcelain Figure Group of Putti with a Cannon, Saxony, late 19th century, polychrome enamel-decorated with gilded accents, one scantily clad figure with a shield, the other holding the fuse, on a naturalistic base adorned with scrollwork, with first quality crossed swords mark and incised 639, ht. 5 1/4 in. $1,000-1,500 Online bidding at 69

72 298 George III Mahogany Fall-front Campaign Desk, England, 19th century, with brass hardware, the fall-front opening to a leather-inset writing surface and interior compartments, raised on a small stand, desk ht. 14 1/2, wd. 18 5/8, dp. 11 7/8 in. 299 Alexis Auguste Delahogue (French, ) Farm Scene with Chickens Signed and dated A Delahogue 1904 l.l. Oil on canvas, 13 x 21 3/4 in. (33.0 x 55.0 cm), framed. Condition: Mild surface grime. $ Continental School, 17th Century Style 297 The Stoning of St. Stephen Unsigned. Oil on copper, 13 1/16 x 9 15/16 in. (33.2 x 25.2 cm), framed. Condition: Retouch, paint losses, craquelure with areas of flaking, irregular paint surface, surface grime. $ Two Meissen Porcelain Figure Groups with Putti Personifying the Four Seasons, Saxony, late 19th century, each group polychrome enamel-decorated, with Autumn seated on a barrel of wine, Winter shrouded in a fur-lined cloak and holding a brazier, and with Spring and Summer embracing, the freeform base with scrollwork picked out in gold, both with first quality crossed swords mark, incised 1068, and marked with additional numbers, ht. 5 3/4 in. $3,000-5, Three Meissen Porcelain Figures of Children, Saxony, late 19th to 20th century, all polychrome enamel-decorated and giltaccented, with first quality crossed swords mark, a group with four putti gathered around a fire set on a pedestal, incised 2453, a girl selecting flower sprays from a basket resting on a tree stump, impressed 1213, and a boy carrying a basket of grapes on his back, incised G5, ht. to 4 5/8 in. $1,000-1, Meissen Porcelain Figure Group, Saxony, late 19th/20th century, polychrome enameldecorated and gilt-accented, molded as two standing figures, a man holding a carafe of wine and a glass, and a woman with baskets of fruit and flowers, on an ovoid naturalistic base, with first quality crossed swords mark and incised C 60, ht. 6 1/4 in. 297 American Renaissance Revival Walnut Games Table, last quarter 19th century, the square top inlaid with a checkerboard, with a figural scene on each side depicting a card game in which one figure cheats and is punished, raised on a pedestal base decorated with incised and gilded designs and terminating in three splayed feet on casters, ht. 31, wd. 24 1/2, dp. 25 1/4 in. $2,000-4, Thomas Francis Wainewright (British, ) Beach Vista with Foreground Cattle Signed and dated T.F. WAINEWRIGHT 1842 l.l. Watercolor on paper, sight size 5 1/2 x 8 5/8 in. (14.0 x 22.0 cm), framed. Condition: Not examined out of frame. $ Italian School, Late 19th/Early 20th Century Crouching Venus, after the antique, the white marble figure crouched on a vessel, unsigned, together with a verde antico marble columnar pedestal, sculpture ht. 28, pedestal ht. 43 in. $3,000-5, Indo-Kashan Carpet, Central Persia, early 20th century, the plum field with allover design of multicolored flowering trees and shrubs, within a navy main border of similar design, multiple floral meander minor borders, 16 ft. x 12 ft. $2,000-3, Additional information and photos at

73 Louis XVI-style Marble-top Secretaire à Abattant, 20th century, with floral marquetry panels throughout, with an upper drawer above a fall-front writing surface and three additional drawers, ht. 58, wd. 31, dp. 13 1/2 in. $ Pair of Gothic Revival Oak and Leather Armchairs, late 19th century, each with a different armorial-carved crest rail, square leather backrest and seat, and raised on four block legs joined by a front stretcher carved with flowerheads and C-scrolls, ht. 45 1/2 in. $ Blue John Lamp Base, second half 19th century and later, urn-form, with gilt-bronze neck, mounted to a square pedestal with slate, alabaster, and further blue john, unmarked, ht. to top of urn 12 3/4 in. 307 Three Wedgwood Enamel-decorated Dry Body Wares, England, 19th century, each polychrome decorated with flowers, a miniature rosso antico teapot and cover, ht. 2 1/4; and two black basalt items: a miniature teapot and cover, ht. 2 1/4, and a candlestick, ht. 4 3/4 in.; impressed marks. 308 Four Wedgwood Enamel-decorated Rosso Antico Items, England, 19th century, each with polychrome enameled and gilded flowers, a pair of cylindrical spill vases, ht. 3 3/4; club jug, ht. 8 3/8; and tapered jug, ht. 5 in., impressed marks. $ Three Wedgwood Rosso Antico Items, England, 19th century, each with applied black basalt relief, a cachepot with classical figures below fruiting grapevine festoons terminating at lion masks and rings, dia. 3; and two with bands of hieroglyphs, a plate, dia. 5 1/8 in., and a teacup with coffee saucer; impressed marks. 310 Charles Green (British, ) Nocturne with Fishmongers Signed and dated CGreen 1864 l.l. Gouache on paper, sight size 10 x 8 in. (25.4 x 20.3 cm), framed. Condition: Not examined out of frame. 311 Wedgwood Rosso Antico Incense Burner and Cover, England, early 19th century, cylindrical, with applied black basalt floret medallions within floral festoons terminating at ram s heads and with trophy drops, impressed mark, ht. 4 1/4 in. 312 George III Mahogany Drop-leaf Table, England, late 18th/early 19th century, with two demilune drop leaves, raised on four turned legs terminating in pad feet, ht. 28, wd. 58 1/2, closed dp. 19 in. 313 George III Mahogany Library Chair, England, 19th century, upholstered in celadoncolored silk damask, with reeded arm stumps and legs, ht. 40 1/4 in. 314 Wedgwood Black Basalt Egyptian Club Jug, England, c. 1854, with iron red, white, and black enamel with stylized sphinx flanking a central bird in flight, sold only by Woollard & Hattersley, Cambridge, impressed mark, ht. 7 3/8 in. $ Wedgwood Enamel-decorated Black Basalt Bowl, England, late 19th century, allover polychrome enameled and gilded flowers and foliage, retailed by Marshall Field, printed and impressed marks, dia. 10 1/4 in. $ Wedgwood Enameled Black Basalt Pitcher and Cover, England, 19th century, molded lotus leaves to a body decorated with polychrome florets, twig finial, impressed mark, ht. 7 5/8 in. $ Online bidding at 71

74 317 Wedgwood Black Basalt Kenlock Ware Jug, England, c. 1895, polychrome enameldecorated Golf Girl below the spout, impressed mark, ht. 5 1/2 in. 318 Manner of Pieter Jansz van Asch (Dutch, ) Landscape with Figures Signed or inscribed P. v A...h l.r., identified on a presentation plaque and on an auction listing affixed to the back of the frame. Oil on canvas, 22 1/2 x 29 in. (57.0 x 74.0 cm), framed. Condition: Lined, retouch, possible skinning, craquelure, surface grime. 319 Wooton Renaissance Revival Walnut and Bird s-eye Maple Superior Grade Cabinet Secretary, Indianapolis, Indiana, last quarter 19th century, the cabinet with burl panels and part-ebonized and parcel-gilt details throughout, the superstructure with a central paneled arch flanked by carved eagles and urn-form finals, above a pair of half-domed paneled doors each centering a letter slot, one slot cast: MANUFACTURED BY THE/ WOOTON DESK CO/Indianapolis, IND/PAT OCT 6, 1874, the interior of one door with open document dividers and compartments centering an inlaid prospect door, the other door interior fitted with green cardboard drawers, the case centering a rectangular hinged lid inlaid throughout with various checkered patterning, opening to reveal a baize-lined writing surface, additional document dividers, and inlaid drawers, over a column of four short drawers flanked by open compartments, all raised a conforming base with casters, ht. 81, wd. 42 1/2, dp. 29 3/4 in. N.B. An example of this model is pictured in An Encyclopedia of Desks, by Mark Bridge, p. 100, fig $20,000-40, Additional information and photos at

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78 322 Two Baccarat Crystal and Parcel-gilded Bronze Stands, France, late 19th/early 20th century, each cast and hand-chased as a putto supporting a circular frame, on tripod colorless crystal base cut in a radiating diaper design, on three toupie feet, marked to base, ht. 6 7/8; together with a cut colorless crystal compote bowl, dia. 8 1/2 in. $1,500-2, Emilio Fiaschi (Italian, ) Alabaster Bust of a Young Woman, the figure carved with her hair pulled back and wearing a crown, signed E. Fiaschi, ht. 16 1/4 in. 324 Alfred Benjamin Cole (British, act ) 325 View from a Hilltop Pasture with Sheep Signed and dated Alfd. Cole/82 l.l., artist identified in an inscription on the frame liner. Oil on canvas, 18 x 12 in. (45.8 x 30.3 cm), framed. Condition: Craquelure with areas of shrinking, surface grime. $ Baroque-style Walnut-veneered Table Cabinet, Italy, 18th century and later, the rectangular, with canted corners with two registers of drawers with a burl-veneer panel to the front, on four bracket feet, ht. 17 1/4, wd. 61, dp. 12 1/2 in. $ Thirteen Canes, 19th to 20th century, three carved with dog s head-form handles: one silver-mounted wood, and two resin, one faux stone and the other faux antler; brassmounted wood with telescope and compass to handle, marked Ross London, lg. of extended telescope 15; another with English sterling silver handle enclosing a miniature roulette wheel, marks rubbed, on a bamboo shaft, ht. 36 1/4; one concealing a steel blade, made in Taiwan, ht. 34 3/8 in.; another with silver-plated case containing eyeglasses, and six carved wood: two with man s head to handle, one African ebony with an elephant to handle and spiraled shaft, another carved as entwined snakes with painted scales, the fifth carved with spiraled snake and inscription, the last decorated with exotic animals. $3,000-4, Attributed to Georges Washington (French, ) View of an Arab Falconer on Horseback Inscribed G. Washington in pen l.r. and 1731 on the reverse. Watercolor and ink on paper, sheet size 10 3/4 x 8 1/2 in. (27.3 x 21.6 cm), framed. Condition: Mounted to card, retouch, mat burn, toning, minor abrasions. $2,000-3, Directoire-style Ormolu-mounted and Mahogany-veneered Bonheur du Jour, 19th century, superstructure with a brass gallery to the top above a long tambour door and two small drawers, on a desk with a fold-open writing surface enclosing various interior compartments, raised on four tapered rectangular legs, ht. 40 1/2, wd. 26 1/2, dp. 18 in. $1,500-2, Additional information and photos at

79 American Renaissance Revival Oak Tall Clock, retailed by H. Muhr s & Sons, Philadelphia, c , the crest with central grotesque mask, two urn-form finials above arched hood with gadrooning and egg-anddart molding, and glazed and beveled door enclosing 12 1/2-in. brass and steel dial with silvered chapter ring with applied Roman numerals, raised silvered seconds bit, and chime/silent indicator, inscribed H. Muhr s & Sons, Philadelphia, and painted with two full moons and landscapes in arch, the waisted section with glazed and beveled door flanked by carved stiles surmounted by panther s heads, on base relief-carved with a tavern scene, with eight-day movement quarterchiming on four gongs, with pendulum, three brass-cased weights, and keys, ht. 97, wd. 25 in. $5,000-7,000 Online bidding at 77

80 Additional information and photos at

81 328 Three Pratt-type Pearlware Allegorical Figures, England, late 18th/early 19th century, the standing figures modeled as depictions of Faith, Hope, and Charity, each polychrome enamel-decorated in underglaze colors, ht. 8 3/4 to 9 3/8 in. 329 Six Small Creamware Items, England, 18th and 19th century, a small scalloped edge oval lobster mold, lg. 4 1/4; a miniature oval feather edge serving dish with attached jelly mold, lg. 2 5/8; a tea strainer with fluted circular bowl and shell handle, dia. 2 3/4; and three impressed Wedgwood: a pair of miniature ladles, lg. 2 5/8, and a sock warmer, ht. 3 3/4 in. 330 Pair of Staffordshire Creamware Potpourri Urns and Covers, England, late 18th century, pierced lid and lower body slip-decorated in buff and with drapery festoons in relief, ht. 9 5/8 in. 331 Leeds Creamware Teapot and Cover, England, 18th century, globular shape with entwined double handle, foliate molded spout, and floral finial, polychrome enamel-decorated in red with puce trim, and floret with yellow and green, handle to spout lg. 7 1/4 in. $ Staffordshire Creamware Compote, England, 19th century, pierced foliate paneled border with basketweave, dots, and diapering, dia. 10 1/2 in. $ Two Staffordshire Drabware Tea Wares, England, 19th century, the molded bodies with fluted sides and rims trimmed in iron red and pale yellow enamel, a covered teapot, ht. 5 3/8, and creamer, ht. 4 1/4 in. $ Brass-bound Mahogany Campaign Lap Desk, England, late 19th/early 20th century, with a shallow hinged section opening to a leather-inset writing surface with various compartments, on a later stand, dimensions including stand ht. 23 7/8, wd. 21 1/2, dp. 11 in. 335 Seven-piece Renaissance Revival Carved and Parcel-gilt Walnut Parlor Suite, probably New York or New Jersey, late 19th century, in the manner of John Jelliff ( ), with two armchairs, four side chairs, and a settee, each with an over-upholstered back and seat in silk damask, the frame with burl panels offset by gilded incisions, crest rail with a central portrait medallion topped with scrolls, the arm stumps with a female bust, raised on fluted front legs terminating in brass casters, settee ht. 54, armchair ht. 49, side chair ht. 40 1/2 in. $8,000-12, Two Carved Wood Plaques, 18th/early 19th century, one with two putti supporting a garland draped over a central eagle, lg. 46 1/2, the other a swag carved as two olive branches, lg. 35 1/4 in. 337 Needlework Bolster, probably 19th century, the obverse worked in polychrome wool thread, depicting three figures in a garden with a fountain, with tassels to four corners, in modern shadow box frame, ht. 8, wd. 14 1/2 in. $ Malayer Rug, Northwest Persia, early 20th century, the vivid red lobed and pendanted center medallion inset with a network of blossoming vines upon a royal blue field, lobed quarter medallions in salmon at each corner, all within an ivory angular vine, rosette, and palmette main border, multiple floral meander minor borders, 5 ft. 10 in. x 4 ft. 4 in. $1,000-1, Jose Maria Jardines (Spanish, ) A Courtly Greeting Signed Jardines l.r. Oil on canvas, 16 1/4 x 13 in. (41.0 x 33.0 cm), framed. Condition: Surface grime. $ Manner of Alfred Zoff (Austrian, ) Windmühle auf der Düne Signed or inscribed A Zoff l.r., identified on a label and inscribed...wien XIX/5/ Sieveringerstraße on the backing. Pastel on paperboard, 14 x 20 1/2 in. (35.6 x 52.1 cm), framed (under glass). Condition: Not examined out of frame. Provenance: Through a Vermont collection. 341 Northern European Parquetry Inlaid Side Table, 19th century, the parquetry-veneered top with a inset book stand, above a single drawer, a small pullout writing surface with leather inset, and two quarter-matched cupboard doors, on four cabriole legs with brass-mounted feet, ht. 28 1/4, wd. 16 3/8, dp. 12 3/4 in. 342 Italian Fruitwood Scrivania, 19th century, the fall-front enclosing a fitted interior, raised on a serpentine case with a row of two shallow and two graduated drawers, and a shaped apron, on four tapering feet, ht. 43 1/8, wd. 44, dp. 20 in. $ Three Wedgwood Jasper Perfume Bottles, England, late 18th/early 19th century, each with applied white classical figures in relief, two pale blue ground: octagonal, lg. 4 3/8, and oval with lapidary polished edge, lg. 4; and a black ground oval with hinged metal lid, lg. 4 1/4 in. Online bidding at 79

82 Wedgwood Black Jasper Dip Potpourri Vase and Covers, England, mid-19th century, applied white classical dancing hours in relief within foliate borders, with pierced and domed cover and flat inner disc lid, impressed mark, ht. 9 1/8 in. $ Wedgwood Green Jasper Dip Vase and Cover, England, mid-19th century, applied white relief with classical Muses within oval medallions surrounded by floral festoons, the border with Zodiac symbols, impressed mark, ht. 9 1/4 in. $ Wedgwood Harry Barnard Decorated Four-color Jasper Dip Vase and a Cover, England, c. 1900, white ground with light blue bordering a dark blue center sgraffitodecorated with flowers, the rim and handle terminals with small green leaves, inscribed signature and impressed mark, ht. 7 3/4 in. $ Wedgwood Black Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 3/8 in. $1,500-2, Italian Neoclassical Marquetry-veneered Side Table, late 18th/early 19th century, the top with a central foliate arabesque framed within various herringbone and crossbanded veneers, all four sides of the apron similarly inlaid, the long side with additional figural elements to either end, raised on four tapered and fluted legs terminating in capped feet, ht. 30 1/2, wd. 31 1/2, dp. 23 1/2 in. $1,500-2, Edwardian Mahogany-veneered Side Table, England, early 20th century, top inlaid with delicate foliate scrolls centering a flower-filled urn framed by checkered stringing, the single drawer similarly inlaid, raised on four tapered rectangular legs joined by a low H-form stretcher, ht. 29, wd. 22, dp. 13 3/4 in. $ School of David Roberts (British, ) Sailboats in Venice at Dusk Signed or inscribed David Roberts l.r., identified on a typed label affixed to the reverse. Oil on panel, 11 1/2 x 9 1/2 in. (29.3 x 24.0 cm), framed. Condition: Vertical abrasions with areas of paint loss and flaking, retouch, surface grime. 351 Modern Wedgwood Solid Light Blue Jasper Snake-handle Vase, England, late 20th century, applied white classical figures, foliate borders and coiled snakes in relief, impressed mark, ht. 16 1/2 in. $ Pair of Wedgwood Three-color Jasper Knife Handles, England, late 19th century, white ground with applied green trophy drops and lilac beaded borders, handle lg. 3 1/2 in.; with French.800 silver blades. 353 Two Wedgwood Green Jasper Dip Items, England, late 18th century, each with applied white classical figures bordered by engineturned bands, a creamer with impressed mark, ht. 3; and a covered sugar bowl, unmarked, ht. 4 5/8 in. $ Wedgwood Green Jasper Dip Plaque, England, 19th century, rectangular, with applied white classical figures in relief, impressed mark, 5 1/4 x 21 1/2 in. 355 Two Wedgwood Jasper Dip Biscuit Jars, England, late 19th and early 20th century, each with silver-plated rim, handle, and cover, a lilac ground with applied white classical figures, rim ht. 5 1/8; and a three-color with yellow borders to a central black band decorated in relief with classical figures in white, rim ht. 5 5/8 in.; impressed marks. $ Additional information and photos at

83 Louis XVI-style Ormolu-mounted Marbletop Commode, late 19th/early 20th century, with three drawers, the uppermost drawer with a central ormolu plaque of children playing, the two lower drawers parquetry-inlaid with a central inlaid floral motif, raised on four cabriole legs, ht. 34, wd. 39, dp. 19 in. $ Giovanni Maria Benzoni (Italian, ) Marble Figure of Innocence Protected by Fidelity, the young girl seated on a stump with a floral wreath in her lap and a dog at her feet, the dog with a paw on a snake, signed G.M. BENZONI F.A 1851 ROMA to reverse, on a circular marble base, ht. excluding base 32 1/4 in. N.B. Another example is in the collection of the Metropolitan Museum of Art, New York. $4,000-6, Jenö Koszkol (Hungarian, ) Tunisian Scene Signed and inscribed Koszkol Jenö/Tunis l.r. Watercolor on paper, 26 x 19 1/2 in. (66.0 x 49.5 cm), framed. Condition: Paper mounted to cardboard support, creases to l.r. and u.r. corners, small surface loss at l.l. corner, small tear at u.c. edge, toning. $ James William Walker (British, ) Cowherder on a Country Path Signed or inscribed JW Walker in pencil on the mat, identified on a label on the frame backing. Watercolor on paper, 4 5/8 x 6 5/8 in. (11.7 x 17.0 cm), framed. Condition: Scattered foxing, not examined out of frame. $ St. John A. Mulholland (British, active from 1884) Grand Canal-Venice Signed St. John Mullholland [sic] l.l., identified on a partial label affixed to the back of the frame. Oil on canvas, 30 1/4 x 50 in. (77.0 x cm), framed. Condition: Minor surface grime. $2,000-2, After Eugène-Antoine Aizelin (French, ) Glaneuse, the bronze cast as a standing female figure with harvested wheat under one arm, with partial dark brown patination, flesh unpatinated, base incised E. AIZELIN Hors Concours, on bronze base mounted with identification plaque, total ht. 27 1/2 in. $1,200-1, After Mathurin Moreau (French, ) Young Reader, the bronze cast as a standing peasant girl reading a book and holding a basket, chocolate brown patina, base incised Moreau. Math Hors Concours and with Medaille d Honneur stamp, mounted to a marmo rosso antico marble base, bronze ht. 21 3/4 in. 363 Victor-Constantin Delaigue (French, 19th/20th Century) Bronze Sculpture of Dante, green/brown patina, depicted walking through the circles of Hell, set atop a sculpted stone base signed Delaigue, overall ht. 18 in. $1,500-2, French Steel and Gold Dance Card and Case with Portrait Miniatures, late 18th century, each side with central oval en grisaille portrait of a peasant, surrounded by four applied steel roundels, with borders of rose gold and cut steel beads, the cards with blue enamel pull and further cut steel beads, with original leather case, ht. 3 1/8, wd. 2 in. $ Online bidding at 81

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85 365 Neoclassical-style Polychrome-painted Hat Box on Stand, mid-20th century, the tall rectangular box painted throughout with various classical-style figures on a green ground, the stand similarly painted with four tapered and fluted legs, ht. 29 3/4, wd. 16 1/2, dp. 11 in. Provenance: Purportedly owned by Sister Parish. An image of the hat box in situ at her 920 Fifth Avenue apartment is illustrated in Sister: The Life of Legendary American Interior Decorator Mrs. Henry Parish II, Apple Parish Bartlett & Susan Bartlett Crater, p. 70. A copy of this book accompanies the lot. Gifted by Albert Hadley of Parish-Hadley Associates to current owner. $1,000-1, Joseph Moore Renaissance Revival Marquetry-inlaid Walnut Office Queen Cabinet Secretary, Indianapolis, Indiana, last quarter 19th century, Moore Combination Desk Company, with many burl walnut and bird s-eye maple panels offset by marquetryinlaid designs throughout, the pierced superstructure centering an inlaid foliate spray above a single half-domed door with an upper letter slot, the interior of the door with document slots and an upper prospect door above a central row of long drawers flanked by two rows of smaller pigeonhole drawers, the case also with various document compartments above a pullout writing surface featuring a finely inlaid eagle on an ebony ground within checkered stringing and various burl veneers, all above two rows of labeled and inlaid drawers, the reverse with a plaque MOORE S CABINET DESK/INDIANAPOLIS IND./PAT. JAN , ht. 55 3/4, wd. 32, dp. 23 in. N.B. Joseph Moore was the general manager of Wooton Manufacturing Co. in 1876, but by 1878 he had patented his own Cabinet Desk and began working in direct competition with Wooton. The present cabinet displays some of the changes to the Wooton design that Moore originally patented including the single door with its own set of casters and the pullout writing surface, which allowed the user to shut the door and leave objects on the surface. $20,000-40,000 Online bidding at 83

86 Louis XVI-style Painted Beechwood and Caned Bergere, late 19th century, with scrolled armrests and carved flowerheads and guilloche patterning, raised on four turned and fluted legs terminating in toupie feet, marked Loidrault/Paris to the underside, ht. 41 1/2 in. 368 Wedgwood Self-framed Black Basalt Plaque, England, 18th century, oval shape with fluted frame surrounding a central high relief depiction of Cassandra Grasping the Palladium, unmarked, 9 x 10 5/8 in. 369 Wedgwood Black Basalt Figure of a Faun and Flute, England, 19th century, the standing figure modeled wearing a fig leaf, an animal pelt about his shoulders, posed with a flute, inscribed title and impressed mark under base, ht. 17 in. 370 British School, 19th Century Portrait of a Seated Man Signed, inscribed, and dated J. SMITH PINXT/OXFORD 1831 l.l., stenciled 420PD on the stretcher. Oil on canvas, 56 x 44 in. (142.2 x cm), framed within a liner. Condition: Lined, retouch, flaking/losses, craquelure. $1,000-1, Wedgwood Black Basalt Bust of Byron, England, late 19th century, mounted atop a waisted circular socle, impressed title and mark, ht. 8 1/2 in. 372 Malayer Rug, Northeast Persia, late 19th/ early 20th century, the ivory stylized floral and crenulated center medallion flanked at either end by polychrome blossoming urns, individual blossoms and birds all enclosed by a border of hooked boteh, all within a floral meander main border, 5 ft. 6 in. x 3 ft. 5 in. $ William IV Calamander Writing Table, England, c. 1830, stamped and possibly retailed by H. Mawer & Stephenson Ltd., London, the leather inset top over two frieze drawers and square, tapering legs, ht. 29 1/2, wd. 41 3/4, dp. 19 3/4 in. $1,000-1, Louis XV-style Ormolu-mounted and Marquetry-veneered Side Cabinet, early 20th century, hinged top with a mirrored interior over a marquetry-inlaid floral panel with two small drawers, raised on slender legs terminating in sabot-mounted feet, ht. 28 1/2, wd. 16, dp. 12 in. $1,500-2, Continental Neoclassical-style Silver-tone Bronze Urn, probably France, late 19th/ early 20th century, the neck with Bacchus masks and pendant floral garlands above the cylindrical body decorated with a classical procession, on a short stem and circular foot further mounted to a marble base, ht. 32 1/4 in. $ Additional information and photos at

87 Pair of Green Jasper Dip Plaques, England, 19th century, each rectangular, with arched top and bottom and depicting a classical woman in white relief, impressed mark, 5 1/4 x 10 1/2 in.; mounted in hardwood frames. 377 Italian or Greek School, 15th/16th Century Style St. George and the Dragon Unsigned. Hand-colored engraving, image size 14 3/8 x 11 in. (36.5 x 28.0 cm), framed. Condition: Fading, staining, foxing, abrasions, not examined out of frame. N.B. The composition appears to be have been based on an icon. 378 Wedgwood Solid Black Jasper Souvenir Plaque, England, c. 1966, designed by Richard Guyatt, rectangular, with applied white relief letters in a foliate motif, each with cartouche depiction of a British sporting center, approx. 3 1/2 x 15 in. 379 Wedgwood Solid Light Blue Jasper Plate, England, late 19th century, applied white relief with borders of flowers surrounding fruiting festoons terminating at ram s heads, and with trophies and classical figures, impressed mark, dia. 9 in. 380 Louis XVI-style Parquetry-veneered and Ormolu-mounted Worktable, late 19th/early 20th century, the circular inset frame surrounded by four small demilune compartments, raised on four ormolumounted legs joined by a low shelf on four splayed, hoof-form sabots, ht. 29, wd. 19 in. 381 Italian Inlaid Fruitwood Cassone, 18th century and later, with a hinged lid and front panel inlaid with a laurel leaf and swirling ribbon, raised on bun feet, ht. 30 1/4, wd. 70 1/2, dp. 23 in. $1,200-1, Modern Wedgwood Solid Black Jasper Wine Ewer, England, 1986, applied white figure seated atop the shoulder and holding the horns of a goat below the spout, fruiting grapevine festoons and foliate borders, from The St. James Collection and numbered 8 in a limited edition of 50, printed and impressed marks, ht. 16 in. $ Wedgwood Three-color Jasper Vase and Cover, England, 19th century, white ground with lilac medallions and foliage, green festoons and foliate borders, and white classical figures in relief, impressed mark, ht. 8 3/8 in. 384 Wedgwood Three-color Coffee Can and Saucer, England, 19th century, solid white ground with white classical figures to lilac medallions and with green foliate festoons and borders, impressed mark, saucer dia. 5 1/2 in. $ Online bidding at 85

88 Wedgwood Three-color Jasper Vase, England, 19th century, solid white body with applied lilac and green relief including classical medallions within floral festoons between columns set with lion masks and rings, vine and ribbon banding, and foliate borders, impressed mark, ht. 7 in. $ Wedgwood Three-color Jasper Dip Cup and Saucer, England, 19th century, lilac ground with green medallions and applied white relief with fruiting festoons terminating at ram s heads, impressed mark, saucer dia. 5 3/8 in. $ Wedgwood Three-color Jasper Coffee Can and Saucer, England, late 19th century, light blue ground with lilac medallions and applied white classical figures, fruiting festoons terminating at ram s heads and trophies, impressed mark, saucer dia. 5 3/8 in. 388 Portuguese Colonial Hardwood Slantlid Desk, 18th century, the lid opening to a fitted interior centering an architectural niche with discrete columnar compartments and a shell-and-scroll-carved door, above four rows of graduated drawers, ht. 45, wd. 39 3/4, dp. 21 3/4 in. $1,200-1, Carved Fruitwood Mirror, probably South America, 18th/19th century, the rectangular beveled mirror plate surrounded by a reticulated frame carved with a shell above a cartouche hung with fruit, flanked by scrolling foliage, with flat bottom and antiqued finish, ht. 64, wd. 56 1/2 in. $3,000-4, Attributed to James Pollard (British, ) The Elephant and Castle on the Brighton Road Unsigned. Oil on panel, 17 3/8 x 24 in. (44.3 x 61.0 cm), framed. Condition: Scattered retouch, heavily varnished, surface grime. Provenance: Doyle, New York, Important English and Continental Furniture & Decorations, January 25, 2006, Sale 06CN01, Lot $2,000-3, Eugène Accard (French, ) Elegant Woman Gazing in a Mirror Signed E. Accard l.l. Oil on panel, 10 5/8 x 8 3/8 in. (27.0 x 21.0 cm), framed. Condition: Old retouch along edges of panel, surface abrasions, craquelure, yellowed varnish, surface grime. $1,500-2, Karl Wagner (German, ) Dutch Flower Market Signed K. Wagner l.r. Oil on canvas, 17 3/4 x 23 in. (45.1 x 58.3 cm), framed. Condition: Possible old retouch to the sky, craquelure, surface grime. $ Cut Crystal and Silvered-bronze Compote, probably France, late 19th century, the circular colorless lift-off top cut with diaper pattern and central starburst, over base cast as a putto supporting the glass top, on four feet, unmarked, ht. 5 7/8, dia. 8 3/4 in. 86 Additional information and photos at

89 Pair of Louis XV Rococo Giltwood Mirrors, France, 18th century, each with foliate crest over cartouche-form mirror plate framed by reticulated scrollwork, ht. 23 7/8 in. 395 No lot. 396 Pair of Giltwood Mirrors, early 20th century, each with a reticulated crest centering a strapwork medallion, above the beveled mirror panel framed by terminal figures and columnar elements, ht. 83, wd. 37 1/2 in. 397 Marguerite Kirmse (American, ) Three Bronze Scottie Dogs: One Seated, One Crouching, One Standing, the first two stamped M. KIRMSE/GORHAM CO, Seated also stamped QGGF, and Crouching stamped QGJL, the third stamped OHYJ and also stamped indistinctly on stomach, each with deep brown patina, ht. to 2 1/8, lg. to 3 1/2; together with a fourth bronze Scottie dog double-stamped Austria, ht. 2 1/8 in. $2,000-4, Pair of Louis XV-style Five-light Gilt-bronze Candelabra, probably France, 19th century, each with central sconce above four additional sconces on foliate stems, above an urn hung with garlands and portrait medallions of a young woman, on an elaborate base cast with various foliate motifs, unmarked, ht. 21 1/4 in. $ José Frappa (French, ) Cleric at a Doorway Signed J. Frappa u.r. Oil on panel, 13 3/4 x 9 1/2 in. (35.0 x 24.0 cm), framed. Condition: Scattered abrasions, surface grime. $ Online bidding at 87

90 French School, 18th/19th Century Portrait of a Lady in Green at her Toilette, possibly Madame Pompadour Unsigned. Pastel on paper backed with canvas on an oval stretcher, 31 1/2 x 24 1/4 in. (80.0 x 64.2 cm), framed. Condition: Tear to c.l., mounting holes to edges, water stain at bottom edge, minor frame abrasions. N.B. The portrait at hand is patterned after Francois Boucher s 1758 portrait of La Marquise de Pompadour. The pose is directly copied. The green dress is of the artist s invention, but the portrait bracelet with a large cameo is similar to the one depicted in Boucher s oil. Boucher s painting, which is also oval format, is in the collection of the Harvard University Art Museums. $2,000-4, Paul Moro (American, ) Dutch-style Floral Still Life in an Urn Signed and inscribed Paul Moro/N.Y. l.l. Oil on canvas, 27 1/8 x 19 1/8 in. (69.0 x 48.7 cm), framed. Condition: Craquelure, surface grime. $ George III Mahogany Library Chair, 19th century, upholstered in light blue silk damask, with reeded arm stumps and legs, ht. 40 in. 403 Georgian Mahogany Tripod Stand, England, 19th century, the floriform tabletop raised on a turned stem with three acanthus-carved legs terminating in claw-and-ball feet, ht. 28 1/2, dia. 19 in. 404 Wedgwood Green Jasper Dip Plaque, England, 19th century, rectangular, with applied white relief trophy drop centering a running laurel and berry festoon, impressed mark, 5 1/2 x 16 1/2 in. 405 Wedgwood Green Jasper Dip Roundel, England, 19th century, applied white relief depiction of Cupid stringing his bow, impressed mark, dia. 7 in. 406 Worcester Porcelain Pate-sur-Pate Plaque, England, c. 1875, with inscribed monogram for James Callowhill, glazed salmon-colored ground with white slip classical children amongst flowers in a landscape, 8 x 18 3/8 in. $ Wedgwood Dark Blue Jasper Dip Plaque, England, mid-19th century, rectangular, with applied white relief depiction of The Marriage of Cupid and Psyche, impressed mark, 6 1/2 x 11 3/4 in. $ Wedgwood Solid White Jasper Plaque, England, late 19th century, rectangular, with applied lilac Muses in relief, impressed mark, 4 x 9 3/4 in.; set in a mahogany frame. $ J.L. Ronay (Continental, 19th Century) Young Girl Baking Potatoes at an Open Fire Signed...L.Ronay l.l., identified on a presentation plaque. Oil on canvas, sight size 30 x 23 3/4 in. (76.2 x 60.5 cm), framed. Condition: Surface grime. 88 Additional information and photos at

91 George III-style Mahogany Library Chair, 19th century, upholstered in silk damask, ht. 36 1/2 in. 411 George II Mahogany Chest of Drawers, England, mid-18th century, with four rows of graduated drawers flanked by fluted columnar elements and raised on bracket feet, ht. 32 3/8, wd. 36, dp. 18 3/4 in. 412 Isphahan Carpet, Central Persia, second quarter 20th century, the ivory field with an allover polychrome design of palmettes, saz leaves and cloudbands all within a red palmette, flower, and forked arabesque patterned main border, 11 ft. 5 in. x 8 ft. $ KPM Hand-painted Porcelain Plaque, Berlin, 19th century, the rectangular plaque polychrome enamel-decorated and depicting a seated woman in an austere black dress holding a Bible, signed J. Matthews, with impressed factory mark, plaque 7 7/8 x 5 1/2, in modern brown Lucite frame, 13 7/8 x 11 1/2 in. 414 Royal Copenhagen Blue Flute Pattern Porcelain Partial Dinner and Dessert Service, Denmark, second half 20th century, fifteen two-handled cups, dia. 4 1/2, fourteen cups, dia. 4, twelve each: plates, dia. 9 7/8, plates, dia. 7 7/8, plates, dia. 6 7/8, plates, dia. 5 7/8, and saucers, dia. 6; three shellform butter pats, lg. 4 1/8, two trefoil serving dishes, lg. 8 1/4, an oval platter, lg. 16, circular platter, dia. 13 3/8, circular bowl, dia. 10, square bowl, lg. 8 1/2, circular covered tureen, dia. 8, coffeepot, ht. 9 3/4, teapot, ht. 7, creamer, ht. 4, open sugar, ht. 3 1/8, and plate, dia. 5 1/4 in. $1,500-2, Royal Dux Art Nouveau Porcelain Bust of a Nymph, Bohemia, early 20th century, modeled as a maiden enveloped in flowers, accented with gray glazes and gilt, with raised triangle factory mark, ht. 20 5/8 in. $ Amphora Work Reissner Earthenware Vase, Turn-Teplitz, Bohemia, early 20th century, squat circular form with four handles and applied fruiting cherry branch, decorated in polychrome enamels and gilding, with various factory marks, ht. 4 1/2, handle to handle dia. 9 in. 417 Four Neoclassical-style Fruitwoodveneered Side Chairs, 19th century, each with ebonized lyre back-splat, raised on four tapered rectangular legs, ht. 36 1/2 in. Online bidding at 89

92 German Iron-mounted Elm Coffer, late 18th/ early 19th century, of typical form with shaped apron and bracket feet, ht. 26 1/4, wd. 55, dp. 20 1/2 in. 419 School of Peter Monamy (British, ) London Harbor Unsigned, identified on a presentation plaque and a label from the St. Botolph Club, Boston, affixed to the reverse. Oil on canvas, 11 3/4 x 13 7/8 in. (29.8 x 35.2 cm), in a Hermann Dudley Murphy for Carrig-Rohane Shop Inc./R.C. Vose Arts & Crafts frame. Condition: Lined, retouch, craquelure, minor skinning. Exhibitions: Romance of the Sea, St. Botolph Club, Boston, April 10 to June 7, Dutch School, 19th Century Skaters at Dusk Signed P F van de Molen l.r., with a label from Jean Backs, Bruxelles, on the back of the frame. Oil on panel, 3 3/8 x 4 1/8 in. (8.4 x 10.4 cm), framed. Condition: Frame abrasion with paint loss, discolored varnish, surface grime. 421 French Parcel-gilded Bronze Mantel Clock, late 19th/early 20th century, cast as a seated artist in Dutch 17th century dress and mounted to a black marble plinth base, the dial with Roman numerals and marked for retailer H. B. Stanwood & Co., the works unmarked, ht. 15 1/4, lg. 20 in. 422 After Louis Alexandre Bottee (French, ) Pair of Relief-carved Marble Plaques Depicting Young Women, each oval, reverse with inserted bronze medallion from the 1889 Exposition Universelle, in giltwood and gesso frames, plaque sight ht. 15 3/8, frames 27 1/2 x 23 1/2 in. $1,000-1, Silk-warped Qum Rug, Central Persia, mid to late 20th century, the floral lobed center medallion with pendants upon an ivory field with an allover pattern of polychrome scrolling leaves, palmettes, and flowers, all within a light gray main border displaying curled and serrated leaves encircling palmettes and flowerheads, inscription at bottom middle, 5 ft. 6 in. x 3 ft. 5 in. 424 Victorian Oak and Brass Jockey Scale, London, late 19th century, made by Youngs, with carved flowerhead frieze and leather seat raised on barley-twist legs, stamped YOUNGS /LONDON, with five assembled weights, ht. 26, wd. 35, dp. 20 in. $2,000-4, William IV Rosewood-veneered Breakfast Table, England, second quarter 19th century, the circular tabletop raised on a turned stem terminating on flared base raised on three caster-mounted feet, ht. 28, dia. 53 3/4 in. $1,200-1, Additional information and photos at

93 Oldrich Otto Farsky (American, ) Capturing a Butterfly Signed O. Farsky l.r. Oil on canvas, 15 x 10 in. (38.2 x 25.5 cm), framed. Condition: Craquelure, surface grime. $ Four Wedgwood Lustre Items, England, c. 1920, butterfly lustre bowl with polychrome motifs to a mother-of-pearl exterior, mottled orange/red interior, pattern Z4862, dia. 5; a dragon lustre vase with polychrome motif to a mottled blue exterior, ht. 4 1/8; a bowl with gilt-decorated washed blue ground, the exterior with blossoms, the interior with flying crane and oriental motifs, dia. 3 5/8; and a dish with mottled dark green/black exterior, the interior with a polychrome and gilded turtle to a mother-of-pearl ground, dia. 3 3/4 in.; printed marks. $ Wedgwood Butterfly Lustre Bowl, England, c. 1920, polychrome enamel-decorated with a mother-of-pearl exterior and mottled orange interior, pattern Z4832, printed mark, dia. 9 in. 429 Wedgwood Octagonal Fairyland Lustre Bowl, England, c. 1925, coral and bronze decorated exterior in the willow pattern, Z5406, mother-of-pearl interior with willow center and hanging lantern border, printed mark, dia. 7 1/4 in. Online bidding at 91

94 Fifteen-piece Wedgwood Majolica Fruit Service, England, c. 1872, each with polychrome decoration of a pierced basket border to a leaf and berry trim, twelve plates, dia. 8 7/8, and three compotes set on four hoofed feet: two circular, dia. 9 1/8, 9 1/4, and one oval, lg. 11 in.; impressed marks. $ George Jones Majolica Monk Pitcher, England, late 19th century, modeled as a monk in long robes, with a stylized goat head to handle, incised X to base, ht. 12 1/2 in. 432 Renaissance-style Carved Walnut Cassone, Italy, 17th century and later, extensively carved front panel with a central ovoid boss encircled by leafy C-scrolls and flanked by various motifs, above an egg-anddart carved register on four projecting scroll feet, ht. 23 3/4, wd. 65, dp. 21 3/4 in. $ Louis XVI-style Beechwood Settee, late 19th century, with a muslin-upholstered back and seat, raised on four turned and tapered legs terminating in toupie feet, ht. 36 in. 434 Five Wedgwood Daisy Makeig-Jones Design Brownie Toy Ware Items, England, c. 1913, four in queen s ware with polychrome enameled brown transfers: a pitcher, ht. 3 1/4, an oval dish, lg. 3 3/4, and two round dishes, dia. 3 1/2; together with a black basalt pitcher with blue enameled figures with gold, ht. 2 3/4 in.; impressed and printed marks. 435 Six Wedgwood First Period Bone China Plates, England, early 19th century, each with gilded rim and polychrome enameled black transfer printed botanical center, red printed mark, dia. 8 5/8 in. 436 Nine Wedgwood Blue Transfer-printed Month Dishes, England, c. 1878, from designs by Helen J.A. Miles, seven plates, dia. 9, and two tall compotes, dia. 9, 9 1/4 in.; impressed marks. 437 Dutch School, 17th Century Portrait of a Man Holding Gloves Unsigned. Oil on canvas, 12 7/8 x 9 1/2 in. (32.5 x 24.0 cm), framed. Condition: Lined, retouch, craquelure, surface accretions, grime. 438 Continental School, 18th Century Style Genre Scene/Peasant Mother and Children Greeting a Woman of Wealth Unsigned. Oil on canvas, 15 1/8 x 18 5/8 in. (38.5 x 47.0 cm), framed. Condition: Lined, retouch, craquelure, surface grime. $1,000-1, Spanish Colonial Chased Repoussédecorated Silver Mirror, 19th century, the scrolled crest centering a flowerhead above rectangular mirror plate framed by scrolling foliage, flowerheads to corners, and leaftip border, silver mounted to wood and unmarked, ht. 36 1/2, wd. 27 1/4 in. $2,500-3, Additional information and photos at

95 Portuguese Colonial Hardwood Settee, 19th century, the wide caned seat with scrolled armrests, the reticulated top rail and crest carved throughout with foliate scrolls and flowers above caned and stile-back registers, raised on four turned legs with floral carving to the knees, ht. 41 1/2, wd. 99 1/2, dp. 29 1/2 in. 441 Spanish Colonial Carved Hardwood Wall Plaque of the Virgin Immaculate, Mexico, 18th/19th century, carved in high relief, the standing figure with hands in prayer and with shell-form halo, set within an architectural frame, ht. 40 1/2, wd. 30 in. $1,000-1, Lilihan Rug, Northwest Persia, early 20th century, the camel field with an allover spaciously drawn polychrome pattern of large scale palmettes, rosettes, curling leaves, and vines, all within a navy floral main border, several minor borders with meandering carnation and vine motif, 6 ft. 1 in. x 5 ft. $ Pair of Carved Wood Angels, 20th century, each figure standing and holding a sconce with spiraled stem in one arm, on rectangular bases, painted burnt sienna to mimic gesso, unmarked, ht. 26 1/4 in. 444 Pair of Terra-cotta Cache Pots, late 19th/20th century, each rectangular, molded with masks supporting pendant garlands, unmarked, ht. 9, wd. 20 1/2, dp. 11 3/4 in. 445 Carved Wood Wall Plaque, 20th century, depicting a knight s head and helmet in profile and surrounded by assorted weaponry, mounted with silvered metal studs, unmarked, ht. 39, approx. wd. 19 in. 446 Pair of George III Mahogany Inlaid Card Tables, c. 1795, each with folding D-shaped top bordered by stringing and crossbanding of contrasting woods opening to felt playing surface, the base inlaid with rectangular banded panels centering raised panels with a diamond, on similarly inlaid square tapering legs ending in brass cap casters, ht. 30, wd. 36, dp. 17 3/4 in. $1,500-2, Six Elm Smoker s Bow Armchairs, England, 20th century, the shaped crest on a curved top rail with a turned spindle back and deep seat, raised on four turned legs joined by an H-form stretcher, ht. 30 1/4 in. $1,500-2, Wedgwood & Bentley Caneware Teapot and Cover, England, 18th century, pentagonal, with simulated bamboo body, impressed mark, overall ht. 3 1/2 in. Provenance: Kanter Collection. $ John Askew (British, act ) British Ships Off the Coast Signed and dated...askew/1810 l.l. Oil on canvas, 27 7/8 x 44 1/8 in. (70.8 x cm), framed. Condition: Lined, patch reinforcements, retouch, craquelure, surface grime. $1,500-2,500 Online bidding at 93

96 Wedgwood Caneware Crater Potpourri Urn and Cover, England, early 19th century, upturned scrolled handles, applied black relief with a running band of fruiting grapevines to body and foliate and floret motif to plinth, impressed mark, handle to handle lg. 11 1/2 in. 451 Wedgwood Caneware Jug, England, late 18th century, simulated bamboo neck and handle, applied Bacchanalian boys in relief, brown enamel trim lines and a feathered crown below the spout, impressed upper lower case mark, ht. 6 5/8 in. Provenance: Lenhart Collection; Weitzen Collection. $ Three Wedgwood Caneware Items, England, 19th century, a plate with black basalt fruiting grapevine border, dia. 8 1/4; and two oval pie dishes: one with fruiting grapevine border and cauliflower finial, with an insert liner, lg. 8 1/4, the other with a simulated piecrust ring and cover, lg. 9 in.; impressed marks. $ Additional information and photos at

97 453 Three Wedgwood Smear-glazed Caneware Items, England, 19th century, each with applied blue relief, a bowl with faceted sides and foliate motif, dia. 8, cream jug with classical figures, ht. 3 1/4, and a two-handled low bowl with pierced cover, dia. 9 1/2 in.; impressed marks. $ Baroque-style Oyster-veneered and Marquetry Side Table, 19th century, the oyster-veneered top with central stringinlaid floriform medallion surrounded by various inlaid starbursts all within a striped crossbanding to the edge, with a single frieze drawer, raised on four spiral-turned legs joined by a low stretcher with a central inlaid medallion, on bun feet, ht. 30, wd. 46, dp. 33 in. $2,500-3, Italian Walnut Cassone, 18th century, with fluted columnar elements to the front corners, ht. 23 1/2, wd. 58 1/2, dp. 24 in. $ Baktiari Long Rug, Central Persia, second quarter 20th century, the navy field with three large stepped concentric and lobed medallions inset with highly stylized blossoms and surrounded by polychrome Europeanstyle bouquets and other floral motifs, all within multiple floral meander borders, 14 ft. 6 in. x 3 ft. 10 in. $ After Frederick William MacMonnies (American, ) Pan of Rohallion, the bronze cast as a nude boy playing a double pipe while standing atop a sphere supported by fish, on a circular base with cast inscription TO PAN OF ROHALLION ANNO DOMINI MDCCCLXL, reverse of sphere incised F. MacMonnies 1890, dark brown patina, ht. 10 1/8 in. $1,000-1, After Léon Bureau (French, ) Bronze Figure of a Panther, the jungle cat cast stalking its prey, on a naturalistic base incised L. Bureau, dark brown/black patina, lg. 17 in. $1,000-1, Anglo/American School, 19th/20th Century Four Botanical Watercolors Unsigned, one inscribed Wild Geranium Plant and one inscribed Plant in ink l.c. Watercolor on laid paper, sight sizes to 8 5/8 x 6 1/4 in. (22.0 x 16.0 cm), framed. Condition: Mild soiling, subtle handling creases, one with fox mark, not examined out of frames. 460 Dutch School, 18th Century Two Landscapes: Outside a Tavern and On the Banks of a River Unsigned. Watercolor and ink on paper, sheet sizes 12 7/8 x 17 in. (32.7 x 43.2 cm), both framed. Condition: Mounted to card, minor foxing, toning. $1,200-1, Pair of Louis XV Beechwood Fauteuil, France, 18th century, each with an upholstered cartouche-form back, the top rail and apron centering a rocaille shell, acanthusand scroll-carved arms, with a deep seat raised on four slender cabriole legs terminating in scrolled feet, ht. 41 in. 462 German Walnut- and Marquetry-veneered Dome-top Chest, 19th century, with stringinlaid panels, the top with a central geometricinlaid medallion, on four bun feet, ht. 12 1/2, wd. 22, dp. 14 1/2 in. 463 Two Meissen Porcelain Figures, Saxony, late 19th century, each polychrome enameldecorated and with first quality crossed swords marks, one a boy with a shovel and watering can, incised C69, the other a girl with applied flower garland, incised F69, ht. to 7 1/2 in. 464 Two Meissen Porcelain Figures Personifying Seasons, Saxony, late 19th century, each polychrome enamel-decorated with gilded accents, and with a standing female figure, Spring holds a garland of applied flowers, Summer a sickle with a sheath of wheat, each with first quality crossed swords mark, Spring incised C84, Summer C88, ht. to 7 3/4 in. 465 Two Meissen Porcelain Figures, Saxony, late 19th century, each polychrome enameldecorated and gilt-accented, and with first quality crossed swords mark, a boy with watering can and shovel, incised C69, and girl with a birdcage resting on her shoulder and a lamb at her feet, incised F73, ht. to 7 5/8 in. $1,000-1, Four Meissen Porcelain Figures of Garden Children, Saxony, late 19th to 20th century, each polychrome enamel-decorated and gilt-accented, with first quality crossed swords mark, a boy with rake, incised 10, a boy with hoe and basket of flowers, incised 11, and two girls collecting apples in their aprons, incised 12, ht. to 5 5/8 in. $1,200-1, Two Meissen Porcelain Figures of Garden Children, Saxony, late 19th century, each polychrome enamel-decorated and giltaccented, and with first quality crossed swords mark, a girl carrying a sickle and basket of flowers, incised 4, and a boy removing a single flower from a basket, indistinctly incised, ht. to 5 3/8 in. $ Louis XVI-style Giltwood Tabouret, late 19th century, square top with gold damask upholstery, carved seat rail, and circular stopfluted legs with leaf carving and paterae, ht. 18, wd. 14, dp. 14 in. Provenance: Skinner, Inc., Sale 1769, as excollection, Helen Clay Frick, New York City. Online bidding at 95

98 Louis XVI-style Giltwood Fauteuil, late 19th century, the square back and deep seat with Beuvais tapestry upholstery, raised on turned and tapered legs terminating in toupie feet, ht. 37 in., together with Helen Clay Frick: Bittersweet Heiress, by Martha Frick Symington Sanger, University of Pittsburgh Press, Provenance: Skinner, Inc., Sale 1769, as excollection, Helen Clay Frick, New York City. $1,500-2, School of Albert Anker (Swiss, ) Pair of Genre Scenes: Learning His Letters and A Schoolhouse Conference Unsigned, identified on presentation plaques. Both oil on canvas, 20 7/8 x 16 5/8 in. (53.0 x 42.3 cm), framed. Condition: Retouch, scattered paint losses, craquelure, surface grime, Letters with a mended tear l.c. corresponding to patch reinforcement on the reverse. 471 Robinson and Leadbeater Colored Parian Figure, England, last quarter 19th century, modeled as an allegorical figure of a sea nymph, polychrome and gilt decoration, impressed mark, ht. 15 5/8 in. 472 Minton Parian Figure of The Greek Slave, England, third quarter 19th century, by Hiram Powers, the nude figure modeled standing by a rug-covered plinth, inscribed and impressed marks, ht. 13 3/4 in. 473 Copeland Parian Bust of Princess Alice, England, c. 1879, modeled wearing a crown of roses and titled Alice, the reverse inscribed Mary Thornycroft Sc. and impressed Art Union of London 1879, impressed factory mark, ht. 15 in. $ Copeland Parian Bust of Love, England, c. 1878, modeled atop a waisted circular socle, inscribed R. Monti Sept. 1871, Ceramic and Crystal Palace Art Union, impressed factory mark, ht. 13 in. $ Parian Figure of Cleopatra, England, late 19th century, the nude figure modeled seated atop a cloth-draped rock, ht. 12 7/8 in. 476 French Provincial Walnut Side Table, late 18th/early 19th century, with a cavettomolded edge and cusped apron and a single frieze drawer, raised on four cabriole legs terminating in scrolled feet, ht. 29 1/4, wd. 31 3/4, dp. 21 1/2 in. 96 Additional information and photos at

99 Continental Rococo Giltwood Mirror, 18th century, rectangular mirror plate surmounted by a reticulated crest centering a mirrored medallion with an etched bird, ht. 40 1/2, wd. 29 1/2 in. $1,000-1, Attributed to Thomas Carwitham (British, active c. 1723) Four Matted Ink Drawings on Mythological or Religious Themes Unsigned, attributed on the window mats. Ink and wash on paper, sizes to 9 1/4 x 12 3/4 in. (23.5 x 32.4 cm), unframed. Condition: Staining, handling creases, some with losses the edges of the sheets, three tape-hinged to mats, one glued to window mat around the perimeter. $ Continental School, 17th Century Portrait of a Young Woman in Yellow Unsigned. Oil on canvas, 16 x 12 3/4 in. (40.5 x 32.4 cm), framed. Condition: Mounted onto Masonite, retouch, skinning, crushed impasto, scattered paint losses, fine craquelure, surface grime. 480 Maxime Dastugue (French, ) North African Market Signed Maxime Dastugue l.r. Oil on canvas, 24 1/4 x 19 7/8 in. (61.5 x 50.3 cm), framed. Condition: Abrasion with paint loss to u.c., scattered retouch. 481 After Pierre-Jules Mêne (French, ) Bronze Figure of a Horse, cast standing beside a fence, the oval naturalistic base incised P.J. Mêne, dark brown patina, base lg. 10 in. $1,000-1, Gilt-bronze Tazza, Continental, 19th century, the circular top with scene depicting classical figures and wide border in relief, on stepped, beaded, and fluted foot, incised Drouot, and impressed B.D. and 570, ht. 4 3/4, dia. 14 3/4 in. Online bidding at 97

100 98 Additional information and photos at 483

101 Victorian Gilt-brass, Cased Glass, and Parian Epergne, bearing registry mark for May 9, 1865, Richard Hodd & William Linley, maker, the glass trumpet-form vase and two circular tiered trays with borders of amethyst cut-to-colorless diamonds and etched field, the knopped stems hung with pendant chains, above tripod base mounted with three unmarked parian figures of crouching maidens, on reticulated foliate feet, ht. 26 1/8 in. $ Micromosaic Plaque, probably Italy, late 19th century, depicting two white doves and a basket filled with a variety of flowers on a tabletop, to a dark ground, matted and framed, sight size 2 3/4 x 5 1/8, total size 5 1/4 x 7 1/4 in. 485 Portrait Miniature of a Gentleman, late 18th/ early 19th century, oval format, the standing figure in powdered wig and military uniform, unsigned, in a gilt-metal frame with ribband crest and reeded border, portrait sight ht. 2 1/2 in. $ George III Mahogany Double-pedestal Dining Table, England, 19th century, with a reeded edge, raised on turned pedestals, each terminating in three reeded legs with brass caster-mounted feet, one large central leaf and another smaller, ht. 28 1/2, lg. with only the pedestal ends (no leaves), approx. 54, wd. 47 1/4 in. $2,000-4, Six Robert Strahan & Co. Early Victorian Side Chairs, Dublin, Ireland, 19th century, each with waisted hoop back with a shieldform cartouche to the top rail and a hexagonal medallion to the medial rail, raised on turned and tapered legs with brass casters to the front feet, ht. 36 1/4 in. $ Belleek Porcelain Flowered Table Centre, Ireland, , the trumpet form set amongst flowers seated in a pierced and scalloped rim basket, third black mark, ht. 11 3/4 in. 489 Brownfield Fish-decorated Porcelain Vase and Cover, England, last quarter 19th century, retailed by Tiffany & Co., New York, shell-form handles with coral drops, the vase a bottle shape, the green ground with raised, gilded, and painted fish to incised waves, above a gilded scale base on a rust red ground, printed and impressed factory mark, overall ht. 14 in. Online bidding at 99

102 Two Unframed 18th Century Works on Paper: Attributed to Dominic Serres (French [working in England], ), Rescue from Shore in Stormy Seas, unsigned, attributed on the window mat, watercolor and ink, 9 1/4 x 15 in. (23.6 x 37.5 cm), matted; Attributed to David Alphonse de Sandoz- Rollin, (Swiss, ), Horsemen Crossing a River, ink and wash, 9 x 13 3/4 in. (23.0 x 34.8 cm), matted. Condition: Rescue with rippling at edges, tape-hinged to backing mat in two places on the reverse; Horsemen with minor staining and rippling, affixed to secondary paper support at each corner. Provenance: Purchased from Colnaghi Gallery, London, in 1965 and 1955, respectively. 491 Continental School, 19th Century Sailing Vessels at Sea Near a Cliff-top Fortress Signed or inscribed and dated C.S. Parker/ l.r. Oil on canvas, 14 1/2 x 18 in. (37.0 x 45.5 cm). Condition: Lined, retouch, craquelure, surface grime. $ Fereghan Sarouk Rug, Northwest Persia, late 19th/early 20th century, the polychrome lobed center medallion with pendants surrounded by an allover pattern of blossoming vines upon a light wine-colored field, navy spandrels each with a large floral palmette and flowering vines, all within a navy stylized palmette and flowering vine main border, 6 ft. 8 in. x 4 ft. 1 in. $1,000-1, Louis XV Ormolu-mounted Kingwood and Tulipwood Tric Trac Table, Paris, last quarter 18th century, by Jean Hoffenrichler called Potarange, stamped JME POTARANGE to underside, the removable top with inset leather to one side and baize to the other, opening to a backgammon table; the apron parquetry-inlaid throughout, with a small drawer for game pieces on each side, raised on four slender cabriole legs with ormolu mounts to the knees and feet, ht. 27, wd. 44 1/2, dp. 24 1/4 in. $4,000-6, Pair of Louis XV-style Walnut Fauteuil, early 19th century, each with a caned, cartoucheshaped back, scrolled arms, and cushioned seat, raised on four slender cabriole legs terminating in scrolled feet, ht. 37 in. 100 Additional information and photos at

103 495 Ernest Dagonet (French, ) La Marseillaise, cast as a barefoot revolutionary soldier with a drum slung over his shoulder and carrying laurel branches raised overhead, incised E. DAGONET and stamped with indistinct foundry mark to base, mounted to a verde marble base with bronze vignette to the front, bronze ht. 13 7/8 in. $ After Rudolf Kuchler (Austrian, b. 1867) Woman with Flowers, the standing bronze figure cast wearing a diaphanous dress, with a basket of roses resting against her hip, and holding a single flower in her extended hand, on a circular base incised R. Kuchler, and further mounted to a circular stone base, bronze ht. 10 5/8, total ht. 14 in. $ After Isadore Bonheur (French, ) Stalking Panther, the bronze cast as a female jungle cat advancing while crouched low to the ground, on a naturalistic inclined base incised I. Bonheur and Made in France, black patina with applied verdigris, lg. 16 1/4 in. 498 Rudolf Hirth Du Frênes (German, ) Portrait of a Young Girl with Shells Signed R. Hirth du Frênes. l.l. Oil on canvas, 27 1/2 x 17 5/8 in. (69.9 x 44.8 cm), framed. Condition: Surface grime. $1,500-2, Five Unframed Old Master Drawings Attributed to Giovanni da san Giovanni, Giovanni Mannozzi (Florentine, ), Falling Male Nude, inscribed indistinctly in ink u.r., conté crayon on paper with a superimposed grid, 4 3/8 x 5 in. (10.8 x 12.7 cm); After Domenico Zampieri (Il Domenichino) (Italian, ), Faith Supported by Time, fragmentary spandrelshaped drawing, unsigned, identified on the mat, ink with whiting on paper, 13 5/8 x 11 in. (34.7 x 28.0 cm); French School, 17th Century, Battle Scene, possibly the Rape of the Sabine Women, unsigned, ink and wash with whiting on paper, sheet size 17 1/4 x 25 1/4 in. (34.0 x 64.2 cm); School of Louis Boullogne the Younger (French, ), Seated Male Nude, unsigned, attributed on the reverse of the mount in a later hand, charcoal and chalk on gray paper, sheet size approximately 20 3/4 x 12 3/4 in. (53.2 x 32.4 cm); Bolognese School, Late 17th Century, Male Nude, conté crayon, sheet size 16 1/2 x 11 3/8 in. (42.0 x 29.0 cm), stamped with collector s mark SCIPIO within an oval (H.S. Reitlinger, ) and inscribed Illustrated in Ginsburg Coll in pencil, both on the reverse of the mount. Condition: Giovanni irregularly trimmed and laid down on paper support; Domenichino with loss to u.r. corner, laid down on a larger sheet measuring 15 7/8 x 12 5/8 in.; Battle Scene laid down on paperboard support, inscribed Colnaghi, London, 1956 in pencil on the back of the mount; After Boullogne laid down on mat board support; Bolognese School with small losses and staining, laid on paper support. Online bidding at 101

104 Royal Worcester Porcelain Harry Davis Decorated Vase and Cover, England, c. 1910, buff-ground Italianate handles with gilded trim, the body polychrome enamel decorated with grazing sheep, artist signed and printed factory mark, ht. 16 1/2 in. $1,000-1, Pair of Figural Parcel-gilded Bronze Andirons, 19th century, each cast as a classical figure with dark brown/black patina sitting atop a base with heavy paw feet, unmarked, ht. 13 1/2 in. 508 Marquetry-veneered and Ormolu-mounted Credenza, 20th century, with three doors, the center door with a circular floral panel offset by radiating veneers, all topped by a later segmented leather-bound top, ht. 57, wd. 64 1/2, dp. 20 in. $ Baroque-style Walnut-veneered Diminutive Cupboard, possibly Germany, 18th century and later, the stepped cornice with a discreet drawer, above two paneled doors opening to two rows of four drawers, all on four turned feet, ht. 16, wd. 10 3/4, dp. 6 1/4 in. $ Six Continental Polychrome Painted Ladder-back Side Chairs, 19th century, each with lion uprights, the splats painted with various religious figures and scenes, raised on four turned legs joined by multiple stretchers, ht. 44 1/4 in. 502 Tabriz Carpet, Northwest Persia, second quarter 20th century, the large ivory cartouche inset with a rust-colored lobed and pendanted medallion with an allover polychrome hunting scene pattern all upon a midnight blue field with densely drawn blossoming vines and trees with perched and in flight birds, all within a light-beige main border depicting winged figures interspersed between an allover floral pattern, 16 ft. x 11 ft. 5 in. $1,500-2, Taxile Doat Pate-sur-Pate Porcelain Plaque, France, c. 1881, rectangular, with white slip cherubs to a blue ground titled Stop!, signed monogram to front side, inscribed Taxile Doat 1881 on the reverse, 1 5/8 x 3 7/8 in. 504 Hand-painted Porcelain Plaque, possibly Germany, second half 19th century, polychrome enamel-painted with an Orientalist scene of a woman by a fountain, unsigned, unmarked, titled Expectation after Coomans on the reverse, probably after Pierre Oliver Joseph Coomans (Belgian, ), in modern frame, plaque sight size 9 x 6 in. $2,000-4, Pair of Royal Worcester Porcelain Harry Davis Decorated Ewers, England, c. 1907, each molded with an Italianate handle and spout enameled in a buff ground with gilding, the body polychrome enameled with sheep grazing in a landscape to one side, artist signed and printed factory mark, ht. 13 in. $1,200-1, Louis XV-style Marble-top Commode, late 19th/early 20th century, demilune, with a single drawer inlaid with flowerheads, above a case with two central doors flanked by two smaller doors, ht. 36 1/2, wd. 52 1/2, dp. 23 in. 510 Attributed to Ludwig Burger (German, ) Solitary Repast Signed or inscribed Burger on the label of the wine bottle. Oil on canvas, 35 x 29 in. (89.0 x 73.7 cm), framed. Condition: Lined, scattered retouch, small abrasion with paint loss l.r., surface accretions and grime. $ Two Jeweled Coalport Porcelain Items, England, late 19th century, each gilded and with turquoise jeweling, a scalloped octagonal teacup and saucer, printed mark for the Chicago Exhibition of 1993, saucer dia. 3 1/2, and a covered rectangular box with hand-painted landscape cartouche, retailed by Ovington Brothers, lg. 3 1/8 in.; printed factory marks. 102 Additional information and photos at

105 Two Spode Porcelain Tulip Cups, England, c. 1820, each enamel decorated and modeled as a single flower with side handle and set atop an octagonal base, black painted Spode marks, ht. 2 7/8 in. 513 Pair of Royal Worcester Porcelain Vases, England, early 20th century, bottle-shape with scalloped rim and octagonal faceted sides, polychrome and gold floral decoration, retailed by Tiffany & Co., New York, printed mark, ht. 10 in. 514 Royal Worcester Porcelain Aesthetic Movement Patience Teapot and Cover, England, c. 1882, designed by R.W. Binns in the spirit of Oscar Wilde, gilded trim line to a polychrome enameled pot molded with a mustachioed dandy on one side and his female companion on the reverse, the base inscribed Fearful consequences, through the laws of natural selection and evolution of living up to one s teapot, signed Budge and with printed factory mark, ht. 6 in. $7,000-9,000 Online bidding at 103

106 Italian Pietra Dura and Pietra Paesina-inlaid Walnut Table Cabinet, 17th/18th century, rectangular, with a central architectural niche made up of three pietra paesina-inset panels framed by ripple-cut ebonized moldings and marble-inset columns with an upper drawer and discrete lower drawer, flanked by two rows of pietra paesina panels comprising three double-paneled drawers to each side, ht. 23 5/8, wd. 32 1/4, dp. 11 3/4 in. $4,000-6, Additional information and photos at

107 516 Regency Mahogany Tambour Hanging Shelf, England, with a reeded frame and a demilune tambour door enclosing a shelved interior, ht. 23 1/4, wd. 15, dp. 15 1/4 in. 517 After Sir Anthony van Dyck (Flemish, ) Portrait of Thomas Wentworth, 1st Earl of Strafford Unsigned, sittter identified in a later pencil inscription on the stretcher. Oil on canvas, 24 x 20 in. (61.5 x 50.5 cm), framed. Condition: Relined, retouch, craquelure with areas of flaking, scattered paint losses, surface grime. N.B. A bill of sale from John Mason (Rotherham), Ltd., England, which accompanies the lot, indicates that the subject of the portrait is Thomas, Earl of Strafford. The invoice is made out to Mrs. F.S. Blodgett, December 6, 1929, and states that the painting was purchased from Lord Galway s Sale, Serlby Hall, no date given. The invoice also states that portrait was considerably over 100 years old and that it had an old lining already at the time of purchase. Also accompanying the lot is a business card from Blodgett & Dyck s, Inc., Gunsmiths, Firearms, Accessories, Boston, Massachusetts, with notations on the back regarding cleaning and minor restoration of the work done by Regamey, South Strafford, Vermont, presumably David and Faith Regamey of the Child s Gallery which was located there. According to the Encyclopedia Britannica, Thomas Wentworth, 1st earl of Strafford ( ), was a leading adviser to King Charles I of England. His attempt to consolidate the sovereign power of the king led to his impeachment and execution by Parliament. The nobleman was the subject of several portraits by Sir Anthony van Dyck, including one from which an engraving was made by Jacobus Houbraken (Dutch, ) in 1740 using the same pose as the work at hand. Also accompanying the lot are two old postcards showing Wentworth Woodhouse and the memorial to the Earl of Strafford at Wentworth Old Church. 518 Christian Wilhelm Ernst Dietrich (German, ) Der Bänkelsänger Signed and dated CWEDietric in the plate l.r. Etching on paper, sight size 10 1/4 x 7 3/8 in., framed. Condition: Mat burn, not examined out of frame. $ Two Small Framed 19th/20th Century European School Portraits of Women in the Manner of Sir Joshua Reynolds: Fashionable Woman in a Plumed Hat, unsigned, watercolor on paper/board, sight size 7 1/4 x 5 3/4 in. (18.5 x 14.8 cm); Dark- Haired Young Woman in a Blue Bodice, unsigned, oil on wood, 8 3/4 x 6 5/8 in. (22.2 x 16.8 cm). Condition: Fashionable Woman sandwiched within window mat, Dark-haired Woman with frame abrasion/paint losses to edges of the panel and pronounced surface grime. $ Victorian Burlwood-veneered Miniature Chest of Drawers-form Humidor, England, second half 19th century, the hinged cover lifting to reveal a foil-lined compartment with insert to accommodate twenty-eight cigars, two buttons labeled Tobacco and Lights release the lower two drawers which enclose further foil-lined compartments, on four feet, ht. 8 5/8, wd. 7 3/4, dp. 4 1/4 in. 521 Hand-painted Tole Tray, Continental, early 19th century, depicting figures gathered at a fountain amidst ruins, lg. 30, wd. 22 in. Provenance: Skinner, Inc., Sale $ Carved and Upholstered Oak Settee, the rectangular frame with guilloche-carved armrests and foliate scroll-carved apron raised on four gadrooned bun feet, ht. 31, wd. 55 3/4, dp. 25 1/4 in. $ George III Mahogany Card Table, England, 1800, the hinged top with molded edges above a cockbeaded drawer, on four square tapering legs ending in spade feet, ht. 30, wd. 39, dp. 20 in. Online bidding at 105

108 Pair of Pinder, Bourne & Co. Earthenware Chargers, England, c. 1880, each cream colored and with polychrome enamel decorated landscapes, one with a peasant woman and her dog by a trail, the other with cows grazing by a stream, each signed and with impressed factory mark, dia. 12 1/4 in. $ Martin Brothers Stoneware Vase, England, 1890, gray/brown body with incised foliate designs to a black ground, inscribed Martin Brothers London +Southall 1890, ht. 7 5/8 in. $ Martin Brothers Miniature Stoneware Wally Bird Jar and Cover, England, c. 1902, gray ground with brown glazes, inscribed mark, ht. 3 1/4 in. $5,000-7, Additional information and photos at

109 527 Pair of Royal Doulton Stoneware Vases, England, early 20th century, each bottle shape polychrome enamel-decorated with floral medallions to a mottled dark blue ground, impressed marks, ht. 15 3/4 in Pair of Doulton Lambeth Stoneware Candlesticks, England, late 19th century, polychrome enameled and raised foliate decoration, inscribed monograms for Emily Partington and Bessie Newbery, impressed factory marks, ht. 11 3/8 in. 529 School of Pierre Mignard (French, ) Two Portraits: Julius Mazarinus S.R.E. Cardinalis and Ludovicus XIII Galliae Rex Unsigned, both dedicated donné/a la súbstitution de Valdec/l an 1734 on the reverse. Oil on canvas, both 21 1/4 x 17 in. (54.0 x 43.2 cm), both framed. Condition: Nailed to frame through stretchers, retouch, canvas deformations, craquelure, varnish inconsistencies, surface grime. $2,000-3, William & Mary Brass-bound and Oysterveneered Coffre Fort, the strongbox with fleur-de-lis details to brass strapwork and bail handles to each side, the hinged lid with a compartment within, the fall-front enclosing two rosewood-veneered small drawers, ht. 10 5/8, wd. 18 1/4, dp. 11 1/4 in. $2,000-3, William & Mary Brass-bound and Oysterveneered Coffre Fort, the strongbox with fleur-de-lis details to brass strapwork and bail handles to each side, the hinged lid with a compartment within, the fall-front enclosing two rows of rosewood-veneered drawers, ht. 11 3/4, wd. 16 1/4, dp. 11 3/4 in. $1,500-2, Royal Doulton Art Deco-style Face Mask, England, c. 1935, likely designed by Leslie Harradine, showing a flapper-type girl with fashionable side-part haircut, blue eyes, and red lips on an ivory ground, with impressed and printed marks, ht. 7 1/2 in. 533 Doulton Burslem Hand-painted Porcelain Vase, England, late 19th/early 20th century, polychrome enameled with highland cattle in a mountainous landscape, artist signed Kelsall, printed Tiffany & Company and factory mark, ht. 5 1/2 in. 533A Moorcroft Flambe Pomegranate Vase, England, c , baluster form with banded decoration, impressed Moorcroft and Made in England on base, ht. 9 1/2 in. $ Austrian Low-grade Gilt-silver Box with Miniature Painting, , the cover with unsigned polychrome depiction of Samson and Delilah after Rubens, the box with engineturned engraving and die-cast borders, with mark for gilt-silver alloys with less than.250 silver for export, ht. 1 1/2, wd. 5 1/4, dp. 3 1/2 in. 535 German Burl Walnut-veneered Travel Desk, mid-19th century, with fall-front writing surface enclosing interior fitted with six drawers and three compartments, over projecting and shaped long drawer, fall- and drawer-front both with herringbone inlay and cockbeading, with key, ht. 10, wd. 17 1/2, dp. 12 1/4 in. $ Regency Brass-bound Mahogany Twin Wine Cooler, England, c. 1815, with central handle over oval body with two hinged covers concealing an open compartment, fitted with two copper canisters, ht. 10, wd. 13, dp. 8 1/2 in. 537 George III Brass-bound Mahogany Wine Cooler, England, c. 1800, the octagonal case with three brass bands and two ring handles, on a stand with a fluted frieze and pierced brackets on four fluted legs terminating in caster feet, total ht. 29 in. $2,000-3,000 Online bidding at 107

110 Regency Mahogany-veneered Worktable, second quarter 19th century, with a reeded edge, two hinged leaves, a string-inlaid single drawer flanked by brass- and rosewood-inlaid panels, and a pullout work bag, on four turned legs terminating in brass casters, ht. 29, wd. closed 15 7/8, dp. 21 3/4 in. $ Italian School, 16th Century, After Bernardino Campi (Italian, ) Jewish Priest at Sacrificial Altar Signed or inscribed Campi l.r. Pen and ink on laid paper, 5 1/4 x 6 3/4 in., framed. Condition: Toning, small tears at c.l. edge, losses to corners, nicks and wear to edges, staining particularly along the perimeter, affixed to back mat at intervals around the perimeter of the reverse. Provenance: Christie s Paris, July 16, 2004 (Collection of Nicolas Schwed). $ School of Lemuel Francis Abbott (British, ) Portrait of a Gentleman Unsigned. Oil on canvas, 21 1/8 x 17 1/8 in. (53.5 x 43.5 cm), framed. Condition: Lined, retouch, craquelure, alligatoring, surface imperfections. $1,000-1, Sarouk Carpet, West Persia, second quarter 20th century, the red field with an allover design of polychrome lozenge-shaped floral bouquets within an ivory palmette, flower, and vine main border, multiple floral meander minor borders, 19 ft. 3 in. x 9 ft. $800-1, Jennens & Bettridge Victorian Handpainted Papier-mâché Tray, England, second half 19th century, rectangular, depicting a scene of a horse and rider with two hunting dogs to a black ground, the raised border decorated with a chain of gold spheres, impressed maker s mark to reverse, lg. 22 3/4 in. 543 Brass-mounted Rosewood Lap Desk, England, 19th century, rectangular with a shaped inlaid cartouche, opening to a gilded and embossed dark green leather writing surface above empty compartments and fitted compartments for writing implements, with two inkwells, closed ht. 6 1/4, wd. 19 3/4, dp. 10 1/4 in. $ Renaissance-style Pine Cupboard, probably Italy, composed of antique elements, the molded cornice with a central carved floral panel, above the single paneled door flanked by two columnar elements carved with a putti head capital and pendant floral carving, on bracket feet, ht. 81 1/2, wd. 41 1/4, dp. 30 in. 545 Two Carved and Upholstered Stools, a Queen Anne-style walnut stool with a circular slip seat, ht. 17 1/2; and a small footstool carved with flowerheads, acanthus leaves, and raised on paw feet, ht. 9 in. $ Additional information and photos at

111 546 Dutch Delft Five-piece Vase Garniture, Holland, 18th century, each polychrome enamel-decorated with a flowering urn within a scrolled underglaze blue frame, all with hexagonal rim, three bearing covers with bird finials, ht. 13 7/8; the pair ht. 9 3/4 in. $ Three Dutch Delft Posset Pots and Covers, Holland, 18th century, each with ear-shaped loop handles and decorated in blue, one with Asian figures in a landscape; and two with florals; handle to handle lg. 7 3/4 to 8 1/4 in. $ Dutch Delft Tobacco Jar, Holland, c. 1830, blue decorated with the title Manila within a rococo foliate cartouche, a lion mask applied to either side, Three Bells factory mark, ht. with lid 12 1/4 in. $ Continental School, 17th/18th Century View of a Walled Town Unsigned, with a collector s stamp l.r., initialed TB and numbered 559 on the reverse. Ink and wash on laid paper watermarked with fleur-de-lis above the initials GDF, sheet size 6 1/4 x 10 in. (15.9 x 25.4 cm), framed. Condition: Paper is fragile with several very thin areas, toning, handling creases, nicks and wear to edges. 550 Dutch Delft Charger, Holland, c. 1720, polychrome enamel decorated with panels of stylized flowers, dia. 12 in. $ Two Dutch Delft Blue and White Dishes, Holland, 17th and 18th century, a lobed and scalloped bowl with stylized foliage surrounding a central garden landscape, dia. 8 1/2; and a charger with foliate border to a fenced garden landscape, dia. 12 1/4 in. 552 Italian Rococo Olivewood-veneered Bureau de Dame, 18th century, the slant lid opening a compartment fitted with a central inset well flanked by a bank of three stepped and shaped drawers, one with original fitted lead inkwell and pounce pot, above two frieze drawers and shaped apron on four cabriole legs terminating in sabot-mounted feet, ht. 38, wd. 35, dp. 22 in. $2,500-3, Queen Anne Walnut-veneered Slant-lid Desk, England, early 18th century, the lid enclosing various fitted compartments and a central well, with three lower frieze drawers and a shaped apron raised on cabriole legs terminating in pad feet, ht. 40 1/2, wd. 36, dp. 19 in. $1,500-2, London Delftware Bowl, England, c. 1750, polychrome decorated with stylized treed landscapes, dia. 8 1/2 in. $

112 Dutch Delft Bowl, Holland, late 17th century, polychrome decorated in the delft doré in imitation of Chinese imari by Adrian Pynacher at the Two Ships factory, dia. 6 1/4 in. $2,000-3, Dutch Delft Polychrome Decorated Jug, Holland, 18th century, iron red and blue decorated depiction of a Chinese figure in a landscape to either side, ht. 7 5/8 in. 557 Pair of Miniature Dutch Delft Batavian Brown Vases and Covers, Holland, 18th century, each octagonal and decorated in blue and white with central flower and scrolled foliage, ht. 6 3/4 in. $ School of Adriaen Jansz van Ostade (Dutch, ) The Hermit s Oval Unsigned, identified on a presentation plaque, and with an auction reference from Maison Frederik Muller & Cie affixed to the back of the mounting. Oil on canvas mounted to paperboard, 8 1/16 x 11 1/8 in. (20.5 x 28.3 cm), framed. Condition: Skinning, craquelure. N.B. This was purportedly sold at Frederik Muller & Cie, Amsterdam, 1881, item 15, as Le Bovmie. $1,500-2, Chinese Export Brass-bound, Leather, and Camphorwood Trunk, mid to late 19th century, polychrome paint-decorated throughout with various floral motifs, ht. 19, wd. 40. dp. 20 3/4 in. $ Chinese Export Brass-bound Leather and Camphorwood Trunk, mid to late 19th century, polychrome paint-decorated throughout with various floral motifs, ht. 16, wd. 36 1/4, dp. 18 1/4 in. $ Dutch Delft Dore Vase, Holland, c. 1740, polychrome decorated in imitation of Chinese imari with fenced floral garden, ht. 7 7/8 in. $ Pair of Liverpool Delftware Fazakerley Decorated Plates, England, c. 1760, each with the broken fence and garden landscape pattern, dia. 9 in. $ Two French Faience Items, 18th century, a white glazed heart shaped coeur de creme mold, lg. 7 1/4; and an oval Rohen polychrome decorated spice box and cover, floral sprigging, lg. 5 1/8 in. $ Pair of Dutch Blue and White Porcelain Plaques, early 20th century, each rectangular plaque hand-painted and depicting a Dutch landscape with canal, and with molded frame inset with landscape reserves to a ground of scrolling foliage, in modern frames, no visible marks, sight size 9 1/8 x 11 5/8 in. 110 Additional information and photos at

113 Pair of Bronze Sconce Mounts, France, 19th century, each cast as putto-form monopodia, unmarked, ht. 16 1/2 in. $ Baroque-style Oyster-veneered and Marquetry Side Table, 19th century, the oyster-veneered top with central stringinlaid floral-form medallion surrounded by various inlaid starbursts all within a striped crossbanding to the edge, with a single frieze drawer, raised on four spiral-turned legs joined by a low stretcher with a central inlaid medallion, on bun feet, ht. 31, wd. 46, dp. 33 in. $4,000-6, Dutch Polychrome Painted Cabinet, 19th century, the recessed upper section and lower section each with a single cabinet doors, painted throughout with various floral motifs, ht. 68, wd. 58 1/4, dp. 18 in. $ Online bidding at 111

114 572 Cold-painted Bronze Parrot, probably Austria, early 20th century, the polychrome enamel-decorated bird perched on a bar with a hoop overhead, unmarked, total ht. 8 1/2 in. 573 Art Deco-style Bronze Figure of a Dancer, 20th century, cast as a scantily clad woman with arms out-stretched and one leg extended, with black patina, ovoid base incised B. Zach and Austria, mounted to a stepped marble base adorned with rose vines, bronze ht. 21 1/2, total ht. 25 1/4 in. 574 Six Louis XVI-style Painted Beechwood Fauteuil, France, 19th century, each with a shield-form upholstered backrest, scrolled arms with padded armrests, and a deep, shaped seat, raised on fluted and tapered legs with flowerhead carving to the knees and terminating in toupie feet, ht. 34 5/8 in. $2,000-4, Louis XV-style Marquetry and Ormolumounted Writing Table, late 19th/early 20th century, the shaped top with various geometric inlay, above a frieze with a pullout writing surface and a small drawer to one side, raised on four slender cabriole legs terminating in sabot-mounted feet, ht. 28 1/2, wd. 32 1/2, dp. 15 in. 568 Sarouk Carpet, West Persia, second quarter 20th century, the polychrome floral center medallion upon an ivory field and surrounded by large floral sprays, midnight blue and red tiered spandrels all within a midnight blue palmette and floral main border, multiple floral meander minor borders, 16 ft. 2 in. x 8 ft. 9 in. $1,000-1, Augustus Jules Bouvier (British, ) Off to School Signed A.J.BOUVIER l.r., titled on a presentation plaque. Oil on canvas, 24 x 20 1/4 in. (61.0 x 51.0 cm), framed. Condition: Surface abrasions and grime. $1,000-1, Continental School, 19th Century Mary and a Youthful Jesus Reading Scripture Unsigned. Oil on cradled panel, 15 1/4 x 21 in. (38.5 x 53.5 cm), framed. Condition: Cracking to panel, surface losses, retouch, craquelure with lifting, surface grime. $ Gaston Leroux (French, ) Bronze Figure of a Geisha, the patinated bronze standing figure dressed in a kimono with raised geometric design, holding a hand fan with polychrome enamel-painted prunus branches, on a circular base incised G. Leroux, ht. 23 1/2 in. $ After Sir Anthony van Dyck (Flemish, ), Young Woman Playing a Viola da Gamba Unsigned. Oil on canvas, 45 x 37 in. (114.0 x 94.0 cm), framed. Condition: Lined, retouch, fine craquelure. N.B. The original portrait by Sir Anthony van Dyck, painted c , is in the collection of the Alte Pinakothek, Munich, Germany. The sitter is Mary Ruthven, wife of the artist. The copy at hand is thought to be 19th century. $1,000-2, After Thomas Wyck (Dutch, ) Interior of an Alchemist s Study Signed TWye... l.r. Oil on canvas, 20 x 17 in. (51.0 x 43.5 cm), framed. Condition: Retouch, paint losses and flaking along the lower edge, surface imperfections and alligatoring. 112 Additional information and photos at

115 578 Franz Bergman Austrian Cold-painted Bronze Figure of a Bedouin Man Abducting a Woman, early 20th century, cast as a man with a rifle slung over his shoulder lifting a woman off the ground by her waist, numbered and with impressed vase mark, mounted to an ebonized wood base, bronze ht. to top of man s head 11 1/2 in. $2,000-4, Franz Bergman Austrian Cold-painted Bronze Figure of an Arab Weapons Merchant, early 20th century, the figure seated on a rug, holding a sword, with additional weapons spread out before him, impressed NAM GREB ht. 4 7/8, lg. 6 1/4 in. $ Franz Bergman Austrian Cold-painted Bronze Figure of an Indian, early 20th century, the figure holding a shield and spear, wearing a loincloth, and standing on a naturalistic base, with impressed vase marks, ht. 8 in. 581 Baroque-style Walnut Bombé Commode, 18th/19th century, the cusped surface raised on four graduated drawers flanked by canted sides, ht. 30, wd. 36, dp. 21 3/4 in. $1,200-1, Venetian Polychrome Painted Blackamoor Side Table, late 19th/early 20th century, rectangular top with a trompe l oeil brocade cloth, the pedestal formed as a female figure standing on a stepped rectangular base further raised on four paw feet, ht. 35, wd. 20, dp. 13 1/4 in. $2,000-4, Franz Bergman Austrian Cold-painted Bronze Figure of a Bedouin Calligrapher, early 20th century, cast as a man seated next to an open portfolio, on a carpet, with impressed vase marks, lg. 5 7/8 in. $ Meissen Hand-painted Porcelain Cabinet Plate, Saxony, late 19th/20th century, with central circular, unsigned, polychrome enamel-decorated scene of taverners seated outdoors, gilded maroon ground, pierced border, and shaped rim, with first quality crossed swords mark and impressed with various numbers, dia. 9 1/2 in.

116 Pair of Meissen Porcelain Hand-painted Cabinet Plates, Saxony, late 19th/early 20th century, each with central circular unsigned polychrome enamel-decorated scene of a courting couple in a landscape, set within a rococo-style gilded reserve to a deep blue ground, the reticulated border decorated with pale blue flowerheads and further gilding, with first quality crossed swords mark, and various impressed numbers, dia. 10 1/8 in. 586 Meissen Porcelain Figure of Scaramouch with a Lute, Saxony, 20th century, polychrome enamel-decorated, the Commedia dell arte character brightly attired and standing on a freeform base with applied flowers, with first quality crossed swords mark and incised 215, ht. 7 1/4 in. $ Meissen Porcelain Figure of Cupid as a Beggar, Saxony, 20th century, the figure in tattered clothing and supported on crutches, on a circular base, with first quality crossed swords mark and incised L112, ht. 8 3/8 in. $ Louis XVI-style Giltwood Bergere, late 19th/early 20th century, with an arched and incurved padded back and deep bowed seat raised on four turned and fluted legs terminating in caster-mounted feet, ht. 44 in. Provenance: Skinner, Inc., Sale $ Louis XVI-style Fruitwood Inlaid Vanity Table/Poudreuse, late 18th century, the rectangular top fitted with hinged lids and revealing wells, the case fitted with a drawer, on cabriole legs, checkerbanded throughout, ht. 26, wd. 26 1/2, dp. 17 in. $ Eugene Galien-Laloue (French, ) Cargo Vessel in a Harbor Signed L. Dupuy. l.l. Oil on panel, 6 x 8 5/8 in. (15.3 x 22.0 cm), framed. Condition: Old retouch to corners, frame abrasions, discolored varnish, surface grime, subtle warping to panel. N.B. During the course of his career, Eugène Galien-Laloue worked under three known pseudonyms: J. Lievin after a soldier he met during the Franco-Prussian war, E. Galiany an Italianized version of his own name, and, as signed on the work at hand, and L. Dupuy after Dupuy Léon who lived near him in Paris AskArt Biography, submitted by Rehs Galleries, Inc. ( rchtype=bio&artist= ) accessed 4/17/14. $ Two Small German Stoneware Jugs, 17th/18th century, a Raeran brown glazed jug, the central band with figures of German Electors, hinged pewter lid, ht. 6; and a Rhenish light brown/gray jug with raised circular medallions each depicting a warrior, ht. 5 in. 592 Rhenish Stoneware Tankard, Germany, mid- 18th century, buff-ground cylindrical shape with engine-turned banding bordering slipdecorated flowers in blue and white, hinged pewter lid and footrim, ht. 8 1/2 in. 593 Westerwald Stoneware Figure of a Friar and Child, c. 1780, the standing group decorated in an underglaze manganese and blue, ht. 10 1/2 in. 594 Three Westerwald Stoneware Tankards, Germany, 17th and 18th century, a pear shape with underglaze blue ground and slip-decorated flowers surrounding a central octagonal medallion with crest titled Johan Georg Reindorf, ht. 9 3/8; a cylindrical shape with press-molded panels of flowers, hinged pewter lid and footrim, ht. 8; and a barrel shape in underglaze manganese and blue with border of raised florets to a wide banded center, hinged pewter lid and banding, inscribed J.W.S. 1739, ht. 6 3/4 in. $ Additional information and photos at

117 Pair of Napoleonic Two-light Bronze Wall Sconces, France, 19th century, each with wall mount cast as a fluted column surmounted by a flame, with an eagle perched on a medial platform holding a tasseled chain in its beak, and with curved stems with eagle heads supporting drip cups and sconces, unmarked, ht. 27 1/2 in. $ George III Mahogany Chest of Drawers, late 18th/early 19th century, with canted and fluted corners, an upper writing slide, and four drawers, raised on later bracket feet, ht. 35 1/2, wd. 37 3/4, dp. 20 in. 597 Queen Anne-style Tapestry-upholstered Settee, settee late 19th/early 20th century, shaped back and scrolled armrests raised on six legs with shell carvings to the knees terminating in pad feet, back legs with stamped serial numbers, ht. 44, wd. 62 1/2, dp. 23 in. $1,000-1, Continental School, 19th Century Head of a Roman Soldier Monogramed indistinctly, perhaps J.R.C. and dated 1864 l.l. Charcoal with white highlights on paper, 17 x 13 1/4 in. (43.0 x 33.8 cm), framed. Condition: Mounted to cardboard support, small break at u.l. corner, toning, scattered staining, wear to edges of the sheet and support. 599 Nicolaas Wicart (Dutch, ) A View of Leksmond Inscribed Wicart. in pen and Leksmond 1770 in pencil l.l. Ink and ink wash on laid paper, sheet size 14 3/8 x 18 7/8 in. (36.5 x 47.9 cm), framed. Condition: Laid onto paperboard, foxing, toning. Provenance: Christie s Amsterdam, Old Master Drawings, November 4, 2003, Lot 118. $ Giovanni Battista Piranesi (Italian, ) Avanzi degl Aquedotti Neroniani... (Aqueduct of Nero) Inscribed in the plate Cavalier Piranesi F. l.l., titled in the plate l.c. Etching and engraving on paper, French posthumous printing, image size 19 x 27 3/4 in. (48.2 x 70.8 cm), framed Condition: Toning, not examined out of frame. 601 Sarouk Carpet, West Persia, second quarter 20th century, the midnight blue field with allover arabesque, flowering vine, and palmette design, within a wine-colored flowering palmette main border, multiple floral meander minor borders, 13 ft. 9 in. x 10 ft. 6 in. $1,000-1, Pair of Meissen Porcelain Figures of Children with Fowl, Saxony, late 19th century, each polychrome enamel-decorated, gilt-accented, molded seated, and with first quality crossed swords mark, a girl with a hen and basket of eggs, incised 2281, and boy with rooster and basket of flowers, incised 2923, ht. to 4 1/8 in. Online bidding at 115

118 Three Meissen Porcelain Figures of Women, Saxony, late 19th to 20th century, each polychrome enamel-decorated and gilt-accented, with first quality crossed swords mark, a standing figure collecting flowers in a basket, incised C72, a seated woman with a dog on her lap, the dog looking at its reflection in a mirror, incised F50, and a seated woman feeding milk to a cat on her lap, incised B94, ht. to 6 in. $1,500-2, Two Meissen Porcelain Figures of Putti, Saxony, 20th century, each polychrome enamel-decorated and gilt-accented, and with first quality crossed swords marks, one modeled as a putto working in a garden and personifying earth from an elements series, incised C100, the other modeled with two putti writing in a book, incised C36, ht. to 4 5/8 in. $1,200-1, Fourteen Assembled Meissen Porcelain Monkey Band Figures, Saxony, 19th and 20th century, each polychrome enamel- and gilt-decorated, with crossed swords and other various marks, three choral singers, keyboardist, harpist, cellist, hurdy-gurdy player, bagpiper, flutist, drummer, mandolinist, violinist, clarinetist, and bassoonist, ht. 4 3/4 to 5 3/4 in.; together with a Meissen-type conductor, flutist, clarinetist, choral singer, and five music stands. $10,000-15, Louis XV-style Painted Beechwood Fauteuil, late 18th/early 19th century, cartouche-shaped upholstered back with a floral-carved top rail and arms, on a deep upholstered seat raised on four cabriole legs, ht. 37 in. $ Louis XV-style Marble-top Side Table, late 19th/early 20th century, with three drawers each lined with herringbone inlay, raised on four slender cabriole legs terminating in sabotmounted feet, ht. 30 1/4, wd. 16 3/4, dp. 13 1/2 in. $ Achille Mollica (Italian, active c. 1875) Woman with a Tambourine Signed and dated A. Mollica/1879 l.r., artist identified on a presentation plaque. Oil on canvas, 10 5/8 x 7 1/8 in. (27.0 x 18.0 cm), framed. Condition: Paint losses at lower edge, very fine craquelure, surface grime. $ Additional information and photos at

119 609 Henry Bacon (American, ) Two Elegant Ladies Signed, inscribed, and dated Henry Bacon Paris l.l. Oil on canvas, 15 x 11 1/2 in. (38.1 x 29.2 cm), framed. Condition: Retouch, craquelure, surface grime. Provenance: Collection of Colonel Edward Hamilton Ham Young ( ). 610 Andreas Schelfhout (Dutch, ) River Landscape with Cattle on a Path Signed A Schelfhout l.l. Brown ink on paper, sheet size 7 x 10 5/8 in. (17.8 x 27.0 cm), framed. Condition: Trimmed and backed sheet, minor foxing. Provenance: Christie s Amsterdam, Pictures, Watercolours, and Drawings, February 3, 2004, Sale 2613, Lot Pair of Louis XVI-style Gilt-bronze Twolight Wall Sconces, France, second half 19th century, each cast with foliate stems issuing from an arrow-filled quiver hanging from ribband, with impressed numbers, ht. 15 1/2 in. 612 Gilt-bronze Wall Clock, retailed in Paris, 19th century, the circular case with ring handle and die-cast bands of classical ornamentation and stylized grapevines, the enameled and labeled dial with Roman numerals, works unmarked, dia. 7 3/8 in. 613 Six Baroque-style Hardwood Side Chairs, 18th century, each with a tall back topped with shell-form uprights, and two shell and scroll slats to the back, raised on ring- and blockturned legs joined by stretchers, ht. 50 in. 614 Renaissance-style Refectory Table, narrow, rectangular top raised on six baluster-form legs joined by an H-form stretcher with two scrolled trestle feet, ht. 31, wd. 78 1/4, dp. 28 in. $ Group of Val St. Lambert Gevaert Arlene Pattern Colorless Crystal Stemware, Belgium, 20th century, fourteen champagne coupes, ht. 5 1/2, thirteen water goblets, ht. 7 3/4, twelve wineglasses, ht. 5 7/8, eleven cordials, ht. 4 1/4; and one port wineglass, ht. 5 1/2 in.; water goblets signed. $ Group of Orrefors Intermezzo Pattern Colorless and Cobalt Blue Crystal Stemware, Sweden, late 20th century, sixteen red wineglasses, ht. 9 1/8, fifteen white wineglasses, ht. 7 3/4, and two candlesticks, ht. 12 1/4 in.; most still bearing factory sticker. 613

120 European School, 17th Century Style Byzantine Monk Holding an Open Book of Scripture Unsigned. Oil on wood, 6 7/8 x 5 1/2 in. (17.3 x 14.0 cm), framed. Condition: Flaking, paint losses, craquelure with areas of tenting, retouch, mild surface grime. 618 Andries Vermeulen (Dutch, ) Extensive Landscape with Herdsmen by a Stream Signed A. Vermeulen l.r. Black chalk, watercolor, pen, and brown ink on laid paper, sheet size 9 x 13 1/8 in. (22.9 x 33.4 cm), framed. Condition: Subtle crease to u.l. corner, minor foxing, tack hole to u.l. corner, sheet mounted to French mat support around the perimeter. 619 Provenance: Christie s New York, Old Master and 19th Century Drawings, January 22, 2004, Sale 1340, Lot 244 (1 of 3). 619 Continental School, 18th Century Bull and Horse Attacked by Lion and Dogs Unsigned. Oil on canvas, 42 1/2 x 51 3/4 in. (177.5 x cm), unframed. Condition: Lined, retouch, craquelure, surface grime. $1,000-2, Additional information and photos at

121 Iberian Walnut Table Cabinet, 18th century and later, the rectangular form with two rows of two drawers above a lower register of three drawers, each with a central inset tracery panel, on four bun feet, ht. 12 3/4, wd. 22 1/2, dp. 12 in. 621 Parcel-gilt and Polychrome Painted Overmantel Mirror, mid to late 19th century, rectangular with a single mirror plate enclosed by a carved frame with a central foliate crest offset by scrolls, ht. 45, wd. 48 in. $ Engraved Silesian Wineglass, mid-18th century, the tapered ogee bowl with central cartouche depicting a stag hunt to obverse and a seated sheep to reverse, decorated with a tight field of strapwork, the lower section of bowl with cut and polished flutes, on faceted inverted baluster stem with merese to base, the underside of large foot cut with a radiating design, the rim engraved with C-scrolls, with snapped pontil, ht. 6 7/8 in. $ Bohemian Enameled and Gilded Ruby Glass Dresser Box, late 19th century, allover grapevine decoration, the domed and hinged cover with central bird, the rectangular body with butterflies, with bronze mounts, handles, and feet, ht. 5 1/2, wd. 5, dp. 3 3/4 in. 624 Gilt-bronze and Glass Single-stem Epergne, probably France, 19th century, the cased blue trumpet-form vase above a base cast as two birds perched on flowering branches, impressed with four C s, ht. 7 1/2 in. 625 Pair of Rococo-style Gilt-bronze Candlesticks, probably France, 19th century, each with removable bobeche, inverted baluster stem, and circular foot decorated allover with hand-chased rocailles and flower sprays, unmarked, ht. 11 7/8 in. $ Louis XVI-style Doré Bronze-mounted Rosso Marmo Antico Marble Urn, France, last quarter 19th century, with finial cast as various fruits, handles cast as youthful fauns playing double flutes, body with reserve of laurel leaves, instruments, and masks, mounted to a square base with canted corners, unmarked, ht. 13 in. 627 Pair of Gilt-bronze Figural Lamps, France, late 19th/early 20th century, each classical female figure supporting a nine-light candelabra, signed Moreau, mounted atop black slate bases, electrified, ht. 33 in. $1,000-1, Scandinavian Tile-top Painted Side Table, tiles 18th/19th century, table 19th century, the long octagonal top inset with Dutch blue and white tiles with floriform and starburst motifs, raised on a white painted table with a single frieze drawer and four cabriole legs, ht. 29, wd. 34, dp. 24 in. $ Dutch Tile-top Oak Table, tiles 18th/19th century, table 19th century, the magnesium glazed tiles each featuring various buildings in a landscape, raised on four cabriole legs, ht. 22, wd. 44 1/2, dp. 23 3/4 in. $ Attributed to Diogene Ulysse Napoleon Maillart (French, ) Monk Reading Unsigned. Oil on canvas, 12 x 9 1/2 in. (30.3 x 24.0 cm), framed. Condition: Craquelure, surface grime. $ Online bidding at 119

122 Dutch Delft Blue and White Deep Dish, Holland, 18th century, shaped rim with floral and foliate border surrounding a band of peacock feathers and tropical bird center, dia. 13 5/8 in. $ Delftware Blue and White Bowl, England, early 18th century, the wide rim lobed and scalloped and decorated with stylized flowers, dia. 9 in. $ Dutch Delft Charger, Holland, c. 1770, polychrome decorated with a wide band of flowers surrounding central bands of fruits and vines, dia. 14 in. $ Delftware Blue and White Floral-decorated Charger, England, 18th century, dot border surrounding a floral rim with wide foliate band to center, dia. 14 in. $ Dutch Marquetry Cabinet, mid to late 19th century, upper glass-enclosed section with a single door and a domed crest, on the lower two-door cabinet raised on paw feet, decorated throughout with various scrolling floral and foliate motifs, the cabinet doors with a central inlaid floral bouquet, ht. 84 1/2, wd. 52, dp. 15 1/2 in. $2,000-3, Swiss Walnut, Marquetry, and Penwork Tilt-top Table, late 19th century, the shaped top with a central penwork scene of elk within a bucolic landscape encircled by inlaid foliate sprays and four cartouches each with a single elk, raised on a baluster pedestal terminating in three splayed feet topped by a carved lion s head to the knees, with a partial label to underside, ht. 31, wd. 41 1/2, dp. 35 1/2 in. $800-1, Dutch Delft White Glazed Inkstand, Holland, c. 1700, scalloped circular shape, the stand with eight pierced holes, together with an insert pot and cover, dia. 7 7/8 in. 638 Six English Delftware Plates, 18th century, each with blue decoration, a pair of London dessert plates with stylized flowers, dia. 5 1/4; one with central floral spray, probably Lambeth, dia. 8 7/8; a version of the Bristol river landscape, dia. 9; and a pair of Liverpool plates with fenced oriental garden, dia. 8 3/4 in. $ Thirty-one Framed Old Master Prints: Including Frederik Bloemaert After Abraham Bloemaert (Dutch, c ), Beggars Series, thirty single-figure plates including the title plate, signed and inscribed within the title plate, other plates numbered 2 through 30, image sizes approximately 4 7/8 x 3 1/8 in. (12.5 x 8.0 cm), framed in groups of six (total of five frames); After Salvator Rosa (Italian, ), Single Plate from the Figurine Series, etched copy after the original plate, sight size 5 5/8 x 3 3/8 in. (14.0 x 8.8 cm). Condition: Not examined out of frames. Provenance: Bloemaert, Sotheby s New York, October 31, 2003, Lot 130. $ Additional information and photos at

123 Four English Delftware Plates, 18th century, three Liverpool, a polychrome with stylized garden and fruit tree, dia. 8 3/4; and two blue and white with variations on the oriental flower garden, dia. 8 3/4; together with a polychrome Fazakerley-style with wavy edge and floral sprays, dia. 9 in. $ Six Dutch Delft Plates, 18th century, three polychrome: one with a landscape with horse and bull, dia. 8 3/4, a floral-decorated with bees, dia. 8 3/4, and a floral garden with fence, dia. 8 3/4; and three blue and white: one with depiction of Flora in a treed landscape, dia. 9; one with broken fence and garden, dia. 8 3/4; and one with central floral bouquet in a vase with perched birds with scrolled foliate border, dia. 9 in. $ Continental Walnut-veneered Secretaire à Abattant, late 19th/early 20th century, with arabesque scrollwork and grotesque marquetry with penwork throughout, with an upper drawer above the fall-front decorated with a central scene of a winged cherub being pulled in a chariot, with various drawers and compartments to the interior, all on two larger drawers, ht. 62, wd. 42 1/2, dp. 20 in. 643 Federal-style Giltwood Overmantel Mirror, 19th century, the three beveled mirror panels topped by an overhanging cornice with a register of attached spheres above a frieze register of applied and molded classical figures in a procession, all within two Corinthian columns, wd. 48 1/4 in. $ Bronze Figure of a Putto Riding a Swan, Continental, late 19th century, the child grasping reeds in one hand and the bird s neck with the other, unmarked, ht. 8 3/4 in. Online bidding at 121

124 After Guillaume Coustou (French, ) Pair of Bronze Marly Horses, late 19th/early 20th century, cast by Charles Crozatier, each with a rearing horse and struggling groom, dark brown patina, each incised CRles Crozatier, ht. 22 1/2 in. $1,500-2, Ten Commemorative Medals Relating to the British Royal Family, 19th to 20th century, five bronze: one celebrating H.R.H. William Henry Duke of Clarence, two related to Queen Victoria, one commemorating the Great London Exhibition, another the coronation of George VI and Queen Elizabeth; and five white metal: one commemorating the coronation of Queen Victoria, another Prince Albert s contributions to the Great London Exhibition, and three related to Albert Prince of Wales; dia. 2 1/8 to 3 1/2 in. 647 Norberto Pazzini (Italian, ) I Pini a Tor Pignattara/Vigna DeSantis Signed and dated N. Pazzini 95 l.r., dated, titled, and signed...n. Pazzini on the reverse. Oil on panel, 7 1/8 x 11 1/8 in. (18.0 x 28.2 cm), framed. Condition: Area of craquelure with shrinking, scattered paint losses, surface grime. 648 Continental School, 19th Century Girl Holding a Nosegay by a Mountain Lake Initialed and dated E.D./1834 l.r. Oil on canvas, 14 x 10 3/4 in. (35.5 x 27.5 cm), in a Foster Brothers frame. Condition: Patch reinforcement, scattered retouch, craquelure. $ Attributed to Michael Wolgemut (German, 1434/ ) Sixteen Vignettes of Saints and Kings from Liber Chronicarum (Nuremberg Chronicle) Unsigned. Woodcuts on paper, sizes to 3 1/2 x 2 1/2 in. (8.3 x 5.5 cm), in five frames. Condition: Not examined out of frames. 650 Numismatic Gallery of the Kings of France, designed by Armand Auguste Caqué ( ), seventy-four medallions, each depicting a French king or ruler, marked for copper and Caqué, and with dates ranging from , dia. 2 1/16; together with another medallion depicting Louis Napoleon and marked Barré, in a mid-19th century brassmounted case containing five fitted trays lined in velvet and silk, case ht. 3 1/2, wd. 13 3/8, dp. 8 1/4 in. N.B. Marie Thérèse, Dauphine of France ( ), purportedly spearheaded the Numismatic Gallery. $2,000-4, Additional information and photos at

125 Sarouk Carpet, West Persia, second quarter 20th century, the wine-colored field with an allover pattern of polychrome flowering branches and palmettes, some emerging from vases, all within a midnight blue flowering palmette main border, 13 ft. 7 in. x 9 ft. $1,000-1, Hand-painted Bristol Glass Vase, late 19th century, the demilune pale clambroth vase with shaped rim and decorated with a bird and various flowers in polychrome enamels, with a gilded and beaded border, on three gilded ball feet, unmarked, ht. 12 7/8 in. $ Two Cranberry Glass Vases, Bohemia, early 20th century, one flask form, with engraved and gilded branches and colorless pulled handles and feet, unmarked, ht. 12 1/8, the other globular with flutter rim and gilded scrolling foliage, mounted to tripod gilt-bronze base, glass numbered 30, ht. 6 1/2 in. Online bidding at 123

126 Eight Ancient-style Objects, seven earthenware: a votive plaque of the goddess Astarte, ht. 5 1/4, Tell Halaf-style mother goddess figure, ht. 3 1/4, Egyptian-style faience amulet of Isis and Horus, ht. 2 1/4, seated figure with object in hands, ht. 4 3/4, bust of a figure with conical head, ht. 4 1/4, flask with flat sides impressed with geometric decoration and Star of David, ht. 12, and dolphin with remnants of pink glaze, lg. 6 3/4; and dagger with encrusted metal blade, modern wood handle, and stone pommel, lg. 18 1/2 in. $1,000-1, Fourteen Roman-style Glass Vessels, Syro- Palestine-style, 1st-6th century A.D.-style, four double vials: three green, two with hoop handles, ht. 4 1/4 to 6 3/4, one purple, ht. 4 1/2; four vials: one green glass, ht. 5 1/4, the second blue and pitcher-form, ht. 2 5/8, another a Sidonian aubergine amphoriskostype, mold-blown with applied pale green handles, ht. 2 7/8, the forth brown date-form, ht. 2 1/2; three jars: two green with applied handles, ht. 2 7/8 and 4 1/4, and one brown, ht. 3 1/2; and three flasks with two applied handles and flat disk-form bodies, two brown, ht. 5 1/8 and 6, another green, ht. 5 in. $1,000-1, Eight Roman-style Glass Vessels, Syro- Palestine-style, 1st-6th century A.D.-style, four pitchers: two yellow with trefoil spouts, ht. 5 3/4 and 7 1/8, one purple with spiraled design to body, ht. 7 1/4, and one green with threaded decoration, ht. 5 1/8; two green jars with two applied handles and threaded decoration, ht. 4 3/4 and 7 1/8, green basket with hoop handle and threaded decoration, ht. 7 1/8, and green flask with long tapered neck and squat bulbous body, ht. 6 1/2 in. $1,000-1, Twelve Roman-style Glass Vessels, Syro- Palestine-style, 1st-6th century A.D.-style, seven jars: four with flared mouths, narrow necks and bulbous bodies, two green one purple, and one yellow, ht. 4 1/8 to 4 3/4, two green with two applied handles, ht. 3 1/2 to 5, and one blue with cylindrical body, ht. 3; three beakers, two green and one yellow, ht. 3 7/8 to 4 1/8; green flask with rolled rim, long tapered neck, and squat bulbous body, ht. 7 1/4, and green cruet with applied strap handle, long narrow neck, bulbous body, and conical spout, ht. 4 5/8 in. $1,000-1, Six Roman-style Glass Vessels, Syro- Palestine-style, 1st-6th century A.D.-style, all translucent green in color, three circular bowls: one with spiraled design to high sides and conforming foot, dia. 8 1/8, and two shallow, dia. 5 7/8 and 6 1/8; and three bottles: two with threading to flared necks and bulbous bodies, ht. 7 5/8 and 9 1/2; and one with two applied handles and dimpled bulbous body, ht. 5 7/8 in. $1,000-1, Continental School, 19th/20th Century Two King Charles Spaniels, After Landseer Signed and inscribed M. B.../après Landseer l.l. Oil on canvas, 19 x 24 in. (48.5 x 61.0 cm), framed. Condition: Varnish inconsistencies, surface grime. N.B. The original painting by Sir Edwin Henry Landseer (British, ), known as The Cavalier s Pets and dated 1845, is part of the Tate collection in London. 124 Additional information and photos at

127 660 Louis Ritschard (Austrian, ) Strollers in a Tropical Garden Signed L. Ritschard l.r. Oil on panel, 5 1/4 x 7 1/2 in. (13.5 x 19.0 cm), framed. Condition: Retouch, mild surface grime. $ Russian Icon Depicting Four Patron Saints, late 19th/early 20th century, the standing figures with Christ above, to a gilt ground, framed, icon 7 7/8 x 6 7/8 in. 662 Three Icons with Metal Rizas, 19th century, two Russian Christ Pantocrator icons with marked silver rizas, one rectangular and one oval, ht. 2 5/8; and a Romanian icon with silvered brass riza depicting an Eastern Orthodox monk holding an out-scrolled parchment, ht. 9 3/4 in. $ Three Lacquer Boxes and a Purse, 19th century, three circular boxes: one painted with figures amidst ruins and with faint French inscription to interior, another depicting a woman in a bonnet and cloak, the third a figure feeding a horse wearing a bib, dia. to 3 5/8; and a rectangular Russian purse with two seated figures drinking from a samovar, indistinct Cyrillic mark to the reverse, ht. 4 in. $ Three Lacquer Boxes and a Purse, 19th century, two circular boxes: one with portrait of a mother and child and German inscription to interior, the other with eight-pointed star and metal inlay, dia. to 3 3/4; rectangular box with portrait of a turbaned woman, lg. 3 1/2, and a purse with an Orientalist scene of a scantily clad woman presented to a finely dressed man, the reverse faintly inscribed SEGARS, lg. 5 1/2 in. $ Six Snuff Boxes, 19th century, three lacquer: one rectangular with a portrait of a woman, lg. 3 1/8, another circular with a bird perched on a fruiting branch, dia. 2 1/2, the third rectangular with pietra dura inlay to cover, lg. 3 1/4; one rectangular.800 silver with carved depiction of Botticelli s Primavera, lg. 3 1/8, one square with agate specimens and metal filigree mounts, lg. 1 3/8, the sixth Scottish penwork with reserve depicting a couple seated at a table, and thistle-pattern ground, titled John Anderson My John and signed Burns, lg. 3 1/4 in. 666 Russian Lacquer Box, fourth quarter 19th century, hexagonal, with black ground, the hinged cover with a scene of a winter troika with driver and two passengers, the red interior with gilded factory mark, lg. 5 1/2 in. $ After Evgeny Androvich Lanceray (Russian, ) Troika in Wait, the bronze cast as a driver leaning against a winter troika with three harnessed horses, on oval naturalistic base, with dark brown patina, base incised E. Lanceray in Cyrillic and with Cyrillic foundry mark, lg. 12 1/2, ht. 7 in. $4,000-6, After Alexei Gratchev (Russian, ) Winter Troika, bronze cast as three horses pulling a sleigh containing a driver and two passengers, incised artist signature and foundry marks in Cyrillic, medium brown patina, mounted to a marble base, approx. bronze lg. 8 5/8 in. 669 Abraham Hulk the Younger (British, ) Sailing Vessels on a River Signed A. Hulk jr l.l. Oil on copper, 7 1/16 x 9 5/16 in. (17.8 x 23.8 cm), framed. Condition: Scattered small abrasions, surface grime. $

128 670 School of Mattia Preti (Italian, ) Tobias and the Angel Initialed MP l.l., inscribed Mattia Preti in pencil on the stretcher. Oil on canvas, 18 1/2 x 13 3/4 in. (47.0 x 35.0 cm), unframed. Condition: Patch reinforcement, pinhole punctures, scattered paint losses, craquelure, surface grime. $1,500-2, Edward Harrison Compton (British/ German, ) Alpine Village Signed HARRISON COMPTON l.r. Watercolor on paper, sight size 8 3/4 x 13 1/8 in. (22.0 x 33.3 cm), framed. Condition: Not examined out of frame. 672 Russian School, 20th Century 674 Lenin, the cast bronze figure standing in a contemplative pose, with his hands in his pockets, base incised with a Cyrillic inscription, ht. 19 1/4 in. 673 Grand Tour Bronze Figure of the Dying Gaul, Rome, late 19th century, cast by Benedetto Boschetti, unpatinated, impressed B. BOSCHETTI ROMA, lg. 17 3/4 in. 674 Tiffany & Co. Gilt-bronze and Enamel Mantel Clock, France, late 19th century, with Japy Frères two-train chiming movement, the case with flattened urn finial, domed top, and body flanked by four columns, on stepped base, the dome, columns, and dial all red guilloche and floral-decorated enamel, the dial with Arabic numerals, with pendulum and key, ht. 18 1/2 in. $ Four Cast Metal Figures, Continental, late 19th/early 20th century, three bronze: two figures of young peasant boys mounted to marble bases, one unsigned with indistinct factory mark, bronze ht. 8 3/8, the other unmarked, bronze ht. 3 5/8, and a bust of a maiden titled Ida, incised E. Villanis, and impressed LU 47 within a circle, ht. 8 1/4; and a patinated white metal bust of a maiden titled Bohêmienne and incised Villanis, ht. 16 1/2 in. 126 Additional information and photos at

129 Four Small Bronze Figures, Continental, late 19th/early 20th century, three animals: coldpainted bronze seated Great Dane, unmarked, lg. 7 1/8, monkey hugging a bulldog incised E.M. Samson, bronze ht. 3 5/8, and pheasant, unmarked, ht. 6 1/2; and Isa, a car mascot cast as a scantily clad woman balancing on one leg, by Max Le Verrier (French, ), signed Le Verrier, bronze ht. 6 1/4 in. $700-1, Dutch School, 17th Century, After Abraham Bloemaert (Dutch, c ) Fisherman Standing at the Edge of a River Unsigned, with a label from Sanders Kunsthandel, Leeuwarden, on the frame backing. Ink on paper, 6 x 8 5/8 in. (15.4 x 22.0 cm), framed. Condition: Cockling, staining, creasing, originally glued but currently partially loosened from back mat. $ Abbey Altson (British, ) A Yeoman Signed ABBEY ALTSON l.l., identified on a presentation plaque and on a partial label affixed to the stretcher. Oil on canvas, 32 x 26 in. ( cm), framed. Condition: Retouch, craquelure, scattered minor paint losses, stretcher bar marks, surface grime. $1,500-2, Bronze Figure of a Putto Personifying Winter, Continental, late 19th century, the figure wrapped in a pelt cloak and skating on a frozen pond, medium brown patina, unmarked, mounted to a conforming slate base, bronze ht. 12 7/8, total ht. 13 3/4 in. 680 After Pierre-Jules Mêne (French, ) Panthére de Constantine, the bronze cast as a stalking jungle cat keeping close to the ground, on a rectangular naturalistic base, black with applied verdigris patina, titled to the front side of base and incised PJ MÊNE to top of base, lg. 6 5/8 in. $ Meissen Porcelain Figure Group of the Broken Bridge, Saxony, 20th century, polychrome enamel-decorated and molded with two putti and a gentleman assisting a distraught lady over a stream covered by a plank, on an oval naturalistic base with fluted border, with first quality crossed swords mark and incised F63, ht. 9 3/4 in. $ Meissen Porcelain Figure Group of a Resting Shepherd and Shepherdess, Saxony, 20th century, polychrome enameldecorated, the two seated figures with a single sheep and collection of applied flowers, lacking factory mark, incised A41, ht. 7 3/8 in. 683 Meissen Porcelain Figure Group of a Shepherd and Shepherdess, Saxony, 20th century, polychrome enamel-decorated, the figures resting beneath a tree, with first quality crossed swords mark and incised D19, ht. 9 1/4 in. $1,000-1,500 Online bidding at 127

130 Pair of Meissen Porcelain Figures, Germany, 19th century, each polychrome enamel- and gilt-decorated, the figures in 18th century dress and seated upon side chairs raised on circular bases, a man holding cherries from an overturned basket beneath his seat, and a woman reading from a book, each with first quality crossed swords mark, incised F51, and impressed 62, ht. 5 1/8 in. 685 Meissen Porcelain Figure Group with Children and a Goat, Saxony, 20th century, molded as a boy playing the flute while a girl rests on the goat, on an oval naturalistic base with leaftip border, with first quality crossed swords mark and incised G92, ht. 6 1/8 in. 686 Silk Kayseri Rug, Central Anatolia, early 20th century, the light rose-colored field with spaciously drawn cranes and smaller birds perched and mid-flight, interspersed between a landscape of branches, blossoming palmettes and small flowers in shades of aubergine, apricot, and ivory, the main border drawn with palmettes and confronted birds, 5 ft. 9 in. x 4 ft. $ Bashka Paeff (Russian/American, ) Bronze Figure of a Boy and Bird, piped as a fountain, signed BASHKA PAEFF SC. and marked along base ROMAN BRONZE WORKS INC NY, approx. ht. 27, dia. of base 18 in. N.B. Paeff immigrated to Boston as a child from Minsk, Russia, and studied at the School of the Museum of Fine Arts. A version of this sculpture is in the Boston Public Garden near the Arlington Street entrance. $8,000-12, Additional information and photos at

131 School of Henri François Riesener (French, ) Head of a Woman in a Plumed Bonnet Unsigned, artist identified as Henri Riesener on a presentation plaque. Oil on canvas, 20 1/8 x 14 5/8 in. (51.2 x 37.0 cm), framed. Condition: Lined, old retouch, craquelure, discolored varnish, surface grime. $ Claude Sébastien Hugard de Latour (French, ) Valley Vista with Foreground Peasants and Cattle by a Stream Signed Hugard l.l. Oil on artist board, 7 13/16 x 12 5/8 in. (20.0 x 32.1 cm), framed. Condition: Retouch at upper edges of support, craquelure, surface grime, yellowing varnish. $ School of Carlo Maratta (Italian, ) Portrait of a Cardinal Unsigned. Oil on canvas, 24 x 20 1/2 in. (81.0 x 52.3 cm), framed. Condition: Canvas mounted to board, retouch, craquelure, minor surface grime. $1,500-2, Continental Hard Paste Porcelain Figures Representing the Four Continents, 19th century, possibly Samson, each polychrome enamel-decorated and modeled as a standing woman with attributes and an animal representing Europe, America, Asia, and Africa, bearing spurious Chelsea marks, ht. 10 5/8 in. 692 Sixteen Hand-painted Paris Porcelain Plates, mid to late 19th century, each with shaped and gilt-decorated purple border, eight with central motif of fruit or nuts, and eight with various birds identified in gilt on the reverse, some with various unidentified incised marks, dia. 9 in. $ Austrian Hand-painted Porcelain Chocolate Pot and Cover, 19th century, the tapering body with central oval unsigned polychrome enamel-decorated scene of a seated woman and child collecting grapes and dark blue ground accented with rococo-style gilding, with beehive mark to underside of pot, ht. 8 3/8 in. 694 Pair of Framed Aesthetic Movement Enamel-on-copper Plaques, probably France, c. 1875, each circular, depicting birds and various flowers to a pink sky, one signed B, the other Belet, in carved mahogany frames, sight dia. 15 1/4 in. $1,200-1, Theodore Deck Faience Charger, France, c. 1880, circular, with polychrome enamel decoration of flowers and a butterfly to a turquoise ground, signed and dated indistinctly in the glaze, with factory mark and entitled Althoeas on the reverse, dia. 15 1/2 in. $1,500-2,500 Online bidding at 129

132 Limoges Hand-painted Porcelain Partial Breakfast Service, France, early 20th century, retailed by Delvaux, Paris, each piece enameldecorated with red poppies, blue cornflowers, yellow crocuses, and gilt accents, a covered chocolate pot, ht. 6 1/2, covered hot milk jug, covered sugar bowl, kidney-shaped dish, sugar caster, salt and pepper casters, two cups, saucer, dish, dia. 6 5/8, dish, dia. 7 1/4, small bowl, and small creamer, ht. 2 7/8 in.; together with a similar Limoges sugar caster retailed by Delvaux and decorated with strawberries and cornflowers. 697 German Hand-painted Porcelain Plaque of Lorelei, late 19th/early 20th century, painted after Wilhelm Kray ( ), the winged beauty in diaphanous drapery and seated on a ledge in a misty landscape, unsigned, framed, plaque size 6 1/2 x 4 1/4 in. $ Hand-painted Rococo-style Paris Porcelain Dessert Service, mid-19th century, each with shaped and gilt-accented turquoise border and with various polychrome flower sprays to center, unmarked, fifteen plates, dia. 9, four oblong trays, lg. 11 3/4, two oblong trays, lg. 10 3/8, two circular trays, dia. 8, two covered compotes, ht. 6 1/2, and large compote, ht. 7 3/4 in. $1,000-1, Bolognese School, 17th Century Fragmentary Drawing of a Male Nude with Right Arm Raised Unsigned, dry stamped JULIAN MARKOWSKI and with three collectors stamps along the bottom edge. Sanguine on paper, sheet 22 x 15 1/4 in. (56.0 x 38.8 cm), framed. Condition: Irregular size sheet, with left side corners intact but with the right edge and upper corner trimmed to a curve conforming to the side of the figure, creasing, foxing, staining, cockling, sheet laid down to mat board support. N.B. Collectors marks along bottom edge, including T.W. within a rectangle for Teodor de Wyzewa, dry stamped JULIAN MARKOWSKI, an unidentified stamp of the Winged Victory of Samothrace and the initials KW, and a stamped monogram within a circle including the first letter S, possibly for Städel Museum, Städelsches Kunstinstitut und Städtische Galerie, Frankfort, Germany. $ Anglo/American School, 19th Century Craig Miller Castle Inscribed, dated, and monogrammed Craig Millar Castle/South west, July 4th 1852 WMB l.r. Watercolor on paper/board, sight size 10 x 13 7/8 in. (25.2 x 35.5 cm), framed. Condition: Crease and small tear to l.l. corner, subtle rippling, not examined out of frame. N.B. Craigmillar Castle is located in Edinburgh, Scotland. 701 Fifteen Assembled Meissen Porcelain Monkey Band Figures, Saxony, 19th and 20th century, each polychrome enamel- and gilt-decorated, with crossed swords and other various marks, three choral singers, two drummers, drum-carrier, conductor, bagpiper, flutist, mandolinist, violinist, clarinetist, trumpeter, French horn player, and triangle player, ht. 4 3/4 to 7 1/4 in.; together with a Meissen-type clarinetist and five music stands. $10,000-15, Additional information and photos at

133 702 Pair of Meissen Porcelain Figures, Germany, 19th/early 20th century, each polychrome enamel- and gilt-decorated, with a boy or girl in 18th century dress seated between two ovoid baskets with applied flowers, atop a shaped base molded with scrollwork, each with first quality crossed swords mark and incised 3024, the man also impressed 163 and 147, ht. to 5 in. 703 Meissen Porcelain Figural Two-light Candelabra, Germany, 19th/early 20th century, enamel-decorated in blue and modeled as a shepherdess seated between the two faux bois stems adorned with rose vines, and on a naturalistic base molded with C-scrolls, with first quality crossed swords mark, incised 1130, and impressed 148, ht. 7 7/8 in. 704 Meissen Porcelain Figure of Lorelei, Saxony, late 19th century, polychrome enamel-decorated, the seated female figure partially draped by a cloak, and leaning her arm against a lyre while her foot rests on a sea creature, with first quality crossed swords mark, ht. 7 1/2 in. $1,500-2, Two Meissen Porcelain Figures of Women, Saxony, late 19th century, each polychrome enamel-decorated and gilt-accented, the standing figure leaning against a tree trunk and holding a garland of applied flowers, one with a vase of applied flowers sitting atop the tree trunk, each with first quality crossed swords mark and incised F69, ht. 7 1/8 in. $1,200-1, Pair of Nymphenburg Porcelain Malabar Figures, Germany, early 20th century, each polychrome enamel-decorated and modeled as a man and woman playing musical instruments, on solid bases molded with C-scrolls, with underglaze blue crown and monogram mark, ht. to 12 3/4 in. 707 Sevres-style Gilt-bronze-mounted Handpainted Porcelain Charger, France, late 19th century, circular, with central polychrome enamel-decorated image of courtiers in a landscape, gilded yellow ground, and reserves with flower sprays, bearing spurious marks, the bronze cast with two handles and four feet hung with garlands, bronze unmarked, lg. handle over handle 17 1/2 in. $ Limoges Enamel Portrait Plate Depicting Elisabeth of Austria, Queen of France, 19th century, circular, with a portrait of a woman in jeweled purple hat and blue dress to a black ground, signed RP Limoges, dia. 9 1/2 in. 709 After Guillaume Coustou (French, ) Bronze Figure of a Marly Horse, probably France, late 19th/early 20th century, cast as a scantily clad groom straining to control a rearing horse, dark brown/black patina, unmarked, ht. 22 1/2 in. $1,500-2, William Perkins Babcock (American, ) The Flute Player Signed and dated indistinctly WP Babcock... l.l. Oil on panel, 13 x 10 3/4 in. (33.0 x 27.3 cm), framed. Condition: Craquelure with areas of alligatoring, scattered minor paint losses, discolored varnish, surface grime. 711 School of William Shaw (British, 18th Century) Standing Racehorse in a Landscape Signed or inscribed WShaw l.l. Oil on canvas, 18 1/4 x 22 1/4 in. (46.2 x 56.5 cm), framed. Condition: Lined, craquelure, possible skinning, old retouch, heavy varnish layer. 712 Three-piece Gilt-bronze-mounted Powder Blue-glazed Porcelain Garniture, Sevres, France, late 19th/early 20th century, probably Paul Milet, each with neoclassical-style bronze registers and garlands, two balustroid urns, ht. 17 1/2, and an urn-form bowl marked MP Sevres, ht. 9 1/2 in. 713 Bronze Figure of a Fisherman with a Net, 20th century, cast as a scantily clad man straining to haul in a net heavy with fish, applied polychrome patina, mounted to a multi-section marble base, unsigned, reverse bearing inventory number, total ht. 14 3/4, total lg. 28 1/4 in. 714 Jules Moigniez (French, ) Pair of Bronze Covered Urns, ovoid, the bodies cast with scenes of pheasants and rabbits with their young, lids with scenes of hunting dogs after a fox, lid finial formed as a perched bird, bodies with stork-form handles, on stylized tree-form trumpet foot and tapered slate base, dark reddish gold patina, ht. 9 1/2 in. $1,000-1, Eight Tiffany & Co. Table and Travel Clocks, mid-20th century, five table clocks with Arabic numerals: four rectangular, ht. to 5 7/8, and one with circular dial mounted to a rectangular base, ht. 4 1/4; and three travel clocks: two in faux-leather cases with Roman numerals, ht. 2 1/2, and one with sterling silver case and Roman numerals, ht. 2 3/8 in. $ Jaeger-LeCoultre Marina Brass-mounted Lucite Eight-day Table Clock, mid-20th century, with eight-day skeletonized dial and works, the case reverse decorated with angelfish to a white ground, ht. 8, wd. 7 1/4, dp. 1 3/4 in. $2,000-4,000 Online bidding at 131

134 717 After Jean-Louis Grégoire (French, ) Captivity, the bronze cast as a scantily-clad boy clipping the wing of a bird, on circular base incised Grégoire, and with applied plaque with quotation from Lafontaine, applied copper-color patina, ht. 27 in. $ Ricardo Ponzanelli (20th/21st Century) Bronze Figure of a Large Turtle, with uneven verdigris patina, signed R. Ponzanelli, approx. lg. 41 in. 719 Bronze Figure of a Scholar, Continental, probably France, 20th century, the figure seated in a contemplative pose and gazing at a globe with one arm resting on a bookshelf, chocolate brown patina, unsigned, ht. 13 3/4 in. $800-1, Bronze Figure of an Infant Satyr, Continental, late 19th/20th century, the figure seated on a tree stump and holding a bird in its hands, with a bird s nest below, chocolate brown patina, unsigned, mounted to a scagliola marble base, bronze ht. 11 5/8 in. $1,000-1,500 End of Sale 2740B Additional information and photos at

135 Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold as is, and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. Revised January 8,

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137 Absentee Bid Form Sale Title Sale Date First Time Bidder? YES NO Customer # Name (Please Print) Business Name Address check if change in address City State Zip Code Phone # Alternate # I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required) Date Lot # Description Bid Price Bid confirmation via ? YES NO FOR OFFICE USE Marlborough Boston Phone Fax Mail Person Employee: 63 Park Plaza Boston, MA Fax Cedar Hill Street Marlborough, MA Fax

138 Board of Directors Chairman of the Board - Stephen L. Fletcher Richard Albright John Deighton Barnet Fain Karen M. Keane Andrew Payne Chairman Emerita - Nancy R. Skinner Administration President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr Expert Departments 63 Park Plaza Boston, MA Fax Cedar Hill Street Marlborough, MA Fax Galiano Street Coral Gables, FL th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunière American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Antique Motor Vehicles - Jane D. Prentiss Asian Works of Art - Judith Dowling Assistants: Helen Eagles, Suhyung Kim Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Clocks, Watches & Scientific Instruments - Robert C. Cheney Assistant: Jonathan Dowling Couture - Anne Fallon Discovery Auctions - Anne Fallon Assistants: Melissa Riebe, Kyle Johnson European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Historic Arms & Militaria - Joel Bohy Jewelry - Victoria Bratberg, G.G. Assistants: John Colasacco, G.G., Katie Simonetti Judaica - Kerry Shrives Musical Instruments - Director Pro Tem: Jill Arbetter Oriental Rugs & Carpets - Lawrence Kearney Assistant: Erika Jorjorian Silver - Stuart G. Slavid Toys & Dolls - Anne Fallon Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney 136

139 Exhibitions & Property Distribution Marlborough: Warehouse Manager - Fred Trottier, Auction Coordinator - Melanie Trottier-Mitcheson, Boston: Auction Coordinators - Jessica R. Lincoln, , Benjamin Evans, Finance Department Marlborough: Accounts Receivable - Denise Johnson, Accounts Payable, Consignment - Kathleen Hayes, Accounts Payable, Trade - Kevin Rota, Credit Supervisor - William Madden, Subscriptions Marlborough: Jessica Turner, Service Departments Advertising/Production Manager - Pamela Van de Houten Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley, Ava Pandiani Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Ryan O Hara Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner Customer Relations - Carol McCaffrey Human Resources - Carol McCaffrey Image Editor - John Cornelius Information Technology & Internet Auctions - Kerry Shrives Assistant: Melissa Riebe Institutional Relations - L. Emerson Tuttle Lead Designer - Kristina Harrison Managing Director - Marie C. Keep Marketing & Public Relations - Kathryn Gargolinski, Jessica Turner Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak Receptionists - Marlborough: Katie Fitzgerald Boston: Bridget Spears Regional Director Florida - April L. Matteini, G.G. Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones 137

140 Directions to Skinner s Boston Gallery/63 Park Plaza, Boston, MA From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 138

141 Parking Indoor Parking City Place Parking Garage 8 Park Plaza (access on Charles Street) Mon.-Fri.: up to 1 hr.-$8, $4 each additional hr., to max $20 Evenings (5pm-2:30am): $20 flat rate Sat & Sun (6am-5pm): $5 per 1/2 hr. MCCA Boston Common Garage Zero Charles Street (between the Boston Common & Public Garden) Mon.-Fri.: up to 1 hr.-$10, $4 each additional hr., up to 10m hrs. $23, to max $28 Evenings & Weekends: $12 flat rate The Four Seaons Hotel Parking Garage 200 Boylston Street $26 up to 2 hrs., $30 up to 3 hrs., $35 up to 6 hrs., $49 all day LAZ Parking Back Bay Garage 500 Boylston Street (222 Berkeley Street) Night & Day rates: 1/2 hr.- $8, 1 hr.- $10, 1 1/2 hr.- $18, 2 hrs.- $20, 2 1/2 hrs.- $26, 3-24 hrs.- $37 Weekend Rates: 1/2 hr.- $8, $2 each additional 1/2 hr., to max $22 Motor Mart Garage 201 Stuart Street Up to 1 hr.-$8, 1 to 2 hrs.-$12, 2-3 hrs-$16/3-12 hrs.-$20/12-24 hr.-$31 weekends up to 3 hrs/$8 200 Stuart Street Garage At Revere Hotel Boston Common 200 Stuart Street 3-12 hrs.-$ hrs.-$40 Outdoor Parking (recommended for trucks) LAZ Parking 130 Arlington Street $7 per 1/2 hr. $20 all day (weekdays only) $15 nights (starting at 4pm) and weekends Billy s Parking 222 Stuart Street Mon-Fri 7:30am-5pm-$6 each 1/2 hr., $20 max $30 vans or trucks $25 during events in area Sat., Sun. & evenings $20 flat fee The Taj Hotel Parking Garage 15 Arlington Street Up to 24 hrs.-$44 Boston Hotels Boston Hotels with Skinner Corporate Rates Boston Harbor Hotel 70 Rowe s Wharf Boston, MA Tel: Fax: Fairmont Copley Plaza 138 St. James Avenue Boston, MA Tel: Fax: Four Seasons 200 Boylston Street Boston, MA The Liberty Hotel 215 Charles St. Boston, MA Marriott Copley Place 110 Huntington Avenue Boston, MA Tel: Fax: Nine Zero Hotel 90 Tremont St. Boston, MA The Ritz-Carlton Boston Common 10 Avery Street Boston, MA Tel: Fax: Taj Boston 15 Arlington St. Boston, MA Westin-Copley Plaza 10 Huntington Avenue Boston, MA Tel: Fax: Beacon Hill Hotel & Bistro 25 Charles Street Boston, MA The Colonnade Hotel 120 Huntington Avenue Boston, MA Eliot Hotel 370 Commonwealth Ave. Boston, MA Loews Boston Back Bay Hotel 350 Stuart Street Boston, MA The Park Plaza 64 Arlington Street Boston, MA The Revere Hotel Boston Common 200 Stuart Street Boston, MA Tel: Fax:

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143 Restaurants Fine Dining Bistro du Midi 272 Boylston St French bistro focusing on the flavors of Provence Dante Royal Sonesta Hotel 5 Cambridge Parkway Mediterranean restaurant with great views of the Charles River and Boston skyline. Davio s 75 Arlington St Northern Italian steak house. Grill 23 & Bar 161 Berkley Street (Stuart Street) Great steak, seafood, wine list, and service. L Espalier 774 Boylston St Fine French dining and wines with a wonderful pre-fixe menu. No. 9 Park 9 Park St Barbara Lynch s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill. Scampo The Liberty Hotel 215 Charles St Lydia Shire s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel. Troquet 140 Boylston St French restaurant and wine bar perched at the edge of the Boston Common and the theatre district. Via Matta 79 Park Plaza Elegant Italian fare and beautiful wines in a vibrant dining room the best of Italy in Boston s Back Bay creates an unforgettable experience. Moderate Aquitaine 569 Tremont Street Parisian bistro-style fare. The Bristol Lounge at Four Seasons Hotel 200 Boylston St Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden. East Ocean City Beach St Outstanding Chinese food restaurant highlighting seafood dishes with a full-service bar. Lala Rokh on Beacon Hill 97 Mt. Vernon Street Authentic regional Persian cuisine, handselected wine list, knowledgeable waitstaff. McCormick and Schmick s Seafood Restaurant 36 Columbus Ave Fresh seafood offerings that change daily. Summer Shack 50 Dalton St Jasper White serves seaside favorites in a casual Back Bay setting. Casual Au Bon Pain 26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street) Casual café offers quick service. Davio s To Go 10 St. James Galleria Atrium Casual Italian take-out lunch spot with daily special pastas, soups, and salads. Parish Café 361 Boylston St American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs. Piattini 226 Newbury Street Italian wine bar with an eclectic menu; specializes in Italian-style tapas. Pret a Manger 507 Boylston St Freshly made sandwiches, salads, soups, and breakfast items The Upper Crust 20 Charles Street Gourmet thin-crust pizza. 141

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145 Catalog Subscription Form Prices effective January 17, Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at Please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only) Quarterly Brochure (Included with catalog subscription) No charge No charge American Furniture & Decorative Arts $120 $143 European Furniture & Decorative Arts $120 $143 American & European Paintings & Prints (two books) $135 $158 American & European Fine Prints & Photogrpahy $60 $73 American & European Fine Paintings & Sculpture $110 $133 Fine Jewelry $120 $143 20th Century Design $60 $73 Asian Works of Art $60 $73 Fine Oriental Rugs & Carpets $18 $25 American Indian & Ethnographic Art $60 $73 Fine Books & Manuscripts $30 $36 Fine Ceramics $60 $73 Fine Musical Instruments $60 $73 Science, Technology & Clocks $60 $73 Fine Wines $60 $73 All Above Departments $750 $915 Subtotal MA residents 6.25% sales tax Total MasterCard/VISA # Exp. Date Signature Check enclosed Name Business Name Mailing Address City State Zip address Tel: ( ) Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA

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147 Upcoming Auction European Furniture & Decorative Arts Featuring Fine Silver Selections from an Extensive Collection of Yachting Trophies October 11, 2014, Boston, MA For more information, please contact the European Furniture & Decorative Arts department at , or or

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