Spring Catalogue Sale

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1 Spring Catalogue Sale Thursday 22, Friday 23 and Saturday 24 March 2012 Thursday 22 March at 10.00am in Saleroom 1 Glass 1 A Stained and Painted Glass Roundel, 19 th century, after Raphael, The Madonna Della Sedia, apparently unsigned, within yellow and black formal scroll decorated six panel border, ring for suspension, 41cm diameter A Large Engraved Glass Pedestal Punch Bowl, 20 th century, of circular form with everted rim, decorated with swags of fruits suspended from ribbon ties, within gadrooned arches, laurel leaf detail to the circular foot, 31cm diameter, 21cm high 3 A Pair of Cut Glass Table Lustres, early 19 th century, the gilt metal sockets in fan and hobnail cut drip pans hung with button and prismatic drops on a baluster stem with further conforming drip pan similarly hung with drops, on a diamond cut column and fan and hobnail cut lobed circular base, 35cm high 4 A Set of Six Wine Goblets, late 19 th /20 th century, the bucket shape bowls engraved with cockfighting scenes, on plain stems and circular feet, 20cm high A Wellington Commemorative Rummer, circa 1815, the round funnel bowl engraved WELLINGTON FOREVER above a sword, on the reverse with dove with laurel twig, on single knop short stem, 12cm; A Blue Glass Rummer, circa 1800, the ovoid bowl on heavy lemon squeezer square foot, 12.2cm high; and Another, circa 1790, in clear glass, with engraved rim, 13.5cm high (3) A Rummer, circa 1810, the round funnel bowl with basal cut and floral swag engraving around the inscription SUCCESS TO THE TOWN AND TRADE OF BLACKBURNE (sic) and with initials JEE opposite, on solid square foot, 13.5cm high; and A Rare Davenport Process Rummer, circa 1810, the broad semi-ovoid cup with overlap leaf broad banding, on a double cushion knop and circular foot with etched mark PATENT, 11.1cm high (2) 7 A Love Token Scent Bottle, AB July 9th 1817, of flattened spherical form, with opaque white wrythen striations, purple and blue glass beaded rim and sides, with inscription applied (as above), the initials beneath a heart motif, 4.6cm 8 A Wine Glass, 18 th century, the bell shape bowl with basal air tear on hollow baluster stem and circular folded foot, 13.5cm high; A Wine Glass, with faceted stem, 13.5cm; and Another, the rounded funnel bowl engraved with a band of flowers, 14.5cm high (3) 9 A Set of Twelve Slice Cut Circular Salt Cellars, part of the Tenantry Service of the Duke of Northumberland, early 19th century, of panelled circular form, each moulded with lemon squeezer bases, and each engraved with the Percy crescent, 7.1cm diameter The service was transported continuously between Alnwick Castle and Sion House in London for important banquets. 10 A Set of Six Rummers, circa 1790, each semi-ovoid bowl with triple panelled base and slightly wrythen short stem to a square foot, 13cm high A Colour-Twist Wine Glass, circa 1770, the bell bowl with a double-series colour-twist stem comprising a red and white spiral thread around a wide spiral tape edged with green, 15.8cm high Three Ale Glasses, circa , the latest example engraved with fruiting hops and barley, the two earlier examples with wrythen twisted bowls, the tallest 13.3cm high; and A Masonic Dram Glass, circa 1710, the bucket bowl engraved with diverse Masonic symbols, on a single knop stem, 10.5cm high (4)

2 13 A Large Engraved Rummer, circa 1820, the bucket bowl engraved with three tailors making clothes, opposed by initials JAL and flowering branches, on a single knopped short stem with plain foot, 21cm high A Speed the Plough Rummer, circa 1805, the bucket bowl engraved with THE FARMERS ARMS and initials FMC within barley eyes, on lemon squeezer square foot, 13.2cm high 15 A Pair of Irish Mallet Decanters, circa 1800, possibly Cork Glass Co, each with bull's eye stoppers and double milled triple ring necks, the bodies engraved with four anchors punctuating undulating laurel swags with ribbon ties, 28cm high 16 A Set of Three Ale Glasses, circa 1750, each with round funnel bowl engraved with hops and barley, on double knopped multiple spiral air twist stems, 19cm high 17 An Electioneering Wine Glass, circa , the ogee bowl engraved HUZZAH LOWTHER AND UPTON, on a plain stem and folded foot, 13.3cm high The sentiment engraved on this glass is possibly relating to a 1761 Parliamentary election campaign in Yorkshire contested by Sir James Lowther and John Upton of Ingmire Hall A Wine Glass, circa 1750, the drawn trumpet bowl on air twist stem and circular foot, 16cm high; and A Similar Smaller Glass, 15cm high (2) 19 A Wine Glass, circa 1765, the bell shaped bowl engraved with a leaf band on a double knopped opaque twist stem and circular foot, 17.5cm high A Wine Glass, circa 1765, the ogee bowl engraved with a flower and a bird on a double series opaque twist stem and circular foot, 14.5cm; A Similar Glass, engraved with flowers and an insect, 14.5cm; and A Similar Glass, engraved with a bird on branch and flowers, 14.5cm (3) 21 A Light Baluster Wine Glass, circa 1750, the round funnel bowl engraved with birds and bowls of fruit within scrollwork and foliate ornament hung with swags, on a baluster stem with two ball knops and circular foot, 20cm high 22 A Wine Glass, circa 1760, the semi-fluted rounded funnel bowl on a double series opaque twist stem and circular foot, 17cm high; A Similar Glass, with hammered lower section to bowl and later engraved MARY E PATTERSON 1897, 16.5cm high; A Similar Glass, the ogee bowl on double series opaque twist stem, 14cm high; and A Similar Glass, with semi-fluted bowl, 13cm high (4) An Engraved Wine Glass, circa 1765, the round funnel bowl engraved with initial O within a frame of foliage, the stem with upper beaded knop between triple collars, on a double-series opaque twist stem comprising fine spiral threads around a central slightly spiral gauze, 15.1cm high 24 A Mixed-Twist Ale Glass, circa 1760, the round funnel bowl with plain stem containing a single air spiral around a multi-ply opaque twist corkscrew, 19.5cm high A Wine Glass, circa 1765, the ovoid bowl with all-over honeycomb moulding, on a double series opaque twist stem comprising four spiral threads outside a gauze, 12cm high; and Another, circa 1780, the ovoid bowl on a double series opaque twist stem comprising four spiral tapes around a central gauze, 13cm high (2) 26 A Near Pair of Wine Glasses, circa 1760, the rounded funnel bowls on double series opaque twist stems and circular feet, 14.7cm and 15cm high A Wine Glass, circa 1750, the bell shaped bowl on an air twist stem and circular foot, 16.5cm high An Ale Glass, circa 1750, the round funnel bowl engraved with barley ears and a moth, on a plain stem, 17.4cm high; and Another, circa 1750, engraved with barley and hops, folded foot, 16.4cm high (2) A Mixed Series Wine Glass, circa 1760, the round funnel bowl on a pair of air twist spirals interwoven into opaque spiral threads, 15cm high

3 30 A Champagne Glass, circa 1750, the double ogee bowl on a multiple spiral air twist stem with basal knop, domed foot, 16.5cm high; and A Wine Glass, circa 1755, the waisted bucket bowl on a plain multiple spiral air twist stem, 16.5cm high (2) A Wine Glass, circa 1765, the semi-fluted ogee bowl on double series opaque twist stem and circular foot, 15cm high; and A Similar Glass, the ogee bowl with everted rim, 15cm high (2) 32 A Wine Goblet, circa 1765, the plain ovoid bowl on a double-series opaque twist stem comprising two multi-ply spiral bands around a central corkscrew, 18cm high; and A Wine Glass, circa 1760, the plain round funnel bowl on a multi spiral opaque twist centre knop stem, 14.5cm high (2) 33 A Success to the Coal Trade Wine Glass, circa 1765, the ovoid bowl engraved (as above) on a double-series opaque twist stem comprising eight spirals around a central corkscrew, 15.5cm high 34 An Air Twist Wine Glass, circa 1750, the round funnel bowl with dimpled and fluted decoration, on a multiple spiral air twist stem with upper knop, 16.5cm high 35 An Ale Glass, circa 1765, the plain round funnel bowl on double series opaque twist stem comprising a spiral tape outside a pair of spiral tapes, on domed foot, 20.2cm high An Air Twist Wine Glass, circa 1760, the round funnel bowl on a multi-ply spiral corkscrew, 15cm high; and An Opaque Twist Wine Glass, circa 1765, the ogee bowl on a double series stem comprising a multi-ply spiral band outside a pair of spiral tapes, 15.8cm high (2) 37 A Ratafia Glass, circa 1765, the slim bowl with basal fluting, on a double-series opaque twist stem comprising two triple spiral threads outside vertical gauze, 18.5cm high 38 A Wine Glass, circa 1750, the round funnel bowl on a multi spiral air twist stem, 16.1cm high; and A Pan-Topped Wine Glass, circa 1750, the bowl on a centre knopped stem with multiple spiral air twist, 17.7cm high (2) A Silesian Stemmed Sweetmeat Glass, circa 1760, of heavy gauge, with petallate ogee bowl and on an eight-sided baluster stem and cusped foot, 16cm high; A Facet Stem Wine Glass, circa 1775, the round funnel bowl with basal cutting and on a centre-knop stem, 15cm high; and Another, circa 1775, the simple ovoid bowl with facet cut stem, 12.5cm high (3) 40 An Air Twist Wine Glass, circa 1750, the round funnel bowl on a multi-spiral air twist stem of shoulder and centre knop, 15cm high; and Another, circa 1750, the round funnel bowl with basal fluting, on a centre-knopped stem, 14.7cm high (2) A Colour Twist Wine Glass, circa 1760, the trumpet bowl on a double-series red and opaque colour twist stem comprising a white and a red spiral thread around a vertical gauze, 17.1cm high 42 An Opaque Twist Wine Glass, circa 1760, the round funnel bowl with basal fluting, on a single-series opaque twist stem comprising outlined lace twist, 14.9cm high; and Another, circa 1760, the flared bucket bowl on a pair of multi-ply corkscrews, 15.6cm high (2) 43 A Wine Glass, circa 1750, the trumpet bowl on an air twist stem and circular foot, 17.5cm high 44 A Wine Glass, circa 1740, the thistle bowl with basal air tear on plain stem and folded circular foot, 17cm high A Wine Glass, circa 1760, the semi-fluted ogee bowl on knopped double series opaque twist stem and circular foot, 16.5cm; and A Similar Air Twist Wine Glass, 15cm high (2) 46 A Goblet, circa , the round funnel bowl upon a teared inverted baluster stem, 19.3cm high 47 A Patch Stand, circa 1740, with wrythen fluted bowl, stem and circular foot, 5.5cm high, 6.4cm diameter; and A Sweetmeat Glass, circa 1740, the panelled and ogee moulded bowl on a multiple knopped stem, and on a panelled foot, 9cm high, 8.8cm diameter (2)

4 48 A Balustroid Wine Glass, circa 1740, the round funnel bowl simply engraved with a basket of flowers and a bird, on a triple knop stem, slightly conical folded foot, 14.4cm high A Balustroid Wine Glass, circa 1730, the trumpet bowl with teared base, on an inverted baluster stem, 15.5cm high; A Wine Glass, circa 1760, the trumpet bowl on true hollow stem, 15cm high; and Another, circa 1750, the waisted bell bowl on plain stem and folded foot, 13.8cm high (3) 50 A Baluster Wine Glass, circa 1725, the bell bowl engraved with fruiting vine, on a double knopped stem and domed foot, 16.8cm high A Silesian Stemmed Friendship Wine Glass, circa 1740, the round funnel bowl with teared base, engraved with two shaking hands AMICITIAE, flanked by fronds, on a shouldered and teared stem with basal knop, folded foot, 18.5cm high 52 A Green Wine Glass, circa 1740, the cup bowl on a thick straight plain stem, with half-basal knop, on slightly domed and broadly folded foot, 17cm high 53 A Balustroid Wine Glass, circa 1730, the round funnel bowl on shoulder knop over two drop knops and basal knop, on a domed foot, 17.5cm high 54 A Tazza, circa 1730, the circular top with low edge, on a hollow multiple knopped short stem and domed folded foot, 10cm high, 20.7cm diameter; and A Pair of Condiment Bottles, circa 1780, with facet cut lozenge and guilloche decoration, with later silver mounts, London 1850, 16cm high (3) 55 A Balustroid Patch Stand, circa 1740, the circular top with low rim, on a hollow double knopped stem, folded foot, 10.3cm diameter, 6.3cm high 56 A Facon de Venise Tazza, probably 17 th century, the slightly dished circular top with a central applied guilloche band in turquoise glass within ribbon bands, on a swept circular folded foot, 27cm diameter, 8cm high; and A Tazza, circa 1760, the circular top with everted rim, on a swept base with folded foot, 37.5cm diameter, 8.5cm high (2) British Ceramics 57 A Pair of Royal Worcester Porcelain Slender Baluster Vases, 20 th century, with loop handles, painted by Freeman with still lives of fruit on mossy banks, on gilt circular socles, printed marks in black, 28cm high 58 A Pair of Royal Worcester Porcelain Tea Plates, 1952 and 1953, painted by Freeman with still lives of fruit on a mossy bank within gilt line borders, signed, printed marks in black, 15.5cm diameter A Royal Worcester Porcelain Ginger Jar and Cover, 1941, painted by Horace Price with a still life of fruit on a mossy bank, signed, printed mark in puce, 17cm high A Royal Worcester Porcelain Baluster Vase, 20 th century, painted by J Reed with a still life of fruit on a mossy bank, signed, printed mark in black, 18.5cm high 62 A Set of Three Royal Worcester Porcelain Cabinet Cups and Saucers, 20 th century, painted by Frank Roberts and P Platt with still lives of fruit on mossy banks within gilt gadroon borders, signed, printed marks in black A Royal Worcester Porcelain Twin-Handled Ovoid Vase and Cover, 20 th century, painted by Leaman with a still life of fruit on a mossy bank, printed marks in black, 21cm high 64 A Pair of Royal Worcester Porcelain Cabinet Plates, 20 th century, painted by Harry Ayrton with still lives of fruit on a mossy bank within gilt lobed gadrooned borders, signed, printed marks in black, 22cm diameter A Royal Worcester Porcelain Twin-Handled Vase and Cover, 20 th century, painted by R Price, of ovoid form with stiff leaf borders and twin-handles terminating in female masks, the domed cover with floriform finial, on a circular socle and square base, decorated with a still life of a fruit on a mossy bank, signed, printed mark in black, 21cm high

5 67 A Royal Worcester Porcelain Pedestal Dish, circa 1935, of lobed oval form with shell and leaf handles, painted by T Lockyer with a still life of fruit on a mossy bank within gilt gadroon borders, signed, printed marks in puce, 31.5cm wide 68 A Pair of Royal Worcester Porcelain Cabinet Plates, 1930, painted by H H Price with a still life of fruit on a mossy bank within a gilt line border, signed, printed marks in puce, 23cm diameter 69 A Matched Set of Six Royal Worcester Porcelain Coffee Cans and Saucers, various dates including 1924, 1931 and 1932, painted by Harry Ayrton, Ernest Barker and others with still lives of fruit on a mossy bank, signed, printed marks in puce, blue and black A Royal Worcester Blush Ivory Porcelain Baluster Vase, circa 1898, with winged feline gilded shoulder handles about the short trumpet neck, the main body painted on both sides with sprays of roses, asters and other flowers, on a decoratively banded base and short ogee foot, puce printed crown and wheel mark, shape 1619, year mark and year cipher (indistinct), 34cm high 71 A Pair of Derby Crown Porcelain Company Vases, date cipher for 1887, of ovoid form with garlic necks and twin scroll handles gilt with Persian style foliage within blue ogee borders on a pale lemon ground, printed marks in red, 17.5cm high 72 A Doulton Stoneware South Africa Jug, printed with figures and animals, commemorating the 1900 South Africa Campaign, inscribed South Africa 1900, impressed marks including 305, 21cm A Majolica Centrepiece, circa 1870, the oak leaf moulded dish with ogee rim on tree trunk stem flanked by a stag and doe and circular base picked out in typical glazes, impressed diamond registration mark, 25.5cm high A Minton Majolica Game Pie Dish and Cover, circa 1870, of basket moulded oval form, the cover moulded and applied with dead game picked out in typical colours, impressed marks, 35cm wide over handles A Minton Faience Architectural Plaque, circa 1870, modelled in high relief with the mask of Mercury wearing a wing helmet flanked by birds issuing from acanthus, on a celadon ground, impressed marks, 35cm by 42cm 77 A Robert Heron Wemyss Ware Mug, painted with pink wild roses within bottle green lined borders, wide loop handle, impressed mark and script mark in yellow, 14.3cm 78 A Robert Heron Wemyss Ware Mug, painted with a black cockerel and three chickens on a sponged green ground, bottle green lined border and handle, 14.2cm A Robert Heron Wemyss Ware Vase, of waisted form with wavy rim, painted with full blown pink roses, bottle green lined rim, script mark in yellow, 15.5cm A Robert Heron Wemyss Ware Squat Biscuit Barrel and Cover, decorated with full blown pink roses and inscribed BISCUITS, bottle green lobed borders, impressed mark and script mark in green, retailer's mark for T Goode & Co, London, 11cm; and A Taller Biscuit Barrel, with pink rose decoration, script mark in green Wemyss T Goode & Co, 15cm A Robert Heron Wemyss Ware Rectangular Stand, inscribed NO ROSE WITHOUT A THORN and painted with a full blown pink rose, bottle green border, script mark in green, 14.5cm 82 A Robert Heron Wemyss Ware Part Teaset, each piece painted with black cockerels and hens, some inscribed BON JOUR in puce, bottle green lined borders, comprising teapot and cover, slop basin, three teacups, two saucers and a milk jug, printed and impressed marks (9) 83 A Robert Heron Wemyss Ware Inkstand and Cover, of shaped oval form, painted with full blown roses between bottle green borders, impressed mark, 22cm 84 A Robert Heron Wemyss Ware Vase, of floral waisted form, painted with daisies on a blue, green and red ground, script in black Wemyss 218, 19.5cm high

6 85 A Robert Heron Wemyss Ware Teaset for One, each piece painted with pink roses, bottle green lined rims, comprising tray, cup, saucer, milk jug and sugar bowl; and A Similarly Decorated Waisted Small Vase, impressed, script and printed marks, 10.7cm (6) 86 A Large Green Glazed Pottery Urn, circa 1870, the basket weave and reeded neck flanked by two putti handles sitting on lion masks with loop handles, the ogee body with ribbon tied laurel wreath medallions over a gadrooned border, on a circular socle with gadrooned rim, 87cm high 87 A Treacle Glazed Terracotta Figure of a Seated Cat, 19 th century, on a stepped rectangular base moulded with dogs, 18cm high An Adams & Co Parian Bust of Richard Cobden, circa 1865, on a circular socle, impressed marks, 44cm high 89 A Copeland Parian Figure of Chastity, circa 1865, after Joseph Durham, the standing maiden in flowing robes holding a bunch of lilies on an oval titled base, impressed marks, 64cm high 90 A Copeland Parian Figure of a Child, On the Sea Shore, 1872, after Joseph Durham, as a little girl blustered by the wind, the integral base with incised title, also incised J DURHAM ARA 1872 and impressed factory mark and N76, 49cm high 91 A Slipware Model of a Seated Cat, possibly Canny Hill Pottery, Bishop Auckland, circa 1860, on an oval base decorated in mottled green and brown glazes, 30cm high 92 A W T Copeland & Sons British Arctic Expedition Circular Stand, 1875, printed in pale blue with a polar bear within a circular cartouche inscribed ARCTIC EXPEDITION 1875 within an entwined border, the reverse printed ALERT, printed mark WT Copeland & Sons Arctic Expedition 1875, 18cm diameter Part of a Copeland service made for the Ward Room of HMS Alert, one of two ships used by Sir George Strong Nares in his failed 1875 expedition to reach the North Pole A Hampson & Broadhurst Pottery Railway Mug, mid 19 th century, printed in brown and overpainted in colours with a landscape with steam train and carriages, printed mark, 10cm high A Sunderland Pink Lustre Jug, mid 19 th century, printed in black and overpainted in colours with Spring Champ of England, Langan Defeated and Drink to England's Champion the Brave and Gallant Spring, 15cm high A Saltglaze Stoneware Harvest Jug, mid 19 th century, of baluster form with reeded neck, moulded and applied with figures and animals amongst trees on a two-tone ground, 25.5cm high A Don Pottery Soup Tureen and Cover, circa 1820, of lobed oval form with scroll handles, printed in underglaze blue with named views Etna from the Augustines and Brundisium, printed mark, 34cm wide over handles; and A Similar Sauce Tureen Stand, printed with a view of the Imperial Rocca, 20cm (3) 97 A Staffordshire Pottery Foot Bath, mid 19 th century, of cushioned oval form, printed in manganese with flower sprays, lattice and scrollwork within ribbon meander borders, 55cm wide 98 A Child's Pearlware Dessert Service, early 19 th century, printed in underglaze blue with chinoiserie buildings in landscapes, comprising a soup tureen, cover and ladle, two sauce tureens, covers, ladles and stands, two vegetable tureens and covers, two sauceboats, an oval bowl, a square bowl, six oval platters in sizes, twelve dinner plates, five soup plates, six dessert plates, six side plates, and a small quantity of plated and similar spoons (qty) 99 A Pratt Type Pottery Money Box, circa 1800, as a longcase clock flanked by a gardener and his companion, a dog at their feet, on a sponged shaped oval base, the whole picked out in typical colours, 22.5cm high

7 100 A Prattware Standing Figure Sportsman, circa 1810, as a gentleman wearing a brown top hat, blue jacket and mustard trousers, standing with his dog and gun at his side, on a square base with impressed mark SPORTSMAN, 11cm high; and A Creamware Figure of a Sleeping Young Woman, circa 1790, resting against a tree stump wearing a bonnet and robes, with simple spotted decoration in mustard, brown and black, with green detail, 7cm high (2) A Brown Saltglaze Stoneware Tobacco Jar, probably Derbyshire, early 19 th century, of baluster form moulded and applied with a vacant ribbon label above the Royal arms flanked by recumbent lions and roses above a shell border, on a two tone ground, 21.5cm high 102 A Brown Saltglaze Stoneware Double Tavern Mug, probably London, mid 18 th century, the cylindrical vessels with reeded base borders and strap handle, 16.5cm high; and A Lead Glazed Pottery Mug in 17 th Century Style, of baluster form with everted rim and strap handle, 19.5cm high 103 A Silver Mounted Mortlake Brown Saltglaze Stoneware Jug, hallmarked 1799, of baluster form with reeded neck and strap handle moulded and applied with a rectangular panel of The Punch Party and with classical figures and foxhunting scene, on a two tone ground, 19.5cm high See Oswald (Hildyard and Hughes) English Brown Stoneware , pg.59 for a discussion of the elements of the decoration and the attribution to Mortlake 104 A Silver Mounted Mortlake Brown Saltglaze Stoneware Jug and Hinged Cover, hallmarked 1802, the domed cover with panelled finial, the baluster jug with reeded neck and strap handle moulded and applied with a rectangular tavern scene, topers and a foxhunt, 23.5cm high A Lambeth Saltglaze Stoneware Jug, early 19 th century, of baluster form moulded and applied with topers and a foxhunting scene, on a two tone ground, 19.5cm high 106 A Documentary Creamware Hare Coursing Jug, dated 1792, of baluster form, painted in colours with a vignette of two hounds chasing a hare, and inscribed THOMAS GREENSMITH 1792 within blue line borders, 20cm high 107 A Documentary Lord Rodney Creamware Mug, dated 1781, of cylindrical form with strap handles, painted and inscribed in the style of Robinson and Rhodes with SUCCESS TO BOLD RODNEY 1781 within a foliate and scroll cartouche beneath a dentil border, 12.5cm high A Lowestoft Porcelain Relief Moulded Baluster Jug, circa 1761, with scroll handle, painted in underglaze blue with trailing foliage on a moulded ground of leaves, fruit and foliage, painter's number 3, 28cm high See Godden (Geoffrey) The Illustrated Guide to Lowestoft Porcelain, pl.29 for a similar jug 109 A Rare Lowestoft Porcelain Figure of a Cat, circa 1780, seated with black stripe markings on a green wash moulded mound base, 5.5cm high See Godden (Geoffrey) The Illustrated Guide to Lowestoft Porcelain, pl.139 for a similar example A Lambeth Delft Dish, circa 1770, painted in blue, green, red and ochre with a chinoiserie figure in a landscape, within a foliate border, 34cm diameter; and An English Delft Dish, probably Liverpool, circa 1760, painted in blue with peony and rockwork, 36cm diameter (2) A Chaffers Liverpool Porcelain Coffee Pot and Cover, circa 1760, of baluster form, the domed cover with turned knop, painted in underglaze blue with bamboo in a fenced garden, 20cm high See Godden (Geoffrey) Godden's Guide to English Blue and White Porcelain, pl.406 for a similar example Continental Ceramics 112 A Pair of Sèvres Style Porcelain Cabinet Plates, late 19 th century, painted with a bust portrait of Louis XVI and M.elle de Sombreuil in jewelled cartouche within a ribbon tied meander border, on a blue ground with gilt and jewelled ornament and with panels of flowers and trophies, titled and pseudo Sèvres marks in blue, 24.5cm diameter 113 A Gilt Metal Mounted French Porcelain Basket, painted with a still life of fruit within gilt neo-classic ornament, the rim mount cast with shells, scrolls and foliage, the foliate cast fixed loop handle centred by a porcelain plaque with an armorial, bears Sèvres RF mark in gilt, 26cm wide

8 114 A French Porcelain Baluster Vase, circa 1860, with trumpet neck and high scroll handles, painted in colours with 18 th century figures picking flowers from a tree, the reverse with doves, bagpipes and a book in a rustic setting, the neck with a vignette of pink roses each within scroll, foliate and lattice gilt cartouche on a blue ground gilt with stars, 49cm high A Vienna Porcelain Circular Tray, circa 1900, painted with a named scene Stefan der Konig von Ungarn, inscribed in black and beehive mark in blue, 36cm diameter 116 A Vienna Style Porcelain Cabinet Plate, late 19 th century, painted with Venus and Cupid and an attendant on a balcony within a typical coloured and gilt panelled border with scrolling foliage and paterae, beehive mark in blue, 24.5cm diameter 117 A Continental Pâte-sur-Pâte Porcelain Oval Plaque, late 19 th century, decorated with Diana and a stag flanked by oak branches on a mottled blue ground, 24.5cm by 17.5cm, framed 118 A Pair of Meissen Porcelain Figures of Venus, 20 th century, the standing naked goddess holding arrows, two putti at her side, on a mound base, crossed swords mark in underglaze blue, 23.5cm high 119 A Continental Porcelain Circular Plaque, late 19 th century, decorated with the Holy Family after Raphael, 15cm diameter, framed 120 A Pair of Dresden Porcelain Urn Shaped Vases and Pierced Covers, 20 th century, with wreath knops and scroll handles, on circular socles and square bases, painted with 18 th century lovers in landscapes in panels, on a pink ground with floral bouquets, crowned D marks in blue, 25.5cm high 121 A Meissen Porcelain Figure Allegorical of Taste, late 19 th /early 20 th century, after an 18 th century original, as a loosely robed standing maiden holding apples, a monkey with a basket of fruit on a pedestal at her side, a putto eating from a bowl and a ham on a plate at her feet, on a scroll moulded base, crossed swords mark, 28cm high 122 A Set of Twelve Delft Calendar Plates, in 18 th century style, painted in blue with figures at various pursuits within broad scrolling foliate borders inscribed with the month in a reserved rectangular panel, HS marks in blue, 24cm diameter A Delft Lobed Circular Dish in Late 17 th Century Style, painted in blue with a fenced garden within a foliate border, 22cm diameter 124 A Pair of Delft Deep Dishes, late 18 th century, painted in blue, green, ochre and manganese with a flower spray within four yellow bordered panels with similar flower sprays, 36.5cm diameter 125 A Pair of Delft Dishes, mid 18 th century, painted in blue, green, red and manganese with a tree within a river meander and flower border, 31cm diameter 126 A Pair of Dutch Delft Dishes, mid 18 th century, painted in blue chinoiserie foliage in a fenced garden within a border of foliage and lattice work, 35.5cm diameter 127 A Central European Slipware Centrepiece, 18 th /19 th century, as two figures supporting a crown on an arrangement of sixteen baluster drinking vessels joined in a domed form by loops, on a ring base, 39cm high Oriental Ceramics and Works of Art 128 A Pair of Chinese Clair de Lune Glazed Squat Baluster Vases, Qing Dynasty, otherwise undecorated, 35.2cm high, on carved and pierced wood stands, 43.5cm high overall A Chinese Porcelain Baluster Vase, 19 th century, ribbon tied fluted form with mythical beast handles, painted in famille rose enamels with foliage and fruit in round panels on a yellow ground with precious objects within formal borders, 44cm high

9 130 A Chinese Blanc de Chine Dehua Kilns, Fujian Porcelain Figure of Guanyin, bearing the impressed mark of He Chaozong, seated in meditative pose, with elaborate chignon, robes and bejewelled breast, holding a scroll in her left hand, with serene downward gazing expression, impressed square seal mark and gourd shape impressed mark, 20.8cm high He Chaozong is a well known Chinese potter of the 17 th century, fashioning mainly Buddhist inspired white porcelain figures. His works are identified by an impressed mark, and are usually thickly potted. The late 19 th and early 20 th centuries saw a revival of figures made in the manner of He Chaozong and these also bear seal marks. 131 A Cantonese Porcelain Punch Bowl, mid 19 th century, of circular form typically painted with figures in landscapes and interiors within Greek key and ogee panels on a foliate ground with precious objects, 39.5cm diameter 132 A Pair of Chinese Porcelain Serving Platters, Qianlong, of canted rectangular form, painted in underglaze blue with a mother and child in a fenced garden, within a foliate border, 31cm wide 133 A Chinese Porcelain Soup Tureen Stand, Qianlong, of canted rectangular form, painted in underglaze blue with pagodas in a river landscape within a lattice and foliate border, 37cm wide 134 A Chinese Porcelain Serving Platter, Qianlong, of canted rectangular form, painted in underglaze blue with figures and buildings in a river landscape within a scroll and lattice border, 25.5cm wide; A Similar Larger Platter, 28.5cm wide; and Another Similar, 33cm wide (3) 135 A Chinese Porcelain Meat Platter, Qianlong, of canted rectangular form, painted in underglaze blue with a mother and child in a garden within a foliate and scroll border, 41.5cm wide 136 A Pair of Cantonese Porcelain Baluster Vases, 19 th century, with flared rims, typically painted in famille rose enamels with figures in interiors and gardens on a foliate ground, 44cm high 137 A Chinese Porcelain Baluster Jar, Qing Dynasty, painted in underglaze blue with a dragon and phoenix amongst lotus flowers and scrolls within formal borders, 26.5cm high 138 A Chinese Porcelain Straw Glaze Funerary Jar, in Tang style, the ribbed flared neck with mythical beast handles on a baluster body applied with roundels, 34cm high 139 A Chinese Porcelain Rectangular Vase, Republic period, moulded with raised rectangular panels painted with extensive river landscapes and with calligraphy, two character seal mark, 26.5cm high A Pair of Chinese Porcelain Vases, 19 th century, the trumpet necks with mythical beast handles and scroll moulded sloping shoulders over a cylindrical body painted in famille rose enamels with figures in landscape and interiors in rectangular panels on a lilac ground, painted with a profusion of flowers, birds and insects within keywork borders, 33.5cm high 141 A Large Cantonese Porcelain Punch Bowl, mid 19 th century, typically painted in famille rose enamels with a central circular panel depicting a competition scene within a continuous scene of courtiers and figures in gardens and interiors and with broad foliate borders, the exterior with rectangular and ogee panels of figures at various pursuits, on a foliate and bird ground below a continuous landscape border, 60cm diameter, carved hardwood stand A Chinese Porcelain Yellow Ground Saucer Dish, six character mark of Guangxu ( ) and possibly of the period, painted in famille rose enamels with bats about a central shou character within scrolling lotus and precious objects, painted mark in red, 23cm 143 A Chinese Porcelain Yellow Ground Saucer Dish, 19 th century, painted en grisaille with fruiting and flowering branches and with iron red characters and seal, four character mark in iron red, 14.5cm diameter 144 A Chinese Porcelain Double Gourd Vase, bearing six character Jiaqing reign mark ( ) but probably later, painted in famille rose enamels with scrolling lotus and cloud scrolls on a turquoise ground within formal borders, bears seal mark in red, 28.5cm high

10 145 A Chinese Porcelain Sang de Boeuf Glazed Vase, Qing Dynasty, of globular form with cylindrical neck, the deep red glaze shading to pale green at the neck, 28cm high 146 A Pair of Chinese Porcelain Flattened Baluster Vases, late 19 th /20 th century, with orange moulded ribbon tied band gilt with roundels on a millefiori and gilt ground, bears six character Qianlong seal marks in gilt, 19cm high 147 A Chinese Celadon Censor, probably Longquan, 16 th /17 th century, of circular form carved with foliage on three stilt feet, 33cm diameter, later hardwood stand 148 A Pair of Cantonese Porcelain Figures of Sages, early 20 th century, each with long beards and highly decorated flowing robes, one carrying a ruyi sceptre, the other a staff and peach, 33cm and 30cm high, matched hardwood bases 149 A Chinese Porcelain Bowl, Guangxu ( ) and probably of the period, painted in famille rose enamels with chrysanthemum and lotus within cloud scroll and panel borders, the interior with shou character within thunder pattern border, six character reign mark in iron red, 12.5cm diameter; and A Similar Smaller Bowl, painted with a stork above waves, bears six character Guangxu reign mark in iron red, 8.5cm diameter (2) A Chinese Armorial Porcelain Tureen and Cover, Qianlong, of canted rectangular form with pomegranate finial and elephant mask handles, painted in famille rose enamels with an armorial and bird crest and with scattered flower sprigs within a spear head border, 35cm wide 151 A Cantonese Porcelain Dessert Service, early 19 th century, typically painted in famille rose enamels with figures in gardens and interiors within a border of insects and foliage, comprising a circular pedestal dish, a diamond shape pedestal dish, two kidney shape dishes, a shell dish and twelve plates (17) 152 A Chinese Porcelain Baluster Jar and Cover, late 19 th century, painted in famille verte enamels with figures in gardens and precious objects in panels on a powder blue ground, bears six character Qianlong seal mark, 31cm high 153 A Pair of Chinese Porcelain Baluster Jars and Cover, late 19 th /early 20 th century, painted in famille rose enamels with birds in branches and flowers amongst rockwork within shaped panels on a lotus scroll ground within lattice and panel borders, 33cm high 154 A Chinese Porcelain Baluster Vase, late 19 th /20 th century, with flared neck and mythical beast handles painted in underglaze blue with figures in a fenced garden within panel and lattice borders, 66.5cm high 155 A Chinese Porcelain Double Gourd Vase, perhaps early 17 th century, moulded and painted in underglaze blue with shaped panels of birds in landscape and foliage within line borders, 28cm high (mounted for electricity) 156 A Chinese Porcelain Brush Pot, Qing Dynasty, of vertical rectangular form, painted in underglaze blue with figures in gardens and in pavilions, on bracket feet, 18.5cm high 157 A Chinese Porcelain Bottle Vase, Guangxu mark and probably of the period, painted in underglaze red and blue with Buddhistic lions in Kangxi style, six character mark in underglaze blue, 18cm high A Set of Five Chinese Porcelain Bird Feeders, Daoguang mark and probably of the period, painted in famille rose enamels with dragons amongst foliage on a pale green ground, comprising four barrel shaped feeders and one shallow cylindrical feeder, each with a pair of loop handles, 3.5cm and 1.75cm high, in fitted box 159 A Chinese Porcelain Small Ovoid Jar, Kangxi mark and possibly of the period, painted in underglaze blue with a man and two boys in a fenced garden, six character reign mark in underglaze blue, 6.5cm high 160 A Chinese Wucai Porcelain Baluster Jar in 17 th Century Style, painted with a kylin in a fenced garden, a phoenix above, in panels on a lattice ground, 32.5cm high

11 161 A Chinese Porcelain Circular Box and Cover, 19 th century, painted in famille rose enamels with a maiden sitting under a tree in a circular panel and with processions of figures, 8.5cm diameter A Chinese Porcelain Baluster Jar in 17 th Century Style, with a continuous scene of figures at various games and pursuits within cloud scroll and stiff leaf borders, 36.5cm high 163 A Cantonese Porcelain Baluster Vase, 19 th century, the trumpet neck with filled rim and mythical beast handles, typically painted in famille rose enamels with figures in landscape and interiors on a foliate ground with peacocks, 64.5cm high 164 A Cantonese Porcelain Circular Dish, mid 19 th century, with ogee rim and pierced circular foot, typically painted in famille rose enamels with insects amongst fruit and foliage within a panelled foliate border, 25cm diameter 165 A Chinese Porcelain Jar and Cover, Kangxi ( ), enamelled with a warrior, goats and a sage divided by script, the cover with sage and lotus, 19cm high 166 A Chinese Porcelain Large Bottle Vase, Jiaqing reign mark but later, modelled with a sinuous pink dragon about the neck, painted in famille rose enamels with bats amongst scrolling lotus on a turquoise ground within key and stiff leaf borders, bears six character seal mark, 68cm high A Pair of Chinese Porcelain Bowls, 19 th century, with everted rims, painted in underglaze blue with five roundels of dragons above a lotus and scroll border with further dragons to the inside and base, 15cm diameter 169 A Chinese Mid Blue Ground Porcelain Bottle Vase, Qianlong reign mark but later, of pear form with garlic neck, bears six character seal mark, 29cm high 170 A Pair of Japanese Earthenware Small Cylinder Vases, late Meiji period ( ), each with main frieze of sparrows flying amongst floral displays, within horizontal bands of kiku, sparrow flocks, and demi-lune motifs, all in rich colours and gilt, stylised seal mark in black and gilt, 12cm high; and An Earthenware Tripod Censor, circa 1900, with leaf pierced domed cover, the body decorated with birds amongst blossoming shrubs, stylised seal mark in iron red, 6cm diameter (3) 171 Two Similar Satsuma Earthenware Pot Pourri Vases and Pierced Covers, Meiji period ( ), the domed covers with figural finials, the square section baluster vases painted with panels of mothers and children in gardens on a blue and gilt brocade ground, on four scroll feet, seal marks, 31cm high, hardwood stands 172 A Korean Celadon Cup Stand, probably Koryo Dynasty, with central raised leaf moulded boss on a lobed circular stand, 15.5cm diameter A Pair of Chinese Canton Enamel Hexagonal Dragon Bowls, 19 th century, internally painted with a central sky dragon within a border of three further dragons, externally with six flowering shrubs, in vivid enamel colours, 7.5cm high, 27cm wide 174 A Chinese Bronze Small Censor, Qing Dynasty, of squat barrel form cast with ogee arched panels of calligraphy, on three ball feet, bears four character seal mark, 8.5cm high 175 A Chinese Lacquer Rectangular Panel, 19 th century, inlaid in hardstone, bone and ivory with a vase of flowers and various precious objects within a raised keywork border, pierced swing handle, 98cm by 68cm A Pair of Chinese Carved, Parcel Gilt and Polychrome Painted Figures of Enthroned Dignitaries, late Ming Dynasty, 17 th century, one figure in a rockwork effect throne, the other in traditional lacquered wood throne, with lion dogs, and tortoise at their feet, on lotus carved square dais, 31.5cm and 33cm high

12 177 A Chinese Carved Soapstone Figure of an Ascetic, Qing Dynasty, circa 1890, the emaciated figure reclining and drinking tea straight from the pot in the shadow of a vast lotus leaf, a fo dog and a peach branch at his side, 15cm high, upon a carved and pierced stand, 19.5cm high overall 178 Che Qiyou: A painting of white plum blossom in snow, in Literati style, 1920, with Chinese inscription Gao lu zao hua..., translating as Rich Nature, the first month of spring in the year of the monkey, master Sanshijue, Che Qiyou of the Han Zhaoling at Shougulau Studio of Long Life Ink with opaque white paint and green pigment, on paper laid onto green silk, 19cm by 29cm This comes with an accompanying copy of a report from the curator at the Ashmolean Museum, October 2011, giving further details concerning the picture and its style. 179 A Chinese Carved Hardwood Figure Group, mid 19 th century, as figures of musicians, sages, travellers and others in a mountainous landscape with trees, pagodas and birds on a rocky moulded base, 57cm high; and Two Similar Smaller Groups, 48cm and 48.5cm high (3) 181 A Chinese Carved Stone Torso of a Bodhisattva, possibly Tang Dynasty, standing hold a fruit, a dhoti tied at the waist, on a lotus leaf carved base and square plinth, 60cm high A Chinese Bronze Figure of a Confucian Priest, late 19 th /early 20 th century, standing enrobed, stroking his beard with his left hand, unsigned, 24.5cm high 183 A Cantonese Carved and Stained Ivory Puzzle Ball Figural Chess Set, 2 nd half 19 th century, the kings and queens as Imperial rulers, the bishops as clerics, the knights mounted on horseback, the castles as elephants surmounted by a turret and flag, the pawns as foot soldiers, on puzzle ball stems and circular bases, the kings 13.5cm and 13cm high 184 A Chinese Bronze Censor, 19 th century, of compressed baluster form with fish handles, decorated with figures in landscape panels within keywork border, bears six character Xuande reign mark, 30cm wide over handles, with hard wood stand A Chinese Carved, Parcel Gilt and Polychrome Painted Figure of Guanyin, late Ming Dynasty, 17 th century, seated in meditation, wearing a crown inset with a diminutive figure of Buddha, upon a naturalistic rockwork dais, 29.5cm high (a/f) 186 A Chinese Relief Carved Mother-of-Pearl Half Shell (Silver-Lipped Pearl Oyster - Pinctada maxima), Canton, circa , decorated with a pavilion scene with figures in procession, other military figures in fields beyond, 20.5cm high, on the original prunus branch and flower openwork wood stand (losses), 30.5cm high overall 187 A Chinese Carved Rootwood Figure of a Daoist Immortal, late 19th century, the emaciated sage standing holding a gourd and cup, upon a rustic base, 45cm high A Chinese Silk Embroidered Robe, , with deep coral ground, worked overall with roundels composed of storks and bats amongst ruyi shape clouds framing baskets of flowers, above rocks, waves and concentric earth lines, the collar with repeat crane, bat and floral motifs, the shaped sleeves similarly decorated, 170cm across the arms, 135cm hem to neck A Dragon Robe, early 20 th century, the indigo ground in silk embroidery and gold wrapped thread frontally worked with a confronting sky dragon above a Buddhistic medallion composed of cash coins, peonies and jewels, supported by a bat, amongst clouds and further competing dragons over rocks, waves and concentric earth lines, the collar similarly worked, and also the chocolate ground shaped sleeves, 192cm across the arms, 135cm hem to neck A Chinese Dragon Robe, early 20 th century, the indigo ground worked in gold wrapped threads with a confronting dragon over two further dragons amongst clouds, pearls and Buddhistic precious objects, over rocks, waves and concentric earth patterns, 176cm across the arms, 135cm hem to neck (one arm incomplete)

13 191 A Chinese Silk Embroidered Winter Robe, early 20th century, with scarlet floral roundel decorated ground, the edges and collar applied with bands of diverse foliage including chrysanthemums, peonies, Buddha's finger citrons and magnolia in vivid colours, blue silk lined, 135cm across the arms, and a rather similar red ground under-skirt, in two pieces and decorated with fan tail fish, 135cm across the arms, 140cm hem to neck A Chinese Chalcedony Snuff Bottle, Qing Dynasty, probably 19 th century, of flattened rounded form, plain, with associated carnelian stopper, 6.5cm high overall; and A Chinese Pottery Snuff Bottle, , of shouldered oval section, with overall fossiliferous limestone glaze, with carved taotie mask and ring side handles, blue stopper, 7.4cm high (2) 193 A Chinese Rutilated Quartz Snuff Bottle, Qing Dynasty ( ), of plum shape, carved in high relief with three fruits and leaves, naturalistic stopper, 6cm high 194 A Chinese Ivory Snuff Bottle, circa 1920, as two conjoined fish, 8cm high; An Ivory Snuff Bottle, circa 1920, of slender flattened spade shape, one side applied with carved grey stone wind chime incised with archaic characters, engraved script to the reverse, 9cm high; and A Chinese Carved and Engraved Ivory Snuff Bottle, circa 1930, of bag form, with carved taotie and ring side handles, incised with a Buddhist sage recumbent on a tiger, with incised characters, 5.6cm high (3) 195 A Chinese Carved Turquoise Snuff Bottle, Qing Dynasty ( ), of flattened shouldered form, carved in relief on one side with a fisherman by a pine tree near wildfowl, on the other with figures beneath branches of a pine, taotie mask and ring shoulder handles, bell shape stopper, 5.6cm high 196 A Chinese Chalcedony Snuff Bottle, Qing Dynasty, of flattened shouldered spade form, with fo dog mask and ring leaf carved shoulders, with cabochon agate stopper with gilt metal mounts, 7cm 197 A Chinese White Jade Snuff Bottle, Qing Dynasty, of flattened bag shape, carved in relief on the shoulders with fo dog masks and rings, cabochon stopper with bright green inclusion, 8.6cm; and A Green Jadeite Snuff Bottle, Qing Dynasty, of round shouldered rectangular section, with fo dog and ring shoulders, coral and brass stopper, 8cm high (2) 198 A Chinese Armorial Porcelain Snuff Bottle, Qing Dynasty, of flattened rounded form, relief moulded fo dog mask and ring shoulders, painted on each side with a heart shape armorial within feathered vine leaves surmounted by a bird, with white glass stopper, 6.7cm high 199 A Chinese Cloisonné Snuff Bottle, Qing Dynasty, of spade form, worked on one side with a sky dragon, on the other with a phoenix bird in flight, in bright enamels, domed foliate stopper, 7cm high; and Another, Qing Dynasty, of octagonal panelled tapering form, worked with stylised lotus and tendrils, 7.4cm high (2) 200 Three Lapis Lazuli Snuff Bottles, Qing Dynasty and later, comprising a slim shouldered example worked in high relief with pine tree branches, 5.9cm, one worked with a pair of mandarin ducks, 6.5cm, and a bottle shape example with openwork scroll shoulder handles, 6.1cm 201 Two Chinese Cameo Carved Chalcedony Snuff Bottles, Qing Dynasty, each of compressed rounded form, one worked on one side only with a kylin, 5.2cm high, the other carved on one side only with magical mist pouring from a double gourd, 6cm 202 A Chinese Tiger's Eye Snuff Bottle, Qing Dynasty, fashioned as a drum, with cabochon stopper, 5.6cm high; An Agate Snuff Bottle, Qing Dynasty, of flattened round shouldered form, plain, 5.8cm high; and A Brown Glass Example, Qing Dynasty, imitating carnelian, 6.2cm high (3) A Chinese Jade Snuff Bottle, probably early 20 th century, of tapered spade shape, worked in relief on one side with a bird on rocks, with bright green speckled inclusions, 5.8cm high

14 204 A Chinese Lac Burgaute Snuff Bottle, of octolobed outline, worked on both sides with pavilion lakeland landscapes in mother-of-pearl, gilt wire inlaid two character mark on the base, 7cm high; A Mother-of-Pearl Example, probably early 20 th century, worked in relief with a bird in branch, and archaic vessels, 7.2cm high; and Two Horn Snuff Bottles, one as a stylised elephant, 5.1cm, and a double gourd example with inlaid ivory incised depiction of a sage beneath a tree, 7cm, on wood stand (4) A Chinese Chalcedony Panelled Octagonal Snuff Bottle, Qing Dynasty, with associated green stone cabochon stopper, the bottle only 4.8cm high; A Rutile Quartz Snuff Bottle, 3.6cm; A Similar Rose Quartz Example, 4.6cm; and A Fossilitic Stone Snuff Bottle, Qing Dynasty, of flattened round shouldered form, 6.2cm (4) A Group of Five Chinese Two-Colour Cameo Cut Snuff Bottles, early 20 th century, three internally painted, all with stoppers, the tallest 8cm 207 A Group of Five Chinese Porcelain Snuff Bottles, late Qing Dynasty, including an example carved with wrything dragons in imitation of cinnabar lacquer, and another bulbous example in relief with a pavilion palace scene, the tallest 8cm Two Chinese Internally Painted Glass Snuff Bottles, 20 th century, one of bulbous form painted with five boys at play near bamboo, rose quartz stopper, 6.5cm high, the other with a Confucian sage, extensive inscription, 6.5cm high; and Three Small Agate Bottles, the tallest 6cm (5) A Chinese Blue Glass Snuff Bottle, Qianlong mark and possibly of the period, of faceted flattened pear shape, engraved four character reign mark, 7.5cm long This bottle was produced in the Imperial Glassworks in Beijing which was set up under the direction of Jesuit missionaries and it follows the shape of European prototypes 210 A Chinese Jade Snuff Bottle, Qing Dynasty, of flattened and tapering shouldered form, jade pebble stopper, 6.8cm high A Chinese Solid Mother-of-Pearl Snuff Bottle, late Qing Dynasty, of flattened round form, decorated with a continuous frieze of a scholar and two monkeys in human dress by rocks and waterfall, domed cover and spatula, 7.2cm high; and Another, smaller, carved in relief with a bat amongst peony and other shrubs, 6cm (2) 212 A Chinese Solid Tiger's Eye Snuff Bottle, circa 1900 or later, the stone attractively flecked, conforming domed stopper, 5.1cm; and A Speckled Stone Snuff Bottle, Qing Dynasty, of squat shouldered form, 5.8cm high (2) 214 A Chinese Blue and White Porcelain Snuff Bottle, probably Qianlong ( ), of panelled rectangular section, two panels painted with a scholar and two attendants, the remaining two panels with a monkey, deer and magpie by a tree near rocks, within inscriptions, jewelled short neck, bearing four character mark of Qianlong in underglaze blue, with associated jade cabochon stopper, 8.1cm high 215 A Chinese Resin Amber Snuff Bottle, Qing Dynasty, of round shouldered form with fo dog mask and ring shoulders, associated turquoise shou carved stopper, 7cm 216 A Chinese Blue and White and Copper Red Porcelain Snuff Bottle, Qing Dynasty, of slightly tapered circular section, painted with a scholar reclining beneath a gnarled pine tree, agate cabochon stopper, 9cm high; and Another, ovoid, decorated with a sky dragon in pursuit of the cosmic pearl, bearing four character mark of Kangxi, but probably 19 th century, jade cabochon stopper, 7.1cm high (2) 217 A Chinese Jade Type Snuff Bottle, late Qing Dynasty, of slender flattened circular form, carved in relief on one side with a gourd, on the other with an emaciated sage, conforming stopper, 8cm high 219 A Chinese Cloisonné Snuff Bottle, Qing Dynasty, of bottle form, worked with two teardrop shape panels depicting birds and butterflies amongst flowering shrubs, domed stopper, bearing engraved four character mark of Qianlong, 6.3cm high; Another, Qing Dynasty, flat sided form, similarly decorated, 7.5cm high

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