European Furniture & Decorative Arts

Transcription

1 European Furniture & Decorative Arts Featuring Fine Silver & Ceramics Sale 2940B October 6 & 7, 2016 Boston

2 European Furniture & Decorative Arts Featuring Fine Silver & Ceramics

3 Specialists Stuart Slavid Department Director Stephanie Opolski Gwendolyn L. Smith Department Inquiries: Auction Information Auction 2940B Preview Absentee Bidding Session I, Fine Silver: Thursday, October 6, 4PM Session II: Friday, October 7, 10AM 63 Park Plaza Boston, MA Wednesday, October 5 12 to 7PM Thursday, October 6 12 to 8PM silver preview ends at 4PM T: F: General Inquiries SKINNERLIVE! skinnerinc.com View all lots online at cover: 211; interior front cover: 92; back cover: 460

4 American & European Works of Art Auction 2704B 02/07/2014 4:00 PM EST Lot 632 Of Alexander Calder (American, ) Red Circus Horse Report Problems LIVE NOW!! SK2148 Audio may be subject to delay! Follow the bid button and message center. Estimate: $40,000 - $60,000 Current bid: $110,000 Click on left/ right side of image to see previous/ next image Message Center Play sounds $110,000 Floor Bidder $105,000 Floor Bidder $100,000 Floor Bidder $95,000 Floor Bidder $90,000 Internet Bidder SK2149 Online bidder SK2149 requests bid of $90,000 on lot 632 $85,000 Floor Bidder $80,000 Floor Bidder Bid online with SkinnerLive! online@skinnerinc.com

5 Table of Contents 1 Auction & Specialist Information 2 Web Site & Online Bidding 5 Provenance 6 Glossary of Terms 7 Session I, Fine Silver: Lots Session II: Lots Conditions of Sale 137 Absentee Bid Form 138 Company Directors & Specialty Departments 139 Administrative Staff & Client Services 141 Map & Driving Directions 143 Subscription Form Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 136 of this catalog for the full terms and conditions governing your purchase. Copyright Skinner, Inc All rights reserved Proudly printed by MA LIC Almeida Avenue, East Providence, R.I., USA info@signatureprinters.com

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7 Provenance The Estate of Paul H. Lauer: Lots 176, 177, 181, 182, 187, 189, 190, 192, 196, 201, 204, , 216, 217, 219, 220, 223, 225, 227, 228, 233, 242, 245, 246, , 253, 254, 257, 258, 266, 272, 273, 275, 276, 278, 280, , 300, 303, 308, , , 323, 326, 339, 341, 342, 348, 349, 353, 355, , , , , 386, , , , , , , 439, , , The Collection of Edward Knowles: Lots 128, 178, 180, , 188, 191, 193, 194, , 202, 203, , 215, 218, 221, 222, 224, , , 244, 252, 255, 256, 259, , , 274, 277, , , 301, 302, , 309, 313, 322, 324, 325, , , , 346, 356, 360, 370, , 387, 388, 394, , 412, 413, 421, 427, 487, 492, 517, 518, 619, 661, , 703, 728, 729, 775, 776, 796, 829, 882, 887, 889, 890 Property of the St. Louis Art Museum; sold to benefit the acquisition fund: Lots: , 589, 590, 645, , 712, , 774, 804, 877 Property of the Museum of Fine Arts, Boston, sold for the benefit of the collections: Lots 506, 672 Property of an Illinois Gentleman: Lots 243, 247, 260, 267, 279, 331, 343, 347, 365, 440, 441, 488, , 575, 653, 794, 805, 806 Property sold to benefit the Worcester Art Museum, Worcester, Massachusetts: Lots 16, 140, 519, 525, 585, 632, 705, 773 Property from the Estate of Ann Chase Twichell Hendrie, Little Compton, Rhode Island: Lots 1, 3, 4, 14, 25, 93, 117, 129, 591, 622 5

8 Glossary of Terms All items in this catalog are described according to the following table of terminology. Please note that all statements in this catalog as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale. Authorship will be described in the following ways: John Joseph Enneking In our judgment, the work is by the artist. Attributed to John Joseph Enneking In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship. School of John Joseph Enneking In our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period. Manner of John Joseph Enneking In our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period. After John Joseph Enneking In our judgment, an intended copy of the work of the artist. American School, 19th Century In our judgment, the work of an unknown hand that can only be identified as to period and culture. Other terms: Bears signature In our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as attributed to, school of, manner of, or after the artist. 6

9 Session I Fine Silver Lots to be sold Thursday, October 6, 2016 at 4PM

10 2 10 British Silver & Plate 1 Two Pieces of George II Sterling Silver Teaware, London, , creamer lacking maker s mark, coffeepot maker s mark E_ possibly for Edward Feline, creamer with monogram to foot, ht. 3, coffeepot with faint armorial to one side and scratch weights to base, ht. 6 3/8 in., together with a pair of William IV tea tongs, ; approx troy oz. total. 2 Pair of Matched George II/IV Sterling Silver Candlesticks, London, one , William Cafe, maker; the other , William Brown, maker; bobeches unmarked, each with a slender urn-form sconce on a knopped stem with acanthus accents and a flared foot, engraved armorial to bobeches and feet, ht. 9 3/4 in., approx troy oz. $1,200-1,800 3 George III Sterling Silver Sugar Caster, London, , maker s mark WT probably for William Turton, with an urn-form finial to reticulated lid on a baluster body, ht. 9 1/2 in., approx troy oz. 4 George III Sterling Silver Coffeepot, London, , maker s mark double struck WC, baluster-form with an acanthus-capped spout, ht. 12 in., approx troy oz. $ George III Sterling Silver Platter, London, , George Heming & William Chawner I, maker, oval, with gadrooned rim and engraved crest and armorial to each side, scratch weights to underside, lg. 14 1/2 in., approx troy oz. 6 George III Sterling Silver Teapot, London, , maker s mark IR possibly for John Robins, drum-form with wood handle and finial, engraved bird to one side, ht. 5 in., approx troy oz. 7 George III Sterling Silver and Glass Cruet Set, London, various dates and makers, the silver-mounted stand with a single upright loop handle surrounded by seven assembled silvermounted glass bottles, ht. 9 in. $ George III Sterling Silver Cake Basket, London, , Henry Chawner, maker, oval form with a bail handle and reticulated rim engraved with pendant floral swags, lg. 13 1/8 in., approx troy oz. 9 Group of English Sterling Silver Tableware, a Queen Anne tablespoon, date mark probably , maker s mark rubbed T_ with engraved monogram; three George III pieces: a ladle with shell-form bowl with engraved crest by Walter Tweedle, a caster with rubbed marks, and a dish wedge by James Young; and a pair of horn-handled fish servers, with engraved monogram and silver-plate blades marked for Landers, Frary & Clark, approx troy oz. total weighable silver. 10 George III Sterling Silver Covered Soup Tureen, London, , John Wakelin & William Taylor, maker, urn-form, lid and tureen each with engraved monogram and armorial and fluted accent, tureen with two loop handles on an oval foot, lg. handle to handle 17 in., approx troy oz. $3,000-5,000 8 Additional information and photos at

11 12 11 George III Sterling Silver Cruet Stand, Sheffield, , maker s mark TI, with a single upright handle and oval reticulated frame on four splayed feet, ht. 11 5/8 in., approx troy oz. 12 Pair George III Sterling Silver Sauce Tureens, London, , Thomas Robins, maker, each with a faux-bois loop handle, gadrooned rim, engraved armorial to body and crest to lid, on four paw feet, lg. handle to handle 9 in., approx troy oz. 13 Pair of George III Sterling Silver Wine Coasters, London, , lacking or rubbed maker s mark, each with a gadrooned rim and wood base, dia. 6 1/2 in. 14 Pair of George III Sterling Silver Sauce Tureens and Undertrays, London, , Rebecca Emes & Edward Barnard I, maker, each oval with a loop finial to lid and on an undertray with upright rim, lid, tureen, and tray each with engraved armorial, lg. 7 1/2 in., approx troy oz. $ George III Sterling Silver Salver, London, , Peter & William Bateman, maker, circular with gadrooned rim and floral and scroll chased border, on three scrolled feet, dia. 10 1/4 in., approx troy oz. $ George III Sterling Silver Flatware Service, London, , William Chawner II, maker, each with engraved armorial, twenty-four dinner forks, twelve each: teaspoons, luncheon/dessert forks, large tablespoons, dessert spoons, hollow dinner knives, and hollow dessert/luncheon knives, two each: sauce ladles and gravy spoons, a salad serving set, mustard spoon, and soup ladle, approx troy oz. weighable silver. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. $2,000-3, Six Pieces of British Tableware, 19th century, each with engraved monogram or armorial, an Irish two-handled sugar bowl, Cork, c. 1830, Carden Terry & Jane Williams, ht. 5 1/4, a Scottish ladle, lg. 6, and four silverplated dishes with gadrooned edge, dia. 9 1/2 in., approx. 8.6 troy oz. weighable silver. $ Pair of George IV Sterling Silver Candlesticks, Sheffield, , Henry Wilkinson & Co., maker, each with an urnform sconce on a tapering stem with a flared acanthus-capped foot, weighted, ht. to 9 3/8 in. Online bidding at 9

12 19 19 Victorian Sterling Silver-gilt Christening Cup, London, , George Adams, maker, with an imitation grapevine handle topped with a reclining maiden and a central chased register of putti among grapevines centering a monogrammed medallion on a circular foot, engraved presentation to the underside: To Richard N. Thomas born Mary 25, 1925/from his Godfather William A Willingham, ht. 5 1/4 in., approx troy oz. 20 Victorian Brass-inlaid and Coromandel Toiletry Box, Sheffield, c. 1865, Joseph Rogers & Sons, maker, silver bearing marks for London, , William Neal, maker, the necessaire de voyage opens to a mirror mounted to the interior of the lid, eleven silvermounted colorless cut-glass containers each engraved with foliate arabesques centering a small monogrammed cartouche, with two secret leather-lined compartments, 8 1/4 x 13 1/4 x 10 in. $2,000-4, Six Victorian Sterling Silver Salt Cellars and Spoons, London, , Barnard & Sons Ltd., maker, with an engraved leaftip rim and gold-washed interior on three scrolled feet, dia. 2 5/8 in., spoons with an engraved floriform bowl, approx troy oz. 22 Victorian Sterling Silver Salver, London, , Charles Stuart Harris, maker, with a piecrust rim and central armorial, dia. 12 in., approx troy oz. 23 Pair of Edward VII Sterling Silver Rabbitform Pepperettes, London, , William Edward Hurcomb, maker, in the original silklined box, lg. 1 in., approx. 1.1 troy oz. 20 Provenance: Purportedly given to a member of The Rabbit Club of Philadelphia. 10 Additional information and photos at

13 25 24 Three Silver Toast Racks, two English, one with rubbed marks for Birmingham, the other London, , Charles & George Asprey; the third, unmarked, ht. to 3 3/4 in., approx. 9.0 troy oz. total. 25 Pair of George V Sterling Silver Convertible Three-light Candelabra, London, , Joseph Heming & Co., each with acanthuscapped and bifurcated arms flanking a central sconce, on a slender knopped stem terminating in a square foot, ht. 17 1/2 in., approx troy oz. $1,500-2, George V Sterling Silver Coffeepot, London, , Crichton Brothers, maker, tapering, lighthouse form with an engraved coat of arms to one side, ht. 9 5/8 in., approx troy oz. 27 George V Sterling Silver Two-handled Covered Cup, London, , Crichton Brothers, maker, monogrammed, urn-form with a turned finial and two scrolled handles on a circular foot, ht. 10 1/4 in., approx troy oz. $ Six-piece George VI Sterling Silver Tea and Coffee Service, Sheffield , Viner s Ltd., maker, each with gadrooned bodies, kettle-on-stand with burner, coffeepot, teapot, covered sugar, waste bowl, and creamer, kettle-on-stand ht. 12 1/2 in., approx troy oz. 29 George IV Sterling Silver Salver, London, , William Comyns & Sons Ltd., maker, Tiffany & Co., retailer, of typical form, with piecrust rim and three feet, dia. 12 in., approx troy oz. Online bidding at 11

14 Continental & Russian Silver & Plate 30 Two Pieces of Continental Silver Hollowware, a spherical sponge box with pierced lid and monogram to underside, probably Belgian, 18th century, maker s mark PC(G), ht. 3 1/2, and a German creamer, late 19th century, with rocaille scrolls and floral sprays, ht. 4 in., approx troy oz. total. 31 Continental Gold-mounted Shell Snuff Box, bearing indistinct hallmarks to rim of lid and box, with a guilloche enameled lid accented by a painted floral spray, dia. 2 3/8 in. 32 Three Pieces of Continental Silvergilt Hollowware, two French.950 silver reticulated plates by Leon Lapar, each with two handles, a central monogram, and decorated throughout with rocaille scrolls and floral sprays, lg. handle to handle 12; and a German.800 silver bowl by Gebrüder Friedländer with glass inset liner and laurel garland rim, dia. 9 7/8 in., approx troy oz. total. 12 Additional information and photos at

15 33 Twelve Assorted Continental Silver Spoons, most late 19th century, bearing pseudo hallmarks, some monogrammed, featuring chased figural scenes to bowls, six Dutch, two Hanau, and four with rubbed or indistinct hallmarks, approx troy oz. total. 34 Two Continental Silver-gilt Spoons, late 19th century, bearing unknown mark to bowl, each with a figural stem and engraved inscription to back of the bowl, lg. to 8 1/2 in.; together with a Dominick & Haff monogrammed crumber, approx troy oz. total. 35 German.800 Silver Two-handled Footed Dish, Berlin, mid-19th century, maker s mark F.eC, with a gadrooned rim and two acanthus-capped handles, lg. handle to handle 14 1/4 in., approx troy oz. $ Four Continental Silver Figural Candlesticks, probably Hanau, Germany, late 19th/early 20th century, lacking or indistinct hallmarks, each stem featuring a single figure representing one of the four seasons with an urn-form sconce above their head and raised on base with various figural and foliate registers further raised on a marble plinth, total ht. 12 1/2 in. $1,500-2, Continental Silver-plate Rococo-style Center Bowl, late 19th/early 20th century, oval, the silver-plate frame cast with rocaille cartouches, scrolls, foliate arabesques on four splayed feet with an inset liner, lg. handle to handle 24 1/2 in. 38 Austro-Hungarian.800 Silver Flatware Service, Budapest, late 19th/early 20th century, maker s mark VS, monogrammed, twelve dinner forks, luncheon forks, fish forks, hollow fish knives, tablespoons, hollow dinner knives, hollow luncheon forks, teaspoons, and demitasse spoons, two fruit spoons, a soup ladle, place spoon, sauce ladle, fish knife, large cold meat fork, small cold meat fork, pie knife, and serving spoon, together with a smaller soup ladle with slightly different pattern and monogram, approx troy oz. total weighable silver. $1,200-1, Three Pieces of German.800 Silver Tableware, late 19th/early 20th century, two tea caddies: one H.J. Wilm with swirled baluster body, ht. 5 3/4, the other lacking maker s mark and featuring peasant figures within rocaille cartouches, ht. 5 1/4; and a box with hinged lid, also lacking maker s mark, with floral sprays, cupids, and musical instruments throughout, lg. 4 1/2 in., approx troy oz. total. 40 German Silver Wedding Cup, Hanau, late 19th/early 20th century, bearing unknown pseudo marks, after the antique form, with a bearded man in a repoussé skirt holding aloft a gimbaled cup, ht. 11 in., approx troy oz. $ French Silver-gilt and Hardstone Snuff Box, 20th century, maker s mark GM/B, boar s head standard mark, with engraved floral sprays accenting a carved hardstone medallion to lid, wd. 2 3/4 in. 42 Five-piece German Sterling Silver Tea and Coffee Service, 20th century, maker s mark ABC, also marked Handarbeit, each with a swirled lobed body engraved with floral sprays throughout, coffeepot, teapot, creamer, covered sugar, and tray, coffeepot ht. 10 1/2, tray lg. handle to handle 26 3/4 in., approx troy oz. $2,000-4, Pair of Continental Silver Vases, probably Germany, late 19th/early 20th century, one with only partial mark to underside, with chased ribbon-tied swags to tapered waist and applied lion heads to a foliate scrollwork register to lower body, ht. 15 1/2 in., approx troy oz. $2,000-3, Five Italian.800 Silver and Enamel Toiletry Items, early 20th century, four items with an enameled scene of a couple and fauxturquoise medallions: comb, lipstick container, and two compacts; the fifth compact with a portrait miniature to lid, lg. to 3 3/4 in. $ Twenty-one Pieces of Georg Jensen Tableware, Denmark, seventeen Acorn pattern: twelve master salt spoons, four individual salt spoons, and a sugar spoon; two nut picks: one Pyramid pattern and one pattern no. 68B; a pie server pattern no. 38; and a napkin ring, pattern no. 15, approx troy oz. total. 46 Danish.826 Silver Vase, Copenhagen, 1925, Peter Hertz, maker, the lobed form with a flared mouth engraved to each segment with various flags, monograms, and symbols, ht. 4 1/2 in., approx troy oz. $ Four Pieces of Georg Jensen Sterling Silver Tableware, Denmark, mid-20th century, a pair of sugar tongs, a sugar spoon pattern no. 21, a hollow bread knife, and bowl pattern no. 484A, approx. 7.8 troy oz. total weighable silver. $ Eight Pieces of Georg Jensen Sterling Silver Flatware, Denmark, mid-20th century, three pieces with a blossom motif, pattern no. 84: pie server, ladle, and lemon fork; three-piece Cactus pattern child s set: fork, hollow knife, and spoon; and two ladles with leaf motif to terminal, one small pattern no. 21, the other, larger, pattern no. 144, approx troy oz. total weighable silver. 49 Georg Jensen Sterling Silver Coffeepot and Creamer, Copenhagen, c. 1930, pattern no. 1A, each with a double-gourd form and side-mounted handle, coffeepot ht. 6 1/4 in., approx troy oz. $ Pair of Georg Jensen Sterling Silver Compotes, Denmark, one , the other c. 1930, each pattern no. 479, each with a shallow bowl raised on a slender stem with berry accent, ht. 4 5/8 in., approx troy oz. $ Georg Jensen Sterling Silver Sauceboat, Undertray, and Ladle, Denmark, sauceboat , ladle and undertray post-1945, each with blossom motif, sauceboat and undertray pattern no. 177, ladle pattern no. 21, tray lg. 8 1/8, sauceboat ht. 4 3/4 in., approx troy oz. Online bidding at 13

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17 52 Two Georg Jensen Sterling Silver Serving Pieces, Denmark, 20th century, each monogrammed, a Scroll pattern pie server, pattern no. 22, lg. 10 1/4, and a serving spoon with leaf motif to terminal, pattern no. 42, lg. 10 3/8 in., approx. 9.0 troy oz. 53 Georg Jensen Cactus Pattern Sterling Silver Flatware Service, Denmark, various dates, eleven each: teaspoons and luncheon forks, nine salad forks, eight each: dinner forks, hollow dinner knives, oyster forks, and soupspoons, five hollow tea knives, a hollow fruit knife, hollow cheese plane, hollow fish server, pie server, hollow cold meat fork, lemon fork, sauce ladle, and small serving spoon, approx troy oz. weighable silver, together with a Mexican silver-mounted wood spoon. $1,500-2, Two Pieces of Danish Sterling Silver Tableware, 20th century, a Michelsen tea caddy with hinged lid, ht. 4, and an Edvard Andersen lobed vase, ht. 5 in., approx troy oz. total. 55 Three Pieces of Silver and Plique-a-jour Enamel Tableware, two Norwegian: a J. Tostrup spoon with wide bowl and enameled stem, lg. 6 3/8, and a David Andersen salt cellar, dia. 2 1/4; and a George Shiebler spoon with enameled bowl, lg. 3 7/8 in., approx. 2.9 troy oz. total. $ Spanish.915 Silver Candlestick Holder, mid to late 20th century, with a long scrolled handle with applied hardstones and various symbols, lg. 15 in., approx. 9.2 troy oz. 57 Assembled Christofle Cluny Pattern Flatware Service, Paris, mid to late 20th century, mainly sterling silver, with various hallmarks, including thirteen salad forks, twelve each dinner forks and hollow dinner knives, ten dessert spoons, eight hollow spreaders, seven teaspoons, two tablespoons, and a gravy ladle, approx troy oz. weighable silver, and eighteen pieces of the same pattern in silver-plate: nine teaspoons, six tablespoons, a dessert spoon, a luncheon fork, and a hollow luncheon knife. 58 Russian Gold and Enamel Snuff Box, bearing rubbed marks for St. Petersburg, late 18th century, the lid with an inset painted glass medallion depicting fisherman in a boat on a river, offset by trailing enamel-accented leafy tendrils and simulated pearls, with pale blue guilloche enamel to the sides and base, dia. 2 3/4 in. $1,500-2, Seventeen Russian.875 Silver Spoons, Moscow, mid to late 19th century, nine spoons with engraved cartouche to bowl and spiral-turned stem, maker s mark PA, lg. 5 1/4 and eight spoons with niello motif to bowl: two serving spoons with foliate arabesque pattern to bowl c. 1863, maker s mark MA, lg. 7 5/8 and six with checkered pattern to bowl, c. 1887, maker s mark BMA, lg. 5 1/2 in., approx troy oz. total. 60 Russian Gold-mounted Hardstone Cigarette Case, Moscow, bearing 72 gold standard mark and maker s mark HW for Fabergé workmaster Henrik Wigström, the green serpentine case with chased gold hinges and clasp each also set with diamonds, lg. 3 1/2 in. $2,000-3, Russian.875 Silver and Champlevé Enamel Casket, Moscow, c. 1891, maker s mark AK, Rudolf Vyurst, assayer, the box with alternating red and blue enamel work throughout, the lid with two stylized birds centered by foliate arabesques and stylized enamel gadroons, opening to a gold-washed interior with monogram to lid, ht. 2 5/8 in., approx troy oz. Online bidding at 15

18 62 63 Asian Silver & Plate 62 Chinese Export Silver Kettle-on-Stand, 19th century, maker s mark KC, bearing Finnish import marks for 1974, with a hammered finish throughout, the kettle featuring a dragon to the body and the lid, on a stand cast as imitation bamboo with a burner, total ht. 12 1/2 in., approx troy oz. $1,500-2, Four-piece Chinese Export Sterling Silver Tea and Coffee Service, late 19th/early 20th century, bearing character marks, each with a baluster body featuring a dragon wrapped along the outer edge on a hammered ground, coffeepot, teapot, covered sugar, and creamer, coffeepot ht. 8 1/2 in., approx troy oz. $2,000-3, Two Pieces of Georgian-style Silver Flatware, late 19th century, each probably Chinese export, with shell motif to terminal, a pair of tongs, marked WH for Wang Hing, and an unmarked punch ladle with monogram to terminal, approx troy oz. total. $ Eight Pieces of Chinese Export Tableware, late 19th/early 20th century, pair of shakers, maker s mark CW for Cumwo, ht. 1 3/4, pair of small spill vases or toothpick holders, maker s mark HC for Hung Chong, ht. 3, two salt cellar with glass liners, each with various character marks, and two condiment dishes: one Luen Wo, ht. 2 1/4, the other Wang Hing, ht. 2 1/8 in., with glass liner and associated silver spoon; approx troy oz. total. $ Chinese Export Silver Tray, Shanghai, late 19th/early 20th century, Hung Chong & Co., maker, the oval dish with a reticulated dragon rim centering an engraved interior also with dragons, on four bracket feet, lg. 14 5/8 in., approx troy oz. $1,200-1, Chinese Export Silver Bowl, 19th century, maker s mark MK, lobed-form with featuring various motifs including bamboo, cherry blossoms, dragons, and scholars, dia. 8 1/4 in., approx troy oz. 68 Chinese Export Silver Tray, late 19th/early 20th century, maker s mark LW possibly for Luen Wo, with additional character mark, with an imitation bamboo edge enclosing engraved birds among bamboo leaves to rim and floral sprays and insects to central surface, on four bracket feet, lg. 14 3/4 in., approx troy oz. 69 Two Chinese Export Sterling Silver Trays, late 19th/early 20th century, each circular with a reticulated rim featuring various floral and foliate motifs, the larger dish, marked Yuchang, dia. 11 1/8, the smaller, marked Tientsin Yeching, dia. 8 in., approx troy oz. $ Additional information and photos at

19 Three Pieces of Chinese Export Silver Tableware, late 19th/early 20th century, a creamer with shallow chased floral medallions, maker s mark WA, ht. 3, an egg-form covered cup with undertray decorated throughout with scrolls and floral sprays probably by Hoaching, total ht. 5 1/4, and a small covered dish with undertray, water buffalo finial, with various character marks and maker s mark CW, total ht. 3 3/8 in., approx troy oz. total. $ Four Pieces of Chinese Export Silver, late 19th/early 20th century, Leeching, maker, a three-piece youth s flatware set: fork, knife, and spoon, each with dragon motif to handles; and a snuff box with a figural scene to lid, lg. 2 3/4 in., approx. 6.6 troy oz. total. $ Three Chinese Export Silver Cups, late 19th/early 20th century, one vasiform with lobed registers featuring various foliate and figural motif centering a small monogrammed medallion by Wang Hing & Co., ht. 3 3/8; a wide mug with repoussé dragon motif to body, dragon handle, and engraved presentation inscription to underside, marked CS for Cumshing, ht. 3 1/4, and a slender mug with chrysanthemum motifs to the body and a bamboo-form handle, by Luen Wo, ht. 3 in., approx troy oz. total. Online bidding at 17

20 76 73 Two Pieces of Chinese Export Silver Tableware, late 19th/early 20th century, a chalice with engraved dragons to bowl, on tripartite faux-bamboo stem and circular foot, maker s mark WSL, ht. 7 7/8, and a cylindrical covered canister with bamboo motif to hammered ground, maker s mark CJ probably for China Jewelry, ht. 5 5/8 in., approx troy oz. total. 74 Three Pieces of Chinese Export Silver, late 19th/early 20th century, Wang Hing & Co., maker, a card case with dragon motif, ht. 3 1/4, a small box with figural scene to the lid and birds among bamboo to the other sides, ht. 1 1/2, and a match book holder with three figures in a wooded landscape, lg. 2 3/8 in., approx. 6.6 troy oz. total. 75 Four Pieces of Chinese Export Silver, late 19th/early 20th century all with various figural scenes, two by Khecheong, a card case ht. 3 1/4 and a match safe ht. 1 3/4; an unmarked match book holder ht. 3, and a match safe, lacking lid, maker s mark KC, ht. 1 7/8 in., approx. 5.8 troy oz. 76 Three-piece Assembled Chinese Export Silver Tea Service, late 19th/early 20th century, teapot by Luen Wo, creamer and sugar by Hung Chong & Co., each with raised cherry blossom motifs throughout, teapot, creamer, and covered sugar, teapot ht. 4 1/8 in., approx troy oz. $2,000-3, Chinese Export Silver Bowl, late 19th/ early 20th century, Tuck Chang, maker, with a chased dragon encircling the exterior to a hammered ground, dia. 8 1/4 in., approx troy oz. 78 Three Pieces of Southeast Asian Silver Tableware, 19th/20th century, two Chinese export bowls, one with reticulated rose motif and glass liner, Wang Hing & Co., dia. 5, the other with chased dragon to the exterior on a hammered ground, maker s mark SF probably for Sing Fat, dia. 4 3/8; and a Japanese cordial with character marks to underside, ht. 2 3/4 in., in a fitted case; approx troy oz. total. 79 British Colonial Silver Repoussé Bowl, probably Kutch region, India, late 18th/early 19th century, maker s mark MM, decorated throughout with foliate arabesques centered between an upper and lower leaftip register, with engraved monogram and crowned armorial to base, dia. 4 5/8 in., approx. 6.6 troy oz. 18 Additional information and photos at

21 American Silver & Plate 80 Samuel Kirk.917 Silver Pitcher, Baltimore, c. 1824, bearing Baltimore assay mark and date letter C, repoussé-decorated throughout with a grapevine and rose motif to neck, floral border to body centering an engraved cartouche, and an acanthus-capped handle with figural mask, ht. 11 3/4 in., approx troy oz. $2,000-3, Two Pieces of American Coin Silver, mid-19th century, a Jones, Shreve, Brown & Co. kettle-on-stand with burner, ht. 10 1/2, and a Tifft & Whiting christening cup with presentation engraving, ht. 3 3/8 in., approx troy oz. total. 82 Assorted Group of Silver Spoons, 18th/19th century, each with engraved monogram or armorial to terminal, ten American coin silver, various maker s including C. Forbes, N. Harding, and J. Gorham & Son, seven American sterling silver mainly by Shreve, Stanwood & Co., and five English, various dates and makers including George Angell and John Lampfert, approx troy oz. total. $ Gorham Coin Silver Covered Sugar Bowl, Providence, c. 1860, oval form with bail handle and scrolled cartouches to an engineturned ground, with faint engraving to one cartouche, ht. 7 3/4 in., approx troy oz. $ Twelve Pieces of Tiffany Vine Pattern Sterling Silver Flatware, New York, , eleven monogrammed coffee spoons with an iris motif to stems, lg. 4 3/4, and a serving spoon with a grape motif to stem, lg. 8 7/8 in., approx. 8.3 troy oz. total. 85 Four Tiffany & Co. Sterling Silver Serving Pieces, New York, last quarter 19th century, three monogrammed: pair of Vine pattern salad servers with peapod vine motif, lg. to 10, and a Lap Over Edge berry server with an acid-etched leaf motif to handle, lg. 9 1/4; and a Colonial pattern berry spoon, lg. 8 1/2 in., approx troy oz. total. 85 partial Online bidding at 19

22 88 88 Gorham Sterling Silver Shell-form Dish, Providence, c. 1872, monogrammed, with a winged cupid perched on the uppermost edge dangling a cluster of grapes, on a faux-bois foot, lg. 10 in., approx troy oz. 89 Gorham Sterling Silver Basket, Providence, c. 1892, oval with a reticulated frame with rocaille scroll cast rim and foot, lg. 12 in., approx troy oz. $ Ferdinand, Fuchs & Brothers Sterling Silver Table Lighter, New York, c. 1890, in the form of a dragon with a raised head and curved boar tusk forming the tail, with an engraved monogram to the dragon s neck, lg. 5 3/4 in. $1,500-2, Gorham Sterling Silver Creamer and Sugar, Providence, late 19th/early 20th century, numbered 1339 in oval, repoussé-decorated throughout with floral motif, monogrammed to underside, ht. 1 7/8 in., approx. 6.1 troy oz. 86 Three Pieces of Gorham Silver Tableware, Providence, mid to late 19th century, two coin silver: a bud vase with two cupids, ht. 6 5/8 and a small bowl with die-cast register to waist and engraved dates to underside, ht. 2 3/4; and a sterling silver compote with gadrooned rim and foot, ht. 5 in., approx troy oz. total. 87 Tiffany English King Pattern Sterling Silver Flatware Service, New York, , monogrammed, sixteen hollow tea knives, fifteen hollow luncheon knives, fourteen tablespoons, thirteen each: dinner forks and fish forks, twelve each: hollow fish knives, hollow dinner knives, and bouillon soupspoons, eleven luncheon forks and dessert spoons, ten each: ice cream forks and demitasse spoons, nine teaspoons, a waffle server, fish serving knife, gravy ladle, soup ladle, and condiment spoon, approx troy oz. weighable silver. $2,500-3, Gorham Sterling Silver Four-arm Epergne, Providence, c. 1890, special order number 1660, interior base of stem faintly inscribed J Warner/No 20, with a single upright stem supporting the largest cut glass dish, with cupids balancing on pendant floral swags to two sides and four additional acanthuscapped and scrolled arms supporting cut glass dishes, all raised on a quatrefoil base with vacant cartouches, chased floral sprays, and four acanthus-capped and scrolled shell feet, silver ht. 17 1/4, including glass ht. 19 1/2 in., approx troy oz. $8,000-12, Additional information and photos at

23 92

24 96 Tiffany & Co. Palm Pattern Sterling Silver Flatware Service, New York, , monogrammed, twenty teaspoons, eighteen dinner forks, fifteen hollow dinner knives, fourteen each: luncheon forks and dessert spoons, twelve solid spreaders, eleven hollow luncheon knives, six each: salad forks, fish forks, bouillon soupspoons, hollow fish knives, gumbo soupspoons, cream soupspoons, and hollow tea knives, and a tablespoon, approx troy oz. weighable silver, in a fitted case. $4,000-6, Eight-piece Roger Williams Silver Co. Sterling Silver Tea and Coffee Service, Providence, c. 1908, each urn-form with engraved foliate accents and central monogram and presentation inscription, kettle-on-stand with burner, coffeepot, teapot, chocolate pot, creamer, covered sugar, hot milk jug, and waste bowl, kettle-on-stand ht. 12 in., approx troy oz. N.B. This service was presented to William T. Cobb ( ), who was an American politician and the 46th Governor of Maine. $2,000-3, Gorham Martelé.950 Silver Desk Set, Providence, c. 1900, Spaulding & Co., retailer, stamp box with special order number 8531, one blotter corner with special order number 7625, monogrammed, each with various floral sprays, includes a three-part letter holder, pen rest, letter opener, stamp box, and four blotter corners, letter holder ht. 7 in., approx troy oz. weighable silver. $6,000-8, Gorham Sterling Silver Kettle-on-stand, Providence, , with burner, ht. 11 in., approx troy oz. 94 Four-piece Gorham Sterling Silver Tea and Coffee Service, Providence, , monogrammed, coffeepot, teapot, creamer, and covered sugar, coffeepot ht. 8 in., approx troy oz. 95 Five-piece Dominick & Haff Sterling Silver Tea and Coffee Service, New York, late 19th/ early 20th century, Smith, Patterson & Co., maker, each monogramed with vasiform, paneled bodies, coffeepot, teapot, covered sugar bowl, creamer, and open waste bowl, coffeepot ht. 9 in., approx troy oz. 99 Gorham Martelé.9584 Silver Pitcher, Providence, c. 1907, date letter L/VW, Spaulding & Co., retailer, also inscribed 176, baluster-form with assorted floral sprays on a hammered ground, on four scrolled bracket feet, ht. 9 3/8 in., approx troy oz. $7,000-9, Four Graff Washbourne & Dunn Sterling Silver Candlesticks, New York, early 20th century, with an urn-form sconce on a tapering stem terminating in a reticulated foot decorated throughout with pendant swags and floral sprays, weighted, ht. 11 in. 22 Additional information and photos at

25 Six-piece Shreve, Crump & Low Co. Sterling Silver Tea and Coffee Service, Boston, early 20th century, monogrammed with inscription to underside, kettle-on-stand with burner, coffeepot, teapot, covered sugar, creamer, and waste bowl, kettle-on-stand ht. 13 in., approx troy oz. $1,200-1, Gorham Sterling Silver Saratoga Chips Server, Providence, early 20th century, with angel motif to terminal and bowl, the reticulated bowl with monogrammed medallion to center, lg. 9 1/4 in., approx. 8.6 troy oz. $ Pair of Frank Whiting Sterling Silver Candlesticks, New York, early 20th century, monogrammed, each with an urn-form sconce on a tapering stem with neoclassical swags and flowerheads, weighted, ht. 21 1/2 in. 104 Fourteen Pieces of Assorted American Sterling Silver Flatware, late 19th/early 20th century, most monogrammed, five Gorham: a three-piece St. Cloud pattern carving set, a Medici pattern master spreader, and a Poppy pattern punch ladle; four Whiting: a Lily pattern serving spoon and spreader, and a two-piece Dresden pattern salad serving set; a Graff Washbourne & Dunn tea strainer, a Tiffany tea strainer, an Alvin lettuce serving fork, and a spreader and pastry fork with stag motif to terminal; together with a French.950 floriform tea strainer, approx troy oz. total weighable silver. $ Tiffany Wave Edge Pattern Sterling Silver Flatware Service, New York, , monogrammed, twelve each dinner forks, tablespoons, dessert spoons, demitasse spoons, luncheon forks, teaspoons, oyster forks, hollow fruit knives, hollow luncheon knives, and hollow dinner knives, six pastry forks, five solid spreaders, and three hollow fish knives, approx troy oz. weighable silver, together with seventeen miscellaneous silver items. $2,000-4, A Two Gorham Standish Pattern Sterling Silver Trays, Providence, , each with a monogram to rim and engraved date to underside, lg. 16 3/8, 20 1/4 in., approx troy oz. Online bidding at 23

26 Seven-piece Dominick & Haff Sterling Silver Tea and Coffee Service, New York, early 20th century, inverted baluster form with neoclassical motifs throughout, kettleon-stand, coffeepot, chocolate pot, teapot, covered sugar, creamer, and waste bowl, kettle-on-stand ht. 13 1/2 in., approx troy oz. $2,000-2, Three Pieces of American Sterling Silver Tableware, 20th century, a Woodside bowl with strawberry motif to rim and engraved monogram to underside, dia. 8 3/4, a Gorham monogrammed tray, lg. 16, and a Frank Smith ladle with grapevine motif, lg. 14 1/2 in., approx troy oz. total. 108 Frank Smith Fiddle Shell/Alden Pattern Sterling Silver Flatware Service, Massachusetts, early 20th century, twentyfour each: teaspoons and dinner forks, twelve each: hollow dinner knives, hollow steak knives, hollow spreaders, oyster forks, demitasse spoons, iced-teaspoons, soupspoons, salad forks, and tablespoons, four serving spoons, two tomato servers, a three-piece hollow roast carving set: fork, knife, and sharpener, two-piece bird carving set: fork and knife, two-piece hollow salad serving set, gravy ladle, berry spoon, cold meat fork, hollow pie knife, hollow cheese server, sugar tongs, pickle fork, olive fork, master spreader, sugar spoon, preserve spoon, bonbon spoon, and sauce ladle, approx troy oz. weighable silver. 109 Four American Sterling Silver Goblets, 20th century, Mermond, Jaccard & King, retailer, of typical form with monogrammed bell-form bowl, ht. 7 in., approx troy oz. 110 Tiffany & Co. Sterling Silver Pitcher, New York, , monogrammed, with engraved floral medallions and bellflower register to neck and foot, ht. 9 1/4 in., approx troy oz. 111 Tiffany and Co. Colonial Pattern Sterling Silver Flatware Service, New York, , monogrammed, twelve hollow dinner knives, ten dinner forks, seven each: oyster forks and teaspoons, six hollow tea knives, four each: serving spoons and dessert spoons, a hollow carving fork and knife, and a pie knife, approx troy oz. weighable silver, in a wood case. 112 Tiffany & Co. Sterling Silver Center Bowl, New York, , circular form with overhanging rim, dia. 13 in., approx troy oz. $ Additional information and photos at

27 113 Three American Sterling Silver Bowls, 20th century, two Revere reproduction: one Reed & Barton with a glass inset liner, dia. 6 3/8, the other Manchester Silver Co., dia. 10 1/4; the third, International, with a paneled body, dia. 11 1/8 in., approx troy oz. total. $ Tuttle Sterling Silver Windsor Castle Pattern Center Bowl and Undertray, Boston, , with inset flower frog to bowl, bowl and under-tray rim decorated with pendant swags and shells, bowl dia. 12 3/4, tray dia. 14 1/8 in., approx troy oz. (not including frog). $ Sixty-six Pieces of Dominick & Haff Mazarin Pattern Sterling Silver Flatware, New York, late 19th/early 20th century, monogrammed, twelve each: dinner forks, luncheon forks, soupspoons, teaspoons, and place spoons, four tablespoons, a gravy ladle and a punch ladle, approx troy oz. 116 Three Pieces of American Sterling Silver Tableware, 20th century, a reticulated Whiting bowl, lg. 12, a Frank Whiting bowl with monogram, dia. 12 1/2, and a Tiffany tray, dia. 12 in., approx troy oz. total. $ Four Tiffany & Co. Sterling Silver Tazzas, New York, , each with a shallow dish with floral border on a short stem and circular foot, ht. 2 3/4, dia. 7 1/2 in., approx troy oz. 118 Four-piece Poole Sterling Silver Tea and Coffee Service, Massachusetts, 20th century, coffeepot, teapot, creamer, and covered sugar, coffeepot ht. 10 1/4 in., approx troy oz. $ Reed & Barton Hepplewhite Pattern Sterling Silver Flatware Service, Massachusetts, early to mid-20th century, monogrammed, twelve each: place spoons, hollow knives, and dinner forks, eleven luncheon forks, nine each: soupspoons and spreaders, four teaspoons, together with two teaspoons of a similar pattern, approx troy oz. total weighable silver. $ Six-piece Shreve & Co. Sterling Silver Tea and Coffee Service, San Francisco, California, 20th century, each vasiform with gadrooned accents to neck and foot, kettleon-stand with burner, coffeepot, teapot, covered sugar, creamer, and waste bowl, kettle-on-stand ht. 15 3/4 in., approx troy oz. $2,000-4, Two Pieces of Tiffany & Co. Sterling Silver Tableware, New York, , a gravy boat, lg. 7 1/4, and a tray, lg. 12 in., approx troy oz. total. $ Four Pieces of American Sterling Silver Hollowware, 20th century, a Bigelow, Kennard & Co. repoussé tea caddy, ht. 4 1/2, Whiting case on four ball feet, ht. 4 3/4, and a pair of Ferdinand Fuchs Bros. vases with clover motif, ht. 8 in., approx troy oz. 123 Gorham Etruscan Pattern Sterling Silver Flatware Service, Providence, early 20th century, twelve each: forks, hollow knives, teaspoons, soupspoons, salad forks, and ice cream forks, eleven spreaders, a sugar spoon, jelly spoon, gravy ladle and bonbon spoon, together with thirteen assorted pieces of flatware, approx troy oz. total weighable silver, in a wood case. $ Four Pieces of American Sterling Silver Tableware, 20th century, a reticulated tazza lacking a maker s mark, ht. 4 1/2, two Whiting square dishes, lg. 8 1/4, and a Shreve, Crump & Low salver, dia. 10 1/2 in., approx troy oz. total. 125 Thirteen Pieces of Tiffany Faneuil Pattern Sterling Silver Flatware, New York, , monogrammed, two serving spoons, two cold meat forks, a salad serving fork and spoon, fish serving fork and knife, hollow carving fork and knife, hollow pie server, sauce ladle, and condiment spoon, approx troy oz. weighable silver. 126 Three Pieces of American Sterling Silver Tableware, 20th century, a shallow, lobed Reed & Barton dish with central monogram, lg. 11 1/4, a Graff Washbourne & Dunn pitcher, ht. 8 3/4, and a Barbour Silver Co. Revere-style bowl, dia. 7 1/8 in., approx troy oz. total. 127 Forty-seven Pieces of Gorham King George Pattern Sterling Silver Flatware, Providence, late 19th/early 20th century, each with engraved name, twelve each dinner forks, solid spreaders, and hollow dinner forks, and eleven hollow luncheon knives, approx troy oz. weighable silver. 128 Towle Old Colonial Pattern Sterling Silver Flatware Service, Massachusetts, 20th century, twenty-one teaspoons (nine monogrammed), twelve each: dessert fork, hollow knives, salad forks, oyster forks (monogrammed), soupspoons, solid spreaders, ice cream spoons, and five o clock teaspoons (monogrammed), eight each: hollow steak knives and iced-teaspoons, seven dessert spoons, five each: tablespoons and demitasse spoons, two each: gravy ladles and condiment ladles, a lettuce fork, baked potato fork, butter pick, pickle fork, olive spoon, preserve spoon, sugar spoon, almond scoop, sardine fork, sauce ladle, serving spoon, pierced serving spoon, gumbo soupspoon, hollow bread knife, hollow pie knife, and sardine server; together with five pieces of Scottish sterling silver with a thistle motif and a pair German.800 silver salad servers, approx troy oz. total weighable silver, in a mahogany case with two drawers. $1,500-2, Ensko Sterling Silver Tray, New York, 20th century, lg. handle to handle 21 1/2 in., approx troy oz. Online bidding at 25

28 Two Tiffany & Co. Sterling Silver Picture Frames, New York, , one engraved, 11 1/2 x 8 5/8, the other 14 x 11 in. 131 Gorham English Gadroon Pattern Sterling Silver Flatware Service, Providence, mid to late 20th century, twelve each: forks, salad forks, spreaders, teaspoons, and soupspoons, eight hollow luncheon knives, four hollow dinner knives, three serving spoons, a sugar spoon, pierced serving spoon, gravy ladle, master spreader, and hollow pie knife, approx troy oz. weighable silver. 132 Seven-piece Tiffany & Co. Sterling Silver Tea and Coffee Service, New York, , tray pattern 19013, all other pieces 6350C, monogrammed, kettle-on-stand with burner, teapot, coffeepot, creamer, covered sugar, open waste bowl and tray, kettle-on-stand ht. 13 3/4, tray lg. handle to handle 28 in., approx troy oz. $6,000-8, Victor Seidman Manufacturing Co. Sterling Silver Vase, New York, c. 1925, flared circular mouth on a paneled stem and foot with engraved Hebrew inscription, ht. 12 3/8 in., approx troy oz. 135 Two American Sterling Silver Pitchers, 20th century, one Goodnow & Jenks, ht. 6 3/4, the other Richard Dimes, with central monogram, ht. 8 1/2 in., approx troy oz. total. 136 Reed & Barton Guidehall Pattern Sterling Silver Flatware Service, Massachusetts, mid-20th century, eighteen teaspoons, twelve hollow knives, eleven salad forks, nine soupspoons, eight forks, six spreaders, and two sugar spoons, together with twenty assorted pieces of flatware including eleven mate spoons, approx troy oz. total weighable silver. 134 Whiting Sterling Silver Center Bowl, New York, early to mid-20th century, in the Arts and Crafts style, oval with a hammered finish and monogram to interior, on four ball feet, lg. 12 3/8 in., approx troy oz. $ Lebolt & Co. Sterling Silver Platter, Chicago, early to mid-20th century, oval with a hammered finish, lg. 14 in., approx troy oz. 26 Additional information and photos at

29 138 Reed & Barton Francis I Pattern Sterling Silver Flatware Service, Massachusetts, 20th century, monogrammed, twelve each: dinner forks, salad forks, and hollow knives, eleven teaspoons, eight each: spreaders and oyster forks, six each: demitasse spoons and dessert spoons, two tablespoons, a pickle fork, and a child s fork and spoon, approx troy oz. weighable silver, in a fitted case. 139 Three-piece Arts and Crafts Sterling Silver Coffee Service, Boston, mid-20th century, Karl Leinonen, maker, coffeepot, creamer, and covered sugar, coffeepot ht. 10 1/4 in., approx troy oz. $ Meriden Britannia Sterling Silver Threehandled Punch Bowl, Connecticut, 20th century, with three scrolled handles and a gold-washed interior, bowl dia. 11, together with a Porter Blanchard Arts and Crafts silver punch ladle with monogram, lg. 14 in., approx troy oz. total. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. 141 Gorham/Whiting King Albert Pattern Sterling Silver Flatware Service, Providence, second quarter 20th century, monogrammed, sixteen teaspoons, eight each: oyster forks, dinner forks, salad forks, hollow knives, and spreaders, six dessert spoons, two tablespoons, a hollow pie knife, gravy ladle, pair of sugar tongs, tomato server, hollow roast carving fork and knife, hollow bird carving fork and knife, hollow sharpener, and cold meat fork, approx troy oz. weighable silver, in a wood case. 142 Two American Sterling Silver Platters, a Meriden Britannia leaf-form dish with five compartments, lg. 12 1/2, and a Shreve Crump & Low tazza with a reticulated rim, dia. 13 1/2 in., approx troy oz. total. $ Five-piece Richard Dimes Londonderry Pattern Tea and Coffee Service with Associated Silver Tray, Boston, first half 20th century, A. Stowell & Co., retailer, tray with rubbed maker s mark, monogrammed, each with inverted baluster bodies, coffeepot, teapot, creamer, covered sugar, and waste bowl, coffeepot ht. 9 1/4, tray lg. handle to handle 21 in., together with an associated pair of sugar tongs, approx troy oz. total. $1,500-2, Five Pieces of American Sterling Silver Tableware, late 19th/early 20th century, three Kirk: a.917 silver repoussé creamer and a sterling silver bowl and undertray; two Baltimore Silversmithing: a beaker with presentation inscription and a circular tray with engraved armorial, approx troy oz. total. 145 Old Newbury Crafters Panel Antique Pattern Sterling Silver Flatware Service, Massachusetts, early to mid-20th century, monogrammed, thirteen teaspoons, eleven each forks, salad forks, and hollow knives, ten soupspoons, six spreaders, four coffee spoons, a hollow carving fork and knife, and a bonbon spoon, approx troy oz. weighable silver, in a wood case. 146 Two American Sterling Silver Bowls, mid- 20th century, a Mueck-Carey compote, ht. 4 5/8 and a Webster shallow bowl with blossom handles, lg. handle to handle 11 1/2 in., approx troy oz. total. 147 Three Pieces of American Sterling Silver Tableware, 20th century, two Gorham: a shallow bowl with presentation engraving, dia. 11 1/4, and a circular tray, dia. 14; and a Durgin pitcher, ht. 8 1/4 in., approx troy oz. total. 148 Three Pieces of Arts & Crafts Sterling Silver Hollowware, first half 20th century, two with presentation engravings: a Shreve & Co. centerbowl, dia. 10 5/8 and a Richard Dimes shallow dish, lg. 7; and an Arthur Stone porringer with craftsman mark for Herbert Taylor and monogram to pierced handle, lg. 7 7/8 in., approx troy oz. total. 149 Richard Dimes Debutante Pattern Sterling Silver Flatware Service, Boston, mid-20th century, monogrammed, twelve each: hollow dinner knives, dinner forks, oyster forks, iced-teaspoons, cream soupspoons, and bouillon soupspoons, eleven spreaders, three salad serving spoons, two salad serving forks, two gravy ladles, a cold meat fork, tomato server, hollow cheese knife, hollow pie server, pickle fork, and lemon fork, approx troy oz. weighable silver, in a wood box. 150 Three Pieces of American Sterling Silver Tableware, 20th century, each monogrammed and with gadrooned accents, two Tuttle: George I Period pattern pitcher ht. 9 1/2 and a shallow bowl dia. 12 3/4; and a Gorham circular tray dia. 13 1/2 in., approx troy oz. Online bidding at 27

30 154 partial 151 Tiffany & Co. Sterling Silver Tray, New York, , monogrammed, lg. 20 in., approx troy oz. 152 Six-piece Reed & Barton Hampton Court Pattern Sterling Silver Tea and Coffee Service, Massachusetts, , coffeepot, teapot, creamer, covered sugar, waste bowl, and tray, tray lg. handle to handle 28 in., approx troy oz. $1,500-2, Four-piece Wallace Sterling Silver Tea Service, Connecticut, mid to late 20th century, with a hammered finish throughout, teapot, creamer, covered sugar, and tray, teapot ht. 4 3/4, tray lg. 13 1/4 in., approx troy oz. $ Tiffany & Co. Sterling Silver Tazza, New York, , monogrammed, the reticulated dish with shell motif to rim on a low foot, dia. 12 1/2, together with a Gorham sterling silver trophy vase, with engraved presentation inscription, ht. 6 1/2 in., approx troy oz. total. 155 Two Pieces of Reed & Barton Sterling Silver Tableware, Massachusetts, 20th century, a Paul Revere reproduction pitcher, ht. 7 1/2, and a circular dish with lobed edge, dia. 11 in., approx troy oz. 156 Tiffany & Co. Sterling Silver Bowl, New York, , monogrammed, dia. 9 in., approx troy oz. 28 Additional information and photos at

31 157 Gorham New Baronial Pattern Sterling Silver Flatware Service, Providence, late 20th century, fifteen hollow knives, fourteen teaspoons, thirteen dinner forks, twelve luncheon forks, six dessert spoons, five hollow spreaders, two preserve spoons, a gravy ladle, sauce ladle, hollow pie server, hollow master spreader, serving spoon, hollow carving fork, and hollow carving knife, together with eight silver items of a different pattern, approx troy oz. total weighable silver, in a wood case. 158 Two Pieces of Reed & Barton Francis I Pattern Tableware, Massachusetts, , a bowl, dia. 8, and a shell-form footed dish with monogram, lg. 10 1/2 in., approx troy oz. total. 159 Pair of Tiffany & Co. Sterling Silver Candlesticks, New York, , monogrammed, reproductions after a 1782 pair by Fenton & Creswick of Sheffield, each with an urn-form sconce on a fluted and tapered stem terminating in a square foot with pendant swags, ht. 12 in., approx troy oz. $ Three American Sterling Silver Reverestyle Bowls, mid to late 20th century, a Reed & Barton bowl dia. 10, Watson dia. 9, and Gorham dia. 7 1/2 in., approx troy oz. total. 161 International Northern Lights Pattern Sterling Silver Flatware Service, Connecticut, 20th century, monogrammed, twenty-eight teaspoons, twenty-four forks, twenty salad forks, twelve each: hollow dinner knives, hollow luncheon knives, oyster forks, soupspoons, and hollow spreaders, a gravy ladle, pickle fork, and pair of sugar tongs, approx troy oz. weighable silver. 162 Pair of Fisher Sterling Silver Convertible Three-light Candelabra, New Jersey, mid to late 20th century, in the English Rose pattern with two scrolled bypass arms and a single upright sconce, weighted, ht. 17 in. 163 Five-piece Gorham Sterling Silver Tea Service, Providence, mid to late 20th century, monogrammed, kettle-on-stand, teapot, covered sugar, creamer, and waste bowl, kettle on stand ht. 10 1/2 in., approx troy oz. 164 Two American Sterling Silver Center Bowls, mid to late 20th century, one Towle with a central monogram, dia. 13, the other with rubbed maker s mark, dia. 14 1/2 in., approx troy oz. 165 Gorham Sterling Silver Standish Pattern Tray, Providence, mid to late 20th century, monogrammed, lg. 20 in., approx troy oz. $ Lunt Eloquence Pattern Sterling Silver Flatware Service, Massachusetts, mid to late 20th century, thirty-four soupspoons, twentysix teaspoons, twenty-five hollow knives, twenty-four forks, twenty-three salad forks, a hollow carving fork and knife and a serving spoon, approx troy oz. weighable silver. $4,000-6, Six-piece Meriden Britannia Sterling Silver Tea and Coffee Service, Connecticut, mid to late 20th century, monogrammed, coffeepot, teapot, covered sugar, creamer, and waste bowl, approx troy oz., with an associated nickel silver tray, lg. handle to handle 30 in. 168 Alvin Bridal Bouquet Pattern Sterling Silver Flatware Service, Providence, mid- 20th century, seventeen teaspoons, nine each: hollow knives, forks, salad forks, soupspoons, and hollow spreaders, eight each: icedteaspoons and oyster forks, four tablespoons, a master spreader, hollow pie knife, gravy ladle, sugar spoon, serving spoon, and cold meat fork; together with five miscellaneous silver items, including a Tiffany Richelieu pattern bonbon spoon, and fifteen assorted silver-plate items, approx troy oz. total weighable silver, in a mahogany box. $1,200-1, Pair of Tiffany & Co. Sterling Silver-gilt Bowls, New York, after 1965, dia. 8 in., approx troy oz. $ Five-piece Gorham Sterling Silver Tea and Coffee Service, Providence, late 20th century, monogrammed, each urn-form with gadrooned rim, coffeepot, teapot, covered sugar, creamer, and waste bowl, coffeepot ht. 10 1/2 in., approx troy oz. 171 Tiffany & Co. Sterling Silver Wine Funnel, New York, late 20th century, of typical form, lg. 6 3/8 in., approx. 6.2 troy oz. Online bidding at 29

32 Neiman Marcus Sterling Silver Compote, probably South America, mid to late 20th century, the flared rim chased throughout with birds among grapevines on a short stem terminating in a lobed foot with chased grape clusters, ht. 6 1/2 in., approx troy oz. $ South American Sterling Silver Flatware Service, possibly Brazil, 20th century, bearing unknown maker s mark, twelve each: teaspoons, tablespoons, demitasse spoons, fish forks, pastry forks, hollow dinner knives, hollow luncheon knives, hollow tea knives, fish knives, dinner forks, dessert spoons, and luncheon forks, hollow carving set: fork and knife, a soup ladle, gravy ladle, pie slice, preserve spoon, large serving spoon, smaller serving spoon, sugar spoon, cold meat fork, fish slice, master spreader, pickle fork, lemon fork, cheese slice, preserve spoon, and salad serving fork and spoon, approx troy oz. weighable silver, in a mahogany-veneer five-drawer chest. $2,000-3, Three Mexican Sterling Silver Serving Pieces, mid to late 20th century, in the Jensen style, two with blossom motif: a gravy ladle by E. Ramirez and a serving fork lacking maker s marks; the third serving spoon with a scrolled leaf-form terminal by Sanborns, lg. to 10 in., approx. 9.0 troy oz. $ Six-piece Peruvian Sterling Silver Tea and Coffee Service, mid to late 20th century, Camusso, maker, coffeepot, teapot, covered sugar, creamer, waste bowl, and tray, tray lg. handle to handle 24 1/2 in., approx troy oz. $2,000-3,000 End of Session I 30 Additional information and photos at

33 Session II English Pottery & Porcelain, featuring the Lauer Collection, Part II, and the Edward Knowles Collection Lots Furniture & Decorative Arts Lots to be sold Friday, October 7, 2016 at 10AM

34 Wedgwood Oval Black Basalt Plaque, England, 19th century, with high relief depiction of Hercules and the Erymanthian Boar, impressed mark, 5 1/4 x 7 1/4 in.; mounted in a modern frame. 177 Four Wedgwood Black Basalt Plaques, England, 19th century, each rectangular form with rounded ends and with a classical figure in relief, impressed marks, lg. 10 1/4 in.; mounted together in a modern frame. 178 Pair of Wedgwood Black Basalt Sphinx, England, 19th century, each modeled seated atop a raised rectangular base, impressed marks, ht. 9 in. 179 Wedgwood & Bentley Black Basalt Oil Lamp, England, c. 1775, oval shape with central cover to a fluted shoulder, foliate borders to the base and foot, mounted atop a raised square plinth, impressed mark, ht. 7 5/8 in. Provenance: Kadison collection. Literature: Illustrated in Wedgwood I, by R. Reilly, plate C107. $1,500-2, Wedgwood Black Basalt Oval Plaque, England, 19th century, high relief depiction of Bacchanalian boys with panther, impressed mark, 7 x 10 3/8 in.; set in a giltwood frame. 181 Wedgwood Black Basalt Baptismal Font, England, late 18th century, banded rim with criss-cross ribbons, drapery swags and rings in high relief, acanthus leaf foot, unmarked, dia. 17 5/8 in. Provenance: Zeitlin collection. Literature: Similar illustrated in WEDGWOOD, by R. Reilly, volume I, plate 633. Note: Framed paper accompanying the bowl reads: Dec.2nd 1919 Mr. Harry Barnard of Josiah Wedgwood & Sons Museum at Etruria, Stoke-on-Trent, wrote, after seeing Miss Ellen Rickman s china: That her black Basalte Ware Bowl or Vase was an approximate copy, made by Messrs Wedgwood, of the old font at Essenden Church, Herts. $1,200-1, Two Wedgwood Black Basalt Models of Sphinxes, England, 19th century, each mounted on raised rectangular plinths, a seated winged figure, ht. 9; and one reclining, ht. 3 3/4 in.; impressed marks. 183 Wedgwood and Bentley Black Basalt Vase and Cover, England, c. 1770, domed cover with ball finial, the vase with four upturned escutcheon-shaped handles with goat head terminals supporting drapery swags, the socle with acanthus leaf border and set atop a square plinth, impressed lozenge mark, ht. 15 1/2 in. $3,000-5, Four Framed Wedgwood Black Basalt Oval Portrait Plaques, England, 19th century, including three self-framed, John Locke, William Pitt and Charles Watson Wentworth, lg. 4, (2) 4 1/4; and one of Josiah Wedgwood, lg. 4 in.; no visible marks. $ Wedgwood Black Basalt Oval Plaque, England, 19th century, relief depiction of Hercules and the Erymanthian Boar, impressed mark, sight size 5 1/8 x 6 7/8 in.; set in a giltwood frame. 186 Wedgwood Black Basalt Wine and Water Ewers, England, 19th century, the water ewer with a figure of Triton seated atop the shoulder and modeled holding the horns of a marine monster below the spout, aquatic festoons to either side, ht. 16; the wine ewer with a figure of Bacchus seated atop the shoulder and modeled holding the horns of a ram s head below the spout, fruiting grapevine festoons to either side, ht. 15 3/4 in.; impressed marks. $2,000-4, Additional information and photos at

35 Large Wedgwood Black Basalt Dolphin Incense Burner and Cover, England, 19th century, the bowl decorated with vine and berry festoons swagged from buttons with floret designs, and supported atop three dolphins set on a triangular base, intricately pierced cover with foliate border, impressed mark, ht. 15 3/4 in. $1,500-2, Wedgwood Black Basalt Plaque, England, 19th century, rectangular shape with relief of five cherub figures depicting a Sacrifice to Hymen, one holding a large torch, impressed mark, sight size 3 7/8 x 11 3/4 in.; set in a modern frame. 189 Wedgwood Black Basalt Volute Krater Urn, England, early 19th century, the handles with cherub masks to scrolls and swan heads flanking terminals, impressed mark, overall ht. 21 in. $3,000-5, Online bidding at 33

36 Pair of Wedgwood Self-framed Black Basalt Plaques, England, 19th century, each oval with a classical relief depiction, one of Night, the other Day, impressed marks, sight size 4 5/8 x 6 1/8 in.; mounted in modern frames. 191 Wedgwood Encaustic Decorated Black Basalt Volute Krater Urn, England, c. 1863, upturned scrolled handles with classical female mask heads, iron red, white and black decorated with bands of leaves and berries, gadroons and Greek key designs, impressed mark, ht. 10 7/8 in. $1,500-2, Wedgwood Black Basalt Tripod Vase and Cover, England, 19th century, domed cover with radiating stiff leaves extending from a sunflower knop, the bowl with border of floral festoons above alternating acanthus leaves and spears, goat head legs terminating at hoofs, all set atop a fluted triangular base, impressed mark, ht. 9 1/4 in. 193 Wedgwood and Bentley Black Basalt Ewer, England, c. 1775, from an original design by Jacques de Stella, loop handle terminating at a smiling male mask head, mounted atop a turned socle and square plinth, impressed lozenge mark, ht. 13 in. Literature: Illustrated in Wedgwood The New Illustrated Dictionary, by R. Reilly, p $2,000-3, Five Wedgwood Black Basalt Items, England, 19th century, including a pair of engine-turned vases, ht. 7 1/8; engine-turned bulbous shape teapot and cover with Sybil finial, ht. 4; a squat form teapot and cover with lobed body, ht. 2 3/4; and a pear-shaped jug, ht. 7 1/8 in.; impressed marks. 195 Pair of Wedgwood Black Basalt Triton Candlesticks, England, early 19th century, each figure modeled holding a cornucopiaform candle sconce and mounted atop a freeform rocky base, one with impressed mark, ht. 11 1/8 in. 196 Wedgwood Black Basalt Bowl, England, early 19th century, circular form with everted rim and upturned loop handles, applied rosso antico foliate border, impressed mark, dia. 9 in. 197 Wedgwood Black Basalt Bust of Mercury, England, 19th century, mounted atop a waisted circular socle, impressed title and mark, ht. 17 5/8 in. 198 Wedgwood Black Basalt Figure of a Faun, England, mid-19th century, the standing male figure modeled scantily clad and supporting dead game to crossed sticks set on his shoulders, impressed title and mark, ht. 16 1/4 in. 199 Wedgwood Black Basalt Figure of Zingara, England, early 19th century, the standing figure modeled in classical garb and standing on a rectangular base, impressed mark, ht. 18 1/8 in. 34 Additional information and photos at

37 Three Small Wedgwood Black Basalt Busts, England, 19th century, a maiden mounted atop a waisted socle set on a cylindrical column, ht. 8 3/4; William Shakespeare mounted atop a waisted socle, ht. 4; and a classical king mounted with a metal collar and set atop a cork, bust ht. 2 1/4 in.; impressed marks. 201 Pair of Encaustic Decorated Black Basalt Vases, England, early 19th century, bottle shapes with upturned scrolled handles having child masks at terminal, iron red and white decorated with a cherub to each, one depicted holding a staff, the other a lyre, unmarked, ht. 9 1/4 in. $ Encaustic Decorated Black Basalt Hydriashaped Vase, England, early 19th century, upturned loop handles, iron red and white decorated with depiction of a classical figure driving a horse drawn chariot, anthemion and Greek key borders, unmarked, ht. 8 1/2 in. Online bidding at 35

38 Wedgwood Encaustic Decorated Black Basalt Amphora Vase, England, early 19th century, loop handles to a body with iron red and black decorated classical maiden below a wide gadroon border, impressed mark, ht. 8 3/4 in. 204 Wedgwood Encaustic Decorated Black Basalt Vase, England, early 19th century, amphora shape with upturned loop handles, iron red, white and black decorated with cloaked male figures, one holding a ball with staff leaning at his side, running stiff leaf and berry and meander borders, impressed mark, ht. 9 1/4 in. $1,200-1, Encaustic Decorated Black Basalt Vase, England, early 19th century, upturned loop handles to an oval shape decorated in white and iron red with a classical female playing a lyre centering borders of running anthemion and leaves with berries, unmarked, ht. 9 1/2 in. 206 Black Basalt Plaque of a Bacchanalian Feast, England, late 18th/early 19th century, rectangular shape with high relief depiction of classical figures, unmarked, sight size 8 1/2 x 20 in.; set in a brass frame. 207 Two Wedgwood Enameled Black Basalt Vases, England, 19th century, each with polychrome enameled and gilded floral motifs, one with lion mask terminals to braided handles, ht. 4 3/4; and one with ribbed handles terminating at horned male masks, ht. 9 1/2 in.; impressed marks. $ Six Wedgwood Black Basalt Items, England, 19th/20th century, including a molded vase with Bacchus mask heads to a wide arabesque floral band set on four paw feet, ht. 9 1/2; molded trumpet vase with hanging foliate baskets motif, ht. 9 3/4; cylindrical spill vase with a band of arabesque flowers over classical figures, ht. 9 1/2; an Ernest Light designed model of an egret on a pierced rocky base, ht. 7 1/8; a flat-rim shallow bowl, dia. 14 1/8; and a standing figure of Hercules, ht. 11 5/8 in.; impressed marks. 209 Large Wedgwood Black Basalt Volute Krater Urn, England, early 19th century, the handles with cherub masks to scrolls and swan heads flanking terminals, impressed mark, overall ht. 35 1/4 in. $3,000-5, Wedgwood Black Basalt Vase and Pedestal Base, England, 19th century, the vase with goat head masks to scrolled handles, raised fruiting grapevine borders and central classical figures, ht. 24 1/4; pedestal with similar figures within foliate and gadrooned borders, ht. 15 in.; impressed marks. $2,500-3, Large Wedgwood Encaustic Decorated Black Basalt Volute Krater Urn, England, late 18th/early 19th century, child masks to scrolled handles with swan s heads flanking terminals, iron red, white and black decorated depiction with offerings to a hero s shrine centering foliate borders and with elaborate palmettes below each handle, impressed mark, ht. 24 in. Provenance: Lenhart collection; Christie s East, January 26, 1987, Lot 211. Literature: See The Complete Collection of Antiquities from the Cabinet of Sir William Hamilton, by Pierre-Francois Hugues D Hancarville, pp ; Wedgwood, by R. Reilly, volume I, plates 601 and 602. $10,000-15, Additional information and photos at

39 Online bidding at 37

40 Pair of Wedgwood Gilded and Bronzed Black Basalt Engine-turned Vases and Covers, England, 19th century, domed covers with acorn finials, Bacchus mask and horn handles, a band of drapery festoons to the rim, impressed marks, ht. 8 3/8 in. 213 Pair of Wedgwood Black Basalt Figures of Cupid and Psyche, England, late 19th century, each modeled seated atop a rocky base on a raised circular plinth, impressed titles and marks, ht. 8 1/4 in. 214 Pair of Modern Wedgwood Black Basalt Triton Candlesticks, England, 1974, each typically modeled figure kneeling on a rocky base and holding a cornucopia-shaped stem with foliate candle nozzle, impressed marks, ht. 11 in. 215 Two Wedgwood Gilded and Bronzed Black Basalt Oil Lamps, England, 19th century, each oval, with fluted neck, oak leaf border and acanthus and bellflowers to lower body, one modeled with a classical maiden holding an open book, ht. 8 3/4; the other with a maiden pouring a jug, ht. 8 in.; impressed marks. 216 Wedgwood Black Basalt Dolphin Incense Burner, England, 1805, the bowl with foliate and shell festoons supported atop the tails of three dolphins set on a triangular base, inscribed in red enamel Josiah Wedgwood 2d February 1805 and impressed mark, ht. 4 in. 217 Wedgwood Black Basalt Model of a Child, England, early 20th century, modeled reclining and holding fruit in each hand, mounted atop a freeform oval base, impressed mark, lg. 4 3/8 in. 218 Three Wedgwood Black Basalt Animals, England, c. 1913, modeled by Ernest Light, each with glass eyes, a cat with upturned tail, ht. 4 3/4; a bulldog, lg. 4 7/8; and an elephant, ht. 3 1/2 in.; impressed marks. 219 Pair of Wedgwood Black Basalt Engineturned Vases and Covers, England, 1954, domed covers with acorn finials, Bacchus mask and horn handles, a band of drapery festoons to the rim, impressed marks, ht. 8 3/8 in. $ Large Wedgwood Bert Bentley Modeled Black Basalt Vase, Cover, and Pedestal Base, England, 1922, BB914, cherub finial, the vase with maiden handles bordered with bands of foliate to a textured shoulder, the body with a wide band of floral festoons above panels of trelliswork and large acanthus leaves, ht. 29; the cylindrical base with trellis panels framed within ribbon top laurel and berries terminating at trophy drops, ht. 16 in., impressed marks. $10,000-15, Additional information and photos at

41 Four Wedgwood Queen s Ware Platters, England, c. 1800, two ovals, a dark blue enameled Antiques pattern border with armorial crest and floral spray to center, lg. 22 1/8; a polychrome enameled leaf and star flower border, lg. 19 1/4; and two circular shallow bowls, each polychrome enameled with calla lilies and leaves, pattern number 954, dia. 18 1/2 in.; impressed marks. 222 Creamware Cruet Set, Continental, late 18th/ early 19th century, circular footed stand, the covered urn top with goat mask handles; and five condiment pots, overall ht. 13 1/4 in. 223 Two Wedgwood Queen s Ware Items, England, late 18th/early 19th century, a covered chestnut bowl with pierced dome cover molded with scrolled foliage, the bowl with double twisted and entwined handles and central scrolled foliate decoration, upper case mark, handle to handle lg. 10 1/4; and an oval fruit basket and stand, the basket with open latticework gallery surrounding a molded basketweave center, the stand with pierced gadrooned rim surrounding basketweave center, all trimmed in a puce enamel, upperlower case mark, stand lg. 9 5/8 in. Online bidding at 39

42 Pair of Wedgwood White Terra-cotta Bulb Pots and Covers, England, c. 1790, each brown slip decorated to a pearl glaze, a two-handled bowl mounted atop the pierced cover set on a cylindrical form with oval sunflower medallions set within floral festoons terminating at ram s heads, all to a striped ground, impressed marks, ht. 8 7/8 in. $1,200-1, Wedgwood Encaustic Decorated Black Basalt Bough Pot, England, late 18th century, rectangular form with shaped rim and paneled sides, each with cherubs in relief supporting a laurel wreath to an iron red ground, bordered with flowers and foliage in red and white, upper-lower case mark, lg. 6 1/4 in. 226 Wedgwood Rosso Antico Club Jug, England, early 19th century, applied black basalt relief depictions of Bacchanalian boys below a fruiting grapevine border, impressed mark, overall ht. 4 1/2 in. 227 Wedgwood White Smear Glazed Stoneware Potpourri Vase and Covers, England, c. 1820, slightly domed and pierced cover with acorn knop, inner disc lid with button handle, hydria shape with upturned loop handles, an applied blue foliate vine to the neck, impressed mark, ht. 12 3/4 in. 228 Three-piece Wedgwood Rosso Antico Parapet Tea Set, England, early 19th century, oval forms with applied black basalt prunus relief, including a covered teapot, ht. 4 3/8; creamer, ht. 3 1/4; and sugar bowl, ht. 2 5/8 in.; impressed marks. $ Wedgwood Caneware Dolphin Incense Burner and Cover, England, early 19th century, applied black basalt foliage to a pierced cover, the bowl with foliate festoons and set atop the tail of three dolphins mounted on a triangular base bordered with a band of foliage at foot, impressed mark, ht. 5 1/4 in. $ Wedgwood Light Blue Jasper Dip Oval Plaque, England, late 18th century, white relief depiction of Venus and Cupid, impressed mark, lg. 4 3/4 in.; set in a wood frame. 231 Three Wedgwood Solid Blue Jasper Portrait Medallions, 18th and 19th century, each with applied white relief, an oval Wedgwood & Bentley pale blue with depiction of Alexander, lg. 2 1/4; an oval of Herschel, lg. 3 1/2; and a circular of Grotius, dia. 2 3/8 in.; impressed marks, each set in a wood frame. 232 Two Turner Blue Jasper Dip Oval Plaques, England, c. 1800, each with white classical figures in relief, impressed mark, lg. 7 in.; one set in a metal frame. 233 Pair of Wedgwood Solid Pale Blue Jasper Vases and Covers, England, early 19th century, artichoke finials, applied white relief depictions of Bacchanalian Triumph below a fruiting grapevine border, also bordered with acanthus and bellflowers, foliage, and palmettes, impressed marks, ht. 23 3/4 in. $8,000-12, Four Framed Groups of Solid Blue Jasper Portrait Medallions, England, 19th century, consisting of twenty-four circular self-frame medallions, each numbered on their reverse, dia. 1 1/2 in.; set in matching frames. 235 Pair of Gilt-bronze-mounted Solid Blue Jasper Drum Bases, England, late 18th/early 19th century, cylindrical shape with applied white classical figures in relief set on a stepped circular base with three ball feet, unmarked, overall ht. 10 7/8 in. 40 Additional information and photos at

43 Wedgwood Solid Pale Blue Jasper Figural Candlestick, England, late 18th century, modeled as a tree trunk set atop a stepped octagonal base, applied white relief cherub holding a basket of fruit and with fruiting grapevines adorning tree, large leaves to the backside, impressed mark, ht. 10 in. 237 Wedgwood Solid Blue Jasper Vase and Cover, England, 19th century, globular shape with applied white relief, a cherub finial set atop the domed cover, the vase bordered with ribbon and vine bandings, impressed mark, ht. 9 in. 238 Wedgwood Light Blue Jasper Dip Jar and Cover, England, late 18th century, cylindrical form with dome cover, engine-turned bands to cover and foot rim and with applied white foliate border and classical figural center band, impressed mark, ht. 4 in. Online bidding at 41

44 Neale and Co. Solid Blue Jasper Teapot, Cover and Stand, England, c. 1800, oval shapes with applied white relief, the teapot with classical figures over a basketweave band, unmarked, lg. 9 1/4; the stand with acanthus leaves bordering a basketweave band, impressed mark, lg. 7 in. 240 Wedgwood Solid Pale Blue Jasper Vase and Cover, England, 18th century, applied white relief with a floral finial bordered by stiff leaves set atop a vase with scrolled foliate handles, arabesque floral banding and central alternating acanthus leaves and bellflowers, impressed mark, ht. 9 3/4 in. 241 Wedgwood Light Blue Jasper Dip Vase and Cover, England, late 19th century, upturned loop handles, applied white classical figures in relief centering borders of acanthus leaves, impressed mark, ht. 17 3/4 in. 242 Pair of Wedgwood Solid Light Blue Jasper Vases and Covers, England, c. 1800, each with applied white relief goat head handles, foliate festoons and classical medallions, various foliate borders, impressed mark, ht. 7 1/4 in. 243 Pair of Wedgwood Light Blue Jasper Dip Plaques, England, late 19th century, each rectangular form with applied white classical Dancing Hours in relief within a running laurel and berry border, sight size 7 x 19 1/2 in.; mounted in giltwood frames. $1,500-2, Wedgwood Solid Light Blue Jasper Apotheosis of Homer Plaque, England, 19th century, the roundel with applied white classical figures in relief, impressed mark, sight dia. 15 in.; set in an ebonized wood frame. $2,000-4, Additional information and photos at

45 Wedgwood Solid Light Blue Jasper Plaque, England, late 19th century, rectangular form with applied white relief depiction of Hygeia, impressed mark, sight size 6 3/4 x 11 in.; mounted in a modern frame. 246 Wedgwood Solid Light Blue Jasper Plaque, England, 19th century, rectangular shape with applied white relief depiction of The Birth and Dipping of Achilles, impressed mark, 6 1/8 x 18 5/8 in.; mounted in a modern frame. 247 Large Wedgwood Light Blue Jasper Vase and Cover, England, early 19th century, upturned loop handles and urn finial, applied white Muses and Apollo figures with assorted foliate border relief, impressed mark, ht. 18 in. $2,000-4, Wedgwood Solid Light Blue Jasper Plaque, England, 19th century, rectangular shape with applied white relief depiction of a Herculaneum dancer, impressed mark, sight size 6 7/8 x 8 1/8 in.; mounted in a modern frame. $ Wedgwood Solid Light Blue Jasper Diana Plaque, England, 19th century, rectangular shape with applied white classical depiction of the archer posed with bow and arrow, impressed mark, 5 5/8 x 11 5/8 in.; mounted in a modern frame. 250 Wedgwood Solid Light Blue Jasper Plaque, England, late 19th century, oval form with applied white classical maiden in relief holding a basket of flowers atop her head, impressed mark, sight size 6 1/4 x 9 3/8 in.; mounted in a modern frame. 251 Large Wedgwood Solid Light Blue Jasper Plaque, England, late 19th century, rectangular shape with applied white relief classical depiction of Diana Visiting Endymion, impressed mark, sight size 8 7/8 x 28 3/4 in.; mounted in a modern frame. $4,000-6, Wedgwood Solid Light Blue Jasper Sacrifice Plaque, England, 19th century, rectangular shape with applied white relief depiction of classical figures, impressed mark, sight size 9 3/4 x 22 1/2 in.; set in a carved giltwood frame. $2,000-3,000 Online bidding at 43

46 Wedgwood Solid Light Blue Jasper Plaque, England, late 19th century, rectangular shape with applied white relief depiction of figures designed by Charles Toft from Geoffrey Chaucer s Canterbury Tales, a sign inscribed The Tabard Inn above, impressed mark, 6 1/2 x 13 1/2 in.; mounted in a modern frame. 255 Light Blue Jasper Dip Five-light Chandelier with Ceiling Plate, England, late 19th century, possibly Wedgwood, with applied white classical figures in relief, the bowl-shaped base supporting four candle arms below a stem with teardrop-shaped vasiform cistern, overall ht. 18 3/4; together with a circular ceiling disc, dia. 10 1/8 in. $ Adams and Bromley Light Blue Jasper Dip Tobacco Jar and Cover, England, c. 1880, domed cover with flame knop to a columnar shape with applied white relief of classical figures within architectural frames, dark blue florets to the border, impressed mark, ht. 6 7/8 in. $ Wedgwood Solid Pale Blue Jasper Plaque, England, 19th century, rectangular form with applied white classical Muses in relief below a band of floral festoons and trophy drops, impressed mark, 6 3/4 x 18 in.; mounted in a modern frame. $1,500-2, Pair of Wedgwood Blue Jasper-mounted Door Panels, England, 19th century, each roundel with applied white classical sacrifice subject, sight dia. 2 3/4; mounted to a brasstrimmed, aesthetic-style, ebonized door panel, 14 x 33 3/4 in. 257 Wedgwood Light Blue Jasper Dip Clock Case, England, late 19th century, applied white classical figures within scrolled foliate borders, running oak leaves surrounding the clock face, impressed mark, ht. 12 3/8 in. 259 Pair of Gilt-bronze-mounted Blue Jasper Girandoles, England, late 18th century, oval shapes with applied white classical figures in relief, overall ht. 11 1/4 in. $ Pair of Wedgwood Solid Blue Jasper Bough Pots and Covers, England, late 18th century, square forms with arched and recessed panels applied with white relief figures representing the four seasons and framed with foliage, pierced solid white insert lids, impressed mark, ht. 6 3/8 in. Provenance: Bleier collection. $1,500-2, Additional information and photos at

47 Wedgwood Solid Pale Blue Jasper Vase, England, 18th century, applied white classical figures centering various foliate borders, impressed mark, ht. 12 5/8 in. 262 Wedgwood Solid Light Blue Jasper Plaque, England, late 19th/early 20th century, rectangular shape with applied white classical depiction of Bacchanalian Triumph, impressed mark, sight size 5 3/4 x 13 1/2 in.; set in a modern frame. 265 Two Mounted Wedgwood Light Blue Jasper Portrait Medallions, England, 19th century, each oval and with applied white relief, one depicting a young Flaxman, lg. 3; the other Linnaeus, lg. 4; inset to a later ebonized wood wall shelf, lg. 14 in. 266 Solid Blue Jasper High-relief Plaque, England, 1848, circular form with depiction purported to be Perseus and Andromeda, inscribed along rim E.W. Wyon Desr. & Sculpr. 1st of Jany. 1848, sight dia. 7 in.; mounted in a modern frame. 263 Eighteen Wedgwood Solid Light Blue Jasper Plaques, England, 20th century, each rectangular shaped and with arched top, and each with applied white foliate relief, impressed marks, lg. 6 1/2 in. 264 Two Pairs of Wedgwood Light Blue Jasper Handles, England, late 19th/early 20th century, each brass-mounted and with applied white relief, two ovals with classical figures, impressed marks, lg. 2 5/8; and two round with flowerheads, no visible marks, dia. 1 1/2 in. $ Online bidding at 45

48 Pair of Wedgwood Blue Jasper and Gilt-bronze-mounted Vases and Covers, England, 19th century, bronze with artichoke finial, pierced foliate gallery and maiden mask handles, cup-form bowls with applied white relief of Muses with stiff leaf borders, gadrooned socles and octagonal foliate trimmed plinths, marks not visible, ht. 11 in. $3,000-4, Wedgwood Gilt-bronze-mounted Tricolor Jasper Dip Vase and Cover, England, 19th century, bronze finial, female mask handles, rim, socle and foot rim to a light blue ground with oval lilac medallions having applied white classical figures in relief and bordered with fruiting grapevine festoon and foliate borders, no visible mark, ht. 11 in. 269 Four Wedgwood Light Blue Jasper Plaques, England, 19th century, each with applied white classical figures, two rectangular, 2 3/4 x 6 1/2, 4 1/2 x 6; and two ovals set in gilt metal frames, lg. 5 1/2 and 6 in.; impressed marks. 270 Six Wedgwood Solid Light Blue Jasper Place Card Holders, England, early 20th century, each with applied white classical figures in relief and set in sterling silver stands, ht. 1 1/2 in. $ Three Wedgwood Solid Light Blue Jasper Roundels, England, 19th century, each with applied white classical relief including Cupid stringing his bow, dia. 6; a maiden mourning by a tomb; and another with maiden mourning at a suit of armor, dia. 5 in.; impressed marks. 272 Pair of Wedgwood Solid Light Blue Jasper Plaques, England, 19th century, each of rectangular shape and with applied white classical Dancing Hours figures in relief below a band of floral festoons and trophy drops, impressed marks, sight size 5 1/2 x 17 5/8 in.; mounted in modern frames. $3,000-5, Pair of Wedgwood Solid Light Blue Jaspermounted Brass Table Screens, England, late 19th century, each rectangular form with applied white classical maiden in relief within a running floral border, impressed mark, overall ht. 8 3/4 in. 46 Additional information and photos at

49 Pair of Wedgwood Solid Light Blue Jaspermounted Two-light Wall Sconces, England, late 19th/early 20th century, each oval plaque with applied white classical Muse in relief, and with modern drop pendants, ht. 9 1/2 in. 275 Pair of Wedgwood Light Blue Jaspermounted Two-light Brass Table Sconces, England, early 20th century, each oval plaque with applied white Dancing Hours figure in relief, approx. plaque lg. 3 3/4 in. 276 Wedgwood Solid Light Blue Jasper Plaque, England, early 20th century, oval shape with applied white relief depiction of a classical maiden holding a basket of flowers above a scrolled foliate motif, impressed mark, sight size 7 3/4 x 11 1/2 in.; mounted in a modern frame. $ Wedgwood Light Blue Jasper Dip Vase and Lid, England, early 20th century, applied white classical figures in relief bordered with bands of flowers and fruiting grapevines, impressed mark, ht. 9 3/4 in. 278 Wedgwood Bert Bentley Light Blue Jasper Plaque, England, c. 1925, rectangular form with applied white relief classical depiction of the Triumph of Bacchus and Ariadne, impressed mark and BB1434, sight size 10 x 26 3/4 in.; mounted in a modern frame. $2,500-3, Pair of Wedgwood Jasper and Gilt-bronze Girandoles, England, late 20th century, the cut glass candle nozzles mounted atop a seven-arm floriform drip cup, each mounted with faceted prism drops, and set on light blue jasper drum bases with applied white classical figures in relief, ht. 13 1/8 in. $1,200-1, Wedgwood Solid Light Blue Jasper Plaque, England, 1967, rectangular shape with applied white classical relief depiction of Hercules in the Garden of Hesperides, impressed mark, 6 x 16 in.; mounted in a modern frame. 281 Nine Assorted Wedgwood Medallions, England, 18th to 20th century, four oval: a lilac jasper dip with applied white classical relief, lg. 2 1/2, and three black basalt portraits, Cleopatra, Maximinus I, lg. 2, and Boerhaave, lg. 3 1/2; a rectangular green jasper dip with applied white relief Seasons, lg. 3; and four round jasper medallions with white classical figures: a dark blue wash over a solid blue, dia. 2, a solid light blue, dia. 1 3/4, a polished edge dark blue wash over a solid blue with pierced floret border, dia. 1 1/4, and a tricolor with lilac center bordered with dark blue, dia. 2 1/4 in.; impressed marks. 282 Three Assorted Wedgwood Jasper Plaques, England, 19th century, each with applied white classical relief, an oval dark blue with figures from Bacchanalian Triumph, lg. 8; and two round, a green with figures of Bacchanalian boys, dia. 4 3/8; and a pale blue with Venus and Cupid, dia. 3 5/8 in. 283 Pair of Gilt-bronze-mounted Dark Blue Jasper Drum Bases, England, early 19th century, cylindrical shapes with applied white classical figures in relief, overall ht. 6 1/2 in. 284 Large Wedgwood Dark Blue Jasper Dip Vase, England, 19th century, tapering sides with flaring foot, applied white classical figures from Bacchanalian Triumph centering bands of flowers and fruiting grapevines, impressed mark, ht. 12 in. 285 Framed Group of Wedgwood Blue Jasper Dip Medallions/Buttons, England, late 18th/ early 19th century, each with applied white foliate and floral relief, including thirty small buttons, dia. 3/8; and three medallions, dia. 1 in.; set in a modern frame. Online bidding at 47

50 286 Wedgwood Dark Blue Jasper Dip Vase and Drum Base, England, late 19th century, each with applied white classical relief, the two-handled vase with trophy drops to neck above classical Muses within foliate frames, ht. 14 5/8; the base with fruiting grapevine festoons terminating at lion masks with ribbons below a palmette border and with laurel and berries surrounding foot, ht. 9 1/2 in.; impressed marks. 287 Wedgwood Dark Blue Jasper Dip Hanging Lamp, England, late 19th century, electrified, amphora shape with applied white classical relief depiction of cherubs bordered with tall grass and florets, set in a scroll three-arm stand, approximate overall ht. 34 in. 288 Pair of Wedgwood Dark Blue Jasper Dip Oil Lamps, England, late 19th century, electrified, each amphora shape with applied white relief classical depictions from the myth of Peleus and Thetis, impressed marks, mounted with brass stands and caps and with frosted chimneys and etched glass globes, jasper ht. 8 3/4, overall ht. to top of globes 20 3/4 in. $1,200-1, Wedgwood Dark Blue Jasper Dip Plaque, England, early 20th century, rectangular shape with applied white classical putti depicted as the four seasons, impressed mark, 6 x 18 1/8 in.; mounted in a modern frame Wedgwood Dark Blue Jasper Dip Vase, England, c. 1900, upturned loop handles, applied white relief including trophies to neck above a laurel and berry band and acanthus leaves to handles, classical figures over foliate borders to lower body, socle and plinth, impressed mark, ht. 16 3/4 in. $ Additional information and photos at

51 Pair of Wedgwood Dark Blue Jasper Dip-mounted Crystal Girandoles, England, early 19th century, each cylindrical drum with applied white classical Muses in relief within foliate frames, mounted within faceted glass topped by single candle nozzles and with prism drops, ht. 14 in. $ Adams Dark Blue Jasper Dip Vase and Cover, England, c. 1900, applied white relief, foliate borders to architecturally framed classical figures depicting the four seasons, impressed mark, ht. 10 1/2 in. 293 Two Wedgwood Dark Blue Jasper Jugs, England, 19th century, each with applied white classical figures in relief, a molded stoneware club jug with Bacchanalian boys, ht. 7 1/2; and a bottle-shape with cherubs from Sacrifice to Hymen, ht. 9 in.; impressed marks. 294 Wedgwood Dark Blue Jasper Dip Dolphin Incense Burner and Cover, England, 19th century, openwork lattice cover with applied white foliate borders, the bowl with shell and foliate festoons terminating at applied buttons, all set on the tails of three dolphins mounted on a triangular base with running laurel and berries to foot, impressed mark, ht. 5 1/4 in. $ Four Wedgwood Jasper Oval Portrait Medallions, England, 18th to 20th century, each with applied white relief, a dark blue dip of William Eden, lg. 4; a self-framed Bert Bentley solid black with depiction of Duc de Sully, BB917, lg. 5; a black dip with young Flaxman, lg. 3 1/2; and a solid light blue with Josiah Wedgwood, inscription on the reverse Josiah Wedgwood FRS Bicentenary , set in a metal frame, lg. 5 3/4 in.; impressed marks. $ Wedgwood Black Jasper Dip Plaque, England, 19th century, rectangular shape with applied white classical depiction of Psyche Bound to a Tree, impressed mark, 4 x 8 3/4 in. Online bidding at 49

52 Pair of Wedgwood Black Jasper Dip Barber Bottles, England, 19th century, applied white classical relief with floral festoons terminating at ram s heads to neck above Bacchus heads mounted among running laurel to shoulders, each side with a framed classical medallion bordered with fruiting grapevine festoons above foliate borders, impressed marks, ht. 11 1/8 in. $1,200-1, Wedgwood Black Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap beneath the base, impressed mark, ht. 10 1/8 in. $1,500-2, Wedgwood Black Jasper Dip Plaque, England, 19th century, rectangular shape with applied white classical figures depicting boys at play, impressed mark, 3 3/4 x 8 3/4 in.; set in an ebonized wood frame. $ Additional information and photos at

53 300 Wedgwood Black Jasper Dip Plaque, England, late 19th century, rectangular shape with applied white classical relief depiction of Hercules in the Garden of Hesperides, impressed mark, approx. 6 x 18 in.; mounted in a modern frame. $1,200-1, Wedgwood Black Jasper Dip Plaque, England, early 19th century, rectangular shape with applied white classical depiction of Achilles in Scyros Among the Daughters of Lycomedes, impressed mark, sight size 6 1/4 x 15 1/4 in. $2,000-3, Wedgwood Black Jasper Dip Blind Man s Bluff Plaque, England, 19th century, rectangular shape with applied white figural relief, impressed mark, sight size approx. 3 3/4 x 11 1/4 in. 303 Wedgwood Solid Black Jasper Thomas Lovatt Portland Vase, England, c. 1880, applied white classical figures in relief and with a man wearing a Phrygian cap under the base, impressed mark and TL, ht. 10 in. $3,000-5, Three Wedgwood Black Jasper Dip Candlesticks, England, c. 1895, each cylindrical form with applied white classical figures in relief, a band of arabesque flowers surrounding the base, impressed marks, ht. 10 in. 305 Wedgwood Black Jasper Dip Vase, England, 19th century, applied white classical relief with Bacchanalian boys beneath drapery swags terminating at urn topped columns, impressed mark, ht. 14 in. 306 Wedgwood Black Jasper Dip Bough Pot and Cover, England, late 18th century, square form with flat pierced disc cover, applied white relief with each side having a classical cherub depicted as a season beneath a treed arch, mounted atop a flaring and fluted base set on four raised feet, impressed mark, ht. 8 1/2 in. Provenance: Kadison collection. $1,500-2,

54 Wedgwood Black Jasper Dip Plaque, England, 19th century, rectangular shape with applied white classical depictions of boys at play, impressed mark, sight size 3 3/4 x 8 3/8 in.; set in a modern frame. $ Wedgwood Black Jasper Dip Apotheosis of Homer Vase and Cover, England, 19th century, applied white relief, the cover with Pegasus finial, the vase having Medusa mask and snake handles, classical figures and borders of anthemion and stylized foliage, set on a raised octagonal plinth with griffin figures at each foot and scrolled foliage and panels of classical figures, impressed mark, ht. 24 1/2 in. $4,000-6, Three Wedgwood Black Jasper Dip Items, England, 19th century, each with applied white classical figures in relief, a tall jug with fruiting grapevine border, ht. 7 1/2; and a pair of cylindrical spill vases with arabesque floral border, ht. 4 in.; impressed marks. $ Pair of Wedgwood Black Jasper Dip Candlesticks, England, c. 1900, cylindrical shape with applied white classical figures in relief, the foot with a band of arabesque flowers, impressed marks, ht. 10 in. 311 Wedgwood John Northwood Edition Portland Vase, England, c. 1877, solid black ground with applied and shaded white classical figures in relief, a man wearing a Phrygian cap under the base, inscribed monogram JN and impressed mark, ht. 10 1/2 in. $4,000-6, Wedgwood Solid Black Jasper Mantle Plaque, England, 19th century, rectangular form with applied white classical scrolled arabesque foliage flanking a central sacrificial urn atop a coiled snake, impressed mark, sight size 4 3/4 x 11 3/4 in.; mounted in a modern frame. 52 Additional information and photos at

55 Wedgwood Green Jasper Dip Plaque, England, 19th century, rectangular shape with applied white relief depiction of Priam Begging the Body of Hector from Achilles, impressed mark, sight size 4 3/8 x 10 in. $ Four Wedgwood Green Jasper Dip Plaques, England, 19th century, each oval with applied classical maiden set within a foliate frame, impressed marks, lg. 9 3/4 in.; mounted together in a modern frame. 317 Silver-plated Portland Vase, England, c. 1900, typical classical figures in relief, a man wearing a Phrygian cap under the base, ht. 9 1/8 in. 314 Pair of Wedgwood Green Jasper Dip Wall Sconces, England, 19th and 20th century, each circular plaque with applied white classical cherub in relief, sight size 3 1/2; mounted in a later brass two-light sconce, electrified, overall lg. 13 in. 316 Wedgwood Green Earthenware Portland Vase, England, 19th century, molded body with classical figures in relief, a man wearing a Phrygian cap under the base, impressed mark, ht. 10 5/8 in. 318 Wedgwood Green Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap under the base, impressed mark, ht. 10 1/2 in. Online bidding at 53

56 Wedgwood Green Jasper Dip Plaque, England, 19th century, rectangular form with applied white classical putti depicted as the four seasons, impressed mark, 6 1/4 x 18 3/4 in.; mounted in a modern frame. $ Wedgwood Green Jasper Dip Plaque, England, 19th century, rectangular shape with applied white relief classical depiction of The Choice of Hercules, impressed mark, 5 3/4 x 18 in.; mounted in a modern frame. 321 Wedgwood Solid Green Jasper Plaque, England, second half 19th century, rectangular form with applied white relief depiction of The Ages of Man, designed by Charles Toft after the original by Walter Crane, impressed mark, sight size 9 3/8 x 24 5/8 in.; mounted in a modern frame. $3,000-5, Wedgwood Green Jasper Dip Plaque, England, 19th century, rectangular shape with applied white relief depiction of The Ages of Man, impressed mark, sight size 9 1/2 x 24 3/4 in.; set in a modern giltwood frame. $2,000-3, Wedgwood Green Jasper Dip Sacrifice to Bacchus Plaque, England, 19th century, rectangular form with applied white classical figures in relief, impressed mark, sight size 7 1/4 x 17 1/4 in.; mounted in a modern frame. $1,500-2, Pair of Modern Three-light Brass Sconces with Wedgwood Lilac Medallions, England, 19th and 20th century, each with an oval and round medallion with applied white classical relief, approx. dia. 1 1/4, lg. 2 1/4 in. $ Additional information and photos at

57 Wedgwood Lilac Jasper Dip Plaque, England, early 20th century, rectangular shape with applied white classical relief figures from A Sacrifice to Love, impressed mark, 9 x 23 in. 326 Pair of Wedgwood Lilac Jasper Dip Vases and Covers, England, early 19th century, scrolled foliate handles, applied white classical figure in relief centering foliate and arabesque floral borders, impressed marks, ht. 8 1/2 in. $ Gilt-bronze-mounted Tricolor Jasper Drum Base Candleholder, England, early 19th century, the drum with dark blue ground center bordered with green and decorated with applied white classical figure groups within scrolled foliate frames, unmarked, ht. 9 3/4 in. 328 Pair of Wedgwood Tricolor Jasper Dip Plaques, England, 19th century, rectangular shapes with black ground bordered with green, applied white classical figures centering laurel and berry borders, impressed marks, sight size 2 3/4 x 6 3/4 in.; set in a modern frame. $ Wedgwood Tricolor Jasper Dip Vase and Cover, England, late 19th century, engineturned black center bordered with yellow, applied white foliate borders and with central ribbon festoons, impressed mark, ht. 12 in. 330 Wedgwood Tricolor Jasper Dip Vase, England, 19th century, green ground with oval lilac medallions, applied white classical relief including a ribbon and vine border, lion mask and ring columns with paw feet, figural groups and floral festoons, impressed mark, ht. 6 5/8 in. $ Wedgwood Tricolor Jasper Dip Vase and Cover, England, c. 1900, applied white classical medallions, floral festoons terminating at ram s heads and foliate borders to a central lilac ground with wide light blue borders, impressed mark, ht. 8 3/8 in. Provenance: Weitzen collection. $1,200-1, Wedgwood Four Color Jasper Dip Vase and Cover, England, 19th century, blue center with lilac medallions bordered in green, applied white relief with goat head handles, ribbon and vine border, classical figures and floral festoons, all above foliate borders, impressed marks, ht. 11 1/8 in. $ Wedgwood Tricolor Jasper Dip Vase, England, 19th century, lilac ground with oval green medallions, applied white classical relief including foliate borders, a ribbon and vine band, lion mask and ring topped columns with paw feet, figural groups and floral festoons, impressed mark, ht. 5 1/4 in. 334 Tricolor Jasper Dip Potpourri Vase and Cover, England, late 19th century, attributed to Adams & Bromley, dark blue ground with lilac medallions and applied white fruiting grapevine festoons, foliate borders and classical figures, unmarked, ht. 11 3/4 in. 335 Turner Tricolor Jasper Dip Buckle, England, late 18th century, arched rectangular shape with oval yellow medallion to a blue ground, applied white classical figures within a beaded frame bordered with foliage, no visible mark, 2 x 2 7/8 in.; set in a modern frame. 336 Three Wedgwood Tricolor Jasper Dip Jars, England, late 19th century, each with silver-plated rim, handle, and cover, and each with applied white relief, two biscuit jars with classical figures: a green ground with lilac border, ht. 5 1/4, and a dark blue ground with light blue border, ht. 5 1/8; and a candy jar with black center bordered with yellow, foliate band over floral festoons terminating at ram s heads, ht. 2 3/4 in.; impressed marks. Online bidding at 55

58 Wedgwood Tricolor Jasper Dip Blind Man s Bluff Plaque, England, 19th century, rectangular shape with green ground center bordered in a mustard yellow and with applied white classical figures within a running laurel and berry frame, impressed mark, sight size 5 3/4 x 17 3/4 in.; set in a modern frame. $1,200-1, Wedgwood Tricolor Jasper Dip Dancing Hours Plaque, England, 19th century, rectangular shape with green border to a dark blue center, applied white classical figures centering a running laurel and berry frame, impressed mark, sight size 6 5/8 x 19 3/8 in.; mounted in a modern frame. 341 Wedgwood Tricolor Jasper Dip Pilgrim Vase, England, 19th century, flat circular form with rectangular mouth, green dip with lilac medallions and applied white relief of a fan motif above a necklace of portraits, an octagonal medallion with classical figures and prunus branches, impressed mark, ht. 5 3/4 in. 338 Wedgwood Tricolor Jasper Dip Plaque, England, 19th century, rectangular shape with black ground center bordered in yellow and with applied white relief classical depiction of Achilles Dragging the Body of Hector Around the Walls of Troy, impressed mark, sight size 7 1/4 x 20 in.; set in a modern frame. $1,500-2, Wedgwood Tricolor Jasper Dip Vase and Cover, England, 19th century, green ground with yellow foliage, applied white classical relief with Bacchus head handles, foliate borders and Dancing Hours figures, impressed mark, ht. 8 7/8 in. $ Wedgwood Tricolor Jasper Dip Plaque, England, 19th century, rectangular shape with green border to a light blue center decorated with applied white classical Muses within a running laurel and berry frame, impressed mark, sight size 3 1/2 x 10 1/4 in.; mounted in a modern frame. $ Additional information and photos at

59 Wedgwood Tricolor Jasper Dip Vase and Cover, England, late 19th century, applied white classical relief with foliate borders to a central lilac ground with wide light blue bands, impressed mark, ht. 8 3/4 in. 344 Wedgwood Four-color Jasper Dip Barber Bottle and Cover, England, late 19th century, dark blue center with lilac medallions bordered in green, applied white relief with floral festoons terminating at ram s heads to neck, Bacchus heads and a wide foliate band to shoulder, classical figure groups and fruiting grapevine festoons, impressed mark, ht. 10 1/2 in. 345 Wedgwood Tricolor Jasper Dip Vase and Cover, England, early 19th century, light blue center bordered with light green, applied white classical relief with foliate and gadroon borders surrounding a central frieze with Muses, impressed marks, ht. 12 3/8 in. 346 Wedgwood Tricolor Jasper Dip Barber Bottle and Cover, England, c. 1866, lilac ground with green medallions, applied white classical relief including floral festoons terminating at ram s heads to neck, Bacchus head to a wide foliate border at shoulder, figural groups and fruiting grapevine festoons, all atop foliate borders, impressed marks, ht. 10 1/4 in. $ Three Wedgwood Tricolor Jasper Items, England, late 19th/early 20th century, each white ground with relief in lilac and green, a tapered form with columnar framed medallions above floral festoons, ht. 5 1/8; and two varying oval shapes with classical medallions within floral festoons terminating at ram s heads, ht. 5 3/4, 7 in.; impressed marks. 349 Wedgwood Tricolor Jasper Dip Plaque, England, 19th century, rectangular shape with green border to a lilac center decorated with applied white classical figures within a running laurel and berry frame, 4 x 9 3/4 in.; mounted in a modern frame. 347 Wedgwood Tricolor Jasper Dip Vase and Cover, England, c. 1900, applied white relief and Bacchus head handles, central dark blue ground band with Dancing Hours bordered with foliage to a green ground, impressed mark, ht. 9 3/4 in. $1,200-1,800 Online bidding at 57

60 Wedgwood Tricolor Jasper Vase and Cover, England, c. 1900, white ground with white, lilac and green applied classical relief, oval figural medallions centering floral festoons terminating at ram s heads and with foliate borders, impressed mark, ht. 8 1/2 in. $ Large Wedgwood Tricolor Jasper Bowl, England, early 20th century, solid white ground with applied green and lilac acanthus leaves and bellflowers, impressed mark, dia. 12 1/2 in. $ Wedgwood Tricolor Jasper Dancing Hours Vase and Cover, England, c. 1900, Bacchus mask handles, white ground with lilac and green applied classical figures in relief and with foliate borders, impressed mark, ht. 8 3/8 in. $ Three Wedgwood Oval Medallions, England, 20th century, a pair of self-framed tricolor jasper Bert Bentley medallions in sold light blue with black frame and white relief depictions of Marriage of Cupid and Psyche and Sacrifice to Hymen, lg. 4 1/4; and a black basalt portrait of Josiah Wedgwood, lg. 4 in.; mounted together in a modern frame. 354 Pair of Wedgwood Tricolor Jasper Vases and Covers, England, early 20th century, white ground with applied lilac, white and green relief including central classical medallions within a floral festoon and bordered with foliage, impressed marks, ht. 13 5/8 in. $1,200-1, Wedgwood Tricolor Jasper Dip Blind Man s Bluff Plaque, England, 19th century, rectangular shape with green border to a light blue center, applied white classical figures in relief centering a running laurel and berry frame, impressed mark, 5 7/8 x 18 1/8 in.; mounted in a modern frame. $1,500-2, Additional information and photos at

61 Wedgwood Tricolor Jasper Dip Blind Man s Bluff Plaque, England, late 19th century, rectangular shape with green ground center bordered with lilac and with applied white classical figures in relief, impressed mark, sight size 5 1/2 x 11 in.; set in a modern frame. 357 Émile Lessore Decorated Creamware Plaque, England, 1860, rectangular shape with polychrome enameled treed landscape with nude maiden flanked by cherubs, artist signed, sight size 11 1/4 x 15 1/4 in.; mounted in a modern frame. 358 Two Émile Lessore Decorated Earthenware Plaques, England, c. 1860, each rectangular and polychrome enamel decorated, a depiction of a cherub holding a flower, 3 1/2 x 4 3/8; above a barnyard scene with children amused by rabbits, 5 x 6 1/2 in.; each artist signed; mounted together in a modern frame. 357 Online bidding at 59

62 359 Wedgwood Émile Lessore Decorated Queen s Ware Plaque, England, c. 1865, rectangular shape polychrome enameled with partially nude figures of a mother and child in a wooded landscape, artist signed, the reverse inscribed Wedgwood s Etruria, 12 x 16 in.; mounted in a modern frame. $1,500-2, Wedgwood Lessore Decorated Queen s Ware Dish, England, c. 1861, oval shape with compartmented interior and central handle, polychrome enameled with cherubs to each reservoir, artist signed and impressed mark, lg. 7 1/2 in. 361 Wedgwood Queen s Ware Émile Lessore Decorated Dish, England, c. 1862, polychrome enamel decorated diamond shape with three nude figures in a treed landscape, artist signed and impressed mark, lg. 11 1/2 in Wedgwood Queen s Ware Émile Lessore Decorated Compote, England, c. 1864, polychrome enamel decoration depiction from the Aesop s fable Discretion Is the Better Part of Valour, the dish underside with insects and flowers, all mounted atop a scrolled foliate tripod base, artist signed and impressed mark, dia. 9 1/8 in Additional information and photos at

63 363 Wedgwood Émile Lessore Decorated Queen s Ware Vase, England, c. 1863, gilded and coiled snake-like handles above satyr masks to an amphora shape polychrome enamel decorated with classical figural landscapes to either side, one depicting a nymph and cherub, the reverse with nymph and two cherubs, artist signed, impressed mark, ht. 12 in. 364 Wedgwood Émile Lessore Decorated Queen s Ware Arrowsheath Vase, England, c. 1873, polychrome enamel decorated and modeled as a quiver with feather border above four paneled sides, each with a figure, possibly depicting the ages of man, artist signed and impressed mark, ht. 6 1/8 in. 365 Wedgwood Émile Lessore Decorated Queen s Ware Vase, England, c. 1862, enamel decorated with scrolled snake and vine framed cartouches, children in a treed landscape to one side, the reverse with a village gathering, artist signed and impressed mark, ht. 10 1/2 in. 367 Provenance: Weitzen collection. $1,200-1, Two Wedgwood Émile Lessore Decorated Queen s Ware Plates, England, c. 1863, each polychrome enamel decorated, one with depiction of a mother and child in a farmyard landscape with chickens, the other of two young girls with a cat, artist signed and impressed marks, dia. 9 1/8 in. 367 Émile Lessore (French, ) Woodland Idyll Signed Émile Lessore l.r. Watercolor on paper/board, sight size 14 x 20 3/8 in. (35.3 x 52.0 cm), framed. Condition: Small surface losses to c.r., not examined out of frame. $1,200-1, Émile Lessore (French, ) Adoration of the Shepherds Signed Émile Lessore l.r. Watercolor on paper/board, sight size 13 1/2 x 18 1/4 in. (34.0 x 46.5 cm), framed. Condition: Not examined out of frame. Online bidding at 61

64 Wedgwood Émile Lessore Decorated Queen s Ware Footed Charger, England, c. 1861, polychrome enameled religious scene after Titian, inscribed Titienne and artist signature, impressed mark, dia. 15 in. 370 Wedgwood Pearlware Parapet-shaped Teapot and Cover, England, c. 1795, bulbous form polychrome enamel decorated with a figural cartouche to one side, floral framed cartouche to the reverse with central monogram, ht. 5 in. Literature: Similar illustrated in Wedgwood, by R. Reilly, volume I, p Émile Lessore Polychrome Enamel Decorated Earthenware Charger, England, c. 1860, edge-to-edge treed landscape with classical man, woman and putti, hounds by their side, artist signed, dia. 19 1/2 in. 373 Émile Lessore Decorated Earthenware Charger, England, c. 1860, attributed to Minton, wide border with cartouches of birds between fruits and vegetables, central decoration of a reclining woman surrounded by cherubs and children, artist monogram, dia. 25 in. Provenance: Zeitlin collection. $3,000-5, Émile Lessore Decorated Earthenware Plaque, England, c. 1860, rectangular shape polychrome enamel decorated treed landscape with several children surrounding a maiden holding a basket of apples, artist signed, 12 x 16 in.; mounted in a modern frame. 376 Émile Lessore Decorated Earthenware Plaque, England, c. 1860, rectangular form polychrome enamel decorated treed landscape with numerous figures by a fountain and bridge, artist signed, sight size 7 x 8 1/4 in.; mounted in a modern frame. $ Wedgwood Hand-painted Oval Queen s Ware Dish, England, c. 1875, powdered black border with gilded rim, polychrome enameled coastal landscape with depiction of an angel playing a violin to an old woman, impressed mark, lg. 13 1/2 in. 374 Émile Lessore Decorated Earthenware Plaque, England, c. 1860, rectangular shape polychrome enameled depiction of maidens bathing by a fountain, artist signed, approx. 13 x 16 1/2 in.; mounted in a modern frame. $1,500-2, Wedgwood Émile Lessore Decorated Queen s Ware Plaque, England, c. 1860, rectangular form with polychrome enameled depiction of a classical nude maiden leaning on a globe flanked by two children and with a ribbon below inscribed Omnia Vanitas, artist signed and painted Wedgwood Etruria marks, 11 3/4 x 16 in.; mounted in a modern frame. $1,500-2, Additional information and photos at

65 Online bidding at 63

66 Emile Lessore Decorated Double-sided Earthenware Plaque, England, c. 1860, rectangular form polychrome enamel decorated on one side with several children about a table being taught a lesson by a maiden, artist signed; the reverse a landscape with figures and sheep, 9 1/4 x 12 in.; mounted in a modern frame. $1,200-1, Wedgwood Emile Lessore Decorated Plaque, England, c. 1875, rectangular shape with polychrome enamel decoration depicting several partially draped nymphs bathing in a landscape setting, after Boucher, artist signed and impressed mark, 12 x 16 in.; mounted in a modern giltwood frame. $1,500-2, Additional information and photos at

67 Émile Lessore (French, ) Children at Play in a Courtyard Signed É Lessore l.r. Watercolor on paper/board, sight size 13 1/4 x 9 1/2 in. (33.5 x 24.5 cm), framed. Condition: Not examined out of frame. 381 Pair of Wedgwood Creamware Bottleshaped Jugs, England, c. 1885, each with polychrome enameled and gilt flowers and foliage to a pale yellow ground, impressed marks, ht. 9 3/4 in. $ Wedgwood Purple Ground Queen s Ware Vase, England, c. 1885, decorated with raised gold foliage and enameled flowers, printed mark, ht. 10 3/4 in. 383 Furnival Lustre Portland Vase Designed Jug, England, c. 1865, a lustrous orange decorated classical figures transfer printed in brown to a green ground, ht. 13 3/8 in. $ Samuel Alcock Portland-type Vase, England, mid-19th century, black printed to a white body, pale orange decorated classical figures to a black ground, a man wearing a Phrygian cap beneath the base, S.A. & Co. factory mark, ht. 10 1/4 in. $ Eighteen Assorted Wedgwood Ivanhoe Series Plates, England, c. 1881, designed by Thomas Allen, each transfer printed in a variety of subjects and using a variety of colored glazes, impressed marks, dia. 10 1/4 in. 386 Two Wedgwood Thomas Allen Design Queen s Ware Wicker Pitchers, England, c , each hexagonal shape with cross-hatch border and transfer prints with alternating sunflowers and various figures, a blue decorated, ht. 7; and a blue transfer decorated with alternating polychrome sunflowers, ht. 7 7/8 in.; impressed marks. $ Parian Venus and Adonis Group, England, c. 1870, depicting two classical figures modeled arm-in-arm, ht. 19 in. 388 Wedgwood Carrara Figure of Poor Maria, England, c. 1855, modeled by E. Keys as a woman seated with dog by her side, impressed mark, ht. 12 3/4 in. Online bidding at 65

68 Wedgwood Carrara Bust of Mercury, England, c. 1860, modeled wearing a winged helmet and mounted atop a waisted circular socle, impressed mark, ht. 18 in Adams & Co. Parian Bust of Richard Cobden, England, c. 1865, mounted atop a waisted circular socle, inscribed title, factory mark, E.W. Wyon F., and Published by John Stark Etruria, ht. 16 1/2 in. 391 Wedgwood Lustre Decorated Dolphin Incense Burner, England, 1805, iron red and brown arabesque floral band trimming bowl supported on three purple lustre decorated dolphin feet mounted atop a triangular base, inscribed under the base Josiah Wedgwood 2d February 1805 and impressed mark, ht. 4 1/4 in. Provenance: Born collection. $ Gelatin Silver Print with Portland Vase, England, 20th century, the vase being held by a gentleman in what appears to be a vaulted area, titled inscription below The Portland Vase Arrives for Sale. Under a strong guard the historic Portland vase which has been on loan to the British Museum for fifty years during which it was smashed to pieces by a crazy workman and afterwards repaired, was taken this morning April 17th., to realize many thousands of pounds. The picture shows the Vase being unpacked in the vaults at Christie s, image size 6 1/4 x 8 1/4 in.; mounted in a modern frame. $ Wedgwood Impasto Earthenware Plaque, England, 1886, by S. Bateman, rectangular form polychrome enamel decorated with treed landscape, house and watermill, artist monogram, impressed mark, and inscribed on the reverse S. Bateman 1886, 5 7/8 x 11 3/4 in. $1,200-1, Additional information and photos at

69 Extensive Assembled Wedgwood Transfer Printed Ivanhoe Service, England, c. 1881, after designs by Thomas Allen, each in shades of dark turquoise and including a covered soup tureen with stand and ladle, handle to handle lg. 13; two crescent-shaped bone dishes; large covered sugar bowl, ht. 6 3/4; tall compote, ht. 4 3/4; two rectangular shaped covered vegetable dishes, lg. 11 1/4; gravy boat and stand; oval fish platter, lg. 18 1/2; four oval serving platters, lg. 10 3/4, 12 3/4, (2) 18 3/4; two oval serving bowls, lg. 8 5/8, 9 3/4; two rectangular serving bowls, lg. 9 3/4; six soup plates, dia. 8 1/4; six soup plates, dia. 9; six shallow side dishes/bowls, dia. 5 1/8; eight plates, dia. 8 1/8; six plates, dia. 9 1/8; eight plates, dia. 10 in.; impressed marks. $ Copeland Parian Figure of Maidenhood, England, c. 1865, modeling as a standing classical figure on a raised circular plinth, impressed title, factory mark and Edgar Papworth SC Pub March 1864, ht. 21 1/4 in. $ Parian Porcelain Portland-type Vase, England, late 19th century, molded body with classical figures in relief, the base with a man wearing a Phrygian cap, ht. 10 1/4 in. 397 Pair of Wedgwood Victoria Ware Vases, England, c. 1880, each with gilded trim and Bacchus head handles, dark teal blue and rust ground with white Dancing Hours figures bordered by foliage, impressed marks, ht. 6 3/4 in. 398 Wedgwood Victoria Ware Vase and Cover, England, c. 1880, white relief to a deep teal and rust accented in gold, foliate and sunflower decorated cover to a removable rim with handles set on a cup form with zodiac border over classical medallions and floral festoons, impressed mark, ht. 11 1/4 in. 399 Wedgwood Gilded and Bronzed Queen s Ware Vase and Cover, late 19th century, urn finial to a disc cover, upturned loop handles to an ovoid shape with diaper ground and relief of trophies within floral festoons terminating at ram s heads, various foliate borders, retailed by Bailey, Banks & Biddle, Philadelphia, impressed mark, ht. 8 5/8 in. $ Pair of Wedgwood Gilded and Bronzed Queen s Ware Vases and Covers, England, 19th century, each with diapered ground and trophies within fruiting festoons terminating at ram s heads in relief, various foliate borders, ht. 13 1/2 in. $ Online bidding at 67

70 Large Thomas Allen Decorated Wall Plaque, England, 1894, attributed to Wedgwood, polychrome enamel decorated to a rectangular creamware body with depiction of a winged warrior backed by numerous angelic figures shown defeating another warrior, a broken sword by his feet, possibly an allegorical group of Saint Michael defeating Lucifer, inscribed artist signature and date, sight size 19 1/2 x 31 1/4 in.; mounted in a giltwood frame. $3,000-5, Pair of Wedgwood Bone China Imari Pattern Vases, England, c. 1880, heavily gilded with red and blue enamels, ring handles with foliate terminals, floral and scrolled foliate decoration, printed marks, ht. 9 1/2 in. 403 Drabware Portland-type Vase, England, c. 1880, applied white classical figures in relief, ht. 8 3/8 in. 404 Pair of Wedgwood Thomas Allen Decorated Earthenware Plaques, England, c. 1880, each rectangular shaped polychrome enamel decorated, one depicting a lad holding a small child on his shoulders; the other a lass holding a small girl up to reach for fruit hanging from a tree branch, impressed mark, approx. 6 x 16 in.; mounted in modern frames. $ Pair of Wedgwood Cobalt Glazed Wine and Water Ewers, England, c. 1868, each with gilded highlights, the water ewer with Triton seated on the shoulder and holding horns of a marine monster below the spout, botanical festoons to either side; the wine ewer with Bacchus seated on the shoulder and holding the horns of a ram s head below the spout, fruiting grapevine festoons to either side, impressed marks, ht. 16 1/2 in. 406 Wedgwood Majolica Shell Compote, England, c. 1866, the nautilus shell molded bowl with mottled glazes, set atop the entwined tails of two dolphins mounted on a raised base with fluted trim, impressed mark, ht. 16 3/8 in. Literature: Illustrated in Wedgwood, by R. Reilly, volume II, C37. $ Four Wedgwood Majolica Dessert Dishes, England, c , each similarly molded with pierced gallery and mottled centers, including three plates, dia. 8 3/4; compote with plate mounted atop the entwined tails of three dolphins set on a triangular base, ht. 7 1/8 in.; impressed marks. 408 Four Wedgwood Majolica Items, England, c , each polychrome enameled, a figural vase with basketwoven form by a seated classical child, ht. 6 3/4; a Limoges Tremblay dessert compote set atop a foliate decorated tripod base, ht. 2 7/8; a scallop-rimmed oyster pomerette, dia. 7 3/8; and a dessert plate with pierced gallery, cobalt center with bird, butterfly and flowers, dia. 8 5/8 in.; impressed marks. 409 Wedgwood Majolica Vase, England, c. 1863, teal ground decorated with green, brown, and gray, the foliate adorned handles terminating at goat heads, all seated atop a columnar base with applied laurel wreaths, ht. 31 in. 68 Additional information and photos at

71 Pair of Wedgwood Majolica Plaques, England, c. 1862, rectangular forms with rounded ends, each brown glazed and molded with central figure of a classical maiden, impressed marks, plaque size 5 1/2 x 13 3/4 in.; together in a modern frame. 411 Wedgwood Majolica Umbrella Stand, England, c. 1864, hexagonal shape polychrome enameled, alternating panels of slip decorated flowers to a white ground with molded panels of flowers to a ground of impressed squares, impressed mark, ht. 21 1/2 in. 412 Five Wedgwood Majolica Egyptian Revival Decorated Items, England, c. 1875, each with silver-plated mount by T. Harwood of Birmingham, and in mottled brown, green, and yellow glazes, including a candy dish, ht. 3 1/8; teapot, ht. 8 1/4; open pail, ht. to rim 5 1/2; sugar bowl, finial ht. 5 1/4; and biscuit jar, ht. 7 3/4 in.; impressed marks Online bidding at 69

72 Six Wedgwood Majolica Egyptian Revival Decorated Items, England, c. 1875, each with silver plated mount by T. Harwood of Birmingham, and in mottled brown, green and yellow glazes, including a water pitcher, ht. 9 1/2; a biscuit jar, ht. 7 3/4; and egg stand with four cups, each cup ht. 3 1/2 in.; impressed marks. $ Minton Majolica Footed Jardinière, England, c. 1868, polychrome decorated, the bowl with swags of fruit terminating at lion masks, supported atop a base molded with three partially draped male figures between cornucopia of fruit, impressed mark, ht. 21 in. Literature: Illustrated in MAJOLICA, by Karmison and Stacke, p Wedgwood Argenta Majolica Jardinière, England, 1862, paneled sides alternating with blossoming branches and cells with florets, impressed mark, ht. 16, dia. 14 5/8 in. 416 Wedgwood Majolica Leo with Wreath Jardinière, England, 1862, red, yellow and brown decorated with scalloped rim above alternating lion and maiden heads bordering fruiting festoons, impressed mark, ht. 13 in. 417 Wedgwood Argenta Majolica Jardinière and Pedestal, England, 1891, polychrome enamel decorated and modeled with paneled sides of vases with arabesque floral motifs to a stippled ground, impressed mark, jardinière ht. 17, pedestal ht. 24 1/2 in. 418 Wedgwood Rockingham Brown Glazed Plaque, England, c. 1875, rectangular form with high relief depiction of Death of a Roman Warrior, impressed mark, sight size 10 3/8 x 20 in.; mounted in a modern frame. Provenance: Zeitlin Collection. Literature: WEDGWOOD, by R. Reilly, volume II, plate Wedgwood Green Glazed Bas-relief Plaques, England, c. 1879, four rectangular forms with designs by Charles Toft, each with white relief depictions including figures from Shakespeare s Macbeth, impressed marks, each sight size 3 x 8 5/8 in.; mounted in a modern frame. $ Pair of Rockingham Brown Glazed Plaques, England, c. 1880, each rectangular shape with relief depiction of a cavalier, unmarked, sight size 5 3/4 x 11 3/4 in.; mounted in oak frames. 421 Two Wedgwood Yellow Jasper Dip Etruscan Jugs, England, c. 1900, each with applied white classical figures in relief, impressed marks, ht. 7 3/4, 7 7/8 in. $ Wedgwood Yellow Jasper Dip Portland Vase, England, 19th century, applied white classical figures in relief, a man wearing a Phrygian cap under the base, impressed mark, ht. 10 1/4 in.; together with a similarly painted modern wood stand. $1,500-2, Additional information and photos at

73 Pair of Wedgwood Yellow Jasper Dip Vases, England, c. 1930, each bottle shape with applied black jasper relief with fruiting grapevine festoons terminating at oval sunflower medallions, impressed marks, ht. 5 3/4 in. 424 Three-piece Wedgwood Yellow Jasper Dip Tea Set, England, c. 1930, applied black jasper classical figures in relief, covered teapot, ht. 4 1/2; creamer, ht. 2 1/2; and covered sugar bowl, ht. 4 in.; impressed marks. 425 Wedgwood Crimson Jasper Dip Portland Vase, England, c. 1920, applied white classical figures in relief, impressed mark, ht. 7 1/4 in. 427 Two Wedgwood Yellow Jasper Dip Items, England, c. 1930, each with applied black relief, a jardinière with classical figures within running laurel and berry and acanthus leaf borders, ht. 5 1/4; and a vase with bands of acanthus leaves, fruiting grapevine and alternating acanthus leaves and bellflowers, ht. 8 1/4 in.; impressed marks. 428 Wedgwood Three-piece Crimson Jasper Dip Tea Set, England, c. 1920, each with applied white classical figures in relief, including a covered teapot, ht. 4 5/8; covered sugar bowl, ht. 4 1/2; and creamer, ht. 2 3/4 in.; impressed marks. $ Wedgwood Queen s Ware Peace Plaque, England, c. 1919, polychrome enamel decorated with a French inscription Honi Soit Qui Mal Y Pense surrounding a portrait of Britannia, impressed and printed mark, dia. 15 in.; mounted in a modern frame. Note: Manufactured by Wedgwood for Soane & Smith of Oxford Street, London, in a limited edition of 250 sets. 426 Two Wedgwood Yellow Jasper Dip Items, England, c. 1930, each with applied black jasper relief, a trumpet-shaped vase with leaf and berry relief, an engine-turned lower body revealing a white ground, ht. 6 3/4; and a bulbous pitcher with classical figures below a floral festoon border, ht. 5 in.; impressed marks. 429 Online bidding at 71

74 Five Wedgwood Daisy Makeig-Jones Designed Queen s Ware Plates, England, c , each polychrome enamel decorated to black transfer prints, a Silenus design, dia. 8 1/4; a Celtic design, dia. 5 3/4; a Golliwog design soup plate, dia. 8 1/4; a Cobble and Zoo design, dia. 8 1/4; and a plate with blue printed diapered ground surrounding a central cartouche with castle on a road, dia. 7 in.; impressed and printed marks Wedgwood Queen s Ware Peace Plaque, England, c. 1919, polychrome enamel decorated with Latin verse surrounding a portrait head of Bellona, Goddess of War flanked by inscribed ribbons 1919 Peace, impressed and printed mark, dia. 17 in.; mounted in a modern frame. Note: Manufactured by Wedgwood for Soane & Smith of Oxford Street, London, in a limited edition of 250 sets. 431 Wedgwood Queen s Ware Peace Plaque, England, c. 1919, polychrome enamel decorated with inscription Liberté, Egalité, Fraternité surrounding a portrait of France, impressed and printed mark, dia. 15 in.; mounted in a modern frame. Note: Manufactured by Wedgwood for Soane & Smith of Oxford Street, London, in a limited edition of 250 sets. 433 Three Wedgwood Celtic Ornaments Decorated Bone China Items, England, c. 1920, designed by Daisy Makeig-Jones, polychrome enamel decorated including a teacup and saucer; coffee can and saucer; plate, dia. 7 in.; printed marks. $ Nine Wedgwood Daisy Makeig-Jones Design Queen s Ware Items, England, c each polychrome decorated transfers including a Golliwog teacup and saucer; two Hunting items: a teacup and saucer, plate dia. 7; and six Brownie items: four plates, dia. 3 1/2; teacup and saucer; and covered tureen with stand, ht. 2 5/8 in.; printed and impressed marks. 72 Additional information and photos at

75 partial Wedgwood Fairyland Lustre Lily Tray, England, c. 1920, shape 2483, the interior with pattern Z4968 Fairy Gondola to a daylit sky, the exterior with pattern Z5088 gilded Flying Humming Birds to a blue mottled green lustre ground, printed marks, dia. 13 1/8 in. $3,000-5, Wedgwood New Hispano-Moresque Design Lustre Box and Cover, England, c. 1925, by John E. Goodwin, copper lustre decorated flower center and scrolled panels, impressed mark, dia. 7 in. 437 Wedgwood Red Ground Queen s Ware Plate, England, 1932, inscribed with central figure of a Trojan warrior on horseback, printed and impressed mark, dia. 9 1/2 in. 438 Wedgwood Queen s Ware Noah s Ark Toy Dinner Wares, England, c , designed by Daisy Makeig-Jones, each polychrome enamel decorated to black transfer prints, consisting of a covered oval tureen, handle to handle lg. 4 1/2; four soup plates, dia. 3 1/2; four plates, dia. 4 1/2; three oval platters, lg. (2) 3 3/4, 4 1/8; teacup and saucer; cream pitcher, ht. 1 7/8; bowl, dia. 1 3/4; and a fullsize teacup and saucer; and side plate, dia. 6 1/8 in.; impressed and printed marks. 439 Wedgwood Black Glazed Taurus the Bull, England, 1966, after a model by Arnold Machin, decorated with gold printed signs of the zodiac, impressed and printed mark, lg. 14 1/2 in. $ Modern Wedgwood Tricolor Diceware Tobacco Jar and Cover, England, 1972, cylindrical shape with green dip and applied lilac quatrefoils and bands of white foliage, the finial modeled as a seated classical figure, numbered 160 in a limited edition, impressed mark, ht. 8 in. 441 Modern Wedgwood Solid Light Blue Jasper Dome-top Jar and Cover, England, 1984, applied white relief with a classical figure resting atop a domed engine-turned cover, cylindrical body with scalloped rim and paneled sides of classical figures alternating with a figural sculpture titled Selfridges below an arabesque floral band, impressed mark, ht. 9 3/4 in. Note: The figural sculpture is above the entrance of Selfridges, Oxford Street, London, and the original is the work of the British sculptor Gilbert Bayes. $ Wedgwood Bone China Millennium Dawning Vase and Cover, England, 1999, silvered finial, rim handles, and foot, printed design to a white ground with scrolled border over a repeating 2002, with central verse The Merry Year Is Born Like The Bright Berry From The Naked Thorn, the reverse in Latin, the interior with Day s Sweetest Moments Are At Dawn, and Latin, number 272 in a limited edition of 2,000, printed mark, ht. 13 5/8 in. $ Three Limited Edition Wedgwood Black Basalt Tutankhamen Plaques, England, , each molded and gilt decorated, Lord of Diadems, numbered 98 of 250; Beloved of the Great Enchantress, numbered 2 of 250, each 8 x 8 5/8; and Lord of the Two Lands, numbered 109 of 250, 8 5/8 x 15 1/2 in.; mounted in modern frames. 444 Modern Wedgwood Queen s Ware Plaque, England, 1997, rectangular shape with high relief depiction of Death of a Roman Warrior, from the Genius Collection, numbered 53 in a limited edition of 150, impressed mark, sight size 10 3/4 x 20 1/2 in.; mounted in an original modern frame. Online bidding at 73

76 Two Royal Crown Derby Porcelain Jars and Covers, England, c. 1892, a pink ground with jeweling to a gilded and polychrome enameled floral and foliate design; and a yellow ground with raised gold trees and foliage; printed marks, ht. 9 1/2 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 446 Minton Porcelain Sevres-style Vase and Cover, England, c. 1860, gilt trim to swirled blue fluting alternating with rose and foliate vines, printed mark, ht. 15 3/4 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 447 Four First Period Worcester Porcelain Blue and White Items, England, 18th century, a bulbous mug with Asian landscape to one side and fenced garden to the reverse, ht. 4 3/4; sauceboat with floral reserves, lg. 5 3/4; mug with floral bouquet, ht. 2 3/8; and covered sugar bowl with floral sprays and insects, ht. 4 3/4 in.; underglaze marks. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 448 Four Worcester Porcelain Tableware Items, England, 18th century, each decorated with gilded edging to an overglaze turquoise and black enamel scrolled band, including a tea canister, ht. 6 1/2; coffee can and saucer; heart-shaped dish, lg. 10 1/2; and bowl, dia. 8 3/8 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 449 Three Worcester Porcelain Teapots and Covers, England, 18th century, each polychrome enamel decorated globular shapes, two with floral knops, one with scattered flowers and large black winged insects, ht. 5 1/4; one with small floral bouquets, ht. 5 1/4; and one with a button knop, with large floral bouquets, ht. 6 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 450 Worcester Porcelain Teapot and Cover, England, 18th century, globular shape with floral knop, polychrome enamel decorated with Chinese figures to either side, ht. 5 1/2 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 451 Five Worcester Porcelain Queen Charlotte Pattern Tea Ware Items, England, 18th century, gilded trim to typical blue and red decorated wheel-like floral bands, including a plate, dia. 7 3/4; bowl, dia. 6; coffee can with canted sides, ht. 2 1/2; coffee can with rounded base, ht. 2 1/2; saucer, dia. 5 3/8 in.; underglaze marks. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 452 Three First Period Worcester Porcelain Serving Pieces, England, 18th century, deep blue enamel and gold decorated floral and foliate design including a covered vegetable dish, handle to handle lg. 11 1/4; and two matching oval platters, lg. 15, 17 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 74 Additional information and photos at

77 Four First Period Worcester Porcelain Blue and White Mugs, England, 18th century, each cylindrical, one with perched parrot above an abundance of fruit, ht. 5 1/2; one with floral bouquets to either side, ht. 4 1/2; one with Oriental landscape to one side and a fenced garden to the reverse, ht. 3 1/2; and one with floral sprays and butterfly, ht. 3 1/4 in.; shaded crescent marks. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. $ Three English Blue and White Porcelain Items, 18th century, a Caughley cabbage molded jug with floral decoration, ht. 8 1/4; and two Worcester, a pear-shaped mask jug with floral sprays and butterfly, ht. 6; and a sauceboat with paneled reserves of flowers, lg. 7 3/8 in.; underglaze blue marks. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 455 Fourteen Royal Worcester Porcelain Candle Extinguishers, England, 19th and 20th century, including Mr. Caudle, two variations of the Cook, Monk, Nun, two variations of Granny Snow, Owl, Japanese, Diffidence, Mandarin, Confidence, Budge, and Boy, printed marks, ht. 2 1/2 to 4 5/8 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. Online bidding at 75

78 Twelve Worcester Porcelain Feathered Hat Candle Extinguishers, England, late 19th/ early 20th century, in color variations, including three Royal Worcester; and nine Grainger Worcester, printed marks, ht. 2 1/2 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 457 Fifteen Royal Worcester Porcelain Candle Extinguishers, England, 19th and 20th century, including Owl, Nun, five variations of Granny Snow, Japanese, Mrs. Caudle, Diffidence, Confidence, Mr. Caudle, Witch, Monk and Girl with Muff, printed marks, ht. 2 3/4 to 5 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 458 Sixteen Royal Worcester Porcelain Candle Extinguishers, England, 19th and 20th century, including Nun, four variations of Granny Snow, Owl, Witch, three variations of Cook, Mr. Caudle, Japanese, Mrs. Caudle, Confidence, Monsieur Reynard and Mob Cap, printed marks, ht. 2 3/4 to 4 1/4 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. $900-1, Seventeen Porcelain Candle Extinguishers, England, 19th and 20th century, including sixteen Royal Worcester, five variations of Granny Snow, four variations of the Cook, Confidence, two variations of Mr. Caudle, Mrs. Caudle, Japanese, Monk, Owl; and a Derby Mrs. Caudle with stand; printed and painted marks, ht. 2 7/8 to 4 3/4 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 460 Framed Minton Studio Pottery Plaque, England, c. 1867, polychrome enamel decorated Pre-Raphaelite figures with depiction of two men leading an ox-driven cart, a boy riding one ox, a girl walking by his side, inscribed H S Marks 1867, maximum plaque dimensions 20 1/2 x 23 in.; mounted in a giltwood frame. Literature: Illustrated in Minton The First Two Hundred Years of Design & Production, by J. Jones, p $1,500-2, Pair of Mintons Art Pottery Chargers, England, 1877, each enamel and gilt decorated with interior Elizabethan minstrel scene, impressed marks, dia. 19 1/4, 19 5/8 in. $2,500-3, Minton, Hollins & Co. Fat Boy Plaque, England, mid-19th century, rectangular form polychrome enamel decorated with a figure of a portly gentleman titled below The Fat Boy (Pickwick Papers), artist signed R.E. Hague and factory marks, 12 x 15 in.; mounted in a modern frame. 463 Pair of Minton Art Pottery Studio Plaques, England, c. 1870, each rectangular, with polychrome enamel decorated landscapes with a maiden, signed Florenze Judd and with impressed factory mark, 9 3/8 x 13 1/2 in.; mounted in modern frames. $1,500-2, Framed Group of Five Minton Tiles, England, late 19th century, each ivory ground square brown transfer printed and decorated in brown and buff enamels, an urn supporting flowers and scrolled foliage with figural shields at midpoint, each 6 x 6 in.; mounted in a modern frame. 465 Pair of Aesthetic Majolica Tile Pictures, England, second half 19th century, each polychrome decorated brown transfer print with three tile depictions of a maiden holding a basket of flowers atop her head, tile size 6 in.; mounted in modern frames. 76 Additional information and photos at

79 Online bidding at 77

80 78 Additional information and photos at 466

81 Seven Mintons Art Pottery Studio Plaques, England, c , each circular dish heavily gilded and polychrome enamel decorated with medieval themed figural scenes from Shakespeare s The Seven Ages of Man, including infant, schoolboy, lover, soldier, justice, pantaloons, and old age, and facing imminent death, designed by Henry Stacy Marks, impressed marks, dia. 19 in.; mounted in modern giltwood frames. $10,000-20, Mintons Louis Solon Decorated Pate-sur- Pate Porcelain Pilgrim Vase, England, c. 1879, dark teal ground with white slip classical maiden and cupid to one side, bordered with gold and polychrome enameled with torch and lyre within stylized scrollwork, artist signed and impressed mark, ht. 10 1/4 in. $1,200-1, Pair of George Jones Pate-sur-Pate Vases, England, c. 1880, decorated by Frederick Schenk, dark green ground with white slip classical subjects to either side, a maiden seated to the shoulder of each, impressed marks and artist signatures, ht. 14 in. Literature: Illustrated in Pate-sur-Pate, by B. Bumpus, plate 121, p Online bidding at 79

82 MacIntyre Moorcroft Alhambra Florian Vase, England, c. 1903, floral decorated in red and blue to a gilt and peach-colored ground, printed mark, ht. 7 1/2 in. 471 Moorcroft Florian Cornflower Design Vase, England, c. 1900, bottle shape with scalloped rim and elongated neck, printed Macintyre mark, signed in green, ht. 7 3/4 in. 470 Moorcroft Freesia Design Vase, England, c. 1935, squat form with polychrome decorated flowers, impressed mark and signed in blue, ht. 5 3/4 in. 472 Moorcroft Matte Glazed Fish Vase, England, c. 1930, bottle shape with fish and vegetation to a mottled blue and green ground, impressed mark, signed in blue, ht. 8 3/4 in. $ End of English Pottery & Porcelain 80 Additional information and photos at

83 Set of Eleven Union Porcelain Works Oyster Plates, Greenpoint, New York, late 19th century, each oval shape polychrome enameled and with gilt trim, printed marks, lg. 8 1/2 in. 474 Pair of Sarreguemines Majolica Covered Vases, France, late 19th century, each deep blue ground with ribbed body, each panel with a string of foliage and with stiff leaves surrounding foot rim, impressed marks, ht. 17 1/4 in. 475 Sarreguemines Earthenware Vase and Cover, France, late 19th century, cobalt blue ground with molded lace framed panels with rope ties and tassels, polychrome enamel decorated and gilded with flowers and foliage, impressed mark, ht. 18 1/4 in Sarreguemines Majolica Floor Vase and Pedestal, France, late 19th century, deep blue ground with ribbed body, each panel with a string of foliage and with stiff leaves surrounding foot rim, and an undecorated fluted columnar base, vase ht. 37, pedestal ht. 26 1/4 in.

84 Sarreguemines Majolica Coupe Sandier, France, late 19th century, designed by Alexandre Sandier, allover yellow ground with polychrome enameled highlights, the large bowl molded with white relief classical children amongst chain festoons terminating at ribbon ties, the complimenting pedestal similarly decorated and with a central urn framed within three caryatid supports set on a radiating circular base, inscribed ALEX SANDIER, impressed factory mark, bowl dia. 29, overall ht. 47 1/2 in. $5,000-7, Parian Porcelain Figure of Maternité, France, 19th century, after Luca Madrassi (Italian, ), the standing figure of a mother modeled with a young child and infant, inscribed Madrassi 5271, ht. 28 1/2 in. 479 Three Mettlach Etched Stoneware Vases, Germany, early 20th century, a pair of bottle shapes with paneled sides of flowers, number 1665, ht. 6 7/8; and an ovoid vase with foliate medallions bordered with scrolled foliate motifs, gilded trim, number 1829, ht. 9 in.; impressed marks. 480 Two Mettlach Stoneware Cameo Chargers, Germany, c. 1898, numbered 2442 and 2443, each green ground with depictions of Trojan warriors on a boat and Trojan lady and her servants, inscribed signature Stahl, impressed marks, dia. 19 in.; mounted in modern frames. $1,200-1, Pair of Mettlach Stoneware Chargers, Germany, early 20th century, numbered 2794 and 2795, each green ground with incised and colored flowers over cameo Words of Love Serenade scenes, impressed marks, dia. 17 1/2 in.; mounted in varying modern frames. 482 Mettlach Etched Stoneware Charger, Germany, c. 1895, the roundel numbered 2200 and decorated in a black ground with deep rust, buff, and ivory, depicting Pan playing a flute to a maiden, inscribed artist monogram for Heinrich Schlitt, impressed factory mark, dia. 15 1/4 in.; mounted in a modern frame. 483 Two Mettlach Bronzed Earthenware Plaques, Germany, late 19th century, numbered 1528 and 1529, each rectangular form with rounded top, molded in relief, one with a cavalier, one with maiden, impressed marks, lg. 16 in. 484 Pair of Etched Mettlach Stoneware Vases, Germany, c. 1898, each in a lekythos shape with loop handles, decorated in brown, rust and buff with a maiden to either side, number 2242, ht. 13 1/2 in. 485 Mettlach Phanolith Plaque, Germany, c. 1900, rectangular form numbered 7030, white pate-sur-pate type depiction of figures in a scene from the Trojan War to a blue ground, modeled by Johann Baptist Stahl, inscribed signature and impressed factory marks, approx. 11 1/4 x 24 in.; mounted in a modern frame. 82 Additional information and photos at

85 Online bidding at 83

86 Pair of Mettlach Phanolith Plaques, Germany, early 20th century, rectangular shapes numbered 7025 and 7026, green ground with pate-sur-pate-type figural groups each with warriors and classical maidens in treed landscapes, sight size 11 3/4 x 15 1/4 in.; mounted in modern frames. 487 Two Framed Drawers of Plaster Grand Tour Classical Medallions, 19th century, seventytwo in all, in varying sizes, set in modern frames, 15 3/4 x 22 1/4 in. 488 Sevres Jasper-mounted Gilt-bronze Wall Clock, France, 19th century, a floral wreath atop the two cherub heads flanking an oval medallion with depiction of Domestic Employment over a mercurial thermometer, the lower half with oval medallion depicting Poor Maria above a spring-powered eightday and count wheel strike movement clock adorned with leaves and fruit, overall lg. 37 1/2 in. $3,000-5, Orthodox Icon Depicting the Sign Mother of God, probably Greece, late 19th/early 20th century, the painted icon with an elaborate embroidered metalwork riza with beaded accents, within a shadow box frame, total 18 x 15 1/4 in. $ Greek Icon Depicting the Mother of God, 19th century, within a gilded frame, further encased in an octagonal shadow box, sight size approx. 5 1/2 x 3, total ht. 21 in. 491 William Moore (American, ) Set of Four Portraits of the Long Family: Edwina, Roger, Herbert, and Harry One signed and dated W. Moore 1838 l.l., all identified on presentation plaques and on labels with the printed heading R.J.P affixed to the frame backing papers. Oils on copper, 14 x 12 in. (35.5 x 30.7 cm), framed. Condition: Retouch, craquelure with areas of paint loss, surface grime. $2,000-3, Additional information and photos at

87 Georgian Wedgwood-mounted Giltwood Overmantel Mirror, England, 19th century, urn-topped pediment with centralized cartouche set with an oval solid light blue jasper plaque with applied white classical Dancing Hour figures in relief within a border of running laurel, flanked by griffons and foliate scrolls, above three panels of glass, center panel with carved swags, all terminating in stepped plinth base, ht. 58 1/2, wd. 66, dp. 2 1/2 in. 493 Continental School, Late 19th/Early 20th Century Gilt-bronze Figure of a Man, patinated, modeled as a scholar wearing a robe, on an oval marble plinth with stepped gilded base, ht. 11 1/2 in. 494 Joseph Emmanuel Descomps (French, ) Bronze Figure of Danseuse au Masque, patinated, depicting a woman in gypsy-style costume holding a mask, cast signature on base Joe Descomps, atop a round marble plinth, ht. 13 in. $1,500-2, Louis XVI-style Marble-top Vitrine, 20th century, with overall gilt-bronze mounts, a pierced brass gallery encircling a purpleveined marble top, above an anthemion decorated frieze surmounting a glazed door and sides, a vacant interior, resting on cabriole legs, electrified, ht. 54 3/4, wd. 26 1/2, dp. 12 3/4 in. 496 Louis XVI-style Marble-top Guéridon, with pierced brass gallery encircling an oval top, surmounting three inlaid drawers, medial kidney-shaped shelf, supported on cabriole legs terminating in gilt-bronze mounted sabot feet, ht. 28 5/8, wd. 18, dp. 12 7/8 in. $ Louis XVI-style Ormolu-mounted Marquetry Vitrine Table, France, early 20th century, in the manner of François Linke, the hinged top with inset beveled glass opens to a velvetlined compartment above a shaped apron with inlaid floral sprays framed by bronze accents cast as foliate arabesques, all on cabriole legs, ht. 18, wd. 43, dp. 25 in. Online bidding at 85

88 Pair of Limoges Porcelain Jacob Petit Bottles and Stoppers, France, mid-19th century, elaborate modeling with shells and foliage to cover and waist, gilded and polychrome enamel decorated with floral bouquets, underglaze blue monogram, ht. 9 5/8 in. 499 Gilt-bronze Louis XV-style Four-light Putti Wall Sconce, France, early 20th century, with winged putti holding aloft scrolled and carved foliate armature, all joining acanthus foliage wall plate, ht. 19 1/2 in. $ Pair of French Porcelain Tureens and Covers, late 19th century, mark for Marx Eugene Clauss of Paris, each of circular shape with citrus finial and scalloped rim, scrolled foliate handles and feet, gilt trim and polychrome enamel decorated with floral bouquets, ht. 8, handle to handle lg. 10 3/4 in. 501 Attributed to William Collins (British, ) The Shrimp Boy Unsigned, attributed and titled on a hang tag from Ruth Troiani, Avon, Connecticut, on the handing wire. Watercolor on paper, sight size 9 7/8 x 8 in. (25.0 x 19.6 cm), framed. Condition: Toning, not examined out of frame. Provenance: From the estate of Ruth Troiani, Connecticut. Ruth and her husband Dominick married in New Orleans in They began collecting antiques shortly thereafter, and started dealing in antiques in the 1960s. 502 George Washington Nicholson (American, ) Resting by the River Signed GWNicholson l.l. Oil on canvas, 24 x 42 in. (61.0 x cm), framed. Condition: Lined, retouch, craquelure. 503 Continental School, 19th Century Cattle Watering at a Brook Unsigned. Oil on canvas, 10 x 14 in. (25.2 x 35.5 cm), framed. Condition: Scattered paint losses, craquelure, surface grime. $ Art Deco Lamé Shawl, France, c. 1920, silk and metal thread, 3 ft. 8 in. x 3 ft. 9 in. 505 Five European Shawls, 19th century, four woven: 5 ft. 10 in. x 5 ft. x 9 in., 5 ft. 3 in. x 5 ft. 1 in., 10 ft. 4 in. x 5 ft. 1 in., and 10 ft. x 5 ft. 2 in.; and one printed, 5 ft. 7 in. x 5 ft. 4 in. $ Additional information and photos at

89 Joachim Ehlers Empire Piano, Vienna, c. 1815, comprised of spruce, walnut, alder, and limewood, seventy-three notes, milk glass plaque on the nameboard flanked by a giltbronze border of foliate scrolls and festoons with putti, gilt-bronze candelabrum ornaments surrounding keyboard with ebonized figural masks atop each tapered columnar leg, terminating in gilded stepped foot, maker s name inscribed on the nameboard, lg. 86, wd. 45 in. Provenance: Sold by the Museum of Fine Arts, Boston, for the benefit of the collections; the Edwin M. Ripin Collection; Gift of Leo L. and Phyllis K. Beranek, E.M. Ripin acquired the instrument in 1967 from Stoddard Lincoln, a New Yorker who had purchased the piano from the Bourbon Street Antique Shop at the 1964 New York World s Fair. $2,500-3,500 Online bidding at 87

90 Stone Garden Sculpture of Bacchus Riding a Goat, depicting two putti with a goat, one with a laurel of grapevine, on a naturalistic base, ht. 40, wd. 17, dp. 31 in. 508 Five French Empire-style Chairs, 19th century, extended crest rail with serpentine arms, later gold velvet-upholstered seat and back with wood frame, ormolu rosette, plume, and palmette accents, on tapered legs, ht. 36, wd. 23 1/2, dp. 19 in. Provenance: Property of a Boston area philanthropist. 509 Two Continental Blackamoor-style Lamps, each polychrome with gilt highlights, one with later carved base, once electrified, overall ht. 25 1/2, the other depicted standing on a gondola, ht. 23 in Pair of Murano Gilded Glass Candelabra, each with flame finial surrounded by three lights with ropetwist arms, drip cups with carved leaftips, all accented by scrolling acanthus and floral armature highlights, ht. 17, wd. 15, dp. 11 1/2 in. $ Additional information and photos at

91 511 Grand Tour Micromosaic Trinket Box, Italy, late 19th century, oval, the lid set with a micromosaic of St. Peter s Basilica, the sides of box with champlevé enamel decoration of a running vine, supported on ball feet, ht. 1 3/4, wd. 3 3/8, dp. 2 3/8 in. $ Francisco Miralles y Galup (Spanish, ) Napolitana Signed F. Miralles l.l., titled on a printed label affixed to the stretcher. Oil on canvas, 13 3/4 x 10 3/4 in. (34.9 x 27.3 cm), framed. Condition: Lined, retouch, craquelure, surface grime. Provenance: Christie s South Kensington, 19th Century European Art including Russian Pictures, June 8, 2005, Lot 104. N.B. A Spanish label on the stretcher states that this work was part of the collection of Angela Alzaga de Lezama. 513 Attributed to William Collins (British, ) The Little Gleaners Unsigned. Oil on canvas, 10 x 11 3/4 in. (25.0 x 29.5 cm), framed. Condition: Craquelure, surface grime. Provenance: From the estate of Ruth Troiani, Connecticut. Ruth and her husband Dominick married in New Orleans in They began collecting antiques shortly thereafter, and started dealing in antiques in the 1960s. $ Hamadan Rug, Iran, c. 1930, 6 ft. 5 in. x 4 ft. 4 in. 515 Sarouk Mat, Iran, c. 1930, 2 ft. 8 in. x 1 ft. 11 in. $ After Pierre-Jules Mêne (French, ) Bronze Figural Group of a Horseman with Hounds, the man depicted wearing a soldier s uniform, riding with leads on a pack of dogs beside him, on naturalistic base atop a stepped oval plinth with plaque in front inscribed P.J. MENE, signed P.J. MENE 1869, ht. 27, wd. 33 in. $4,000-6, Mettlach Relief Pitcher, Germany, early 20th century, polychrome decoration with predominantly green and tan body, with figural head mask spout, body with a hunting scene, on round footed base, with factory marks and inscribed to underside 2357/4/33/97 and signed J. Stahl, ht. 17 1/4 in. 518 Mettlach Cameo Punch Bowl and Cover, Germany, early 20th century, 8.5 litre, green and blue ground with plum-colored accents, dome-shaped lid with handle on a footed urn-shaped vessel with white relief depiction of dancing and music, impressed factory mark on underside with numbers 2969 and 06, ht. 13 1/4, handle to handle dia. 12 3/8 in. 519 Large Mettlach Phanolith Charger, Germany, early 20th century, green-blue ground with white relief of a Bacchanalian mythological scene, signed with monogram JS with factory marks, numbered 7040, dia. 21 in. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. $ William IV Rosewood Breakfast Table, c. 1835, oval top with a frieze, supported on a cylindrical pedestal with acanthine base, atop a tripartite base with scrolling feet on casters, ht. 30, wd. 48, with leaf wd. 71, dp. 46 3/4 in. Provenance: Christie s, Sale 9240, Important English Furniture, October 21, $2,000-4, Pair of Continental Neoclassical Parcelgiltwood Mirrors, probably Italy, early 19th century, crest with carved urn and foliate swags, molded frame highlighted by beadwork and rosettes at corners, with drop pendants at base, each ht. 49, wd. 19 3/4 in. $2,000-3, Green Onyx and Champlevé Pedestal, France, 19th century, square top accented by enamel work over a tri-columnar pedestal, with medial and terminating polychrome collars, supported by a stepped plinth on carved gilt-bronze feet, ht. 34, wd. 18 1/4, dp. 18 1/4 in. $2,500-3, Thomas Henry Hair (British, ) Landscape with Fisherman, Punt, and Eel Traps Signed and dated Tho. H. Hair/1858 l.l., identified on a typed label affixed to the stretcher. Oil on canvas, 15 7/8 x 21 5/8 in. (40.0 x 54.7 cm), framed. Condition: Lined, scattered retouch. Provenance: From the estate of Ruth Troiani, Connecticut. Ruth and her husband Dominick married in New Orleans in They began collecting antiques shortly thereafter, and started dealing in antiques in the 1960s. $ Continental School, 19th Century Ascension of a Male Figure, Possibly St. John the Baptist Unsigned, inscribed Giovanni di Fiorontini [sic] in pencil on the reverse. Black chalk and ink on heavy laid paper with partial watermark, 7 13/16 x 10 in. (19.8 x 25.4 cm), framed. Condition: Trimmed along the bottom edge, minor rippling, tape hinged to back mat at two places along the top of the verso. N.B. San Giovanni dei Fiorentini is a minor basilica and a titular church in the Ponte rione of Rome. The drawing may possibly relate to the decoration of that church. Online bidding at 89

92 Pieces of Assorted English Derby Tableware, late 18th to 19th century, each polychrome decorated to a white ground, red flowers and gilt and cobalt blue highlights; forty-eight dinner plates, dia. 10; eighteen dessert plates, dia. 7; eighteen soup plates, dia. 10; four covered serving dishes, ht. 10; a soup tureen, ht. 9 1/4; ten serving trays of varying sizes, lg. 11 to 17 3/4; three covered soup bowls, two with undertrays, ht. 5 1/2; and a rectangular serving dish, lg. 10 1/2 in. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. 526 Pair of Grand Tour Bronze Figures of Nymphs, Continental, 19th century, each patinated, depicted in drapery, one holding a bird, the other a butterfly, ht. 11 1/4 to 11 1/2 in. $ Pair of Continental Bronze Perfume Urns and Covers, 19th century, with overall gilt highlights, each with artichoke knop finial lid atop a campana-shape gadrooned body with upturned handles, resting on a cylindrical support with gothic-style arch fretwork and creeping vines, encircled by flat-tip anthemion leaves, on a square plinth, ht. 12 in. $1,500-2, Serab Runner, Northwest Iran, c. 1930, 11 ft. 3 in. x 2 ft. 11 in. 529 Antique Mahal Carpet, Iran, c. 1915, 14 ft. 5 in. x 10 ft. 2 in. $1,800-2, English Oak Paneled Coffer, 18th century and later, with hinged top and small interior compartment on four stile feet, ht. 25, wd. 55 1/2, dp. 22 1/2 in. 531 Biedermeier-style Verre Eglomise and Mahogany Veneer Mirror, Continental, mid-19th century, molded cornice over tablet flanked with shaped volutes, eglomise panel decorated with serpent and figural motifs with checkered foliage, surmounting a rectangular mirror framed by fluted sides, all terminating in demilune pendants at base, ht. 50, wd. 32 in. 532 Italian Walnut Chest of Drawers, 19th century, burlwood veneers with overall inlaid surfaces, molded top over two short over two long drawers, gilt-bronze mounts highlighting case, resting on cabriole legs, ht. 36 1/2, wd. 49, dp. 23 1/2 in. 533 Neoclassical-style Italian Marquetry Walnut Commode, 19th century with later elements, with olivewood, inlaid mythological figural scenes on top and sides, two short over two long drawers, ht. 33 1/4, wd. 50 1/2, dp. 22 in. $3,000-5, León Abadías de Santolarios (Spanish, ) Couple Courting Through a Window Signed and dated L.A./C l.l. Oil on board, 22 3/8 x 12 1/4 in. (56.8 x 31.0 cm), framed. Condition: Retouch primarily to the sky, fine, stable craquelure. 90 Additional information and photos at

93 After Nicolas Lancret (French, ) Afternoon, from the series The Four Times of Day Unsigned. Oil on canvas, 26 3/4 x 33 3/4 in. (68.0 x 86.0 cm), framed. Condition: Lined, scattered retouch, minor paint losses, craquelure, areas of skinning. N.B. The subject matter of elegant companions playing backgammon in a park is taken from Nicolas Lancret s oil, Afternoon, from the series The Four Times of Day, in the collection of the National Gallery in London. However, the figures are shown as mirror images of the original work, suggesting that the painting at hand was actually copied after the engraving of Lancret s work done by Nicolas de Larmessin IV, as L Après-Dinée, published in $ Aubusson Tapestry, depicting a verdant landscape with two birds and a cluster of buildings in the distance, within a border of flowering garlands, 112 x 92 1/2 in. $1,200-1, Aubusson Panel, France, 19th century, featuring a central swag composed of various fruit terminating in a bow at both ends, flanked by two smaller similar type swags, all on a gold field with staggered five-pointed rosettes, all within an empty red border, 3 ft. 9 in. x 5 ft. 6 in. $ Online bidding at 91

94 After Evgeni Alexandrovich Lanceray (Russian, ) Charging Cossack Soldier, depicting a man with a musket holding a spear, riding a galloping horse, modeled on naturalistic base, on an ovoid base, incised signature in Cyrillic, total ht. 11 1/8, wd. 17 in. 541 Louis XV-style Gilt-bronze and Marble-top Table, 19th century and later components, the serpentine white marble top with gray veining, surmounting a pedestal comprised of a figural clock case with bronze putti, carved figural mask, and foliate scrolls, all mounted on a black-painted, diamond-shaped wood base, ht. 27, wd. 43 1/4, dp. 29 1/2 in. 544 Louis XVI-style Vernis Martin Display Cabinet, 20th century, gilt-bronze mounted, with foliate cresting cartouche atop a glazed case with single door, damask-lined interior with single shelf, electrified, bombé-form base decorated with scenes of a courting couple and the countryside, resting on cabriole legs, ht. 77, wd. 33 7/8, dp. 18 in. $500-1, Berlin-style Polychrome Porcelain Plaque of a Seated Cherub, possibly France, early 20th century, the winged putti resting on the ledge of a fountain, framed, ht. 6 1/2, wd. 4 5/8 in. 540 Berlin-style Polychrome Porcelain Plaque of a Reclining Cherub, early 20th century, the winged putti asleep in a verdant garden, in elaborately gilded and carved frame, wd. 7, ht. 5 in. 542 Louis XV-style Marble-top Marquetry Commode, France, 20th century, kingwood and tulipwood veneers highlighted by giltbronze mounts, shaped rouge royal marble top surmounting a bombé case with three drawers inlaid with foliate garlands, sides with inlaid floral bouquets, all raised on splayed legs terminating in heavily carved paw feet, ht. 37 1/4, wd. 39 1/2, dp. 17 1/4 in. 543 Louis XVI-style Secrétaire à Abattant and a Tall Cabinet, France, late 19th century, each with marble top and inlaid surfaces, highlighted by gilt-bronze mounts, resting on cabriole legs; a secretaire with pull-down velvet-inlaid writing surface, interior with vacant compartment and drawer, surmounting three drawers, ht. 42 5/8, wd. 14 3/4, dp. 12; a cabinet with six drawers inlaid with floral and foliate depictions, ht. 45 1/2, wd. 17, dp. 11 7/8 in. 545 School of David Teniers II (Flemish, ) Two Figure Paintings Representing the Senses: Personification of Touch and Personification of Taste and Sight Unsigned. Oil on panel, 7 x 5 in. (17.8 x 12.8 cm), framed. Condition: Retouch, revarnishing, areas of possible skinning, fine craquelure, minor surface grime. N.B. This pair of paintings was reviewed via digital photographs by Ellis Dullaart, Curator of Dutch and Flemish Old Master Painting at the Nederlands Instituut voor Kunstgeschiedenis (RKD), upon whose expertise the paintings have been described and dated to the second half of the 17th century. $1,500-2, Additional information and photos at

95 546 British School, Early 19th Century A Scene in Devon Signed and dated E. JEFFERY/1829 l.l., identified on a gummed label affixed to the stretcher. Oil on canvas, 28 x 40 in. (71.0 x cm), framed. Condition: Lined, old retouch, fine craquelure. $3,000-5, French Onyx and Champlevé Pedestal, 19th century, with overall gilt-bronze highlights, oval top with shaped enamel apron frieze supported by an acanthus-topped columnform pedestal with medial winged ornament accented by griffon masks, dolphins at base resting on a rectangular plinth supported by scrolling feet, ht. 33, wd. 23, dp. 16 1/2 in. $2,500-3, Regency Inlaid Mahogany Card Table, England, early 19th century, hinged square top with shaped corners, over inlaid frieze of cartouches and rosettes, supported by tapered legs with vine decoration, and swingout gate leg, open ht. 28 3/8, wd. 35 1/2, dp. 36; closed dp. 18 in. 549 Pair of Louis XVI-style Fauteuils, 20th century, each with rosette carved crest ornament surmounting oval padded backs, padded arms with channeled supports, shaped seat, supported by turned and channeled legs, ht. 40, wd. 23 1/4, dp. 23 1/4 in. $ Two Royal Copenhagen Flora Danica Porcelain Baskets, Denmark, c , each with crenulated gilt rim, pierced sides with polychrome garlands of flowers, factory marks to underside and a Latin inscription of specimen names, ht. 3 1/4, handle to handle lg. 8 1/4 in. $ partial 556 partial 550 partial 555 partial 551 partial 552 partial 554 partial

96 Four Royal Copenhagen Flora Danica Porcelain Oblong Dishes, Denmark, c , each in the form of a stylized leaf, painted with a highly realistic floral specimen, with gilt crenulated rim and small angular handle, each with factory marks and inscribed with the Latin name of a specimen to underside, lg. 6 1/2 in. $ Two Royal Copenhagen Flora Danica Porcelain Oval Baskets, Denmark, c , each with crenulated gilt rim, botanical specimen, and reticulated sides with floral garlands, factory marks, with Latin inscription to underside of specimen names, each ht. 3 3/8, handle to handle wd. 9 7/8 in. 553 Four Royal Copenhagen Flora Danica Porcelain Platters, Denmark, c , each with gilt crenulated and reticulated rim, decorated with a painted botanical specimen, factory marks and Latin inscription of specimen name to underside, dia. 13 in. $1,200-1, Four Royal Copenhagen Flora Danica Porcelain Covered Cups, Denmark, c , white ground with polychrome botanical specimens, gilt highlights, crabstock handles, factory marks to underside, and Latin inscription to underside of lid, ht. 3 in. 555 Six Royal Copenhagen Porcelain Flora Danica Oblong Dishes, Denmark, c , each leaf-shaped, painted with a highly realistic floral specimen, with gilt crenulated rim and small angular handle, each with factory marks and the Latin inscription of the name of a botanical specimen to underside, lg. 8 1/8 in. 556 Two Royal Copenhagen Flora Danica Porcelain Round Baskets, Denmark, c , white ground with polychrome botanical motifs and floral garlands, crenulated gilt rim, reticulated sides, bearing factory marks, and specimen names inscribed in Latin to underside, ht. 3 1/2, handle to handle lg. 9 in. 557 Louis Vuitton Suitcase, France, 20th century, monogram canvas, leather- and brass-bound, opens to vacant interior with two fabric dividers, serial number , ht. 19 1/4, wd. 24, dp. 7 in. $ Biedermeier Fruitwood and White Onyx Mantel Clock, Germany or Austria, mid-19th century, temple-form, eagle surmounting the round ebonized clock face over colonnaded support crowned with gilt-bronze putti, onyx columns, and mirrored backplate, all resting on bow-shaped plinth with gilded mounts, ht. 22 1/2, wd. 13, dp. 5 in. $ Pair of Neoclassical-style Giltwood Fourlight Sconces, Continental, urn-topped support with heavily carved scrolling armature, beadwork, and foliate vines, extending to a winged goddess monopodia, terminating in an acanthus pendant base, ht. 45, wd. 23, dp. 9 1/2 in. $1,500-2, Ferehan Sarouk Carpet, Iran, c. 1910, 12 ft. x 11 ft. 6 in. $2,000-2, Additional information and photos at

97 Sarouk Rug, Iran, c. 1930, 4 ft. 11 in. x 3 ft. 4 in. 562 French School, 19th Century Town Square with Shoppers and Vendors Unsigned, identified T. Ribot on a presentation plaque. Oil on canvas, 39 3/16 x 28 5/8 in. (99.5 x 73.0 cm), framed. Condition: Lined, retouch, paint losses, craquelure with areas of lifting, surface grime. 563 Ettore Ferrari (Italian, ) Two Watercolors: Medieval Towers and Sea Cove Signed Ettore Ferrari l.l. and l.r., respectively. Watercolor on paper, 14 x 10 in. (35.5 x 25.4 cm), unframed. Condition: Toning; minor foxing to Towers. N.B. Dedication lower left of Sea Cove reads: A Bice/suo Zio Ettore Ferrari. Bice was the consignor s mother and the niece of the artist, Beatrice d Emilia Ferrari. $1,200-2, Louis XV-style Vernis Martin Cabinet Display, Continental, 20th century, stepped and bowed top and conforming case, with central glass panel door flanked by glazed sides, landscape panels at base of each section, center with figural scene of courting couple, one interior glass shelf, raised on turned and channeled legs, ht. 54 5/8, wd. 46, dp. 15 in. 565 Louis XV-style Giltwood and Marble-top Table, 20th century, white marble surface with gray and tan veining surrounded by serpentine top, shaped frieze with lattice fretwork and rocaille-shell highlight flanked by green painted panels in front and back, sides with carved shell framed by green painted panels, resting on foliate carved cabriole legs, ht. 33 7/8, wd. 44 1/4, dp. 25 in. 566 Louis XVI-style Vernis Martin Cabinet, France, 20th century, gilt-bronze ornament crest over two glazed panel doors, surmounting two painted doors with figural scenes in a landscape, one interior glass shelf, raised on sabot-mounted cabriole legs, ht. 70, wd. 30, dp. 18 in. 567 Lalique Glass Falcon, France, 20th century, depicted standing on a naturalistic base, inscribed Lalique, R in circle, and France to underside, ht. 9 1/4, wd. 5 1/4, dp. 7 in. $ Lalique Glass Leopard, France, 20th century, depicted crouching with one arm outstretched, inscribed Lalique R in circle France, ht. 4 1/4, lg. 14 1/2, dp. 3 in. $ Lalique Glass Rhino, France, 20th century, mounted on a black hardstone rectangular plinth, inscribed Lalique R in circle France to base, ht. 4 7/8, lg. 12, dp. 4 1/8 in. $ American Sterling Silver-mounted Cut Glass Centerbowl, late 19th/early 20th century, rim with carved foliate and shell motif, glass with hobstars and cut diamond shapes, inscribed to rim Sterling 925/1000, with monogram, ht. 5 1/4, dia. 9 3/4 in. Online bidding at 95

98 After Gaston Veuvenot Leroux (French, ) Bronzed Bust of Othello, figure draped, on a round socle, with inscribed plaque OTHELLO, ht. 31 in. $ Eleven Wax Seals, most with monogram to base, three bronze: a bust of Dante, a silvered figure of a nobleman, and one with enameled motif to stem; three bronzed white metal; two gold: one with an intaglio to base, the other with a hammered finial; two hardstone, and a Tiffany-type favrile glass scarab, ht. to 4 1/2 in. 573 Two Venetian Wood Blackamoor Figures, each polychrome painted and gilt-decorated, the woman standing atop a carved pylon, the man standing atop a gondola, holding an oar, ht. 47 to 49 in. $2,000-4, Italian Baroque-style Painted and Parcelgiltwood Torchere, early 20th century, polychrome decorated in green hues, heavily carved and turned, decorated with foliage, terminating in scrolling tripartite base, ht. 68 1/2, base dia. 20 1/2 in. 575 Italian Majolica Cantagalli-type Footed Centerbowl, late 19th century, overall Renaissance-style polychrome motifs, shaped ovoid mouth highlighted by satyr s head masks, body decorated with putti in a landscape, pedestal foot comprised of scrolling dolphins, resting on an octagonal foot with rosette and egg motif, indistinctly signed, ht. 11 3/4, wd. 21, dp. 9 in. 576 Three Framed Painted Silk Collages, probably England, each painted silk mounted on a velvet background, two with a scene depicting a woman on a horse, framed ht. 27 to 27 1/2, wd. 23; and a horse and hounds, in later wood frame, ht. 18 1/4, wd. 22 1/2 in. 577 English Silk Drawstring Pouch, early 17th century, pink ground embroidered with silk, depicting figures in a landscape with birds and trees, and two hanging roundels, ht. 6 1/4, wd. 7 1/4 in. $800-1, Additional information and photos at

99 578 F. Fulin (Italian, 20th Century) Three Views of Venice: San Marco Facade, Piazetta di San Marco, and Doge s Palace from the Water Facade initialed F.F. l.r., others signed F. Fulin l.l. Watercolors on paper, sight sizes to 13 3/8 x 10 1/4 in. (34.9 x 26.0 cm), framed. Condition: Not examined out of frames. 579 Joseph Blackburn (British, c c. 1778) Portrait of William Bromley, Esquire Signed and dated I. Blackburn pinxt c.r., inscribed William Bromley, Esqre./taken later in life l.l. Oil on canvas, 36 x 28 in. (91.4 x 71.1 cm), framed. Condition: Lined, retouch, fine craquelure, varnish inconsistencies. N.B. The work is accompanied by a bill of sale from James Billings Antiques and Interiors, Boston, dated April 3, The sitter is further identified on a fragmentary label affixed to the back of the frame. $4,000-6, Baktiari Garden Carpet, Southwest Iran, c. 1930, 9 ft. 11 in. x 7 ft. $ Sarouk Carpet, Iran, c. 1920, 12 ft. 2 in. x 8 ft. 7 in. $1,500-2, Two Louis XV-style Marble-top Fruitwood Tables, France, early 20th century, each oval, with pierced brass galleries surrounding tops, inlaid frieze and tapered legs, one with salmon marble top bearing label underneath Made in France, ht. 20 1/2, wd. 19 3/4, dp. 14 3/4; the other with gray top, with impressed marks Made in France, ht. 20, wd. 20 3/4, dp. 15 in. $ Louis XV-style Marble-top Giltwood Console, white serpentine marble surmounting the carved and pierced frieze decorated with scrolling foliage, supported on cabriole legs with acanthus, lower stretcher with plumed finial, scroll feet, mounts to wall, ht. 36 5/8, wd. 37, dp. 16 1/2 in. 584 Louis XVI-style Mahogany Leather-topped Bureau Plat, England, early 20th century, top with black leather surface framed with molded gilded edges, each end with pullout writing leather-top surfaces, frieze with single long drawer flanked by two short drawers on each side, supported by turned and channeled legs, ht. 29 1/4, wd. 79, dp. 27 1/2 in. $ Group of British Gilt and Floral-decorated Porcelain Tableware, including a footed compote, lg. 11; two covered serving dishes with underplates, lg. 7 1/2; four square serving trays, lg. 9 5/8; four serving bowls, dia. 9; four oval serving trays, lg. 11 3/4; and eighteen plates, dia. 8 1/2 in. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. $ Meissen Porcelain Figural Dish and Cover, Germany, late 19th/early 20th century, polychrome decorated, with three putti suspending a floral bouquet-covered bowl decorated with figural heads, on scrolling base with gilt highlights, ht. 8 5/8, wd. 6, dp. 4 7/8 in. 587 Meissen Floral-decorated Porcelain Tea Service, Germany, 20th century, each with white ground, raspberry-colored highlights with polychrome floral sprays; a coffeepot, ht. 10 1/4; teapot, ht. 5; tray, dia. 10 7/8; creamer, ht. 5 1/8; sugar, ht. 4; six cups, ht. 2 1/2; six saucers, dia. 5 3/8; and six dessert plates, dia. 6 7/8 in. 588 Iron and Cement Bust of a Roman, depicted in the neoclassical style, on a round socle, overall ht. 27 in. $ Online bidding at 97

100 Vienna Porcelain Vase and Cover, early 20th century, urn-form with winged handles, cobalt ground with gilding, polychrome mythological scene of Clotho, gilt-knop lid, footed base, underside with blue beehive mark, overall ht. 12 1/2 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 590 Vienna Porcelain Footed Bowl, early 20th century, cobalt ground with gilding, ovoid shape with cresting handles featuring a scene of mythological musicians, supported by four scrolling feet on an oval base, bearing beehive and crown inscribed with DEPOSE/EW/TURN WEIN/MADE IN AUSTRIA, ht. 7 1/2, wd. 10, dp. 5 1/4 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. $ English Regency Gilt-gesso Mirror, 19th century, broken scroll pediment with carved shell surmounts an inlaid veneered frame and beveled tombstone mirror, highlighted by gilded vinework and flanked by trailing lotus blossoms, ht. 39, wd. 26 1/4 in. 592 Pair of Georgian-style Inlaid Fan-shaped Tables, 20th century, each with shaped top with tambour front flanked by inlaid rosette motifs, supported by tapered legs, ht. 28 1/2, dp. 17 1/2, wd. 17 1/2 in. 593 Italian School, 19th Century Bronze of Neoclassical-style Woman, patinated, with purple marble drapery, inscribed on socle Niobe Figlia, total ht. 26 3/4 in. $1,800-2, Continental Square-top Onyx Pedestal, surface with salmon and yellow veining, supported by light green column accented by gilt-bronze collars with foliage, on a square plinth base, ht. 38, wd. 12, dp. 12 in. 596 F. Fulin (Italian, 20th Century) Three Views of Venice: Il Redentore, Gondola, and Fishing Vessel Salute and Gondola signed F. Fulin l.r. and l.l., respectively, Vessel monogramed F.F. l.l. Watercolors on paper, sight sizes to 11 3/4 x 16 3/8 in. (20.0 x 41.5 cm), framed. Condition: Minor toning and mat burn, not examined out of frames. 594 Verde Antico Marble Pedestal, round top on fluted support resting on an octagonal base, top dia. 12 in. $ Additional information and photos at

101 597 British School, 18th Century Ouderhoek, the Seat of the Heer Anthony Van Hoek Printed and sold by Cluer Dicey and Richard Marshall, London, 1764, titled in the plate in English and French beneath the image, numbered 3 in the plate u.r. Hand-colored engraving, sheet size 7 3/8 x 11 in. (18.6 x 27.7 cm), framed. Condition: Tear to c.r. edge, loss to l.c. edge, small holes and losses to the margins, pronounced toning. N.B. The print is listed in the Dicey and Marshall catalogue of 1764 under the heading Perspective Views, Etc., Twelve New Views in Holland, viz. as number 3 (p. 57). bodleian.ox.ac.uk/refframe.htm (accessed 8/23/16) $ Pair of Empire Bronze Candlesticks, probably France, 19th century, each with tulip-shaped drip cups on a tapered columnar support with a band of stars, terminating with a collar and paw feet surmounting a round base, ht. 9 7/8 in After Antonio Canova (Italian, ) Pair of Bronze Lions, each recumbent, mounted on a brass plinth, ht. 4 3/4 to 5 in. 600 Bronze Death Mask of Napoleon, France, mounted on gilt-bronze pillow on a marble plinth, inscribed at top of head for foundry L. Richard Eck Durand (indistinct), overall ht. 3 3/8, lg. 8 1/2, dp. 4 5/8 in. 601 Gilt-bronze-mounted Alabaster Clock Garniture, France, c. 1900, consisting of a pair of three-light scrolled-arm candelabra, ht. 13 3/8; together with an urn-top mantel clock trimmed with flowers, foliage, and torches, stamped AD Mougin Deux Medailles, ht. 16 3/4 in. $ Chinese Chippendale-style Ebonized and Parcel-gilt Mirror, 19th century, crest with ho-ho bird alighting a pagoda, flanked by dragons, surmounting the mirror framed by open column work and overlaid floral vines, base decorated with figures, rickshaw, and a vase, ht. 56 1/2, wd. 31 in. $2,000-4, Online bidding at 99

102 Biedermeier-style Ebonized and Inlaid Maple Fall-front Desk, rectangular top with canted corners over a conforming case fitted with a frieze drawer and fall-front lid enclosing an interior of six small drawers, open shelves and an arcaded area with mirrored back and parquetry inlaid floor, all above a pair of doors enclosing an interior of two long drawers and an open compartment, on tapered block feet, ht. 58 3/4, wd. 36, dp. 16 1/2 in. Provenance: Previously sold for the benefit of the Brooklyn Museum, Skinner, Sale 2513, Lot Georgian Inlaid Mahogany Sewing Stand, England, early 19th century, hinged oval top lifts to access pleated silk compartment, supported by tapered legs terminating in spade feet, ht. 25 7/8, wd. 14 1/4, dp. 10 1/4 in. 605 Georgian-style Mahogany Vitrine on Stand, molded pediment and inlaid frieze surmounting Chippendale-style fretwork over two glass doors, on later stand, overall ht. 64 1/4, wd. 47 1/4, dp. 12 in. 606 Pair of Victorian Rosewood Library Cabinets, mid-19th century, each with a rectangular top and conforming case, two reticulated scrollwork doors open to reveal two adjustable interior shelves, resting on a plinth base, each ht. 36 1/4, wd. 36, dp. 15 1/2 in. $2,000-4, Silk Rug, Pakistan, late 20th century, 5 ft. 9 in. x 3 ft. 11 in. $ Baktiari Carpet, Southwest Iran, c. 1920, 17 ft. x 12 ft. $1,200-1, Additional information and photos at

103 613 partial 614 partial 612 partial 609 Severin Nilson (Swedish, ) Figure in a Forest Landscape Signed Severin Nilson l.r. Oil on heavy paper, 18 3/4 x 15 1/2 in. (48.0 x 39.5 cm), framed. Condition: Lined onto burlap canvas, minor retouch, surface crack to left of signature, paper remnant to l.c. edge, surface grime. $ Two Framed Etchings: Attributed to Baron Dominique Vivant Denon (French, ), Profile of a Woman in a Cap and School of Giovanni Paolo Panini (Italian, c ), View with Roman Ruins Both unsigned, Girl attributed on a handwritten note affixed to the frame backing paper. Image sizes to 4 3/8 x 4 in. (11.0 x 10.2 cm). Condition: Not examined out of frames. $ Pierre Delage (British, ) Cardinal and Lady in an Elaborate Interior Signed P. Delage l.l. Oil on Masonite, 17 5/8 x 15 in. (45.0 x 38.0 cm), framed. Condition: Drying cracks, minor surface imperfections. 612 Twelve Royal Copenhagen Flora Danica Porcelain Covered Cups and Stands, Denmark, c , white ground with polychrome painted botanical specimens, bearing factory marks; twelve cups with crabstock handles to side and lids, applied floral accents, ht. 3; twelve square stands with crenellated gilt rims, ht. 1, wd. 4, dp. 4 in. $ Four Royal Copenhagen Flora Danica Porcelain Covered Custard Cups with Stands, Denmark, c , white ground with polychrome painted botanical specimens and gilt highlights, factory marks and cups with Latin specimen inscriptions on reverse, cups with lids, ht. 3 1/2, wd. 2 7/8, dp. 2 7/8; four triangular stands with crenellated rim, ht. 1, wd. 3 7/8, dp. 3 7/8 in. 614 Royal Copenhagen Flora Danica Porcelain Coffee Service with Ten Cups and Saucers, Denmark, second half 20th century, white ground and polychrome painted botanical specimens, gilt highlights, factory marks, and most with Latin specimen names inscribed to underside; a coffeepot with rosebud knop, ht. 6 3/4; two creamers, ht. 2 3/4; ten saucers with crenellated rims, dia. 5 3/8; ten cups with crabstock handles, ht. 2 3/4 in. 615 Twelve Royal Copenhagen Flora Danica Porcelain Bread Plates, Denmark, second half 20th century, white ground and polychrome botanical specimen, gilt crenellated rim, factory marks to underside and Latin inscription, dia. 7 1/2 in. $ Fourteen Royal Copenhagen Flora Danica Porcelain Dessert Plates, Denmark, late 19th/early 20th century, each with pierced and crenellated gilt rim and polychrome decorated center with a botanical specimen, printed factory mark on the reverse, dia. 8 7/8 in. $3,000-5, Royal Copenhagen Flora Danica Porcelain Vegetable Tureen with Lid, Denmark, late 20th/early 21st century, each painted with botanical specimen and decorated with gilt highlights, deep bowl with crenulated rim, lid with crabstock handle, overall ht. 7 1/2, wd. 15 3/8 in. Online bidding at 101

104 Pair of Egyptian Revival Bronze Candelabra, probably France, 19th century, each with glass drip cup atop patinated figural base with eagle, crowned with armature suspending prism drops, all atop a gilded spherule and stepped round onyx plinth, ht. 19 1/4 in. $1,200-1, Etruscan-type Terra-cotta Oenchoe, black ground, trefoil-shaped mouth with auricular handle and bulbous body with collared foot, decorated with a seated woman and palmette motifs, ht. 10 7/8 in. 620 Classical-style Marble Bust of a Roman Emperor, unsigned, white and green marble, mounted to a modern square plinth, ht. 33 in. Provenance: Ex collection Villa Solitude. $3,000-5, Continental School, Early 20th Century Alabaster and Bronze Bust of a Woman, depicted wearing a headdress, unsigned, on turned pedestal, bust ht. 10 3/4, pedestal ht. 38 in. 622 English Oak Settle Bench, early 18th century, paneled back, hinged seat which opens to a vacant interior, scrolled arm supports, paneled base, bearing typed label FROM COLLECTION OF REV. DR. TURNBULL, LEWES, SUSSEX. 1660, ht. 45, wd. 55, dp. 23 1/2 in. 623 Giovanni Battista Piranesi (Italian, ) Two Prints: Veduta del Tempio detto della Concordia and Altra Veduta degli avanzi del Pronao del Tempio della Concordia Signed Cavalier Piranesi F. in the plates l.l. Etching and engraving on paper, plate sizes 18 1/2 x 27 3/4 in. (47.0 x 70.5 cm), Veduta framed, Altra Veduta unframed. Condition: Staining, minor toning and mat burn, Altra Veduta with a small tear to margin l.c., Veduta not examined out of frame. Literature: Luigi Ficacci, Giovanni Battista Piranesi, The Complete Etchings (Koln: Taschen, 2000), pp , cat. nos. 980 and Henri Fantin-Latour (French, ) Deux études de nu Inscribed Buré 1904 within the matrix c.r., titled and inscribed...rare épreuve du 1er etat avec les inscritions on the mat l.r. Lithograph on paper, image size 4 1/4 x 7 7/8 in. (10.8 x 20.0 cm), framed. Condition: Rippling, not examined out of frame. 625 Attributed to Narcisse Virgile Diaz de la Peña (French, ) Landscape with a Rocky Outcropping Unsigned, attributed on a presentation plaque. Oil on artist board, 8 3/8 x 10 3/4 in. (21.3 x 27.2 cm), framed. Condition: Scattered dots of retouch, fine, stable craquelure. $1,200-1, Loetz-type Arcadia Handled Vase, late 19th century, tall cylindrical form with squat-form base and applied handles, green with gilt painted flowers, unsigned, ht. 10 in. 102 Additional information and photos at

105 Three Loetz-type Vessels, late 19th/early 20th century, all unmarked in shades of green; Martele basket, ht. 5 1/2, dia. 5 1/2; Crete Papillion pinched bowl, ht. 3 1/2, dia. 6 1/2; rose bowl with gilt painted flowers, ht. 4 3/4, dia. 5 in. 628 Loetz-type Opalescent Glass Vase, first quarter 20th century, with pinched rim, polychrome hues of maroon, yellow, and blue, unmarked, ht. 9 3/8 in. 629 Zuber & Cie. Wallpaper Panel of Les Grand Chasses, France, after a design produced in 1831, panel number twenty-four, depicting three hunters with their dogs in a classical landscape with ruins, ht. 55, wd. 18 1/2 in. Provenance: Panel purchased at Cole & Son, London. 630 Zuber & Cie. Wallpaper Scene of El Dorado, France, after the design produced by Ehrmann, Zippelius and Fuchs in 1848, panel twenty-two, depicting classical ruins including the Sphinx, in a landscape with palm trees, ht. 55, wd. 21 in. Provenance: Panel purchased at Cole & Son, London. 631 Two En Grisaille Wallpaper Panels Psyche Born By Zephyrs, after the original by Merry Joseph Blondel, each inscribed at base Psyché enlevée par les zéphirs, mounted in Plexiglas, unframed, ht. 74, wd. 44 1/4 in. Provenance: Purportedly from the Crane estate, Dalton, Massachusetts. N.B. These unhung panels are after those by Joseph Dufour first printed c which were produced using woodblocks. There is a reprint dated 1923 in the Cooper-Hewitt Museum collection in New York. 633 Georgian Mahogany Kneehole Desk, England, 19th century, molded top surmounting a slide-out writing surface above a long drawer, with central cabinet below flanked by three drawers, ht. 29 1/2, wd. 33 1/4, dp. 20 1/4 in. 634 Pair of Louis XVI-style Marble-top Guéridons, France, late 19th/early 20th century, each with kidney-shaped pierced brass gallery encircling a white marble surface, a three-drawer concave marquetry frieze, accented with gilt-bronze ribboned torch, supported on tapered legs, each ht. 31, wd. 18, dp. 12 in. 635 Hepplewhite-style Mahogany Inlaid Server, England, shaped top with and conforming serpentine frieze with single drawer, raised on tapered legs, ht. 32 3/4 in. $ Thirty-eight Pieces of English Porcelain Tableware, 19th century, each with gilded rims and highlights, white ground with blue and yellow accents, with landscape and architectural scenes; seventeen saucers, dia. 5 3/4; ten teacups, ht. 2 1/2; six coffee cups, ht. 3; a teapot, ht. 4 1/4; creamer, ht. 4 1/4; covered sugar, ht. 6; serving bowl, dia. 7 1/2; and plate, dia. 9 1/4 in. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. Online bidding at 103

106 641 Two Pairs of Austrian Porcelain Vases, late 19th/early 20th century, each with dark cobalt ground, gold trim, and polychrome enameled cartouches with allegorical subjects, set on raised square plinths, ht. 6 3/4, 9 1/2 in Diminutive Dutch Marquetry Fruitwood Secretary Bookcase, early 19th century, with arched crest over single glass door, interior with two shelves, surmounting a bombé case with three drawers, shaped apron, resting on scrolled feet, ht. 71 1/2, dp. 21 1/4 in. $1,500-2, François Nicolas Chifflart (French, ) Le Triomphe de la Justice et de la Vérité Signed in the plate F. Chifflart u.r., titled l.c., published by Cadart & Luquet, Editeurs. Etching on paper, plate size approximately 12 1/8 x 9 1/4 in. (31.0 x 23.5 cm), framed. Condition: Scattered foxing, subtle rippling, not examined out of frame. 638 Noel N. Carter (British, act ) Young Children Playing Signed and dated Noel N. Carter l.l. Watercolor on card, 9 3/4 x 8 in. (24.6 x 20.3 cm), framed. Condition: Toning, minor foxing, minor nicks to right edge of sheet. $ Chinese Silk Rug, contemporary, in the Persian style, 4 ft. x 2 ft. 6 in. $ Kashan Carpet, Iran, c. 1960, with Shah Abbas design on an ivory field, 11 ft. 6 in. x 9 ft. 4 in. $800-1, Vienna Porcelain Vase and Cover, Austria, late 19th/early 20th century, gilded wishbone handles to a deep cobalt blue ground bordered with arabesque foliage, polychrome enamel decorated panels, to one side a scene from Othello, the reverse a classical nymph holding a torch, underglaze beehive mark, ht. 20 1/2 in. $1,200-1, Victorian Papier-mâché Tray with Painted Fruit, England, 19th century, painted well with pineapple and grapes, gilt and polychrome highlights to serpentine borders, lg. 26 5/8, wd. 18 3/4 in. 644 French Cast Bronze Commemorative Plaque, round, with draped allegorical figures, inscribed UNION.NATIONALE.DES. SOCIETES.DE.TIR.DE.FRANCE/HONNEUR/ PATRIE, signed H. DUBOIS/D APRES A MERCIE and F. BARBEDIENNE, with hanging loop, plaque dia. 10 in. $ Additional information and photos at

107 Vienna Porcelain Vase and Cover on Stand, late 19th/early 20th century, each with cobalt ground and gilt jeweling, urn-form vase with polychrome figural mythological scenes in cartouches, gilt-knop lid, all supported by a shaped base with two similarly rendered scenes, vase with blue beehive mark, inscribed Paris und Helena and Alexander und Apelles, stand with blue beehive mark, overall ht. 18 1/2 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 646 Regency-style Triple-back Settee, 20th century, triple X-form back splats, crossbanded cresting and reeded arms, on reeded, square, tapered legs joined by medial stretchers, ht. 35 1/4, lg. 51 1/2, dp. 21 in. $ Biedermeier Birch Penwork Pedestal Table, Austria or Germany, first half 19th century, round top with lyre, griffon and acanthine foliage tendrils, four drawers, resting on a triangulated-columnar base with tripartite base, terminating in ebonized paw feet, ht. 31 1/4, dia. 41 1/4 in. $1,500-2, Louis XV-style Parquetry Side Table, 20th century, probably fruitwood, shaped top over two-drawer frieze, incurvate front legs and straight back legs, ht. 30 3/8, wd. 33 3/4, dp. 18 1/2 in. $ Pair of Louis XV-style Marble-top Inlaid Tables, each top in red marble with white veining over two drawers decorated with quill and letter motif with quatrefoils, highlighted by gilt-bronze mounts, on cabriole legs, ht. 29 1/4, wd. 26 5/8, dp. 16 in. Online bidding at 105

108 John Smart the Elder (British, ) Portrait Head of a Gentleman, Threequarter View Unsigned. Graphite and watercolor on card, miniature oval, sight size 2 x 1 3/4 in. (5.1 x 4.4 cm), framed. Condition: Not examined out of frame. 651 French School, 19th Century Hens in a Barnyard in Summer Signed V. Morlet l.r. Oil on canvas, 18 3/8 x 21 1/2 in. (46.5 x 55.0 cm), framed. Condition: Laid down on Masonite, retouch. $ Marble Bust of a Roman Emperor, 19th century, depicted in neoclassical-style drapery, bust ht. 26, round socle ht. 8 1/2 in. $2,000-4, Lalique Versailles Glass Vase, France, 20th century, urn-form with frosted band of grapevine motif, foot with carved palm leaves, atop a square clear plinth, signed on base Lalique R in circle France, ht. 13 1/2, dia. 9 1/2 in. $1,500-2, Franz Bergman Cold-painted Bronze Figure of a Boy with an Ostrich, Austria, early 20th century, polychrome decoration, the boy depicted holding ostrich by a leash, underside marked with a vasiform B, ht. 4 3/8 in. 655 Cold-painted-style Bronze Figure of an Aristocrat on a Bench, probably Austria, early 20th century, depicted wearing a top hat, with waistcoat, gloves, and a cane, ht. 4 3/8 in. 656 Franz Bergman Cold-painted Bronze Figure of a Girl with Goats, Austria, early 20th century, polychrome decoration, depicting a peasant girl holding a goat in her arms with another standing by her side, underside marked B in a vasiform outline, ht. 4 1/4 in. 657 George III Mahogany Stool, England, late 18th century, later fabric-covered seat on molded, straight tapering legs joined by a stretcher, ht. 17 7/8, wd. 16, dp. 14 in. $ Pair of Louis XVI-style Armchairs, probably fruitwood, each with arched crest rail and carved rosette ears, upholstered back, arms, and seat with loose cushion, downswept arms with leather pads, supported on turned and tapered legs, ht. 35 5/8, wd. 29, dp. 28 in. 659 Louis XV-style Marquetry Bibliophile Table, the superstructure mounted with book spines enclosing a shelf, the inlaid lower section with two drawers and shaped apron, on cabriole legs, ht. 33 1/2, wd. 13, dp. 11 in. 660 Pair of Georgian-style Side Tables with Folding Tops, each with overall inlay and burlwood veneers, projecting hinged folding molded tops surmounting four graduated drawers and pullout slide supports, chamfered corners to case, on bracket feet, ht. 29 1/2, wd. 28, open dp. 30, closed dp. 15 in. 106 Additional information and photos at

109 661 After Pierre-Jules Mêne (French, ) Bronze Figure of an Arab on Horseback, the man on a galloping horse, arm outstretched, ht. 27 1/4 in. 662 Four French Framed Wallpaper Fragments Depicting The Seasons, after the early 19th century suite produced by Jacquemart et Bernard, en grisaille, each trompe l oeil relief figure depicting sculptures Le Printemps (Spring), L Été (Summer), L Automne (Autumn), and L Hiver (Winter), mounted on later gray background, overall framed ht. 45 1/4, wd. 25 3/4 in. 663 Zuber & Cie. Scenic Wallpaper Panel from L Hindoustan, France, after the design by P.A. Mongin first printed in 1806, panel number five, depicting a pair of oxen with an elaborately designed bullock-style cart and passenger, framed, ht. 40, wd. 26 in. Provenance: Panel purchased from Cole & Son, London. 664 Large Classical-style Pottery Amphora, with narrow spout and twisted handles, ht. 33, dia. 23 1/2 in. 665 Pair of Empire Bronze Candlesticks, France, 19th century, palmette-decorated drip cups atop a bulbous-shaped gadrooned support with grapevine waist, on a round base with beadwork and carved palmette motifs, ht. 6 3/4 in. 666 Renaissance Revival-style Iron and Bronze Campaign Chair, early 20th century, with needlework-covered back and curvate carved acanthine and rosette handholds, velvet cushioned seat, X-form stretcher base, ht. 38 1/2, wd. 28, dp. 19 in Carved Rococo-style Fruitwood Bed with Putti Motif, arch-shaped headboard with heavily modeled centralized figural motif, scrolling crests, footboard with putti figural scene, on acanthus cabriole legs, headboard ht. 66, wd. 66 in. 668 Italian Hand-painted Firescreen, 18th century with later components, polychrome decorated, with carved crest and central cartouche with figural scenes of a man in a garden, with putti and musicians on reverse, with shaped shoe feet, ht. 35 1/2, wd. 22 in. $1,500-2, Charles Émile Jacque (French, ) Two Sheep in a Barn Interior Signed ch Jacque l.l., artist identified on a presentation plaque. Oil on panel, 11 x 15 in. (28.0 x 38.2 cm), framed (in a liner). Condition: Good. 670 Attributed to James Pollard (British, ) Elephant & Castle Coaching Scene Unsigned. Oil on panel, 17 1/2 x 24 in. (44.5 x 61.0 cm), framed. Condition: Minor retouch, varnish discoloration, craquelure, surface grime. 671 Spanish Colonial School, 19th Century Standing Portrait of a Boy in Red Unsigned, coat of arms u.l. Oil on canvas mounted to board, sight size 29 5/8 x 24 in. (75.2 x 61.3 cm), framed. Condition: Lined, retouch, craquelure. $1,200-2,200 Online bidding at 107

110 Chickering and Sons Grand Piano, Boston, 1858, white pine, walnut, and rosewood, eighty-five notes, Rococo Revival decorated surfaces including pedal lyre, fruit and foliage on frame, inscribed on interior of fall board Chickering./BOSTON and on iron frame CHICKERING. & SONS/TREMONT ST. BOSTON, under the keyboard in pencil 19298/GHR, with and paper labels No. 1154/Charles Pickett and No. 833/No. Heaman, lg. 81, wd. 55 in. Provenance: Sold by the Museum of Fine Arts, Boston, for the benefit of the collections. Gift of Terrance and Cynthia DuPont Tobias; The instrument was purchased from Phillip Steinhaus of Provincetown, Massachusetts. It had belonged formerly to Mrs. Richard Brandt of Boston. N.B. In the 19th century, the triangulated form of this parlor grand piano was also called a Cocked-Hat piano, as the view of the piano from above resembled a top hat worn at an angle. Chickering and Sons was the leading piano manufacturer when this instrument was produced in the mid-19th century. Major woodwork was executed in Lawrence, Massachusetts, and cases were moved by train to Boston and then carved and ornamentalized. The keys were produced in Lancaster, Massachusetts, and the pianos were exhibited for sale in Boston. $2,000-3, Pair of Neoclassical Bronze Two-light Table Lamps, 19th century, each central flame and urn form supporting scrolled arms with fruited grape leaves and prism drops, the cylindrical bases with applied floral motif, electrified, ht. 10 3/4 in. 674 Pair of Gilt-bronze-mounted Sevres Porcelain Vases and Covers, France, 19th century, pineapple finial with horned satyr mask handles supported by a scrolled gallery, foliate socle and plinth, the porcelain a deep cobalt ground with gilt-framed square cartouches polychrome enamel-decorated with courting couples in landscapes to one side, the reverse with floral bouquets, ht. 14 1/4 in. 108 Additional information and photos at

111 675 Four Meissen Porcelain Motto Figures, Germany, late 19th century, each in polychrome pastel hues, featuring an amorous cherub with phrase inscribed at base: Je les unis, the figure wearing laurel of roses; Je les couronne, the figure guarding a heart with floral wreath in hand; Je les enflamme, the figure with a torch in hand; and Je les ramene, the figure holding a floral garland in the air, each with blue crossed swords mark, ht. 5 1/2 to 5 7/8 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. $ Four Meissen Porcelain Figures, Germany, early 20th century, each polychrome decorated, three with putti: one delivering letters, a figural group with torch, and putti working at a lathe; and one with a male musician playing a fife; each with blue crossed swords mark, ht. 3 1/2 to 5 3/4 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. $ Meissen Porcelain Plinth, Germany, late 19th century, white ground with overall polychrome floral motif and gilt accents, the stand with serpentine top with conforming frieze, scrolling feet at corners topped with applied flowers, ht. 3 1/4, wd. 12, dp. 12 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 678 Attributed to The Master of the Die (Italian, 16th Century) Juno Sending Psyche Away, plate 20 from the series The History of Psyche Inscribed Ant. Sal. Ex. for Antonio Salamanca, publisher, in the plate l.r. Engraving on paper, plate size 8 1/8 x 9 1/4 in. (20.5 x 23.5 cm), framed. Condition: Not examined out of frame. $ British School, 18th Century Seven Engravings After Greek Red-Figure Vase Designs Unsigned. Engravings on paper, sight sizes to 7 3/8 x 15 7/8 in. (18.5 x 40.5 cm), framed. Condition: Not examined out of frames. N.B. Likely taken from or after engravings in Collection of Etruscan, Greek, and Roman antiquities from the cabinet of the Honble. Wm. Hamilton, His Britannick Maiesty s envoy extraordinary at the Court of Naples by William Hamilton (British, ) and Pierre François Hugues, chevalier de Hancarville (French, after 1719-c. 1790), published in Naples, , four volumes. $ British School, 18th/19th Century Dionysian Procession in the Style of a Red- Figure Vase Unsigned. Hand-colored etching on laid paper, image size 11 1/8 x 19 5/8 in. (28.3 x 50.0 cm), framed. Condition: Subtle rippling, soiling and small tears to the edges of the sheet, small holes as if from a former binding along top edge of the sheet. $ French Provincial Walnut Table, 19th century, single-board top with breadboard ends surmounting a shaped frieze with short single drawer, on cabriole legs, bearing impressed initials P.M.F. on right side, ht. 29 1/2, wd. 63 1/8, dp. 23 3/4 in. $1,200-1, Painted Dome-top Pine Box, probably Scandinavia, 19th century, blue ground with red and yellow hues, overall floral and bird motif, ht. 11 1/4, wd. 19, dp. 13 1/4 in. 683 Moroccan Polychrome Painted Pine Wedding Chest, 20th century, with red ground, blue, yellow, and green highlights, hinged top projection over case decorated with arcade motifs, rondels and foliage, sides with flower-filled urns, vacant interior with till, supported by turned legs, inscribed 1363 with indistinct script on front and left side panel, ht. 27, wd. 53 7/8, dp. 15 3/4 in. $ Khorasan Rug, Iran, c. 1900, 4 ft. 7 in. x 3 ft. 4 in. Online bidding at 109

112 Afshar Rug, Iran, c. 1920, 4 ft. 4 in. x 4 ft. 1 in. $ Pair of Baroque-style Carved Giltwood Angel Architectural Elements, probably Italy, each with realistically modeled painted faces and giltwood eyes, open mouth, with acanthine carved shoulders terminating in shaped reticulated base, ht. 24 to 25 in. 687 Continental Painted Alms Box, 18th century, polychrome decorated, the arched crest over figural depiction of the Virgin Mary and Child, surmounting a hinged-lid, vacant compartment, and a shaped handle in the back, ht. 10 7/8, wd. 7, dp. 7 3/4 in. $ Fruitwood Virgin Mary and Child Figure, 18th century, mounted to an ebonized round socle, ht. 7 3/4 in. $ Berlin-style Porcelain Plaque of a Woman with Putti, possibly France, early 20th century, polychrome painted depiction of a woman in classical dress holding a floral bouquet surrounded by two winged putti, in a gilded frame, inscribed to verso of frame Song of Love/Made in France, sight ht. 7 5/8, wd. 5 1/2 in. $ Framed Berlin-style Porcelain Plaque of a Bacchante, early 20th century, polychrome painted depiction of a woman with grapevine laurel crowning her hair, in an ornate pierced gilded frame and mounted in a shadow box, plaque ht. 5 7/8, wd. 4 in. 691 Framed Berlin-style Porcelain Plaque of Princess Louise of Austria, early 20th century, polychrome painted depiction of Louise wearing a white dress and scarf, in a gilded frame with ribboned crest, mounted in a shadow box, sight ht. 4 3/8, wd. 3 1/2 in. 692 Framed Berlin-style Polychrome Porcelain Plaque of Ruth, early 20th century, polychrome painted depiction of Ruth holding wheat, ht. 8 3/8, wd. 5 5/8 in. $ German School, 19th Century Two Genre Scenes: Grandmother with Baby and Grandfather with Child Unsigned. Oil on canvas, 10 x 8 1/2 in. (25.5 x 21.7 cm), framed. Condition: Craquelure, surface grime. 110 Additional information and photos at

113 Thomas Rowlandson (British, ) Two Prints: Duck Shooting and Snipe Shooting After George Morland (British, ) Inscribed Painted by G. Morland & Etch d by T. Rowlandson in the plates l.l., titled l.c., published...janry 1, 1790 by J. arris...& Tho. Merle... l.r. Etching and aquatint with hand-coloring, sight sizes 16 3/4 x 21 1/2 in. (42.7 x 54.7 cm), framed. Condition: Minor toning and foxing, not examined out of frames. 695 Harry Oliver Richardson (British, act ) The Timber Wain Signed and inscribed H.O. Richardson/ Rugby l.l., titled on a label affixed to the stretcher. Oil on canvas, 24 x 36 in. (60.5 x 91.5 cm), framed. Condition: Lined, minor retouch, craquelure, surface grime. 696 Burl Walnut Vanity Box, probably France, 19th century, with inlaid top and escutcheon, interior with velvet- and leather-lined false compartment, and removable divided tray, ht. 7, wd. 12, dp. 7 in. $ Sevres-style Porcelain Urn, late 19th century, vasiform body terminating in pinkground foot with gilding, pastel polychrome scenes of a maiden with putti, and a garden folly, resting on round hardstone base, ht. 27 1/2 in. $ Grisaille Painted Porcelain Plaque, probably France, white ground with gray and yellow painted scene of a man approaching a sleeping woman in a garden setting, set off by a neoclassical-style framed cartouche, plaque ht. 17 3/4, wd. 12 3/4 in. $ Continental School, 19th Century Bronze Figure of a Satyr, patinated, depicted dancing, on a rectangular plinth, unsigned, ht. 31 3/4 in. 700 Zuber & Cie. Wallpaper Panel from L Hindoustan, France, after the design by P.A. Mongin first printed in 1806, panel depicting a barge being rowed to shore with mountains in the distance, framed, ht. 40, wd. 26 in. Provenance: Panel purchased at Cole & Son, London. 701 Zuber & Cie. Wallpaper Panel of Les Courses de Chevaux, France, after the original printed in 1838, panel number twelve, en grisaille, depicting spectators in a grandstand in an Italianate landscape, framed, ht. 55, wd. 18 in. Provenance: Panel purchased at Cole & Son, London. $ George III Mahogany Camel-back Sofa, 18th century, of typical form, with outscrolled arms, upholstered tight seat and back, supported on straight legs joined by stretchers, later silk fabric, lg. 82 in. $ Online bidding at 111

114 teapot: 705 partial stand: George III Inlaid Mahogany Knife Box, England, early 19th century, the canted compass-inlaid sunburst lid on conforming case, interior with fitted compartments, ht. 14 1/8 in. 704 Regency Mahogany Collector s Cabinet, England, 19th century, with rectangular hinged top enclosing a vacant interior, case with a faux drawer front above eight short working drawers with a lock method of two sliding rods, supported on straight open bracketed legs, ht. 36, wd. 32, dp. 15 1/2 in. $ Thirty-nine-piece English Porcelain Service, with bright gilding and cobalt blue on white ground and painted floral panels, most marked on reverse 2/825, including: twelve teacups, ht. 2 1/2; eight coffee cups, ht. 3; twelve saucers, dia. 5 1/2; a creamer, ht. 4; a covered sugar with butterfly knop, ht. 5 1/2; a covered teapot with butterfly knop, ht. 6 1/2; a waste bowl, ht. 3 1/2; an undertray, dia. 8 1/4; and two trays, dia. 7 to 8 in. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. $ George III Mahogany Kettle Stand, England, 18th century, in the Chinese Chippendale style, a molded top above a frieze with pierced brackets, slide-out candle tray, supported by four straight tapered legs terminating in caster feet, ht. 23 7/8, wd. 11 1/2, dp. 11 1/2 in. 707 Malayer Sarouk Rug, Iran, c. 1920, 6 ft. 8 in. x 4 ft. 3 in. $800-1, Louis-Marin Bonnet (French, ) Pair of Courting Prints: L Amant Écouté and L Eventail Cassé, After Jean-Frédéric Schall (Jean-Frederic Schall (French, ) Unsigned, titled in the plates l.c. Color stipple engravings on paper, image sizes 10 3/16 x 8 5/8 in. (26.0 x 21.2 cm), framed. Condition: Toning, foxing, not examined out of frames. $ Additional information and photos at

115 Attributed to Samuel Scott (British, ) Vessels in a Calm Harbor Unsigned, attributed on a presentation plaque, inscribed A Beautiful Spe... in ink on the stretcher. Oil on canvas, 14 x 17 1/2 in. (35.8 x 44.6 cm), framed. Condition: Lined, retouch, craquelure, skinning, surface grime, fragmentary paper label on the reverse. $ Joseph Le Guluche (act. France, ) Terra-cotta Bust of a Woman, polychrome painted, depicting a woman in elaborate costume wearing a headdress with beaded ornaments, and necklaces over her dress, on stepped plinth, inscribed on back A. Hanne and 313 and signed on shoulder J. Le. Guluche 1896, ht. 23 1/2 in. $1,500-2, Two Royal Copenhagen Eneret Porcelain Lions, Denmark, late 19th century, with factory marks, ht. 3 5/8 to 4 in. 712 Two Vienna Porcelain Dishes, Austria, late 19th/early 20th century, each polychrome decorated, with ruby jeweled rims and mythological scenes, blue beehive mark to underside, one with scene of maidens crowning a garden statue, dia. 14; the other with three maidens and cherub with arrow, dia. 9 1/2 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 713 Green Onyx Elliott Mantel Clock, London, 20th century, stepped pediment case with roman numeral dial, silver-gilt dial and gilded winged figural spandrels, ht. 8 1/2, wd. 7 1/2 in. 714 Georgian Mahogany Gate-leg Table, possibly Ireland, oval top supported by legs with shell-carved knees, extending to slipper feet, ht. 27 5/8, open dp. 57, closed dp. 20, wd. 44 in. 715 Neoclassical-style Carved and Painted Giltwood Mirror, ribboned cornice with carved violin and horn motif, flanked by urns surmounting a carved frame, ht. 72 1/2, wd. 32 1/2 in. 716 George III-style Mahogany Breakfront, 19th century, arched cornice with dentil molding above four glazed doors each with geometric mullions and enclosing a silk-lined and shelved interior; projecting lower section fitted with four doors enclosing shelves and drawers, on a plinth base, ht. 98, wd. 78 1/2, dp. 20 in. Online bidding at 113

116 British School, 19th Century Coaches and Equestrians in a Park Signed and dated H.F. Janes/1866 l.r. Oil on academy board, 8 1/2 x 20 7/8 in. (21.6 x 53.0 cm), framed. Condition: Retouch, craquelure, varnish discoloration, surface grime. 718 Frederick Barnard (British, ) Peasant Woman at Rest Feeding Birds Initialed F.B. on the reverse. Oil on canvas, 9 x 5 3/4 in. (23.0 x 14.5 cm), framed. Condition: Retouch, fine craquelure, minor surface grime. 719 Continental Polychrome Painted Giltwood Figure of Catherine of Alexandria, 19th century, depicted holding a book of scripture and leaning against a wheel, modeled on stepped base, ht. 35 in. $2,000-3, Rosenthal Porcelain Korean Dancer, designed 1919, polychrome decoration with gilt highlights overall, depicting a dancer in vibrant costume in pose, signed to base C. Holzer-Defanti., with factory marks to underside, ht. 16 1/4 in. 721 Pair of Baroque-style Bronze and Glass Lamps, urn-shaped glass above a heavily carved vasiform body with grotesque mask and putti frieze, on chased and collared foot on shaped rouge marble base, later electrified, overall ht. 25 3/4 in. 722 Amber and Meerschaum Figure, Continental, 19th century, modeled as a woman sitting on a capital, surmounting an amber specimen on a stepped turned plinth, under a later glass dome on wood plinth, figure ht. 9 1/2 in. 723 Pair of Bronze Musician Candlesticks, Continental, each patinated, both depicted singing, the man playing a violin, woman playing a guitar, indistinctly inscribed on base F. George, ht. 11 to 11 1/2 in. 724 Carved Fruitwood Figure of St. John the Baptist, Continental, 19th century, depicted holding a shell in one hand, on naturalistic base, ht. 20 1/2 in. $ Neoclassical-style Painted and Parcelgiltwood Casket, probably Italy, 19th century, heavily carved with a pagoda-style paneled hinged lid surmounting a gadrooned frieze and case decorated with acanthus foliage, on a later stand, ht. 57, wd. 37, dp. 26 in. 726 Continental Hand-carved Pine Frame with Mirror, late 19th/early 20th century, with carved chains of rosettes and acanthus leaves, overall ht. 27 3/4, wd. 21 1/2 in. $ Louis XVI-style Giltwood Folding Screen, early 20th century, three hinged panels, each with mirror to upper portion and fabric on lower portion; center with arched pierced crest and carved floral wreath, sides with downswept crest, all supported by tapered channeled legs, ht. 63, each side panel wd. 13 3/4, center panel wd. 20 1/4 in. 114 Additional information and photos at

117 732 partial partial 731 partial 728 British School, 18th Century Two Engravings on Mythological Themes in the Red-Figure Style Unsigned. Engravings on paper, plate sizes to 8 1/2 x 12 3/4 in. (21.7 x 32.2 cm), framed. Condition: Not examined out of frames. N.B. Likely taken from or after engravings in Collection of Etruscan, Greek, and Roman antiquities from the cabinet of the Honble. Wm. Hamilton, His Britannick Maiesty s envoy extraordinary at the Court of Naples by William Hamilton (British, ) and Pierre François Hugues, chevalier de Hancarville (French, after 1719-c. 1790), published in Naples, , four volumes. $ Giovanni-Battista Nolli (Italian, ) Two Engravings of Antique Vessels in Landscapes Signed Nolli sculp in the plates l.r., inscribed 28 Pag 172 and 29 page. 173 in the plates u.l. or u.r., respectively. Engravings on paper, plate sizes 6 1/4 x 10 1/8 in. (16.3 x 25.5 cm), framed. Condition: Both with subtle rippling and typography on the reverse, not examined out of frames. $ Royal Copenhagen Flora Danica Porcelain Tureen and Stand, Denmark, c , white ground with polychrome botanical specimens on them, domed cover with crabstock handle framed by applied flower sprigs, surmounting a two-handled deep vessel similarly modeled, and stand with gilt crenellated rim, and a stand with gilt-crenellated rim, with factory marks to each and Latin inscriptions of specimens, overall ht. 10 3/4 in. $1,200-1, Four Royal Copenhagen Flora Danica Porcelain Covered Dishes, Denmark, c , white ground with polychrome botanical specimens, gilt highlights, lids with crabstock handle and floral sprays, factory marks to lids and dishes and with Latin inscription of specimen name, overall ht. 5 3/4, wd. 6, dp. 4 3/4 in. $1,200-1, Two Royal Copenhagen Flora Danica Porcelain Covered Serving Dishes, Denmark, c , oval, white ground with polychrome botanical specimen on lid with crabstock handle and applied flowers, gilt crenellated rim on dish, each with factory marks to underside and Latin inscription to lid, ht. 8, wd. 15 1/4, dp. 12 in. $2,000-4, Four Royal Copenhagen Flora Danica Porcelain Round Vegetable Dishes and Covers, Denmark, c , white ground with polychrome botanical specimens, gilt highlights, domed covers have crabstock handle with applied floral sprays, dishes with gilt rim and small depictions of flowers and leaves, factory marks to underside and Latin inscriptions on lids, overall ht. 7 in. $2,000-4, Twelve Royal Copenhagen Flora Danica Porcelain Soup Plates, Denmark, second half of the 20th century, white ground with polychrome botanical specimen, crenellated gilt rim, factory marks to underside and Latin specimen name inscribed, dia. 8 3/4 in. $ Twelve Royal Copenhagen Flora Danica Porcelain Large Plates, Denmark, second half 20th century, white ground with polychrome botanical specimens, crenellated gilt rims, factory marks to underside, with Latin inscription, dia. 11 3/4 in. $1,200-1,800 Online bidding at 115

118 A Twelve Royal Copenhagen Flora Danica Porcelain Dinner Plates, Denmark, second half of the 20th century, each white ground with depiction of a polychrome botanical specimen, gilt crenellated rim, factory marks to underside and Latin inscription to underside, dia. 10 in. $1,200-1, Twelve Royal Copenhagen Flora Danica Porcelain Side Bowls, Denmark, c , white ground depicting polychrome botanical specimen, crenellated gilt rim, factory marks to underside and inscription of Latin name of specimen, dia. 5 3/4 in. 737 Charles X Mahogany Empire Plant Stand, 19th century, oval basin supported on giltbronze collared columns, X-form stretcher, ht. 34, wd. 22 1/2, dp. 18 in. 738 Hand-hammered Arts and Crafts-style Iron Screen, 20th century, arched crest with fiddlehead and brass floral rondel motif, base supported by spade-leaf feet, ht. 20 1/2, wd. 35 in. 739 Goyard Steamer Trunk, Paris, c , with chevron canvas exterior, V monogram in black on sides, brass-bound, front closure inscribed E. GOYARD AINE/233 Rue St. Honore/PARIS, and side locks with E. GOYARD AINE, ht. 22 1/2, wd. 43 1/4, dp. 22 1/8 in. Provenance: This trunk was reviewed by Goyard in Paris in 2010 by the prior owner and was verified to have been produced c. 1910s-20s, at a time when Goyard records were scarce; as it was during the First World War. The lot is accompanied by a statement that the trunk was used by the Vanderbilt family, then inherited by Henry F. Rodriques Sr., who was employed for over 40 years by the Reed, Firestone, and Vanderbilt families. The trunk was then inherited by Henry F. Rodriques Jr. La Maison Goyard was founded in 1853 in Paris. Notable clients included the Maharajah de Kapurthala and the Duke and Duchess of Windsor. $3,000-5, Sixty-four Pieces of Hawkes Walpole Crystal Stemware, America, each with oblong thumbprints, cut bands along rim, faceted stems, and square foot, most signed at base HAWKES ; including twenty water goblets, ht. 7 3/4; sixteen white wines, ht. 6 3/4; seventeen red wines, ht. 6 5/8; and ten cordials, ht. 5 1/2 in. 741 Pair of Sevres-style Porcelain Covered Tureens, white ground with violet banding and pansy and rose accents, gilt highlights and undertray, Sevres-style marks inscribed with C.D. to underside, each overall ht. 5 1/4 in. $ Pair of Continental Art Nouveau-style Majolica Vases, probably Austria or Germany, early 20th century, each polychrome decorated, with serpentine mouth, lotusbloom auricular pierced handles, slender body of teal ground with panels of landscape and pond scenes, impressed with 11553V to underside, ht. 14 1/2 in. 743 French Frosted Opaline Glass Punch Set, late 19th century, enameled and gilded fruited grape leaf chains, cylindrical punch bowl with lid, overall ht. 12 1/2, ladle, lg. 12, undertray, dia. 13 5/8, and ten cups with handles, ht. 2 7/8 in. 744 Queen Anne Oak Dressing Table, England, 18th century, the scalloped top surmounting a serpentine single drawer frieze, on curvate legs terminating in slipper feet, ht. 30, wd. 17 1/2, dp. 27 1/4 in. $ Additional information and photos at

119 Georgian-style Wool Needlework and Mahogany Pole Screen, depicting a woman on a recamier, on tripartite scrolling feet, ht. 53 in. 746 Georgian-style Inlaid Mahogany Tea Tray on Stand, oval, with scalloped gallery and inlaid shell motif, green felt underside, on later stand with medial stretcher and tapered legs, ht. 19 1/2, wd. 32, dp. 24 in. 746A Minton Porcelain Partial Tea Service, England, c , gilt trim to a blue ground with foliate scroll framed cartouches polychrome enamel decorated with landscapes of houses and castles, including a covered teapot, lg. 9 5/8; teapot stand, dia. 7 5/8; covered two-handled sugar bowl, lg. 7; waste bowl, dia. 6 3/8; ten teacups and saucers; and a cake dish, lg. 9 1/2 in. Provenance: Deaccessioned from the Worcester Art Museum, Worcester, Massachusetts. 747 Jean-Charles Baquoy (French, ), After Jacques E. de Sève (French, act ) Two Engravings: La Chevre d Angora and Le Belier, from Histoire Naturelle Generale et Particuliere by George-Louis Leclerc Signed Baquoy sculp. in the plate l.r., De Seve del. in the plate l.l. Hand-colored engravings, plate sizes 8 3/8 x 6 1/2 in. (21.5 x 16.5 cm), framed. Condition: Subtle rippling, not examined out of frames. $ Pair of Empire Bronze and Gilt-bronze Figural Sconces, probably France, 19th century, each patinated, shaped urn crest with five-light carved figural mask armature and beaded bobeches, over figure of winged Victory on an orb, ht. 39 1/2, wd. 19 1/2, dp. 10 1/2 in. $2,000-4, Pair of Painted Tole Grand Tour Urns, Continental, 19th century, each polychrome decorated, the necks with pierced acanthus foliage, bodies with band of painted scenes of a Mediterranean-style landscape and architecture, on a red socle resting on a square reticulated plinth, ht. 10 in. $ Continental School, 17th Century Galatea, After Annibale Carracci (Italian, ) Fresco in the Palazzo Farnese in Rome Monogrammed AC in graphite and with a collector s stamp l.l., inscribed P.P. Rubens d apres Raphael in ink l.r., titled in an inscription on the reverse. Red chalk and charcoal on laid paper mounted to canvas, 10 1/4 x 16 3/4 in. (26.0 x 42.8 cm), framed. Condition: Creasing, toning, soiling. N.B. The work bears an interesting collector s mark, a star, similar to the one generally associated with Nicholas Lanier (L.2885), but more closely resembling a mark associated with Johan Peter Samuel Guildal ( ), a Dutch industrialist (L.2886a). The watermark may be a fool s cap. The inscription on the reverse, which is in a later hand, is difficult to read, but it begins From Arundel... This could refer to Lord Arundel, who traveled in Italy in the 17th century buying art for Charles I of England. It is possible that this drawing was made after an engraving of the ceiling fresco. $1,000-2, Venetian Hand-painted Kiddush Cup, early 20th century, footed goblet form, ruby color with gilt decoration and Biblical scenes, ht. 5 3/4 in. Online bidding at 117

120 752 Pair of French Gilt-bronze and Porcelain Five-light Candelabra, 19th century, each with centralized drip cup with palmettes, accented below by grotesque masks and four-light scrolling armature extending to drip cups with lotus-carved bobeches, with vasiform and shaped supports of emerald green porcelain highlights, all resting on acanthine pied a biche feet, ht. 21 1/4 in. 753 Continental Miniature Fruitwood Armoire, 19th century, with walnut and spruce, stepped cornice projection over paneled door, later painted interior with two adjustable shelves, ht. 21 3/4, wd. 14, dp. 7 in. 754 French Charles X Mahogany Cartonnier Chest, early 19th century, stepped molded top projection over six tooled leather-front box drawers surmounting three short drawers, all accessible by hinged locking front panel, resting on rounded feet, ht. 63 3/4, wd. 24 3/4, dp. 15 3/4 in. 755 French Provincial Fruitwood Side Table, late 18th/ early 19th century, gallery top, pierced heart sides, open interior, on tapered, channeled, turned legs, ht. 31, wd. 18 1/4, dp. 12 1/2 in. 756 Alexandre Calame (Swiss, ) 754 Swiss Scene Signed Calame... l.r., identified on a label from S.M. Vose, Providence, Rhode Island, affixed to the reverse. Oil on canvas mounted to panel, 5 3/8 x 6 1/2 in. (13.7 x 16.4 cm), framed (under glass). Condition: Minor retouch, not examined out of frame. 751A Pair of Empire Gilded and Patinated Bronze Figural Candelabra, France, 19th century, each four-light, with scrolled arms adorned with grapes and leaves and centered by a flame finial, the standing male figure holding grapes, the woman holding a cup, each standing atop an orb set on a ribbed cylindrical plinth, electrified, ht. to top of candle nozzle 24 in. Provenance: The estate of Yogi Berra. $2,500-3, French School, 19th/20th Century Madonna and Child Triptych Unsigned. Tempera on wood panels with gilding, 11 1/2 x 19 in. (29.2 x 48.2 cm), unframed. Condition: Paint discoloration, surface grime, dust to interstices. N.B. Inscription on the top of the metal frame reads: Mater Boni Consilii Opii. The bottom of the center panel is inscribed Divine Compagnie qui suffisant à notre bonheur eternel...augmenter par la possession des ames que nous aurons tendrement... $ Additional information and photos at

121 Pair of Painted Tin Tea Canister Lamps, 19th century, each green with a polychrome chinoiserie-style figural scene, one of two women, inscribed 4 at top, the other of two men marked 5, both with impressed inscription on reverse PARNALL & SONS MAKERS/21 & 22/NARROW WINE STREET/ BRISTOL, ht. 18 3/4, overall ht. 34 in. 759 Empire-style Gilt-bronze Figural Lamp, early 20th century, with winged putti holding a string, modeled with a naturalistic tree stump behind him and doves at his feet, atop a marble plinth, ht. 17 3/4, overall ht. 30 in. $ Limoges Enameled Porcelain Box, France, 19th century, hinged cover with a couple dressed in classical drapery, the body with putti in a landscape at various pursuits including painting, and the underside with a sepia-colored architectural scene, ht. 1 3/4, dia. 3 3/8 in. 761 Sevres Porcelain Bust of Marie Antoinette, France, 20th century, white biscuit, on round cobalt socle, bearing impressed marks on shoulder and factory marks on underside, inscribed RF/MANUFACTURE NATIONALE/ DORE A SEVRES 1903, ht. 11 1/4 in. $ Pair of French Gilded Creamware Vases, 19th century, each urn-form, with acanthus rims and garland motif on body, palmette decorated foot, and resting on stepped giltwood base, overall ht. 11 1/2 in. 763 Continental Baroque-style Adjustable-back Walnut Armchair, 18th century with later components, canted straight padded back with covered arms, carved handholds and supports, loose cushion seat, carved legs joined by a stretcher, later mechanism and leather covering, ht. 43 1/2, wd. 27, dp. 34 in. 764 Continental Inlaid Serpentine Fruitwood Commode, early 19th century, top with chamfered corners over two long drawers, shaped apron, on curvate legs with giltbronze-mounted sabot feet, ht. 34 1/2, wd. 50 1/2, dp. 22 3/4 in. 765 Anglo-Colonial Campaign-style Rosewood Reclining Armchair, mid-19th century, the carved wingback framing a padded back, covered armrest and carved scrolling arms, supported on reeded turned legs, with a pushlever mechanism and slide-out footrest, open ht. 44, wd. 25 3/4, dp. 64 in. 766 Lester George Hornby (American, ) Three Etchings of European Subjects: In the Giudecca, Rue de l Ecole Polytec, and Passage de la Petite Boucherie Guidecca and l Ecole signed L.G. Hornby in pencil l.r., all three prints signed and titled in the plates. Etchings, plate sizes to 9 3/4 x 6 1/4 in. (24.7 x 16.0 cm), unframed. Condition: Toning, subtle handling creases, l Ecole with scattered foxing and loss to u.r. edge of margin. 767 British School, 19th Century Two Drawings of Barn Interiors with Animals and Children Unsigned, both numbered D-38/28 l.r. Pencil on paper/board, sight sizes 8 3/4 x 12 1/4 in. (22.0 x 31.0 cm), framed. Condition: Minor foxing, not examined out of frames. Online bidding at 119

122 Two Meissen Porcelain Animal Figurines, Germany, 20th century, each realistically modeled, with crossed swords mark, a rhinoceros, ht. 3 1/4; and an elephant, ht. 3 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 769 Three Meissen-style Porcelain Bird Figures, 20th century, a peacock, rooster and hen group with crossed swords mark, and a swan with spurious mark, ht. 2 1/4 to 3 7/8 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 770 Meissen Porcelain Bird, Germany, 20th century, polychrome decorated with shades of brown and gray, modeled on a naturalistic tree stump, ht. 7 3/4 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 771 Meissen Porcelain Pate-sur-pate Vase, Germany, late 19th century, polychrome decorated, the collared neck with silvered stretched palmettes, baluster-form body with teal ground surrounding two cartouches within scrolling gilded foliage, each with white paste cherubs, with underglazed blue crossed swords mark, ht. 9 7/8 in. $3,000-5, Four-piece Meissen Porcelain Monkey Band, Germany, late 19th/early 20th century, each polychrome decorated, on gilded scrolling bases: a keyboardist sitting on a monkey, a harpist in a dress, a French horn player with gilded horn, and a French horn player with gray-painted horn, each with crossed swords mark, ht. 4 7/8 to 5 7/8 in. $1,200-1, Pair of Meissen Porcelain Covered Jars, Germany, early 20th century, each with white ground with green landscape and figural scenes on a vasiform body, gilt rim and foot, with dome-shaped lid, with underglazed crossed swords mark, overall ht. 9 1/2 in. N.B. Sold to benefit the Worcester Art Museum, Worcester, Massachusetts. 774 Three Meissen Porcelain Trays with Bird Motif, Germany, late 19th/early 20th century, white ground with polychrome depictions of birds on each, gilded rims, two square trays with serpentine basket-relief edge and crimped corners, ht. 2 3/8, wd. 10 1/8, dp. 10 1/8; and an oval tray of similar form, ht. 2 1/4, wd. 19 3/4, dp. 15 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. $ British School, 18th Century Folio Title Page and Two Illustrations from Collection of Etruscan, Greek, and Roman Antiquities from the Cabinet of the Honorable W. Hamilton Unsigned, titled within the plates, folio page inscribed VOL. IIII, MD. CCLXVII in the plate l.c. Engravings on paper, sight sizes to 14 x 11 3/8 in. (36.5 x 29.0 cm), framed. Condition: Not examined out of frames. N.B. The two other plates depict an amphora and a krater. Likely taken from or after engravings in Collection of Etruscan, Greek, and Roman antiquities from the cabinet of the Honble. Wm. Hamilton, His Britannick Maiesty s envoy extraordinary at the Court of Naples by William Hamilton (British, ) and Pierre François Hugues, chevalier de Hancarville (French, after 1719-c. 1790), published in Naples, , four volumes. $ Additional information and photos at

123 French School, 19th Century Three Chromolithographs Depicting Greek and Roman Designs Titled and attributed to various lithographers in the plates, inscribed Imp. Firmin-Didot & Cie or Imp. Firmin-Didot fr Fils & Cie, Paris in the plates l.r. Color lithographs on paper, sight sizes to 13 1/2 x 8 3/4 in. (34.0 x 22.0 cm), framed. Condition: Not examined out of frames. $ Georgian-style Mahogany Triple-back Settee, with Chippendale-style carved crest rails and ears, pierced fretwork splats, trapezoidal seat cushion, supported on carved legs with claw-and-ball feet, later covering, ht. 38 1/2, wd. 65, dp. 22 in. 778 English Regency Rosewood Canterbury, 19th century, four divisions with central handle element, above a single-drawer frieze, turned supports terminating in brass caster feet, ht. 21, wd. 19 3/4, dp. 14 3/4 in. $ Continental School, 18th/19th Century Europa and the Bull in a Neoclassical Setting Unsigned. Oil on canvas, 26 x 20 3/4 in. (66.0 x 52.8 cm), framed. Condition: Lined, retouch, craquelure. 780 Philipp Graf (German, ) Genre Scene with a Coach Stopping at a Tavern Signed and inscribed Philipp Graf München. l.l., inscribed faintly on the reverse. Oil on panel, 7 x 9 1/2 in. (17.5 x 24.0 cm), framed Condition: Good. Provenance: Skinner, Inc., April 8, 2006, Sale 231, Lot Continental School, 19th Century Bronze Bust of a Roman God, depicted wearing a head covering, on a turned marble socle, ht. 26 in. $1,800-2, Thirty-one Pieces of KPM Porcelain China, Berlin, late 19th/early 20th century, all white ground with polychrome grapevine and gilt rims, with varying KPM factory marks including some pieces with crown and monogram, probably for Kaiser Wilhelm I; ten dinner plates, dia. 10; eight soup bowls, dia. 9 1/2; four round plates, dia. 8 1/4; two serving dishes, dia. 9 3/4; two plates, dia. 11; two octagonal trays, wd. 10 1/4; a dish, dia. 8 3/4; an oval tray, wd. 10 7/8; and another oval tray, wd. 13 1/2 in. 783 Silvered Bronze Barbedienne Tazza, France, 19th century, carved and modeled as a Roman fete scene in a landscape of ruins, supported by four winged putti caryatid, inscribed to base F. BARBEDIENNE, ht. 3 5/8 in. 784 After Adrien Etienne Gaudez (act. France, ) Grand Tour Bronze Male Allegorical Figure Devoir, depicting a man with a sword, resting his hand on a plow, set upon naturalistic base with round plinth, signed A. GAUDEZ to base and with plaque inscribed DEVOIR/Par A. Gaudez, H.C., ht. 12 1/2 in. Online bidding at 121

124 Pair of Overlay Glass Lustres, early 20th century, each white over cranberry, with scalloped bobeche and bell-shaped body with pendant drops, vasiform support with spreading foot, ht. 17; the associated trumpet-form hurricanes with painted lion motif, ht. 10 1/2 in. $ Empire-style Painted Pier Table, Continental, scagliola top of green, white, and gray with an incised symbol on the surface, surmounting a carved frieze over a heavily carved eagle resting on a dentiled plinth, ht. 42 1/2, wd. 56, dp. 21 in. $2,000-4, Neoclassical-style Painted Casket and Cover, white with ochre and gilded highlights, the stepped pyramidal cover with gadrooned edge, over a bombé casket with carved acanthus base on hairy paw feet, on a stepped plinth, ht. 38 1/4, wd. 31/4, dp. 17 3/4 in. 788 Rococo-style Painted Aneroid Barometer, Continental, with a pink beribboned crest over arched frame with heavily carved rose swags and festoons, painted floral motif overall, with French inscriptions and Barometre Selon Torricelli at base of dial, ht. 41 1/2 in. 789 Twelve Royal Copenhagen Flora Danica Porcelain Egg Cups, Denmark, mid-20th century, white ground with gilt highlights, and painted botanical specimens as accents, bearing factory marks, ht. 2 1/4 in. 790 Two Royal Copenhagen Flora Danica Porcelain Sauceboats, Denmark, c , each with white ground and polychrome botanical specimens, with crabstock handles, attached undertray with crenellated gilt rim, factory marks to underside and Latin inscription of specimen name, ht. 5 1/2, wd. 9 1/2, dp. 6 1/2 in. 791 Four Royal Copenhagen Flora Danica Porcelain Condiment Cups with Covers, Denmark, c , white ground with polychrome painted botanical specimens, gilded accents, cups with handles, lids with applied flowers, bearing factory marks, each cup with inscribed Latin name for specimen depicted, ht. 3 in. 792 Twelve Royal Copenhagen Flora Danica Porcelain Butter Pats, Denmark, c , white ground with polychrome botanical specimens, crenellated gilt rim, bearing factory marks, inscribed, dia. 3 in. 793 Twelve Royal Copenhagen Flora Danica Porcelain Side Plates, Denmark, c , white ground, with polychrome botanical specimen on each, crenellated gilt rim, factory marks to underside, and Latin inscription for specimen name, dia. 5 5/8 in. 794 Royal Copenhagen Flora Danica Porcelain Oval Bowl, Denmark, c , polychrome decoration with gilt highlights, crabstock handles with applied rose and floral sprigs, the body with hand-painted botanical specimens, base inscribed with Latin specimen name and factory mark with , ht. 6 1/4, wd. 14 1/2 in. $3,000-5, Additional information and photos at

125 790 partial partial 792 partial 793 partial 791 partial 795 Royal Copenhagen Flora Danica Porcelain Soup Tureen and Platter, Denmark, c , each with gilt highlights overall, crabstock handles with applied roses and floral sprays, painted with botanical specimens, each with factory marks and inscribed in Latin to underside, tureen overall ht. 10 1/2, wd. 14 1/4, dp. 9; platter lg. 18 1/2, wd. 14 in. $2,000-3, After Stanley Bleifield (American, ) Bronze of The Lost Sailor, depicting a man looking into the distance, wearing a coat and hat, signed S. Bleifield 85, ht. 23 3/4 in. N.B. A large-scale commission of this sculpture was executed by the artist for the United States Navy Memorial in Washington, D.C., to honor all those who have served at sea. There are several other reproductions of this work, including one that was commissioned for Norfolk, Virginia, to stand by the U.S.S. Wisconsin. $ Italian Baroque-style Silvered Bronze Plaquette, depicting a central silvered plaque of the Resurrection within a bronze frame, with wood backing, ht. 8 in. 797A Russian Icon Depicting the Mother of God, 19th century, the kovcheg panel with two patron saints to each side centering the central four depictions of the Mother of God, 12 3/8 x 12 5/8 in. 798 Rene Louis Emile Bignon (French, 20th Century) Bronze Figure of a Man Climbing, depicted on a naturalistic craggy base, signed R. Bignon, ht. 17 in. 799 Amalie Kärcher (German, act ) Opulent Floral Still Life with Fruit and Insects Signed and dated Amalie Kaercher l.c. Oil on canvas, 21 x 17 in. (53.0 x 43.0 cm), oval stretcher and frame. Condition: Patch reinforcements, retouch, craquelure, minor surface grime. N.B. The date is partially hidden by the edge of the frame; the work was not removed from the frame in order to preserve the backing. 800 After Pierre-Auguste Cot (French, ) The Storm Signed and dated R. WINSLOW 95 l.l. Oil on canvas, 36 x 21 in. (91.5 x 53.0 cm), in the original frame. Condition: Probable old retouch, craquelure, surface grime. N.B. The original painting, The Storm was commissioned by Catharine Lorillard Wolfe, inspired by her admiration for Cot s Springtime owned by her cousin, hardware tycoon and art patron John Wolfe. The Storm, which was immensely popular and reproduced extensively, entered the collection of the Metropolitan Museum of Art, New York, by bequest of Catharine Lorillard Wolfe in $1,000-2, After Isidore Jules Bonheur (French, ) Bronze Jockey and Horse, patinated, horse depicted in motion, on a naturalistic base, set atop a rectangular green marble plinth, ht. 29 in. Online bidding at 123

126 After Jean-Baptiste Clesinger (French, ) Bronze Bust of Charlotte Corday, on a round socle, signed on the reverse J. CLESINGER Rome 1858 and F. BARBEDIENNE FONDEUR, ht. 13 1/2 in. 803 Louis XV-style Gilt-bronze Mantel Clock, late 19th/early 20th century, with a young woman playing the flute and a putto dancing at her feet above a central roman numeral dial flanked by rocaille C-scrolls and pendant floral garlands, on scrolled feet, ht. 29 in. $1,200-1, Vienna Covered Porcelain Bowl, Austria, late 19th century, white ground, domed cover topped with two figures of children and applied flowers, decorated with floral sprays, bowl with floral bouquets, underside with blue beehive mark, overall ht. 10 3/4 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 805 Pair of Meissen Porcelain Malabar Figures, Germany, late 19th/early 20th century, each in vibrant polychrome costume, on gilded scrolling base, each with factory marks; a male guitarist, ht. 7 1/2; and a woman with a stringed instrument, ht. 7 1/8 in. $1,200-1, Pair of Meissen Porcelain Musicians, Germany, late 19th/early 20th century, polychrome decorated figures of men playing instruments, both on gilded and scrolled base, with factory marks to underside; a man with a recorder and a dog by his side, ht. 5 1/2; the other a cellist, ht. 4 7/8 in. 807 Regency Mahogany Reading Stand, England, 19th century, adjustable tilting surface with stand surmounting three shelves, one with drawer, turned supports terminating in caster feet, ht. 50 1/2 to 61 5/8, wd. 19 3/4, dp. 15 3/4 in. 808 Georgian-style Mahogany Sofa, England, serpentine back and overscrolled arms, tight seat, later covering on roped framework supported by splayed back legs and front cabriole legs with shell-carved knees ending in claw-and-ball feet, ht. 37, wd. 80, dp. 29 in. 809 After Pierre-Auguste Cot (French, ) Springtime Signed and dated R. WINSLOW 95 l.r. Oil on canvas, 36 x 21 in. (91.5 x 53.0 cm), in the original frame. Condition: Scattered minor paint losses, probably old retouch, craquelure, surface grime. N.B. This work is a late 19th century copy after the original painting, dated 1873, now in the collection of the Metropolitan Museum of Art, New York. The Met notes that the picture was Cot s greatest success, widely admired and copied in engravings, fans, porcelains, and tapestries. $1,000-2, Additional information and photos at

127 After John Martin (British, ) 822 Two Framed Colored Mezzotints: Destruction de Babylone and Le Festin de Balthazar Titled in the plates l.c., inscribed in the plates Peint par Martin l.l. and Gravé par Jazet l.r. Sight sizes to 21 3/4 x 30 1/4 in. (55.0 x 77.0 cm), framed. Condition: Toning, not examined out of frames. 821 N.B. These two works were engraved by Jean-Pierre-Marie Jazet (French, ) and published by Goupil, Vibert & Cie, Paris. A firm with the name Goupil, Vibert & Cie was active from 1846 to Grand Tour Bronze Bust of a Statesman, 19th century, depicted wearing drapery, on a round socle, ht. 30 1/2 in. $1,800-2, Continental Silk Embroidered Roundel, late 17th century, with polychrome silk and metal threads depicting a saint, painted face and hands, dia. 5 1/2 in. 813 English Silk Needlework with Printed Faces, 19th century, depicting a dancing couple with musicians, their faces en grisaille, mounted on gold silk, framed ht. 14 3/4, wd. 18 3/4 in. 814 Assembled Meissen Porcelain Coffee Service, Germany, early 20th century, each with white ground and blue floral motif, a coffeepot with rosebud knop lid, ht. 10 1/2, a creamer, ht. 4 1/2, six plates, dia. 7, five cups, ht. 2 5/8, and five saucers, dia. 5 5/8 in. 815 Meissen Porcelain Platter, Germany, 19th century, ovoid, hand-painted with gilded highlights, central cartouche with panels of seascapes with ruins and ships and panels of floral decoration, underglaze blue crossed swords mark on underside, lg. 22, wd. 10 1/4 in. 816 Louis XVI-style Three-piece Clock Garniture, France, 19th century, gilt-bronze and gray marble, the clock face inscribed Raingo Frer Paris, including a pair of five-light candelabra with central clock adorned with crossed arrows, quiver, and torch, the sides and base with arabesque flowers and foliage, candelabra ht. 21 3/4, clock ht. 17 in. $1,500-2, Green Marble Pedestal, Continental, early 20th century, round top, collared support on octagonal base, ht. 34 3/4 in. 818 Pair of Italian Baroque-style Walnut Armchairs, late 19th century, each heavily carved in the manner of Andrea Brustalon, with a reclining putto carved to the upper armrests, blackamoor-type uprights, and acanthus-carved handholds, X-form stretcher, all supported by curvate front legs ending in four grotesque feet, ht. 47 1/2, wd. 36, dp. 30 in. $1,000-2, Adams-style Painted Demilune Table, fauxpainted top over shaped frieze with composite plaques in the neoclassical style including a centralized urn motif, on tapered and collared legs, ht. 33, wd. 41, dp. 15 3/4 in. $ Loetz-type Crete Papillon Vase, c. 1898, vasiform body tapering to footed base, with iridescent blue elements, unsigned, ht. 9 5/8 in. 821 Loetz-type Cameo Vase, early 20th century, squat-form, decorated with purple floral and foliage, signed Ca. Loetz, ht. 4 3/4, dia. to 5 1/2 in. 822 Loetz-type Medici-type Vase, early 20th century, in polychrome brown and blue/green hues, unsigned, ht. 7 1/2, wd. 4 1/4 in. $ Loetz-type Phaenomen Vase, c. 1901, applied projecting threads in a chain pattern, unsigned, ht. 9 1/2 in. $ Online bidding at 125

128 Gregory Allen (American, ) Bronze Figure of an Elephant, patinated, depicted with a handler, on a naturalistic base, impressed Gregory Allen and 1913 THEODORE B. STARR INC. NEW YORK on base, and CAST BY GRIFFOUL NEWARK N.J., ht. 4 1/2 in. 825 Continental Gilt-bronze Planter, late 19th/ early 20th century, griffon and swag handles flank an oval basin, body with reticulated scrollwork with dolphin and jester motif, highlighted by centralized fleur-de-lis motifs surmounting cartouches, gadrooned base, all resting on scrolling feet, ht. 6 3/4, wd. 21 1/2, dp. 11 1/2 in. $ Two Pairs of Crystal Girandoles, Continental, 19th century, with spreading drip cups extending to prism drops, on faceted columns; two with floriform rims to bobeches, ribbed supports terminating in stepped gadrooned footed base; and two with serpentine rims, tapering supports, terminating in petal-form bases, ht. 9 to 9 3/8 in. 827 Richard Earlom (British, ), After Claude Lorrain (French, ) Landscape with Classical Temple and Two Figures Inscribed in the plate From the Original Drawing in the Collection of the Duke of Devonshire l.c., Claude le Lorrain delin. l.l., R. Earlom fecit. l.r., numbered NO. 183 l.l., Published Mar: 1st 1777 by John Boydell Engraver in Cheapside. l.c. Etching on paper, plate size 8 1/4 x 10 1/8 in. (20.7 x 26.0 cm), framed. Condition: Not examined out of frame. $ Gerarda Hermina Marius Eraud (Dutch, ) Landscape with Punts on a Quiet River Signed Marius Eraud l.l., identified on a presentation plaque, with a Parisian canvas stencil on the reverse. Oil on canvas, 16 1/4 x 24 in. (41.5 x 61.0 cm), in a Joseph Billault frame. Condition: Craquelure, center stretcher bar mark, varnish discoloration, surface grime. $ Gilt-bronze and Alabaster and Bronze Mantel Clock, France, 19th century, patinated Bacchanalian putti figural group surmounting a shaped plinth with gilt-bronze floral garland encircling the dial and floral festoons on the sides, all resting on toupie feet, ht. 18 in. 830 After Isidore Jules Bonheur (French, ) Bronze Figure of a Ram, on a naturalistic oval base, signed I. BONHEUR, ht. 8, wd. 9 1/2 in. 831 After Pierre-Jules Mêne (French, ) Bronze Figure of a Deer, feeding on a tree limb, standing on a bed of leaves, atop an oval plinth, unsigned, ht. 14 3/4 in. $ Additional information and photos at

129 English Pictorial Needlework Sampler, dated 1814, silk and wool embroidery on linen, depicting a female figure, castle, birds, and vines, inscribed at base Susannah Barry Her Work Finished May the 13th, 1814, Aged 13 Years, ht. 21 1/8, wd. 17 in. (sight). $800-1, French Needlework Aubusson Panel, mid-18th century, wool, scene of a vase with a floral bouquet, mounted to later linen on stretcher, ht. 16, wd. 18 1/2 in. (sight). $1,200-1, Pair of Neoclassical-style Giltwood Two-light Wall Sconces, carved ribboned support with eagle surmounting an acanthinetopped capital with two-light armature below, extending to base with carved tassels, ht. 44 1/2, wd. 13, dp. 5 3/8 in. $1,200-1, Regency Ebonized Box with Eglomise Panels, 18th century, rectangular form with scalloped top and bottom, top, front, and sides all with eglomise panels of figural and landscape scenes with birds and a monkey, interior covered compartment, ht. 7 3/4, wd. 19, dp. 10 in. 836 Charles X Mahogany Bureau à Cylindre with Cartonnier, 19th century, granite-topped superstructure of three cartonniers over three short drawers, over case with fold-down tooled green leather writing surface and sliding cover, two-drawer shaped frieze, scrolled supports terminating in brass paw feet, ht. 43 1/2, wd. 42, dp. 23 5/8 in. 837 Art Nouveau Three-paneled Mirror, early 20th century, mahogany, with molded frame and three carved panels, later mirror inserts, ht. 60 1/2, wd. 23 1/4 in. 838 No lot. 839 Continental School, 19th/20th Century Madonna of the Olive Branch Signed indistinctly, perhaps G....relli/fec..., on the reverse, titled on a presentation plaque. Oil on canvas, 40 x 25 in. (101.5 x 63.5 cm), framed. Condition: Craquelure, surface grime. N.B. Although it shares a title with Italian painter Nicolò Barabino s painting of 1887, the composition at hand is not based on that work. It relates more closely to depictions of the Virgin and Child by the Spanish Baroque painter Bartolome Esteban Murillo. $ Attributed to Philip Hutchins Rogers (British, ) Landscape with Horses and Figures in a Farmyard Faint partial signature R... l.r., attributed to Rogers on a presentation plaque. Oil on canvas, 14 x 21 in. (36.0 x 53.0 cm), framed. Condition: Mounted to Masonite, craquelure, probable old retouch, discolored varnish, surface grime. $ After Vasili Grachev (Russian, ) Bronze Figure of Two Horsemen, depicted in military uniform with one horse rearing, on naturalistic base with canted corners, Cyrillic signature, with foundry mark, ht. 15 1/4, lg. 18 in. $4,000-6, Continental School, Late 19th/Early 20th Century Bronze Figure of a Statesman, patinated and with gilded accents, possibly a young Louis XVI depicted on horseback, ht. 11, wd. 10 1/2 in. $ Online bidding at 127

130 849 Continental School, 19th Century Bronze Figure of a Maiden, patinated, depicted in drapery, with plinth inscribed F. BARBEDIENNE. FONDEUR., and Collas Reduction seal, ht. 26 1/2 in. 850 Baroque Embroidered Chalice Cover, 16th century, silk and metallic threads, depicting a lamb inscribed above INRI for Iesus Nazarenus Rex Iudaeorum, ht. 5 1/4, wd. 4 3/4 in. $ Flemish Tapestry Fragment, 16th century, depicting putti in a verdant polychrome landscape with fruit and foliage, dark green border, lg. 67 1/2, wd. 14 1/2 in. $ After Bartolomé Esteban Murillo (Spanish, ) 843 Continental Carved Fruitwood Figural Lamp, possibly Italy, depicting a caryatid in neoclassical-style drapery, mounted to wood base, ht. 27 in. 844 Pair of Louis XVI-style Gilt-bronze Threelight Candelabra Lamps, late 19th century and later components, each with carved leafwrapped armature and acanthine bobeches, fluted trumpet-shaped support with collared foot mounted to cylindrical black base with beaded banding, electrified, later shades, candelabra ht. 16; overall 37 in. $1,200-1, Chinese Chippendale-style Gilt Composite Mirror, Continental, early 20th century, crest with pagoda and ho-ho bird with four floral sprigs, trailing vinework and foliage surrounding the shaped mirror, with carved shell at base, ht. 48 1/2, wd. 26 1/2 in. $2,000-3, Pair of Vienna-style Porcelain Commedia dell Arte Figures, 19th century, each white glazed, depicting sword play, modeled on rectangular base with applied flowers, underglaze blue shield mark, ht. 6 1/2 to 6 3/4 in. Copy of Dos muchachos comiendo de una tartera Unsigned, inscribed N 380 on the reverse. Oil on copper, 11 1/2 x 9 1/2 in. (29.0 x 24.0 cm), framed. Condition: Minor retouch and surface imperfections. N.B. The original painting is in the Alte Pinakothek in Munich. 853 Attributed to Aelbrecht Bouts (Dutch, ) Saint in a Landscape Attributed on an antique gummed label and on a fragmentary printed label affixed to the reverse, red wax seal on the reverse. Oil on partially cradled arched panel, 16 3/8 x 6 3/8 in. (41.3 x 16.2 cm), unframed. Condition: Retouch, hairline cracks to panel, losses and wear to edges of panel, fine craquelure, varnish discoloration, surface grime. $1,200-1, Porcelain Dog Perfume Bottle, possibly England, early 19th century, white ground, pug-like form with black face, hinged collar, resting on a domed base with painted flowers, ht. 2 5/8, later glass cloche and stand, ht. 4 1/2 in. 848 Limoges Footed Pedestal Tray, France, late 19th/early 20th century, heavily gilded on white ground, painted with fruit and floral vines, with acanthus-carved rim and centralized raised columnar support, resting on collared foot decorated with carved palmettes, ht. 13, dia. 6 3/4 in. 854 Three Royal Copenhagen Flora Danica Porcelain Square Dishes, Denmark, c , each with crimped corners, white ground and polychrome botanical specimen and gilt crenellated rim, ht. 1 1/4, wd. 9 1/2, dp. 9 1/2 in. $ Additional information and photos at

131 856 partial 858 partial 854 partial 860 partial 855 partial 859 partial center: 857 partial 855 Six Royal Copenhagen Flora Danica Porcelain Trays, Denmark, c , white ground with polychrome botanical specimens, crenellated gilt rims, one crabstock handle at base with rosette, factory marks to underside, and bearing Latin inscription for name of specimen, ht. 2 1/2, wd. 8 1/2, dp. 6 1/2 in. 856 Four Royal Copenhagen Flora Danica Porcelain Plates, Denmark, c , each with undulating gilt crenulated and reticulated rim and painted botanical specimen, factory marks to underside with inscribed Latin botanical name, dia. 10 1/2 in. 857 Two Royal Copenhagen Flora Danica Porcelain Oval Dishes, Denmark, , white ground with polychrome porcelain botanical specimen, serpentine crenellated gilt rim, factory marks to underside, with Latin inscription for specimen name, ht. 1 3/8, lg. 10 1/2, wd. 8 3/4 in. 858 Twelve Royal Copenhagen Flora Danica Porcelain Dishes, Denmark, c , each with undulating gilt crenulated rim with painted botanical specimens, bearing factory marks and each inscribed with Latin names, dia. 11 3/4 in. $3,000-5, Four Royal Copenhagen Flora Danica Porcelain Trays, Denmark, c , teardrop-shaped, white ground with polychrome botanical specimens and one crabstock handle with rosette, gilded crenellated rims, factory marks to underside, and Latin inscription to each, ht. 3, wd. 9 1/2, dp. 7 5/8 in. $ Three Royal Copenhagen Flora Danica Porcelain Square Vegetable Dishes, Denmark, c , white ground and polychrome botanical specimens, gilt crenellated rims, crimped corners, factory marks to underside and Latin inscription of specimen names, ht. 2 5/8, wd. 8 1/2, dp. 8 1/2 in. $ Pair of Louis XVI-style Giltwood Hound Candleholders, gilt-bronze armature decorated with hanging prisms, whippet or greyhound dog seated on rectangular plinth, ht. 10 1/2, wd. 7, dp. 4 3/4 in. 862 Continental Tin-glazed Tile Picture, 19th century, white ground with blue glaze, a cartouche depicting a figural group in a landscape with a shepherd, in an ebonized frame, tile ht. 7 1/2, wd. 10 5/8, framed ht. 14 1/2, wd. 18 in. 863 Cut Glass and Gilt-metal Mantel Clock, Paris, c. 1900, centaurs flanking the circular cut glass case with a 1 3/4-in. porcelain dial in center, wreath finial and central drop finial below, cast brass swag decoration encompassing the clear glass base, time-only brass movement with platform escapement marked C. Brunier Paris, ht. 10 in. Online bidding at 129

132 English Silk Needlework Scene of Ruth and Boaz, England, mid-19th century, with watercolor, scene of a courting couple under a tree with a house in the distance, mounted in giltwood frame on eglomise mat, framed, ht. 17 1/4, wd. 19 1/4 in. 865 Framed French Silk with Raised Floral Bouquet Embroidery, early 19th century, blue vase with ochre and red flowers on an ivory ground, with green highlights, ht. 21, wd. 17 1/8 in. $800-1, John Berney Crome (British, ) Moonlight Landscape with Stone Bridge and Houses Signed and dated JOHN BERNEY CROME 1836 l.r., attributed on a presentation plaque and label on the stretcher, canvas stencil from T. Brown, London, on the reverse, wax seal on the stretcher. Oil on canvas, 25 x 30 in. (63.5 x 76.0 cm), framed. Condition: Patch reinforcement, old retouch, craquelure, minor paint losses and abrasions, varnish discoloration, surface grime. 867 School of John Crome (Old Crome) (British, ) Child on a Donkey with Two Baskets Unsigned, attributed in an inscription on the back of the mat. Ink and wash with black chalk or graphite underdrawing on watermarked laid paper, 5 1/8 x 7 in. (13.0 x 18.0 cm), framed. Condition: Affixed to back mat with small masking tape pieces at center of each vertical side of the recto, unpressed creases. Provenance: Acquired from Mrs. M. Beckard Gallery, 32rd Avenue and 47th Street, New York City, to a New York estate. 868 Continental School, Early 20th Century Bronze Figure of Dante, leaning on a copy of Divina Comedia, ht. 17 in. 130 Additional information and photos at

133 Paul Dubois (French, ) Bronze Figure of a Man Playing a Lute, depicted in Elizabethan-style dress, on a round plinth, signed to base P. DUBOIS and F. BARBEDIENNE, ht. 24 1/4 in. $1,200-1, Filli Pugi (Italian, 19th Century) White Marble Bust of a Girl Wearing a Bonnet, depicted with a spray of flowers on her hat, looking downward, signed on back Flli Pugi/Firenze, ht. 14 1/2 in. 871 Five Pieces of Limoges Porcelain, France, 19th century, all white ground with painted polychrome flowers and overall gilding; three-tier dessert stand, with urn-shaped top, collared columnar support and three graduated trays, ht. 13; dia. 10 1/4; round divided tray, dia. 8 7/8; footed bowl, ht. 4 3/8, dia. 8 1/4; and two signed Dartes Frères pieces; round plate, signed, dia. 9; and an urn-shaped footed bowl with lion s head figural masks, signed, ht. 5 7/8, dia. 5 1/2 in. 872 Georgian Mahogany Corner Cabinet on Base, 19th century, with molded dentiled projection over two glazed doors with chinoiserie-style fretwork, interior with four shaped shelves with later lining, surmounting a two-door cabinet with single shelf, ht. 93 3/4, wd. 38, dp. 21 in. Online bidding at 131

134 Continental Georgian-style Japanned Tall Case Clock, 19th century and later restoration, polychrome painted with overall bird and floral decoration, hood with archshaped cornice projection highlighted by brass finials over case with tombstone door, associated two bell and post movement, dial signed Frederic Welcher, ht. 87 in. 874 Georgian Mahogany Secretary Bookcase, 19th century, the broken arch pediment and pierced fretwork surmounting two glazed doors, two interior adjustable shelves, over two inlaid cabinet doors with one fixed shelf, on bracket feet, ht. 91, wd. 49 3/4, dp. 17 3/4 in. $1,200-1, French Marble and Gilt-bronze Mantel Clock, 19th century, carved figure of a woman reading atop a lunar clock face with the months inscribed around the dial, base with putti motif flanked by guilloche panels, all resting on toupie feet, ht. 17 1/2, wd. 14, dp. 5 in. $3,000-5, Framed Aubusson-style Silk Needlework Panel, France, with birds encircling an urn of flowers, framed by foliate scrolls and arabesques, mounted in a black frame, ht. 28, wd. 33 in. 877 Pair of Sevres-style Porcelain Vases, early 20th century, each with cobalt ground and gilded highlights, gourd-shaped top surmounting an urn-form body with scrolled gilt-bronze handles, depictions of courting couple with landscape scene on verso, collared foot on square base with chamfered corners, signed Lucien, ht. 17 in. Provenance: Property of the Saint Louis Art Museum; sold to benefit the acquisition fund. 132 Additional information and photos at

135 878 German School, Early 20th Century Bronze Figure of a Man, standing with arms folded, signed O. Kunz to base, mounted on a round brass plinth, ht. 11 1/2 in. $ Italian School, 18th/19th Century Landscape with Riders Crossing a Stone Bridge Unsigned. Oil on canvas, 24 1/4 x 34 1/4 in. (61.5 x 87.0 cm), framed. Condition: Lined, retouch, stable craquelure. $ Continental School, 17th/18th Century The Entombment of Christ, After Parmigianino (Italian, ) Inscribed Franc.so Parmigiano/Des plus Capitals on the mat l.c. Ink wash with black chalk on paper, 14 7/8 x 11 1/4 in. (38.0 x 28.5 cm), framed. Condition: Laid down on a 19th century French mat support, oxidation of the lead white pigment. N.B. This is thought to be a later copy after Parmigianino. 881 Attributed to James Edwin Meadows (British, ) Harvesters at Rest Beside a Wheat Field Bears signature and date Jas E/ Meadows/1877 l.r. Oil on canvas, 24 x 36 in. (61.0 x 91.5 cm), framed. Condition: Lined, minor retouch, signature fluoresces under UV examination. $ Emmanuel Fremiet (French, ) Bronze Figure of a Satyr and Two Bear Cubs, the satyr depicted on his stomach, taunting the bear cubs with a staff, on an ovoid base, signed E. FREMIET, and inscribed F. BARBEDIENNE FONDEUR at base, lg. 20 1/4, ht. 12 in. 883 Baroque-style Gilt-gesso Mirror with Putti, shield-shaped, with polychrome decoration, winged putti crest with ray motif accented by lilac and rose blooms, mirror framed by floral and foliate sprays and scrolls, terminating in curling acanthus, grapes, and vinework, ht. 45, wd. 28 1/2 in. $1,500-2, Limoges-style Porcelain Bowl on Brass Stand, early 20th century, ovoid bowl decorated with a polychrome scene of waterfowl and hounds, framed by brass animal masks with rings, incurvate supports with medial stretcher highlighted by acanthus foliage, terminating in a pied a biche foot, ht. 37 1/2 in. $1,200-1, Empire-style Alabaster and Gilt-bronze Mantel Clock, two obelisks surmounted by spherules with mounted lion s head masks and ribboned shield motifs, flanking a goddess holding a shield with figural mask standing atop a round dial with analog numerals with face inscribed CHARLES BERTRAND/HGER DE L ACADEMIE RLE DES SCIENCES/RUE MONMARTE A PARIS, mechanism signed Chles Bertrand, all supported on chased toupie feet, ht. 20 1/2, wd. 13 1/4, dp. 6 in. 886 Augusto Burchi (Italian, ) Three Watercolor Italian Scenes: Pompeiantica Panatteria, Pompei-antica Taverna, and Calabria Signed A. Burchi l.l. or l.r., titled and inscribed...dal Vero on the reverse. Sheet sizes to 10 3/16 x 12 13/16 in. (25.9 x 32.5 cm), unframed. Condition: Minor toning and handling creases, Panatteria with small stain to u.r. quadrant. 887 British School, 18th Century Two Engravings of Rhyton Cups (Animal Head Vessels) Unsigned. Engravings on paper, signed sizes 7 x 10 in. (18.0 x 25.0 cm), framed. Condition: Not examined out of frames. N.B. Likely taken from or after engravings in Collection of Etruscan, Greek, and Roman antiquities from the cabinet of the Honble. Wm. Hamilton, His Britannick Maiesty s envoy extraordinary at the Court of Naples by William Hamilton (British, ) and Pierre François Hugues, chevalier de Hancarville (French, after 1719-c. 1790), published in Naples, , four volumes. $ After Pierre-Jules Mêne (French, ) Bronze Figure of a Hunter and Dog, depicting a man with a dog on a lead, on a naturalistic base atop oval plinth, signed, P.J. MENE 1879, ht. 18 1/2 in. Online bidding at 133

136 After Joseph Raymond Paul Gayrard (act. France, ) Bronze Hound on Marble Base, depicted recumbent, on naturalistic base atop marble with white veining, signed GAYRARD, total ht. 3 1/2, wd. 6 1/2 in. 890 After Justin Chrysotome Sanson (act. France, ) Bronze Figure of Il Santorello, patinated, depicting a man dancing with a tambourine, wearing a lion-headed loincloth, on round base, signed J. Sanson ROMA, ht. 28 1/2 in. 891 After Emile Louis Picault (French, ) Bronze Figure of Don Cesar, depicted with his right hand on his hip, left hand holding a sword, inscribed on base E. Picault, ht. 34 in. 892 Pair of Italian Neoclassical-style Painted and Marble-top Demilune Console Tables, Continental, the molded black marble tops with white veining, surmounting a carved frieze with beadwork and central shield-shaped cartouche framed by vinework garland, on tapered collared legs, ht. 38 1/4, wd. 43 1/4, dp. 22 in. $2,000-4, Louis XIV Tapestry-covered Carved Armchair, 18th century with later components, arched back, trapezoidal seat, curvate covered arm supports, X-form stretcher with cabriole legs terminating in pied a biche feet, later Aubusson-style verde covering and springs added, ht. 45 1/2, wd. 27, dp. 29 in. 894 Continental School, 19th Century White Marble Bust of a Woman, depicted with her hair pulled back and wearing a necklace and lace-trimmed costume, indistinct signature, ht. 21 1/2 in. $1,200-1, Additional information and photos at

137 Andre-Paul-Arthur Massoulle (French, ) Bronze Figure of a Warrior, Sword of Valor, the partially draped male figure standing over a broken Roman standard bearing letters SPQR, checking the blade of his sword, signed A MASSOULLE to naturalistic base, with Thiebaut Frères foundry mark, ht. 22 3/4 in. 896 Victorian Mahogany Wheel Barometer, England, 19th century, banjo-shaped with broken pediment and central brass finial, thermometer surmounting a round convex mirror with ebonized frame, inscribed G. ROSSI/NORWICH at base, ht. 38 1/2 in. $ Louis XVI-style Marble-top Console with Brass Putti Base, early 20th century, shaped white marble top suspended by frieze carved with garlands, supported by a winged putti standing atop a stepped round plinth resting on four scrolling feet, ht. 33 1/2, wd. 33, dp. 12 1/2 in. 898 Continental School, 19th Century Two Bronze Figures, one depicting a winged goddess on a naturalistic base with a tree stump and foliage, signed at base, BOURET, ht. 23; the other a peasant woman tending to crops and holding a basket, signed at base, L. Gregoire, ht. 23 1/2 in. 899 Pair of Similar Onyx and Champlevé Tables, late 19th/early 20th century, with enamel and gilt-bronze overall, round top over a polychrome frieze decorated with rosettes over each columnar support, all joined by a lower X-form stretcher with urn-shaped finial, acanthus-wrapped collared feet, ht. 31 1/4 to 31 5/8, dia. 20 1/4 in. $5,000-7,000 End of Sale 2940B Online bidding at 135

138 Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold as is, and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt from sales tax upon submission of proper documentation. 10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus 12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price. 11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit. Revised January 21,

139 Absentee Bid Form Sale Title Sale Date First Time Bidder? YES NO Customer # Name (Please Print) Business Name Address check if change in address City State Zip Code Phone # Alternate # I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale. Signature (Required) Date Lot # Description Bid Price Bid confirmation via ? YES NO Phone bid? YES NO FOR OFFICE USE Marlborough Boston Phone Fax Mail Person Employee: 63 Park Plaza Boston, MA Fax Cedar Hill Street Marlborough, MA Fax

140 Board of Directors Departments Chairman of the Board Stephen L. Fletcher Richard Albright John Deighton Karen M. Keane Andrew Payne Executive Management President/Chief Executive Officer Karen M. Keane Chief Financial Officer Don Kelly Executive Vice President Stephen L. Fletcher Managing Director Marie Keep Senior Vice Presidents Marie Keep Kerry Shrives Stuart G. Slavid Vice Presidents Victoria Bratberg Eric Jones Gloria Lieberman Carol McCaffrey Jane D. Prentiss Robin S.R. Starr L. Emerson Tuttle Regional Directors Western Massachusetts: George Thomas Lewis New York: Katie Banser-Whittle Florida: April L. Matteini, G.G Maine: Bruce Buxton th Century Design Jane D. Prentiss American & European Paintings & Prints Robin S.R. Starr Elizabeth C. Haff Michelle Lamunière Martina Tanga American Furniture & Decorative Arts Stephen L. Fletcher Chris Barber Christopher D. Fox American Indian & Ethnographic Art Douglas Deihl Antique Motor Vehicles Jane D. Prentiss Asian Works of Art Judith Dowling Helen Eagles Suhyung Kim Books & Manuscripts Devon Eastland Ceramics Stuart G. Slavid Clocks, Watches & Scientific Instruments Robert C. Cheney Jonathan Dowling Paul Dumanowski Discovery Auctions Carly Babione Kyle Johnson Melanie Trottier-Mitcheson European Furniture & Decorative Arts Stuart G. Slavid Stephanie Opolski Gwendolyn L. Smith Historic Arms & Militaria Joel Bohy Jewelry Victoria Bratberg John Colasacco Kaitlin Shinnick Judaica Kerry Shrives Musical Instruments Adam Tober Oriental Rugs & Carpets Lawrence Kearney Photographs Michelle Lamunière Silver Stuart G. Slavid Wine, Whisky & Ale Marie Keep Joseph Hyman Anna Ward

141 Auction Services Consignments Appraisal & Auction Services LaGina Austin Christine E. Finn Katie Fitzgerald Rachel Kingsley Elizabeth Zwicker Institutional Relations L. Emerson Tuttle Consignment Services Patricia Walker King Rebecca Hamel Carol Zeigler Customer Relations/Human Resources Carol McCaffrey Accounting Denise Johnson William Madden Kevin Rota Marketing, Media & Communications Marketing L. Emerson Tuttle Linsey MacDougall Jenna Nastri Jessica Pratas Subscriptions Linsey MacDougall Advertising/Production Pamela Van de Houten Jeffrey R. Antkowiak Stanley P. Bystrowski John Cornelius Kristina M. Harrison Kathleen Jones Cheryl Richards Photography Skinner Online Kerry Shrives Daniel Bar Judie Ochsner Lizz Webber Absentee & Telephone Bidding Boston: Marlborough: Discovery: Exhibitions & Property Boston: Laura V. Sweeney Sarah L. Collins Benjamin Evans Jessica R. Lincoln Receptionist Emily Gerling Marlborough: Warehouse Frederic Trottier Samatha Heighton Receptionist Lindsay White Transportation Eric Jones Auctioneers Chris Barber, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie Keep, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney 63 Park Plaza Boston, MA Fax Cedar Hill Street Marlborough, MA Fax Miracle Mile, Suite 220 Coral Gables, FL Fax Madison Avenue, #1418 New York, NY Fax

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143 Directions to Skinner s Boston Gallery/63 Park Plaza, Boston, MA From the West: Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From the South: Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From Logan Airport: Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From the North: Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 141

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145 Catalog Subscription Form Prices effective January 28, Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at Please check the appropriate boxes: U.S. and Canada Foreign (USD only) Quarterly Brochure (Included with catalog subscription) No charge No charge American Furniture & Decorative Arts $105 $200 European Furniture & Decorative Arts $140 $270 American & European Paintings & Prints (two books) $105 $200 Fine Jewelry $140 $270 20th Century Design $70 $135 Asian Works of Art $105 $200 Fine Oriental Rugs & Carpets $70 $135 American Indian & Ethnographic Art $70 $135 Fine Books & Manuscripts $70 $135 Historic Arms & Militaria $70 $135 Fine Musical Instruments $70 $135 Clocks, Watches & Scientific Instruments $70 $135 Fine Wines, Ales & Spirits $70 $135 All Above Departments $900 $1725 Subtotal MA residents 6.25% sales tax Total MasterCard/VISA # Exp. Date Signature Check enclosed Name Business Name Mailing Address City State Zip address Tel: ( ) Please enclose payment with subscription form and mail or fax to: Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA For questions or single catalog purchase information please contact subscriptions@skinnerinc.com

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147 European Furniture & Decorative Arts featuring Fine Silver & Ceramics Russian.875 Silver and Cloisonné Enamel Kovsh by the 11th Artel, sold for $24,600 January 2017 Boston, MA Inviting Consignments Deadline November 11, 2016 For more information, please call or

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