1 A GROUP OF LINTHORPE POTTERY, including condiments, small vases and jugs. (11)

Transcription

1 THOMAS WATSON ANTIQUES SALE THE GALLERY SALEROOM (a/f) 1 A GROUP OF LINTHORPE POTTERY, including condiments, small vases and jugs. (11) ] LINTHORPE POTTERY, NO A JARDINIERE, with mottled brown glazed body and wavy rim, impressed factory mark. 25cm high (damaged) ] LINTHORPE POTTERY, NO TWO DIMPLED VASES, of shouldered ovoid form with undulating rims, glazed in yellow and green, impressed marks. 11.5cm and 12cm ] LINTHORPE POTTERY, NO THREE BASKETS, each with "ribbon" handle and undulating edge, the first slip decorated with foliage, the second green glazed, impressed marks. (3) 17cm and 17.5cm wide 5 LINTHORPE POTTERY, NO TWO BASKETS, each with "ribbon" handle, the first turquoise glazed, the second red glazed, impressed marks. (2) (a/f) 21cm by 21.5cm 6 LINTHORPE POTTERY, NO A TURQUOISE GLAZED VASE, of pedestal form with slender neck and undulating rim, impressed marks. 26.5cm 7 LINTHORPE POTTERY, NO A PAIR OF WALL POCKETS, with incised flowerheads and turquoise glaze, impressed marks, 20.5cm; together with AN UNMARKED POTTERY WALL POCKET, of similar design. (3) ] LINTHORPE POTTERY, NO A VASE OF SQUAT BALUSTER FORM, with broad undulating rim, blue drip glazed over mottled green and yellow, impressed marks. 21cm 9 LINTHORPE POTTERY, NO. 1784

2 A TURQUOISE AND RED GLAZED VASE, of shouldered ovoid form with circular foot and undulating neck rim, unglazed base, impressed marks. 29cm 10 LINTHORPE POTTERY, NO A TURQUOISE GLAZED VASE, of shouldered ovoid form with circular foot and undulating neck rim displaying a yellow glaze to the interior, impressed marks. 29cm 11 LINTHORPE POTTERY, NO A VASE WITH TURQUOISE DRIP GLAZE, of shouldered ovoid form with circular foot and undulating neck rim, impressed marks. 29cm 12 LINTHORPE POTTERY, NO. 179 A GREEN GLAZED JARDINIERE, moulded with flowerheads interspersed by conjoined ring handles, impressed marks, 14.5cm high; together with A VASE DESIGNED BY CHRISTOPHER DRESSER, incised with half flowerheads, impressed Henry Tooth monogram, 16.5cm. (2) (a/f) 13 LINTHORPE POTTERY, NO THREE VASES, of pedestal form with undulating rim, turquoise and green glazed, impressed marks. (3) (a/f) 23.5cm ] LINTHORPE POTTERY, NO A LARGE TWO-HANDLED VASE, decorated with a streaky brown glaze, impressed marks. 47.5cm 15 LINTHORPE POTTERY, NO A CANDLE HOLDER, in the form of an Eastern slipper, moulded with flowerheads, impressed marks. 19.5cm 16 LINTHORPE POTTERY, NO A PAIR OF TWO-HANDLED VASES, each with a deep purple glaze to the exterior and a yellow glaze to the interior of the overturned rims, impressed marks. 35.5cm ] LINTHORPE POTTERY, NO A VASE, of shouldered ovoid form with tall neck and undulating rim, mottled green glaze, impressed number. 35cm 18 LINTHORPE POTTERY, NO TWO VASES, of shouldered ovoid form with undulating rims, the first slip decorated with foliage, the second turquoise glazed, impressed marks. (2) 18cm by 20cm

3 ] LINTHORPE POTTERY, NO A LARGE VASE OF EGYPTIAN INFLUENCE, with two volute scroll handles, decorated with a geometric pattern, glazed in green, rouge and yellow, impressed marks. (a/f) 76cm high ] LINTHORPE POTTERY, NO A LARGE GREEN GLAZED JARDINIERE, IN THE MANNER OF CHRISTOPHER DRESSER, with twin handles, incised decoration and moulded with fluting, impressed marks. 25cm 21 LINTHORPE POTTERY, NO. 24 A DIMPLED VASE, THE DESIGN COMMONLY ATTRIBUTED TO CHRISTOPHER DRESSER, with a Ruskin type high fired glaze, impressed marks. 24cm 22 LINTHORPE POTTERY, NO. 366 A LARGE VASE, with streaky green glaze, impressed Henry Tooth monogram and factory marks. 49cm ] LINTHORPE POTTERY, NO. 441 AN UNGLAZED TERRACOTTA TRAY, DESIGNED BY CHRISTOPHER DRESSER, moulded with water lilies, Henry Tooth monogram, facsimile signature and impressed marks. 33cm by 26.5cm ] LINTHORPE POTTERY, NO. 467 A SALAD BOWL, DESIGNED BY CHRISTOPHER DRESSER, circular with EPNS rim, green glazed, impressed Henry Tooth monogram and factory marks, facsimile signature. 23.5cm wide 25 LINTHORPE POTTERY, NO. 477 TWO LARGE OVOID VASES, with collared necks, mottled and drip glazed, impressed marks. (2) 35.5cm and 36.5cm 26 LINTHORPE POTTERY, NO. 492 A LARGE SHOULDERED OVOID VASE, with marbled brown glaze with white highlights, impressed Henry Tooth monogram and factory marks. 39cm 27 LINTHORPE POTTERY, NO. 535 A JARDINIERE, moulded with flowerheads interspersed by double ring handles, glazed in green and red, impressed marks. 17.5cm high

4 28 LINTHORPE POTTERY, NO. 535 TWO JARDINIERES, each moulded with flowerheads interspersed with conjoined ring handles, the first red glazed, the second with a marbled green and brown glaze. (2) (the second a/f) 16.5cm and 18cm high 29 LINTHORPE POTTERY, NO. 876 TWO OVOID VASES, each with collared neck, the first with red and turquoise glaze, the second high fired green and turquoise, impressed marks. (2) (a/f) 22.5cm and 23.5cm 30 LINTHORPE POTTERY, NO. 944 A SMALL VASE IN THE MANNER OF CHRISTOPHER DRESSER, two-handled, moulded with a mon design to each side, impressed Henry Tooth monogram and factory marks. 10.5cm ] LINTHORPE POTTERY, NOS. 1651, 1813, 1851, 1703, 1899 AND 1656 A COLLECTION OF TEA WARES, IN THE MANNER OF CHRISTOPHER DRESSER, comprising teapot, sugar bowl, two-handled sugar bowl, cream jug, four cups and five saucers, incised decoration of foliage and dots, impressed marks. (13) ] LINTHORPE POTTERY, NOS. 168 AND 181 TWO LARGE VASES, each with streaky green and brown glaze, no.181 designed by Christopher Dresser and with Henry Tooth monogram, impressed factory marks. (a/f) (2) 33 LINTHORPE POTTERY, NOS. 180, 1102 AND 1755 THREE VASES, the first designed by Christopher Dresser, the second with green/brown marbled glaze, the third with mustard glaze. (3) (a/f) Tallest 22.5cm 34 LINTHORPE POTTERY, NOS. 24 AND 326 THREE DIMPLED VASES, the first of double gourd form with red and green glaze, the second with a blue glaze, the third designed by Christopher Dresser. (3) (a/f) Third 24.5cm 35 LINTHORPE POTTERY, NOS. 299, 929, 1896 AND UNNUMBERED FOUR PLAQUES, including an unnumbered example moulded with crabs designed by Christopher Dresser. (4) Dresser 28.5cm by 24cm 36 LINTHORPE POTTERY, NOS. 602, 826, 1189 AND 1340 FOUR EWERS, various shaped and glazes, impressed marks. (4) (a/f) Tallest 23cm 37 LINTHORPE POTTERY, NOS. 639, 1395, 1401, 1427 AND 1738 A COLLECTION OF FIVE CUPS AND SAUCERS, various shaped and glazes, impressed marks. (10)

5 (a/f) 38 LINTHORPE POTTERY, NOS. 639, 641, 1141, 2024 AND 2072 A GROUP including a turquoise glazed oil lamp reservoir, cup and saucer, etc. (6) (a/f) ] LINTHORPE POTTERY, NOS. 811, 851, 859 AND 863 FOUR SMALL VASES, two with turquoise glaze, impressed marks. (4) (a/f) Tallest 8cm ] LINTHORPE POTTERY, NOS. 812, 897 AND 1828 THREE VASES, the first of a Chinese shape with twin handles the second of lobed ovoid form with green and red glaze, the third of bottle form with green glaze, all with impressed marks. (3) Tallest 18cm 41 LINTHORPE POTTERY, NOS. 836, 840, 1214, 1479 AND 1736 FIVE VASES. (5) Tallest 11.5cm ] LINTHORPE POTTERY, NOS. 845, 958 AND 1304 FIVE JUGS AND VASES, the first two of shape number 845 with alternative glazes, the third of Chinese influence with twin handles, the fourth and fifth of shape number 1304 with turquoise glaze. (5) Tallest 11cm 43 LINTHORPE POTTERY, NOS. 875, 1784 AND 1829 THREE VASES, the first with turquoise glaze, the second with undulating rim and marble green glaze, the third with a green/yellow glaze, impressed marks. (3) Tallest 30.5cm 44 "ALHAMBRA", A VERY LARGE MOORCROFT POTTERY LIMITED EDITION VASE, DESIGNED BY BEVERLEY WILKES, of shouldered ovoid form, tubelined and hand-painted with a view of a town through Moorish arches, signed, dated 2009 and retaining original price label of 4, cm high ] A LARGE ROYAL WORCESTER FRUIT PAINTED PEDESTAL VASE, the ovoid body with twin handles and square base with inverted corners, signed K. Mason, black printed factory mark. 46cm ] A ROYAL DOULTON FIGURE, "DULCINEA", HN 1343, green printed lion, crown and wheel mark, painted inscription Dulcinea/ HN. 1343/ Potted by Doulton & Co. 18.5cm high ]

6 47 A LARGE PAIR OF CANTONESE ENAMEL DECORATED VASES, probably 19th Century, painted with opposing panels of figures in everyday life, unmarked. 44cm high 48 A SHELLEY "BLUE IRIS" PATTERN COFFEE SERVICE, comprising coffee pot, cream jug, sugar bowl, six cups and six saucers, no , some pieces with retailers mark. Coffee pot 18.5cm high 49 A DELLA ROBBIA POTTERY FLASK, mallet shaped, with incised and painted decoration of scrolling leaves in a Vitruvian scroll pattern, incised marks including AB and H.J, 19cm; together with A DELLA ROBBIA POTTERY VASE, with incised decoration of leaves, incised and painted marks. (a/f) (2) 50 A VICTORIAN NAILSEA TYPE GLASS FRIGGER OF A THREE-MASTED GALLEON, modelled with sailors climbing the masts, under a glass dome and raised on a moulded plinth with rounded ends. Overall 51cm high ] AFTER A. CARRIER-BELLEUSE, A MINTON PARIAN FIGURE OF PANDORA, standing by a tree stump holding her box, incised ermine mark. 44cm high 52 A LOWESTOFT BLUE AND WHITE SAUCEBOAT, moulded with flower heads and painted in underglaze blue with roses and foliage. 20cm ] A LALIQUE GLASS "NAIADES" CLOCK, engraved R. Lalique France. 11cm 54 A PAIR OF ROYAL WORCESTER FRUIT PAINTED VASES, the two-handled pedestal bodies painted with apples, grapes and peaches by Freeman, both signed, black printed factory marks to base and dated cm high ] A ROYAL CROWN DERBY IMARI PATTERN PARTIAL SERVICE, comprising a hexagonal bowl, teapot, two cups and saucers, two plates 28cm, two plates 23cm, two plates 22cm and two plates 16cm. (14) 56 WILLIAM MOORCROFT FOR LIBERTY & CO, A "POMEGRANATE" PATTERN BOWL, the circular bowl tubelined and hand painted with pomegranates against a blue/green ground, raised on a hammered pewter foot, no , stamped H/ TUDRIC/ MOORCROFT. 10.5cm high, 25.5cm wide ]

7 57 A LARGE ROYAL COPENHAGEN "IMMORTELLE" BLUE AND WHITE LIDDED BOWL, of fluted circular form, the domed cover with acorn finial knop above a collar of oak leaves, green printed factory mark, numbered cm wide ] A SCOTTISH GLASS PAPERWEIGHT INKWELL, probably Monart or Vasart, of spoke design with multi-coloured canes, complete with stopper, unsigned. 9.5cm high 59 A MARTIN BROTHERS VASE, of baluster form with brown glaze, signed Martin Bros, London and Southall and dated 1904 to base. 27cm high ] CARLO MANZONI, AN ARTS AND CRAFTS POTTERY VASE, the ovoid body issuing a cylindrical neck, incised decoration of green leaves and blue flowers, incised date 1897, no. 64 and other incised marks. 19cm Note: Carlo Manzoni worked for the Della Robbia factory in Birkenhead but left the studio to set-up Minerva Art Ware in A PAIR OF CHINESE BLUE AND WHITE MOON FLASKS, 19th Century, each with angular handles and painted with foliage, each with Daoguang mark in Zhuanshu script. 25cm high 62 A SMALL COLLECTION OF MIDDLESBROUGH POTTERY, comprising a pewter and pottery heated meat dish, pedestal bowl, sauce tureen with stand and cover, and a saucer; all green transfer printed with the "Caledonia" pattern, stand and saucer with green printed factory mark. (6) Bowl 14cm high ] A LALIQUE OPALESCENT GLASS "NAIADES" GLASS CLOCK, engraved R. Lalique France. 11.5cm ] A BURLEIGH WARE "JOHN BULL CHURCHILL" TOBY JUG, modelled as Winston Churchill standing astride a bulldog, with Union Jack, tank, plane and anchor behind, raised on a green base, inscribed to base John Bull Churchill 1940/ "We Shall defend Every Village, Every Town and Every City", green printed mark. 28cm 65 A CHINESE KANGXI BLUE AND WHITE BOTTLE VASE, POSSIBLY FOR THE DUTCH MARKET, painted with foliage and mounted with a chased silver (unmarked) top and foot rim, artemisia leaf mark. 24.5cm high

8 66 A DELLA ROBBIA POTTERY VASE BY LIZZIE WILKINS, incised and painted with foliage, no. 3388, incised marks, green painted LW. 13cm 67 A LATE 18TH CENTURY GLASS TAPER STICK, with facet cut stem and domed base with shaped edge. 15cm ] A LALIQUE OPALESCENT GLASS "ONDINES" BOWL, the outside moulded with six spiralling sea sprites, engraved R. LALIQUE FRANCE. 20.5cm diameter ] A CHINESE FAMILLE VERTE PORCELAIN PANEL, enamel painted with a dragon and a man, in a wooden frame. Overall 48cm by 21cm ] A CHINESE POTTERY GARDEN SEAT IN THE FORM OF A CAPARISONED ELEPHANT, probably 19th Century, green and ochre glazed in rich coverings, raised on an integral plinth with pierced frieze. ] A DIXON & CO SUNDERLAND LUSTRE BOWL, 19TH CENTURY, decorated with a view of the cast iron bridge, Agamemnon in a storm and Masonic verse. 32.5cm wide ] A LARGE ROYAL DOULTON LOVING CUP COMMEMORATING THE REIGN OF KING EDWARD VIII, no. 540 from an edition of 2000, green printed mark. 26cm high 73 A DERBY PORCELAIN DESSERT SERVICE, CIRCA 1880, comprising two comports and six plates, each decorated with flowers and insects on a blush pink ground, printed and impressed marks to base. (8) ] A DELLA ROBBIA POTTERY JUG BY RUTH BARE, with incised decoration of stylised foliage, dated 1903, incised RB cm 75 A PAIR OF FURSTENBERG PORCELAIN PLATES, 18TH CENTURY, hand painted with birds on foliage within pierced rims, underglaze F mark to base. 24cm wide ] A SMALL CHINESE FAMILLE ROSE BOTTLE VASE, with garlic neck, enamel painted with rockwork and peonies. 17.5cm high

9 ] A VICTORIAN BRASS AND CRANBERRY GLASS OIL LAMP, with ropetwist column and Corinthian capital below a cranberry reservoir with a tinted cranberry shade above. Overall 69cm high ] A LARGE CROWN DEVON MUSICAL JUG COMMEMORATING THE CORONATION OF GEORGE VI, 1937, no. 206 of an edition of 1500, with lion handle. 29cm high 79 A JAPANESE MEIJI PERIOD TOKONAME BOTTLE VASE, moulded in relief with a dragon emerging from clouds, impressed seal mark. 33.5cm high ] A 17TH CENTURY STONEWARE BELLARMINE JUG, with incised horseshoe decoration. 30cm high ] A CHINESE BLUE AND WHITE TWO-HANDLED CUP, painted with opposing landscape vignettes and applied with two ruyi handles, moulded in low relief with insects, raised on a circular foot. 9.5cm high 82 A CHINESE PORCELAIN BRUSH POT, of bamboo moulded cylindrical form, sepia painted with bamboo, on a wooden stand. Brush pot 13.5cm high ] A ROYAL WORCESTER CYLINDRICAL VASE, CIRCA 1932, painted with deer in a wooded landscape by Harry Stinton, with pierced and gilded base, signed H. STINTON, no. 6/161, puce printed mark. 26cm high 84 A CHINESE 18TH CENTURY EXPORT PLATE, underglaze blue painted with figures and buildings in a river landscape, 22cm wide; together with A CHINESE BLUE AND WHITE CHARGER, painted with two four-clawed dragons, 30cm wide; and A BLUE AND WHITE CHARGER, painted with peonies, 29cm wide. (3) ] A PILKINGTON'S ROYAL LANCASTRIAN VASE, the pumpkin shaped body with mottled orange and volcanic glaze, no , impressed marks. 16cm ] A VIENNA PORCELAIN TEAPOT, 18TH CENTURY, painted with floral sprays and sprigs of foliage, associated cover, underglaze blue beehive mark. 10cm high ] 50-70

10 87 A CHINESE DOUBLE GOURD BOTTLE VASE AND COVER, green painted with bowls of flowers and fruiting foliage, the domed cover with blue knop finial. 19cm 88 A ROYAL WORCESTER RETICULATED VASE AND COVER BY GEORGE OWEN, CIRCA 1929, shape no. G832, incised signature and gilt factory mark. 13cm high ] A CHINESE JIAN HARE'S FUR GLAZED TEABOWL, probably Song, with fine rust coloured and streaked glaze. 10.5cm wide 90 A ROYAL WORCESTER VASE AND COVER, CIRCA , of bulbous form with moulded, pierced, and applied decoration and painted with pink foliate designs on a circular foot, printed and impressed marks to base. 32cm high ] A PAIR OF STAFFORDSHIRE FIGURES OF SPRING AND AUTUMN, Wilson & Co., circa , each with incised title and marked with a G below a crown. 14cm high ] A CHINESE PORCELAIN BOTTLE VASE, enamel painted with two five-clawed dragons. 33cm high ] A CHINESE POTTERY ROOF TILE, in the form of a Lion, with white enamel painted eyes, teeth and claws resting on a ball and on a rectangular base, incised with potters mark on base. 20cm high, 15cm long wide 94 A SOUTHERN SONG CELADON BOWL, the centre incised with a foliate motif. 25cm ] A CHINESE FAMILLE ROSE PORCELAIN VASE, painted to the four sides with landscape vignettes surrounded by dense foliage. 23cm high 96 A PAIR OF CHINESE GLAZED STONEWARE SPOON WARMERS IN THE FORM OF GROTESQUE TOADS, each with mottled green glaze. 16cm high 97 THREE 18TH CENTURY COTTON TWIST WINE GLASSES. Tallest 15cm

11 98 A LARGE CHINESE FAMILLE ROSE SLEEVE VASE, enamel painted with figures and a rocky landscape. 28cm high ] ELLY STROBACH FOR ROYAL DUX, AN ART DECO PORCELAIN FIGURE OF A FEMALE NUDE, modelled drying herself on a towel decorated in cobalt and gilt with flowerheads, no. 209/ 4P, printed mark. 23cm ] A SMALL CHINESE FAMILLE ROSE MOON FLASK, with twin handles, painted with opposing landscape vignettes. 17cm high 101 A 19TH CENTURY MEISSEN GROUP OF A SEATED CHERUB, underglaze blue crossed swords mark to base, incised no. C cm high 102 A FASOLD & STAUCH ART DECO PORCELAIN FIGURE OF A DANCER, modelled and painted semi nude, no , printed factory mark. 22cm high ] ] A LARGE CHINESE PORCELAIN GU VASE, blue painted with landscapes. 44cm 104 A LARGE PAIR OF CHINESE FAMILLE ROSE VASES AND COVERS, of baluster form with domed covers, enamel painted with figures in a landscape. 59.5cm ] A GERMAN 18TH CENTURY FAIENCE TANKARD, the pewter lid with acorn shaped thumb piece, engraved with initials and dated cm high 106 A BOHEMIAN 19TH CENTURY WHITE OVERLAY DECANTER AND STOPPER. 39.5cm high ] A PERSIAN 19TH CENTURY THREE SIDED OIL FLASK, 18.5cm high; together with A MOROCCAN 19TH CENTURY "SAFI" METAL MOUNTED SPICE JAR, 23cm high. (2) ] A RARE IRANIAN 17TH CENTURY SAFAVID "KUBACHI" VASE, decorated in polychrome with black outlines under a thin crackled glaze, with a fitted box and associated wooden stand. 16.5cm high excluding stand

12 ] A CHINESE MILLEFIORI BOWL, with typical Thousand Flower Decoration, on a wooden stand. 23.5cm wide 110 A CHINESE BLUE AND WHITE PORCELAIN BOWL, decorated with figures in a garden, signed on base with four Chinese character marks in underglazed blue. 22.5cm diameter 111 A CHINESE BLUE AND WHITE FIGURAL SNUFF BOTTLE, the figure modelled sitting, underglaze blue artemisia leaf mark. Overall 7.5cm wide 112 A CHINESE CELADON SHALLOW BOWL, probably Northern Song Dynasty. 16cm ] TWO CHINESE MING DYNASTY BLUE AND WHITE GINGER JARS, each painted with birds and foliage, later covers. Taller 13.5cm excluding cover 114 TWO LARGE CHINESE BLUE AND WHITE JARS, painted with shuangxi double happiness characters on a ground of scrolling lotus. Taller 23cm high 115 THREE CHINESE BOXES, comprising a blue and white box painted with five-clawed dragon and two small celadon boxes. (3) First 9cm wide ] A COPELAND PARIAN FIGURE, "THE STEPPING STONES", after Edward W. Wyon, the maiden modelled tentatively placing her foot on a stone and holding up her dress in her left hand, impressed title, factory marks and ART UNION OF LONDON. 48.5cm high ] A CHINESE MING DISH, painted with a qilin to the centre and floral scrolls to the reverse. 20.5cm wide ] A CHINESE BLUE AND WHITE PORCELAIN BOWL, with allover decoration of characters. 11cm high, 28cm wide ] A PAIR OF CHINESE FAMILLE ROSE VASES, typically enamel painted with figures and sprigs of foliage against a blue ground. 37.5cm

13 ] A LARGE PAIR OF CHINESE BLUE AND WHITE VASES, of baluster form, painted with exotic birds and prunus. (a.f) 50cm ] A GRADUATED SET OF THREE MALING WARE RINGTONS CHINTZ JUGS, early 20th Century, blue printed mark. Tallest 22.5cm 122 TWO CHINESE EXPORT BLUE AND WHITE TUREEN STANDS, LATE 18TH OR EARLY 19TH CENTURY, rectangular with canted corners, typically painted with a landscape. Larger 32cm by 23.5cm 123 A PAIR OF CHINESE VASES, each enamel painted with Chinese vases against a moss green ground. 38cm high ] A GROUP OF THREE ART POTTERY VASES, including a Burmantofts vase, no. 1968, (a/f), a Bretby three handled red glazed vase and a bottle shaped vase numbered 265. (3) Tallest 23.5cm ] A CHINESE BOTTLE VASE, applied with an entwined lizard, painted in green and yellow enamels with foliage, drilled. 19cm 126 A LARGE PAIR OF CHINESE GLAZED ROOF TILES, probably 19th Century, modelled as mounted dragons with a yellow glaze. 57cm high ] AN INDO-PERSIAN STEEL DAHL, 19TH CENTURY, of characteristic form with four bosses and damascened decoration. Diameter 38.5cm 128 A LIBERTY & CO ENGLISH PEWTER "OWL" JUG, cast in the form of an owl with glass eyes, no. 035, stamped marks. 20.5cm high ] AN 18TH CENTURY COPPER SPIRIT KETTLE, BURNER AND STAND, chased and embossed with squirrels, cattle and geese, the stand with large shell cast feet. 32cm high overall 130 A RUSSIAN 19TH CENTURY COPPER GUNPOWDER MEASURE, stamped with the Imperial Russian double headed eagle and dated Height 14.5cm

14 ] A PAIR OF LIBERTY & CO TUDRIC PEWTER TULIP VASES, DESIGNED BY ARCHIBALD KNOX, each crisply cast with sinuous handles and bulbous bowl, no. 029, stamped ENGLISH PEWTER. 15.5cm high ] A RARE LIBERTY & CO TUDRIC PEWTER DOUBLE INKWELL, DESIGNED BY ARCHIBALD KNOX, circular, with twin hinged shaped demilune covers, each cast in low relief with stylised honesty, the sides similarly decorated, no. 0163, stamped TUDRIC. 17cm wide ] A GROUP OF COPPER ITEMS, comprising three jugs and a bowl. Tallest jug 33cm 134 A LIBERTY & CO TUDRIC PEWTER AND ENAMEL BUTTER DISH AND KNIFE, DESIGNED BY ARCHIBALD KNOX, circular, cast in low relief and picked out in green and blue enamel with stylised honesty, the knife similarly cast, no. 0162, stamped TUDRIC PEWTER. Bowl 14cm wide across handles ] AN ART DECO GILDED SPELTER FIGURE OF A FEMALE FLAMENCO DANCER, PROBABLY AFTER LORENZL, cast standing holding a tambourine in her right hand, unsigned, raised on a turned alabaster base. 26.5cm high overall Note: After World War I, Lorenzl provided many figures in spelter due to a shortage of bronze, most are unsigned. 136 AN ART DECO COLD PAINTED METAL FIGURE OF A MINSTREL, raised on an alabaster oval base. 22cm high overall 137 AN 18TH CENTURY BRASS TOBACCO BOX, of oval form, the lid engraved with a cock fighting scene. 10cm by 8cm ] A VICTORIAN BRASS AND CRANBERRY GLASS OIL LAMP, with Corinthian column and stepped square base, the faceted circular reservoir beneath an etched shade. Overall 78cm ] ] A SMALL COPPER TWO-HANDLED BOWL, circular. 38cm wide excluding handles 140 A LATE 19TH CENTURY GILT BRASS MASK OF A GODDESS, her elaborate headdress and collar inset with green coloured stones. Height 22cm

15 ] A CHINESE LEADED BRONZE TWO-HANDLED CUP, cylindrical with half quatrefoil handles and recessed foot, well struck seal mark. 8cm high 142 A PAIR OF JAPANESE BRONZE WALL MOUNTS, 19TH CENTURY, each cast as two phoenix on a rocky outcrop. Approximately 41cm high ] ROLAND, PARIS AN ART DECO COLD PAINTED BRONZE AND CARVED IVORY FIGURE OF A JESTER, CIRCA 1925, cast crouching and holding a mask on a pole in his right hand, his face and hands of carved ivory, signed to the pedestal Roland Paris. 31cm high ] A LARGE JAPANESE BRONZE AND ENAMEL VASE, LATE 19TH CENTURY, of baluster form with ring handles, decorated with cloisonne enamel and cast with landscape vignettes, with a wooden stand. Vase 45.5cm ] TWO CHINESE BRONZE MIRRORS IN TANG STYLE, circular, each cast in relief with courtly figures. 11cm and 14cm 146 TWO AUSTRIAN COLD PAINTED BRONZES, a small bird, stamped GESCHUTZ, 3cm high; and a terrier, unmarked, 5cm high. (2) 147 AN ART DECO STYLE BRONZE OF A FEMALE DANCER, cast standing on tip toes with one leg raised and arms outstretched, raised on a moulded circular base. 54cm high ] A SET OF FOUR COLD PAINTED BRONZE GAME BIRD MENU HOLDERS, on circular onyx bases, comprising two grouse, a pheasant and a woodcock. Each 5cm high 148A AFTER HENRY PLE ( ), BRONZE OF A CHILD, signed in the cast and inscribed F. Barbedienne Paris, no cm high ] B AFTER A.J. SCOTTE, A LARGE SPELTER FIGURE GROUP, with Fabrication Francaise stamp, dated 1906, raised on a turned base. 71cm ]

16 149 AFTER BONHEUR, A BRONZE GROUP OF A MAN BEING ATTACKED BY A LION, raised on a moulded circular base. 31cm high ] A SMALL BRONZE VASE, 19TH CENTURY, applied with a brass flower, stamped on base with monogram/foundry mark and bearing date cm high ] AFTER BECQUEREL, A BRONZE FIGURE OF A WINGED MAIDEN, cast naked and sitting on a rock, raised on a moulded square base. 64.5cm ] A JAPANESE BRONZE VASE AND STAND, of cylindrical form decorated in relief with birds and flowering prunus, the stand with three scroll supports. Overall height 30cm ] A SMALL BRONZE INKWELL, in the form of a dog carrying a satchel of puppies. 11.5cm high ] TWO JAPANESE BRONZE HAND MIRRORS, each circular plaque cast in relief with cranes in a landscape, signed. 8cm wide ] A TIBETAN BRONZE MASK OF A GOD, with an elaborate headdress and snake earrings. 24cm ] A 19TH CENTURY CARVED IVORY AND SILVER PLATED BOX, the ivory body with hatched carving with shield shape escutcheon and key. 15cm by 3.5cm ] A WORLD WAR II PERIOD RAF SILVER PLATED CIGARETTE CASE, applied with insignia of the order of the flying boot. 8.5cm by 13.5cm Note: The flying boot was awarded to flyers who crashed but returned, an unofficial award made by the Western Desert Airforce. ] A VICTORIAN SILVER PLATE DESK STAND, surmounted by the figure of a goat and engraved with ferns, stamped H. SPILLER, UP STREET, ISLINGTON. 23cm wide ] AN ELKINGTON & CO SILVER PLATED TANKARD, with domed top, plain scroll handle and engine turned tapered body applied with a vacant and an engraved cartouche to either side, glass base. 15cm high

17 ] A SET OF EIGHT SILVER GOBLETS, A. Chick & Sons, London 1973, each with gilded interior and knopped stem, raised on a moulded circular foot. 36oz, 12.5cm ] A WINSTON CHURCHILL COMMEMORATIVE SILVER DISH, Walker & Hall, Sheffield 1973, cased. 20cm wide 162 A PAIR OF LATE VICTORIAN SILVER TWO-HANDLED BOWLS, Walter, Michael & John Barnard with Robert Dubock, London 1899, each of oval section and embossed with scrolling acanthus, flowerheads and vacant cartouches, raised on a domed oval foot. Gross 22.6oz, 28.5cm wide across the handles ] A GEORGE V SILVER THREE PIECE TEA SERVICE, Emil Viner, Sheffield 1933, comprising teapot, cream jug and sugar bowl, each piece banded. (3) Gross 23.98oz, teapot 13cm high 164 A SILVER COFFEE POT AND HOT WATER POT, Birmingham 1964, each of tapering shaped oval section, engraved with vacant cartouches. (2) Gross 41.7oz, 24.5cm high ] A SILVER TANKARD, Martin Hall & Co., Sheffield 1903, with raised stepped lid and scroll handle, engraved, 19oz,, 20cm 166 A GEORGE III SILVER SNUFF BOX, John Shaw, Birmingham 1809, shaped for the pocket and reeded, the inside of the cover engraved. 1.4oz, 6.5cm by 4cm ] A GEORGE V SILVER BOWL, Sheffield 1911, embossed with flowerheads and scrolls, raised on similarly decorated stepped circular foot. 18.6oz, 16cm high, 26cm wide 168 AN EDWARDIAN SILVER TRAY, James Dixon & Sons, Sheffield 1908, of shaped rectangular form with cut-out handles. 20.4oz, 41cm by 17cm 169 A SILVER FOUR PIECE TEA SERVICE IN ART DECO STYLE, Sheffield 1950, maker S&W, comprising teapot, hot water pot, cream jug and two-handled sugar bowl. Gross 61oz, hot water pot 20cm high ]

18 170 A PAIR OF SILVER GRAPE SCISSORS IN A FITTED CASE, Goldsmiths & Silversmiths Co., Ltd, London oz ] AN EDWARDIAN SILVER BOWL, London 1907, retailed by Page, Keen & Page, Liverpool, embossed with pendant ribbon tied swags of bellflowers, vacant cartouche, raised on a stepped and domed circular foot. 12.9oz, 14cm by 22cm 4.6oz 172 A PAIR OF SILVER SERVING SPOONS, Charles Boyton & Son, Sheffield 1922, cased. ] A VICTORIAN SILVER CARD CASE, Edward Smith, Birmingham 1864, of waisted rectangular form, engraved for the launch of the Longford, 18 June 1870, Birkenhead Iron Works. 3oz, 10cm by 7.5cm ] A SILVER SWING HANDLED CAKE BASKET, A. Chick & Sons Ltd, London 1964, oval, boldly embossed with scrolls and flowerheads, raised on a conforming reeded foot. 29.4oz, 30.5cm wide, 24.5cm deep ] A LATE VICTORIAN SILVER SWING HANDLED CAKE BASKET, John Round, Sheffield 1899, rectangular with canted corners, the rim embossed with a repeating pattern of a flowerhead in a C-scroll, the handle cast with acanthus leaves, raised on four scroll feet. 20.2oz, 26.5cm wide, 19.5cm deep 176 AN EDWARDIAN SILVER AND IVORY PRESENTATION TROWEL, Martin Hall & Co, Sheffield 1902, presentation inscription dated April 30th 1903 relating to Endclife Wesleyan Methodist Church, cased. Gross 5.1oz, 28cm 177 A VERY UNUSUAL SILVER COMBINATION SEAL, SEAL WAX HOLDER, VESTA AND RULER, John Millward Banks, Chester oz, 21.5cm ] A GERMAN SILVER CIGARETTE CASE, CIRCA 1920, rectangular, the hinged cover applied with a fox and the initials WR (both probably gold), the gilded interior engraved Willy Reinecke, Saltzkotten, stamped 935 and maker's mark BC. 5oz, 9cm by 7.5cm ] A LATE VICTORIAN SILVER BOWL, Sheffield 1898, with scroll cast rim, embossed with scrolls and foliage, raised on a stepped circular foot, (a/f). 23.7oz, 15cm high, 26cm wide ]

19 180 A VICTORIAN SILVER PLATE, William Ker Reid, London 1855, with moulded rim and engraved with a crest, engraved No. 44/ 17,, oz, 24.5cm ] A LATE VICTORIAN SILVER GOBLET, Harry Atkin, Sheffield 1893, engraved with ferns and the arms of Winchester College, presentation inscription dated oz, 15.5cm ] A RARE AND UNUSUAL AMERICAN CARD CASE, unmarked but almost certainly silver, embossed to one side with Wall Street Trinity Church in New York, the opposing side with an American town, possibly Washington. 1.4oz, 9cm by 6cm 183 A VICTORIAN SILVER THREE PIECE TEA SERVICE, London 1895, Thomas, Walter & Henry Holland, in Neoclassical style, comprising teapot, cream jug and two handled sugar bowl, embossed with ribbon tied swags of bellflowers and palmettes. Gross 40.2oz, teapot 17.5cm high to top of handle ] A SILVER BADGE, Henry Williamson Ltd, Birmingham 1924, shaped, engraved with the motto RECTE FACIENDO NEMINEM TIMEAS, in a fitted case. 2.8oz, 7cm by 6cm ] THREE PAIRS OF 18TH AND 19TH CENTURY SILVER SUGAR NIPS, the first London 1904, the second George Unite, Birmingham 1883 and the third probably by Robert Makepeace, late 18th Century, (no date letter or town mark). (3) Gross 3.3oz, Third 12cm 186 A LARGE SCOTTISH SILVER TRAY, Edinburgh 2008, maker D&H, circular, the broad rim embossed with trellis and foliage. 38.2oz, 39cm ] A AN EARLY 20TH CENTURY TRAVELLING VANITY CASE, the bottles and jars with French silver tops, also fitted with ivory mounted accessories. 186B AN EARLY 20TH CENTURY TRAVELLING VANITY CASE, containing silver and tortoiseshell brushes and mirror, further fitted with silver topped jars. 187 A WILLIAM IV SILVER SOUP LADLE, William Eaton, London 1830, fiddle pattern, engraved H. 9.2oz, 33.5cm ] A GEORGE V SILVER AND TORTOISESHELL INKWELL, H. Matthews, Birmingham

20 1916, of capstan type, the hinged circular cover with tortoiseshell inset inlaid with a laurel wreath, weighted. 9cm wide ] AN EDWARDIAN SILVER BOWL, London 1905, of lobed circular form with domed circular foot. 28.2oz, 19.5cm high, 24cm wide ] ] A PAIR OF SCOTTISH PROVINCIAL SILVER LADLES. 2.3oz 191 A WILLIAM IV SILVER NUTMEG GRATER, Taylor & Perry, Birmingham 1836, of oval section with engine turned decoration, the hinged lid engraved with a cherub's head within an oval cartouche, the body hinged to reveal the grater. 6cm ] A RUSSIAN 84 STANDARD SILVER EGG SHAPED BOX, LATE 19TH CENTURY, Moscow, the hinged body with engraved decoration. 6cm 193 A VICTORIAN DESK STAND, rectangular with three-quarter pierced gallery, with two silver topped inkwells. 24.5cm wide ] A NEWCASTLE SILVER FISH SLICE, Reid & Sons, with pierced blade. 4.2oz 195 TWO EGG SHAPED VINAIGRETTES, unmarked, each with pierced grille, one with engraved decoration (worn) and the second cast in low relief with scrolls and trellis. 4.5cm ] A CASED PAIR OF EDWARDIAN SILVER DISHES, Charles Harrold & Co, Birmingham 1902, oval, each pierced and embossed with foliage. Gross 13.8oz, 24.5cm by 18cm ] A SILVER EGG SHAPED BOX, Nathan & Hayes, Birmingham 1913, 6.5cm; together with two further egg shaped boxes and an egg shaped pencil sharpener. (4) ] A RUSSIAN SILVER LADLE, fiddle pattern, engraved J. Weber. 6.4oz, 33.5cm 199 A LADY'S OMEGA 18 CARAT GOLD WRISTWATCH, the circular dial with baton numerals, bracelet strap with hallmarked clasp grams, 17mm wide

21 ] A CONTINENTAL 18 CARAT GOLD OPEN-FACE POCKET WATCH, the cuvette engraved Harrison & Son Darlington, key-wind, the dial centre engraved with a floral spray. Gross 38 grams, 48mm wide 201 AN EARLY 20TH CENTURY YELLOW METAL CASED WRISTWATCH, signed COLLINGWOOD, the square case with silvered dial with Arabic numerals and subsidiary seconds, the case back engraved with a monogram, the sides of the case engraved with bands of leaves. 26mm wide ] A LONGINES 14 CARAT GOLD HUNTER POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds, no , with a ropetwist chain with decorated slider, the clasp stamped 14. Gross 69.7 grams, 34mm wide ] A RAYMOND WEIL BI-COLOUR LADY'S QUARTZ WRISTWATCH, the circular tri-colour dial signed RAYMOND WEIL/ GENEVE/ QUARTZ, textured bi-colour integral bracelet, boxed. 25mm wide ] AN OMEGA STAINLESS STEEL SPEEDMASTER AUTOMATIC CHRONOMETER, THE LEGEND COLLECTION, MICHAEL SCHUMACHER, the black dial with three subsidiary dials and centre sweep seconds, ref , no , boxed with papers. 41mm wide ] A RAYMOND WEIL GOLD PLATED QUARTZ WRISTWATCH, the rectangular case with two-tone black dial, signed RAYMOND WEIL/ GENEVE/ QUARTZ, on black leather straps. 26mm wide ] AN AMERICAN 14 CARAT GOLD HUNTER POCKET WATCH, the white enamel dial signed J. Kendall Smith, Newark, N.J. and with Roman numerals, Illinois Watch Co movement, no , the case engraved in European taste with a castle by a waters edge and foliage. Gross 56.9 grams, 41mm wide ] A 9 CARAT GOLD OPEN FACE POCKET WATCH, indistinctly signed, the white enamel dial with Roman numerals and subsidiary seconds. Gross 89.5 grams, 50mm wide 208 A TISSOT STAINLESS STEEL AUTOMATIC WRISTWATCH, the circular black dial with Roman numerals and baton markers, date calendar at "3" and centre sweep seconds, boxed. 25mm 209 AN ELECTION 18 CARAT GOLD OPEN FACE POCKET WATCH, the dial with Arabic

22 numerals and subsidiary seconds, the cuvette engraved CHRONOMETRE/ 16 RUBIS/ ELECTION/ GRAND PRIX/ BUREN Gross 64.6 grams, 50mm wide ] AN 18 CARAT GOLD HALF HUNTER KEYLESS POCKET WATCH, Birmingham 1908, the white enamel dial with Roman numerals and subsidiary seconds, movement numbered , the cover with blue enamel chapter. Gross 92 grams, 48mm wide ] A GIVENCHY WRISTWATCH, the square back dial within a white metal case, on woven straps, boxed. 33mm wide ] A PATEK PHILIPPE & CO 18 CARAT GOLD OPEN FACE POCKET WATCH, the white enamel dial with Roman and Arabic numerals, no Gross 26 grams, 32mm wide ] A KAREN MILLEN "JEWELLED" WRISTWATCH, the rectangular dial with centre sweep seconds and within a waisted rectangular case, on leather straps, boxed with guarantee and instructions. 27mm wide ] A FAVRE-LEUBA 1960'S CONCEALED DIAL LADY'S BANGLE WATCH, IN ART DECO STYLE, set with faux diamonds, 17 jewel, Swiss movement, with oyster shell shaped box. Case 18mm wide 215 A SMALL PATEK, PHILIPPE & CIE 18 CARAT GOLD OPEN FACE POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds, no Gross 29.5 grams, 32mm wide ] AN INGERSOLL DISNEY BI-COLOUR STAINLESS STEEL WRISTWATCH, the circular dial with centre sweep seconds and centred by Minnie Mouse, in "The Golden Years of Disney Watches" box with original tag. 33mm ] A SMALL LONGINES GOLD OPEN FACE POCKET WATCH, the white enamel dial with Roman and Arabic numerals, subsidiary seconds, no , struck with French owl mark. Gross 25.4 grams, 32mm wide 218 AN ART DECO 9 CARAT GOLD WRISTWATCH, Chester 1933, the tonneau shaped case housing a conforming silvered dial with Arabic numerals and subsidiary seconds, on leather straps. 26mm wide

23 219 A GENTLEMAN'S TAG HEUER STAINLESS STEEL SPLIT SECOND CHRONOGRAPH WRISTWATCH, model MX442, with original box, papers and extra links. 40mm wide Note: Due to production cost, this model was only made for around two years. ] A PATEK PHILIPPE 18 CARAT GOLD ELLIPSE WRISTWATCH, the rounded rectangular case with blue sunburst dial and baton markers, signed PATEK PHILIPPE/ GENEVE, with integral bracelet. Gross 84 grams, case 27mm wide ] A ROLEX CELLINI 18 CARAT GOLD WRISTWATCH, the circular black dial with white outlined numerals, signed ROLEX/ GENEVE/ Cellini, the case back numbered 6229 and A850218, on crocodile leather straps stamped ROLEX OF GENEVA. Gross 33.2 grams, case 25mm wide ] A DIAMOND AND SAPPHIRE COCKTAIL WATCH BY BOUCHERON, CIRCA 1915, the rectangular slightly domed face set to the outside with sixty six round mixed cut claw set diamond highlights and twenty square and rectangular mixed cut channel set sapphire highlights, signed Boucheron to the face. Numbered to the case. Without strap. In Boucheron box. Length 2.8cm. Weight 15gms. ] TWO DANISH SILVER BROOCHES BY GEORG JENSEN AND WENDEL, one formed as a floral mast with twining leaves on brooch pin fitting. Stamped 925S Denmark Sterling with makers marks. Total length 7.5cm; the other of rectangular formation with moulded panels, set to the centre with moulded floral detailing, on brooch pin fitting. Stamped 925S Denmark Sterling with makers marks. Gross weight 21gms. 224 A VICTORIAN ENAMEL AND DIAMOND RING, CIRCA 1880, designed to depict a buckle set to the centre with blue enamelling and to the buckle with seventeen graduating old brilliant cut diamonds, all set in a pierced detail mount on a tapering band. Stamped 750. Ring size L 1/2. Weight 7.2gms. ] A TANZANITE AND DIAMOND RING, the pear cut tanzanite three claw set, raised within a stepped pierced open mount set throughout with seventy three brilliant cut claw set diamond highlights, all set between wide split and cross over detail shoulders each set throughout with twenty two brilliant cut claw set diamond highlights, on a tapering band. Stamped G14K. Ring size M. Weight 4.9gms. ] A CORAL AND CULTURED PEARL BRACELET, the fourteen clusters of eight cultured pearls each set to the centre with a single coral bead, all strung onto an integral tongue clasp. Clasp

24 stamped 375. Total length approximately 17.5cm. Weight approximately 13.3gms. Together with A COLLECTION OF CORAL JEWELLERY, comprising necklace, silver mounted necklace and a pair of 9 carat gold mounted earrings. ] A DIAMOND RING, the brilliant cut diamond four claw set in a heavy raised mount, between solid tapering shoulders each set with six brilliant cut diamond highlights, on a tapering band. Stamped 750. Ring size N. Weight 4.8gms. ] A RUBY AND DIAMOND RING, the oval mixed cut ruby four claw set within a surround of eight brilliant cut claw set diamonds on a moulded detail mount with pierced detailing between tapering shoulders each set with a single brilliant cut diamond highlight, on tapering band. Stamped 18CT. Ring size J 1/2. Weight 3.4gms. ] A DIAMOND RING, CIRCA , the sixteen round mixed cut graduating diamonds claw set into two rows on a tapering mount between tapering moulded shoulders on a plain band. Ring size L 1/2. Weight 3.8gms. ] A PAIR OF ART DECO SAPPHIRE AND DIAMOND CUFFLINKS, each plaque set with four square cut diamonds channel set in a square collet setting within a surround of eight square cut and four triangular cut sapphires, all channel set in a cut-cornered square shaped mount, both joined by a detachable clip fitting. Total weight 8gms. ] AN AMBER COLOURED BEAD NECKLACE, the thirty three graduating oval beads strung simply onto an integral tongue barrel clasp. Total length approximately 49cm. Weight 37.7gms. ] AN OPAL AND SEED PEARL PENDANT, CIRCA 1900, the round cabochon cut opal set to the centre of five oval cabochon cut opals to form a flower head mount, all set within a surround of six seed pearl highlights and beaded detailing, suspending on an articulated link from a large oval bale set with a single seed pearl highlight on a fine twist link chain with integral tongue barrel clasp. Total length 49cm. Weight 4.8gms ] A RUBY AND DIAMOND RING, CIRCA 1900, the round mixed cut ruby eight claw set, raised above a square shaped mount set with twelve old brilliant cut claw set diamonds, all set in an open detail mount between solid tapering shoulders on a plain band with a ring clip. Clip stamped 9CT. Ring size J. Weight 3.3gms. ]

25 234 VIOLET RAMSAY; AN ARTS AND CRAFTS PEARL, OPAL AND EMERALD PENDANT, the oval mount set to the centre with a large oval collet set blister pearl within a surround of elaborately pierced and scroll and coiled detail metalwork set with six square mixed cut collet set emeralds, alternately spaced with six round cabochon cut collet set opal highlights, with scroll and beaded detailing to the perimeter, suspending an articulated drop of four graduating square cut collet set emeralds and a single pearl highlight, all suspending on an articulated link from a collet set blister pearl mount, on a fancy link chain of oval links set throughout with double scroll details, on bolt ring clasp. The pearls are untested and unwarranted. Total length 46cm. Weight 32.4gms. The necklace has had some slight alteration. Note: Violet Ramsay was studying at the Sir John Cass Technical Institute, London in 1903 with fellow students Frances Ramsay, Sarah Martineau and Thalia How. Her work featured in publications including the Lady's Realm Monthly Magazine in 1904 and the 1906 Art Journal. ] A VICTORIAN CARNELIAN SET SEAL, the square cut collet set carnelian engraved to the centre with a roaring lion beneath the engraved word "courage", to the bottom of a heavily and elaborately moulded scroll and floral detail mount. Weight 12.5gms. Length 3cm. Width 1.8cm. ] A DIAMOND AND TWO COLOUR GOLD NECKLACE, the three brilliant cut collet set diamonds set loose to the centre of a rectangular curved mount set throughout with thirty six brilliant cut diamond highlights, all suspending to the front of an integral collar formed of graduating articulated watch style links of yellow and white gold, on an integral tongue clasp with two safety catches. Stamped 18K 750. Total length 43cm; a bracelet to match, of the same formation and design. Stamped 750. Total length 16.5cm; and a pair of earrings to match, set to front with a square shaped mount set with eight brilliant cut diamonds, set to the centre with one loose brilliant cut collet set diamonds, to the top of a graduating row of watch style links, on post and clip back fittings. Stamped 18K 750. Gross weight 65.6gms. ] A DIAMOND DRESS RING, the five flower heads each set with seven brilliant cut diamonds, above diamond set split shoulders, set in total with thirty two brilliant cut diamonds, on a plain band. Stamped 14K. Ring size P 1/2. Weight 7 gms. ] A DIAMOND RING, the three slightly graduating brilliant cut diamonds each claw set in heavy pierced detail mounts between cross over tapering shoulders on a plain band. Stamped 750. Ring size J 1/2. Weight 4.3gms. ] A SAPPHIRE AND DIAMOND RING, the five slightly graduating oval shaped mounts each set to the centre with four round cut claw set sapphire highlights, each within a surround of fourteen brilliant cut claw set diamond highlights, between tapering shoulders on a plain band. Ring size I ½.

26 Stamped 750. Signed CH. Weight 3gms. ] A DIAMOND RING, the three graduating brilliant cut diamonds each four claw set in open mounts between pierced detail tapering shoulders on a plain band. Stamped 950. Ring size L. Weight 4.6gms. Accompanied by three GIA Diamond Dossier Certificates as follows: Report no , dated August , stating the central diamond is 0.38 carats, is colour D and clarity VS2. Report no , dated November , stating the outer diamond weighs 0.18 carats, is colour D and clarity VS2. Report no , dated December , stating the outer diamond is 0.18 carats, is colour D and clarity VS2. ] A GOLD CHARM BRACELET, the heavy curb links on heart padlock clasp, suspending thirteen mostly large charms to include a gold ingot stamped 375, a tankard, Mickey mouse and a koala bear. The heart stamped 375. Each link stamped 375. Most charms stamped 375. Total weight 83.3gms. ] A SAPPHIRE AND DIAMOND RING, the oval cut sapphire four claw set within a surround of twenty graduating brilliant cut diamonds in stepped formation, all set in an open pierced mount between split open tapering shoulders on a tapering band. Ring size J 1/2. Weight 5.8gms. ] A VICTORIAN OPAL AND DIAMOND RING, CIRCA 1880, the oval cabochon cut opal six claw set, raised within a surround of twelve old brilliant cut claw set diamonds, all set in an open pierced detail mount between pierced detail tapering shoulders on a plain band. Stamped 18. Makers marks ACCo. Ring size P 1/2. Weight 3.5gms. ] A DIAMOND PENDANT, the brilliant cut diamond four claw set in a pierced detail mount to the bottom of a fixed split moulded detail mount, suspending on fine twist link chain with lobster clasp. Clasp stamped 375. Total length 50cm. Weight 3.8gms. ] A GOLD CHARM BRACELET, the curb links on heart padlock clasp suspending seventeen mostly large charms, to include a bloodstone and agate fob, an articulated fish, a 1981 Charles and Diana commemorative plaque and an enamelled jug. The heart stamped 375. Each link stamped 9. Most charms stamped 375. Total weight 77.5gms. ] A DIAMOND RING, the five uniform brilliant cut four claw set diamonds each set in a pierced heart detail mount between solid moulded tapering shoulders on a tapering band. Hallmark is indistinct. Ring size N. Weight 3.8gms. ] AN ART DECO SAPPHIRE AND DIAMOND COCKTAIL WATCH, the case, stamped

27 PLATINUM, set with old brilliant cut diamonds and cabochon cut set blue stone winder, Vertex 15 jewel movement, the clasp hallmarked 9 carat gold grams, case 20mm wide ] A QUARTZ AND AGATE SET BRACELET, the four articulated oval shaped links each set with an oval cabochon cut quartz or agate carved to depict a Scarab beetle, each link alternately spaced with three articulated oval open links, on bolt ring clasp. Total length 18cm. Weight 9.3gms. ] A RUBY AND DIAMOND RING, the oval cut ruby four claw set raised within a slightly stepped mount set throughout with brilliant cut diamond highlights, all set in an open and pierced detailed mount between wide triple split detail shoulders, each side set with eighteen brilliant cut diamonds, on a tapering band. Stamped 14K. Ring size M. Weight 7.9gms. ] A DIAMOND RING, the four pairs of brilliant cut diamonds each horizontally set, alternatively spaced with moulded detail bars, all set in a wide closed back mount on a tapering moulded detail band. Ring size N. Weight 8gms. ] A DIAMOND RING, the brilliant cut diamond six claw set, raised within a surround of six brilliant cut three claw set diamonds, all set in a pierced mount between split tapering shoulders on a plain band. Stamped 750. Ring size O. Weight 4.1gms. ] A DIAMOND RING, CIRCA , the five graduating old brilliant cut diamonds claw set in a heavily pierced and moulded scroll detail mount between moulded tapering shoulders on a tapering band. Ring size M. Weight 2.5gms. ] A TOPAZ AND DIAMOND PENDANT, circa 1880, the pear cut pink topaz four claw set with a diamond set cap, suspending on an articulated link to the centre of an outer tapering drop shaped mount, set throughout with twenty eight graduating old brilliant cut and old cut claw set diamonds, suspending on an articulated link to the bottom of a moulded bow shaped mount set throughout with twenty three graduating old brilliant cut and old cut diamonds, in turn suspending on an articulated link from a circular mount set throughout with seven graduating old brilliant cut claw set diamonds, on an integral fine oval link chain with bolt ring clasp. Total length 46cm. Weight 7.7gms ] AN ITALIAN CONTEMPORARY DIAMOND SET BROOCH, modelled as a tiger, picked out with enamel and set with diamonds, stamped 750/ grams, 5.5cm ] A RUBY AND DIAMOND RING, the oval cut ruby four claw set raised within a surround of twelve brilliant cut claw set diamonds, between split tapering shoulders each set with seventeen graduating brilliant cut diamond highlights, on a tapering band. Stamped 750. Ring size S. Weight