Summer Catalogue Sale FRIDAY 22 JULY AT 10AM IN SALEROOM 1. Friday 22 and Saturday 23 July Glass

Transcription

1 Summer Catalogue Sale Friday 22 and Saturday 23 July 2011 FRIDAY 22 JULY AT 10AM IN SALEROOM 1 Glass 1 A St Louis Glass Paperweight, dated 1988, the central blue and white cane initialled SL1988 within graduating bands of green leaves, 7.5cm diameter; A Perthshire Pink Clematis Paperweight, 6cm; and Two Perthshire Paperweights, with flat bouquets and punties, both with initialled canes, 8cm and 6.5cm diameter, together with four Perspex stands A Clichy Close Millefiori Paperweight, mid 19 th century, the clear glass closely packed with assorted canes including pink and green, white and pink, and white roses, contained in a basket of pink and white staves, 6.7cm, together with a Perspex stand Provenance: Sotheby's London, , lot An Opaque Blue Glass Urn Shaped Vase, Commemorating the Marriage of Alfred, Duke of Edinburgh to The Grand Duchess Maria Alexandrovna of Russian, circa 1874, with flared neck and fluted handles, decorated with a bust portrait of the Duke in an oval panel within gilt and white enamel foliage and strapwork, 30cm high 4 A Bohemian White Overlay Green Glass Pedestal Bowl, circa 1860, the campana bowl on fluted circular socle and tall cylindrical stem and flared foot, painted with bands of summer flowers on gilt horizontal panels within ogee and panel cut white borders on an ivory ground, 36cm high A Tumbler, 19 th century, of slightly waisted cylindrical shape, engraved with a continuous frieze depicting THE STOCKTON AND DARLINGTON RAIL ROAD (titled) depicting an engine pulling two carriages near trees, a church and buildings, with heavy pontil mark, 12.3cm high 6 A Pair of Decanters, circa 1870, of ovoid pedestal form, the slender necks engraved with trellis beading, the main bodies with C scrolls enclosing festoons of flowers, musical instrument trophies and with pairs of monograms and horse head erased crests, on star engraved folded feet, 25cm high (lacking stoppers) 8 A Cordial Glass, circa 1770, the bucket bowl on a double series opaque twist stem comprising a pair of nine-ply spiral bands outside a lace twist, 15.6cm high; A Wine Glass, circa 1770, the round funnel bowl on a double series opaque twist stem comprising a pair of heavy tapes around a central lace twist, folded foot, 14.8cm high; and A Wine Glass, circa 1765, the waisted bucket bowl on a single series opaque twist baluster stem, 14.1cm high (3) A Colour Twist Wine Glass, circa 1775, the trumpet bowl on a multiple spiral corkscrew with blue enamel edge, 15.6cm high A Rummer, circa 1810, the round funnel bowl with basal cut and floral swag engraving around the inscription SUCCESS TO THE TOWN AND TRADE OF BLACKBURNE (sic) and with initials JEE opposite, on solid square foot, 13.5cm high; and A Rare Davenport Process Rummer, circa 1810, the broad semi-ovoid cup with overlap leaf broad banding, on a double cushion knop and circular foot with etched mark PATENT, 11.1cm high (2) A Goblet, circa 1770, the round funnel bowl decorated in gilt with fruiting vine, on a double series opaque twist stem comprising a fourteen-ply spiral band outside a lace twist, 19.5cm high A Facon de Venise Tazza, perhaps 18 th century, the slightly dished circular top with a central applied guilloche band in turquoise glass within ribbon bands, on a swept circular folded foot, 27cm diameter, 8cm high; and A Tazza, circa 1760, the circular top with everted rim, on a swept base with folded foot, 37.5cm diameter, 8.5cm high (2)

2 13 A Central European Milchglas Tankard, circa 1760, the cylindrical body frontally enamelled with a rococo rocaille edged reserve depicting a gentleman three-quarter length in a landscape, flanked by sprays of flowers, within string lines and narrow bandings, C handle, 14cm high; and A Cut Glass Claret Jug, circa 1870, of squat ovoid shape, with gadrooned domed stopper, the neck cut with panels, the body with heavy fluting, 25cm high (2) 14 A Wine Glass, circa 1765, the round funnel bowl engraved with the letter L within a wreath, upon a collared beaded knop, and with double series opaque twist lower stem comprising three tapes around a central gauze, 15.7cm high 15 A Faceted Wine Glass, circa 1775, the rounded funnel bowl with basal cutting, and diamond cut faceted single knop stem, 15cm high; and A Wine Glass, circa 1760, the ogee bowl on a multiple spiral opaque stem with centre knop, 14.5cm high (2) A Wine Glass, circa 1765, the rounded funnel bowl with basal flutes, the double series opaque spiral twist stem comprising a spiral gauze alternating with a pair of threads, 14.5cm high; and Two Other Glasses, 18 th century, one with bell bowl and triple knop stem, 16.7cm high, the other with conical bowl and plain stem, 15cm high (3) 17 An Ale Glass, circa 1765, the ogee bowl on a double series opaque twist stem comprising two four-ply spirals around a central gauze, 19cm high A Green Wine Glass, circa 1760, the fluted cup bowl on an incised stem, pontilled foot, 12.5cm high; A Green Wine Glass, circa 1780, with cup bowl, plain stem, 12.8cm high; and An Amethyst Glass Pedestal Bowl, circa 1820, the bucket bowl on a waisted short stem and circular foot, 15cm high (3) An Electioneering Wine Glass, circa , the ogee bowl engraved HUZZAH LOWTHER AND UPTON, on a plain stem and folded foot, 13.3cm high The sentiment engraved on this glass is possibly relating to a 1761 Parliamentary election campaign in Yorkshire contested by Sir James Lowther and John Upton of Ingmire Hall 20 A Wine Glass, circa 1760, the round funnel bowl engraved with fruiting vine, on a single series opaque twist corkscrew stem, 15.1cm high; and A Wine Glass, circa 1760, the ogee bowl with basal fluting, on a single series opaque twist corkscrew stem, 14.5cm high (2) 21 A Wine Goblet, circa 1765, the ogee bowl with basal fluting, on a double series opaque twist stem comprising an eleven-ply spiral around a central corkscrew, solid foot, 17cm high A Wine Glass, circa 1760, the round funnel bowl on a double series air twist stem, 15cm high; and A Wine Glass, circa 1745, the bell bowl on a multiple spiral air twist stem, 18.3cm high (2) 23 A Goblet, circa 1765, the large bucket bowl engraved with fruiting vine with polished grapes, on a double series opaque twist stem comprising multiple spiral twist around a central gauze corkscrew, 19.5cm high A Wine Glass, circa 1755, the bell bowl with solid base on a plain compressed knop and multiple spiral air twist baluster stem, 17cm high; A Wine Glass, circa 1750, the bell bowl on a single knopped plain stem, folded foot, 18cm high; and A Cordial Glass, circa 1740, the rounded funnel bowl on plain stem, folded foot, 16.5cm high (3) 25 A Wine Glass, circa 1760, the cup bowl with simple egg and dart engraved band to the rim, with cylindrical hollow stem, 12.5cm high; and An Ale Glass, circa 1740, the conical bowl on a plain hollow stem and folded foot, 18.9cm high (2) A Cordial Glass, circa 1765, the round funnel bowl with basal fluting and simple flower, fruit and leaf engraved decoration, on a double series opaque twist stem comprising a pair of tapes around a central gauze, on a broad folded foot, 18.3cm high 27 An Ale or Champagne Glass, circa 1750, the slender rounded funnel bowl on a multiple spiral air twist stem, 21cm high; and An Ale or Champagne Glass, circa 1760, the round funnel bowl on a single series opaque twist stem comprising a broad tape around a corkscrew gauze, 19cm high (2)

3 28 A Wine Glass, circa 1750, the bell bowl on a shoulder knop and multiple spiral air twist stem, 17cm high A Small Sweetmeat or Champagne Glass, circa 1750, the lipped bowl honeycomb moulded, upon an eight-sided Silesian stem, honeycomb moulded foot, 13cm high 30 A Set of Three Ale Glasses, circa 1750, each with round funnel bowl engraved with hops and barley, on double knopped multiple spiral air twist stems, 19cm high 31 An Ale Glass, circa 1750, the round funnel bowl with a double knopped multiple spiral air twist stem, 20.1cm high; and An Ale Glass, circa 1765, the round funnel bowl engraved with hops and barley, on a single series opaque twist stem comprising a pair of spiral gauzes, 19.6cm high (2) A Champagne Glass, circa 1750, the double ogee bowl on a multiple spiral air twist stem with basal knop, domed foot, 16.5cm high; and A Wine Glass, circa 1755, the waisted bucket bowl on a plain multiple spiral air twist stem, 16.5cm high (2) A Jacobite Wine Glass, circa 1750, the drawn trumpet bowl engraved with a rose, two buds and an oak leaf, and the inscription REDDAS INCOLUMEM, 16.7cm high 34 A Wine Glass, circa 1750, the ogee bowl with basal honeycomb moulding, upon a multiple spiral air-twist stem and domed circular foot, 16.7cm high An Unusual Double Ended Drinking Glass, English or Continental, circa 1750, comprising a round funnel goblet and opposing round funnel wine, joined by a hollow bulbous knop containing a bronze coin of Maria Theresa, dated 1749, 24cm high 36 A Goblet, circa 1750, the trumpet bowl on a shoulder-knopped stem comprising multiple spiral air-twist, 23.1cm high A Wine Glass, circa 1750, the round funnel bowl with double basal moulding (hammered over fluting), on a multiple spiral air twist stem with shoulder knop, 17.5cm high; and Another Very Similar Smaller Glass, 16.4cm high (2) 38 An Ale Glass, circa 1750, the round funnel bowl upon a multiple spiral air twist stem with shoulder and centre knop, 19.4cm high; and Another, circa 1760, with two-ply mercury corkscrew, 19.6cm high (2) 39 A Toastmaster's Glass, the deceptive funnel bowl on a heavy ball knop with internal tear, folded foot, 11.9cm high 40 A English Sealed Mallet Wine Bottle, circa 1740, with string rim, the seal with large initials HT, kick up base with broad pontil, 17.5cm 41 A Sweetmeat Glass, circa 1740, the sixteen-ribbed round funnel bowl on an eight-sided Silesian stem, on conforming domed foot, 17.4cm high A Toastmaster's Glass, the bucket bowl on a teared heavy knop, folded foot, 10.4cm high; and A Gin Glass, circa 1740, the trumpet bowl on a plain stem with upper and lower knop, folded foot, 14.8cm high (2) 43 A Newcastle Light Baluster Wine Glass, circa 1740, the round funnel bowl with baroque scroll engraved border, plain stem with acorn knop over two baluster knops, domed foot, 18.8cm high A Sweetmeat Glass, circa 1745, the pan-topped bowl with eight-panel moulding upon a teared eight-sided Silesian stem and panelled conforming circular foot, 15.5cm high A Double Walled Salt, circa 1735, the semi-ovoid body vertically ribbed, on a pontilled circular foot, 6.5cm high; and A Balustroid Small Wine Glass, circa 1750, the ogee bowl on a compressed shoulder and centre knop, conical folded foot, 13cm high (2)

4 46 A Large Balustroid Goblet, circa 1730, the bucket bowl with solid tiered base, the plain tapered stem with basal knop above a broad foot, 19.7cm high 47 A Wine Glass, circa 1730, the bell bowl with solid base, with true baluster basal knop, on a domed and folded foot, 16.5cm high A Balustroid Wine Glass, circa 1730, the bell bowl upon a triple-knopped stem, conical folded foot, 15.8cm high; and A Faceted Wine Glass, circa 1775, the ogee bowl with swag engraved rim and basal cutting, with hexagonal cut stem, 14.1cm high (2) British Ceramics 49 A Doulton Burslem Porcelain Vase, decorated by F Hancock, with red, yellow and pink roses, double griffin handles, pale blue, cream and gilt ground, within stiff leaf borders, signed, printed mark in brown, pattern number GW1137, 51cm high 50 A Set of Six Royal Crown Derby Coffee Cups and Saucers Painted with Yachting Scenes, William Edward James Dean, 1940, cased, each piece signed, iron red printed crown and crossed D's marks and year cipher, in the original Royal Crown Derby fitted case 51 A Royal Crown Derby Porcelain Ovoid Vase, 1902, with lizard handles and paw feet, painted with a flower spray within a green and gilt scroll and foliate ogee panel on a blue ground, the reverse with a similar smaller panel below a gilt and green leaf and strapwork moulded rim, mark in red, 41cm high 52 A Pair of Royal Crown Derby Porcelain Two-Handled Spherical Vases, 1887, each with cup-form short necks and lobed arched handles, each with salmon pink ground bearing four circular reserves depicting diverse birds and insects amongst flowering shrubs on a vanilla ground, with detailed gilding throughout, crown and joined D mark in red and year cipher, also A, 16.5cm high 53 A Pair of Royal Worcester Fruit Painted Porcelain Silver Shaped Plates, J Smith, 2 nd half 20 th century, with fruit on a mossy bank within a moulded and gilt gadroon border, signed, printed mark in black, 27cm diameter 54 A Pair of Royal Worcester Fruit Painted Porcelain Plates, John Freeman, 2 nd half 20 th century, with fruit on a mossy ground, signed, printed marks in black, 23.5cm diameter 55 A Set of Three Royal Worcester Fruit Painted Porcelain Coffee Cans and Four Similar Saucers, Roberts, 2 nd half 20 th century, with fruit on a mossy ground, six items signed, one can unsigned, printed marks in black 56 A Royal Worcester Fruit Painted Porcelain Miniature Coffee Pot and Cover, Roberts, 2 nd half 20 th century, with fruit on a mossy ground, signed, black printed mark, 12.5cm high; and A Similar Teapot and Cover, signed, black printed mark, 8.5cm high (2) 57 A Royal Worcester Porcelain Baluster Vase, Roberts, 2 nd half 20 th century, with a vignette of fruit on a mossy ground within gilt line borders, signed, black printed marks, 12cm high; A Similar Bowl, with a continuous scene of fruit on a mossy bank, gilt interior, unsigned, black printed mark, 11cm diameter; A Saucer, decorated by Roberts with fruit on a mossy bank, signed, black printed mark, 10cm diameter; A Pair of Flared Oval Pots, decorated by Roberts with fruit on a mossy bank, signed, printed marks in black, 6.5cm high; A Similar Pot, printed with flowers; and Two Similar Saucers, black printed marks (8) A Royal Worcester Porcelain Fruit Painted Two-Handled Bowl, 2 nd half 20 th century, of quatrelobed boat shape, on four leaf moulded swept feet, winged lion caryatid scroll handles, internally painted with two apples and brambles on a mossy bank with ivy, tree roots and rocks, externally with four panels variously depicting peaches, black grapes, cherries, green grapes, apples, brambles and damsons, apparently unsigned, black printed crown and wheel mark and shape H254, 19cm high, 39cm wide

5 59 A Royal Worcester Porcelain Miniature Tea and Coffee Service, late 20 th century, painted with still lives of fruit on mossy banks, comprising teapot and cover, coffee pot and cover, sucrier and cover, milk jug, six teacups, six saucer and four similar circular dishes, signed, printed marks in black A Royal Worcester Porcelain Cabinet Plate, J Reed, late 20 th century, with a still life of apples and grapes on a mossy bank within a gilt gadrooned border, printed mark in black, 20cm diameter A Set of Six Royal Worcester Highland Cattle Painted Porcelain Teacups and Saucers, Harry Stinton, mid 20 th century, each cup and saucer painted with two highland cattle amongst heather, signed, solid gilded internally, with solid gilded saucer well, one saucer painted and signed by Edward Townsend, black printed crown and wheel marks (the Townsend example slightly different printed mark in black) 62 A Royal Worcester Fruit Painted Pedestal Baluster Vase, Edward Townsend, 1941, with slender solid gilded trumpet neck, the body frontally painted with two plums and raspberries against a mossy bank, signed, the reverse with a sprig of three raspberries, on a swept circular solid gilded foot, puce printed crown and wheel mark and date mark, shape H307, 20cm high 63 A Royal Worcester Fruit Painted Porcelain Pedestal Dessert Dish, Horace Price, 1940, of scallop shell tab-handled oval form with undulating gadrooned rim framing three peaches and a bunch of black grapes on a mossy bank with redcurrants, signed, upon scalloped circular foot painted with two apples, black cherries and brambles against a mossy bank, puce printed crown and wheel mark and date mark, also C55WS, 31.5cm wide, 8cm high 64 A Set of Six Royal Worcester Named Game Bird Painted Porcelain Coffee Cans and Saucers, James Stinton, 1939, each printed and painted with a different named bird including mallard, teal, pheasant and snipe, in naturalistic landscape setting, all signed, black printed crown and wheel mark and date mark, the coffee cans with printed bird names, the saucers with puce script bird names; together with Six Silver and Parcel Gilt Coffee Spoons, Sheffield 1936, contained in the original (bottom half only) fitted case (poor state) A Royal Worcester Highland Cattle Painted Porcelain Two-Handled Pot Pourri Vase and Cover, John Stinton, 1930, of compressed spherical form, the domed cover with gadrooned band and bud finial in gilt, the short neck pierced with dragon heads and foliage enriched with ribbon tied applied swags, frontally painted with four highland cattle approaching an arched stone bridge in a misty glen, signed, the reverse with a view over a loch, acanthus enriched arched shoulder handles, and on a leaf tipped moulded short circular foot, puce printed crown and wheel mark and date mark, shape H28, also with red initials WS, 29.5cm high A Royal Worcester Porcelain Dessert Plate, R Sebright, 1934, painted with a central panel of apples, blackberries, leaves and blossom, within green, salmon pink and gilt borders, signed, printed mark in puce, painted pattern number 8860 in red, 22.2cm 67 A Royal Worcester Highland Cattle Painted Porcelain Trumpet Vase, Harry Stinton, 1925, with graded gilded rims, painted with two highland cattle amongst rocks and heather on a misty mountainside, signed, green printed crown and wheel mark and date mark, shape G923, 19.5cm high A Royal Worcester Highland Cattle Painted Porcelain Two-Handled Pedestal Bowl, Harry Stinton, 1919, of boat shape with beaded rim, acanthus sheathed downswept handles to a swept foot applied with four satyr masks, the boat shape bowl painted on one side with two highland cattle amongst heather and boulders on a misty mountainside, on the reverse with a boulder and bird vignette, signed, puce printed crown and wheel mark and date mark, and shape H194, 18.5cm high, 22.5cm wide A Pair of Royal Worcester Fruit Painted Octalobed Porcelain Bowls, R Sebright and G H Cole, 1915, centrally painted with two peaches, brambles and blossom, and two plums and redcurrants respectively, signed, within yellow and pink ground borders enriched with rococo scroll gilt strapwork and foliate motifs, gilded rim, puce printed crown and wheel mark, and date marks and W8346 in puce and yellow respectively, 24cm diameter

6 70 A Royal Worcester Highland Cattle Painted Porcelain Trumpet Vase, Harry Stinton, 1915, with graded gilded rims, and decorated with two highland cattle amongst rocks on a misty mountainside, green printed crown and wheel mark and date mark, shape G923, 15.5cm high (restored) 71 A Royal Worcester Highland Cattle Painted Porcelain Circular Plaque, John Stinton, 1914, depicting a herd of five highland cattle amongst rocks on a glen side with misty mountains beyond, signed JOHN STINTON, puce printed crown and wheel mark and date mark,10.5cm diameter, in a gilt and gesso frame 72 A Royal Worcester Cattle Painted Porcelain Circular Plaque, John Stinton, 1914, depicting a herd of five cattle watering amongst flowering lotus blooms on a river overhung by trees with a church spire beyond, signed, puce printed crown and wheel mark and date mark, 10.5cm diameter, in a gilt and gesso frame 73 A Royal Worcester Reticulated and Parcel Gilt Campana Urn, George Owen, circa 1912, the tong and dart moulded everted rim applied with a string of beads, pierced upscroll handles, the body pierced with horizontal bands of trellis and hexagons, on a swept foot within a decorative tong and dart collar and square base, picked out in gilt overall, crown and wheel mark in gilt and shape 2544, incised G OWEN, also registered , 16cm high There is an old typed label surviving with the vase, inscribed A rare Worcester pierced vase made and signed by G Owen... gold indicates work of finest quality A Royal Worcester Highland Cattle Painted Porcelain Two-Handled Pedestal Vase and Cover, John Stinton, 1908, of slender ovoid form, with waisted short gadrooned neck on a blush ivory ground and with bifurcated swept shoulder handles, frontally painted with two highland cattle, one recumbent, amongst rocks on a misty mountainside, signed, on the reverse with a lochside vignette, on a swept circular base with integral square plinth with indented angles, picked out in gilt throughout, the domed cover with pointed finial, puce printed crown and wheel mark and date mark, shape 1957, 37cm high overall (restored) 75 A Royal Worcester Sheep Painted Porcelain Vase, Harry Davis, 1908, the cylindrical body with guilloche pierced short neck, painted on one side with two rams amongst rocks and heather by a lochside, on the reverse with a heather and boulder vignette, signed, on four acanthus leaf sheathed outscrolled short feet, green painted crown and wheel mark and date mark, shape G42, 14.7cm high (restored) 76 A Royal Worcester Bisque Porcelain Edith Cavell Commemorative Plaque, 1916, of circular form moulded with a bust portrait and inscribed HAPPY TO DIE FOR MY COUNTRY, printed mark in puce, 15.5cm diameter A Majolica Planter, late 19 th century, moulded with a parrot in fruiting branches within bark effect and leaf borders, also forming the feet, picked out in typical glazed, painted 16 mark, 42cm high 77A A Minton Majolica Centrepiece, dated 1866, as a shell supported by two mermaids with arms crossed, on a seaweed moulded oval base picked out in typical glazes, impressed marks and date code, 44cm wide A Staffordshire China Bournemouth Aviation Week Bread and Butter Plate, circa 1910, printed and overpainted in colours with the Wright Brothers bi-plane flying over Bournemouth, 24cm diameter A Staffordshire Stoneware International Brigades Spain Commemorative Mug, printed with verse and flags, impressed seal mark, 11cm high A Measham Teapot, 1937, the domed cover with teapot finial, the body applied with bird and flower folk motifs and large applied plaque with impressed inscription A WEDDING PRESENT FROM MR, MRS A BODDICE SWADLINCOTE TO MR, MRS C H BODDICE WAINFLEET DEC ALWAYS IN REMEMBRANCE, 31cm high 81 An Unusual Marbled Slip Measham Pottery Kettle on Stand, circa 1900, of "copper kettle" form with domed cover, with a rectangular plaque impressed A PRESENT TO MY BROTHER MICHAEL BREARLEY, 21cm high, on a circular stand with beaded rims, 20cm diameter

7 82 An Unusual Marble Slip Measham Teapot and Cover, circa 1900, the domed cover with teapot finial, the body applied with Flowers of the Union, birds and figures in folk style, one side with kidney shape plaque impressed MR M BREARLEY HUCKNALL TORKARD, 31.5cm high 83 A Measham Vase, circa 1900, of concave sided cylindrical form, applied with three bands of scrolling acanthus, and frontal oval plaque inscribed LOVE AT HOME, 19.5cm high; and Another Somewhat Similar Vase, applied with fern, snow flake and foliate motifs in pink and lavender glazes, 15cm high (2) 84 A Measham Milk Jug as an Owl, circa 1900, the starry-eyed bird applied with foliate medallions and a frontal lozenge plaque inscribed GOOD OLD OWL and rubbed with blue, 12cm high 85 A Measham Seven Piece Composite Tea and Tobacco Set, circa 1900, comprising large teapot, the domed cover with teapot finial, with applied kidney plaque impressed MR F MILLS 91 SHERWOOD STREET MANSFIELD WOODHOUSE NOTTS 1910, applied with folk, floral and bird folk motifs, 36cm high; and a six piece tea and tobacco set to the same family, comprising teapot (with overhead handle), cover and stand (22cm) tobacco jar, cover and inner weight (18cm), a pair of graduated jugs (19cm and 15cm), milk jug (10.5cm), pedestal sugar basin (10cm high, 17cm diameter), each applied with typical folk floral motifs and with kidney appliqués, impressed MR & MRS MILLS 91 SHERWOOD ST MANSFIELD WOODHOUSE NOTTS 86 A Measham Double-Spouted Teapot, dated 1890, of cushion shape applied with floral folk motifs and a kidney panel impressed PRESENTED TO MRS SMITH DUNCFORD CD IRELAND 1890, on the other side another plaque BY ANNIE BOGHAN BOOTLE ENG 1890, the domed cover with floral knop, 17.5cm high 87 A Graduated Set of Three Measham Jugs, 1883, conical form, applied with floral folk motifs and with frontal kidney panels impressed MRS S FLATT YAXLEY 1883, 21.5cm, 19cm and 17cm high 88 A Pair of Minton Moon Flasks, painted by Wenceslas (William) Mussill, circa 1872, with gilded short necks, one painted with a spray of orchids on one side, a finch in flight on the other, the other example with heathers on one side, a blue tit opposite, on outward angled gilt peg feet, printed mark MINTON, indistinct year mark (possibly 1872), signed, and shape 1907, 15.5cm high Wenceslas (William) Mussill ( ), flower and bird painter born in Austria near Carlsbad. Studied in Paris. In the 1870's he went to Minton. He was influenced by the work of John Bateman of Biddulph Grange who published the book Mexican Orchids. Until this publication, the flower was not known and Mussill painted many orchid studies. He spent all his spare time painting, often on the Duke of Sutherland's estate at Trentham Gardens, Staffordshire and at Biddulph Grange. For further information see Wilkinson (Vega) A Dictionary of Ceramic Artists, pg A W H Goss Parian Bust of Queen Victoria, circa 1887, wearing a mob cap, on a titled square plinth, impressed mark, 16cm high A Pair of Reticulated Porcelain Scent Flasks, late 19 th century, of bottle form, reticulated with lozenge and "endless knot" motifs picked out in soft coloured enamels and gilt, each with vase finial, one with indistinct red printed shield mark (possibly Continental?), 16cm 91 A Pair of Staffordshire Pottery Figures of Cats, late 19 th century, each with pink lustre bow and patches of black and yellow tortoiseshell sponged markings, sitting on green and pink washed cushion bases, 18.5cm high 92 A Minton Porcelain Plate Painted, by A Boullemier, 1879, with a water nymph in a fountain, signed, impressed marks including date code for 1879, 23cm diameter 93 A Treacle Glaze Flask, circa 1841, modelled as a bewigged figure holding a scroll inscribed W DAWSON DIED JULY THE , 20cm high

8 94 A Yorkshire Double-Handled Eshaldwell Brewery Pearlware Pottery Mug, 1829, probably Swillington Bridge Pottery near Leeds, the cylindrical body printed and painted on one side with beer barrel, fruiting hops and a barley ear, on the other with four line verse ESHALDWELL BREWERY, IS KNOWN VERY WELL/FOR BREWING GOOD ALE NONE CAN IT EXCEL/PAY OFF YOUR OLD SCORES AND ORDER AGAIN/FOR I'M SURE OF THE ALE YOU CANNOT COMPLAIN, 1829, within floral sprays, with brown line detail and moulded basal horizontal ribbed band, 19cm high, 33.5cm wide across handles Mugs and beer jugs of this type are known and presumably come from the Woodlesford area in Yorkshire. It is probably that Bentley Eshaldwell Brewery in Aberford Road, Woodlesford, founded 1828, commissioned these vessels for advertising purposes and promoting the Brewery's ales. This brewery was absorbed by Whitbread Breweries in 1968, and was subsequently closed in A Staffordshire Pearlware Pottery Two-Handled Loving Cup, circa 1840, cylindrical, internally and externally printed with cockfighting scenes, harlequin figures and satirical figures in colours, internally with applied frog, red glazed rim, 16.2cm high, 25.3cm wide across handles 96 A Staffordshire Pottery Alcove Vase and Cover, circa 1830, of hexagonal baluster form with pineapple knop and scroll handles, printed and overpainted in "famille rose" enamels with panels of foliage on a ground of mythical beasts and scrolls within lattice borders, 96cm high, on later rosewood hexagonal stand 97 A Staffordshire Pottery "The Old Rotten Tree" Mug, circa 1832, of cylindrical form, transfer printed in black with a satirical scene depicting the protagonists in the debate of the 1832 Reform Act, 9.5cm high See May (J&J) Commemorative Pottery , pg.1245, pl.212 for a discussion and illustration of this print A Staffordshire Pottery "Sheffield Flood" Commemorative Mug, circa 1864, of cylindrical form, printed in brown and overpainted with two scenes inscribed SHEFFIELD FLOOD MARCH 12 TH 1864 THE BRIGG ROW HILLSBRO' WHERE THE WATER REACHED TO THE HEIGHT OF 15 FEET and THE BRIDGE AT HILLSBRO' ALL DESTROYED EXCEPT ONE ARCH, and with a painted stylised flower spray within black line borders, 10.5cm high 99 A Staffordshire Pottery Battle of Inkermann Mug, circa 1856, of cylindrical form, printed in black with a scene from the battle and the title, 10cm high See May (J&J) Commemorative Pottery , pg.121, pl.182 for a discussion and illustration of this print 100 A Grainger Lee & Co Worcester Porcelain Baluster Vase, circa 1825, with crenulated rim, painted by David Evans with a spray of summer flowers on a gilt scroll ground within gilt line borders, on a circular socle and square foot, script mark in red, 21cm high The painting was attributed to David Evans by Henry Sandon, when Curator of the Dyson Perrins Museum, Worcester A "Rockingham" Treacle Glazed Pottery Snuff-Taker Toby Jug and Cover, circa 1840, of traditional form, holding the snuff box in his left hand, fruit moulded handle, on circular base, impressed ROCKINGHAM, 20.5cm high See Cox (Alwyn & Angela) Rockingham Pottery and Porcelain , pg.112 for a discussion of treacle glazed Toby jugs and the marks 102 A Pair of Spode New Stone Ice Pails, circa 1820, the covers with loop and triple scroll handles, the baluster bodies with scroll moulded handles, on circular bases, printed and overpainted in the Imari palette with vases and foliage within foliate and scroll panel borders, printed marks, 31cm high 103 A Dixon Austin & Co Pratt Type Pottery Watch Stand, early 19 th century, as a longcase clock, the arched hood, trunk door and base moulded with figures flanked by a boy and girl in classical costume, impressed mark, 27cm high 104 A Dixon Austin & Co Pratt Type Watch Stand, early 19 th century, as a longcase clock, the domed hood, trunk and base moulded with figures flanked by a boy and girl in classical costume, unmarked, 27cm high Whilst the present example is unmarked, it appears to be from the same mould as the previous lot 105 A Rare English Pottery Goat Creamer, probably St Anthony Pottery, Newcastle-upon-Tyne, late 18 th century, the animal standing four-square with mottled manganese colouring, standing on a green washed flat base, 14.5cm high See Halfpenny (Pat) English Earthenware Figures , pg.119 for a similar goat marked St Anthony

9 106 A Pratt Type Pottery Martha Gunn Toby Jug, circa 1790, of traditional form, wearing a brown, blue and ochre feathered cap, ochre shawl and flower sprig dress holding a jug and bottle, on a canted square base, 26cm high 107 A Pratt Type Pottery Toby Jug, circa 1790, of traditional form, wearing a brown hat, brown and ochre sprigged jacket, ochre breeches and brown boots holding a jug in his left hand, a pipe between his feet, on a canted square base, 24cm high 108 A Pair of Chamberlain Worcester Porcelain Dessert Plates, circa 1815, of square shape with indented angles, with gadrooned rims and green marbled borders enclosing gold edged cartouches embellished with floral sprays and insects, about a central floral spray, puce printed crown mark over CHAMBERLAINS REGENT CHINA WORCESTER & 155 NEW BOND STREET LONDON, 21.7cm wide 109 A Rockingham Porcelain Tea and Coffee Service, circa 1835, painted with flower sprigs within a blue and pink printed broad flowerhead border and gilt rims, comprising teapot, cover and stand, sucrier and cover, milk jug, slop bowl, eight teacups, four coffee cups, ten saucers and two bread and butter plates, pattern number 814, puce griffin marks to saucers only (31) 110 A Staffordshire Pearlware Figure of a Fox, late 18 th century, the seated animal with brown markings, its right forepaw on a dead bird on a mound base, 10cm high A Pair of Staffordshire Pottery Figures of a Stag and Doe, late 18 th century, each with black and white markings recumbent on a mound base before bocage, 14cm long, with Earle Collection paper labels 112 A Silver Lustre and Pearlware Pottery Mug, John and Margaret Crawford, 1822, cylindrical, with upper broad band of vine leaves about a rectangular reserve inscribed JOHN & MARGT CRAWFORD 1822 THE LIFE OF MANS A ROLLING STONE MOVED TO AND FRO AND QUICKLY GONE, strap handle,14.2cm high; and A Creamware Pottery Transfer Printed Mug, circa 1800, depicting a horse and cart and figure by a canal, figure amongst foliage in a rustic habitation nearby in black, strap handle, 14cm high (2) 113 A Philips & Co Sunderland Creamware "The Ascent of the Aerial Balloon" Mug, circa 1813, of cylindrical form, printed in black with a satirical scene mocking the defeat of Napoleon within a black line border, 14cm high A Creamware Pottery Frog Surprise Mug, circa 1790, personalised for David Horsefield, cylindrical, with brown glazed frog internally (face broken), externally with a panel depicting an aproned field worker at a table tying a fruit or vegetable (possibly rhubarb?), a fence and spade nearby, within a rose decorated red line frame and iron red lines to the borders, strap handle, 13.8cm high A Leeds Pottery Pearlware Pint Mug, circa 1790, the cylindrical body painted with two sprays of flowers and four sprigs, the fascia with inscription in red BEHOLD GOD IS MY SALVATION within a blue dot reserve, red string lines to the rim, impressed LEEDS.POTTERY, 12.5cm high; and A Pearlware Pottery Jug, circa 1810, cushion shape, printed on one side with an archer hunting a stag, a hunting trophy titled ROYAL FORESTERS, and a six line verse, with copper lustre spout, 11.7cm high (2) 116 A Creamware Oval Dish in Whieldon Style, circa 1780, decorated with splashes of yellow and green glaze on a mottled manganese ground, within a gadroon moulded border, 33.5cm A Lowestoft Porcelain Sparrow Beak Jug, circa 1775, painted in underglaze blue with peony and rockwork in a fenced garden, the rim with internal criss-cross and foliate panel border, 8.5cm high A Liverpool Porcelain Sparrow Beak Jug, circa 1775, painted in colours with a flower spray below a red line and dentil border, 9cm high A Pair of Derby Porcelain Figural Chambersticks, circa 1770, each as a putto sitting in a flower encrusted arbour, a basket of flowers on his knee supporting a fluted sconce on a domed base, 26cm and 26.5cm high

10 120 A First Period Worcester Porcelain Teacup and Saucer, circa 1770, painted in the Kakiemon palate with alternate panels of a ho-o bird on rockwork and foliage, on a blue ground with foliate and mon panels, fretted square marks; A Similar Tea Bowl and Saucer, circa 1775, painted with flower sprays and sprigs within a line and dentil border; and A New Hall Type Tea Bowl and Saucer, circa 1795, painted with scattered sprigs (6) 121 A First Period Worcester Porcelain Sauce Tureen, Cover, Stand and Ladle, circa 1775, of fluted ogee form with scroll knop and handle, painted in colours with swags of spring flowers within shaped gilt scroll panels on a blue scale ground, crescent marks to tureen and stand in underglaze blue, 15.5cm high Provenance: Ex The Sir Jeremy Lever Collection A Group of Four First Period Worcester Kakiemon Pattern Teawares, circa 1770, comprising a pair of tea bowls and saucers, a teacup and saucer, and a circular saucer dish, 18.5cm diameter, each with hatched square mark in underglaze blue (4) 123 A Pair of First Period Worcester Porcelain Blue-Scale Kakiemon Tea Bowls and Saucers, circa 1770, each piece with shaped reserve panels enclosing insects and flowers, underglaze blue fretted mark, the saucers 11.7cm diameter; and A Worcester Blue Scale Tea Bowl, circa 1770, decorated with flowers in gilt scroll edged reserves (3) 124 A First Period Worcester Underglaze Blue and Polychrome Painted and Gilt Sparrowbeak Milk Jug and Cover, circa 1770, painted with alternating vertical panels of diapered, crackled ice and floral designs in panels, the conforming domed cover with flowerhead finial, 11.5cm high 125 A Caughley Blue and White Printed Porcelain Cabbage Leaf Jug, circa 1770, printed with a version of The Bouquets pattern, S (Salopian) mark in underglaze blue, 23.5cm high 126 A First Period Worcester Porcelain The Three Flowers Pattern Teapot and Cover, circa , compressed cushion form, the domed cover with flowerhead knop, solid blue crescent mark, 14.5cm high 127 A First Period Worcester Porcelain The Three Flowers Pattern Sparrowbeak Milk Jug, circa , with grooved C shape handle, 9.5cm high Two Worcester First Period The Fence Pattern Tea Bowls and Saucers, circa , hatched crescent marks, the saucers 10.6cm; A Worcester The Three Flowers Tea Bowl and Saucer, circa , the saucer 12.3cm diameter; and A Lowestoft Blue and White Porcelain Tea Bowl, circa 1770, painted with a spray of flowers issuing from rocks, with trellis inner rim band, 8cm diameter (stained) (4) 129 A First Period Worcester Porcelain The Plantation Print Pattern Mug, circa , with simple grooved C shape handle, underglaze blue hatched crescent mark, 15.5cm high 130 A First Period Worcester Porcelain The Bouquets Pattern Mask Jug, circa , of baluster shape, with satyr mask and scrolls moulded to the sparrow beak spout, spurred S scroll handle, on circular foot, apparently unmarked, 18.5cm high 131 A Near Pair of First Period Worcester Porcelain Blue-Scale Dessert Plates, circa 1770, each with blue scale ground with three large panels and nine smaller panels, each painted with exotic ho-o bird or insect, around a central roundel painted with a butterfly and insects, each panel gilt scroll edged and with undulating rim, one with underglaze blue fret mark, the other with painted W, each with paper label GWEN SMITH COLLECTION LEICESTER, 19.3cm diameter A Near Pair of First Period Worcester Porcelain Blue-Scale Dessert Plates, 1770, the border with three main rococo gilt scroll edged reserves enclosing sprays of flowers, nine similarly decorated smaller panels around a central roundel, against at blue scale ground, underglaze blue fret mark, 19.5cm diameter; and A Very Similar Serving Plate, bracketed circular, underglaze blue open crescent mark, 22.2cm diameter, with paper label FROM THE COLLECTION OF THE... WOOD, BART, HENGRAVE HALL, SU... SEPTEMBER 1952 (3) A Bow Porcelain Figure of Neptune, circa 1770, the scantily clad god astride a dolphin flanked by two piping cherubs on a shell and water moulded domed scroll base, 21cm high

11 134 A Pair of Derby Porcelain Cornucopia Wall Pockets, circa 1765, with fluted arched cresting, painted in colours with exotic birds amongst branches, within moulded scrolls picked out in purple, turquoise and gilt, 24.5cm 135 A Staffordshire Scratch Blue Stoneware Sauceboat, circa 1750, of shaped oval form decorated with stylised flowersprays within cut ogee borders, 15.5cm long over handle, with Jonathan Horne paper label 136 A Chelsea Gold Anchor Period Porcelain Tab-Handled Tureen Stand, circa 1765, of scroll edged oval shape, with rocaille tab handles and further scrolls to the cavetto, picked out in green and blue enamels enriched in gilt, painted overall with diverse fruits and insects, including fig, plum, cherry, redcurrant, grape, strawberry and crab apple, three leaves painted to the underside, gold anchor mark, 29.6cm wide 137 A Pair of Chelsea Gold Anchor Dessert Plates, circa 1765, of rococo shaped circular form, the borders moulded with three shell rocaille motifs picked out in gilt, painted with sprays and blossoms in soft enamel colours, with gilt rim lines, each bearing gold anchor mark, 22cm diameter Continental Ceramics 138 A German Bisque Inheritance Tax Fairing, circa 1909, as a gentleman wearing a coronet standing on a rectangular dish inscribed MORNING LEADER CARTON WHAT! TAX MY LAND, 11.5cm high An Austrian Pottery Large Standing Figure of a Nubian Boy, probably Goldscheider, circa 1900, the smiling boy wearing a fez, foliate decorated short sleeve jacket and breeches, holding a shallow basket and leaning on a stone pillar, on a rustic shaped circular base, incised 4168 and W8B, 82cm high (a/f) 140 A Royal Dux Bisque Porcelain Figural Vase, early 20 th century, as classical lovers seated sharing a drinking bowl before a rocky outcrop with a spring emptying into a shell bowl to one side, picked out in typical muted enamels, pink patch mark, 39.5cm high A German "Vienna" Cupid and Psyche Five-Sided Dish, circa 1900, the god of love in flight over the seated Psyche surrounded by three putti, signed K WEH, within a midnight blue border with fruiting gilt undulating detail, overglaze blue painted pseudo beehive mark, impressed 12, titled in black script AMOR UND PSICHE, 30cm wide; and A Similarly Shaped Smaller Dish, decorated with a courting couple by a stone bench at the side of a wood, signed J VIENLEGER, similarly marked, 26cm diameter (2) 142 A Pair of German Porcelain Figural Candelabra, late 19 th century, as a lady and gentleman in 18 th century costume holding baskets and posies of flowers, standing before a tree trunk with three leaf and flower encrusted branches with flamiform sconces, on scroll moulded cushioned rectangular bases, 71cm and 69cm high 143 A Meissen Porcelain Figure Group of Turks, 19 th century, he seated in a feathered hat and floral robes, an open book on his knee, holding a rococo scroll cartouche in his right hand, she standing behind, her arms aloft, on a blue washed cushion base, blue crossed swords mark and incised 2178, 20cm high 144 A Pair of Meissen Porcelain Models of Sulphur Crested Cockatoos, 3 rd quarter 19 th century, each blue eyed bird perched on rustic tree stumps, one with wings folded, the other stretching its wings, enriched in light colours and gilt, crossed swords mark in underglaze blue, incised nummer 57A, pressnummer 6, 26cm and 23cm high respectively 145 A Pair of Meissen Porcelain Models of Foxes with Prey, circa 1870, each on all fours crouched to seize their cockerel prey, on bocage encrusted and scroll edged shaped plateau bases, crossed swords mark in underglaze blue, incised numbers 1008 and 623, 6cm high, 11.5cm wide (a/f) 146 A Set of Ten Sèvres Porcelain Plates, circa 1840, painted with a flower spray within a formal gilt foliate and scroll cavetto border on a green ground, painted with butterflies within floral gilt scrolls and with three reserves painted with flower sprays, blue stencil marks and various dates, 24cm diameter

12 147 A Continental Porcelain Figure of Neptune, possibly Doccia, circa 1770, the loosely draped bearded god sitting in a shell moulded throne, a triton to the rear, on a mound base, 14cm high Oriental Ceramics and Works of Art 149 A Japanese Porcelain Large Circular Charger, Meiji period ( ), decorated in typical Imari colours against an underglaze blue chrysanthemum scroll background, the main field with three shaped panels depicting the Seven Scholars in the Bamboo Grove, the story of Hob in the Well, birds in flight over the sea, and cranes by a bonsai pine tree, sprigs and scrolls painted to the underside, stylised seal mark in underglaze blue and stilt marks, 80cm diameter, in an associated silk line painted pine protective trunk 150 A Japanese Kutani Porcelain Model of a Shi-Shi, late Meiji period ( ), the fierce beast seated on its haunches and turning to the right, upon a dais with angled sides painted with rock effect and panels of plants and script characters, in typical rich enamels and gilt, 21cm high A Japanese Porcelain Blue Glazed Circular Charger, 19 th century, centrally decorated with three shi-shi dogs chasing a beribboned brocaded ball, the design slightly raised, pencilled in brown and black enamels, on a powder blue ground, 42cm diameter (the foot rim now pierced for suspension and with old wire hanger) 152 A Chinese Juren Tang Zhi Vase, Republic Era , decorated in famille rose enamels with Shou Lao and attendants, bats flying overhead in iron-red, Juren Tang mark in iron-red, 28cm 153 A Chinese Porcelain Jar and Cover, early 20 th century, of cylindrical form with domed pull-off cover, decorated in Cantonese enamels with six children playing musical instruments by a garden moongate, floral band to the shoulders, floral knop the cover, 15cm high 154 A Pair of Chinese Famille Rose Porcelain Baluster Vases, 20 th century, each painted with a pair of song birds perched in a flowering prunus tree issuing from rocks amongst peonies, bearing overglaze red Qianlong seal mark, 21.5cm high 155 A Pair of Chinese Claire de Lune Glazed Porcelain Baluster Vases, each moulded in relief with an allover stylised lotus and tendril design, with four stylised dragon pierced shoulder handles, lappet repeat basal band, bearing impressed seal mark of Qianlong, 22.3cm high, on associated turned wood stands, 24.5cm high overall 156 A Chinese Porcelain Pillow, late 19 th /early 20 th century, of saddle shape, centrally with a shou roundel surrounded by bats, lychees, peaches and pomegranates, cash coin motifs pierced to the sides amongst scrolls and calligraphy, 33cm wide (restored) 157 A Kangxi Style Porcelain Punch Bowl, late 19 th /early 20 th century, painted in famille verte style enamels with two dragons amongst clouds with a foliate scroll border, the interior with central circular panel of peony, 31cm diameter 158 A Chinese Porcelain Circular Ewer Stand, 20 th century, with central triform boss decorated with waves on a pink keywork ground, painted with angular scrolls within a yellow border, on four scroll feet, bears four character Qianlong reign mark, 19cm diameter 159 A Chinese Porcelain Vase, late 19 th /early 20 th century, of shaped cylindrical form with waisted neck, painted in famille verte enamels with insects amongst scattered blossom on a cracked white enamel and celadon ground within formal borders, six character Kangxi reign mark, 34cm high A Chinese Eggshell Porcelain Bowl, 20 th century, painted in famille rose enamels with a bird perched on a flowering branch, the reverse with calligraphy within blue keywork and scroll borders, four character Qianlong seal mark, 8cm high 161 A Chinese Famille Rose Porcelain Small Jardinière, 1 st half 20 th century, enamelled with a pair of phoenix birds, cranes, mandarin ducks and swallows amongst rocks and peonies within formal encircling floral bands, 23cm high, 26cm diameter 162 A Chinese Porcelain Hexagonal Baluster Vase, 20 th century, with pairs of fo dogs applied to the shoulder, the body printed and painted with lotus medallions, bats and scrolls against a tomato red ground, 43cm high

13 163 A Chinese Porcelain Slender Vase, 20 th century, decorated in famille rose enamels with Litegwi leaning on his crutch over a three-legged smoky toad, bats overhead, a calligraphic inscription to the reverse, printed four character seal mark in blue, 18cm high 164 A Pair of Chinese Porcelain Bottle Vases, the flared cylindrical necks with mythical beast handles, painted in famille rose enamels with bats amongst fruiting branches and flowers in panels on a pink ground with white foliage, bearing six character Guangxu mark, 38cm high 165 A Chinese Porcelain Yellow Ground Bowl, with everted rim incised with birds and lilies in water above a lappet band, bears six character Chenghua mark, 5.5cm high 166 A Pair of Chinese Famille Rose Porcelain Vases, circa 1900, each with cupped mouth and concave short neck applied with paper scroll pierced shoulder handles, each with a large frontal and reverse panel depicting Manchu children playing in a garden against a flower filled ground, 58.5cm high 167 A Chinese Porcelain Slender Baluster Vase, 19 th /20 th century, painted in famille rose enamels with maidens in landscapes within ogee panels on a sea-green ground with scrolls and foliage within a foliate and lappet border, 27cm high 168 A Chinese Porcelain Octagonal Stand, bears Tongzhi reign mark, painted in famille rose enamels with two sinuous dragons amongst scrolling foliage on a green ground within a blue border with key work, six character seal mark, 16.5cm wide 169 A Chinese Porcelain Baluster Vase and Domed Cover, late 19th century, with dog of fo finial, painted in underglaze blue with shaped panels of birds amongst branches on a ground of scrolling lotus within panel, lattice and foliate borders, 66cm high 170 A Chinese Porcelain Baluster Vase, late 19th century, with flared neck and mythical beast handles, carved and painted in underglaze blue with characters, scroll and strapwork on a scrolling lotus and celadon ground within foliate panel and formal borders, 61cm high 171 A Chinese Wucai Porcelain Baluster Jar, in 17 th century style, painted with courtly figures in a garden below a foliate and cracked ice border, 30.5cm high A Chinese Blue and White Export Porcelain Gu Vase, Transitional style, 19 th century, the upper register with a man in a boat by a sea cliff, figures on a beach and pavilion nearby, the bulbous girdle with panels of flowers and rocks, the base with a mountainous lakeland scene, 44cm high, with an associated carved and pierced hardwood stand 174 A Pair of Chinese Blue and White Export Porcelain Vases, Qing Dynasty, 19 th century, each of cylindrical form with angled shoulders and cylindrical cupped necks, decorated with crackled ice and prunus pattern throughout, 45cm high 175 A Chinese Porcelain Yellow Ground Bottle Vase, incised with sky dragons amongst cloud wisps, bearing six character underglazed blue mark of Qianlong, 15cm high 176 A Chinese Porcelain Vase, 19 th century, of compressed spherical form, with waisted neck, tube-line decorated with scrolls and stylised florets, with two bracketed panels to the neck and two to the main body enclosing birds and insects amongst prunus, peonies, lotus and other flowers, 26.5cm high 177 A Chinese Porcelain Quatrefoil Stand, 19 th century, painted in famille rose enamels with a central circular foliate panel within four panels of foliage and precious objects within a green keywork border, bears six character Qianlong seal mark, 23cm wide 178 A Chinese Porcelain Baluster Vase, 19 th century, with flared neck and mythical beast handles, moulded and painted in underglaze blue with a sage and other figures in a fenced garden on a celadon ground, 43cm high