European Furniture & Decorative Arts

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1 European Furniture & Decorative Arts Featuring Fine Ceramics Sale 2631B January 12, 2013 Boston

2 European Furniture & Decorative Arts

3 Specialists Stuart Slavid Department Director Leah Kingman Stephanie Opolski Department Inquiries: Auction Information Auction 2631B Preview Absentee Bidding Saturday, January 12 10AM 63 Park Plaza Boston, MA Thursday, January to 5PM Friday, January to 8PM T: F: General Inquiries: SkinnerLive!: skinnerinc.com View all lots online at cover: 460; frontispiece: 741

4 Coming soon to a browser near you the new skinnerinc.com You may have noticed that the Skinner catalog in your hands right now has a new look. Skinner is proud to announce the roll-out of a brand new look and feel for our communications! This European Furniture & Decorative Arts catalog is the first of our print catalogs to sport the new Skinner livery, and you ll start seeing this new design approach enliven all of our catalogs, flyers, advertising, and our website: The newly redesigned Skinner website is currently in the final phase of development and will be coming to you this fall. In addition to the robust set of interactive features you re accustomed to online auction previews, lot alert, live online bidding with SkinnerLive!, and more, you can look forward to Richer imagery, from the homepage to lot details A dedicated auction page for every sale Broader coverage of our specialty areas, from clocks and marine art to diamond jewelry and violins Faster and more accurate search A new and improved SkinnerLive! online bidding platform with the option to watch auctions live in real-time without registration or log-in A more robust suite of online services to ensure your experience with Skinner, whether with a mouse, a phone, or a paddle, surpasses your expectations every time. The new skinnerinc.com is a key component in a thoroughly modern communications platform that will enhance your experience as a buyer, and will work to maximize the value of your fine objects in the auction marketplace. What isn t changing? The personalized service, expertise, and integrity you ve come to expect from Skinner. We re excited about the new skinnerinc.com and confident that it will add even more value to your experience with Skinner, now and into the future.

5 Table of Contents 1 Auction & Specialist Information 2 Web Site & Online Bidding 4 Glossary of Terms 5 Lots Conditions of Sale 139 Absentee Bid Form 140 Company Directors & Specialty Departments 141 Administrative Staff & Client Services 142 Map & Driving Directions 143 Catalog Subscription Form Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 138 of this catalog for the full terms and conditions governing your purchase. Copyright Skinner, Inc All rights reserved MA/Lic. #2304

6 Glossary of Terms All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale. Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture. Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as attributed to, school of, manner of, or after the artist. 4

7 Fine Ceramics Lots 1 290A

8 Fine Ceramics 1 Swansea Porcelain Transfer-decorated Teapot and Cover, Wales, c , Jackson, manufacturer, globular shape with twig handle and knop, blue/green ground with black transfer-printed cartouche to either side, one depicting pilgrim women having tea, another showing a landscape titled Oystermouth Village, printed ribbon mark inscribed Jackson Mumbles Swansea, ht. 4 1/4 in. 2 Four Derbyshire Porcelain Figures, England, late 18th century, The Four Quarters of the Globe, polychrome enamel decorated and gilded representations of Europe, Africa, Asia, and America, each modeled standing on freeform rococo bases, ht. 8 1/4 to 8 7/8 in. 3 Pair of Cookworthy s Plymouth Porcelain Mugs, England, c. 1770, each cylindrical, polychrome enameled and gilded with family crest, ht. 3 3/4 in.; together with a limited edition copy of the book Cookworthy s Plymouth & Bristol Porcelain. Provenance: F.S. Mackenna Collection. Literature: Illustrated in Cookworthy s Plymouth & Bristol Porcelain, by F.S. Mackenna, plate 3. $1,000-1,500 4 Pair of Dr. Wall Period Worcester Porcelain Blue and White Baskets, England, 18th century, each oval with scalloped rims and pierced basketweave sides and twisted twig handles, the exterior adorned with florets, underglaze blue interior with fruit and flowers, crescent mark, lg. 9 in. 5 Two Dr. Wall Period Worcester Porcelain Blue and White Dishes, England, late 18th century, each decorated with underglaze fruit and flowers, a plate, dia. 9 3/4; and a shallow strainer bowl, dia. 9 in.; crescent marks. 6 Royal Worcester Porcelain Covered Tureen on Stand, England, c. 1887, molded elephant-form handles and duck-foot knop, pearl-colored ground polychrome enameled and gilded with sprays of flowers, printed mark, handle to handle lg. 15 3/4 in. 7 Four Royal Worcester Porcelain Items, England, late 19th/early 20th century, a leafmolded jug, ht. 6; and three with enameled floral decoration: a globular shape with flat side at handle, ht. 7, teakettle and cover, ht. 8, and covered biscuit jar, ht. 8 in.; printed marks. 8 Two Royal Worcester Porcelain Hadley Ware Items, England, 20th century, each polychrome enamel decorated with a green ground and paneled sides with birds and landscapes, artist signed A.C. Lewis, a vase, ht. 5 1/2; and covered incense burner, ht. 6 7/8 in.; printed marks. 9 Two Royal Worcester Porcelain Vases, England, 19th century, a gold and bronze decorated nautilus shell form with lizard, all set on a coral-molded stand, ht. 8 3/8; and a wicker basketweave-molded two-handled vase with foliage in relief and set on four branch feet, ht. 7 7/8 in.; printed marks. 10 Three Worcester Porcelain Vases, England, 19th and 20th century, two Royal Worcester and polychrome decorated: a floral vase, ht. 4 3/8; and a landscape vase with pheasants, artist signed H.J. Martin, ht. 6; and a Grainger cobalt ground vase with gold to pierced neck, ribbon handles and with polychrome enameled depiction of a bird in flight, strawberries, and foliage, ht. 7 3/4 in.; printed marks. 11 Three Royal Worcester Porcelain Items, England, late 19th century, each polychrome enamel decorated and with gilt trim, a fluted ewer with cockatoo to a foliate background, ht. 8 7/8; bottle-shaped vase with foliatemolded side handles, decorated with scrolled foliate medallions with flowers, ht. 9 1/8; and a melon rose jar and cover, decorated with a variety of flowers, ht. 7 1/2 in.; printed marks. 12 Four Royal Worcester Porcelain Items, England, 19th and 20th century, each with gilt trim and polychrome enamel decorated flowers, a bamboo jug, ht. 4 3/8; fluted sugar bowl and cover, ht. 5; teakettle and cover, ht. 6 3/4; and cache pot, ht. 6 1/2 in.; printed marks. 13 Four Worcester Porcelain Items, England, 19th and early 20th century, two Royal Worcester: a tusk jug in a pink ground with gilded flowers, ht. 11 1/4, and a two-handled vase with enameled flowers, ht. 11 1/4; a Grainger vase with enameled birds and foliage, ht. 9; and a Locke & Co. vase with bird in flight above water foliage, ht. 10 1/2 in.; printed and inscribed marks. 6 Additional information and photos at

9 Online bidding at 7

10 Pair of Royal Worcester Porcelain Roumanian Man and Woman Figures, England, c. 1892, after the originals by James Hadley, each modeled standing, enamel decorated and with gilt trim, printed marks, ht. 13 1/2, 15 1/2 in. 15 Pair of Royal Worcester Porcelain Eastern Water Carriers, England, c. 1881, each gilded, bronzed, and enamel decorated to an ivory ground, impressed and printed marks, ht. 16 1/2, 17 1/2 in. 8 Additional information and photos at

11 16 Pair of Rutherford B. Hayes Presidential Oyster Plates, France, c. 1880, each Haviland Limoges porcelain and designed by Theodore Russell David, gilded and polychrome enamel decorated, the reverse with eagle to the border, artist signed and printed factory marks, dia. 8 5/8 in. 16 Online bidding at 9

12 17

13 17 Mintons Marc-Louis Solon Decorated Pate- Sur-Pate Vase, England, late 19th century, dark brown ground with gilded handles and border designs, either side white slip decorated, one with depiction of two maidens swinging a figure of Cupid, the reverse with large cherub supported with strings to arms and legs held by groups of small cherubs, inscribed signature, impressed and printed marks, ht. 16 in. $20,000-30,000

14 Enameled Creamware Teapot and Cover, England, late 18th century, attributed to Leeds or Derbyshire, globular shape with twisted and entwined handle terminating at florets and with a floral finial, a large flower motif to either side, ht. 4 7/8 in. 19 Chinoiserie-decorated Pearlware Teapot and Cover, England, late 18th century, attributed to Leeds, globular shape with double-entwined handle with floral terminals and a floral finial, underglaze decorated in blue with Chinese landscapes clobbered with an iron red overglaze and with traces of gilding, ht. 4 3/8 in. 20 Four Staffordshire Creamware Tea Ware Items, England, late 18th century, a covered sugar bowl with polychrome enameled flowers, ht. 4 1/4; an impressed Wedgwood puce enamel decorated teapot and cover with trophy motifs, ht. 4 7/8; an impressed Wedgwood black transfer Tea Party and Shepherd teapot and cover, inscribed Jacomynna Brugge, ht. 4 1/2; and a floral decorated teapot and cover with entwined strap handle, ht. 4 1/2 in. Provenance: Puce teapot ex Rockwell Collection; Tea Party teapot ex Cockrell Collection. 21 Staffordshire Black Transfer-printed Creamware Mug, England, 18th century, with inscription Jesus, my All, to heav n is gone, He whom I fix my hopes upon; His track I fee, and I ll pursue, The narrow way, till him I view., ht. 4 3/4 in. 22 Staffordshire Red Transfer-printed White Salt-glazed Stoneware Plate, England, c. 1755, molded dot, diaper, and basketweave border with central armorial crest with verse Quod Ero Spero, dia. 9 1/8 in. $1,200-1, Pratt-type Pearlware Miser Jug, England, c. 1800, underglaze polychrome decorated and molded with half-length portrait to either side, ht. 5 1/4 in. 24 Two Staffordshire Lead-glazed Creamware Cauliflower-decorated Items, England, 18th century, attributed to Wedgwood, each with molded body of white florets above broad green glazed leaves, a teapot, ht. 5; and a bowl, dia. 5 in. 12 Additional information and photos at

15 Staffordshire White Salt-glazed Stoneware Butter Tub and Cover, England, c. 1750, cylindrical shape with reclining cow finial and applied leaves and birds, dia. 4 1/4 in. 26 Two Staffordshire White Salt-glazed Stoneware Items, England, mid-18th century, a lobed teapot and cover, traces of gilding to the serpent spout attached to a molded body with shells centering oak leaves, ht. 5; and a molded cornucopia-shaped wall pocket with depiction of Flora within a foliate-framed cartouche, lg. 9 1/2 in. 27 Staffordshire Glazed Redware Coffeepot and Cover, England, 18th century, typical pear shape with domed lid, engine-turned banding, the spout with molded foliage, ht. 7 3/4 in. 28 Pair of Sewell & Donkin Lustre Quintal Vases, England, c. 1830, each with five floriform spouts and decorated with splashes of copper and pink lustre and polychrome enamels, one with impressed mark, ht. 7 1/2 in. 29 Tin Glazed Liverpool Tile of The Three Graces, England, , in green and black enamels, lg. 5 in. 30 Yorkshire Green-glazed Creamware Teapot and Cover, possibly Leeds, dated 1776, cylindrical with domed lid topped by a flower finial, over concave neck, ribbed doubleintertwined loop handles with foliate terminals, curved spout, and beaded borders, with underglaze roulette decoration and gilded accents, including a lozenge inscribed Anne Loren 1776, ht. 6 1/4 in. $ Online bidding at 13

16 Staffordshire Black Transfer-printed Zodiac Jug, England, c. 1820, with three transfer-printed scenes, an oval medallion with zodiac symbols to both sides and a central image under the spout of a man on horseback labeled Gulielmus III. Prince of Orange, signed Printed by Thomas Baddeley HANLEY, with pink lustre details along lower body, rim, and spout, ht. 8 in. 33 Staffordshire Copper Lustre Daniel O Connel Jug, England, c. 1828, commemorating his victory at the County of Clare by election in 1828, wide lustre borders surrounding a black transfer-printed portrait to either side with inscription, each bordered with an enameled and pink lustre floral spray, ht. 5 in. 32 Staffordshire Polychrome Decorated Blue Transfer-printed Sample Jug, England, mid-19th century, with depictions including cockfighting, jesters laughing, a harlequin dancing, and a cavalier, ht. 9 1/4 in. 34 Liverpool Black Transfer-printed Masonic Jug, England, c. 1800, with two transferprinted scenes: one featuring a man among Masonic imagery, and the other with a landscape scene with a farm and man leading a horse; with pink lustre trim lines and anchor below the spout, ht. 7 1/2 in. 14 Additional information and photos at

17 Four Pratt Transfer-printed Items, England, c. 1855, each polychrome decorated, a pair of flask-form vases with malachite ground, including scenes of The Trooper, Cattle and Ruins, Fording the Stream, and The Red Bull Inn, ht. 6 1/2; and a pair of oval plaques, one depicting Highland Music, after a painting by Sir Edwin Landseer, R.A., the other The Blind Fiddler, after a painting by Sir David Wilkie, R.A., printed titles, 7 1/8 x 10 1/8 in. 36 Royal Worcester Porcelain Crownware Vase, England, c. 1924, polychrome enameled and gilded Lustred landscape decoration, shape 99, printed mark, ht. 10 1/2 in. 37 Pilkington s Royal Lancastrian Pottery Vase, England, c. 1909, bottle shape with single side handle, lustrous glaze and with red enameled flowers among scrolled lustre foliage to a yellow and green ground, artist monogram for William Mycock and impressed mark, ht. 6 1/2 in. 38 Doulton Lambeth Glazed Stoneware Spittoon, England, c. 1900, naturalistically decorated with foliage, impressed mark, ht. 7 in. 39 Pilkington s Royal Lancastrian Lustre Vase, England, c. 1907, with a dark red-brown body decorated all over with gilt fish and underwater plants, marked to base with impressed factory mark, numbered 2503 and signed monogram for Richard Joyce, ht. 4 3/4 in. Online bidding at 15

18 Wedgwood & Bentley Black Basalt Library Bust of Swift, England, c. 1780, mounted atop a waisted circular socle, impressed title and mark, ht. 19 in. Provenance: Kanter Collection. $4,000-6, Wedgwood & Bentley Black Basalt Vase, England, c. 1780, a band of drapery festoons above a fluted body mounted atop a stepped square plinth, impressed mark, ht. 8 1/4 in. $ Five Wedgwood Black Basalt Medallions, England, 18th century, three with impressed mark: two oval Wedgwood & Bentley portrait medallions, lg. 1 3/4, and an octagonal Wedgwood & Bentley monogram intaglio, lg. 7/8; and two round double-sided portraits after Dassier, unmarked, dia. 1 in. 43 Wedgwood & Bentley Porphyry Vase and Cover, England, c. 1775, blue and black ground with gilded cream-colored Sybil finial, scrolled handles and classical oval medallion above a high relief foliate festoon, all set atop a square black basalt plinth, impressed lozenge mark, ht. 14 1/2 in. $1,500-2, Additional information and photos at

19 44 Wedgwood & Bentley Porphyry Vase and Cover, England, c. 1775, mottled blue and brown glazes with cream-colored horn handles terminating at Bacchus heads, one side with a raised oval medallion with depiction of The Three Graces, mounted atop a square black basalt plinth, impressed lozenge mark, ht. 9 1/2 in. $1,000-1, Wedgwood Black Basalt Bust of Locke, England, 18th century, set atop a waisted circular socle, the bust with impressed title and upper-lower case mark, the socle impressed Wedgwood & Bentley, ht. 8 7/8 in. Provenance: Kadison Collection. 46 Pair of Wedgwood Basalt Self-framed Plaques, England, c. 1774, attributed to Wedgwood & Bentley, each with integral fluted frame and laurel banded border, encaustic decorated with cherubs, unmarked, dia. 6 1/4 in. $1,000-1, Wedgwood Self-framed Black Basalt Portrait Plaque, England, c. 1779, oval with a gilded integral border surrounding a laurel wreath, the center with depiction of Elizabeth I, unmarked, lg. 6 5/8 in. $1,000-1, Wedgwood Black Basalt Oval Plaque, England, early 19th century, with molded depiction of the Destruction of Niobe s Children, after a bas-relief by Guglielmo della Porta, impressed mark, 5 1/8 x 8 1/2 in.; set in a modern wood frame. $ Wedgwood Self-framed Black Basalt Portrait Plaque, England, c. 1773, oval with a gilded integral border surrounding a laurel wreath, the center with a high relief depiction of Nicolas Boileau-Despreaux taken from an original carving by David Le Marchand, unmarked, lg. 6 7/8 in. $1,000-1, Five Wedgwood Black Basalt Items, England, 19th century, two with engine-turned striping: a covered bowl with Sybil finial, ht. 3 1/4, and cream jug, ht. 3 7/8; two with fluted engine-turning: a cream jug, ht. 4, and covered teapot, ht. 5 1/4; and a molded oval teapot stand with arabesque floral border and sunflower center, lg. 6 7/8 in.; impressed marks. 51 Three Wedgwood Black Basalt Items, England, early 19th century, each with classical figures in relief above engine-turned banding, including a bowl, dia. 7 1/4; helmetshaped creamer, ht. 5; and a cream jug, ht. 3 1/8 in.; impressed marks. $

20

21 52 Wedgwood Black Basalt Wine Ewer, England, early 19th century, modeled with a figure of Bacchus seated on the shoulder and holding the horns of a ram s head below the spout, fruiting grapevine festoons to either side, impressed mark, ht. 15 1/4 in. $1,000-1, Wedgwood Black Basalt Bust of Addison, England, early 19th century, mounted atop a waisted circular socle, impressed title and mark, ht. 14 1/2 in. $1,200-1, Wedgwood Black Basalt Figure of a Bacchante, England, c. 1860, after the original by Clodion, the standing figure modeled partially clad and holding a thyrsus made of fennel and topped with a pinecone supporting bunches of grapes, set atop a stepped circular base, impressed title and mark, ht. 16 3/4; mounted atop an ebonized circular plinth, ht. 1 in. $1,000-1, Wedgwood Black Basalt Self-framed Plaque, England, early 19th century, oval shape with high relief depiction of a scantily clad woman mourning at a tomb, impressed mark, lg. 9 1/2 in.; set in a giltwood frame and mounted in a Lucite case. $ Wedgwood Black Basalt Teacup and Saucer, England, late 18th century, the cup with high relief of children at play above an engine-turned band, the saucer engineturned, impressed upper-lower case mark, dia. 5 in. Provenance: Kanter Collection. 57 Staffordshire Bronzed Black Basalt Vase, England, late 18th century, attributed to Neale, bronzing to the leopard mask handles, foliate festoon, classical medallion frame and acanthus leaves at socle rim, unmarked, ht. 9 1/2 in. 58 Wedgwood Black Basalt Tea Kettle and Cover, England, 19th century, molded grapevine finial, turned body with trefoil handle, impressed mark, ht. 9 in. 59 Pair of Wedgwood Black Basalt Selfframed Plaques, England, 19th century, each oval with a relief depiction, one Night, the other Day, impressed marks, 5 x 6 1/2 in. 60 Wedgwood Black Basalt Crater Urn and Covers, England, c. 1830, scrolled loop handles, with pierced grid and insert lid, applied rosso antico fruiting grapevine band, florets and foliage to plinth, impressed mark, handle to handle lg. 11 3/4 in. $ Wedgwood Black Basalt Mug, England, late 18th century, cylindrical form with molded bands of entwined oak leaves, silver-plated rim and foot, impressed upper-lower case mark, ht. 4 in. Online bidding at 19

22 Wedgwood Black Basalt Bust of Milton, England, 19th century, mounted atop a waisted circular socle, impressed mark, ht. 8 in. 63 Wedgwood Black Basalt Figure of a Classical Maiden, England, 19th century, modeled standing and holding a cornucopia of fruit, set atop a waisted circular socle with raised square base, impressed mark, ht. 8 3/8 in. 64 Wedgwood Encaustic Decorated Black Basalt Vase, England, early 19th century, two-handled bottle shape with iron red, black, and white classical figures below a palmette border, impressed mark, ht. 9 3/4 in. $ Wedgwood Encaustic Decorated Black Basalt Vase, England, early 19th century, hydria shape decorated in iron red, white, and black with foliate borders and central depiction of classical figures by a flaming altar, impressed mark, ht. 10 5/8 in. $3,000-5, Encaustic Decorated Black Basalt Vase, England, early 19th century, iron red, black, and white decorated with classical figures to one side and palmettes to the reverse, unmarked, ht. 5 3/8 in. $ Wedgwood Encaustic Decorated Black Basalt Vase, England, early 19th century, iron red, white, and black enamel decorated with palmette border above classical figures, a woman with a hound and a man holding a ball and a stick, impressed mark, ht. 9 1/2 in. $2,000-3, Additional information and photos at

23 Wedgwood Black Basalt Figural Candlestick, England, mid-19th century, the standing figure modeled as a classical maiden supporting a cornucopia-form candle arm with floriform nozzle, impressed mark, ht. 10 1/8 in. 69 Pair of Wedgwood Black Basalt Sphinxes, England, early 19th century, each modeled seated atop a raised rectangular base, impressed mark, ht. 9 in. $2,000-3, Wedgwood Auro Basalt Jar and Cover, England, c. 1886, the globular shape with bronzed and gilded slip-decorated oak leaves with red and blue enameled fruit, impressed mark, ht. 10 3/4 in. $ Online bidding at 21

24 Wedgwood Black Basalt Bust of John Wesley, England, mid-19th century, mounted atop a waisted circular socle, impressed mark, ht. 8 3/4 in. 72 Wedgwood & Bentley Black Basalt Bust of Newton, England, c. 1779, mounted atop a waisted circular socle, impressed title and mark, ht. 9 1/2 in. $1,000-1, Wedgwood Black Basalt Bust of Shakespeare, England, 19th century, mounted atop a waisted circular socle, impressed title and mark, ht. 12 1/4 in. $ Wedgwood Black Basalt Bust of Locke, England, late 18th century, mounted atop a waisted circular socle, impressed title and mark, ht. 9 1/2 in. $ Wedgwood Black Basalt Bust of Napoleon, England, c. 1882, mounted atop a waisted circular socle, inscribed title and impressed mark, ht. 8 1/2 in. 76 Wedgwood Black Basalt Bust of John Wesley, England, c. 1884, mounted atop a waisted circular socle, impressed title and mark, ht. 8 1/8 in. 77 Wedgwood Black Basalt Bottle, England, c. 1914, engine-turned lower body, Sheffield sterling silver rim, impressed mark, ht. 9 1/8 in. 78 Pair of Wedgwood Black Basalt Vases, England, late 18th/early 19th century, with loop handles, undecorated, impressed mark, ht. 8 3/4 in. 79 Wedgwood & Bentley Black Basalt Vase with a Cover, England, c. 1780, Sybil finial, upturned scroll handles to a fluted neck, the body with classical medallions within foliate festoons, mounted atop a square plinth, raised wafer mark, ht. 12 1/2 in. $ Wedgwood Black Basalt Water Pitcher and Cover, England, late 18th century, Sybil finial to a cover with radiating engine-turning, the pear-shaped body with relief of Bacchanalian boys at play above an additional band of engine-turning, a grotesque mask to handle terminal, impressed upper-lower case mark, ht. 9 1/4 in. $ Pair of Wedgwood Black Basalt Knothandled Vases, England, late 19th century, undecorated, impressed mark, ht. 12 1/2 in. Literature: Similar illustrated in Wedgwood, volume I, by R. Reilly, plate 604. $1,200-1, Additional information and photos at

25 Online bidding at 23

26 Wedgwood Black Basalt Bust of Shakespeare, England, 20th century, inscribed title to the base, impressed mark, ht. 10 in. 83 Wedgwood Black Basalt Poodle, England, c. 1913, modeled by E. Light, with inset glass eyes, impressed mark, ht. 3 1/4 in. 84 Two Wedgwood Queen s Ware Covered Tureens with Ladles, England, early 19th century, undecorated urn forms with flower finial, ht. 10, the ladles with foliate molded handles, lg. 8 1/2 in.; impressed marks. 85 Wedgwood Queen s Ware Mantel Clock, England, late 19th century, decorated with iron red, blue, and gold floral and foliate designs, a globe centering scrollwork atop the verse Eheu! Fugaces Labuntur Anni above a rectangular case, impressed mark, ht. 12 5/8 in. $ Wedgwood Queen s Ware Coffeepot and Cover, England, late 18th century, pearshaped black transfer-printed with Tea Party and Shepherd to either side, impressed mark, ht. 9 3/4 in. Provenance: Lloyd Bleier Collection. 87 Wedgwood Queen s Ware Hand-painted Platter, England, mid-19th century, oval shape with iron red figural landscape scene bordered with flowers and green foliage, artist signed Gino, inscribed on the reverse C.R. and with impressed mark, lg. 14 in. 88 Wedgwood Queen s Ware Wedge-shaped Jelly Core, England, late 18th century, polychrome enamel decorated with floral festoons terminating at bowed ribbons, impressed mark, ht. 4 7/8 in. 89 Five Wedgwood Apothecary Items, England, 18th and 19th century, each of vitrified stoneware, an impressed Wedgwood & Bentley mortar, dia. 2; two other mortars, dia. 2 3/8, 6 1/2; and two pestles, a marked, lg. 5 1/4; and an unmarked, lg. 8 3/4 in. 90 Four Wedgwood Caneware Items, England, 18th and 19th century, an encaustic decorated bamboo-molded cream jug, oval form decorated with white and blue enamels, lg. 4 3/4; an engine-turned custard cup and cover, ht. 2 1/2; a covered sugar bowl with applied drab fruiting grapevine banding, ht. 5 3/4 in.; and a smear-glazed teacup and saucer with white prunus; impressed marks. 91 Wedgwood Caneware Game Pie Dish and Cover, England, c. 1865, oval form with hare finial and molded dead game to cover and dish sides, impressed mark, lg. 9 3/8 in.; with a glazed insert liner. $ Turner Caneware Mug, England, c. 1800, cylindrical form with continuous band of cherubs supporting a garland to a textured ground, engine-turned borders, impressed mark, ht. 4 1/4 in. 93 Wedgwood Caneware Crater Urn and Cover, England, early 19th century, typical upturned loop handles and pierced grid top, applied rosso antico fruiting grapevine band surrounding the neck, impressed mark, lg. 11 1/2, ht. 6 7/8 in. $ Additional information and photos at

27 Wedgwood Caneware Game Pie Dish and Cover, England, early 19th century, oval shape with cauliflower finial, the body with continuous fruiting grapevine banding, impressed mark, lg. 9 in. 95 Wedgwood Caneware Club Jug, England, early 19th century, applied drab relief with Bacchanalian boys below a fruiting grapevine border terminating at the mask head of Bacchus below the spout, impressed mark, ht. 7 1/4 in. 96 Wedgwood Caneware Club Jug, England, early 19th century, applied rosso antico relief with Bacchanalian boys below a fruiting grapevine border, impressed maker, ht. 7 1/4 in. Online bidding at 25

28 Additional information and photos at

29 97 Three Wedgwood Caneware Items, England, 19th century, a basketweave-molded honey pot and cover, ht. 3 3/4; an engineturned teacup and saucer, saucer dia. 4 7/8; and a smear-glazed plate with white prunus, dia. 7 7/8 in.; impressed marks. 98 Wedgwood Smear-glazed Caneware Club Jug, England, c. 1830, molded hunt subject with applied blue fruiting grapevine banded border, impressed mark, ht. 8 in. 98A Wedgwood Caneware Game Pie Dish and Cover, England, 19th century, oval form with molded relief of dead game between fruiting grapevine festoons, hare finial, with insert liner, impressed mark, lg. 12 in. 99 Two Wedgwood Rosso Antico Egyptian Plates, England, early 19th century, each with applied black basalt relief of hieroglyphs, impressed marks, dia. 5 1/8, 6 3/4 in. $ Pair of Wedgwood Rosso Antico Candlesticks, England, mid-19th century, cylindrical forms with polychrome enameled and gilt flowers, impressed marks, ht. 8 in. Provenance: J.D. & Louise Trabue Collection. 101 Wedgwood Rosso Antico Egyptian Teapot and Cover, England, early 19th century, crocodile finial, applied black hieroglyph and meander bands above a stylized foliatemolded body, impressed mark, lg. 9 1/4 in. 102 Wedgwood Rosso Antico Egyptian Teapot and Cover, England, early 19th century, applied black basalt relief with a crocodile finial and bands of hieroglyphs and meander above stylized motif, impressed mark, ht. 4 in. 103 Wedgwood Rosso Antico Egyptian Plate, England, early 19th century, applied black basalt hieroglyphs in relief to border, impressed mark, dia. 7 in. 104 Two Wedgwood Prunus-decorated Rosso Antico Tea Ware Items, England, early 19th century, each an oval shape with applied white relief, a covered teapot, lg. 7 3/4; and covered sugar bowl, lg. 6 1/8 in.; impressed marks. 105 Two Wedgwood Rosso Antico Items, England, , each with polychrome enamel decorated flowers, a club jug, ht. 7 3/8; and a covered teapot, ht. 5 1/4 in.; impressed marks. 106 Two Wedgwood Brown Terra Cotta Creamers, England, early 19th century, each with applied white relief, one with prunus, ht. 2 3/4; and one with foliage to a fluted body with molded leaves, ht. 2 3/8 in.; impressed marks. 107 Four Wedgwood White Smear-glazed Stoneware Items, England, 19th century, three with applied blue relief: a cream jug with fruiting grapevine band, ht. 2 7/8, a covered potpourri with acanthus and bellflowers, ht. 3 1/4, and a plate with fruiting grapevine banding, dia. 6; and a molded jug with relief of children playing Blind Man s Bluff, the neck in a blue dip, ht. 4 1/4 in.; impressed marks. 108 Raspe, R.E., A Descriptive Catalogue of Engraved Gems. London: C. Buckton, printer, Two volumes, A general collection of Ancient and Modern engraved gems, cameos, as well as intaglios, taken from the most celebrated cabinets in Europe; and cast in coloured pastes, white enamel, and sulphur, by James Tassie, modeller; arranged and described by R.E. Raspe. Provenance: John Clerk Brodie Collection, Hensleigh C. Wedgwood Collection. 109 Eight Assorted Intaglios, England, 18th century, five in black basalt: a Wedgwood & Bentley with monogram, a Wedgwood upperlower case with monogram, two Wedgwood upper case with male portrait and inscription My Country!!!, and an unmarked stemmed intaglio with monogram and crest; and three in glass: one clear with coat of arms, a crest with monogram, and a classical figure riding the back of a dolphin, assorted sizes. 110 Five Wedgwood Stone China Items, England, c. 1830, four in the Japan pattern: dessert center bowl, lg. 11 5/8, two covered sauce tureens and stands, handle to handle lg. 6 1/2, and plate, dia. 6 1/4; and a plate with oriental flowers and an exotic bird, dia. 8 1/4 in.; printed marks. 111 Four Wedgwood First Period Bone China Items, England, early 19th century, each enamel decorated, a John Cutts decorated Full Landscape plate, titled on the reverse, dia. 8 1/2; a similar teacup and saucer, titled on the reverse; a Botanical Flowers teacup and saucer; and a purple Cutts pattern 705 landscape cup and saucer; printed marks. 112 Three Wedgwood Jasper Table Items, England, late 18th century, each with applied white relief, a solid light blue master salt with lapidary polished interior, Dancing Hours motif, dia. 3; a blue dip teacup with mischievous boys above an engine-turned band and lapidary polished interior, engine-turned saucer with foliate border, dia. 5 7/8; and a blue dip toilet candlestick with foliage and oak leaves, ht. 2 1/4 in.; impressed marks. 113 Wedgwood Solid Blue Jasper Bamboo Spill Vase, England, late 18th century, threespout form with white relief set atop a freeform textured base, impressed mark, ht. 8 1/2 in. Provenance: The Iva Bunnell Vurpillat Collection; Fred J. Tongue Collection; Lloyd Bleier Collection. $ Wedgwood Solid Light Blue Jasper Teapot and Cover, England, late 18th century, applied white relief with Cupid finial and figures from Domestic Employment by Lady Templetown set to an orange peel ground, impressed mark, ht. 6 1/2 in. $2,500-3, Wedgwood Solid Light Blue Jasper Vase, England, 19th century, applied white relief with classical medallions with floral festoons paneled within lion mask and ring columns and with ribbon and vine border, impressed mark, ht. 6 7/8 in. Online bidding at 27

30 119B 119C 119A 116 Two Wedgwood Solid Blue Jasper Items, England, 18th century, each with applied white relief, a pear-shaped jug with Lady Templetown designs of Domestic Employment, ht. 6 1/4; and an engine-turned diced custard cup with quatrefoils below a ribbon and vine border, lapidary polished interior, ht. 2 in.; impressed marks. 117 Wedgwood Solid White Jasper Custard Cup and Cover, England, c. 1800, cylindrical form with entwined handle and pale blue latticework, pierced cover, impressed mark, ht. 3 in. 118 Blue Jasper Dip Bough Pot, England, early 19th century, attributed to Daniel Steel of Burslem, D-shape with scalloped rim, applied white relief with panels of classical cherubs within cartouches and bordered with foliage, lg. 7 3/4 in. $ Adams Blue Jasper Dip Mug, England, c. 1800, cylindrical form with applied white relief scrolled foliate framed panels with figures of Muses, impressed mark, ht. 4 3/4 in. 119A Wedgwood Dark Blue Jasper-mounted Monocular, England, c. 1800, ivory and brass frame, the dark blue ground with applied white classical figures in relief, lg. 3 in. 119B Wedgwood & Bentley Solid Blue Jasper Plaque, England, c. 1775, oval shape with applied white depiction of children at play, impressed mark, approx. lg. 4 1/2 in.; set in a turned wood frame. 119C Pair of Wedgwood & Bentley Solid Blue Jasper Medallions, England, c. 1775, each oval with a lapidary polished edge and with applied white relief depiction of a classical maiden, impressed mark, lg. 4 in.; each set in an ormolu frame. $1,000-1, Wedgwood Solid White Jasper Custard Cup and Cover, England, late 18th/early 19th century, cylindrical form with applied latticework and twisted handle, the cover pierced and with pale blue relief, impressed mark, ht. 2 1/2 in. 121 Two Wedgwood Solid Blue Jasper Cups, England, 18th century, each with applied white classical figures in relief, an upper-lower case tea bowl, dia. 3 in.; and a straight-sided sugar bowl, dia. 3 1/2 in.; impressed marks. 122 Pair of Dark Blue Jasper Dip Girandoles, England, late 18th/early 19th century, attributed to Wedgwood, brass and cut glass mounted cylindrical drums with applied white classical figures in relief, overall ht. 13 3/8 in. $ Three Wedgwood Jasper Dip Portrait Medallions, England, 19th century, each oval and with applied white relief, a light blue of Julius Caesar, lg. 2 1/4; a light green of Lord Auckland, lg. 5; and a dark blue of Sir Robert Peel, lg. 4 in.; impressed marks. 124 Eight Wedgwood Jasper Medallions, England, 18th to 20th century, an oval slave medallion with black relief, lg. 1 1/4; four with classical subject in white: an oval dark blue polished edge with paste frame/brooch, lg. 1 3/4, a round solid light blue in gilt-metal frame/ brooch, dia. 1 1/2, a round black dip, dia. 1 7/8, an oval solid light blue with silver frame/ brooch, lg. 1 1/4; and three dark blue dip: an oval polished edge with pierced gallery, lg. 1, a rectangular with silver frame/brooch, lg. 1 1/8, and an oval with silver frame/brooch, lg. 1 1/2 in.; impressed marks. 28 Additional information and photos at

31 125 Two Wedgwood Self-framed Jasper Portrait Medallions, England, 20th century, each with applied white relief, a solid light blue Bert Bentley with black frame and depiction of Necker, BB1220, lg. 2 7/8, and a solid black with black frame and depiction of William Shakespeare, lg. 4 1/2 in.; impressed marks. 126 Wedgwood & Bentley Jasper Portrait Medallion of Grotius, England, c. 1775, oval shape with applied white relief to a dark blue wash on a solid pale blue body, inscribed title and impressed mark, lg. 3 1/8 in.; set in an early brass frame. 127 Wedgwood & Bentley Black Basalt Portrait Medallion of Benjamin Franklin, England, c. 1775, oval shape with impressed title and mark, 2 1/4 x 2 3/4 in.; set in an ebonized wood frame. 128 Two Wedgwood Portrait Medallions, England, 19th century, each oval, a black basalt depiction of Sir Joshua Reynolds, lg. 3 7/8; and a dark blue jasper dip depiction of Lafayette in white relief and set to an ormolu frame, medallion lg. 3 1/8 in. 129 Three Wedgwood Black Basalt Medallions, England, 18th century, each oval, a Wedgwood & Bentley depiction of Voltaire, set in a period brass frame, lg. 1 3/4; a Wedgwood depiction of Bourne by Hackwood, lg. 4 1/8; and an unmarked of Martin Folkes, attributed to Wedgwood, after a medal by Dassier, lg. 2 1/8 in. Provenance: Kanter Collection. 130 Wedgwood Dark Blue Jasper Dip Portrait Medallion of George Washington, England, 19th century, oval shape with applied white relief portrait, impressed mark, lg. 2 7/8 in.; set in a modern frame

32 131 Pair of Wedgwood Blue Jasper Earrings, England, late 18th/early 19th century, ormolumounted teardrop shapes with applied white classical figures, lg. 1 1/8 in. 132 Wedgwood Dark Blue Jasper-mounted Cut Steel Chatelaine, England, c. 1800, attributed to Matthew Boulton, with five multifaceted beaded strands supporting an oval frame inset with a double-sided medallion with applied white classical figures in relief, overall lg. 10 in. $1,000-1, Wedgwood-inset, Silver-mounted Ivory Patch Box, England, c. 1800, octagonal form with solid light blue oval medallion with white relief of a classical woman, overall lg. 3 3/4 in. 134 Wedgwood Black Jasper Dip Perfume Bottle, England, 19th century, applied white classical figure in relief to either side, unmarked, lg. 4 1/4 in. 135 Two Wedgwood Jasper Dip Bell Pulls, England, 19th century, each with applied white relief, a green teardrop shape with classical figures within scrolled foliate frames, lg. 2 3/4; and a blue dipped bottle shape with foliate relief, lg. 2 3/8 in.; unmarked. 136 Two Wedgwood Blue Jasper Perfume Bottles, England, 19th century, each octagonal form with applied white classical figures in relief, a solid pale blue, lg. 3 5/8; and dark blue dip, lg. 2 1/2 in.; unmarked. 137 Three Jasper-mounted Cut Steel Buckles, England, early 19th century, each attributed to Wedgwood and with applied white classical relief, an oval dark blue, overall lg. 3; an oval solid light blue with polished edge, overall lg. 2 1/2; and a circular dark blue, overall dia. 1 3/8 in.; no visible marks.

33

34 137C 137A 137B 137A Wedgwood Solid Light Blue Jasper Portrait Roundel, England, 19th century, applied white relief depiction of a woman believed to be Marie Antoinette, inscribed A. Ouvet to truncation and impressed mark on reverse, dia. 5 7/8 in.; set in an ormolu frame. 137B Two Wedgwood Dark Blue Dip Jasper Portrait Medallions, England, 19th century, applied white relief depictions of Josiah Wedgwood and Sarah Wedgwood, inscribed title and impressed marks on reverse, lg. 4 1/2 in.; each set in an ebonized wood frame. $ C Wedgwood Blue Jasper Portrait Medallion, England, late 18th century, oval shape with applied white relief depiction of Jonas Hanway, impressed mark, approx. lg. 4 1/4 in.; set in a giltwood frame. 138 Six Wedgwood Light Blue Jasper Dip Items, England, 19th and 20th century, each with applied white relief, a pair of spill vases with acanthus and bellflowers below floral festoons terminating at ram s heads, all below an arabesque floral border, ht. 5; and classical subjects including a pair of bottle-shaped vases with flaring rim, ht. 8 1/2; teacup and saucer; and small jug, ht. 2 1/2 in.; impressed marks. 139 Framed Group of Three Wedgwood Jasper Plaques, England, late 19th century, each with applied white classical figures in relief, a round solid light blue, dia. 5 1/8; and two green dipped: an oval, lg. 5, and one rectangular, lg. 3 in.; impressed marks, set in a modern frame. 140 Four Wedgwood Black Jasper Dip Tea Ware Items, England, 19th century, each with applied white relief, a three-piece tea set with classical medallions between fruiting festoons terminating at ram s heads, including a covered teapot, ht. 3 3/4, creamer, ht. 3 1/8, and covered sugar bowl, ht. 3 1/4; and a teacup and saucer with central band of scrolled foliage surrounding classical figures and bordered with various foliate designs, saucer dia. 5 1/2 in.; impressed marks. $1,200-1, Additional information and photos at

35 141 Wedgwood Dark Blue Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 3/8 in. $1,500-2, Wedgwood Dark Blue Jasper Dip Portland Vase, England, 19th century, applied white classical undraped figures in relief, a man wearing a Phrygian cap under the base, impressed mark, ht. 10 1/8 in. $1,200-1, Wedgwood Dark Blue Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 1/8 in. $1,500-2, Wedgwood Dark Blue Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 1/4 in. $ Wedgwood Dark Blue Jasper Dip Drum Base, England, mid-19th century, cylindrical form with applied white fruiting grapevine festoons terminating at lion masks with ribbons, impressed mark, ht. 8 1/4 in. 146 Two Wedgwood Solid Light Blue Jasper Plaques, England, 19th century, each with applied white relief, a roundel with depiction of Cupid, dia. 6; and a rectangular shape with classical depiction of a sacrifice, 3 1/2 x 6 1/2 in.; impressed marks. 147 Wedgwood Black Jasper Dip Portland Vase, England, late 19th century, applied white classical figures in relief, impressed mark, ht. 8 in. 148 Four Wedgwood Dark Blue Jasper Dip Items, England, 19th century, each with applied white classical figures in relief, a Portland vase, ht. 5 3/4; covered potpourri, ht. 3; jar with silver-plated rim, handle, and cover, rim ht. 3 3/4; and Portland-style jug, ht. 7 3/4 in. $ Wedgwood Light Blue Jasper Dip Blind Man s Bluff Plaque, England, mid-19th century, rectangular shape with applied white relief figures of children centering a bordered frame with running foliage and florets, impressed mark, approx. 5 1/2 x 11 1/2 in. $ Online bidding at 33

36 Pair of Wedgwood White Jasper Figural Candleholders, England, late 18th/early 19th century, each depicting a Bacchanalian child modeled with hoofed feet and standing holding an oak leaf-molded cornucopia, the lower bodies draped with an animal pelt, the raised circular base adorned with fruiting grapevines, impressed mark, ht. 12 1/2 in. $2,000-4, Additional information and photos at

37 151A 151 Pair of Wedgwood Black Jasper Dip Plaques, England, late 19th century, each with applied white classical figures to a rectangular form, impressed mark, approx. 2 1/2 x 5 in.; each mounted in a contemporary giltwood frame. 151A Wedgwood Solid Light Blue Jasper Plaque, England, 19th century, rectangular form with applied white relief depiction of The Marriage of Cupid and Psyche, impressed mark, 5 3/4 x 8 3/4 in.; set in an ebonized wood frame. 151B Wedgwood Dark Blue Jasper Dip Plaque of George Washington, England, 19th century, oval form with applied white jasper relief, impressed mark, lg. 7 in.; set in a later composition frame. 151B 151C Wedgwood Solid Light Blue Jasper Plaque, England, 19th century, rectangular form with applied white relief depiction of Sacrifice to Hymen, impressed mark, approx. 6 x 8 1/2 in.; set in a giltwood frame. $ D Solid Blue Jasper Double Portrait Plaque, 19th century, rectangular form with applied white relief depictions of British admirals, unmarked, 3 1/8 x 4 in.; set in a painted wood frame. $ C 35

38 Wedgwood Black Jasper Dip Apotheosis of Homer Vase and Cover, England, 19th century, applied white classical figures in relief, Medusa masks below snake handles, impressed mark, ht. 17 1/2 in. $3,000-5, Wedgwood Black Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 in.; together with a silver-plated Portland vase stand. $1,200-1, Additional information and photos at

39 154 Pair of Wedgwood Dark Blue Jasper Dip Vases and Covers, England, late 19th century, each with upturned loop handles and applied white classical Muses in relief, impressed marks, ht. 13 1/4 in. 157 Wedgwood Black Jasper Dip Portland Vase, England, late 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 in. $1,000-1, Wedgwood Solid Black Jasper Portland Vase, England, 19th century, applied white classical figures in relief and with a man wearing a Phrygian cap under the base, impressed mark, ht. 9 3/4 in. $1,500-2, Wedgwood Light Green Jasper Dip Dancing Hours Plaque, England, late 19th century, rectangular shape with applied white classical figures in relief, impressed mark, 4 x 11 1/4 in.; set in a modern giltwood frame. 158 Wedgwood Solid Black Jasper Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 in. $1,500-2, Wedgwood Black Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 in. $1,200-1, Wedgwood Solid Black Jasper Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap below the base, impressed mark, ht. 10 1/8 in. $1,000-1, Wedgwood Black Jasper Dip Portland Vase, England, mid-19th century, applied white classical figures in relief and with a man wearing a Phrygian cap below the base, impressed mark, ht. 10 1/2 in.; together with a book, Thomas Winder F.S.A. on the Portland Vase, $1,200-1, Four Wedgwood Black Jasper Dip Items, England, 19th and 20th century, each with applied white classical relief, a biscuit jar with silver-plated rim, handle and cover, medallions of Romans on horseback between trophy motifs, fruiting grapevine border, ht. 6 1/4; tobacco jar and cover, cylindrical shape with domed top, figures within scrolled foliate frames and with lion mask and ring handles, ht. 6 3/8; bottle-shape vase with figures of Muses, drapery swags at the neck, ht. 6 1/4; and a vase with small oval medallions above floral festoons framed within columns adorned with lion masks and rings and paw feet, ht. 4 7/8 in.; impressed marks. $

40 Wedgwood Solid Black Jasper Blind Man s Bluff Plaque, England, c. 1900, rectangular shape with applied white classical putti in relief, impressed mark, 5 1/2 x 14 3/4 in. $ Pair of Wedgwood Solid Black Jasper Vases and Covers, England, late 19th century, each with applied white depiction of Hercules in the Garden of Hesperides, various foliate borders, impressed marks, ht. 14 1/2 in. $1,200-1, Wedgwood Black Jasper Dip Mantel Clock, England, c. 1900, domed top to a rectangular form with applied white classical relief including figural cartouches, arabesque floral frieze, laurel festoons terminating at leopard s heads, and trophy drops, clock insert by J. Muirhead & Sons Paris-Glasgow, impressed mark, ht. 13 1/4 in. $2,000-3, Wedgwood Solid Black Jasper Dancing Hours Plaque, England, c. 1900, rectangular shape with applied white classical figures in relief, impressed mark, 3 7/8 x 11 in.; set in a modern frame. 167 Two Wedgwood Dark Blue Jasper Dip Items, England, late 19th/early 20th century, each with applied white classical figures in relief, a cheese dish and cover, dish dia. 9 3/8; and a footed salad bowl, dia. 8 in.; impressed marks. 168 Wedgwood Three-color Jasper Dipped Diceware Vase, England, late 18th century, dark blue ground central band with applied white classical figures in relief bordered with diced engine-turned banding with green quatrefoils and foliate borders, mounted atop a square solid white jasper plinth, impressed mark, ht. 9 3/4 in. 169 Wedgwood Three-color Jasper Dip Potpourri Vase and Covers, England, late 19th century, wide green ground center with applied white relief medallions of classical figures within floral festoons terminating at ram s heads, all bordered with a light blue ground with foliage in relief, pierced cover and insert lid, impressed mark, ht. 14 1/4 in. 170 Pair of Wedgwood Three-color Jasper Dip Barber Bottles, England, c. 1875, each with oval lilac medallions to a light blue ground, the white relief with Bacchus head to shoulder, classical figures within medallions and fruiting grapevine festoons, impressed marks, ht. 9 5/8 in. $ Wedgwood Three-color Jasper Dip Diceware Cream Jug, England, late 19th century, green ground with yellow quatrefoils in relief within white foliate borders, impressed mark, ht. 3 in. $ Wedgwood Three-color Jasper Dip Biscuit Barrel, England, late 19th century, the black ground center with applied white classical figures in relief, bordered in yellow with applied foliate borders, silver-plated rim, handle and cover, impressed mark, rim ht. 5 3/8 in. 173 Wedgwood Three-color Jasper Dip Bowl and Saucer, England, late 19th century, each green ground with lilac medallions and applied white classical figures, fruiting festoons terminating at ram s heads, and trophy drops, saucer dia. 5 1/2 in.; impressed marks. 38 Additional information and photos at

41 (partial) Online bidding at 39

42 Additional information and photos at

43 174 Two Wedgwood Three-color Jasper Items, England, early 20th century, each with solid white body and with relief in a pale lavender and green; a vase with oval medallions of classical figures above floral swags framed within columns adorned with lion masks and rings and paw feet, ribbon and vine border, ht. 5 1/4; and a footed potpourri bowl and cover, domed and pierced cover, oval medallions with classical relief bordered with fruiting grapevine festoons, ht. 5 1/4 in.; impressed marks. 175 Wedgwood Three-color Jasper Dip Vase, England, c. 1920, light blue ground band centering green ground borders with applied Romans on horseback within acanthus borders, Chester silver rim, impressed mark, ht. 7 1/2 in. 176 Wedgwood Yellow Jasper Dip Plaque, England, c. 1900, the roundel with applied white classical relief of children at play with birds, dia. 6 1/2 in.; set in a modern giltwood frame. Provenance: Lloyd Bleier Collection. $ Two Wedgwood Crimson Jasper Dip Items, England, c. 1920, each with applied white classical figures in relief, a cream jug, ht. 2 1/2, and covered sugar bowl, ht. 3 1/4 in.; impressed marks. $ Wedgwood Crimson Jasper Dip Jug, England, c. 1920, barrel form with applied white classical figures within scrolled foliate framed cartouches, a trophy drop below the spout, impressed mark, ht. 5 in. 180 Wedgwood Yellow Jasper Dip Biscuit Jar, England, c. 1930, applied black relief with classical figures below fruiting grapevine festoons terminating at lion masks and rings, silver-plated rim, handle, and cover, impressed mark, ht. 5 3/4 in. 181 Wedgwood Yellow Jasper Dip Tall Jug, England, late 19th/early 20th century, ropetwist handle, applied white classical figures in relief below a fruiting grapevine border, impressed mark, ht. 6 1/4 in. 184 Wedgwood Lilac Jasper Dip Biscuit Jar and Cover, England, c. 1869, cylindrical form with applied white classical relief, silver-plated cover, rim, and handle, impressed mark, ht. to rim 5 3/4 in. 185 Wedgwood Black Jasper Dip Zodiac Vase and Cover, England, mid-19th century, applied white relief with classical Muses within oval medallions below floral festoons, banded zodiac border, impressed mark, ht. 11 1/2 in. 186 Light Blue Jasper Dip Cheese Dish and Cover, England, late 19th century, attributed to Dudson, applied white classical figures in relief above an oak leaf banded border, unmarked, ht. 10, dia. to 10 5/8 in. 187 Wedgwood Light Blue Jasper Dip Vase, England, c. 1880, applied white classical Muses in relief centering foliate borders, the neck adorned with fruiting grapevine swags, the shoulder with arabesque floral banding, impressed mark, ht. 11 3/4 in. 177 Three Wedgwood Olive Green Jasper Dip Items, England, c. 1920, each with applied white classical figures in relief, two Portland vases, ht. 5 7/8, 6 3/4, and a tall jug with ropetwist handle, ht. 7 1/4 in. 182 Wedgwood Yellow Jasper Dip Jug, England, late 19th/early 20th century, applied white classical figures in relief with floral festoons to the border, impressed mark, ht. 6 1/2 in. 188 Wedgwood Green Jasper Dip Vase and Cover, England, mid-19th century, applied white drapery festoons centering various foliate borders, impressed mark, ht. 8 1/4 in. $ Wedgwood Crimson Jasper Dip Portland Vase, England, c. 1920, applied white classical relief, impressed mark, ht. 7 in. $1,200-1,800 Online bidding at 41

44 Pair of Wedgwood Lilac Jasper Dip Oval Plaques, England, mid-19th century, applied white classical relief depictions of The Marriage of Cupid and Psyche and Sacrifice to Hymen, impressed marks, lg. 9 3/4 in.; mounted in ebonized wood frames. $1,200-1, Pair of Wedgwood Queen s Ware Handpainted Plates, England, c. 1860, each polychrome enamel decorated with a mauve border and central figures of a man and woman in a landscape setting, artist signed Kayser and impressed marks, dia. 9 3/4 in. 189A Wedgwood Light Blue Jasper-mounted Blotter, England, 19th century, consisting of five medallions, each with applied white classical figures in relief, four lg. 2 1/2, surrounding one at 3 1/2 in. 190 Four Wedgwood Queen s Ware Table Items, England, 19th century, with polychrome enamels, an octagonal plate with hand-painted landscape with children decorated by Emile Lessore, dia. 9; low compote with pierced gallery surrounding a central Crealock decorated hunting scene of a hound with buck, the dish set on three paw feet, dia. 9; tall compote with Japanese series figure, pierced bamboo base, dia. 9 1/8; and a tray from the Oriental Tea Wares series with bamboo handle and rim, the center with bird, butterfly, and flowers, dia. 10 in.; impressed marks. 192 Wedgwood Queen s Ware Pill Slab, England, 19th century, rectangular, black transfer-printed with a measuring scale above an eagle and with inscribed ribbon below reading Real Warranted Wedgwood, 5 7/8 x 7 7/8 in.; set in a modern frame. 193 Emile Lessore Decorated Creamware Plaque, England, c. 1860, rectangular, polychrome enamel decorated figural landscape with peasants, artist signed, 12 x 16 in.; set in a giltwood frame. $1,000-1, Emile Lessore Decorated Porcelain Plaque, England, c. 1860, polychrome enamel decorated with a bucolic scene of figures in a landscape setting, decorated on a Davenport slab, artist signed and impressed Davenport Patent, 8 x 9 3/4 in. 42 Additional information and photos at

45 195 Two Wedgwood Emile Lessore Decorated Queen s Ware Items, England, c. 1860, each with polychrome enamels, a vase with huntsmen in a landscape, ht. 7, and a teacup with rabbits and saucer with cat and dog, saucer dia. 5 1/4 in., artist signed and impressed marks. 196 Three Victorian Wedgwood Items, England, 19th century, a silver-plated stoneware barrel-shaped jug with classical figures in relief within scrolled foliate frames, ht. 3 3/4; a Rockingham glazed acid-etched Vigornian Napier jug with classical subjects in battle scenes, ht. 6; and a Chapman & Hall redware jug with majolica glazes, ht. 4 1/2 in.; impressed marks. 197 Wedgwood Majolica-glazed Chapman & Hall Redware Vase, England, late 19th century, clear glaze with brown mottling to the neck and shoulder, impressed mark, ht. 10 3/8 in. 198 Wedgwood Victoria Ware Plaque, England, c. 1880, deep rust ground to a rectangular shape with gilded foliage among applied white slip putti in relief, impressed mark, 2 1/4 x 2 1/2 in.; set in a giltwood frame Three Wedgwood Hound-decorated Items, England, late 19th century, a majolica Louis XV dessert plate with Fresco Head of a hound, dia. 9; and two black transfer-printed tiles depicting hounds after designs by Col. H. Hope Crealock, each mounted with a metal frame for use as a tea trivet, 6 in.; impressed and embossed marks. 194 Online bidding at 43

46 Wedgwood Emile Lessore Decorated Queen s Ware Shallow Bowl, England, c. 1860, yellow enameled scallop-shaped rim, the dish polychrome enamel decorated with classical figures in a landscape setting, artist signed and impressed mark, dia. 12 3/8 in.; set in an ebonized and giltwood frame. 201 Emile Lessore (French, ) Bucolic Figural Landscape Signed l.r. Oil on wood panel, 5 5/8 x 7 1/4 in., framed. $ Additional information and photos at

47 (partial) 202 Three Wedgwood Ivory Vellum Items, England, late 19th century, each with gold and polychrome enameled flowers, a lavender ground bottle-shaped vase, ht. 8; a Portlandshaped vase, ht. 4; and a vase with flaring rim, ht. 8 1/2 in.; printed and impressed marks. 203 Ten Wedgwood Items, England, 19th and 20th century, a Victoria ware beaker with portrait medallions, ht. 2 3/4; a 2 lb. pearlware weight, ht. 2 3/4; four Queen s ware wine bin labels, lg. 5 1/2; a pearlware tea kettle with polychrome enameled birds and flowers, ht. 7; a hand-painted footed bowl, ht. 3 1/4; and two Daisy Makeig-Jones designed Queen s ware items, a Noah s Ark pattern dish, dia. 4 1/4; and a Silenus pattern plate, dia. 8 1/8 in.; impressed marks. $ Wedgwood Ivory Vellum Potpourri and Cover, England, late 19th century, enamel and gold decorated with foliage, pierced cover, impressed mark, ht. 8 in. 205 Two Wedgwood Moonlight Lustre Items, England, c. 1805, each with splashes of pink lustre and orange enamel, a jug, impressed mark, ht. 6 1/2; and teacup and saucer, unmarked. 206 Wedgwood Majolica-glazed Chapman & Hall Redware Vase, England, late 19th century, brown ground with mottled brown, green, and yellow to the neck, impressed mark, ht. 10 1/4 in. 207 Wedgwood Victoria Ware Vase and Cover, England, c. 1880, gilt trim lines and Bacchus mask handles, applied classical Dancing Hours in relief bordered with a variety of foliate designs, impressed mark, ht. 9 5/8 in. $ Online bidding at 45

48 Wedgwood Carrara Bust of Scott, England, c.1860, by E.W. Wyon, mounted atop a waisted circular socle, impressed title, sculptor, and mark, ht. 14 3/8 in. 209 William Beattie Carrara Finding of Moses Figural Group, England, c. 1875, possibly Wedgwood, modeled as Thermutis and a nymph discovering the baby Moses, impressed sculptor, ht. 19 in. Literature: Illustrated in Wedgwood Ceramics , by Maureen Batkin, plate 17. $1,200-1, Copeland Parian Bust of Alexandra, England, c. 1863, by Mary Thornycroft, mounted atop a waisted circular socle with raised title, the socle inscribed Art Union of London Mary Thornycroft SC 1863, factory mark, ht. 14 3/4 in. 211 Two Wedgwood Bone China Shell Vases, England, late 19th century, a murex and a nautilus shell form, each set atop a coral-form stand on a raised circular base, printed marks, ht. 4, 7 in. 212 Four Wedgwood Blue Transfer-printed Pearlware Items, England, 19th and 20th century, a Chinese temple design teapot and cover, ht. 6 3/8; a Bamboo pattern mug, ht. 5; a Water Lily pattern sauce tureen, cover, and stand, ht. 6 1/8; and a Ferrara pattern vase and cover, ht. 9 3/4 in.; impressed marks. 213 Wedgwood Blue Transfer-printed Pearlware Platter, England, c. 1904, slightly scalloped rim to a circular shape allover decorated with sailing ship centering a wide floral border, printed and impressed mark, dia. 14 1/2 in. 214 George Jones Majolica Strawberry Server, England, c. 1870, polychrome enamel decorated and molded with blossoms and foliage to a shaped dish set with two nest wells centered by a perched bird, lg. 10 5/8; together with a creamer and sugar bowl and a sifting spoon. 215 Five Wedgwood Majolica Items, England, second half 19th century, each polychrome enameled, a tile with floral motif, lg. 8, set in a giltwood frame; fan pattern cup and saucer; hunt jug, ht. 5; leaf and berry molded plate, dia. 8 3/4; and leaf plate, dia. 8 in.; impressed marks. 46 Additional information and photos at

49 216 Three Wedgwood Argenta Majolica Dishes, England, second half 19th century, each oval and with white ground and polychrome glazes, a basket-shaped dish with scalloped edges and leaf-molded handles, lg. 11 3/4; a basketweave-molded bread tray, lg. 12 5/8; and a strawberry dish with fruit and blossoms in relief, lg. 16 1/4 in.; impressed marks Minton Majolica Garden Seat, England, c. 1870, the shaped seat with central flowerhead over hexagonal baluster-form body decorated with polychrome arabesques, with impressed factory and cipher marks, ht. 19 3/4 in. Literature: Illustrated in Majolica: A Complete History and Illustrated Survey, by Joan Stacke and Marilyn Karmason, p. 43. $1,500-2, Minton Majolica Garden Seat, England, c. 1869, the waisted circular form decorated with pierced geometric patterns, and abstract floral and strapwork motifs on a turquoise ground, all on three rounded feet, impressed mark, ht. 17 1/2 in. Literature: Design illustrated in Minton s 1880 catalogue as seen in Dictionary of Minton, by Paul Atterbury and Maureen Batkin, p $1,500-2, Wedgwood Majolica Game Pie Dish and Cover, England, c. 1878, oval shape with molded relief of dead game between fruiting grapevine festoons, hare finial, impressed mark, lg. 8 1/8 in. $ Three Wedgwood Majolica Items, England, 19th century, a shell-shaped dish mounted with a lizard, mottled green, brown, and yellow glazes, lg. 6 1/4; a shell-form vase set on a coral stand, ht. 4 3/8; and a tobacco jar and cover commemorating Sir Walter Raleigh, ht. 6 3/4 in.; impressed marks. 221 Minton Majolica Pomegranate Vase, England, date cipher for 1879, vase with elongated neck, handle modeled as a pomegranate tree branch with its leaves and fruit radiating outward onto the neck and body of the vase, impressed mark, ht. 21 in. $1,200-1,800

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51 Majolica Birds on Chimney, France, late 19th century, attributed to the Massier family, modeled as an open chimney on which four are swallows perched, ht. 9 in. 223 Griffen, Smith & Hill Etruscan Majolica Compote, Phoenixville, Pennsylvania, c. 1880, polychrome enamel decorated and molded in the shell and seaweed pattern, impressed mark, ht. 6 1/4 in. 224 George Jones Majolica Jardinière and Stand, England, 19th century, square form polychrome enamel decorated with flowers and foliage in relief to a turquoise blue ground, each with unglazed patch numbered 1884, jardinière ht. 6 3/8 in. $ George Jones Majolica Cheese Dish, England, late 19th century, cover molded with flowering cherry blossoms spreading from double-branch handle on a cobalt ground, above a band of molded basketweave repeated as a border on the rim of the dish, pad mark, ht. 12 in. Literature: Illustrated in Majolica, Nicholas Dawes, p. 113, fig. 197; and Majolica: A Complete History and Illustrated Survey, by Joan Stacke and Marilyn Karmason, p. 89. $1,000-2, Copeland Majolica Jug, England, c. 1877, polychrome enamel decorated and molded with paneled sides of flowers atop large leaves, impressed 3 Gill and factory mark, ht. 6 5/8 in. 227 Holdcroft Majolica Jug, England, c. 1880, polychrome enamel decorated, the flat sides molded with panels of fish to either side on a dark blue ground bordered with turquoise, impressed mark, ht. 8 1/4 in. 228 Brown, Westfield & Moore Majolica Passionflower Jardinière, England, late 19th century, with lion mask handles and trailing foliage and flowers on a cobalt ground, ht. 12 1/4 in. $ Hugo Lonitz Fish-form Majolica Covered Tureen, Germany, late 19th century, polychrome enameled and inset with glass eyes, impressed factory mark and numbered 1347, incised lowercase b, with blue underglaze KY, lg. 17 1/2 in. 230 Three-piece Royal Worcester Majolica Candle Set, England, late 19th century, each modeled as stylized Corinthian columns, one slightly larger with two sconces, impressed mark, ht. to 10 1/4 in. $ Online bidding at 49

52 Minton Majolica Figural Compote, England, c. 1871, pierced gallery to a quatrefoil-shaped dish supported atop two cherubs centered with doves, impressed mark, ht. 8 1/2, lg. 11 7/8 in. 232 Wedgwood Majolica Salad Compote, England, c. 1870, polychrome decorated and molded with panels of vegetables, the stand with cruet bottles, impressed mark, dia. 10 in. $ Wedgwood Majolica Figural Trentham Vase, England, 1873, modeled by Rowland Morris, polychrome enameled and modeled as two cherubs supporting a vase on their backs, tools of agriculture applied to the raised base, impressed mark, ht. 10 1/2 in. 50 Additional information and photos at

53 English Majolica Charger, c. 1880, likely George Jones, with high relief scene of dogs attacking a fox in brown, surrounded by turquoise border with fleurs-de-lis and roundels, with laurel garland rim, tortoiseshell glaze to underside, unmarked, dia. 14 in. 235 Brown, Westfield & Moore Majolica Passionflower Jardinière, England, late 19th century, with lion-mask handles, trailing foliage and flowers on a cobalt ground, ht. 12 1/4 in. $ Minton Majolica Pedestal, England, c. 1888, modeled as a drum-shaped top on a hexagonal body with pierced Japanesque motifs and the eight auspicious symbols on a cobalt ground, impressed mark, ht. 28 in. $ Pair of Minton Majolica Planters, England, c. 1862, each with lion s head handles on a light blue ground with lower gadrooned register and yellow borders, impressed mark, ht. 7 7/8 in. $1,000-2, George Jones Majolica Boar s Head Game Pie Dish, England, late 19th century, cover with oak leaves and acorns with a boar s head finial, dish with deer heads under handles and two cartouches, each of a boar fighting three dogs, with liner, pad mark, dia. 12 3/4 in. $2,500-3, George Jones Majolica Pedestal, England, late 19th century, modeled as a fluted column with stylized palmettes to capital and base, and body entwined with foliate vines, all on a cobalt ground, together with mottled green and brown disc, pad mark, ht. 35 in. $1,500-2, Pair of Minton Majolica Toby Jugs, England, late 19th century, one modeled as a peasant woman with a shawl and fan, the other as a gentleman, each with hair forming the handle to the back and a hat forming the spout, impressed marks to both, ht. to 11 1/4 in. Literature: Peasant woman illustrated in Majolica, by Nicholas Dawes, p. 43, fig. 66. $1,200-1, George Jones Majolica Game Pie Dish and Cover, England, late 19th century, cover with a fox finial on bed of leaves; dish modeled with hanging birds and nets, with liner, pad mark, dia. 10 1/4 in. Literature: Illustrated in George Jones Ceramics: , by Robert Cluett, p. 47, fig. 59. $1,000-1, George Jones Majolica Monk Pitcher, England, late 19th century, modeled as a monk in long robes, with a stylized goat head to handle, incised X to base, ht. 12 1/2 in. $1,200-1,800 Online bidding at 51

54 Two Majolica Serving Dishes, England, 19th century, each oval, similarly molded and decorated with four wells to a wide border decorated with classical figures surrounding a shallow bowl center, all decorated in polychrome enamels, one with paper label for Daniell, 129 New Bond St. London, unmarked, lg. 14 1/2, 15 in. $1,000-1, Hugo Lonitz Majolica Figural Compote, Germany, third quarter 19th century, polychrome enamel decorated and modeled as a naturalistic bowl set atop a stem surrounded by three cherubs, impressed factory mark, ht. 16 1/4 in. $ Two Wedgwood Lustre Items, England, c. 1920, a butterfly lustre york cup with pattern Z4832, mother-of-pearl exterior and mottled orange/red interior, dia. 4; and a Z5458 fruit lustre bowl with copper lustre exterior and mother-of-pearl interior, dia. 3 1/8 in.; printed marks. 246 Wedgwood Butterfly Lustre Trumpet Vase, England, c. 1920, enameled and gilded motifs to a mother-of-pearl exterior, mottled orange interior with an oriental landscape border, printed mark, ht. 9 1/2 in. 247 Modern Wedgwood Fairyland Lustre Octagonal Bowl, England, late 20th century, Woodland Bridge design, numbered 25 in a limited edition of 100, printed mark. 248 Two Wedgwood Lustre Bowls, England, c. 1920, a lily tray with mottled green/ black exterior and gilded animal motifs, the mother-of-pearl interior with colored oriental landscape border and bird in a cloud center, dia. 6; and an imperial bowl with colored dragons to a pale blue ground, the interior with coiled dragon to mother-of-pearl, dia. 5 in.; printed marks. 249 Wedgwood Butterfly Lustre Bowl, England, c. 1920, mottled red and blue exterior with gilded butterflies, the interior polychrome decorated to a brown spotted mottled motherof-pearl, pattern Z4827, printed mark, dia. 8 7/8 in. 250 Wedgwood Lustre Celtic Ornaments Bowl, England, c. 1920, the black exterior with banded gilding, mottled orange interior with splashes of green and with a large gilded medallion to center, printed mark, dia. 10 3/4 in. 251 Wedgwood Dragon Lustre Bowl, England, c. 1920, pattern Z4827 with gilded dragons to a mottled ruby ground exterior, the motherof-pearl interior with colored butterflies surrounding a central foliate medallion, printed mark, dia. 10 7/8 in. 52 Additional information and photos at

55 Wedgwood Powder Blue Lustre Plate, England, c. 1915, enameled and gilded with hounds centering a scrolled foliate border, printed mark, dia. 9 1/8 in Wedgwood Powder Blue Bone China Box and Cover, England, c. 1915, pattern Z5149 with scalloped rim, the cover decorated in gold and enamels with four mice, the interior with an additional mouse, printed mark, dia. 4 7/8 in. 254 Wedgwood Fairyland Lustre Brooch, England, c. 1920, oval form polychromedecorated with a winged fairy in a landscape, printed bone china mark, lg. 1 1/2 in.; set in a silver frame. 255 Wedgwood Daventry Lustre Vase, England, c. 1926, pattern Z5418, red ground with paneled decoration of a Chinese landscape, printed mark, ht. 13 1/2 in. $1,500-2,500 Online bidding at 53

56 Wedgwood Fairyland Lustre Octagonal Bowl, England, c. 1920, pattern Z4968, the exterior with Leapfrogging Elves to a black sky, the interior with Ship and Mermaid to a day-lit sky, printed mark, dia. 7 7/8 in. $1,200-1, Wedgwood Fairyland Lustre Marston Bowl, England, c. 1920, shape 2597, pattern Z4968 with Leapfrogging Elves to a black sky, the mother-of-pearl interior with Elves on a Branch interior, printed mark, dia. 3 3/4 in. 258 Wedgwood Fairyland Lustre Imperial Bowl, England, c. 1925, the exterior with polychrome birds to a black ground, a mother-of-pearl ground interior with pattern Z5453 Crane and Rock decoration, printed mark, dia. 8 1/4 in. $1,000-1, Wedgwood Fairyland Lustre Antique Bowl, England, c. 1920, pattern Z4968, the exterior with Leapfrogging Elves to a black sky, mother-of-pearl interior with Elves on a Branch, printed mark, dia. 4 3/4 in. $1,000-1, Wedgwood Fairyland Lustre Lahore Imperial Bowl, England, c. 1925, pattern Z5266 with brightly colored ornamental exterior with swags and hanging lanterns, the interior with a washed yellow ground and decorated with warriors of on horseback, elephants, and birds, printed mark, dia. 8 in. Provenance: Kanter Collection. Literature: Illustrated in Wedgwood Fairyland Lustre, by Una des Fontaines, plate 56. $1,200-1, Wedgwood Fairyland Lustre Firbolgs Boston Cup, England, c. 1925, pattern Z5245, the exterior with gilded and plumcolored figures to a red ground, the interior in mother-of-pearl with a Thumbelina center, printed mark, dia. 3 3/8 in. 262 Wedgwood Fairyland Lustre Persian-style Imperial Bowl, England, c. 1925, pattern Z5447 with Hares, Dogs and Birds, the exterior with a wide green-blue panel with rust banded borders, the interior to a white ground, printed mark, dia. 9 1/4 in. $1,500-2, Wedgwood Fairyland Lustre Candlemas Vase, England, c. 1920, shape 2411, pattern Z5157 with bands of blue framing large black ground panels, printed mark, ht. 7 1/4 in. $1,500-2, Six 20th Century Wedgwood Items, England, a Queen s ware mug, blue transferdecorated with inscription framed by ponies, dated July 23rd, 1924, and manufactured to commemorate the wedding of Lady Ursula Grosvenor to Mr. W.P. Filmer-Sankey, ht. 3 1/4; a powder blue bone china coffeepot and cover with gilded dragon motif, ht. 7 3/4; a rectangular Erling Olsen design box in celadon green, lg. 5; a Norman Wilson design leaf dish, lg. 6; a granite-like glazed earthenware vase with shell handles, ht. 6 3/4; and a glazed blue and white jasper bowl with flaring rim, dia. 5 1/4 in.; impressed and printed marks. 265 Wedgwood Queen s Ware Liberty China Tea Set, England, c. 1918, polychrome decorated, transfer-printed, and with gilt trim, motif of the Allied flags, including a covered teapot, ht. 4 1/4; covered sugar bowl, ht. 3 1/2; cream jug, ht. 3 1/4; six teacups and saucers; plate, dia. 8 1/2 in.; impressed marks. 54 Additional information and photos at

57 Wedgwood Skeaping Model of a Sea Lion, England, c. 1927, moonstone glaze, impressed sculptor and mark, lg. 8 in. 267 Wedgwood Skeaping Model of a Sea Lion, England, c. 1927, Queen s ware body, impressed sculptor and mark, lg. 8 in. $ Wedgwood Glazed Drabware Bowl, England, 1925, attributed to Millicent Taplin, blue transfer-printed and with copper lustre and red and green enamels, the exterior with flying geese and medallions of deer jumping, the interior with central medallion of a large deer, impressed and printed marks, dia. 9 1/4 in. $ Online bidding at 55

58 Wedgwood Keith Murray Annular Ware Vase, England, c. 1940, pale blue glaze to a globular shape with concentric rings, printed mark, ht. 7 1/4 in. 272 Wedgwood Queen s Ware Peace Plaque, England, c. 1919, polychrome enamel decorated with a French inscription surrounding a portrait of Britannia, impressed mark, dia. 15 in. $ Two Wedgwood Erling Olsen Design Boxes and Covers, England, 20th century, each rectangular form with allover celadon green glaze, printed marks, lg. 5 in. 274 Two Wedgwood Veronese Ware Items, England, c. 1935, each silver lustre decorated, a crimson glazed Liverpool jug with leaf and scrolled vine motif, ht. 8 1/4; and a blue glaze vase with floral sprays, ht. 8 in.; impressed marks. 269 Wedgwood Lindsay Ware Two-handled Vase, England, c. 1910, gourd-shape, polychrome enamel decorated with butterflies, printed mark, ht. 7 3/4 in. $ Wedgwood Lindsay Ware Two-handled Vase, England, c. 1910, squat-form polychrome enamel decorated with peacock design, printed mark, ht. 4 1/4 in. 275 Wedgwood Bone China Model of a Duck, England, c. 1940, modeled by H.W. Palliser and painted by Arthur Dale Holland, polychrome enamel decorated, printed mark, ht. 7 3/4 in. Note: Based on the engravings in Audubon s Birds of America, and commissioned by W.H. Plummer & Co. of New York. 56 Additional information and photos at

59 Wedgwood Bone China Model of a Duck, England, c. 1940, modeled by H.W. Palliser and painted by Arthur Dale Holland, polychrome enamel decorated, printed mark, ht. 6 1/4 in. Note: Based on the engravings in Audubon s Birds of America, and commissioned by W.H. Plummer & Co. of New York. 277 Wedgwood Skeaping Model of a Bison, England, c. 1927, celadon glaze, impressed sculptor and mark, lg. 11 in. 278 Wedgwood Queen s Ware Arnold Machin Design Model of a Leopard, England, c. 1945, modeled perched on a tree stump and decorated with pink lustre, printed mark, ht. 6 7/8 in. 279 Wedgwood Queen s Ware Country Lovers Group, England, c. 1940, modeled by Arnold Machin, as a seated couple arm in arm, impressed and printed mark, ht. 12 in. 280 Wedgwood Queen s Ware Bridal Group, England, c. 1941, modeled by Arnold Machin and decorated in polychrome enamels, printed mark, ht. 10 3/4 in. Online bidding at 57

60 Wedgwood Norman Wilson Slip-decorated Bowl, England, c. 1940, fluted body with black slip to a moonstone glaze, printed mark, dia. 10 3/4 in. 282 Seven Wedgwood Eric Ravilious Design Items, England, c. 1953, black transferprinted and enamel-decorated in the Persephone pattern, a covered vegetable tureen, dia. 8 1/8, and six two-handled soup bowls and saucers, bowl dia. 5 1/8 in.; impressed and printed marks. 283 Wedgwood Queen s Ware Bust of Penelope, England, c. 1954, modeled by Arnold Machin, printed mark, ht. 11 in. 284 Wedgwood Queen s Ware Taurus the Bull, England, c. 1945, modeled by Arnold Machin, polychrome decorated transfers with zodiac motifs, impressed mark, lg. 15 1/2 in. Provenance: Ex Hensleigh Wedgwood Collection. 285 Wedgwood Queen s Ware Taurus the Bull, England, c. 1945, modeled by Arnold Machin, polychrome enamel decorated black transfer floral and foliate motif, printed and impressed mark, lg. 15 1/2 in. 286 Wedgwood Solid Black Jasper Portland Vase, England, early 20th century, applied white classical figures in relief, impressed mark, ht. 7 5/8 in. 287 Wedgwood Solid Black Jasper Dancing Hours Bowl, England, 20th century, applied white classical figures framed within foliate borders, impressed mark, dia. 12 in. 288 Wedgwood Solid Black Jasper Canopic Jar and Cover, England, 1978, with applied terra cotta jasper bands of hieroglyph and zodiac motifs, impressed mark, ht. 9 1/4 in. 289 Five Modern Wedgwood Jasper Items, England, 20th century, a solid primrose bowl with terra cotta Egyptian motif, dia. 8; a solid light blue cup and cover with cherub finial and applied white arabesque floral design, ht. 8 5/8; and three tri-color items: a diceware bowl with yellow quatrefoils within light blue dicing, dia. 7 7/8, an incense burner in solid lilac with applied white floral festoons, dolphin supports, and green foliate trim, ht. 5 1/2, and a cup commemorating Queen Elizabeth II silver jubilee in 1977, numbered 502 in a edition of 750, in light blue dip with applied white floral festoons bordering portraits to either side, and green rim and quatrefoils to dicing at lower body, ht. 4 7/8 in.; impressed marks. 290 Wedgwood Terra Cotta Jasper Vase and Cover, England, 1957, applied black classical Muses in relief below a band of floral festoons, impressed mark, ht. 12 in. 290A Wedgwood Black Jasper Dip Dancing Hours Bowl, England, 1963, applied white classical figures within foliate-framed borders, impressed mark, dia. 10 in. 58 Additional information and photos at

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63 Furniture & Decorative Arts Lots

64 Furniture & Decorative Arts 291 Carved Giltwood Mirror, 19th century, with a central floral crest flanked by a boy and girl winged putto head, with deeply carved flowers and gadrooned C-scrolls extending downward to the sides and base, 54 1/2 x 39 1/2 in. $2,000-4, Pair of Ball-top Andirons, of typical form in cast iron with gilt-metal ball finials, ht. 29 1/4, wd. 13 3/4, dp. 24 in. 293 Carved Double-portrait Lava Cameo Brooch of Mars and Venus, Italy, second half 19th century, the subjects bust-length in high relief and wearing classical Roman dress, set within a gold-tone metal mounting, figures identified on the reverse, ht. 2 1/4 in KPM Hand-painted Porcelain Charger, Saxony, 20th century, polychrome decorated with flowers and a butterfly, gilded border, unsigned, with canceled scepter mark, dia. 11 7/8 in. $ Additional information and photos at

65 295 George III Copper Kettle on Stand, with a wood handle and finial, with leaf-form attaching handle to body, raised on a stand with included burner, chain, and snuffer, terminating in three splayed leaf-form feet, ht. to the top of the raised handle 13 7/8 in. Note: A letter dated 1946 stating that this came from Leeds Castle, the home of Lord Cornwallis, signed Elizabeth Cornwallis- Clutterbuck, accompanies the lot. 296 German School, Late 19th/Early 20th Century Bust of a Young Boy, the marble carved as a curly-haired youth wearing a stocking cap, medallion at his neck, and a fishing net over one shoulder, incised F. Hartzer. fec. Berlin, on circular socle, bust ht. 20 in. 297 George II-style Upholstered Armchair, England, late 19th/early 20th century, the shaped and upholstered backrest joined to the seat by narrow armrests, raised on rectangular legs joined by medial stretchers, ht. 39 1/2, wd. 27 1/8, dp. 23 1/4 in. 298 Victorian Burl Walnut Veneer Games Table, fold-open, swivel top opens to reveal an inlaid chessboard and backgammon board, above a frieze drawer with internal compartments for game pieces, raised on two turned and spiral craved supports joined by a stretcher and terminating in four scrolled legs with casters, closed ht. 29, wd. 21 1/2, dp. 21 in. 299 Paul Charles Emmanuel Gallard-Lepinay (French, ) Venice Lagoon Signed and dated Emmanuel G/72 l.r. Oil on canvas mounted to board, 18 x 22 in. (45.8 x 55.9 cm). Condition: Retouch, areas of fine craquelure, surface grime, canvas trimmed of tacking edges and mounted to wood panel. $1,200-1, Italian School, Late 19th/Early 20th Century Fisher Boy, the white marble carved as a youth examining his catch, incised Pugi Florence, ht. 35 1/2 in. $2,000-4,

66 301 Jean-Baptiste Auguste Clesinger (French, ), After the Antique Two Female Figures, cast as two reclining Classical women in copious drapery, medium brown patina with areas of verdigris, with Barbedienne foundry mark and A. Collas reduction seal, on an ovoid black marble base, lg. 20 1/2 in. Literature: Catalogue des Bronzes d Art F. Barbedienne, Recompenses Obtenues dans les Expositions Universelles, Paris, 1886, p. 21. N.B. Clesinger modeled his group on two figures from the east pediment of the Parthenon, now at the British Museum. The originals lack heads and arms, so Clesinger took artistic liberty with these features. Scholars think the figures represent either Dione and Aphrodite or a personification of the sea in the lap of the earth. $2,500-3, Four Baluster-stem Glasses, England, c. 1740, each foot with folded rim, two wineglasses: one with round funnel bowl on stem with shoulder and center knops, and conical foot, ht. 5 7/8, one with bell bowl with solid base on stem with long tear and inverse acorn basal knop on domed foot, ht. 6 1/8, and two cordials: one with round funnel bowl on stem with annular knop, inverted baluster knop, and basal knop on conical foot, ht. 5 7/8, and one with a bell bowl with solid base on a cushioned basal knop and domed foot, ht. 5 1/8 in. 303 Four Pieces of Baluster-stem Glass, a massive heavy baluster goblet with bucket bowl, teared inverted baluster stem and domed foot with folded rim, ht. 11, two patch stands with bobbin-knopped stems and domed feet with folded rims, ht. 2 3/4 and 3 3/4, and sweetmeat glass with pan-topped round funnel bowl with dentate rim, on a stem with central knop and basal collar, on conical foot, ht. 2 3/8 in. 304 Polychrome-painted Trunk, northern Europe, possibly Sweden, dated 1832, decorated allover with red-painted graining with blue floral and foliate sprays, ht. 14, wd. 28, dp. 15 3/4 in. 305 Louis XVI-style Marble-top Serpentine Commode, three sides with central parquetry panels framed by ormolu mounts and mahogany veneer, front with two drawers further enhanced with rocaille-style pulls and a central ormolu cartouche, raised on cabriole legs with ormolu mounts extending from the marble top to the feet, ht. 33 1/2, wd. 47, dp. 21 1/2 in. $ Four Wineglasses, England, c. 1740, each with bell bowl with solid base and domed foot, one with fruiting grapevine-engraved bowl and center knop, ht. 6 3/4, one with teared stem with annulated shoulder knop and basal knop, ht. 6 1/2, another with teared solid bowl base and stem, with shoulder, center, and basal knops, ht. 6 5/8, and one with annulated knop over teared inverse baluster knop, ht. 6 1/8 in. 307 Three Heavy Baluster Wineglasses, England, c. 1710, each with funnel bowl with solid base and domed foot, one with teared stem with inverted baluster above a basal knop and foot with folded rim, ht. 5 1/2, another with tears to solid bowl base and stem, and cushioned annulated knop above basal knop, ht. 5 3/4, and one with teared stem with collared drop knop above a basal knop, ht. 5 3/8 in. 308 Three-piece Gilt-metal Girandole Set with Lustres, America, mid to late 19th century, two single-arm and one three-arm girandole, each with a stepped marble base supporting cast scene of a girl, dog, and deer, and pierced frame with hanging lustres under the candle cup of each arm, ht. to 17 in. $ Lacquer Tobacco Box, England, early to mid-19th century, with a central interior genre scene to the lid, underside signed S. Raven pinxit/patronized by H.R.H the Duke of Sussex & Prince Leopold of Saxe-Cobourg, dia. 3 7/8 in. 310 Caspar Johann Nepomuk Scheuren (German, ) Venezia Signed or inscribed Don C. Scheuren in pencil on the mount l.r. Watercolor and gouache with ink paper, 5 1/4 x 7 3/4 in. (13.3 x 19.7 cm), framed. Condition: Toning, minor staining and craquelure, affixed to paper mount. 311 Two Inlaid Mahogany Tea Caddies, one a tall rectangular form with canted corners inlaid with burlwood medallions, the interior cover similarly inlaid, ht. 5; the other a long rectangular form with shaded floriform medallions, ht. 4 1/2 in. 312 Anglo-Indian Parquetry Games Table, square tabletop decorated allover with geometric inlay, with a central drawer to all four sides, raised on a baluster-form stem with inlaid shapes and applied ebonized medallions and with four brackets extending from the middle of the stem to the four corners of the inlaid plinth, all on four bracket feet, ht. 28 1/2, wd. 25 3/4, dp. 25 1/2 in. 313 Continental Cabinet-on-Stand, possibly Germany, 18th century and later, upper cupboard with two strapwork-and arabesqueinlaid doors, raised on lower panel-backed stand with three tapered rectangular and inlaid front legs and three additional leg facades to the back, with a plinth further raised on five bun feet, ht. 47 1/2, wd. 63 1/2, dp. 26 in. $ Toleware Wastebasket, England, 19th century, oval shape with a bail handle, painted with a panoramic landscape scene with a house, river, and figures, raised on a slightly flared foot painted with a band of gold leaves against a black background, ht. 11 3/8, lg. 12 1/2, dp. 9 1/2 in. 315 Distel Pottery Six-tile Hand-painted Tableau After Anton Mauve, Amsterdam, Holland, early 20th century, depicting a farmhouse with a figure standing in a horsedrawn cart amidst a snowy landscape, signed a. AMAUVE l.l. and DISTEL l.r., framed, total tile size 11 3/4 x 17 3/4 in. 316 After Pierre Jules Mêne (French, ) L Accolade, early 20th century, the bronze cast as two horses on a naturalistic base, with medium brown patina, base incised P.J. MENE, on verde marble plinth, bronze ht. 16 in. $2,000-4, Additional information and photos at

67 Online bidding at 65

68 66 Additional information and photos at

69 Twelve Worcester Porcelain Jabberwocky Pattern Saucer Dishes, England, c. 1780, each dish polychrome-enameled, parcelgilded, and with scalloped rim, in the later simplified version of the pattern, the mythical creature backed by a flowering branch and centering a Rococo turquoise border with diaperwork and foliage, one with blue overglaze fret mark, the others unmarked, dia. 7 3/4 in. $ Attributed to Charles Landseer (British, ) Tender Request Unsigned, titled and inscribed on the reverse of the mount. Watercolor on paper, 14 15/16 x 12 in. (38.0 x 30.5 cm), framed. Condition: Mounted to paperboard support. $ A Scandinavian School, 19th Century Winter Landscape by a Lake Signed and dated Adf. Anderson 89 l.r. Oil on paperboard, 12 1/4 x 18 3/4 in. (31.1 x 47.6 cm), framed. Condition: Minor abrasions/losses beneath frame liner. $ Provincial Walnut Dressing Table Mirror, shaped swing mirror framed and raised on a bombé case with an inset drawer terminating in four ball feet, ht. 29 1/2, wd. 17 5/8, dp. 12 1/2 in. 320 Bronze-mounted and Marquetry Credenza, allover arabesque decoration, the breakfronted velvet-covered top over conforming case fitted with three glass doors enclosing shelved interior, on plinth base, ht. 44 1/2, wd. 70 1/2, dp. 16 1/4 in. $1,000-2, Russian Icon Depicting the Translation of the Relics of St. Nicholas, 19th century, shown across a horizontal panel with the body of St. Nicholas being held aloft as a crowd leads him into a shadowed arch at the far right of the panel, 15 5/8 x 26 1/4 in. $1,000-1, Russian Icon Depicting Holy John the Forerunner, 19th century, shown with gilded wings and a scroll in one hand above a diskos containing the infant Christ, beneath him is the scene of his beheading and above him is the Savior in the clouds, 12 x 10 1/2 in. Online bidding at 67

70 327 French Provincial Armoire, 19th century, of typical form with a shaped projecting cornice, a central ovoid medallion to upper frieze and apron, canted and fluted corners, and two doors: each with brass hardware and a central scrolled cartouche framing inset panels, raised on scrolled feet, approx. ht. 92 1/2, wd. 64 3/4, dp. 27 1/2 in. 328 Bronze and Mirror-mounted Carved Jadeite, the jadeite China, 19th century, the mounts France, late 19th/early 20th century, retailed by Bointaburet, Paris, the russetveined pale celadon-colored stone carved as two nesting cranes, on a rectangular mirrored base with canted corners and reeded frame, and four foliate feet, base impressed with retailer s mark and numbered 36711, total lg. 3 3/4 in. 329 Victorian Cut Steel Chatelaine, London, mid-19th century, with various items suspended from chains including a mesh purse, pair of folded scissors, folding knife, pincushion wheel, pencil slide, notepad with ivory pages, and letter opener; engraved to the top DURHAM./CULTER TO H.R.H. PRINCE ALBERT/456 OXFORD STREET. lg. 20 3/4 in. $1,000-1, Russian Icon Depicting The Sign Mother of God, 19th/20th century, shown with both hands raised and with Christ Child in the center with one hand raised in blessing, encased within a metal riza and each figure with a projecting gilt halo, her halo mounted with five ruby pastes, 11 3/4 x 10 in. 324 Russian Icon Depicting St. Nicholas, late 19th/early 20th century, shown in his bishop s mitre and stole raising one hand in blessing and the other holding a copy of the Gospels closed, 14 x 12 1/4 in. 325 Russian Icon Depicting St. Nicholas, 19th/20th century, shown in a mitre, he holds the Gospels in one hand and raises the other in blessing, with Christ and Mary in the clouds, 15 5/8 x 13 3/4 in. 326 Carved Chippendale-style Armchair, late 19th century, pierced splat back elaborately carved throughout in grotto-themed manner, arm rests molded as shells with floral vines extending outward, with a shaped dropin seat, seat rail with applied carving, all on cabriole legs feet with applied carving extending down the knee to wide splayed feet, ht. 38, wd. 26, dp. 18 1/4 in. 330 French School, 19th Century Madonna and Child Unsigned. Oil on panel, 10 5/8 x 8 1/8 in. (26.3 x 20.5 cm), framed. Condition: Cracks to panel, retouch, paint losses, craquelure, varnish inconsistencies, surface grime. Provenance: Sold to benefit the mission and ministry of the Sisters of St. Margaret. 330A Wilhelm Ferdinand Xylander (Danish, ), After Jacob Isaakszoon van Ruisdael (Dutch, 1628/9-1682) The Tempest Inscribed, signed, and dated Original im Louvre/Copi nach J. Ruisdael/W. Xylander 1878 on the reverse. Oil on canvas, 11 x 15 1/4 in. (27.9 x 38.8 cm), framed. Condition: Mounted to panel. 68 Additional information and photos at

71 Mantel Clock, 19th century, Vincenti movement, Roman numeral dial cased within a black slate and verte marble-mounted breakfront rectangular case topped by a white-metal cast of a Scottish huntsman leading his two dogs, key included, ht. 18 1/4, wd. 14 3/4, dp. 6 1/2 in. 332 Pair of Sevres-style Porcelain Covered Vases, each urn-form with two handles, the navy blue ground with gilded accents and inset with polychrome hand-painted scenes of putti at various pursuits, with landscapes to the reverse, over socles and square feet, with overglaze blue factory marks, ht. 8 3/4 in. 333 Pair of Art Nouveau Figural Spelter Oil Lamps with Glass Shades, early 20th century, the glass shades polychromeenameled with tulips above figures after Ernest Justin Ferrand (French, ) and titled Nenuphars and Pavots, each cast as a standing woman in a diaphanous dress, on circular stepped and marbleized bases, incised Ferrand, base ht. 20 1/2 in. $ George III Mahogany Secretary Bookcase, cornice with dentil carving above a small carved arcade, upper section enclosed by a pair of segmented glass doors with interior shelving; lower section made up of an upper fall-front writing surface with internal compartments above three lower rows of graduated drawers, on four bracket feet, approx. ht. 89 1/2, wd. 48 1/2, dp. 23 in. $2,000-4,000 Online bidding at 69

72 335 George I-style Needlework-upholstered Wing-back Armchair, England, late 19th century, with a tall fan-back, enclosing two armrests, with a shaped cushion, raised on four cabriole legs carved with volutes and acanthus leaves terminating in scrolled feet, ht. 44 3/8, wd. 35, dp. 26 in. 336 Mahogany Tabletop Bookshelf, 19th century, with pierced and scrolled ends and divider on four gadrooned bun feet, ht. 8 3/4, wd. 16, dp. 11 1/4 in. $ Italian School, 19th Century, After the Antique Bronze Figure of the Farnese Flora, the female contrapposto figure holding a small wreath of flowers in her hand, with applied brown patina, unmarked, ht. 14 1/4 in. $1,000-1, Additional information and photos at

73 English Embroidered Panel, second half 17th/early 18th century, depicting a central seated figure playing the lyre and surrounded by recumbent animals and insects, with figures representing the four cardinal virtues of justice, prudence, fortitude, and temperance to each corner, polychrome silk thread on cream-colored silk ground, long and short stitched with some raised elements, framed, sight size 9 3/8 x 8 1/4 in. 339 Continental School, 19th Century He Loves Me Not Unsigned. Oil on canvas, 18 1/8 x 13 in. (46.0 x 32.8 cm), framed. Condition: Craquelure, minor canvas deformation, surface grime. $ A Circle of Jacob Cats (Dutch, ) Travellers Resting on a Country Road in a Hilly Landscape Identified within a hand-decorated mat l.c. Black chalk, brown ink, and brown wash on paper, sheet size 7 x 10 7/8 in. (17.8 x 27.6 cm), framed. Condition: Not examined out of frame. Provenance: Christie s Amsterdam, Pictures, Watercolours, Drawings & Copies after Old Masters, September 3, 2002, Sale 2555, Lot Tapestry Panel, early 17th century, possibly depicting the biblical scene of Susanna and the Elders, the central scene showing a woman undressing at the bath with her two attendants and two male onlookers in the bushes of the background, framed by a border of various fruit, flowers, and foliage and mounted on a wood board, 33 5/8 x 32 in. $4,000-6,000 Online bidding at 71

74 Tilt-top Tea Table, late 18th century, finelyfigured mahogany top raised on a later birdcage support, all on a turned baluster stem with spiral turning to lower section terminating in three neo-gothic carved splayed spade feet, ht. open 44 1/2, dia. 29 in. 342 Japanned Commode, demilune shape decorated throughout with gilt chinoiserie scenes against a red-painted background, with two small doors enclosing large interior compartment, raised on four tapered and cuffed legs, ht. 38 3/4, wd. 37 1/4, dp. 18 in. 343 Five Balustroid Glasses, England, mid-18th century, four dram glasses with medial knops: one with bucket bowl engraved with a band of vining foliage and a conical foot with folded rim, ht. 3 5/8, one with bell bowl with solid base and basal knop on conical foot, ht. 4 3/8, one transparent gray with bucket bowl with solid base on basal collar and conical foot, ht. 3 3/4, another with bucket bowl and small basal knop on conical foot, ht. 3 3/4; and a gin glass with waisted bucket bowl, teared stem with annulated and basal knops, and conical foot with folded rim, ht. 4 3/4 in. 344 Baluster Wineglass, England, c. 1750, the trumpet bowl on a multi-knopped stem with a beaded acorn, on a conical foot, ht. 6 7/8 in. 346 Opaque-twist Wineglass, England, c. 1770, the bell bowl with solid beaded base, on a double-series stem and conical foot, ht. 7 in. 347 Three Balustroid Wineglasses, England, c. 1750, each with trumpet bowl on a teared stem with medial knop, two with domed feet, ht. 6 3/8 and 6 7/8, and one with wide basal collar on a conical foot, ht. 7 in. 348 Four Balustroid Wineglasses, England, c. 1750, each with round funnel bowl and conical foot with folded rim, three with shoulder and basal knops: one with teared shoulder knop, ht. 5 7/8 to 6 1/8, and one with annular shoulder knop, ht. 5 3/8 in. 345 Engraved Baluster Wineglass, England, the round funnel bowl decorated with the arms of the House of Orange encircled by a garter, surmounted by a crown, and flanked by crowned lions, on a Newcastle light-baluster stem with beaded knop, and domed foot, ht. 7 1/4 in. 349 Three Balustroid Wineglasses, England, c. 1750, each with basal knop and conical foot with folded rim, two with round funnel bowls, ht. 6 and 6 1/8, and one with a waisted bucket bowl, ht. 6 in. 72 Additional information and photos at

75 After William Samuel Howitt (British, c ) Driving a Bear out of Sugar Canes/ Chassant un Ours des Cannes de Sucre Inscribed in the plate Saml Howitt del. from the original design of Captn Thos Williamson l.l., No. XXVIII and Edwd Orme Excudit. l.c., H. Merke sculp l.r. Engraving with aquatint and hand-coloring, plate size approximately 14 3/4 x 19 1/4 in. (37.5 x 49.0 cm), framed. Condition: Pale staining, foxing, gentle toning, probable fading, not examined out of frame. $ A Attributed to Henry Murray (British, ac ) Country Inn with Stage Coach Signed H. Murray l.r. Watercolor on paper, sight size 11 1/4 x 17 1/4 in. (28.5 x 44.0 cm), framed. Condition: Not examined out of frame. 351 After Carl Kauba (Austrian, ) Bronze Figure of an Indian Chief, cast with a feathered headdress and rifle in one hand striding forward on a polished agate base, bronze signed C. Kauba, dark brown patina, bronze ht. 9 in. $1,000-1, After Carl Kauba (Austrian, ) Bronze Figure of an Indian Chief with a Rifle, cast with one hand lifting a rifle, in a feathered headdress, raised on a polished agate base, bronze signed C Kauba, and stamped Geschutzt/6254, red-brown patina, bronze ht. 11 1/2 in. $1,000-1, After Carl Kauba (Austrian, ) Cold-painted Bronze Figure of an Indian Chief, cast running with one hand raised to his mouth, in a feathered headdress, raised on a polished marble base, bronze indistinctly stamped to one leg and stamped AUSTRIA to the underside of the raised foot, bronze ht. 9 1/4 in. $1,200-1, After Carl Kauba (Austrian, ) Bronze Figure of an Indian Warrior, cast with a war club in one hand, raised on a polished agate base, bronze signed C Kauba, and stamped Geschutzt/ 5305, golden brown patina, bronze ht. 9 3/4 in. $1,000-1, After Pierre Eugene Emile Hebert (French, ) Antiope, the bronze cast as an Amazon stringing her bow, signed to base Emile Hebert and labeled to side of base Antiope, ht. 25 1/8 in. $1,200-1, George III Cellarette, rectangular form with crossbanding and string-inlaid veneer throughout, raised on four tapered rectangular legs mounted with brass casters, ht. 23 3/4, wd. 15 7/8, dp. 11 3/8 in. Online bidding at 73

76 A Carlo Corradini (Italian, 19th Century) Group of Gentlemen in a Sitting Room Signed, inscribed, and dated C. Corradini/ Roma 1882 in ink c.l., signed and inscribed Corradinni [sic],/roma l.r. Watercolor on paper mounted to paperboard, 19 3/8 x 26 1/8 in. (49.3 x 66.2 cm), framed. Condition: Toning, fading, scattered small stains, small loss to l.r. corner of paperboard support. N.B. The lot is accompanied by a letter from Dr. Waldemar H. de Boer, PhD, of Florence, Italy, confirming the attribution of the watercolor. $1,500-2, Fifteen Chinese Export Porcelain Plates, each polychrome enameled, fourteen circular with shaped rim and central scene of various birds in a garden, dia. 9 7/8, and one octagonal with a flowering shrub and fence, dia. 8 3/8 in. $ Pair of Rose Medallion Chinese Export Porcelain Bottle-form Vases, 19th century, each polychrome enameled with alternating cartouches depicting court life and flowers, birds, and butterflies, on a gilded ground with further foliage and butterflies, ht. 8 7/8 in. 357 Jacobean-style Carved and Inlaid Oak Coffer, hinged lid above a triple-paneled arched carved front, each arch with an inlaid diamond pattern, raised on fluted supports, ht. 29, wd. 57 3/4, dp. 22 1/2 in. $1,200-1, Alabaster Lamp with Commedia dell Arte Characters, late 19th/early 20th century, with the character Pierrot holding Columbine s hand to her heart as she leans away, raised on a separate gray-veined alabaster platform carved to the front with garlands of rosettes and a central circular boss, electrified, total ht. 20 3/4, wd. 10 5/8, dp. 5 in. $1,200-1, Manner of Adriaen Brouwer (Flemish, ) Figures at a Tavern Table Unsigned. Oil on panel, 11 7/8 x 15 7/8 in. (30.2 x 40.2 cm), framed. Condition: Retouch, craquelure, discolored varnish, frame abrasion. N.B. The composition of this work, particularly in the placement of the figures, relates to a painting by Adriaen Brouwer titled Interior of a Smoking Room in the collection of the Louvre. Based upon the age of the wood panel, the work at hand appears to be 19th century. $ Pair of Rose Mandarin Chinese Export Porcelain Vases, 19th century, each baluster form with six sides, polychrome enameled and gilded with scenes of court life against a background of foliage, butterflies, and personal items, with applied gilded foo lions and dragons to neck and shoulders, ht. to 23 3/4 in. $2,000-4, Six Pieces of Rose Medallion Chinese Export Porcelain, 19th/20th century, each polychrome enameled and decorated with alternating cartouches depicting scenes of court life and flora and fauna, against a gilded ground with further foliage, a pair of double gourd-form vases, ht. 6 1/8, peach-form cadogan wine pot, ht. 6, oblong lobed dish, lg. 10 7/8, lotus-form dish, dia. 10 1/4, and circular bowl, dia. 10 7/8 in. 74 Additional information and photos at

77 Set of Four Glass and Brass Curtain Tiebacks, each with a floral blue glass medallion with a silvered interior ball and starburst, each mounted to a pivoting cast brass wall mount, lg. with flower extending straight out from mount approx. 9 1/4, dia. of glass 6 7/8 in. 365 Continental Porcelain Standish, 19th century, with three cistern-form inkwells with brass covers and a large central pen rest, the navy and white ground gilded and with polychrome hand-painted floral bouquet, unmarked, lg. 13 in. 366 Parcel-gilt and Painted Mahogany Veneer Demilune Cabinet, 19th century, the crossbanded top painted with a medallion and floral festoons, on conforming case fitted with an acanthus-carved frieze above two central drawers with further painted festoons and recessed tambour doors, flanked by framed panels with central medallions painted with bouquet-filled urns, on four circular tapered carved legs, ht. 36, wd. 48 1/2, dp. 20 1/2 in. $1,200-1, Pair of George III Bedside Cupboards, England, late 18th/early 19th century, each top with a patterned inlaid motif above a single drawer and a large compartment enclosed by a tambour door, raised on tapered rectangular legs, ht. 33, wd. 15, dp. 12 in. 368 Meissen Porcelain Figure of a Woman Napping, Saxony, second half 19th century, the woman seated in a chair with her hand draped on a side table, shoes cast off, and a letter tucked into her bodice, with crossed swords mark, incised E. 58, and impressed 43, ht. 7 3/8 in. 369 Two Meissen Figures of a Chinese Man and Woman, Saxony, mid-20th century, each polychrome enameled and gilded, the man holding a conical hat in one hand and resting his other hand on his hip, with blue crossed swords mark and incised 2672 and 117 (date cipher for 1961), ht. 6 1/4; and a woman with a parasol mounted to a long staff, incised 2676 and 124 (date cipher for 1961), ht. 7 1/4 in. Online bidding at 75

78 Roland Oudot (French, ) Arlésienne au chale blanc Signed Roland Oudot l.l., titled in ink on the stretcher, identified on a label from Galerie de Paris affixed to the stretcher. Oil on canvas, 16 3/16 x 9 1/2 in. (41.0 x 24.2 cm), framed. Condition: Varnish inconsistencies, surface grime. $ A After Jean-Louis-Ernest Meissonier (French, ) Napoleon I in 1814 Signed d ap Meissonier/LM l.r. Oil on canvas, 12 7/8 x 9 3/4 in. (32.5 x 24.8 cm), framed. Condition: Lined, minor retouch, surface imperfections. 371 Meissen Porcelain Group of a Shepherd and Sheep, Saxony, second half 20th century, the figure mid-stride, with a crook under his arm and knitting needles in hand, followed by three sheep, with a tombstone-shaped marker labeled 100 Km, base incised O. Pitz and the underside y755 and 48, also with blue crossed swords mark, lg. 14 in. 372 Berichte aus der Staatlichen Porzellan Manufaktor Meissen, Meissen: 1919, numbered 79 of 250, with fourteen engraved illustrations. $ English Mahogany Sewing Table, c. 1780, fold-open top with string-inlay opening to an inset tooled leather panel, with string-inlaid frieze drawer and dummy drawer, raised on four legs joined by X-form stretcher, with affixed label Guaranteed Genuine by A. Stair & Co./59 East 57th St. New York, ht. 28 1/2, wd. when closed 15 7/8, dp. 21 1/4 in. $1,000-1, Walnut-veneered Lowboy, quarter-matched veneer top, above a row of two drawers and another long drawer, all with crossbanded and brass bail handles, with a shaped apron, raised on four cylindrical legs, ht. 28 3/4, wd. 27 1/2, dp. 20 in. $ Porcelain Fles Hand-painted Delft Tile After Rembrandt, Holland, late 19th/early 20th century, depicting De Staalmeesters or The Syndics of the Drapers Guild in sepia tones, with painted factory mark, monogram DW and T, framed, tile size 11 3/4 x 19 3/4 in. 376 Italian Marble Bust of Jeanne d Arc, polychrome marble, looking upward with a cloth on her head in white marble with a gray dress with red sleeves, labeled to the front and signed G. Besji to the back, ht. 9 1/4 in. 377 Italian School, 19th/20th Century Market Genre Scene Signed P VANI l.r., with a label from the Closson Art Galleries, Cincinnati, on the frame backing. Oil on canvas, 19 1/4 x 27 1/4 in. (49.0 x 69.2 cm), framed. Condition: Lined, surface grime. 377A Italian School, 19th Century Peasant Woman with Ewer Unsigned. Oil on canvas, 23 x 17 in. (58.5 x 43.2 cm), framed. Condition: Scattered paint losses, abrasions, craquelure. 76 Additional information and photos at

79 Seated Bronze Female Figure, Continental, 19th century, with one hand at her breast and one arm extended, applied brown patina, mounted to black-painted wood base, unmarked, bronze ht. 8 in. 379 Framed French Needlework Panel, titled Theatre des Varietes showing an actor on stage labeled below as: Dejazet dans Le Vicomte de la Torieres, and signed Leon Pons, 1900, sight size approx. 26 x 21 1/2 in. 380 Three Pieces of Joined Furniture, England, 18th century and later, an oak stool with four turned legs joined by rectangular stretchers on block feet, ht. 20 1/2, wd. 22 1/2, dp. 14; a tavern table with later drawer on turned legs joined by stretchers and further raised on bun feet, ht. 24 1/2, wd. 36 1/2, dp. 22; a walnut panel-back chair with a carved flowerhead with radiating leaves carved into the back and upper front stretcher, seat wide and short with a shaped seat rail and four low stretchers joining the rectangular legs, ht. 37 3/4, wd. 20, dp. 14 1/2 in. 381 Six-light Cut Crystal Chandelier, with hanging lustres and pendant strands of faceted prisms, with three later glass shades, approx. ht. 35 1/2 in. 382 Four Pieces of Molded Pedestal Glassware, England, c. 1745, each with octagonal stem, two sweetmeat dishes with double ogee bowls, long tears to stems, and domed feet, one with folded rim, ht. 6 and 6 1/8; a champagne glass with double ogee bowl, basal collar, and conical foot with folded rim, ht. 4 1/2; and a tazza with domed foot and folded rim, ht. 5 1/2 in. 383 Five Glasses with Plain Stems, England, , each with conical foot with folded rim, a massive goblet with bell bowl and teared stem, ht. 9 5/8, goblet with funnel bowl and teared stem, ht. 8, two wineglasses with trumpet bowls and teared stems, ht. 5 3/4 and 6 3/8, and a wineglass with funnel bowl, ht. 5 3/8 in. 384 Six Glasses with Plain Stems, England, , each with conical foot with folded rim, a covered goblet with teared inverted acorn finial, cover and funnel bowl engraved with fruiting grapevine, total ht. 9; three wineglasses: two with round funnel bowls, one with engraved grapes, vine, and flower spray to bowl, ht. 5 5/8 and 5 1/2, and one with an ogee bowl, ht. 6 1/4; and two cordials with ogee bowls, ht. 5 and 5 1/4 in. 385 Three Soda Glass Wineglasses, 18th century, two with funnel bowls, teared stems, and conical feet with folded rims, ht. 6 3/4 and 5 5/8, and one with trumpet bowl, long teared stem, and conical foot, ht. 7 1/8 in. 386 Silver-mounted and Cased Glass Tankard, possibly Prussia, silver lid with a thumb-piece modeled as a standing peasant woman and engraved with floral scrolls, bearing marks for Liegnitz, Prussia, probably mid to late 18th century; on a ruby cut-to-clear overlay glass tankard with parcel-gilt detailing to rim and body, ht. to thumb-piece 7 in. $ Online bidding at 77

80 A 78 Additional information and photos at

81 387 After Robert Bousquet (French, ) Lion, cast as a male lion standing atop a naturalistic base incised Bousquet, lion with gold-colored patination, lg. 19 in. $1,500-2, Empire-style Mahogany Veneer and Parcelgilt Seating Suite, early 20th century, a settee and two side chairs, the settee with D-shaped seat back with mask-adorned fan-form mounts, and on dolphin-form stumps, on an upholstered seat and sabre legs, lg. 76, each chair with conforming crest and gilded mount, on circular upholstered seat and four sabre legs, seat ht. 19 in. 389 Three-panel Oil Painted Floor Screen, canvas backing mounted with metal studs, two side panels open to form a large Italianate landscape with a lake and sailboat, ht. 36, wd. open 50 1/2 in. 390 After Claude Lorrain (French, ) Rest on the Flight to Egypt Unsigned. Oil on canvas, 16 7/8 x 23 3/8 in. (43.0 x 59.5 cm), framed. Condition: Lined, abrasion with possible puncture and with paint loss to surface u.l. quadrant, scattered abrasions and losses, craquelure, surface grime. N.B. The original painting on which this copy is based is found in the collection of the Hermitage Museum and measures 157 x 116 cm. This copy may be 17th century, when versions of reduced size were sometimes made of Claude s paintings. 390A After Fra Angelico (Italian, c ) Reproduction of the Madonna della Stella Unsigned, inscribed Madonna della Stella/ Beato Fra Angelico on the reverse of the frame. Oil or tempera and gilding on panel within a tabernacle frame, 30 1/2 x 16 x 4 1/8 in. (77.3 x 40.3 x 10.3 cm) overall. Condition: Losses to gilt facing, cracking with areas of lifting, paint losses. N.B. Fra Angelico s original work, done in 1434, is in the collection of the Museo di San Marco in Florence. $1,000-1, Continental School, Late 19th/Early 20th Century Bronze and Ivory Figure of a Boy with a Lute, signed G.O. BAILLY, with an impressed clover beside the signature, cast with one hand in the air and the other holding his lute, on a naturalistic base, further raised on a figured marble base, dark brown patina, bronze ht. 11 3/4 in. 392 After Rene-Paul Marquet (French, ) Gilt-bronze and Ivory Figure of a Page, cast with a horn in one hand and a scroll in the other, raised on a marble pedestal, bronze signed R. Marquet and numbered 100, bronze ht. 10 5/8 in. $1,500-2, After Professor Otto Poertzel (German, ) Cold-painted Bronze of a Page Boy with a Casket, cast with cape flowing behind him, an ivory feather in his cap, and an ivory casket clutched in both hands, raised on a marble base, bronze signed Prof. O. Poertzel and stamped GERMAN, bronze ht. 8 7/8 in. 394 After Gotthilf Jaeger (German, ) Cold-painted Bronze and Ivory Figure of a Young Falconer, cast in a polychrome medieval page s uniform with a falcon seated on one hand, raised on a marble base, bronze signed G. Jaeger. and RM, possibly for Rosenthal and Maeder, Berlin, bronze ht. 9 3/8 in. $1,000-1, After Emmanuel Fremiet (French, ) Credo, Paris, 20th century, the gilt-bronze cast as a knight holding a banner, on a circular red marble base, bronze signed E. FREMIET, and F. Barbedienne. Fondeur., bronze ht. 7 3/4 in. 396 Export Wood and Lacquer Chest, Japan, late 19th century, rectangular, the exterior painted with birds flying amidst garden scenes, with willow trees, pavilions, bridges, and distant mountains, monogrammed WH on the back, the two-door front opens to six drawers of varying sizes, the interior painted in red with gilt border, metal hardware, ht. 40 1/2 in. $1,000-2, After Auguste Moreau (French, ) Bust of a Young Woman, the gilt-bronze figure cast with grapevine wreath and pendant tendrils, on a hardstone base, incised Auguste Moreau, bronze ht. 5 3/8 in. $ Georges Omerth (French, fl ) Gilt-bronze and Ivory Figure of a Dancer, cast as an exotic dancer with her arms open stepping forward off the ovoid marble base, signed to bronze OMERTH and stamped FRANCE, bronze ht. 9 1/4 in. $1,200-1, William Giller (British, 1805-after 1858), After William and Henry Barraud The Meet at Badminton Inscribed and titled in the plate Painted by William & Henry Barraud l.l. and Engraved by William Giller l.r., published by Henry Graves & Co., London, Engraving with hand-coloring on paper, image size 16 3/4 x 28 7/8 in. (42.7 x 73.5 cm), framed. Condition: Toning, not examined out of frame. 399A Charles Turner (British, ), After James Ward (British, ) Ralph John Lambton, Calling hounds out of cover Signed in the plate J. Ward pinxit l.l. and Published 1821 by C. Turner l.c., inscribed within the image JW...R.A l.c. Aquatint with hand-coloring, image size 19 1/8 x 28 5/8 in. (48.5 x 72.5 cm), framed. Condition: Scattered foxing, not examined out of frame. Online bidding at 79

82 Six Minton Polychrome Enameled and Gilded Porcelain Plates, England, pattern G1212, most with date cipher for 1874, each with a different central hand-painted bouquet of flowers, navy and Minton blue border with a crenelated pattern, and slightly lobed gilded edge with flowerhead design, dia. 9 1/4 in. 401 Continental School, 19th/20th Century Classical-style Bronze Bust of a Maiden, cast with a floral garland in her hair cascading down one exposed shoulder, raised on a square marble pedestal, unsigned, bronze ht. 9 3/4 in. 402 George III-style Inlaid Mahogany Sideboard, with a back gallery, a serpentine central drawer with inlaid band along the edges, above brackets veneered in a sunflower motif and flanked by two deep drawers inlaid with a circular wreath, raised on six square tapered legs inlaid with a ribband motif and pendant leaf forms, ht. 39 5/8, wd. 78 3/8, dp. 30 3/4 in. $1,200-1, Louis XV-style Bureau Plat, with a tooled and gilt-decorated leather writing surface framed by crossbanded veneer, and an ormolu-mounted edge and frieze; frieze also with a row of three drawers to front and three dummy drawers to the reverse; raised on cabriole legs each mounted with ormolu terminal figures to the knees and with sabotmounted and scrolled feet, ht. 31 1/8, wd. 69, dp. 37 1/2 in. $2,000-4,000

83 404 Russian Icon Depicting St. Nicholas, late 19th century, shown in a bishop s stole with the Gospels in one hand and the other raised in blessing with the Mother of God in a small circle by his right shoulder and Jesus in a small circle to his left, encased in a metallic riza with a gilt halo around his head, on a braced panel, 10 1/2 x 9 in. 405 Russian Icon Depicting the Diesis, 19th century, kovcheg panel showing Christ seated, one hand raised in blessing and the other holding the Gospels, flanked by Mary and John, surrounded by various saints and with several monks kneeling before him, all with gilt halos on a gilt ground, with an olive-green border further painted with two figures, 14 1/8 x 12 1/4 in. $ Russian Icon Depicting St. Alexis, 19th/20th century, shown with one hand raised in blessing against a punch-decorated gilt background with abstract patterning to the border, framed within a shadow box with a hinged glass door, stamp to the back of the panel, total 13 1/2 x 11 3/4 in. $ Russian Icon Depicting St. Anne of Kashin, early 20th century, shown in habit of Great Schema or analav with rosary beads in one hand, background showing the Savior in the Clouds in the upper left corner and buildings in the distance, with a parcel-gilt background and frame, 8 3/4 x 7 in. 408 Russian Icon Depicting Weep Not for Me, Mother, 19th/20th century, the kovcheg panel shows the body of Christ from the waist up with his arms crossed in front of him while held by his mother, each with gilt halos around their heads, outer edge with two patron saints, all on a brown ground, 10 1/2 x 9 in. 406 Online bidding at 81

84 409 Samuel William Reynolds (British, ), After Richard Ansdell (British, ) The Caledonian Coursing Meeting Titled and inscribed in the plate Painted by Richard Ansdell l.l. and Engraved by S. Reynolds/... l.r. Engraving with hand-coloring, image size 18 1/2 x 38 3/4 in. (47.0 x 98.5 cm), framed. Condition: Toning, not examined out of frame. N.B. The original painting by Richard Ansdell, measuring 61 1/8 x /16 inches and done in 1844, is in the collection of the Yale Center for British Art, New Haven, Connecticut. 409A Thomas Fielding (British, ), After Henry Alken (British, ) Four Engravings of the Stages of the Fox Hunt, Leicestershire: The Meeting, Getting Away, Full Cry, and The Death Titled and inscribed in the plates Henry Alken delt l.l. and Thomas Fielding sculpt. l.r., published in 1847 by J. Watson, London. Engravings with hand-coloring on paper, image sizes 11 3/4 x 19 in. (30.0 x 48.2 cm), framed. Condition: Toning, not examined out of frames. 410 Four Multi-spiral Air-twist Wineglasses, England, c. 1750, one with ogee bowl on shoulder-knopped stem and conical foot, ht. 5 7/8, another with bell bowl over a shoulderknopped stem and conical foot, ht. 6 1/2, the third with trumpet bowl with solid base on a stem with shoulder and center knops, ht. 6 1/2, and a bell bowl above a shoulder- and center-knopped stem and conical foot, ht. 6 in. 411 Three Air-twist Stem Wineglasses, England, c. 1750, one with a bell bowl with solid base on a multi-spiral air-twist stem and domed foot, ht. 6 3/8, another with a waisted bucket bowl with solid base on a single-series airtwist stem with two corkscrews and a conical foot, ht. 6 3/4, the third with a waisted bucket bowl on a multi-spiral air-twist stem and conical foot with folded rim, ht. 6 1/4 in. 412 Four Air-twist Wineglasses, England, c. 1750, each with trumpet bowl, multi-spiral stem, and conical foot, ht. 6 1/8 to 7 3/8 in. 413 Three Air-twist Stem Glasses, England, c. 1750, two wineglasses with round funnel bowls over multi-spiral air-twist stems and domed feet, ht. 6 1/8 and 6 3/8, and a cordial with cut ogee bowl on a double-series air-twist stem and conical foot, ht. 5 3/4 in. 414 Two Books on English Glass, Old English Drinking Glasses: Their Chronology and Sequence, by Grant R. Francis, 1926; and Old English Glasses: An Account of Glass Drinking Vessels in England from Early Times to the End of the Eighteenth Century, by Albert Hartshorne, $ Seventeen Books on Antique Glass, Chats on Old Glass, by R.A. Robertson, 1969; Glass, from the Antiques and their Values series, compiled by Tony Curtis, 1978; The Observer s Book of Glass, by Mary and Geoffrey Payton, 1976; Antique Glass for Pleasure and Investment, by Geoffrey Wills, 1972; The Hallmarks of Antique Glass, by R. Wilkinson, 1968; Le Soufflage du Verre: Art Perdu et Retrouve, by Jean Vallieres, 1979; The Country Life Book of Glass, by Frank Davis, 1966; The Encyclopedia of Glass, edited by Phoebe Phillips, 1981; The Collector s Dictionary of Glass, by E.M. Elville, 1961; Two Hundred Years of American Blown Glass, by Helen and George S. McKearin, 1966; Glass by Geoffrey Wills, 1975; Old Glass European and American by N. Hudson Moore, 1924; The Book of Wine Antiques, by Robin Butler and Gillian Walkling, 1986; Phaidon Guide to Glass, by Felice Mehlman, 1982; An Illustrated Dictionary of Glass, by Harold Newman, 1977; Old Glass and How To Collect It, by J. Sydney Lewis, 1928; and American Glass, edited by Marvin D. Schwartz and Robert E. DiBartolomeo, Seventeen Books on British and Irish Glass, An Illustrated Guide to Eighteenth- Century English Drinking Glasses, by L.M. Bickerton, 1971; English, Scottish & Irish Table Glass, by G. Bernard Hughes, 1956; English Drinking Glasses , by L.M. Bickerton, 1984; The Jabobites and their Drinking Glasses, by Geoffrey B. Seddon, 1995; British Glass, from the Collectible Glass series, 1978; English and Irish Antique Glass, by Derek C. Davis, 1964; English Table Glass, by Percy Bate; English Glass, edited by Sydney Crompton, 1972; The Glass Collector: A Guide to Old English Glass, by Maciver Percival; English Glass for the Collector , by G. Bernard Hughes, 1958; English and Irish Glass, by W.A. Thorpe, 1927; English Glass and the Glass Used in England, c , by R.J. Charleston, 1984; English Glass, by W.B. Honey, 1987; English Glass, by W.A. Thorpe, 1935; English Tableglass, by E.M. Elville, 1951; English and Irish Glass, by Geoffrey Wills, 1968; British Table and Ornamental Glass, by L.M. Angus- Butterworth, 1956; and Vol. XVI No. 5 of The Antiquarian, (18 items total). 417 Provincial French Cupboard, single door decorated with two carved panels each with stylized baroque cartouches and pendant leaf-form ornaments, frame similarly carved, raised on scrolled feet, ht. 80 1/2, wd. 28 1/4, dp. 17 1/2 in. 418 Inlaid Sillon de Caderas, Spain, 19th century, X-frame walnut folding chair with geometric inlay of lighter woods along the arms and legs with central star motifs throughout, with a tacked fabric seat and backrest, raised on two trestle supports, ht. 34 3/4, wd. 27 3/4, dp. 20 1/2 in. $ Edward Gilbert Hester (British, ), After Edward Algernon Stuart Douglas (British, 1850-c. 1920) Starting from the Kennels Titled and inscribed in the plate Painted by E.A.S. Douglas l.l. and Engraved by E.G. Hester l.r., published by E.A. Ackerman, London, Hand-colored aquatint, image size 14 1/8 x 27 3/4 in. (36.0 x 70.5 cm), framed. Condition: Foxing, not examined out of frame. 82 Additional information and photos at

85 A Thomas Landseer (British, ), After Edwin Landseer, R.A. (British, ) Eos, A Favorite Greyhound of Prince Albert Inscribed in the plate Painted by Edwin Landseer, R.A. l.l. and Engraved by Thomas Landseer l.r. Engraving with hand-coloring on paper, 18 x 24 1/4 in. (45.5 x 61.5 cm), framed. Condition: Toning, staining to u.r., not examined out of frame. N.B. This engraving by Thomas Landseer is after his brother Edwin Landseer s oil painting of 1841, found in the collection of Queen Elizabeth II. The original painting was commissioned by Queen Victoria as a Christmas present for Price Albert. The hat, gloves, and cane all belonged to Price Albert. $ Scottish Victorian Silver-mounted Horn Snuff Mull, mid-19th century, the hinged cover with repoussé thistle decoration and inset paste stone, the horn with vacant silver shield and mounted with a rabbit s foot, ivory gavel, and three implements, horn lg. 4 in. $1,500-2,000 Online bidding at 83

86 Pair of Bohemian Cased Glass Mantel Lustres, early 20th century, of typical form, the white cut-to-ruby glass with gilt accents and polychrome enameled flower sprays, hung with faceted colorless prisms, ht. 10 1/4 in. 422 French Ormolu Figural Jardinière, 19th century, the oval openwork basket with band of fruiting grapevine supported by two women wearing sheepskin pelts, on a rectangular base with Neoclassical mounts and four scrolled bracket feet, unmarked, ht. 25 in. $ Porcelain Figure Group Designed by Gerhard Henning for Royal Copenhagen, Denmark, mid-20th century, Fairytale III figure group, with painted factory marks, incised 1664, and designer s painted mark and monogram; modeled as a seated and turbaned gentleman supporting a reclining nude woman in his lap, on a gilded oval base, ht. 8 in. 424 Provincial Marble-top Oak Occasional Table, with a small single frieze drawer above a shaped apron raised on four cabriole legs terminating in hoof feet, ht. 22, wd. 14, dp. 11 in. $ Victorian Papier-mâché Tilt-top Games Table, England, mid-19th century, the circular top with molded and scalloped edge and mother-of-pearl inlaid checkerboard bordered by polychrome and gilded flower sprays and scrolling ornament, on baluster standard and tripod base with conforming decoration, closed ht. 38 1/4, table dia. 19 3/4 in. 426 Pair of Neoclassical Bronze Urns, France, late 19th/early 20th century, after design by Ferdinand Levillain (French, ), F. Barbedienne, founder, each cast with double handles above bearded masks and flowering vines in low relief, medium brown patina, on square rouge marble base, incised F. LEVILLAIN and F. BARBEDIENNE, bronze ht. 5 1/8 in. $ Art Nouveau Bronze Pitcher, early 20th century, cast with a Bacchus mask beneath the spout and mermaids, mermen, and a fish in high relief against an aquatic ground, copper-colored patina, unmarked, ht. 8 1/4 in. 428 After Mathurin Moreau (French, ) Danseuse a la Lyre, bronze figure of a woman with her arms raised holding a lyre, signed Math. Moreau/Hors Concours and stamped MEDAILLE D HONNEUR, with chocolate brown patina, raised on a red marble revolving base mounted with the plaque VOIX des FLOTS/Math, Moreau Medaille d Honneur, ht. of bronze approx. 28 in. $1,500-2, Three-piece Sevres-style Ormolu-mounted Porcelain Desk Set, late 19th/early 20th century, an inkwell with pen rest on four feet, rectangular box with hinged lid, and a blotter with handle, each with turquoise panels, polychrome enameled flowerheads, and raised gilding, inkwell and box with blue marks, inkwell dp. 4 3/8 in. 84 Additional information and photos at

87 430 British School, 19th Century Southdown Foxhounds Unsigned, titled and dated /... on a handwritten label affixed to the stretcher. Oil on canvas, 30 1/8 x 42 3/4 in. (76.5 x cm), framed. Condition: Lined, retouch, craquelure, accretions, abrasions, surface grime. 435 N.B. The label, which is unsigned, relates that...my grandfather died hunting with these hounds on 3rd Jan at Ditchling Beacon. $1,500-2, Pair of Three-arm Gilt Candelabra, each with foliate stems above a bronze Cupid standing on a columnar platform, raised on a square base, ht. 18 in. $ British School, 19th/20th Century Head of a Hunting Dog Unsigned, inscribed Dog s Head/By Poole of London on the reverse. Oil on paperboard, 13 1/2 x 17 5/8 in. (34.3 x 44.9 cm), framed. Condition: Surface grime, oval mat glued at edges to front. $800-1, Framed French Needlework Panel, titled Comedie Francese showing an actress on stage labeled below as: Mlle Rachel dans Phedre, and signed Leon Pons, 1898, sight size approx. 23 x 17 in. 434 After Adolphe Jean Lavergne (French, ) Le Pecheur, the bronze cast as a boy with his fishing rod over his shoulder untangling line, on a rectangular base with a title plaque, also signed Lavergne, and numbered to underside 20059, dark brown patina, ht. 12 1/2 in. $1,200-1, After Peter or Paul Tereszczuk (Austrian, Late 19th/Early 20th Century) Bronze and Ivory Dancer, the female figure balanced on the toes of one foot with the other leg extended behind her, incised P. Tereszczuk and with TC monogram, on a cylindrical rouge marble pedestal, bronze ht. 17 in. $3,000-5, After Emile Pinedo (French, ) Gilt-bronze Figure of a Female Nude, 20th century, cast with both hands raised brushing her hair while standing on a pillow cushion, further raised on a square marble base with a gilt-metal rim to the foot, bronze signed Pinedo, bronze ht. 10 3/8 in. $1,000-1, Continental School, 19th/20th Century Nymphs on an Open Shell, the creamcolored marble with a standing figure with a beaded necklace, both nudes adorned with drapery and seaweed, on a square base, signed A. Car, ht. 26 3/4 in. $2,500-3, Attributed to Douglas Volk (American, ) Pair of Paintings of Cavaliers at Leisure: Music and Cards Unsigned, identified on presentation plaques. Oil on panel, 10 5/8 x 8 3/8 in. (27.0 x 21.4 cm), framed. Condition: Both with hairline vertical cracks to panels, heavily varnished. Online bidding at 85

88 A German School, 19th Century Winter Landscape with Figures on a Castle Bridge Signed or inscribed indistinctly l.r. Oil on canvas, 11 3/8 x 15 1/2 in. (29.0 x 39.5 cm), framed. Condition: Lined, retouch, craquelure, varnish inconsistencies, minor surface grime. Provenance: Christie s Amsterdam, Pictures, Watercolours and Drawings: Including Maritime Pictures and Copies after Old Master Pictures, September 2, 2003, Sale AMS 2593, Lot French Provincial Desk, with single frieze drawer and shaped apron, raised on cabriole legs, ht. 29, wd. 38 1/4, dp. 20 1/4 in. $ Louis VXI-style Marble-top Three-drawer Commode, France, 19th century, with a figured gray Carrara marble top, drawer fronts veneered and framed by geometric bands mounted with brass escutcheons and circular pulls, and flanked on either side by stringinlaid columns with classical-style mounted bronze capitals and brass-mounted feet, matching columnar supports to back feet with additional string inlay to sides, ht. 34 1/2, wd. 37, dp. 19 1/2 in. 441 Zuid Holland Gouda Pottery Matte Glaze Charger, Holland, early 20th century, designed by C.A. Prins, Prinsenhof pattern, with orange and yellow floral motif with scrolling leafy vines on a light blue ground with a royal blue rim, painted PZH factory mark and initialed CP., dia. 16 1/2 in. $ Pair of Zuid Holland Gouda Pottery Mat Vogels Mantel Vases, c. 1910, designed by Wilhelmus P. Hartgring, matte-glazed, each with a mirror image design of a bird of paradise alighting on a flowering branch, decorated in pastel tones of pink, yellow, green, blue, and brown, the PZH Lazarus Gate factory mark with M.V. and impressed 708D, ht. 17 1/2 in. $1,200-1, Pair of Rozenburg den Haag Gouda Pottery High Glaze Vases, Holland, , Zomerbloemen pattern, the baluster forms with deep brown ground decorated with black, cream, pale blue, and pale yellow flowers, each with painted factory mark, ht. to 9 in. $ Zuid Holland Gouda Pottery High Glaze Charger, Holland, date cipher for 1931, Pudora pattern, with dragon painted on orange ground with pale scale motif to rim, painted PZH factory mark and 1165/40, dia. 16 3/4 in. $ Additional information and photos at

89 445 Zuid Holland Gouda Pottery Aurora Pattern Vase, date cipher for 1930, initialed AD, likely for decorator Arnold Dikhoof, balusterform and matte-glazed with register of polychrome enameled flowers to a black body, with PZH factory marks, ht. 6 7/8 in Louis XV-style Oak Vanity and Armchair, 19th century, with carved rocaille to frames, the kidney-shaped vanity with shield-form beveled looking glass and caned gallery over silk-inset top, single frieze drawer, and legs joined by X-form stretchers with detachable footrest, ht. 54, wd. 37, dp. 24; the chair with caned back and armrests, seat ht. without cushion 17 in. $ Italian Baroque Fruitwood Cassone, 17th century, hinged single panel top above section carved with a central carved strapworkdecorated shield and framed by additional applied moldings and a large carved register, lower rail carved to three sides with gadroons, raised on paw feet, ht. 22, wd. 66 1/2, dp. 20 3/8 in. 448 Zuid Holland Gouda Pottery Bacona Pattern Vase, date cipher for 1929, balusterform and matte-glazed with a register of polychrome flowers against and black ground, PZH factory marks, ht. 6 3/4 in. 447

90 Attributed to Constant Troyon (French, ) Le Canal, alternatively titled La Petite Ecluse Bears signature and date TROYON l.l., with a wax seal from Collection Sedelmeyer, Paris, on the stretcher, inscribed N. 103 on the stretcher, identified in a label from Arthur Tooth and Sons Ltd., London, on the back of the frame. Oil on canvas, 18 1/4 x 22 in. (46.4 x 56.0 cm), framed. Condition: Lined, scattered retouch, craquelure. Provenance: Sedelmeyer, Paris; Weeks, Brookline, Massachusetts; Walter P. Chrysler; Hazlitt Gallery, London; Leggatt Brothers, London; The Earl of Inchcape; Artemis Fine Arts (UK) Ltd., London; Edward J. Searles, Toledo, Ohio; by descent in the family to the current owner. Exhibitions: London, Hazlitt Gallery, Barbizon exhibition, 1956, no. 2. N.B. A certificate of authenticity from Cabinet Michel Rodrigue accompanies this lot. $8,000-12, A Burckhardt Flury (Swiss, ) Two Kittens Signed B. Flury c.r. Oil on canvas, 11 1/8 x 14 1/4 in. (28.3 x 36.4 cm), framed. Condition: Scattered craquelure, surface grime. 450 Italian School, Late 19th Century Child with a Letter, the white marble carved as a young girl in a lace-trimmed bonnet and nightshirt carrying a cloak and gazing at an envelope addressed to Mr. W. Adolphus, Chicago Ill, incised Fausto Biggi Carrara, ht. 33 in. $2,000-4, Miniature Classical-style Bronze Bust of a Woman, late 19th/early 20th century, on a paneled socle with egg-and-dart molding, unmarked, ht. 3 1/8 in. $ Miniature Portrait of a Gentleman on Ivory, probably Germany, 19th century, bearing partial label from Hamburg, in a gilt-metal frame, sight ht. 3 1/4 in. 453 Miniature Portrait on Ivory of Napoleon, 19th century, circular, depicted in his coronation regalia, unsigned, framed, sight dia. 3 1/4 in. 454 Enameled Portrait Miniature, Continental, 19th century, circular, depicting a woman in a purple and white dress in profile, in a gilt-metal frame, sight dia. 2 1/2 in. 455 Miniature Portrait on Ivory, possibly Spain, 19th century, signed V. Hav, oval, depicting a woman a in a red dress and white veil with one breast exposed, against a red background, in a gilt-metal frame, sight ht. 3 3/8 in. 88 Additional information and photos at

91 Russian Enameled Silver Buckle, St. Petersburg, , marked AD in Cyrillic, possibly for Alexander Domnin, 84 zolotnik standard, decorated with polychrome floral and arabesque designs, with dagger-form clasp, lg. 2 3/4 in., approx. 1.7 troy oz. 457 Russian Enameled Silver Buckle, , maker s mark MK within an oval cartouche, 84 zolotnik standard, with polychrome design of flowers and arabesques and dagger-form clasp, lg. 3 1/2 in., approx. 1.5 troy oz. 458 German Art Nouveau Copper Kettle and Stand, the kettle with spiraled gadrooning to upper section of body and turned ebonized wood finial and handle, the white metal and copper tripod stand adorned with vining roses and with a burner holder, total ht. 16 1/2 in. $ Italian School, 19th/20th Century Festive Classical Procession Signed Bazzani l.l. Oil on panel, 12 x 16 in. (30.4 x 40.6 cm), framed. Condition: Surface imperfections, discolored varnish. 459A H. La Croix (French, 19th Century) Sicilian Fishmongers Signed H. La Croix l.l., titled and numbered No on a label affixed to the stretcher, identified on a presentation plaque. Oil on canvas, 21 7/8 x 27 in. (55.5 x 68.5 cm), framed. Condition: Minor retouch, craquelure, surface grime. 460 Maude Sherwood Jewett (American, ) Bacchante Flower Holder, the bronze cast as a nude man and woman facing one another with extended arms clasped together and torsos arching backwards, with a naturalistic opening and circular domed foot, medium brown and verdigris patina, base incised Kunst Foundry-NY Maude S. Jewett 1924, ht. 10 1/4 in. $2,000-4, Provincial Fruitwood Slant-lid Desk, France, late 18th/early 19th century, upper section with internal writing surface and compartments, above a row of three drawers with a central dummy drawer and a lower long drawer, all with circular pulls, raised on tapered and reeded legs, ht. 38 7/8, wd. 39 3/4, dp. 20 in. $ Online bidding at 89

92 Framed French Needlework Panel, titled Theatre de la Gaite showing a woman on stage with a windmill labeled below as: Theresa dans la Chatte Blanche, and signed Leon Pons, 1898, sight size approx. 25 x 18 1/2 in. 463 Sevres-style Bronze-mounted Porcelain Inkstand, France, 19th century, ovoid, with two covered inkwells over polychrome handpainted cartouches with bouquets of flowers within landscapes against a gilt-decorated turquoise ground, on a reticulated foot cast with scrolled acanthus leaves, unsigned, porcelain marked Sevres y, handle-to-handle lg. 9 3/4 in. 464 Patchwork and Silk Panel Embroidered with Metallic Thread, Continental, 18th/19th century, the rectangular cream-colored ground decorated with symmetrical flowers and foliage, framed, total size 72 1/4 x 24 in. 465 Tissot French Enameled Opera Glasses, 33 Ave. de L Opera, Paris, the blue ground decorated with raised putti at various pursuits, with mother-of-pearl accents, wd. 4 in. 466 Brass-bound Rosewood Lap Desk, 19th century, the top and front of case with inlaid circles between two bands, with hinged fold-out velvet-inset writing surface above two large storage compartments, pen rest, two covered compartments, and two glass inkwells, rear lifts to expose drawers with turned ivory pulls, ht. 7 1/2, wd. 19 1/8, dp. 12 3/4 in. $ French Ormolu and Alabaster Thermometer, late 19th/early 20th century, surmounted by a gilded white metal captain at a ship s wheel titled Le Pilote, the reverse indistinctly signed, above temperature gauge with results in Celsius and Fahrenheit, on an Art Nouveau-style foliate base with four feet, unmarked, total ht. 16 7/8 in. 468 Regency Giltwood Marble-top Console Table, c. 1810, with a later marble top above a plain and later painted frieze raised on two lion-head monopodia with reeded columnar bodies, and a lower painted plinth further supported by hairy lion paw feet, ht. 33 1/2, wd. 45 1/2, dp. 20 1/2 in. Provenance: Purchased at Sotheby s, London, July 20, 1982, Lot 158. Original Sotheby s catalog included with the lot. 469 George III Mahogany Table, c. 1790, with later turned spindle three-sided gallery above a central frieze drawer, raised on four tapered legs, ht. 37, wd. 36, dp. 19 in. $1,200-1, Additional information and photos at

93 470 Giovanni Battista Piranesi (Italian, ) Veduta degli avanzi del Foro di Nerva, from Vedute di Roma Signed in the plate C. Piranesi, f. l.l., titled l.r. within the plate. Engraving with etching on paper, image size 18 5/8 x 27 5/8 in. (47.2 x 70.5 cm), framed. Condition: Center crease, small tear or break to paper surface l.c., foxing, subtle rippling, not examined out of frame. 470A Italian School, 19th Century View of the Roman Forum Signed and dated J B Costa 1860 l.c. Watercolor on paper, sight size 10 3/4 x 8 1/8 in. (27.5 x 20.5 cm), oval window, framed. Condition: Not examined out of frame. 471 Two Air-twist Stem Sweetmeat Glasses, England, c. 1750, each with double ogee bowl and double-ringed collar, and domed foot, one with single-series double corkscrew stem and folded foot, ht. 5 1/2, the other with molded bowl and foot, and double-series stem with vertical and spiral cables, ht. 6 1/8 in. 472 Three Air-twist Stem Glasses, England, c. 1750, a wineglass with round funnel bowl engraved with flower sprays on a single-series stem with three corkscrews and conical foot, ht. 5 3/4, and two cordials with round funnel bowls with solid bases on double-series stems with a pair of corkscrews surrounded by multiply spirals and conical feet, ht. 6 1/2 in. 473 Three Air-twist Stem Glasses, England, c. 1750, a goblet with a pan-topped round funnel bowl engraved with a band of scrollwork and flowerheads, on a single-series spiral cable air-twist stem and conical foot, ht. 8 1/8, a wineglass with trumpet bowl on a single-series spiral cable air-twist stem and conical foot, ht. 7 1/8, and a wineglass with round funnel bowl on a single-series spiral cable air-twist stem and conical foot, ht. 6 1/8 in. 474 Five Air-twist Stem Wineglasses, England, c. 1750, one with a round funnel bowl on a double-series stem and conical foot, ht. 6, the remaining four with single-series double corkscrew stems: one with a trumpet bowl and conical foot, ht. 6 1/4, another with a round funnel bowl on a mercury twist stem and conical foot, ht. 6, the third with a molded ogee bowl and conical foot with folded rim, ht. 5 7/8, the last with ogee bowl engraved with a fruiting grapevine and a bird, on a conical foot, ht. 6 1/4 in Online bidding at 91

94 478 William Couper (American, ) 478 Tennyson s Princess, 1882 Incised signature Wm. Couper on the base reverse. Carved Carrara marble, approximately 29 x 20 x 12 in. (73.7 x 50.8 x 30.5 cm), mounted to a carved marble socle and set upon a carved wood and velvet-upholstered column. Condition: Minor loss to base, minor surface imperfections. Provenance: Through a private Boston collection. N.B. The sculpture depicts Princess Ida, the central character of Alfred, Lord Tennyson s 1847 poem, The Princess: A Medley. Ida believes that women are superior to men, and chooses to establish a women s college over accepting a prince s hand in marriage. Ida s headstrong independence is no match for fate, however, and through a comedy of errors, Ida marries the prince that she was betrothed to at birth. While the poem s ending was conventional for its time, it was still among the first to engage with the debate over equal rights for women in Britain, as championed by Mary Wollstonecraft in the late 18th century. Another example of this sculpture is in the permanent collection of the Smithsonian American Art Museum. $9,000-12, Four Air-twist Stem Glasses, England, c. 1750, a goblet with molded round funnel bowl on a multi-spiral stem and conical foot, ht. 7 1/4, and three wineglasses with multi-spiral stems: one with an ogee bowl and conical foot, ht. 6, another with a round funnel bowl engraved with a band of fruiting grapevines and conical foot, ht. 6 1/4, and one with a pan-topped bucket bowl engraved with a band of fruiting grapevines and conical foot, ht. 6 in. 476 Regency-style Polychrome Paintdecorated Inlaid Mahogany Games Table, with a painted classical-style scene of a mother and child, with a fold-open feltmounted interior raised on tapered string-inlaid and paint-decorated legs, closed ht. 29, wd. 36, dp. 17 3/4 in. $ Verde Marble Column, circular top raised on columnar stem with stop-fluting above a petal panel register, all on an octagonal base, approx. ht. 44 3/4, dia. of top 10 in. 478A European School, 19th Century Portrait of a Lady with Grapes and Peaches Signed and dated Louise de...ia 1862 l.r. Pastel on paper mounted to canvas, 28 5/8 x 25 in. (72.5 x 63.5 cm), oval stretcher and frame. Condition: Not examined out of frame. 479 Pair of George III Mahogany Knife Boxes, each of typical form, interior lid inlaid with a star, with original fitted compartments, ht. 15 1/8, wd. 8 3/4, dp. 11 1/2 in. 480 After Etienne-Henri Dumaige (French, ) Jeanne D Arc, bronze figure modeled standing with one hand to her ear, on a separately cast naturalistic base signed H. Dumaige and further raised on a square stepped base with a plaque inscribed Jeanne D Arc, with a red-brown patination, ht. of bronze 21 in. $ Additional information and photos at

95 Colorless Glass and Bronze Tantalus, early 20th century, the beveled glass panes with central cut starburst design, set within twisted and engraved bronze mounts, hinged front and top opening to a removable stand fitted with fourteen cordials and four decanters, all of colorless glass engraved with fruiting grapevines, exterior ht. 11 5/8, wd. 15, dp. 12 in. 482 Cast Bronze Shell-form Inkwell, modeled as three open shells joined by leafy seaweed with a central inset glass inkwell topped by a cover against the back modeled as a rock with projecting leaves, ht. 5 1/4, wd. 10 5/8, dp. 7 1/2 in. $ Pair of Regency-style Chenets, each with a large urn-form strung with pendant garlands and a central portrait medallion of a young woman in profile with a berry finial, raised on a stepped Neoclassical-style base with a pierced register joining a flame finial, ht. 14 3/4, wd. 12 1/2, dp. 4 1/4 in. 484 Victorian Boullework Letter Box, London, mid-19th century, the tortoiseshell veneer inlaid with brass arabesques, the slanted and hinged lid enclosing three silk-lined compartments, stamped C. VICKERY. REGENT ST. W, ht. 6 1/2, wd. 8 1/2, dp. 4 1/2 in. 485 Brass-mounted Tortoiseshell Humidor, retailed by E.F. Caldwell & Co., New York, the hinged cover enclosing green-painted metal interior cover over six compartments, on four paw feet, ht. 2 3/8, wd. 12 1/4, dp. 8 5/8 in. 486 Continental Brass- and Alabaster-mounted Mahogany Veneer Secretaire Abattant, second quarter 19th century, with pierced gallery over central mirrored medial door flanked by two partially engaged alabaster and brass Corinthian columns, and centering two doors with ebonized medallions mounted with classical brass maidens, over long shallow drawer and pull-down writing surface opening to reveal interior fitted with eight short drawers with burl- and string-inlaid fronts, two divided compartments, and a central well flanked by further alabaster and brass columns, with tambour door and mirrored interior and parquetry floor, over two long drawers, on square tapered feet, ht. 76 1/4, wd. 40 1/2, dp. 18 1/2 in. $2,000-3, Neoclassical Carved Giltwood Cheval Mirror, 19th century, the rectangular mirror with arched top and reticulated crest carved with a flaming torch, arrow-filled quiver, and ribband, the frame with guilloche and leaf tip carving, on stand with acorn finials above columnar supports and shoe feet, with laurel and acanthus carving, approx. ht. 81 in. 488 After Professor Giuseppe Bessi (Italian, ) Mignon, the marble bust of a young girl with blue dye to dress, incised Prof. G. Bessi reverse l.r. and illegibly incised reverse l.l., ht. 14 in. $1,000-1, Marguerite Kirmse (American, ) Two Bronze Scottish Terriers, Gorham Co., founders, each with dark brown patina, impressed M. KIRMSE, GORHAM CO, and numbered QGGF and OGJL, lg. to 3 1/4 in. Online bidding at 93

96 Continental School, 19th Century Two Landscape Views Unsigned. Oil on canvas mounted to Masonite, 9 1/8 x 12 1/8 in. (23.3 x 30.7 cm), framed. Condition: Minor retouch, craquelure, yellowed varnish, surface grime. 490A Continental School, 19th Century Miniature Depicting a Crowned Woman Bearing a Sword Unsigned. Oil on panel, 3 15/16 x 2 11/16 in. (10.0 x 6.8 cm), framed. Condition: Fine craquelure, surface grime. $ Boxed Set of Two Decanters, England, 19th century, mahogany case inset brass hardware, interior lined with blue velvet, ht. 9 1/2, wd. 8, dp. 4 1/2; cut crystal decanters with circular stoppers and starburst motif to underside, each with scratched number to stopper and base, otherwise unmarked, ht. 9 in. $ Mettlach Cameo Stein, Germany, , 3/10 litre with hinged pewter lid, dark green ground with white relief scene of boar hunt, number 2530, lid ht. 6 7/8 in. $ Pair of Queen Anne-style Marble-top Pier Tables, each with a verde antico marble top above a mahogany veneered frame with shell and pendant leafs to each knee, all on four pad feet, ht. 31, wd. 39 1/2, dp. 25 1/2 in. 494 George III-style Mahogany and Brassbound Cellarette, England, late 19th century, octagonal form with lead insert to the interior, mounted with three brass bands and a pair of brass bail handles, raised on four tapered legs with brass casters, ht. 26 3/4, dia. 19 1/2 in. 495 Teplitz-style Art Nouveau Porcelain Vase, Bohemia, late 19th/early 20th century, now mounted as a lamp base, polychrome enameled and gilded with the portrait of a woman wearing a paste-inset crown and headdress against a modeled ground, above a register of flowerheads with jeweled centers, mounted to a reticulated bronze base, vase ht. 15 1/4 in. 496 Sevres Porcelain Jeweled Coffee Can and Saucer, France, date letter for 1758, the can with polychrome hand-painted portraits of Gabrielle d Estrees, Henry IV, and Marie de Medici, the saucer with a bouquet of flowers, both with a gilt-decorated blue ground set with enameled jewels, with underglaze blue factory marks, cup ht. 2 7/8 in. 497 Colorless Cut Glass Table Lamp, 20th century, with a bulbous shade resting atop a chrome mounting hung with faceted lusters, on a baluster-form base and circular flared foot, the shade and base with allover starburst and diaper design, total ht. 25 in. $1,500-2, Palissy-type Earthenware Dish, oblong and polychrome-glazed with a fish, mussels, and clams on a bed of leaves, unmarked, lg. 12 1/8 in. 499 Italian School, 20th Century Three Views of Naples Harbor Unsigned. Gouache on paper, sight sizes to 8 1/2 x 11 in. (21.5 x 28.0 cm), oval format, framed. Condition: Not examined out of frames. 499A Charles Rowbotham (British, ) View of the Bay of Naples Signed Chas. Rowbotham l.r. Watercolor on paper/board, sight size 8 3/4 x 19 5/8 in. (22.5 x 50.2 cm), framed. Condition: Not examined out of frame. 94 Additional information and photos at

97 Mahogany Veneered and Marble-top Secretaire a Abattant, France, late 19th century, upper section with a drop-front writing surface above a lower section made up of three drawers enclosed by a pair of doors, ht. 55, wd. 38, dp. 17 1/4 in. 501 Continental School, 20th Century Art Deco Figure of an Exotic Dancer, the ivory and cold-painted, gilded, and paste-set bronze female figure wearing head scarf and veil, small vest, and a billowing harem pants, with arms extended and standing on tiptoe, numbered 52, unsigned, on hexagonal marble base, figure ht. 14 1/4 in. $1,200-1, Claire Jeanne Roberte Colinet (French, ) Egyptian Dancer, c. 1930, ivory and coldpainted, paste-set, and gilded bronze, the figure balanced on one leg and wearing elaborate headdress, jewelry, and full skirt, on a base incised Cl J R Colinet and numbered 11, on a rouge marble pedestal, figure ht. 9 1/4 in. $4,000-6,000 Online bidding at 95

98 Viennese Enamel Perfume Bottle, c , maker s mark RL, double gourd form, the upper register decorated with arabesques above a scene of classical figures in a landscape, with champlevé mounts, ht. 5 1/4 in. 510 Italian School, 19th Century Copy of Raphael s Madonna del Granduca Unsigned. Oil on canvas, 33 1/4 x 22 5/8 in. (84.5 x 57.5 cm), framed. Condition: Tears, paint losses, abrasions, retouch, craquelure, surface grime. N.B. The original painting by Raphael, dating from c. 1505, is in the collection of the Palazzo Pitti, Galleria Palatina, Florence, Italy. $ A Italian School, 19th Century 503 Theophile Francois Somme (French, ) Gilt-bronze and Ivory Dancer, the woman with castanets in her raised hands and kicking a foot out from under her voluminous skirts, incised T. Somme, on a verde marble base, figure ht. 9 5/8 in. 504 Georges Omerth (French, fl ) Gilt-bronze and Ivory Dancer, the female figure with arms raised and balanced on one leg, her costume with polychrome coldpainted accents, signed Omerth, on a rouge marble base, figure ht. 8 1/4 in. $1,000-1, Continental School, 20th Century Cold-painted Bronze and Ivory Figure of an Art Deco Dancer, the female figure cast mid-stride with arms extended, on a stepped green onyx base, unsigned, figure ht. 7 1/4 in. 506 After Pierre Le Faguays (French, ) Bronze Figure of a Female Dancer, Paris, 20th century, cast with her arms outstretched and one knee bent, with a skirt flowing beside her and grapevines around her waist and in her hair, raised on a stepped marble base, signed to marble Le Faguays, dark brown patina, bronze ht. 8 3/4 in. $ Viennese Enamel Miniature Ewer, c , maker s mark RL, the torus-shaped body raised on domed foot and painted with putti at various pursuits, with gilt-silver mounts and scrolled handle surmounted by a female figure, ht. 4 3/8 in. 508 Viennese Enamel Table Ornament, second half 19th century, bronze-mounted with finial cast as a youth strumming a string instrument, the ovoid body with arabesques to a lilac ground and medallions depicting scenes of robed figures among clouds, on domed foot, unmarked, ht. 6 3/4 in. $1,000-1,500 Two Grand Tour Oil Paintings in Ornate Hand-carved Frames: Angel of the Annunciation and Madonna Unsigned, with partial labels from Costa & Conti Artists on the stretchers. Oil on canvas, 14 x 11 1/4 in. (35.5 x 28.5 cm), framed. Condition: Craquelure, stretcher bar marks. 511 Sarouk Rug, West Persia, second quarter 20th century, (slight wear to center, very minor end fraying), 5 ft. 2 in. x 3 ft. 4 in. $1,000-1, Chinese Carpet, late 19th century, (areas of wear, some moth damage to edges and one corner, minor end fraying), 11 ft. 7 in. x 9 ft. $1,500-2, Hamadan Runner, Northwest Persia, second quarter 20th century, (slight wear to center), 20 ft. x 2 ft. 8 in. 514 Malayer Rug, Northwest Persia, early 20th century, (end fraying), 6 ft. 4 in. x 4 ft. 9 in. $800-1, Continental Marble-top Fruitwood Veneered Commode, late 19th/early 20th century, the rectangular top over case fitted with three long drawers with brass pulls and shield-form key escutcheons, the stiles and drawer fronts with inlaid and ebonized geometric elements, on square feet, case only ht. 32 1/2, wd. 45, dp. 21 1/4 in. $1,500-2, Additional information and photos at

99 Victorian Painted Cabinet-on-Stand, late 19th century, upper section with scrolled crest centering a shell motif with gold-painted foliate vines above three shelves, sides and bottom with further gold-painted foliage, raised on a stand with a central frieze drawer with a painted monogram, and on four deeply curved cabriole legs terminating in claw-and-ball feet, approx. ht. 64, wd. 38 1/4, dp. 17 in. 97

100 James Pittendrigh MacGillivray (Scottish, ) Bronze Bust of a Woman, 1906, with dark patina, signed to back Pittendrigh MacGillivray, RSA, 1906, and with impressed foundry mark, raised on a marble base, total ht. 24 in. $ Franklin Dullin Briscoe (American, ) End of the Day Signed F.D. Briscoe l.r. Oil on canvas, 23 7/8 x 35 7/8 in. (60.7 x 91.0 cm), framed. Condition: Lined, retouch, stable craquelure in areas of thicker impasto. Provenance: Barridoff Galleries, Portland, Maine, July 1981, Lot 42. $3,000-4, A French School, 19th Century River View with Push Pole Boats Signed and dated L. Grandperret/1876 l.r. Oil on canvas, 12 1/4 x 17 7/8 in. (31.0 x 45.0 cm), framed. Condition: Retouch, minor paint loss, craquelure, stretcher bar marks, surface grime. 519 Five Soda Glass Dram Glasses, 18th century, two with round funnel bowls on short plain stems and conical feet, ht. 4 1/4 and 4 3/4, one with round funnel bowl on short plain stem and conical foot with folded rim, ht. 4 1/4, one with trumpet bowl with short plain stem and conical foot with folded rim, ht. 4 1/4, and one with round funnel bowl decorated with engraved band, on a short plain stem and conical foot, ht. 4 3/4 in. 520 Seven Soda Glass Dram Glasses, 18th century, three with bucket bowls, stem with central knop, and conical foot, ht. 4, one with round funnel bowl on short plain stem and conical foot with folded rim, ht. 4 1/4, one with round funnel bowl on short collared stem with conical foot, ht. 4 1/2, one transparent gray with trumpet bowl on short plain stem and conical foot, ht. 4 3/8, and one with trumpet bowl engraved with band of fruiting grapevine on short plain stem with conical foot, ht. 4 3/4 in. 521 Four Double-series Opaque-twist Dram Glasses, England, c. 1770, three with round funnel bowls: one with on a multi-thread spiral outside a pair of heavy spiral threads stem on a firing foot, ht. 4 1/8, the other two with four heavy spiral threads outside gauze: one with a fluted bowl with on a firing foot, ht. 4, the other on a conical foot, ht. 4 9/16; the last with an ogee bowl with pair of multi-ply spirals outside a multi-ply corkscrew on a conical foot with incised concentric bands, ht. 3 15/16 in. 522 Three Double-series Opaque-twist Dram Glasses, England, c. 1770, two with a pair of heavy spirals outside gauze stem: one with a molded funnel bowl on a firing foot, ht. 4 1/8, the other with a round funnel bowl on a conical foot, ht. 3 7/8; the third with an ogee bowl with a pair of multi-ply spiral bands outside a pair of heavy spiral threads on a conical foot with incised concentric bands, ht. 3 3/4 in. 523 Five Pieces of Soda Glass, 18th century, three firing glasses: two with trumpet bowls and short plain stems on thick feet, ht. 2 5/8 and 3 1/2, and one with funnel bowl and short teared stem on thick foot, ht. 3 7/8; and two dram glasses: one with funnel bowl engraved with a clog and flowers on a short teared stem and conical foot with folded rim, ht. 3 3/4, and one with funnel bowl on a short plain stem and conical foot, ht. 4 1/8 in. 524 Six Dram Glasses on Plain Stems, England, , five with funnel bowls and conical feet: one with band of engraved foliage and folded foot rim, ht. 4 1/2, one with engraved border of flower sprays and fluting and folded foot rim, ht. 4 1/2, three plain: two with folded foot rims, ht. to 4 1/4, and one with wide ogee bowl and folded foot rim, ht. 4 in. 98 Additional information and photos at

101 Five Dram Glasses on Plain Stems, England, , three with molded bowls: one with fluted funnel bowl and conical foot with folded rim, ht. 4 1/8, one with ogee bowl on foot with three incised concentric rings, ht. 3 3/4, and one with round funnel bowl on conical foot with folded rim, ht. 3 1/4; and two with funnel bowls engraved with fruiting grapevines on conical feet with folded rims, ht. 3 1/2 in. 526 Five Dram Glasses on Plain Stems, England, c , all on conical feet, three with funnel bowls and feet with folded rims: one with engraved foliage and bird to bowl, ht. 4 1/8; one with trumpet bowl, ht. 4 1/4, and one with trumpet bowl extending to foot, ht. 4 in. 527 Six Gilt-decorated Glasses, England, 18th to 19th century, five cordials: two with round bowl decorated with festoons of fruit and foliage on plain stems and conical feet, ht. 3, two with funnel bowls decorated with scrolled foliage on faceted stems with notched edges and conical feet, ht. 3 3/4 and 4 1/4, and one with a trumpet bowl decorated with foliate arabesques on a plain stem and conical foot, ht. 4 1/2; and a wineglass with ovoid bowl decorated with band of wheat, on plain stem and conical foot, ht. 4 1/2 in. 528 Nine Miniature Tumblers and Goblets, England, 19th century, six blown glass tumblers with paneled bodies: three colorless, two blue, and one purple; and three molded glass: yellow goblet, colorless goblet, and blue tumbler with handle, ht. to 1 7/8 in. 529 Francisco Masriera y Manovens (Spanish, ) Town Riverfront with an Arched Bridge Signed indistinctly...m... l.r. Oil on canvas, 25 1/2 x 36 in. (64.7 x 91.7 cm), framed. Condition: Patch reinforcements, scattered retouch, surface grime. $1,200-1, A School of Pierre Mignard the Elder (French, ) La Marquise de Chaponay Unsigned, identified on a presentation plaque. Oil on canvas, 34 x 28 in. (86.0 x 71.0 cm), framed. Condition: Lined, retouch, craquelure, flattened impasto, surface grime. $1,000-1, Italian School, 19th Century Marble Sculpture of Woman Reading, modeled as a classical-style woman seated on a low stool, and bent reading a small book held in one hand, while the other holds her robe at her shoulder, on a circular base, further raised by a circular stone platform, unmarked, ht. of marble approx. 41 in. $6,000-10,000 Online bidding at 99

102 Giltwood Mirror, crest molded as a flowerfilled urn with pendant foliate stems and beads and mirror further framed by classical-style moldings, ht. 55 1/2, wd. 31 in. 532 Dominique Alonzo (French, fl ) Bronze and Ivory Figure of a Girl Shouting, cast as a girl with a her hands raised to her mouth, in bronze skirt, raised on a bronze base cast as a rocky outcropping, signed Alonzo and numbered 48, ht. 10 3/8 in. 533 After Peter or Paul Tereszczuk (Austrian, Late 19th/Early 20th Century) Bronze and Ivory Figure of a Girl, cast with ringlet curls framing her face with her hands clasped in front of her, wearing a short dress with a long train, raised on a cylindrical onyx base, bronze signed TERESZCZUK MADE IN AUSTRIA, dark blue-brown applied patina, bronze ht. 11 1/2 in. 534 Peter or Paul Tereszczuk (Austrian, ) Art Nouveau Gilt-bronze Vide Poche, with the head of a young woman in profile and two branch-form handles, incised P. Tereszcuk, lg. 9 1/8 in. 535 Two Rose Mandarin Chinese Export Porcelain Vases, 19th century, each baluster form and polychrome enameled and gilded with scenes of court life against a background of foliage, butterflies, and personal items, one with scalloped rim above neck and shoulders with applied gilded foo lions and dragons; the other with gilded lion heads and rings applied to shoulders, each ht. 17 1/4 in. $ Pair of Rose Mandarin Chinese Export Porcelain Vases, 19th century, each baluster form and polychrome enameled and gilded, with scalloped rim above neck and shoulders with applied foo lions and dragons, the bodies decorated with scenes of court life against a background of foliage, butterflies, and personal items, ht. 13 in. 537 Rose Mandarin Chinese Export Porcelain Bowl, 19th century, quatrefoil with notched corners rounding out to a circular foot, polychrome enameled and gilded with a border of flowers and personal items above scenes of court life, lg. 9 7/8 in. 538 Rose Canton Chinese Export Porcelain Bowl, 19th century, the circular paneled body decorated with polychrome flowers and foliage on a gilt ground, dia. 8 3/4 in. 539 Italian School, 19th/20th Century Two Views of the Bay of Naples Unsigned. Gouache on paper, 18 1/2 x 26 7/16 in. (37.0 x 67.1 cm), framed (one without glass). Condition: Toning, staining, scattered abrasions. 100 Additional information and photos at

103 A After Jacob Isaakszoon van Ruisdael (Dutch, 1628/9-1682) The Tempest Unsigned, with a label from Haynes Art Gallery, Toronto, Canada, affixed to the stretcher. Oil on canvas, 24 x 28 3/4 in. (61.0 x 73.0 cm), framed. Condition: Lined, retouch, craquelure, minor skinning, surface grime. N.B. This work is thought to be a 19th century copy of Ruisdael s original painting, which is in the collection of the Louvre. $2,000-3, After Otto Schmidt Hofer (German, ) Bronze Figure of a Jester with a Violin, Paris, late 19th century, cast walking forward with a violin raised in one hand, on a marble pedestal, signed to bronze Schmidt=Hofer, dark brown patina, bronze ht. 9 in. 541 Black Forest Carved Letter Box, elaborately carved throughout with scrolling oak branches and leaves, with central monogram to front and four letter slots, ht. 12, wd. 14 3/4, dp. 5 in. $ Pair of Gilt-metal and Crystal Three-arm Candelabra, each with three spiral-turned and foliate arms surrounding a central stem with a floriform drip-cup and a tall faceted rock crystal finial, all extending outward from a baluster-turned rock crystal raised on a giltmetal and crystal base, ht. to finial 27 1/2 in. $ Seven Staffordshire Hound Figures, England, mid-19th century, in a variety of postures, most with retrieved game, several with applied encrusted foliage, ht. to 8 1/4 in. $ After Antoine-Louis Barye (French, ) Loup Pris au Piege, the bronze wolf with dark brown patination, cast on a naturalistic ground, signed and stamped FRANCE, lg. 5 1/4 in. $ After Antoine-Louis Barye (French, ) Bronze Hound Group, dark brown patination, cast as two dogs on a stepped naturalistic ground, further raised on a oval marble base, signed, lg. of bronze 6 1/4 in. $ After Pierre Jules Mêne (French, ) Bronze Figure of a Pheasant, chocolate brown patination, cast on a naturalistic ground, further mounted on a oval marble base, artist signed, lg. of bronze 8 1/4 in. $ Online bidding at 101

104 After Jules Moigniez (French, ) Bronze Figure of a Mountain Goat, cast standing on a rocky, naturalistic slope with a stick in its mouth, signed J Moigniez, and raised on a gilt-bronze base, total ht. 11 in. $ After Antoine-Louis Barye (French, ) Ours Assis, the cast bronze bear with chocolate brown patination, on a marble base, signed, lg. of bronze 5 in. $ American School, 19th Century View of a Stately Home Possibly signed l.r. Oil on canvas, 21 1/2 x 36 in. (54.6 x 91.4 cm), framed. Condition: Scattered paint losses, accretions, abrasions, craquelure, extensive surface grime. N.B. This work most likely dates from the mid-19th century, showing a rambling, asymmetrical villa of the style that came into fashion with the pattern books of Andrew Jackson Downing (American, ), inspired by the English designer John Claudius Loudon in the 1830s. $

105 550 Pair of Gilt-bronze Candelabra Lamp Bases, cast with a central sconce encircled by five outer arms and raised on a rocaille stem entwined with floral garlands terminating in a base with four feet decorated allover with scrolls, ht. to central sconce 25, wd. 16 1/2 in. $ Three Souvenir Obelisk Replicas, a slate model of the Lateran Obelisk, ht. 12 1/2, and two bronze models of the Luxor Obelisk, one with an attached thermometer, ht. 10 1/4 and 12 1/4 in. 552 Victorian Brass-mounted Oak Writing Cabinet, England or America, second half 19th century, rectangular, with pulldown leather-inset writing surface, file compartments, long drawer, pen tray, and glass inkwell, unmarked, ht. 12 7/8, wd. 13 3/8, dp. 7 7/8 in. 553 Pair of Cobalt Ground and Parcel-gilt Converted Lamp Bases, each urn-form, with a lid and two handles, decorated allover with gilded moldings centering a cobalt register with a painted floral cartouche to one side and a painted scene of a couple to the reverse framed by applied gilt frames, each raised on a flared foot, further mounted on a gilt-painted circular base, electrified, ht. to top of lid 19 in. $ Isfahan Carpet, Central Persia, mid-20th century, 10 ft. 4 in. x 8 ft. $1,200-1, Tabriz Rug, Northwest Persia, late 19th century, (even wear to center, minor selvage damage), 5 ft. 10 in. x 4 ft. 2 in. $ Indo-Persian Carpet, second half 20th century, 10 ft. x 8 ft. 2 in. $1,500-2, Sarouk Rug, West Persia, second quarter 20th century, (edge curling, edge wear), 7 ft. 6 in. x 5 ft. 2 in. 558 After Giovanni Battista Salvi da Sassoferrato (Italian, ) La Madre dei dolori [Our Lady of Sorrow] Unsigned, stenciled SASSO-FERRATO. on the reverse, inscribed Puccini in ink on the stretcher. Oil on canvas, 29 x 23 in. (73.7 x 58.4 cm), in a gilt-carved Baroque-style frame. Condition: Surface grime. N.B. The original, painted in 1685, is located in the Galleria degli Uffizi, Florence, Italy. $800-1, A Giuseppe Rocchi (Italian, 19th Century) Two Works After Titian (Italian, c ): La Bella and Caterina Cornaro Caterina signed Gi Rocchi/Copio. l.r. and inscribed Caterina Cornaro/Tiziano. dip. l.l., La Bella unsigned. Watercolor and pencil on paper, sizes to 11 1/16 x 8 3/16 in. (28.1 x 20.9 cm), framed. Condition: Toning, minor wear to edges, Caterina with small loss to c.l. edge. $1,000-1, Pair of Gilt-bronze and Marble Urns, late 19th century, each with reeded and scrolled handles, beaded rim, and gadrooned body, over siena brocatelle marble pedestal mounted with bronze acanthus leaves, total ht. 10 1/4 in. $1,200-1, Austrian Silver-mounted Marble Bowl, Vienna, last quarter 19th century, finely figured breche violette marble bowl with a silver-mounted rim, marked Vienna,.950 silver, and maker s mark KK, decorated with lions, peacocks and further mounted with semiprecious stones, dia. 10 3/4 in. $1,500-2,500 Online bidding at 103

106 A 561 After Antoine-Louis Barye (French, ) Panthere de Tunis, the bronze panther with red brown patination, cast crouching on a naturalistic base, all on a black slate base, signed, bronze lg. 9 1/2 in. $1,000-1, Gilt-bronze Mantel Clock, modeled as a bookshelf with an urn-form garniture finial and a silvered dial with Roman numerals, all raised on four toupie feet, ht. 12 3/8 in. 563 Gilt-bronze Figure of Napoleon, France, last quarter 19th century, cast standing with crossed arms, impressed foundry marks for E. Jullien, 12 Rue Pasquier, Paris on base and underside, on verde marble pedestal, bronze ht. 5 1/8 in. 564 Empire-style Gilt-bronze-mounted Cut Glass Covered Bowl, 20th century, circular, the cover with faceted finial, with allover diaper and ovoid flute designs, on socle and square foot bordered by bronze anthemion frieze, with scrolled acanthus leaves to corners above paw feet, unmarked, ht. 12 in. 565 After Vincenzo Gemito (Italian, ) L Acquaiolo, the bronze cast as a nude boy with a jug propped on his hip and offering a drink of water, over a Neoclassical fountain, dark brown/black patina, reverse inscribed DALL ORIGINALE/PROPTA DEL REDI NAPOLI/SM FRANCESCO II/NAPOLI CEMITO and PROPRIETA ARTISTICA, ht. 21 3/4 in. 566 Adrien Etienne Gaudez (French, ) Mignon, bronze figure of a maiden with a lute leaning on a tree stump, signed to base A GAUDEZ, with chocolate brown patination, further raised on a circular gilt platform with plaque reading MIGNON/par A Gaudez/Hors Concours, ht. of bronze 15 1/2 in. $ Additional information and photos at

107 Bronze-mounted Marble Pedestal, with a square platform above a brass Ionic capital raised on a verde antico marble stem terminating in a molded base, further raised on a later rectangular base, ht. 43 1/2 in. 568 Gilt-metal Oil Lamp, electrified, modeled with a bulbous urn-form frosted glass oil font surrounded by a gilt-metal framework and further raised on a tall paneled stem decorated with heraldic shields and mermaids terminating in a flared base with gadrooned registers, electrified, glass chimney and shade with bellflower decoration included, ht. to top of burner 21 1/2 in. $ Pair of Cut Crystal Pokals, each modeled as an urn form on a square base with a domed lid topped by a circular finial, decorated allover with faceted and textured diamond shapes, ht. 11 3/4 in. 570 French School, 19th Century The Forest of Fontainebleau Signed indistinctly l.l., identified on a presentation plaque and on a printed label on the reverse. Oil on artist board, 6 x 5 in. (15.3 x 12.7 cm), framed. Condition: Scattered retouch, nicks and wear to edges of support, surface grime. 570A Charles Chaplin (French, ) Portrait of an Elegant Young Woman Signed Ch. Chaplin l.l. Oil on panel, 9 x 6 in. (22.8 x 15.3 cm), framed. Condition: Varnish inconsistencies. $ Keller & Guerin Porcelain Old Strasbourg Pattern Partial Dinner Service, Luneville, France, c. 1890, each with polychrome floral sprays and pink rims, comprising thirty-six plates, dia. 10 1/8, twelve plates, dia. 8 7/8, twelve soup bowls, dia. 10 1/8, eleven plates, dia. 7 1/8, seven plates, dia. 6, thirteen cups and five saucers, circular tray, dia. 12 1/4, two circular serving dishes, dia. 11 7/8 and 13 1/2, circular serving bowl, dia. 11 3/4, footed cake plate, dia. 9 5/8, reticulated serving dish, dia. 10 1/2, two oblong serving platters, lg. 13 3/4 and 15 3/4, two compotes, ht. to 4 5/8, three oblong dishes, lg. 10, sauceboat with attached undertray, two circular covered tureens with fruit finials, ht. 9 1/4 and 7 1/8 in., teapot, hot water jug with metal lid, creamer and covered sugar, and a covered jam pot with attached undertray, all with factory marks. $1,200-1, Three Soda Glass Wineglasses, one with a waisted bell bowl with solid base and a multispiral air-twist stem, the twist extending into the bowl, and conical foot, ht. 7 1/8, another with bell bowl with a tear to solid base on a multi-spiral air-twist stem and conical foot, ht. 5 5/8, the third with a waisted bell bowl with a tear to solid base and conical foot, ht. 6 1/4 in. 573 Two Incised-twist Stem Glasses, England, c. 1760, a gin glass with round funnel bowl engraved with decorative band, on stem with fine incisions, and a conical foot, ht. 4 1/2; and a wineglass made of soda glass, with thistle bowl with teared solid base, on a stem with coarse incisions, and conical foot, ht. 6 7/8 in. 574 Two Air-twist Wineglasses, England, c and later, one with thistle bowl on a multiseries air-twist stem and conical foot, ht. 6 3/4; the other with bell bowl on a multi-series air-twist stem with the twist extending into the bowl, on a conical foot with folded rim, ht. 6 4/3 in. 575 Two Composite Stem Wineglasses, England, c. 1750, one with a trumpet bowl on a multi-series air-twist stem above a beaded knop and conical foot, ht. 6 7/8; the other with tulip bowl on a multi-series air-twist stem above a beaded inverted baluster knop and domed foot, ht. 6 7/8 in. 576 Three Pieces of Glassware, two soda glass: decanter engraved with flower sprays and teared stopper, total ht. 8 1/4, covered bonbon dish with engraved decoration and blue finial and foot, total ht. 8 3/4; and a leaded glass pitcher enameled with lilies of the valley, ht. 7 1/2 in. Online bidding at 105

108 577A 577 William Langley (British, ) Thatched Cottage with Children Feeding Chickens Signed William.Langley l.r. Oil on canvas, 20 x 30 in. (50.5 x 76.0 cm), framed. Condition: Scattered paint losses, craquelure, varnish inconsistencies, surface grime. $1,000-1, A William Langley (British, ) Cows Watering at a Stream Signed William Langley l.r. Oil on canvas, 20 x 30 in. (50.3 x 76.0 cm), framed. Condition: Surface grime. $1,000-1, Pair of Greek-style Vases, England, late 19h century, each baluster-form, with two gilt scrolled handles joining the body by two swan heads, with a Greek key fret register to the neck, body with a matte black glaze, decorated to one side with a portrait roundel and the other with chariot pulled by four horses, on a gilt foot, one with partial impressed marks to underside and numbered 4545, ht. 11 1/4 in. 579 After Leon Pilet (French, ) Virgil, the bronze seated poet cast in a pensive pose and holding a manuscript of Eneide, the container behind seat incised L. Pilet, lacking foundry mark, with polished slate base, bronze ht. 11 1/2 in. 580 KPM Hand-painted Porcelain Plaque, Saxony, late 19th century, depicting a fulllength portrait of a woman holding a string instrument in a garden, unsigned, with impressed factory mark, framed, sight size 12 1/2 x 6 1/4 in. $ After Maurice Constant Favre (French, ) Chant de la Fileuse, the cold-painted bronze and ivory figure cast as a young woman in medieval dress holding a spindle and sheet of music, raised on a circular bronze base with applied title plaque, bronze signed M.C.Favre, bronze ht. 11 7/8 in. $ Additional information and photos at

109 After Henri Louis Levasseur (French, ) Gilt-bronze and Ivory Figure of a Nun Reading, cast with one hand pointing down and the other supporting her book, raised on a marble base with incised Made in France to reverse, bronze signed H.LEVASSEUR, bronze ht. 12 3/4 in. $2,500-3, Dominique Alonzo (French, fl ) Bronze and Ivory Figure of a Medieval Woman Descending a Staircase, after a design by Etienne Watrin (French, d. 1915), cast reading a book while descending off her stepped marble pedestal, signed D. Alonzo, bronze ht. 11 5/8 in. $1,200-1, Pietra Dura Plaque Depicting a Floral Bouquet, Italy, 19th century, inlaid with various hardstone specimens, in an ebonized frame inlaid with ivory arabesques, total size 14 3/4 x 12 1/8 in. $ Pair of Brass Three-light Girandoles with Glass Lustres, each with a central glass finial and stem mounted with baluster-form glasses separated by projecting arms strung with lustres, stem below with three-arm scones each with lustres hanging from the drip cups, all on a gadrooned circular base, electrified, ht. 20 in. 586 Brass-bound Roll-top Lap Desk, brass hardware, with pop-up storage compartment, a fold-open inset tooled and gilt leather writing surface, an inset pen rest, three lidded compartments, and an glass inkwell with a brass top, all above a lower drawer, which is split on the canvas of the tambour, when closed ht. 9 3/8, wd. 19 3/8, dp. 15 1/8 in. 587 After George van der Straeten (Belgian, ) Cherries, the Art Nouveau bronze cast as a woman holding cherries in her teeth, with copper-colored and verdigris patina, incised Van Der Straeten, with Societe des Bronzes de Paris stamp, and impressed SL and C, on a rouge marble base, bronze ht. 8 1/8 in. 588 Cold-painted and Gilded Bronze Sword Dancer, Continental, likely Austria, late 19th/ early 20th century, the female figure with a sword in each extended arm and wearing an elaborate headdress, jewelry, and harem pants, unmarked, on a marble base, bronze ht. 7 3/4 in. $ Online bidding at 107

110 589 Paris Porcelain Hand-painted and Gilded Vase, France, mid-19th century, urn-form, with two handles, the white ground overlaid with gilded arabesques and strapwork, the neck with depictions of classical female nudes, with anthemia to the shoulder, the body with two scenes of Venus and Cupid, over socle with polychrome acanthus leaves and laurel wreath foot, on a square marbleized base, unmarked, ht. 25 1/2 in. $1,000-1, Anglo/American School, 19th Century 589 Anglers at a Falls, Arched Bridge Beyond Possible monogram l.r., incised E.M.G. on the stretcher. Oil on canvas, 20 x 32 in. (51.0 x 81.5 cm), framed. Condition: Yellowed varnish, surface grime. 591 Sevres-style Porcelain Portrait Plaque, 19th century, oval, with a hand-painted depiction of a woman with gray hair in a yellow dress and purple robe with ermine lining, with gilt and celeste blue border, unsigned, framed, sight size 9 1/4 in. 592 Partial Nast Paris Porcelain Tea Service, France, early 19th century, each gilded and with hand-painted portraits of women, in both classical and contemporary dress, including a covered urn on pedestal, total ht. 12, covered teapot, ht. 6 3/4, creamer, ht. 7 3/4, waste bowl, ht. 5, and ten cups and saucers, each on three paw feet, urn, teapot, creamer, waste bowl and some cups and saucers inscribed Nast or Nast a Paris in gold, with pine container bearing paper label for Parke Bernet, New York, ht. 15, wd. 23 1/4, dp. 15 3/4 in. 108 Additional information and photos at Provenance: Purportedly owned by Napoleon and used when on campaign, then abandoned by his entourage during their 1812 retreat from Moscow. Subsequently looted by troops under the command of General, later Field-Marshall, Barclay de Tolly, a descendant of the Scottish clan Barclay. Inherited by the English branch of the family until when a member of the Barclay family gifted the service to a member of the Buxton family (probably the third Baronet), to commemorate the latter s golden wedding anniversary. By decent within the Buxton family until September 13, 1978, when Sir Thomas Fowell Victor Buxton, the sixth Baronet, sold it to the Tinney Family of Belcourt Castle, Newport, Rhode Island for $2, It has remained in the Donald Tinney Collection at Belcourt Castle until now. A copy of a statement written by Buxton in conjunction with the 1978 sale describes the above chain of ownership and accompanies the lot. $4,000-6,000

111 592

112 593 Pair of Micromosaic Plaques of Roman Landmarks, Italy, 19th century, each oval format with various hardstone tesserae and rouge marble border inlaid in slate, depicting the Forum and the Temple of Hercules Victor, total lg. to 7 1/2 in. 594 W.T. Copeland & Sons Ltd. Classical-style Porcelain Vase, Stoke, England, , amphora-form, the neck and shoulders with bands of anthemion above body decorated with robed figures to a black ground, two handles, and titled Victors of Public Games fulfilling their Vows in the Temple of Venus on underside of circular foot, ht. 9 1/2 in. 595 After Antonio Canova (Italian, ) Three Graces, the marble carved as three nude women, unsigned, ht. 23 1/2 in., on separate veined marble base. $1,500-2, Continental School, 20th Century 598 Maiden with a Lyre, the marble carved as a standing scantily clad figure with a bow in her upswept hair and sheet music at her feet, unsigned, on separate rectangular base with canted corners, figure ht. 31 1/2 in. 597 Constantin Emile Meunier (Belgian, ) Portrait Plaque of a Miner, the rectangular bronze plaque cast as a man wearing a hard hat in profile, medium brown patina, incised CMeunier, framed, bronze ht. 6 1/4, wd. 8 3/8 in. 598 Louis XV Giltwood Wall Barometer, with a painted circular dial, signed Par L. Monty, and lower mercury thermometer with a painted backing; frame with a ribband and foliate garland crest, with additional foliate and vine-work carving extending up the sides, ht. 40 1/2 in. 110 Additional information and photos at

113 599 Rose Maynard Barton (British, ) Plowing a Hillside Field Before the Rain Signed and dated Rose Barton 84 l.l. Watercolor on paper, sight size 17 3/4 x 11 3/4 in. (45.2 x 30.0 cm), framed. Condition: Not examined out of frame. $ Continental School, 20th Century Bronze Bust of a Classical-style Maiden, cast with long curled hair and a diadem, raised on a square base, unsigned, ht. 12 3/8 in Austrian School, Late 19th/Early 20th Century Bronze Figure of a Monkey Holding a Skull, cast as a crouching monkey pointing to his head with one hand, the other holds a human skull carved from bone, mounted on an onyx base with another carved bone skull by the monkey s feet, black patina, unsigned, bronze ht. 4 1/2 in. $ Art Nouveau Patinated Bronze Tray, early 20th century, oval, with a flowering branch forming a handle to one side, incised Perrin, lg. 16 3/4 in. $1,000-1, Charles Louchet (French, ) Gilt-bronze Inkwell, demilune form with hinged inkwell with a glass insert in the center, decorated allover with ivy vines and leaves, signed CH. LOUCHET, ht. 4, wd. 8 1/2, dp. 5 1/2 in. $ Art Nouveau-style Bronze Belt Buckle, 20th century, after a design by Alphonse Mucha (Czech, ), cast as a Byzantine-style profile of a woman in an elaborate headdress, signed to bottom Mucha/99, ht. 4 3/4 in. $ After Carl Kauba (Austrian, ) Art Nouveau Bronze Vase, early 20th century, cast as a gilded female nude emerging against curving wave, rim modeled naturalistically cresting, signed C. Kauba and stamped to reverse and underside GESCHUTZT 5472, ht. 7 3/4 in. $ Two-sided Tobacco Cabinet, rectangular form with an upper hinged compartment raised on a stepped molding; cabinet with two sets of doors to each side: one side opening to reveal a row of pipe rests, the other with three drawers and a fourth secret drawer hidden beneath the doors within the lower molding; carved allover with foliate reserves, ht. 20, wd. 17, dp. 14 1/2 in. 607 Chinese Export Porcelain Rose Medallion Garden Seat, early 20th century, barrel form, with demilune piercing and raised and gilded spherules to body, ht. 18 in. $1,000-1, Sarouk Carpet, West Persia, early 20th century, (small areas of wear, light stain), 11 ft. 4 in. x 9 ft. 4 in. 609 Isfahan Rug, Central Persia, mid to late 20th century, 6 ft. 8 in. x 4 ft. 4 in. $2,000-3, British School, 19th/20th Century River Scene with Mills and Bridge Unsigned. Watercolor on paper, 12 x 17 3/4 in. (30.5 x 45.0 cm), framed. Condition: Sheet laid onto matboard. 611 Afghan Carpet, late 20th century, 11 ft. 6 in. x 8 ft. 2 in. $1,000-1, Hamadan Long Rug, Northwest Persia, second quarter 20th century, 10 ft. x 5 ft. Online bidding at 111

114 Four Double-series Opaque-twist Glasses, England, , two with ogee bowls, stems with bands of three threads outside spiral gauze, and conical feet: a goblet, ht. 7 7/8, and a wineglass, ht. 6 3/4; an ale glass with ogee bowl on a stem with lace twist surrounded by a pair of heavy threads, on a conical foot, ht. 8 1/4, and a wineglass with molded ogee bowl on a stem with heavy threads outside of spiral gauze on a conical foot, ht. 6 in. $ Three Single-series Opaque-twist Wineglasses, England, , each stem with a pair of spiral gauzes and on a conical foot, one with a bucket bowl engraved with fruiting grapevine, ht. 6, one with a molded ogee bowl, ht. 5 3/8, and one with a round funnel bowl, ht. 6 1/4 in. 615 Three Single-series Opaque-twist Glasses, England, , two wineglasses with multi-spiral gauzes to stems and conical feet: one with ogee bowl engraved with fruiting grapevine and a butterfly, ht. 5 1/2, the other with a round funnel bowl, ht. 6; and a wine flute with a trumpet bowl and stem with a pair of spiraling gauzes and conical foot, ht. 7 in. 616 Four Single-series Opaque-twist Wineglasses, England, , each with outlined multi-ply corkscrew stem and conical foot, three with molded ogee bowls: ht. 5 3/4 to 5 7/8, and one with a molded round funnel bowl, ht. 6 1/4 in. $ Additional information and photos at

115 Four Double-series Opaque-twist Wineglasses, England, c. 1770, each with molded round funnel bowl, one with bowl engraved with fruiting grapevine on stem with lace twist inside multi-ply spirals and conical foot, ht. 6 1/8, another with stem with lace twist inside multi-ply spirals and conical foot, ht. 5 1/8, one with a bowl with solid base, stem with lace twist inside multi-ply spirals and domed foot, ht. 6 7/8, and one with stem with multi-ply column surrounded by two multi-ply corkscrews and conical foot, ht. 5 1/2 in. 618 Anglo/American School, 19th/20th Century Botanical Garden View Signed and dated Harriet T. P...k/1901 l.r. Watercolor on paper, 13 1/4 x 16 3/4 in. (33.7 x 42.5 cm), framed. Condition: Toning, sheet laid down on matboard. 618A Carl Ostersetzer (Austrian, ) At the Instruments Maker Signed C. Ostersetzer l.r., titled on a label affixed to the stretcher. Oil on canvas, 13 1/4 x 17 5/8 in. (33.5 x 44.7 cm), framed. Condition: Craquelure, scattered minor abrasions, surface grime. 619 Russian Icon Depicting John the Holy Forerunner, 19th century and later, shown holding a chalice with the infant Christ and a scroll, depicted with wings and a halo against a gilt background, 17 1/4 x 13 3/8 in. $ Russian Icon Depicting the Mother of God, Houli, 19th/20th century, shown with Christ seated on her arm, both with gilt crowns and halos, on a yellow background with an orange border, incised inscription to reverse, 16 1/8 x 12 3/4 in. $ Russian Icon Depicting St. Nicholas with an Enamel-decorated Riza, 20th century, depicted holding the Gospels closed in one hand and the other raised in blessing, in a giltmetal riza framed by an enameled border to the outside and also mounted with an enameldecorated halo and a Bishop s mitre on his head, panel covered in velvet, 8 3/4 x 7 1/4 in. Online bidding at 113

116 Russian Icon Depicting the Saints Samon, Guri, and Aviv, 19th century, kovcheg panel showing the three standing saints against a gilded background with gilt details to their clothing, with Christ in the clouds in the center above their heads, indistinct stamp and writing to reverse, 12 1/4 x 10 3/8 in. $ Russian Icon Depicting Christ Immanuel, 19th/20th century, shown from the shoulders up as a child, on an orange ground with parcel-gilt details to the halo and clothing, within a red-lined brown-ground border, 12 3/8 x 10 1/2 624 Russian Processional Icon Depicting the Crucifixion, late 19th/early 20th century, in the form of a cross showing the God the Father in the clouds at the top flanked by the sun and moon, above Christ crucified with the spear and sponge on a reed to each side, below him shows the skull and bones of Adam, ht. 17 3/4, wd. 9 3/4 in. $ Jean Didier Debut (French, ) Porteur d eau Tunisien, the bronze cast as a water bearer with a jug in each hand striding forward, on a naturalistic base mounted with a plaque labeled Prix de Rome, base signed Debut, stamped Bronze Garanti au Titre Paris and _P within a bell-shaped cartouche, red-brown patina, ht. 12 3/4 in. $1,200-1, Eugene Marioto (French, ) Fascinator, the bronze cast as a fur-clad man with a snake wrapped around one arm, on a naturalistic base further mounted on a onyx base, bronze labeled with the title, signed E. Marioto, and stamped Foit Decauville, Fondeur, Paris, chocolate brown patina, bronze ht. 12 3/4 in. $1,200-1, Antoine Bofill (Spanish/French, 1875-after 1925) Arabe en Prière, the patinated bronze male figure standing with his hands to either side of his face and gazing at his bare feet, base titled, incised Bofill, and stamped Bronze Garanti au Titre Paris, and _P within a bellshaped cartouche, ht. 13 in. $1,200-1, Attributed to Friedrich Beer (German, ) Bronze Figure of a Male Laborer, cast leaning over and wiping his face with one hand, signed to the base BEER and incised Founderia Lippi/Pistoia. (Italia) with a dark brown and green patination, ht. 20 in. 114 Additional information and photos at

117 629 Continental School, Possibly Affortunato Gory (Italian/French, fl ) Nature Unveiling Herself Before Science, the gilt-bronze, plaster, and marble figure after the original by Louis-Ernest Barrias (French, ), cast with a long robe over her head and draped across her waist with a corset decorated with rosettes, standing on a circular bronze base, signed A. Gori, ht. 30 7/8 in. N.B. See lot 757. $1,000-1, Inge Gruber (German, b. 1941) Three Small Portraits: Man Smoking a Pipe (two versions), and Monk with Candle and Wine Each signed Gruber l.l. or l.r. Oil on panel, 8 1/4 x 6 3/8 in. (21.0 x 16.2 cm), framed. Condition: Fine craquelure, surface grime. 631 N.B. Inge Gruber is the daughter of the figure painter R.W. Gruber and the portrait painter R. Gärtner. She specializes in portrait miniatures, often finding her models among members of the Royal Bavarian Shooting Guild. We would like to thank Christian Otto, Galerie Otto, Vienna, for his assistance cataloging this lot. $1,000-1, A R. Gärtner (German, 20th Century) Pair of Small Portraits: Man with Stein and Woman in Traditional Dress with Flowers Signed GÄRTNER l.r. and l.l., respectively. Oil on canvas and panel, respectively, sizes to 10 x 8 in. (25.3 x 20.5 cm), framed. Condition: Surface grime. N.B. R. Gärtner was the wife of the figure painter R.W. Gruber, and mother of the portrait artist Inge Gruber. $ Vienna Parcel-gilt Porcelain Vase, late 19th/ early 20th century, balustroid with a cobalt ground, gilt registers, and gilt eagle-form scrolled handles; painted to each side with an interior scene with children and other figures labeled to one side UNVERHOFTER BESUCH, and the other NIKOLAUSFEST, each signed J. Gunt Wien. on a flared foot further raised on cylindrical pedestal with three painted registers: an interior with two seated men and a couple numbered 333, an interior with four figures and a chimney signed F. DAHN. and numbered 1760, and the last with four figures and a dog outside numbered 1326 ; underside with underglaze mark F D within a shield cartouche with Vienna above and Austria below, ht. 27 1/4 in. $3,000-5, Continental School, Early 20th Century Bronze Bust of an Alpine Man, wearing lederhosen with a feather in his hat, and raised on a chocolate brown cylinder pedestal, chocolate brown patina, unsigned, bronze ht. 4 in. 633 German School, Late 19th Century Bronze Figure of a Young Boy, modeled stepping off his pedestal with both hands raised as if to clap, wearing lederhosen and a feathered hat, further raised on a cylindrical base, bronze signed F., chocolate brown patina, bronze ht. 6 1/2 in. $ After Carl Peters (Danish, ) Bronze Figure of Pan, Denmark, early 20th century, cast striding forward off his pedestal with two horns in his mouth, cylinder pedestal with satyrs, lions, and grapevines, further raised on a square base, signed G. Peters, golden brown patina, ht. 12 1/4 in. 635 Figural Bronze Pricket Candlestick, the circular drip tray mounted with turtles, over four nude men and dolphins, on a quatrefoil foot mounted to a circular marble base, total ht. 4 3/4 in. Online bidding at 115

118 Framed French Beadwork on Velvet Panel, late 19th century, showing a man and a woman in the center in a doorway framed by flowers surrounded by a crowd of people with two white statues on either side, labeled below: REGNE DE CLOVIS V SIECLE PAR CENDRIER EN 1859, in a red-painted and gilt frame, sight size approx. 32 x 41 1/2 in. $1,500-2, Persian Carpet, mid to late 20th century, (minor moth damage), 13 ft. 8 in. x 10 ft. 638 Fereghan Rug, West Persia, late 19th/early 20th century, (several small repairs in upper left corner of field), 5 ft. 10 in. x 3 ft. 10 in. $800-1, Bruno Krauel (German, ) Harvesting Hay Signed B. Krauel l.r. Oil on canvas, 21 1/4 x 28 1/2 in. (53.7 x 72.4 cm), framed. Condition: Surface grime. $1,500-2, Kerman Carpet, Southeast Persia, second quarter 20th century, (minor moth damage), 20 ft. 6 in. x 10 ft. 8 in. 641 Sarouk Rug, West Persia, second quarter 20th century, (some end fraying at one end), 6 ft. 9 in. x 4 ft. 8 in. 642 Italian School, Late 19th/Early 20th Century Marble Sculpture of a Woman and a Dove, modeled with a robe around her waist, clasping a dove to her breast with two hands and leaning against a tree stump, raised on a circular naturalistic base, signed Bracony, ht. 32 in. $1,200-1, Bronze Portrait Plaque of a Man, oval format, with a high-relief depiction of a man in 17th century dress, copper-colored patina, unmarked, framed, sight ht. 10 3/8 in. 644 Russian Folk Triptych of the Crucifixion, 20th century, hinged side panels each with two scenes framed within gilded panels, the central scene with a recessed and repoussé metal-mounted crucifix, flanked by painted figures, ht. 12 3/4, wd. open 17 5/8, closed 8 3/4 in. 116 Additional information and photos at

119 645 Russian Icon Depicting the Image Not Made by Hands, 19th century, kovcheg panel showing two figures raising the cloth with an image of Christ s face imprinted on it, 12 3/8 x 10 3/8 in. 646 Russian Icon Depicting the All Hymned Mother of God, 19th century, kovcheg panel, the Mother holding Christ, the lining of her parcel-gilt brown robe and head covering with a Cyrillic inscription and with three small faces enclosed in a circle: two on her shoulders and one on her head, handwritten inscription to reverse, 12 x 10 1/4 in. 647 Russian Icon Depicting St. Michael the Archangel, 19th century, shown in the center in a white robe with wings surrounded by an assembly of other saints, each with a gilt halo and gilt details to their robes, on a brown ground with Christ in the clouds above, 12 3/8 x 10 in. $ After Emmanuel Villanis (Italian, ) Valkyrie, Paris, 20th century, the bronze bust cast wearing a winged helmet with a bird-form plume, raised on a flared rectangular base and mounted on a square marble base, signed E. Villanis, titled to bronze base, and stamped Societe des Bronzes de Paris and F to reverse, ht. of bronze 9 1/4 in. $1,000-1, School of George Webster (British, ) The Vessel Northampton and Small Sailing Craft Off the Coast Signed indistinctly W... l.l., inscribed and dated SARAH 1804 on the stern of a dinghy l.l. Oil on canvas, 25 x 29 7/8 in. (63.5 x 76.0 cm), framed. Condition: Lined, scattered retouch, areas of skinning. $3,500-4, A Dutch School, 18th/19th Century Ships on Calm Seas Signed Jan Spierdijk l.l. Oil on panel, 7 x 10 1/2 in. (17.8 x 26.7 cm), framed. Condition: Bowed panel, craquelure, minor surface grime. 650 Continental School, Late 19th Century Alabaster Figure of a Female Nude Crouching by a Fountain, modeled as a maiden crouching above a pool of water clutching a large vessel behind her, incised signature to reverse Vanni 1851, ht. 15 in Online bidding at 117

120 Additional information and photos at

121 651 Griotte d Italie Marble Stand, square marble top with ormolu-mounted edge, raised on a cluster of four marble cylinders with three Neoclassical-style ormolu registers further raised on a stepped marble base on four ormolu paw feet, ht. 30, wd. 18, dp. 18 in. $ Continental School, 19th Century Bronze Figure of a Boy with Birds, cast as a reclining nude boy with a basket of flowers and two birds on a naturalistic oval base, unsigned, dark brown patina, ht. 7 1/4 in. 653 German School, Late 19th/Early 20th Century Gilt-bronze Bust of a Boy Smoking a Cigarette, cast on a bronze pedestal mounted with an oak branch further raised on a square marble base, unsigned, bronze ht. 7 1/4 in. 654 After Julius Schmidt-Felling (German, ) Bronze Figure of a Boy Reading a Newspaper, cast bare foot on a naturalistic base further raised on a black marble pedestal, bronze signed Schmidt-Felling, golden brown patina, bronze ht. 6 1/2 in. 655 After Paul Schmidt-Felling (German, ) Bronze Figure of a Boy Smoking a Cigarette, cast wearing lederhosen with one hand in his pocket and the other lighting the cigarette in his mouth, signed to base Felling and stamped Garanti Bronce, dark brownblack patina, ht. 8 1/8 in. 656 After Paul Ludwig Kowalczewski (German, ) Bronze Figure of a Boy with a Sausage, cast wearing lederhosen and a feathered cap, in one hand a dead chicken, in the other a sausage, raised on columnar marble pedestal, bronze signed P.LKOWALCZEWSKI, bronze ht. 5 in. 657 Attributed to Antonio Frilli (Italian, ) Marble Sculpture of a Fisher Boy, modeled with is hand on one hip and the other resting on a rocky outcropping with his net and string of fish, on a naturalistic circular base, signed A. Frilli/Firenze, ht. 33 1/2 in. $1,500-2, Pair of Italian Baroque-style Carved Walnut Mirrors, 18th century, each cartouche-shaped with S-scroll leaves in high relief, ht. 17 1/4 in. $1,000-1, School of James Pollard (British, ) A London Coach Bears signature Jas Pollard l.l. Watercolor and ink on laid paper, 11 3/16 x 15 1/4 in. (28.4 x 38.6 cm), framed. Condition: Toning. Provenance: By descent within the family of Alexander B. and Mary Joan Rives, Keswick, Virginia. $1,000-2, A School of Henry Thomas Alken (British, ) Fox Hunting Scene Bears signature H. Alken. l.l. Watercolor and gouache on laid paper, 16 3/4 x 22 1/4 in. (42.5 x 56.5 cm), framed. Condition: Toning, foxing. Provenance: By descent within the family of Alexander B. and Mary Joan Rives, Keswick, Virginia. 660 Grand Tour Bronze of Mercury, 19th century, after Giambologna, dark brown/black patina, on a verde marble pedestal, total ht. 23 3/4 in. 661 After Paul d Aire (French, fl ) Pair of Dutch Patinated Bronze and Ivory Figures of Children, each striking a jaunty pose and wearing traditional attire, on circular naturalistic bases incised paul d Aire, ht. 10 in. $ After Joseph d Aste (French, ) Gilt-bronze and Ivory Figures of Dutch Children, cast as two dancing figures in traditional dress, each figure numbered 18, on a rough marble base incised D Aste, figure ht. 8 in. $ After Joseph d Aste (French, ) Gilt-bronze and Ivory Figures of Dutch Children, cast as a girl and young boy carrying jugs, in traditional dress, numbered 5, on a rough marble base inscribed D Aste, figure ht. 7 5/8 in. $ Online bidding at 119

122 Two Single-series Opaque-twist Wineglasses, England, , each with outlined multi-ply corkscrew to stem and conical foot, one with waisted bell bowl with solid base, ht. 6 1/2, the other with round funnel bowl with solid base, ht. 6 in. 665 Four Double-series Opaque-twist Glasses, England, , three wineglasses with ogee bowls and conical feet: one with band of three threads outside of a spiral gauze, ht. 6 1/2, one with molded bowl on a stem with a pair of corkscrews surrounding a spiral, ht. 5 3/4, and one with stem with lace twist inside a pair of spiraling heavy threads, ht. 5; and an ale glass with molded round funnel bowl on a multi-ply corkscrew surrounded by a pair of spiraling heavy threads, and a conical foot, ht. 7 1/2 in. 666 Five Double-series Opaque-twist Glasses, England, c. 1770, four wineglasses: three with ogee bowls and conical feet, one with vertical spiral inside a pair of corkscrews, ht. 5 5/8, another stem with vertical spiral surrounded by three heavy spiral threads, ht. 5 7/8, the third with gilded flower sprays to bowl, on a stem with vertical multi-ply spiral inside a pair of heavy corkscrews, ht. 5 3/4; one with round funnel bowl on stem with heavy vertical spiral surrounded by two multi-ply spirals, and conical foot, ht. 5 3/4; and a goblet with ogee bowl over vertical multi-ply spiral inside a pair of multi-ply corkscrews and conical foot, ht. 7 3/8 in. $ Five Double-series Opaque-twist Wineglasses, England, c. 1770, each stem with vertical gauze inside multi-ply spiral and on a conical foot, four with ogee bowls: two with engraved bands of flower sprays, ht. 5 3/8 and 5 1/2, one bowl engraved with fruiting grapevine and a bird, ht. 5, the fourth with molded bowl, ht. 6 1/2, and one with a round funnel bowl, ht. 6 1/8 in. $ Five Double-series Opaque-twist Glasses, England, c. 1770, three wineglasses with conical feet: one with round funnel bowl on a stem with a heavy lace twist inside a multi-ply spiral, ht. 6 1/4, another with molded ogee bowl on a stem with heavy vertical spiral inside a pair of multi-ply corkscrews, ht. 5 7/8, the third with molded ogee bowl on a stem with heavy vertical spiral inside a multi-ply spiraling thread, ht. 5 3/4; a cordial with round funnel bowl on stem with pair of corkscrew threads surrounded by two multi-ply corkscrews and conical foot, ht. 5 1/8, and a gin glass with round funnel bowl on stem with heavy vertical twist inside a pair of spiraling three-thread bands and conical foot, ht. 4 5/8 in. 669 Four Double-series Opaque-twist Wineglasses, England, c. 1770, two with round funnel bowls and conical feet: one with molded bowl and stem with pair of spiral tapes inside two multi-ply corkscrews, ht. 5 1/2, the other with a vertical spiral column surrounded by two multi-ply spiraled bands, ht. 5 5/8; and two with ogee bowls and conical feet: one stem with a pair of spiral tapes inside a pair of multi-ply corkscrews, ht. 5 1/4, the other with molded bowl on a stem with four-ply column surrounded by a pair of four-thread spiraled bands, ht. 5 1/2 in. 120 Additional information and photos at

123 After Jean-Baptiste Isabey (French, ) Le Congrès de Vienne, engraved by Jean Godefroy (British, ) Signed and dated in the plate J. Isabey... l.l., J. Godefroy/1819 l.r., titled and inscribed in the plate l.c. Engraving on paper, image size 23 3/4 x 32 1/4 in. (60.5 x 82.0 cm), framed. Condition: Small tear to edge u.r., small repair to center, toning, foxing, not examined out of frame. N.B. The lot is accompanied by a lithograph published by Godefroy Englemann after Isabey in 1819 that acts as a key to identify the Ministers of the Congress of Vienna. The lithograph, which is on a fragmentary sheet, identifies the ministers by name and country, and arranges their thumbnail portraits according to the figures locations in the engraving. Signed in the matrix J. Isabey l.l., the lithograph appears to be affixed to the reverse of the mount or matboard backing. $ A Jaques Gabriel Huquier (French, ) Vüe du detroit et de la Ville de Gibraltar... Titled and inscribed in the plate...a Paris ches Huquier fils, Graveur... l.c. Engraving with hand-coloring, plate size 11 x 15 1/8 in. (28.0 x 38.5 cm), framed. Condition: Handling creases, foxing, rippling, soiling, areas of retouch to hand colors. $ Five Double-series Opaque-twist Wineglasses, England, c. 1770, each with conical foot, four with ogee bowls: one with vertical gauze column inside two heavy thread spirals, ht. 5 1/2, another with molded basal flutes to bowl on stem with two heavy thread spirals outside a lace twist, ht. 5 1/4, one with molded bowl on a stem with vertical gauze column inside four heavy thread spirals, ht. 5 1/2, the fourth with band of engraved foliage above faceted bowl on stem with a pair of corkscrew threads surrounded by a pair of multi-ply corkscrews, ht. 5 5/8; the fifth with a round funnel bowl with solid base on stem with vertical gauze column inside two spiral tapes, ht. 6 in. 672 Four Double-series Opaque-twist Wineglasses, England, c. 1770, all with conical feet, two with ovoid bowls: one with a pair of corkscrew threads inside a multi-thread spiral band, ht. 5 1/8, the other with engraved band of flower sprays above a molded bowl on stem with two heavy spiral threads surrounded by multi-ply corkscrews, ht. 5 1/8; the third with molded ogee bowl on stem with pair of spiral tapes inside a ten-thread band, ht. 6, the fourth with bucket bowl with solid base on stem with a pair of spiral tapes surrounded by a multi-ply band, ht. 5 3/4 in. 673 Set of Four Polychrome and Parcel-gilt Carved Figures of the Evangelists, southern Europe, each represented in the act of writing their gospels with their respective attributes: the angel, lion, ox, and eagle; raised on a naturalistic base with applied metal halos, ht. to 12 1/4 in. $2,000-4, Sarouk Carpet, West Persia, early 20th century, 13 ft. 4 in. x 8 ft. 8 in. Online bidding at 121

124 675 Hamadan Runner, Northwest Persia, second quarter 20th century, 9 ft. 8 in. x 2 ft. 10 in. $ Persian Carpet, mid to late 20th century, 18 ft. 9 in. x 16 ft. 5 in. $5,000-7, Continental School, 19th Century Two Framed Genre Paintings: Tapping the Wine Keg and Merrymaking by the River s Edge Unsigned. Both oil on canvas, sizes to 25 x 33 3/4 in. (63.5 x 85.7 cm). Condition: Lined, scattered paint losses, craquelure with areas of lifting, surface grime. 677A Continental School, 19th Century 677A Portrait of a Gentleman in the 16th Century Style Unsigned. Oil on cradled panel, 26 3/4 x 22 in. (68.0 x 56.0 cm), framed. Condition: Retouch, vertical hairline crack to panel, craquelure, scattered paint losses, heavily varnished, surface grime. $1,000-1, Sarouk Rug, West Persia, second quarter 20th century, (areas of minor wear, light stain, slight end fraying, some edge wear), 6 ft. 6 in. x 4 ft. 2 in. $ Continental School, 19th Century Bronze of John the Baptist, modeled draped in fur with one hand raised and the other clutching a cruciform staff, unsigned, with a red-brown patination, ht. 16 3/4 in. 680 After Emmanuel Fremiet (French, ) Ravegeot et Ravageole, Paris, late 19th century, the bronze cast as two dachshunds chained together and seated on an oval base, one looking down at a snail, signed E FREMIET and numbered 209, dark brown patination, ht. 5 1/2 in. $

125 Continental School, Early 20th Century Gilt-bronze Figure of a Female Dancer, cast with castanets in each hand stepping forward with her dress swirling around her legs, raised on a pink marble pedestal further supported on a black marble base, bronze signed F J_ffland, bronze ht. 10 1/2 in. 682 Fernand Ouillon-Carrere (French, 20th Century) Bronze Figure of a Sword Dancer, modeled as a female nude standing on tiptoe with her arms outstretched, on a circular bronze base with three projecting blades, base signed F Ouillon Carrere 1919 and XV to the back, raised on a circular marble pedestal, bronze ht. 18 1/2, total ht. 20 1/4 in. 683 After Antoine-Louis Barye (French, ) Basset Assis, the bronze hound with brown patination, cast on a stepped bronze base further raised on a marble base, signed, lg. of bronze 9 1/2 in. 684 Louis Vuitton Wood-strapped Leatherbound Trunk, serial number , of typical form with monogram pattern, interior with tiered compartments and attached red paper label, ht. 23, wd. 32, dp. 20 in. $3,000-5, Louis Vuitton Wood-strapped Leatherbound Trunk, serial number , of typical form with monogram pattern, interior with tiered compartments and attached red paper label, ht. 23 1/2, wd. 36, dp. 21 in. $1,000-1, Italian School, Late 19th/Early 20th Century Queen Louise, the carved marble figure after the painting by Gustav Richter (German, ), indistinctly signed A. C., ht. 28 in. $1,200-1, Italian School, Late 19th/Early 20th Century Woman with Flowers, the gray-veined marble carved as a woman wearing a flowing dress, carrying a bouquet, and tucking a blossom into her hair, indistinctly incised Made in Italy Corti, affixed to a conforming marble base, total ht. 25 in. 688 After Louis-Ernest Barrias (French, ) Nature Unveiling Herself Before Science, the veined marble carved as a standing female figure lifting her robes to reveal her bare arms and chest, unsigned, ht. 29 in. $2,000-3, Aubusson Verdure Tapestry Fragment, 18th/19th century, showing a falconer against a variegated boscage with a rabbit and bird, approx. 101 x 61 1/2 in. $1,000-1, Louis Meynell (American, b. 1868) Dancing Woman with Flowing Drapery Signed and dated Louis Meynell. 98 l.r. Oil on canvas stretched with Boston tabs, 18 x 12 in. (45.6 x 30.2 cm), framed. Condition: Scattered paint losses, retouch, surface grime. $ After Antoine-Louis Barye (French, ) Lion Qui Marche, the bronze lion with dark black-brown patination, on a stepped base, signed, lg. 15 in. $1,000-1,500 Online bidding at 123

126 Four Double-series Opaque-twist Ale Glasses, England, c. 1770, each with round funnel bowl and conical foot, one stem with a pair of corkscrew tapes inside two multithread spiral bands, ht. 6 3/4, another bowl engraved with wheat and hops on stem with four-ply column surrounded by two fourthread spiral bands, ht. 7 1/8, one with a pair of corkscrew tapes inside a pair of multi-ply corkscrews, ht. 7 1/8, the fourth bowl slightly waisted on stem with four-ply column inside two four-thread spiral bands, ht. 7 1/4 in. 692 Continental School, Late 19th/Early 20th Century Bronze Figure of a Norseman, cast as a warrior in fur-clad armor with a sword in one hand and his winged helmet in the other, with a shield strapped to his back, on a naturalistic bronze base with a low relief scene of a village, signed C. Kauba, ht. 28 1/2 in. $3,000-5, After Antoine-Louis Barye (French, ) Jaguar Debout, the bronze jaguar with dark black-brown patination, cast on a naturalistic ground, signed and with F. Barbedienne foundry mark, also incised 43/Y to underside, lg. 8 1/4 in. $1,000-1, Five Double-series Opaque-twist Stem Wineglasses, England, c. 1770, all with ogee bowls and a multi-ply spiral band outside a pair of heavy spiral threads on conical feet; three with molded bowls: one fluted, ht. 6 1/8, one with curved fluting, ht. 5 5/8, and the third with diamond-form molding, ht. 6 3/8; one with a slightly flared rim, ht. 6, and the fifth glass, ht. 5 7/8 in. 696 Four Double-series Opaque-twist Stem Glasses, England, c. 1770, three wineglasses each with a conical foot: one with long funnel bowl with a pair of spiral threads outside gauze, ht. 6 3/4, the two other with ogee bowls and multi-thread spirals outside gauze stems, one with engraved flowers to bowl, ht. 6 1/2, the other, ht. 6 3/8; and a goblet with round funnel with a slightly flared rim bowl and a thin pair of spiral threads outside gauze on a conical foot, ht. 6 5/8 in. 124 Additional information and photos at

127 Three Double-series Opaque-twist Stem Wineglasses, England, c. 1770, all three with ogee bowls and conical feet: one with a pair of spiral threads outside gauze stem, ht. 6, one with slightly flared rim and four spiral threads outside gauze stem, ht. 5 3/4, and the last glass with a pair of heavy spiral threads outside gauze, ht. 5 in. 698 Four Double-series Opaque-twist Stem Wineglasses, England, c. 1770, two with molded ogee bowls and a heavy corkscrew outside gauze stems on conical feet: one with a flared rim, ht. 6 1/16, the other, ht. 5 15/16; one with an ogee bowl engraved with a longstemmed rose and a bird with a pair of heavy thread spirals outside loose gauze stem on a conical foot, ht. 5 3/8; and with a round funnel bowl with a pair of spiral threads outside gauze stem on a conical foot, ht. 5 3/4 in. 699 Wailes and Strang (British, 19th Century) Presentation Drawing for a Stained Glass Window Inscribed and dated Wailes and Strang/ NewCastle on Tyne 1878/England l.c. Watercolor on paper/board, sight size 13 3/4 x 4 1/2 in. (34.7 x 12.0 cm), framed. Condition: Not examined out of frame. N.B. The firm Wailes and Strang descended from the original stained glass firm founded by William Wailes in Newcastle-on-Tyne in After the death of William Wailes in 1881, the firm continued to make stained glass under the leadership of Thomas Rankine Strang ( ), the son-in-law of William Wailes, with Margaret Janet Wailes, Wailes s daughter and Strang s wife, acting as a designer. $ A Two Botanical Prints from The Ladies Wreath, Double Laurel Rose & Philica and Tuberose & Lion s Tongue Unsigned. Hand-colored lithographs on paper, sheet sizes 8 3/8 x 5 5/8 in. (21.2 x 14.2 cm), framed. Condition: Foxing, toning, nicks and wear to edges. N.B. The Ladies Wreath was an illustrated annual published by Martyn & Ely, 162 Nassau-Street, New York. These two prints were among the embellishments to the book, vol. 3. $ Online bidding at 125

128 After Josef Lorenzl (Austrian, ) Cold-painted Bronze Figure of a Arab with Two Nude Maidens, cast as an robed gentleman lifting the robes off a standing nude with another nude woman at his feet, on a circular marble base, signed to bronze Lorenzl, impressed Made in Austria, and numbered 359/104, bronze ht. 9 in. $1,500-2, After Bruno Zach (Austrian, ) Slave Girl, the cold-painted and gilded bronze cast as an Arab man displaying a seated nude woman, both on a pedestal, unsigned, on rouge marble base, bronze ht. 14 1/4 in. $1,000-1, After Bruno Zach (Austrian, ) Bronze Water Carrier, the cold-painted bronze cast as an African man offering a cup of water from a large canteen, incised Zach and Argentor-Vienna, on an onyx base, bronze ht. 8 1/4 in. $ After Paul Aichele (German, ) Bronze Figure of a Blackamoor Boy with a Donkey, late 19th/early 20th century, cast as a boy leaning against a rearing donkey, on a naturalistic base raised on a stepped bronze platform, signed to base Aichele, 98, dark golden brown patina, bronze ht. 9 in. 704 Dutch Delft Polychrome-glazed Charger, Holland, 18th/19th century, with scrollwork borders and stylized floral decoration, dia. 13 3/4 in. $ Dutch Delft Blue and White Figural Jug and Cover, Holland, late 19th century, the standing female figure in 16th century dress, the base with unidentified underglaze blue mark, ht. 16 in. 706 Two Dutch Delft Blue and White Chargers, 20th century, each marked to the reverse with impressed Joost Thooft & Labouchere in a circle and letters WV and D, with additional underglaze blue De Porceleyne Fles mark; one depicting two fisherman in the dunes with the ocean in the background signed naar Elchanon Verveer with additional indistinct underglaze marks to reverse, dia. 13 3/4; the second showing a fisherman with a pipe looking out at the ocean signed naar E. Verveer with addition underglaze marks to the reverse J.X./L58, dia. 14 1/4 in. 126 Additional information and photos at

129 707 Continental School, 20th Century Bronze Model of a Mansion, cast as a twostorey building labeled to front BUREAUX CAISSE raised on platform cast as the yard of the building with an exterior fence and a gated entrance, unsigned, dark green-brown patina, ht. 10 in. 708 After Gotthilf Jaeger (German, ) Bronze Figure of a Female Nude and a Goat, 20th century, cast as a gilded nude leaning up against a grazing horned goat on a naturalistic base, further raised on a long octagonal marble base, signed to bronze base G. Jaeger. fec. and stamped VRAIS BRONCE DEPOSE K, bronze ht. 10 3/4 in. $ A C. Schuyler (Dutch, 20th Century) Flemish Quayside Signed C. Schuyler l.r. Oil on canvas, 16 x 19 5/8 in. (40.6 x 49.8 cm), framed. Condition: Very minor surface grime. Provenance: Sotheby s Billingshurst, January 9, 2001, Sale B01002, Lot $1,500-2, Chinese Carpet, second quarter 20th century, (small spot of minor wear, light stains), 11 ft. 8 in. x 8 ft. 8 in. 712 Indo-Persian Prayer Rug, mid to late 20th century, 6 ft. x 4 ft. $ Vienna Porcelain Parcel-gilt Floor Vase and Cover, Austria, 19th century, domed cover with a squat, round finial on a flared rim with two gilded and scrolled handles extending down the sides of the balustroid body, painted to front with scene of a couple amongst flying putti, further raised on a drum-shape base with inverted gadroons and a central cartouche of figures in a wooded landscape, base marked with green beehive and cover with illegible green crown and text, approx. ht. 43 1/2 in. 710 Niels Andersson Wyke (Danish, ) Hills and Coast Signed NAWyke l.l. Oil on canvas, 13 7/8 x 20 15/16 in. (35.2 x 53.2 cm), framed. Condition: Craquelure, surface grime. 709

130 713 Bronze Elephant Clock, France, 19th century, a Chinaman seated atop the clock with porcelain enamel Roman numeral dial and the lower base of the clock modeled as a riding saddle for the elephant below, all on an organic-form molded platform with four scrolled feet, ht. 21 1/2, wd. 16 1/2, dp. 9 in. $3,000-5, Boxed Set of Twelve Specimen Dishes, includes: lapis lazuli, aventurine, carnelian agate, gray agate, tiger s-eye, amethyst, rose quartz, rock crystal, rhodonite, banded agate, malachite, and smoky quartz, accompanied by a paper list of all specimens, dia. to 2 1/4 in. $1,000-1, After George van der Straeten (Belgian, ) Bronze Bust of Lady in a Hat, Paris, 20th century, cast with her head tilted to one side smiling, her low-cut dress flowing down to form an naturalistic pedestal, signed to reverse J van der Straeten, numbered 935 with an illegible monogram below, and stamped Societe des Bronzes de Paris, red-brown patina, ht. 13 1/2 in. $ Continental School, 19th Century Bronze Bust of an Aristocratic Woman, cast with headdress, in a classical manner, raised on a cylindrical, tapered base terminating in a square platform, unsigned, dark red-brown patina, ht. 14 1/2 in. 717 After Otto Rasmussen (German, b. 1845) Bronze Figure of a Female Nude with a Horse, late 19th/early 20th century, cast standing with one arm draped over the horse, on a naturalistic base, further raised on a rectangular marble platform, signed to bronze Otto Rasemussen and Shibellin, chocolate brown patina, bronze ht. 7 1/4 in. $ British School, 19th/20th Century Hunting Scene Signed indistinctly A. H...ll l.r., titled on a partial label affixed to the stretcher. Oil on canvas, 10 3/8 x 20 7/8 in. (26.5 x 53.0 cm), framed. Condition: Patch reinforcement, retouch, craquelure. 719 Three Double-series Opaque-twist Glass Items, England, c. 1770, two gin glasses with round funnel bowls: one with pair of heavy spiral threads outside gauze stem on a conical foot ht. 4 3/8, and the other with triplethread spiral band outside a heavy multi-poly corkscrew stem on a conical foot ht. 4 9/16; and a taper stick with a plain socket with a collar and multi-ply spiral band outside gauze stem on a domed foot, ht. 5 3/4 in. 720 Seven Pieces of Opaque-twist Soda Glassware, 18th century, six with doubleseries stem with vertical multi-ply cables surrounded by spiraling threads: four wineglasses with round funnel bowls and conical feet, ht. 5 1/4 to 6, an ale glass with round funnel bowl and conical foot, ht. 7 3/4, and a wineglass with waisted bell bowl with beaded solid base and conical foot, ht. 5 7/8, and a wineglass with round funnel bowl engraved with fruiting grapevines and a bird on a double-series stem with solid vertical cable surrounded by spiraling threads, and a conical foot, ht. 5 7/8 in. 721 Three Double-series Opaque-twist Goblets, England, , each with ogee bowl on stem with heavy spiral threads outside of gauze, two with conical feet, ht. 7, and one with domed foot, ht. 8 in. 722 Five Double-series Opaque-twist Glasses, England, , each stem with multi-ply band outside a pair of spiral heavy threads, a sweetmeat glass with double ogee bowl, two-ring collar, and domed foot, ht. 5 5/8, and four wineglasses with conical feet: two with molded ogee bowls, ht. 5 and 5 7/8, one with ogee bowl, ht. 5 1/2, and one with waisted bell bowl, ht. 6 1/2 in. $ Three Double-series Opaque-twist Stem Glasses, England, , two wineglasses with conical feet: one with round funnel bowl on stem with a band of spiral threads outside a pair of corkscrew threads, ht. 6, and one with a molded round funnel bowl on stem with inner and outer pairs of corkscrew tape, ht. 5 1/2; and ale glass with a funnel bowl over stem with a pair of spiraling tape surrounding a lace twist, on a conical foot, ht. 7 3/8 in. 724 Four Opaque-twist Stem Glasses, England, , a sweetmeat glass with double ogee bowl on single-series multi-spiral stem with single knop and molded foot, ht. 3; a wineglass with molded round funnel bowl on single-series multi-spiral stem with central knop and conical foot, ht. 5 3/4, a wineglass with waisted bell bowl on single-series multi-ply corkscrew stem with two knops and conical foot, ht. 5 7/8, and ale glass with round funnel bowl on a double-series stem with a band of multi-ply tape outside a pair of heavy thread corkscrews and single knop, on a conical foot, ht. 7 1/4 in. 128 Additional information and photos at

131 Two Engraved Opaque-twist Glasses, England, each bowl decorated with Jacobite rose, with butterflies to the reverse, a cordial with round funnel bowl with solid base on a double-series stem and domed foot, ht. 6 3/4; the other a goblet with ogee bowl on a singleseries stem and conical foot, ht. 7 in. 726 Two Pieces of Engraved Twist Stem Soda Glass Stemware, each bowl decorated with the Jacobite rose, a cordial, the ogee bowl with solid base, on stem with red thread encircled by two white-opaque corkscrews and conical foot, ht. 5 3/8; and a goblet with round funnel bowl further engraved with FIAT, an oak leaf, and an eight-point star to the reverse, on a double-series opaque-twist stem and conical foot, ht. 7 3/4 in. 727 Pair of Brass Andirons, of typical form, cast with a foliate finial above a pierced sphere raised on a tapered stem decorated with foliate and strapwork registers terminating splayed lion paw feet, ht. 24 1/2, wd. 12, dp. 22 in. Online bidding at 129

132 Framed Woolwork Picture of a Ship, probably England, 19th century, stitched with a three-masted ship flying the flag of the British Merchant Navy, in a wood frame with a gilt inner slip, sight size approx. 11 x 15 in. 729 Victorian Miniature Table-form Mahogany Inkstand, mid-19th century, the folding top opening to an interior fitted with two pewter wells, raised on a square tapering and paneled stem on a shaped plinth base on bun feet, ht. 7 3/4, wd. 13 3/4, dp. 7 1/4 in. Provenance: Purchased at Sotheby s, New York, June 2004: The Estate of Katharine Hepburn, Lot Continental School, 19th Century Cows Gathered in a Barnyard Unsigned. Oil on canvas, 16 3/4 x 21 in. (42.5 x 53.7 cm), framed. Condition: Lined, retouch, old paint losses, fine craquelure, surface grime. 731 KPM Hand-painted Porcelain Plaque of a Violinist, late 19th century, oval format, with a young man in 17th century dress playing by a window, unsigned, with impressed factory marks, ht. 6 7/8 in. 130 Additional information and photos at

133 732 Framed Hand-colored Silk and Needlework Picture of Moses, showing a group of classical-style maidens discovering Moses in the bulrushes, in a giltwood frame decorated with acroteria, sight size approx. 22 x 30 1/2 in. $1,500-2, Continental School, Early 20th Century Bronze Figure of a Dancer, cast as a gilded female dancer crouched with both hands and one foot raised, standing on a rug, further raised on a marble pedestal, unsigned, bronze ht. 5 3/8 in. Online bidding at 131

134 Continental School, Late 19th/Early 20th Century Gilt-bronze and Ivory Figure of a Milkmaid, signed Malenbeck, cast with a yoke across her shoulders with a pail hanging from each side, raised on a verde antique marble base, bronze ht. 10 1/2 in. $1,500-2, After Peter or Paul Tereszczuk (Austrian, Late 19th/Early 20th Century) Bronze and Ivory Figure of a Peasant Woman with Pheasants, cast with a pheasant clutched on one hip and basket holding a pheasant balancing on the other, raised on a bronze base, signed P. TERESZCZUK with additional monogram AR within a square cartouche, ht. 12 1/2 in. $ Joe Descomps (French, ) Gilt-bronze and Ivory Figure of a Woman with Flowers, cast with her head bowed and her hands holding her dress which is full of flowers, raised on a rouge marble pedestal, bronze signed Joe Descomps, stamped FRANCE and numbered 1972, bronze ht. 9 1/8 in. 737 After Theophile Somme (French, ) Bronze and Ivory Figure of a Peasant Girl with a Pail, cast with a pail in one hand and the other carrying a cloth, walking across the naturalistic base, further mounted on a verde antique marble pedestal, bronze signed TH. Somme, bronze ht. 11 in. $ British School, 19th Century Portrait of a Rooster Unsigned. Oil on panel, 15 x 19 in. (37.8 x 48.1 cm), framed. Condition: Scattered retouch. 739 Frans van Genesen (Dutch, ) River Bend in Autumn Signed Frans van Genesen l.l. Oil on canvas, 27 5/8 x 23 5/8 in. (70.0 x 60.0 cm), unframed. Condition: Surface grime, wear to canvas at edges of stretcher u.l. $ A George Mulready Freezor (British, ) Country Farmstead Signed George.Mulready. l.r. Oil on canvas, 20 x 30 in. (51.0 x 76.3 cm), framed. Condition: Lined, craquelure, subtle rippling, surface grime. N.B. George Mulready Freezor was the son of George Augustus Freezor (fl ) and Ellen Mulready. 740 Continental School, 20th Century Bronze Figure of a Peasant Woman with a Staff, cast holding a staff in one hand and her dress in the other, on a naturalistic base, further raised on a square, beveled marble base, bronze signed Loewenich. Fec., dark brown patina, bronze ht. 7 in. $ Additional information and photos at

135 741 Russian Icon Depicting the April Minyeia, late 19th century, showing the saints for each day of the calendar month in four rows, all labeled on a gilt background framed by an abstract pattern, 14 x 12 1/8 in. 741

136 Russian Icon of the Virgin Mother and Christ Child with a Gilt-silver Riza, late 19th century, riza with an engraved frame, inscription to bottom and patterned background, over painted faces of the Virgin Mother and Christ, each figure also with a projecting pierced halo, both silver pieces marked with 84 First Kokoshnik standard, backing lined in velvet, in a gilt frame further mounted in a shadow box, icon 7 x 5 3/4 in. 747 German School, Late 19th/Early 20th Century Bronze Figure of a Metal Worker, figure about to pour metal into a mold, on a base modeled as a cobbled floor, further raised on a square marble pedestal, bronze signed W. Schaffert, and stamped illegibly, dark brownblack patina, bronze ht. 12 5/8 in. $1,000-1, Russian Icon Depicting Christ the Pantocrator, 19th century, shown with one hand raised in blessing and the other holding an open book of Gospels, with a gilt halo on an orange ground with a brown border, 14 1/8 x 12 1/4 in. $ Russian Icon Depicting St. Elijah and His Fiery Ascent, 19th century, showing Elijah in his chariot dropping his mantle down to Elisha at the top of the panel, also showing Elijah dividing the River Jordan with his mantle and being fed in the wilderness by an angel, with gilt accents to halos and the robes of Elijah and the angel in the chariot, 19 3/4 x 15 3/4 in. 744 Russian Icon Depicting the Sign Mother of God, 19th century, shown with her hands raised and with Christ within a painted circle raising his hand in blessing, flanked by patron saints, 14 x 12 in. 745 Russian Icon Depicting the Sign Mother of God, late 19th century, shown with her hands raised and with Christ within a painted circle raising his hand in blessing, on a punchdecorated gilt background with a painted border of abstract patterning, 20 7/8 x 16 3/8 in. $ Framed Gros- and Petit-point Needlework Panel of a Biblical Scene, 17th/18th century, with a central cartouche showing Rebecca and Eliezer at the well, surrounded by leafy floral vines and framed, sight size approx. 33 1/2 x 27 in. 749 Continental School, 19th Century Cavalier Waiting by a Garden Stair, Style of Meissonier Unsigned, with a handwritten label inscribed...bukowski.../...messonier [sic] JLE/... affixed to the stretcher. Oil on canvas, 13 1/2 x 8 in. (34.5 x 20.3 cm), framed. Condition: Lined, possible skinning, fine craquelure, surface grime. 134 Additional information and photos at

137 Two Double-series Mixed-twist Soda Glass Wineglasses, one with waisted bell bowl over a stem with red and green corkscrews encircling a vertical opaque white gauze, on conical foot, ht. 6 3/8; the other with a round funnel bowl over stem with vertical opaque white gauze surrounded by opaque white and red twists, on a conical foot, ht. 4 3/4 in. 751 Mixed-twist Wineglass, England, c. 1760, the bell bowl on stem with spiral air cable and opaque corkscrew outside an opaque heavy thread spiral, on domed foot, ht. 5 7/8 in. 752 Color-twist Wineglass, England, c. 1770, the round funnel bowl on a stem with blue, red, and opaque white threads, on conical foot, ht. 6 1/2 in. 753 Four Opaque-twist Soda Glass Wineglasses, one with bell bowl on a stem with vertical cable surrounded by two spiraling cables on a conical foot with folded rim, ht. 6 5/8, the remaining three with waisted bell bowls, one with a pair of multi-ply corkscrews and conical foot, ht. 6 5/8, another with a solid base, and stem with three knops and double-series vertical cable surrounded by two spiraling threads and conical foot, ht. 7, and one with bowl with a solid base, on a multi-spiral stem with central knop and conical foot, ht. 6 5/8 in. 754 Five Soda Glass Wineglasses, a colorless pair with round funnel bowls engraved with swags of garlands and beads, on hexagonal stems with knopped collars and conical feet with folded and cut rims, ht. 6 1/4, a green pair with round funnel bowls engraved with bands of fruiting grapevine on collared stems and conical feet, ht. 4 7/8, and one yellow with bell bowl engraved with birds, raised baskets of flowers, and pendant garlands, on a collared stem and conical foot, ht. 4 1/2 in. 755 British School, 19th/20th Century Four Framed Portraits Inscribed and signed indistinctly Engraved & printed in color... in pencil l.r. Color mezzotints, sight sizes to 10 1/4 x 8 5/8 in. (25.7 x 22.2 cm). Condition: Toning, not examined out of frames. 756 Pair of Gilt-metal and Crystal Four-arm Candelabra, electrified, each rock crystal urn on a gilt-metal foot with four projecting foliate lily stems mounted with crystal flower buds and birds, each nozzle modeled as a lily, all on a square rock crystal base raised on four giltmetal scrolled feet, ht. to nozzles 22 in. $ Online bidding at 135

138 Attributed to Affortunato Gory (Italian/ French, fl ) Cupid, carved white marble, the nude child preparing to draw his bow, with foliage to base, incised A. DE. G[C]ORI/GALL. LAPINI/ FIRENZE 1895, ht. 36 in. N.B. Gory altered his name from Fortunato Gori when he moved from Florence to Paris at the turn of the last century. Cesare Lapini (Italian, 1848-c. 1893) was as successful sculptor of contemporary and antique subjects working in the second half of the 19th century. From his death until 1900, his workshop became the Galleria Lapini. $3,000-5, Additional information and photos at

139 Three Faceted-stem Glasses, England, c. 1785, two wineglasses with round funnel bowls: one bowl with scalloped base on stem with single knop and conical foot, ht. 6 1/4, the other bowl engraved with festooned circles and husks above three six-point stars, on domed foot, ht. 5 3/4; and sweetmeat dish with paneled double ogee bowl with crenelated rim, central knop to stem, and foot conforming to bowl, ht. 5 1/2 in. 759 Four Faceted-stem Glasses, England, c. 1785, each with round funnel bowl engraved with band of circles and husks, on hexagonal or diamond-faceted stems, and conical feet, a ratafia, ht. 6 3/4, goblet, ht. 6 1/4, wine, ht. 5 3/8, and cordial, ht. 5 in. 760 Five Faceted-stem Glasses, England, c. 1785, each with hexagonal or diamond-cut stem and conical foot, three wineglasses: one with a cut ogee bowl, stem with central knop, and cut foot, ht. 6; one with fluted round funnel bowl engraved with fruiting grapevines and bird, ht. 5 3/4, and cut round funnel bowl, ht. 6 1/8; and two dram glasses with cut round funnel bowls: one, ht. 5, the other with firing foot, ht. 4 5/8 in. 761 Three Faceted-stem Dram Glasses, England, c. 1785, each round funnel bowl engraved with shields and urns hung with festoons, on teared hexagonal-faceted stems, and conical feet, ht. 4 3/8 in. 762 Four Faceted-stem Glasses, England, c. 1785, each with hexagonal or diamond-cut stem and conical foot, two dram glasses: one with a cut cup bowl, ht. 4 1/2, one with round funnel bowl engraved with flower sprays and teared stem, ht. 4 5/8; a wineglass with ogee bowl engraved with a flower-filled cornucopia and insect, ht. 5 1/4; and a cordial with festoon-engraved ovoid bowl, ht. 4 3/4 in. 763 Two Champagne Flutes, probably Scotland, , each conical bowl with long flutes, on stems with two bladed knops and a basal collar, and conical feet, ht. 7 3/8 in. $ End of Sale Online bidding at 137

140 Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold as is, and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. 138 Revised September 4, 2012

141 Absentee Bid Form Sale Title Sale Date First Time Bidder? YES NO Customer # Name (Please Print) Business Name Address check if change in address City State Zip Code Phone # Alternate # I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale. Signature (Required) Date Lot # Description Bid Price Bid confirmation via ? YES NO FOR OFFICE USE Marlborough Boston Phone Fax Mail Person Employee: 63 Park Plaza Boston, MA Fax Cedar Hill Street Marlborough, MA Fax

142 Board of Directors Administration Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shriveas, Stuart G. Slavid, Robin S.R. Starr Expert Departments 63 Park Plaza Boston, MA Fax Cedar Hill Street Marlborough, MA Fax th Century Design - Jane D. Prentiss Assistant: Shannon M. Ames American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff, Annie Claflin American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistant: Karen Mak Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Deputy Director: Jill Arbetter Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney 140

143 Exhibitions & Property Distribution Marlborough: Warehouse Manager - Fred Trottier, Boston: Property Distribution Manager - Jessica R. Lincoln, Auction Coordinator - Benjamin Evans, Finance Department Marlborough: Accounts Receivable - Denise Johnson, Accounts Payable, Consignment - Kathleen Hayes, Accounts Payable, Trade - Kevin Rota, Subscriptions Marlborough: Heather Retzke, Service Departments Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Hadley Bridgman, Rachel Kingsley Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalog Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Kealyn Garner Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey 141

144 Directions to Skinner s Boston Gallery/63 Park Plaza, Boston, MA From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 142

145 SKINNER c a t a l o g s u b s c r i p t i o n f o r m Prices effective JULy 1, Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at p l e a s e c h e c k t h e a p p r o p r i a t e b o x e s: U.S./Canada Foreign (payable in U.S. dollars only) Quarterly Brochure No charge No charge Included with catalog subscription American Furniture & Decorative Arts $120 $143 European Furniture & Decorative Arts $120 $143 American & European Paintings & Prints $120 $143 Fine Jewelry $120 $143 20th Century Furniture & Decorative Arts $60 $73 Asian Works of Art $60 $73 Fine Oriental Rugs & Carpets $18 $25 American Indian & Ethnographic Art $60 $73 Fine Books & Manuscripts $30 $36 Fine Ceramics $60 $73 Fine Musical Instruments $60 $73 Science, Technology & Clocks $60 $73 Fine Wines $60 $73 All Above Departments $750 $915 s u b t o t a l m a r e s i d e n t s 6.25% s a l e s t a x t o t a l MasterCard/VISA # Exp. Date Signature Check enclosed Name Business Name Mailing Address City State Zip address Tel: ( ) Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA

146

147 Upcoming Auction European Furniture & Decorative Arts Featuring Fine Silver April 6, 2013, Boston, MA Now Accepting Consignments German Silver Flagon For more information, please contact the European Furniture & Decorative Arts department at , or or

148

432. Wedgwood Norman Wilson Design Vase, England, c. 1940, turned body with stepped shoulder, allover blue glazed, impressed NW and mark, ht. 9 in.

432. Wedgwood Norman Wilson Design Vase, England, c. 1940, turned body with stepped shoulder, allover blue glazed, impressed NW and mark, ht. 9 in. 433 434 435 432. Wedgwood Norman Wilson Design Vase, England, c. 1940, turned body with stepped shoulder, allover blue glazed, impressed NW and mark, ht. 9 in. Provenance: Born Collection. 433. Wedgwood

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