Hartleys Antique & Fine Art Auction 6th September

Transcription

1 Hartleys Antique & Fine Art Auction 6th September Autumn Sale Wednesday 6th September Started 06 Sep :00 BST Victoria Hall Little Lane Ilkley West Yorkshire LS29 8EA United Kingdom Lot Description 1 AN EARLY VICTORIAN SUNDERLAND LUSTRE POTTERY FROG MUG of cylindrical form, on glaze printed in black and naively overpainted in colours with three roistering sailors beside a drum, cannon and anchor above the verse "The Flag that's Braved a Thousand Years/The Battle and the Breeze", the reverse with...[more] 2 A MID VICTORIAN SUNDERLAND LUSTRE POTTERY FROG MUG, printed in underglaze black and naively overpainted in colours to commemorate the Crimea War, the reverse printed with the verse "England England... ", within pink splash and line borders, 4 3/4" high (Est. plus 18% 3 TWO PEARLWARE NURSERY PLATES, early 19th century, both of octagonal form with daisy head moulded borders, printed in underglaze black, one with a half length portrait of the "Revd. J. Wesley" within a coloured and pink lustre border, the other with a harbour scene "Cheap Corn, Corn Law", naively ove...[more] 4 A VICTORIAN STAFFORDSHIRE POTTERY GREYHOUND, modelled with free-standing legs, holding a rabbit in its mouth on a gilt highlighted green shaped base, 7 1/4" high (Est. plus 18% 5 A VICTORIAN STAFFORDSHIRE POTTERY GREYHOUND, modelled with one free standing fore and back leg on a mottled black, green and yellow base with shredded clay "flowers", 6" high (Est. plus 18% 6 A PAIR OF VICTORIAN STAFFORDSHIRE POTTERY GREYHOUNDS, modelled standing holding rabbits in their mouths, on a gilt lined shaped base, 7 1/2" high (Est. plus 18% 7 A PAIR OF VICTORIAN STAFFORDSHIRE POTTERY GREYHOUNDS, modelled recumbent on ochre highlighted shaped oblong bases, 4 1/4" long (Est. plus 18% 8 A VICTORIAN STAFFORDSHIRE PORCELLANEOUS INKWELL, modelled as a recumbent black and white spaniel with two tan and white puppies, on a gilt scroll highlighted cobalt blue "cushion" base, 5" wide, 3" high (Est. plus 18% 9 A FIRST PERIOD WORCESTER PORCELAIN SMALL BOWL, c.1795, painted in underglaze blue with the "Rock Strata Island" pattern, script "W" mark, 3 3/4" diameter, 2" high (Est. plus 18% 10 AN ENGLISH SALTGLAZE STONEWARE TANKARD AND COVER, 19th century, of plain cylindrical form with greyhound handle, moulded and applied with a seated toper holding a church warden's pipe, flanked by an urn of flowers and a further toper, the interior with a centre divide close to the top and pierced wi...[more] 11 A SET OF THREE STAFFORDSHIRE PORCELAIN TEA BOWLS AND SAUCERS, c.1790, on-glaze painted in coloured enamels with a dark puce swag suspended from puce rose heads within a green border, together with a matching helmet shaped jug and two other saucers, jug inscribed 489 in green (9) (Est. plus 18% premi...[more] 12 A PEARLWARE FIGURE, c.1800, modelled as Andromache weeping over the ashes of Hector, highlighted in lilac, green, blue and turquoise and standing on a square base, 9 1/4" high, together with a similar small figure of a young female gardener standing beside a stream, a watering can over her right arm...[more]

2 13 A MATCHED PAIR OF STAFFORDSHIRE POTTERY FLATBACK SPILL VASES, c.1900, modelled as Zebra on an oval gilt lined base, 8" and 7 1/2" high (Est. plus 18% 14 THREE STAFFORDSHIRE POTTERY FLATBACK FIGURES, various dates, comprising a begging sailor in striped trousers waving an orange flag, standing barefoot with a lad at his side, 11 1/4" high, a shepherdess and lamb with granular clay fleece, 8" high, and a clock group modelled with a white poodle standi...[more] 15 A LARGE VICTORIAN STAFFORDSHIRE POTTERY FLATBACK WATCH HOLDER, modelled as a twin turreted castle, the (almost) bull's eye watch holder over a central door flanked by gothic windows and two further pairs of towers on a gilt lined oblong base with shredded clay foliage, 12 1/2" high, 11 1/2" wide (Es...[more] 16 A VIENNA PORCELAIN CUP AND SAUCER, mid 19th century, encrusted with loose bouquets of flowers on a gilt and on-glaze blue painted ground, the baluster cup with entwined handle leaf terminals, cup only with beehive mark in underglaze blue, saucer 5 1/4" diameter (Est. plus 18% 17 A MEISSEN PORCELAIN FIGURAL POT POURRI AND COVER, late 19th century, of two handled inverted baluster form, moulded and applied with two putti holding flowers below encrusted panels enclosing polychrome flower sprays with gilt highlights, the pierced cover with high encrusted knop, crossed swords in...[more] 18 A PAIR OF FAIENCE CUSTARD CUPS, c.1800, of squat baluster form with green painted naturalistically moulded twig handles, each painted in polychrome enamels with a goat in open landscape below a flower spray, unmarked, 1 3/4" high (Est. plus 18% premium inc. (Illustrated) 19 A COLLECTION OF ENGLISH PORCELAIN TEA WARES, early 19th century, all bat printed, comprising a Miles Mason bute shaped cup and saucer, two Newhall cups with ring handles and a saucer "The Charter House near Coventry", two Spode cups and saucers, four coffee cans and an oval teapot stand, 8" wide, a...[more] 20 A DUTCH DELFT STAND, c.1800, of rounded triangular form, raised upon three peg feet, painted in blue with fine manganese outlines, with a religious scene inscribed "Joh:Jov 14" in a roundel within a chequered border, 9 1/2" wide, 1 3/4" high (Est. plus 18% premium inc. 21 A PAIR OF WEDGWOOD BLACK JASPER DIP ROUNDELS, late 19th century, sprigged with Cupid stringing his bow and sharpening his arrows, impressed WEDGWOOD, 6" diameter, framed (Est. plus 18% 22 A PAIR OF FAIENCE GLASS RINSERS, early 19th century, of campana form with mask lug handles, painted in blue, ochre, lilac and green with Bacchanalian scenes on a flowered ground, Moustiers mark in brown, 5" high (Est. plus 18% (Illustrated) 23 A PAIR OF VICTORIAN STAFFORDSHIRE POTTERY SPILL VASES, modelled as hunting dogs with brightly coloured birds in their mouths, on gilt lined cobalt blue bases, 9 1/2" and 10" high (Est. plus 18% 24 A SMALL PAIR OF VICTORIAN STAFFORDSHIRE POTTERY SPANIELS, with tan markings and gilt collars, 6" high, together with a similar recumbent greyhound inkwell, 5" high (3) (Est. plus 18% 42 A CHINESE PORCELAIN VASE, of baluster form with pierced moulded shaped flat handles, painted in famille rose enamels with a joyous procession of a dignitary attended by ladies carrying banners and children with gifts, below a script border, unmarked, 16 1/2" high (Est. plus 18% 43 A CHINESE PORCELAIN JAR AND COVER, of inverted baluster form, the powder blue ground over painted in gilt with a phoenix amidst stylised clouds within bat and precious object borders, unmarked, 12 1/4" high, with a hardwood stand (Est. plus 18% premium inc.

3 44 A CHINESE EXPORT PORCELAIN BOWL, of plain circular form, painted in famille rose enamels with figures on a verandah with a river beyond, on a burnt orange honeycomb ground, unmarked, 9" diameter (Est. plus 18% 45 A JAPANESE IMARI PORCELAIN BOWL, of plain circular form, painted in typical palette with landscape, flower and bird roundels surrounded by cranes in flight, on-glaze blue Mount Fuji mark, 13 1/2" diameter (Est. plus 18% 46 A PAIR OF CHINESE PORCELAIN JARS AND COVERS of ovoid form, painted in pale polychrome enamels with panels of precious objects and flowering branches, six character mark in underglaze blue, 6 1/2" high (Est. plus 18% (Illustrated) 47 A CHINESE PORCELAIN JAR of inverted baluster form, painted in underglaze blue and overpainted in polychrome enamels with figures in a garden beside a verandah below a cracked ice and foliate border, unmarked, 10 1/2" high, together with a carved and pierced hardwood cover and stand (Est. plus 18% pr...[more] 48 A COLLECTION OF CHINESE PORCELAIN TABLEWARE, 18th century and later, including a "Stand" pattern coffee cup and a similar cup painted with initials, together with a First Period Worcester Fence pattern coffee cup, crescent mark, and a Caughley faceted coffee cup (8) (Est. plus 18% 49 A ROYAL WORCESTER CHINA VASE, 1912, of rounded tapering cylindrical form with trefoil rim and three concave panels with loop handles, painted in polychrome enamels by J Southall with full blown pink and crimson roses, shape 2528, puce mark, 6 1/2" high (Est. plus 18% 50 A SET OF SEVEN ROYAL WORCESTER CHINA FIGURES, , modelled by Freda Doughty and allegorical of the Days of the Week, black printed marks, 8 1/2" - 4 1/2" high (Est. plus 18% (Illustrated) 51 A SET OF TWELVE ROYAL WORCESTER CHINA FIGURES, 1950's, modelled by Freda Doughty and allegorical of the Months of the Year, black printed marks, 7 1/2" - 4 1/4" high (Est. plus 18% (Illustrated) 52 A PAIR OF ROYAL COPENHAGEN STONEWARE PLAQUES, 1962/3, each of oblong form, designed by Knud Khyn, in low relief with an eagle attacking a serpent and a charging elephant, in dark green and black glazes, incised and 21857, both initialled and marked in green and blue, 7" x 9" (Est. plus 18% pr...[more] 53 A SHELLEY CHINA QUEEN ANN COFFEE SERVICE, 1930's, printed and overpainted in colours with peaches and grapes within fruiting vine panels, comprising six each coffee cups and saucers, coffee pot and cover, cream jug and sugar basin, pattern no , printed mark in green (15) (Est. plus 18% premium...[more] 54 AN ART DECO ROYAL DUX BISQUE PORCELAIN FIGURE, modelled as a young female nude bather seated on a rocky outcrop, on a canted square base, model 2942, pink patch mark, 11 3/4" high (Est. plus 18% (Illustrated) 55 A BURMANTOFTS "FAIENCE" JARDINIERE AND STAND, c.1900, the baluster jardiniere and cylindrical stand moulded in low relief with sunflowers in shades of yellow, brown and green, on a cream ground, shapes 1947 and 1948, impressed marks, jardiniere inscribed "col.no. 60/7", 37" high overall (Est. plus 1...[more] 56 TWO BURMANTOFTS "FAIENCE" JARDINIERES, c.1900, one of flared cylindrical form moulded with stylised thistles, 7 1/2" high, the other of baluster form moulded with a band of foliage, 8 1/2" high, both turquoise glazed, shape nos and 1661, impressed marks (Est. plus 18% 57 A MOORCROFT POTTERY VASE, mid 20th century, of flared form with rounded shoulders, tubelined and painted in pale shades of blue, green and pink with orchids on an ivory ground, impressed marks, 8" high, together with a similar "natural" pale blue glazed vase, c.1939, of ribbed baluster form with tal...[more]

4 58 TWO MOORCROFT POTTERY VASES, mid 20th century, each of rounded cylindrical form, tubelined and painted in typical colours with the "Fresia" pattern on a shaded green and a blue ground, impressed marks, 5" and 2 3/4" high (Est. plus 18% 59 TWO SMALL MOORCROFT POTTERY VASES, mid 20th century, of globular form, tubelined and painted in typical colours with the Anemone pattern on a green ground, 3" and 2 1/2", together with a matching blue ground pin dish, 4 1/4" diameter and a similar Pansy pattern dish, all impressed marks (4) (Est. pl...[more] 60 JOHN DUNN (b.1944) - a studio pottery stoneware dish, of ribbed circular form, raku fired in shaded iridescent pink, signed, later dated (20)08, 17 3/4" diameter (subject to Artists Resale Right) (Est. plus 18% 61 A BURMANTOFTS "FAIENCE" TILE PLAQUE, c.1890, of plain oblong form, moulded in relief within a translucent brown glaze with geese running away from a fox with a dead goose in its mouth, impressed, 8 1/2" x 19 3/4", with an oak frame (Est. plus 18% premium inc. 62 A BURMANTOFTS POTTERY CACHE-POT, c.1890, of baluster form, moulded with a scrolling foliate band over wrythen stiff leaf border in a shaded ochre glaze, impressed shape no.1343 and England only, 5 3/4" high (Est. plus 18% 63 A TROIKA EARTHENWARE TABLE LAMP BASE modelled and decorated as a Cornish Tin Mine Engine House by Jane Fitzgerald, in shades of brown and blue, painted mark and monogram, 8 1/2" high (Est. plus 18% 64 A VICTORIAN EARTHENWARE TILE PANEL, the five square tiles painted by J. Proctor with a medieval royal banquet with candle and food bearers, heralds, jester and dancers, signed and dated 1876 in puce on reverse, 6 1/4" x 33 1/2", framed (Est. plus 18% premium inc. 65 A BURMANTOFTS "FAIENCE" JARDINIERE STAND, c.1900, of cylindrical form, the central column moulded as bamboo stems in a lime green glaze, shape no.1201, impressed marks, 24" high (Est. plus 18% 66 THREE MINTONS TILES, including a China Works square teapot stand, c.1885, raised upon four bun feet, printed in underglaze brown after William Wise with a girl picking berries, 8" square, a large tile printed in blue, buff and brown after Moyr Smith from the "Classical Figure with Musical Instrument...[more] 67 A COLLECTION OF FIVE CONTINENTAL EARTHENWARE TILES, early 20th century, in the Jugendstil style, tubelined or moulded with stylised flowers and geometric patterns in shades of green, turquoise and buff, variously marked, 6" square (Est. plus 18% premium inc. 68 A COLLECTION OF SIX JUGENDSTIL EARTHENWARE TILES, early 20th century, including a "Richards" stylised sunflower, a tubelined example with two flowerheads within a ribbon (possibly Boote), one with a stylised tree (A.M. LLD) and primroses, all 6" square (Est. plus 18% 69 A MAW & CO. LARGE TILE, c.1890, moulded with a geometric panel in shades of pink, ochre, green and blue, 9" square, together with a Victorian terracotta tile, slip decorated with a roundel enclosing four fleur de lys within flowerhead spandrels, unmarked, 6" diameter (2) (Est. plus 18% premium inc....[more] 70 A COLLECTION OF ELEVEN ART NOUVEAU TILES, including a Minton green, pink and turquoise husk example and five by Boote, all 6" square (Est. plus 18% 71 A COLLECTION OF FIVE JUGENDSTIL TILES including a Servais Werke Ag Ehrang red and white flower example, 6" square (Est. plus 18%

5 72 A CLARICE CLIFF NEWPORT POTTERY BIZARRE BOWL, 1930's, of octagonal form, painted in typical palette with the 'Awakening Crocus' pattern against a continuous black silhouette of trees and rabbits, printed mark, indistinct numerals inscribed in black, 8 1/4" wide, 4" high (Est. plus 18% premium inc. V...[more] 74 THREE BURMANTOFTS EARTHENWARE VASES, c.1900, comprising two red glazed baluster examples, shapes 401 and 1959, 4" and 3 3/4" high, and an ochre glazed dimpled baluster vase incised with sunbursts, shape 986, 4" high (Est. plus 18% premium inc. 75 A BURMANTOFTS EARTHENWARE CORINTHIAN COLUMN CANDLESTICK, c.1900, in a translucent green glaze, shape 1198, 9" high, together with a similar paler glazed tile moulded with a stylised roundel, 6" square, and two small green glazed vases, shapes 642 and 986, 4 1/2" high and 4" high (4) (Est. plus 18% p...[more] 76 FOUR VICTORIAN WEDGWOOD TILES, printed in underglaze blue and comprising "February" and "June", two girls shaking hands in an aesthetic interior and a young boy walking a pig in a rural landscape, all marked, 6" square, framed (Est. plus 18% premium inc. 77 A COLLECTION OF PAINTED NURSERY TILES, c.1930's and later, comprising a Mintons tile with a lamb, 5" square, three Thynne tiles with a pair of gambolling lambs, a pair of ducklings and a shepherd, 6" square, a Pilkingtons tile with "Love Songs - Ha'Penny Each", and a Campbell tile with "Little Boy B...[more] 78 A PAIR OF MINTON HOLLINS TILES, printed in underglaze sepia after W.P. Simpson, with a hare and stag's head, 6" square (Est. plus 18% 79 A VICTORIAN MAW & CO. TILE, printed in blue with an aesthetic vase of flowers within sunburst spandrels, printed mark, 6" square, and a pair of green glazed tiles stencilled and tubelined with a moonlit river scene, unmarked, 6" square (3) (Est. plus 18% premium inc. 80 A MOORCROFT POTTERY JAR AND COVER, mid 20th century, of cylindrical form, tubelined and painted in shades of yellow, red, dusky pink and blue with the Hibiscus pattern on a shaded ground, 3 1/2" high, together with a squat baluster small vase similarly decorated with the "Columbine" pattern, 2 3/4"...[more] 81 A MOORCROFT POTTERY TRAY, mid 20th century, of plain oblong form, tubelined and painted in shades of dusky pink, purple and yellow with the "Clematis" pattern on a green ground, 8" long, together with a similar squat baluster small vase, 2 3/4" high, both with "Late Queen Mary" labels (2) (Est. plus...[more] 82 A WEMYSS EARTHENWARE VASE, c.1900, of tapering cylindrical form with frilled rim, painted in typical palette with roses, impressed and inscribed mark, 8" high (Est. plus 18% 83 A MOORCROFT POTTERY LARGE VASE, 2002, of inverted baluster form tubelined by Gillian Leese (Johnson) and painted by Wendy Thorne (Mason) with the "Queens Choice" pattern designed by Emma Bossons, impressed marks, signed and dated '4th January 2002' by Emma Bossons, 17" high (Est. plus 18% premium in...[more] 84 A CLARICE CLIFF NEWPORT POTTERY BOWL, 1930's, of octagonal form, painted in typical palette with the "Crocus" pattern, printed marks in black, 8 1/2" wide (Est. plus 18% 85 A CARLTON WARE CACHE-POT, 1930's, of baluster form printed and overpainted in jewelled enamels with the "Mandarin" pattern on a black ground, printed mark, pattern no.d1796/3654 inscribed in black, impressed 467, 5 3/4" high (Est. plus 18% 90 AN ART NOUVEAU GLASS VASE of swept octagonal form with bevelled rim, cut and gilded with an iris on a shaded amethyst ground, unmarked, 13" high (Est. plus 18%

6 91 A LATE VICTORIAN GLASS GOBLET, the two handled baluster bowl etched "H Hall Dec.ber 9th, 1897" within foliate cutting, on a single blade knopped stem and circular foot, 9" high (Est. plus 18% 92 A GERMAN MILCHE GLASS SMALL JUG, early 19th century, of barrel form with pulled and applied handle, painted in enamels with the half length portrait of a young officer within a frame pendant from a bow, 2 3/4" high, together with a later night light holder modelled as a crescent moon painted with a...[more] 93 AN EDWARDIAN SILVER PLATED ELECTRIC TABLE LAMP BASE, makers Walker & Hall, the foliate capital issuing from a tapering fluted stem and supported upon the backs of three recumbent camels, on a straight gadrooned angular trefoil base raised upon three paw feet, 16" to capital (Est. plus 18% premium in...[more] 94 A PAIR OF SILVER SAUCEBOATS, maker's mark S&W, Sheffield 1945, of plain oval form with applied reeded rim and loop handle, 6 1/2" wide, 12ozs 6dwts total (Est. plus 18% 95 A SILVER QUAICHE, maker's mark JBC (in shield), Edinburgh 1981, of typical form, the everted lug handles engraved with a presentation inscription " ", 7 1/4" wide, 7ozs 15dwts (Est. plus 18% 96 A YORK MINSTER SILVER DWARF CANDLESTICK, maker H Miller, London 1989, no.357 of a limited edition of 500 made to commemorate the restoration following the 1984 fire, with rose cast and gilded cylindrical socket issuing from a stepped swept foot, 3 3/4" high, 9ozs 2dwts (Est. plus 18% premium inc. VA...[more] 97 A PAIR OF LARGE SILVER SAUCEBOATS, makers Roberts & Belk, Sheffield 1938, of plain oval form with angular handle, on a swept foot, 8 1/4" wide, 23ozs total, cased (Est. plus 18% 98 A PAIR OF SILVER SALAD SERVERS, makers Barraclough & Barraclough, Sheffield 1915, with fancy trefoil finials, 8 1/2" long, 5ozs 18dwts (Est. plus 18% 99 A ROYAL COMMEMORATIVE SILVER GOBLET, maker's mark T & S, Birmingham 1968, the "U" shaped bowl engraved with "HRH Prince Charles, 1969" and Prince of Wales feathers, on a swept stem and foot, 5 1/4" high, 4ozs 19dwts (Est. plus 18% premium inc. 100 A PAIR OF SILVER NOVELTY SALTS, makers Brook & Son, Edinburgh 1926, modelled as a quaiche, 3 1/4" wide overall, 2ozs 13dwts (Est. plus 18% 101 A LADY'S SILVER GILT DESK STANDISH, maker Charles Stuart Harris, London 1921, of oblong form with acanthus sheathed scroll reentrant corners centred by a glass inkwell with mount and hinged cover and a pen well, raised upon four knurl feet, 6" long, base 4ozs 12dwts (Est. plus 18% 102 A SILVER SAUCEBOAT, makers Deakin & Francis, Birmingham 1929, the plain oval band with double "C" scroll handle, on a low swept foot, 6 1/2" wide, 5ozs 11dwts (Est. plus 18% 103 A PAIR OF SILVER SHABBAT CANDLESTICKS, maker possibly M Salkind, London 1931, the detachable drip pans issuing from multi baluster stems and domed foot on a square base, chased with swags of flowers, 13 3/4" high, 20ozs 16dwts total (Est. plus 18% 104 A RIPON CATHEDRAL SILVER GOBLET, makers Aurum, London 1985, no. 116 of a limited edition of 500 made to commemorate the 150th Anniversary of the Foundation of the Diocese in 1836, 6 1/2" high, 12ozs 15dwts, with certificate and box (Est. plus 18% premium inc. 105 A SILVER GOBLET to match the previous lot, no. 117 of 500, 6 1/2" high, 12ozs 13dwts, with certificate and box (Est. plus 18%

7 106 A SILVER GOBLET to match the previous two lots, no. 118 of 500, 6 1/2" high, 12ozs 14dwts, with certificate and box (Est. plus 18% 107 AN ART DECO SILVER TEAPOT AND MILK JUG, maker's mark JR, Birmingham 1931, of canted oblong form, the hinged cover with ebony finial and earred angular handle, raised upon four square pad feet, teapot 12" wide, 31ozs total gross (Est. plus 18% premium inc. 108 A COMPOSITE FOUR PIECE SILVER TEA AND COFFEE SERVICE, makers Asprey & Co. Ltd., Birmingham 1917 (sugar basin), Birmingham 1918 (teapot and milk jug), and Chester 1918 (coffee pot) of semi fluted rounded oblong baluster form, the hinged covers with melon fluted ebony finials and earred angular handle...[more] 109 A BACHELOR'S SILVER TEAPOT, makers W & C Sissons, Sheffield 1913, of prow form, the flat hinged cover with ebony knop and composition earred handle, 9 1/4" wide, 14ozs 5dwts gross (Est. plus 18% 110 A "PAUL REVERE" SILVER PART TABLE SERVICE, stamped Sterling 925/1000, comprising eight forks (7 1/8" long), eight salad forks, nine teaspoons (two sizes), eight ice teaspoons, eight dinner forks, pair tablespoons, pickle fork and two coffee spoons, 54ozs 7dwts total, together with eight each matchin...[more] 111 OF WWI NAVAL INTEREST - A silver cigarette case, makers Charles S Green & Co., Birmingham 1917, of plain rounded oblong form, the fascia engraved with a naval sea mine, the reverse with a monogram, 5 1/2" x 3 1/2", 6ozs 18dwts (Est. plus 18% premium inc. 112 A LATE VICTORIAN FOUR PIECE SILVER TEA SERVICE, makers Martin, Hall & Co., Sheffield 1890, of rounded oblong form, chased and repousse with scrolling panels and vacant rococo cartouche, raised upon four ball feet, comprising teapot and hot water jug and hinged covers with angular handles, two handle...[more] 113 A SET OF SIX VICTORIAN SCOTTISH SILVER DESSERT SPOONS, maker possibly Patrick McFarlane, Glasgow 1853, in single struck King's pattern, engraved with initials, 9ozs 11dwts total (Est. plus 18% 114 A LATE VICTORIAN SILVER DISH, makers Goldsmiths & Silversmiths Co. Ltd., London 1901, of circular form with shallow everted scroll pierced rim and raised upon three acanthus leaf sheathed knurl feet, 9 1/2" diameter, 15ozs 13dwts (Est. plus 18% premium inc. 115 A PAIR OF GEORGE III SILVER SAUCE LADLES, maker John Lias, London 1786, in Old English pattern, engraved with an armorial, 6 3/4" long, 2ozs 18dwts total (Est. plus 18% 116 A GEORGE I SILVER HOT WATER JUG, maker possibly John Eckford II, London 1725, of baluster form, the hinged cover with square urn finial, hollow double "C" scroll handle, on a low plain foot, later chased with foliage enclosing two rococo panels, 9 3/4" high, 23ozs 8dwts gross (Est. plus 18% premium...[more] 117 A LATE VICTORIAN SILVER CHRISTENING MUG, maker George Fox, London 1880, of plain cylindrical form with double "C" scroll handle, raised upon three ball feet, 3" high, 5ozs 8dwts (Est. plus 18% 118 A PAIR OF GEORGE II SILVER SAUCEBOATS, maker's mark rubbed, London 1742, of plain oval form with slightly everted cut rim, acanthus leaf sheathed double "C" scroll handle and raised upon three stepped hoof feet, with traces of engraving, 6 3/4" wide, 20ozs 15dwts total (Est. plus 18% premium inc. VA...[more] 119 A LATE VICTORIAN SILVER DESSERT SET, makers Allen & Darwin, Sheffield 1890, with foliate engraved blades and tines, reeded ferrules and polished mother of pearl handles, comprising a pair of servers, twelve knives and eleven forks, in a walnut case (Est. plus 18%

8 120 AN EDWARDIAN ARTS AND CRAFTS FOUR PIECE SILVER TEA SERVICE, maker C C Pilling, London 1903, of swept octagonal form raised upon four cast heart shaped feet issuing from a shaped apron, comprising teapot and hot water jug, the hinged swept covers with ebony knops and scroll handles, two handled sugar...[more] 121 A VICTORIAN SILVER AESTHETIC MOVEMENT CHRISTENING MUG, maker Edward C. Brown, London 1880, of slightly flared cylindrical form with angular ribbed handle, engraved with a swan beside bullrushes, and a flowering plant below a stylised sun, 3 1/4" high, 4ozs 5dwts (Est. plus 18% 122 A LATE VICTORIAN SILVER PEDESTAL ROSE BOWL, maker's mark HA, Sheffield 1901, the circular bowl with crimped rim and repousse with scrolling foliage enclosing two vacant cartouche, on a low foot, 9 3/4" diameter, 6" high, 20ozs 19dwts (Est. plus 18% 123 A SET OF FOUR FRENCH SILVER SALTS, c.1800, of oval form, cast and pierced with ribbon tied swags of pendant husks within bead and arcade cast rims, two angular handles and raised upon hoof feet with ram's mask terminals, 3 3/4" wide over handles, 7ozs 8dwts total, with blue glass liners (Est. plus 1...[more] 124 A GEORGE III IRISH SILVER PEDESTAL SALT, c.1786, maker Dennis Fray, Hibernia and crowned harp only, the eliptical bowl on a swept stepped foot, gilded, 4" wide, 2 3/4" high, 3ozs 7dwts (Est. plus 18% 125 A GEORGE II SILVER MOTE SPOON, c.1760, maker's mark AS only, with scroll pierced Rat Tail bowl and arrowhead tip, 5 1/2" long (Est. plus 18% 126 A GEORGE III SILVER PAP BOAT, maker James Stamp, London 1777, the plain oval bowl with crimped rim, 4 1/2" wide, 1oz 15dwts (Est. plus 18% 127 AN EDWARDIAN SILVER PEDESTAL MUSTARD, makers Williams (Birmingham) Ltd., Birmingham 1903, of oval form, the hinged swept cover with flamiform finial, angular reeded handle, plain pierced arcading, on a swept stepped foot, 4" wide, 4ozs 10dwts, with blue glass liner (Est. plus 18% 128 A LATE GEORGE III SILVER MUSTARD, maker probably Thomas Watson, Newcastle(?), no date, of bombe oval form, the hinged cover with plain thumbpiece, engraved "W" and raised upon four ball feet, 3 1/4" wide, 3ozs 5dwts, with blue glass liner (Est. plus 18% 129 A VICTORIAN SATIN GLASS SCENT BOTTLE, maker Sampson Mordan, London 1886, the amber tinted globular bottle enamelled in sombre colours with a moth and flowering branches, with plain silver globular screw on cover, 4 3/4" high (Est. plus 18% premium inc. 130 A LATE VICTORIAN SILVER DISH, makers Thomas Bradbury & Sons Ltd., Sheffield 1900, of shallow rounded square form, stamped and repousse with scrolls within a crimped rim, 9" square, 11ozs 16dwts (Est. plus 18% 131 A LATE VICTORIAN FOLDING SILVER FRUIT KNIFE, maker's mark AS, Sheffield 1890, the foliate engraved mother of pearl handle inset with an eliptical panel engraved "AL", the silver blade engraved with a bird perched upon a flowering branch, 6 1/4" long open, cased (Est. plus 18% 132 A LATE VICTORIAN SILVER SCENT BOTTLE, maker's mark indistinct, Birmingham 1893, of semi wrythen fluted cylindrical form, the rococo scroll panel centred by a monogram within foliate chasing, 3" high (Est. plus 18% 133 A GEORGE III SILVER MEAT SKEWER, makers William Fearn & George Smith, of plain form with loop handle, 12 1/2" long, 2ozs 11dwts (Est. plus 18%

9 134 A PAIR OF VICTORIAN SILVER NAPKIN RINGS, maker's mark possibly JRM over GW, Sheffield 1878, of bombe cylindrical form, bright cut engraved with leaves enclosing a vacant panel, 1 3/4" diameter, 1oz 15dwts total (Est. plus 18% 135 AN EDWARDIAN SILVER BONBON DISH, maker's mark indistinct, Birmingham 1908, of oblong form with re-entrant corners and gadrooned rim enclosing plain pierced arcading, on a similar foot raised upon four ball feet, 5 1/2" wide, 6ozs (Est. plus 18% premium inc. 136 AN EDWARDIAN SILVER BOWL, maker Ackroyd Rhodes, London 1910, of lobed quatrefoil form with reel and bobbin cast rim, raised upon a swept oval foot, 10 3/4" wide, 17ozs 17dwts (Est. plus 18% 137 A WILLIAM IV SILVER THREE PIECE TEA SERVICE, maker Robert Hennell, London 1834, of lobed squat globular form on a low floriform foot, each lobe chased with forget-me-not type flowers within acanthus panels, comprising teapot and hinged swept cover with cast and applied flower and acanthus leaf sheat...[more] 138 A GEORGE III SILVER EPERGNE BASKET, makers Charles Aldridge & Henry Green, London 1773, of oval form, the overhead spectacle cast handle with circular box hinges, with bead stamped rim and foliate pierced border, on a low pierced foot with cast and applied rope twist rim, 6" wide, 3ozs 16dwts (Est....[more] 139 AN EDWARDIAN SILVER EASEL BACK MIRROR, maker's mark indistinct, Birmingham 1904, the bevelled cartouche plate with stamped and pierced scrolling foliate frame with vacant panel centre top, 12 1/2" x 9" overall (Est. plus 18% 140 AN EDWARDIAN SILVER SMALL SALVER, makers Goldsmiths and Silversmiths Co. Ld., London 1903, of circular form with scroll and foliate pie-crust rim, raised upon three knurl feet, 10 1/2" diameter, 22ozs 5dwts (Est. plus 18% 141 AN EDWARDIAN SILVER SALVER, makers Goldsmiths & Silversmiths Co. Ld., London 1903, of circular form with scroll and foliate piecrust rim, raised upon four knurl feet, 15" diameter, 45ozs 16dwts (Est. plus 18% 142 A WHITE METAL BASKET, 19th century, apparently unmarked, of ovoid form, pierced, chased and repousse with panels of birds perched above a nest with chicks on a leafy ground, the rope twist overhead swing handle with circular box hinges and raised upon four fluted feet with Greek key terminals, 4 1/2...[more] 143 A GEORGE III SILVER BASTING SPOON, makers Williams Eley & Fearn, London 1807, in Old English pattern, engraved with an initial, 11 3/4" long, 3ozs 17dwts (Est. plus 18% 144 A GEORGE III SCOTTISH SILVER LADLE, makers Wm. & Patrick Cunningham, Edinburgh 1814, in fiddle and shell pattern with shell bowl, engraved with an armorial, 15" long, 7ozs 14dwts (Est. plus 18% 150 A GEORGE V PROOF SIX COIN SET, all 1927 except Florin 1928, original box, all toned (Est. plus 18% 151 THREE HALF SOVEREIGNS 1893, 1902 and 1925, 11.8g total (Est. plus 18% 152 A VICTORIA SOVEREIGN, 1897, in a loose 9ct gold pendant mount, 8.6g total gross, together with a George V sovereign, 1913, 8g (2) (Est. plus 18% 153 TWO EDWARD VII SOVEREIGNS, 1909, 15.9g total (Est. plus 18% 154 A VICTORIA DIAMOND JUBILEE DOUBLE SIDED GOLD MEDALLION, 1897, in a loose scroll pendant mount, 16.7g total gross (Est. plus 18%

10 155 FIVE SOVEREIGNS 1892, 1897, 1906, 1912 and 1968, all loose mounted as a bracelet in square filigree panels with padlock clasp stamped 9ct, 67g total gross (Est. plus 18% 156 A VICTORIA OH SOVEREIGN, 1899, in a loose 9ct gold pendant mount, 13.3g total gross (Est. plus 18% 157 A GEORGE II DOUBLE GUINEA, 1738, in a loose unmarked pendant mount, 18.1g total gross (Est. plus 18% 158 AN ELIZABETH II PROOF SOVEREIGN, 1980, in plastic capsule, cased (Est. plus 18% 159 TWO ELIZABETH II PROOF HALF SOVEREIGNS, 1980, in plastic capsules, cased (Est. plus 18% 160 TWO ELIZABETH II PROOF HALF SOVEREIGNS, 1980, in plastic capsules, cased (Est. plus 18% 161 A USA OLYMPIC PROOF $10 GOLD COIN, 1984, number , in shrink wrapped card holder, cased (Est. plus 18% premium inc. 162 AN ELIZABETH II GOLD PROOF SET, 1980, comprising 5, 2, sovereign and half sovereign, in plastic capsules, cased (Est. plus 18% (Ilustrated) 163 AN ELIZABETH II GOLD PROOF SET, 1980, comprising 5, 2, sovereign and half sovereign, in plastic capsules, cased (Est. plus 18% 164 AN ELIZABETH II GOLD PROOF COLLECTION, 1982, comprising 5, 2, sovereign and half sovereign, in plastic capsules, cased (Est. plus 18% (Illustrated) 165 AN ELIZABETH II COMMEMORATIVE PROOF COIN COLLECTION, 1981, comprising gold 5 and sovereign, silver Royal Marriage Crown, remaining six coins in proof standard, in plastic capsules, cased with booklet (Est. plus 18% (Illustrated) 166 A VICTORIA SOVEREIGN, 1898, in a loose 9ct gold scroll pendant mount, 9.8g gross (Est. plus 18% 167 A GENTLEMAN'S 9CT GOLD OMEGA DE VILLE WRISTWATCH, the circular pale, slightly iridescent dial with applied gilt metal line batons, the seventeen jewel unadjusted movement in a plain case, the back engraved with a presentation inscription dated 1979, on a gold plated expanding bracelet (Est. plus 18%...[more] 168 A GENTLEMAN'S OMEGA AUTOMATIC SEAMASTER WRISTWATCH, the circular champagne dial with applied gilt metal line batons and date at 3 o'clock, in a plain stainless case (Est. plus 18% 169 A GENTLEMAN'S OMEGA AUTOMATIC SEAMASTER WRISTWATCH, the circular gilt dial with applied gilt metal line batons and date at 3 o'clock, in a plain stainless case on a later leather strap (Est. plus 18% 170 A JAEGER LECOULTRE MILITARY WRISTWATCH, the circular black dial with luminous Arabic numerals, dot markers and cathedral hands, enclosing subsidiary seconds dial, the movement numbered , in a plain matt case, the back engraved with arrow WWW, and numbered , F12885, on a later expanding b...[more] 171 A GENTLEMAN'S STAINLESS STEEL OMEGA WRISTWATCH, the circular silvered dial with applied gilt metal line batons and "12", with plain triangular hands and centre seconds, in a plain case with original crown, on a later stitched leather strap (Est. plus 18%

11 172 OF FILM INTEREST - HERBERT S. MARSHALL - a gentleman's 18ct gold Longines wristwatch, the square champagne dial with applied gilt metal line batons and quarter Arabic numerals enclosing subsidiary seconds dial, the seventeen jewel movement numbered in a plain rounded square case, the reverse...[more] 173 A GENTLEMAN'S TAG HEUER "CARRERA" STAINLESS STEEL AUTOMATIC GMT CHRONOMETER, the circular black dial with line markers enclosing demi-lune time zone aperture and oblong date aperture, the exposed Calibre 8 movement numbered 15466, with a diamond bar set bezel, on a bracelet strap with deployment cla...[more] 174 A MID SIZE STAINLESS STEEL ROLEX OYSTER SPEEDKING WRISTWATCH, the circular champagne dial with luminous Arabic numerals and dagger marks, luminous skeleton hands and centre seconds hand, in a plain case with screw down crown, plain back, on a new stitched leather strap (Est. plus 18% premium inc. VA...[more] 175 A LADY'S GOLD FOB WATCH, the circular white enamel dial with black Roman numerals, the jewelled bar lever movement with hinged dust cover, in an engraved case, the blue guilloche enamelled back centred by a flower spray gypsy set with numerous rose cut diamonds, suspended from a 15ct gold bow brooch...[more] 176 A GENTLEMAN'S 18CT GOLD "BENTIMA" STAR AUTOMATIC WRISTWATCH, the circular champagne dial with applied gilt metal line batons and with date aperture at 3 o'clock, the Incabloc movement in a plain case, the reverse engraved with a presentation inscription, on a rolled gold bracelet strap (Est. plus 1...[more] 177 A LADY'S 18CT GOLD BUCHERER NOVELTY COCKTAIL BROOCH/WATCH, the pale champagne rounded square dial with applied gilt metal batons and clots, the seventeen jewel unadjusted movement in a case modelled as a horse and carriage, the scroll pierced hinged "door" revealing the dial, with ruby set lamp, the...[more] 178 A LADY'S ART DECO DIAMOND COCKTAIL WATCH, the square enamelled dial with gilt Arabic numerals inscribed "Micra", the fifteen ruby movement in a plain unmarked case pave set with sixteen diamonds to panelled articulated shoulders set with further smaller stones on a cordette strap with chrome mounts,...[more] 181 A THREE STONE EMERALD AND DIAMOND RING, the central round cut emerald claw set and flanked by two brilliant cut diamonds to a plain 18ct gold shank, size L (Est. plus 18% 182 A 9CT GOLD ALBERT CHAIN, with two dog clip fasteners and bar, the snaffle chain pendant with a 9ct gold Masonic hinged spherical fob, 76g total (Est. plus 18% 183 AN EDWARDIAN SHELL CAMEO, the oval panel carved with the head portrait of a young lady wearing her be-ribboned hair up, in an 18ct gold collet scroll mount, cameo 1 1/8" x 1" (Est. plus 18% 184 A LARGE VICTORIAN BROOCH, centred by an open back collet set amethyst in an oval scroll open mount with engraved leaves, unmarked and untested, 2" x 2 3/4" overall (Est. plus 18% 185 A PAIR OF DIAMOND AND EMERALD CLIP FLOWERHEAD EARRINGS, in white gold, Birmingham 1981, sponsor's mark C & F, 3/4" long (Est. plus 18% 186 A DIAMOND PENDANT AND MATCHING EAR STUDS, the open flower pendant set with small round brilliant and baguette cut stones totalling 0.50cts to a plain bale on a fine chain necklace (Est. plus 18% 187 A 9CT GOLD GUARD CHAIN, with dog-clip fastener, 56" long, 28.1g (Est. plus 18% 188 A SOLITAIRE DIAMOND RING, the brilliant cut stone of approximately 0.25cts in a square setting on wide shoulders and a plain 18ct gold shank, size R (Est. plus 18%

12 189 A 9CT GOLD BRICK LINK BRACELET, Birmingham 1967, with engraved links, 7 1/4" long, 32.2g (Est. plus 18% (Illustrated) 190 AN 18CT GOLD FANCY LINK CHAIN, the quatrefoil flat links to a plain clasp, stamped 18ct, 14.8g (Est. plus 18% 191 AN ART DECO EMERALD AND DIAMOND DRESS RING, the square panel open back collet set with four faceted emeralds and six pave set diamonds to a plain 18ct gold shank, size M (Est. plus 18% 192 AN EMERALD AND DIAMOND COCKTAIL RING, the leaf panel centred by a pear cut emerald within five pave set diamond panels with channel set baguette shoulders and a wavy 18kt gold shank, size J (Est. plus 18% 193 AN EMERALD AND DIAMOND COCKTAIL RING, the Colombian pear cut emerald of 5.18cts claw set to a border of small millegrain set diamonds to a plain 18ct white gold shank, size L 1/2, UGL certificate (Est. plus 18% 194 A PAIR OF RUBY AND DIAMOND STUD EARRINGS, the triple horseshoe clusters on 18ct gold posts, 3/4" long (Est. plus 18% 195 A DIAMOND CLUSTER RING, the nineteen round brilliant cut stones claw set to a plain 18ct gold shank, size L (Est. plus 18% premium inc. 196 A TANZANITE AND DIAMOND RING, the oval cut tanzanite of approximately 3.35cts, claw set to a border of twenty small diamonds of approximately 0.50cts total weight, to open triple shoulders and a plain 14kt white gold shank, size M (Est. plus 18% 197 A MODERN DIAMOND PENDANT, the four central round brilliant cut stones within a border of six baguettes, all channel set to an 18ct white gold frame and fixed bale on an 18ct white gold snake link chain (Est. plus 18% 198 A RUBY AND DIAMOND COCKTAIL RING, the 18ct white gold wishbone shank claw set with seven square cut rubies beneath a star burst of nine small round brilliant cut diamonds to a plain shank, size L (Est. plus 18% 199 A WATCH CHAIN, the figarucci type links with twelve graduated sardonyx bead spacers, bar, dog clip fastener and shepherd's crook hook, untested, 15 1/2" long overall (Est. plus 18% (Illustrated) 200 A VICTORIAN NECKLACE, the link and ball chain with ten blue bead spacers and fixed to a blue guilloche enamelled roundel centred by a gypsy set old mine cut diamond in a star setting within a graduated pearl border, further hung with an opal bead and smaller pendant (Est. plus 18%...[more] 201 A VICTORIAN INDIANESQUE BROOCH formed as two crescents enclosing a melon lobed dome each centred by a seed pearl, the central granulated panels with blue guilloche enamelled arch set with a band of seed pearls with two similar husks below suspended with a fringe of thirteen articulated drops with se...[more] 202 A GARRARD 18CT GOLD PENDANT AND CHAIN, the white gold open roundel applied with a yellow gold crown, with graduated bead cast bale on a belcher link chain, 14.7g total, chain 17" long (Est. plus 18% (Illustrated) 203 A SAPPHIRE AND DIAMOND COCKTAIL RING, the oval cut sapphire of approximately 2.60cts claw set to a domed panel millegrain set with numerous small diamonds of approximately 0.85cts total weight to a plain 14kt white gold shank, size M (Est. plus 18% 204 A RUBY AND DIAMOND RING, the emerald cut ruby of approximately 4.65cts claw set to a border of millegrain set small diamonds to bi-furcated diamond set shoulders and a plain 14k white gold shank, size M (Est. plus 18%

13 205 A THREE STONE DIAMOND RING, the central stone of approximately 0.40cts in a square panel flanked by two smaller stones in a crossover claw setting to a plain platinum and 18ct white gold shank, size L (Est. plus 18% (Illustrated) 206 AN EMERALD AND DIAMOND CLUSTER RING, the oval facet cut Columbian emerald claw set to a border of numerous small millegrain set diamonds to similar set shoulders and a plain 18kt white gold shank, size M (Est. plus 18% 207 A PAIR OF SAPPHIRE AND DIAMOND EAR STUDS, the pear cut sapphires claw set to a border of fourteen round brilliant cut diamonds to plain 18kt white gold posts, with GIA certificate (Est. plus 18% 208 A PAIR OF DIAMOND EARRINGS, the wrythen carved shaped oblong panels millegrain set with numerous round brilliant cut stones to 18k white gold posts and horseshoe clips (Est. plus 18% (Illustrated) 209 A DIAMOND STICK PIN, the brilliant cut stone of approximately 0.25cts claw set to a screw-in mount, cased (Est. plus 18% premium inc. 210 AN EMERALD AND DIAMOND PENDANT, the Colombian pear cut emerald claw set in platinum with baguette and small round brilliant diamond set border on a diamond set bale, on an 18ct white gold fine chain necklace (Est. plus 18% (Illustrated) 211 A LATE VICTORIAN GENTLEMAN'S SOLITAIRE DIAMOND RING, the old cut stone claw set to open shoulders and a plain 18ct gold shank, size S (Est. plus 18% 212 A THREE STONE DIAMOND RING, the central brilliant cut stone of approximately 0.4cts flanked by two slightly smaller stones to platinum shoulders each millegrain set with two small diamonds to a plain gold shank, size M (Est. plus 18% (Illustrated) 213 A PAIR OF VICTORIAN STYLE 18CT GOLD EAR BOBS, the rounded open conical bobs hung with a plain bead, on hook fasteners (Est. plus 18% 214 A SINGLE STRING OF AUSTRALIAN JADE BEADS, the fifty six faceted beads with facet cut emerald double bead spacers (Est. plus 18% 215 AN EMERALD AND DIAMOND NECKLACE, the central cluster with fixed drop on an asymetrically set emerald and diamond mount to an 18ct gold open oblong link chain, 15 1/2" long (Est. plus 18% (Illustrated) 216 AN EDWARDIAN 15CT GOLD PENDANT, the bow tied cartouche centred by a facet cut peridot on a seed pearl set knife edge bar grid, hung with a pearl set husk, on a fine 9ct gold chain (Est. plus 18% 217 A DIAMOND RING, the central brilliant cut stone of approximately 0.20cts flanked by a pair of smaller horizontal set baguette cut stones to a plain platinum shank, size K (Est. plus 18% 218 A RUBY AND DIAMOND ETERNITY RING, the wavy band alternately set with three channel set square cut rubies and three millegrain set brilliant cut diamonds to an unmarked white shank, size H (Est. plus 18% 219 A DIAMOND CLUSTER RING, the nine stones claw set to a plain 18ct gold shank, size M (Est. plus 18% 220 AN EDWARDIAN NOVELTY BAR BROOCH, as a fly with turquoise oval bead body, graduated seed pearl wings and ruby eyes to a plain gold bar, unmarked, 1 1/2" long, cased (Est. plus 18%

14 221 AN EMERALD AND DIAMOND FLOWERHEAD RING, the central facet cut emerald claw set to a double border of twelve small and twelve larger diamonds to a plain white metal shank, size N (Est. plus 18% (Illustrated) 222 A DIAMOND TENNIS BRACELET, the fifty illusion set stones each of approximately 0.032cts on an 18ct white gold frame, 16.5g gross, 7 1/4" long (Est. plus 18% (Illustrated) 223 A "FOPE" 18CT GOLD TORQUE BANGLE, the cylindrical "fixed" chain with ball finials each with a collar pave set with seven round brilliant cut diamonds, 31.8g gross, 2 1/4" internal dimensions (Est. plus 18% (Illustrated) 224 A SOLITAIRE DIAMOND PENDANT, the old mixed cut stone of approximately 1ct, claw set to a small open back collet set stone fixed to a fine chain necklace (Est. plus 18% 225 A RUBY AND DIAMOND PENDANT, the oval facet cut ruby claw set below three brilliant cut diamonds to a plain 14ct white gold bale and frame on a 9ct white gold fine box link necklace (Est. plus 18% (Illustrated) 226 AN ART DECO AQUAMARINE, DIAMOND AND SEED PEARL PENDANT, the ribbon tied knife edge wreath set with seed pearls and clusters of small diamonds hung with a tear cut aquamarine, suspended from a further cushion cut aquamarine and fixed to a fine chain necklace with two pearl spacers, cased, together wi...[more] 227 A DIAMOND HALF HOOP ETERNITY RING, the 18ct white gold band channel set with nine round brilliants within yellow milled borders, etched hallmarks, size M 1/2 (Est. plus 18% 228 A SOLITAIRE DIAMOND RING, the brilliant cut stone of 0.26cts, claw set to a plain platinum shank, size G, with Beaverbrooks certificate stating clarity SI1 and colour G (Est. plus 18% 229 AN EMERALD AND DIAMOND COCKTAIL RING, the Colombian pear cut emerald of 5.29cts claw set to a border of small millegrain set diamonds to a plain 18ct white gold shank, size K 1/2, with UGL certificate (Est. plus 18% (Illustrated) 230 A PAIR OF ART DECO DIAMOND EARRINGS, the drop leaf panels pave set with numerous small brilliant cut stones to channel set baguette stalks on 9ct white gold screw action fasteners, 1 1/4" long, cased (Est. plus 18% (Illustrated) 231 A FRESH WATER PEARL ROPE NECKLACE, the six strings twisted to an 18ct gold bow clasp (Est. plus 18% 232 A SILVER BEAD NECKLACE, the forty six beads strung to a bar and loop fastener, hallmarked, 18" long (Est. plus 18% premium inc. 233 A VICTORIAN 18CT GOLD AND PEARL STAR PENDANT, the six pointed star set with graduated half and seed pearls to a pearl set bale, stamped "SS18" (Est. plus 18% 234 A PAIR OF "MOUAWAD" 18CT GOLD DROP EAR STUDS, the oblong matt panels each diagonally channel set with four small diamonds totalling 0.10cts to a polished drop and plain post, 10.7g total gross (Est. plus 18% 235 A SOLITAIRE DIAMOND RING, the brilliant cut stone of approximately 0.25cts, claw set to a plain platinum shank, size M (Est. plus 18% 236 A 15CT GOLD BROOCH, the open circle enclosing three leafy fronds set with a small diamond, ruby and sapphire, with safety chain, 1" diameter (Est. plus 18%

15 237 A PAIR OF AMETHYST AND DIAMOND DROP EAR STUDS, the facet cut circular amethyst claw set to a 2.5cm chain with three small diamond spacers, pendant from a diamond stud (Est. plus 18% 238 A FIVE STONE DIAMOND RING, the graduated old brilliant cut stones totalling approximately 1.12cts to carved shoulders and a plain gold shank, size L (Est. plus 18% 239 A MULTI-GEM SET STIFFED HINGED BANGLE, the black enamel wrythen panels set with cultured pearls, sapphires, rubies, emeralds and rose cut diamonds to a 14kt gold frame, with cabochon sapphire button and safety chain (Est. plus 18% 240 A PAIR OF CITRINE AND DIAMOND DROP EARRINGS, the briolette cut cushion citrines inset with a triangular panel of small diamonds to 18ct gold shepherd's crook hooks (Est. plus 18% 241 A DIAMOND HALF HOOP ETERNITY RING, the nine channel set small stones set into a wavy platinum shank, size G 1/2 (Est. plus 18% 242 AN EDWARDIAN NOVELTY BROOCH, modelled as a seed pearl set swallow flying towards a pearl trefoil and turquoise bead on an open scroll mount, unmarked, 1 1/4" wide, cased (Est. plus 18% 243 A SAPPHIRE AND DIAMOND CLUSTER PENDANT, the oval facet cut sapphire claw set to a border of small diamonds to a plain bale and 9ct white gold fine chain necklace (Est. plus 18% 244 AN AMETHYST AND DIAMOND CLUSTER PENDANT, the princess cut amethyst claw set to a border of small diamonds to a plain 9ct white gold bale and a fine chain necklace (Est. plus 18% 245 TWO MOURNING BROOCHES, one of plain oblong form with a plaited hair panel within a black enamel and split pearl border, engraved "Ann Blackburne, Obt. 7 January 1823, Ag. 70", 1 1/4" wide, and a large oval brooch, the opaline glass panel overlaid with a hair plume within a hollow scroll border, phot...[more] 246 A MALACHITE BROOCH, the polished eliptical panel with plain mount, 1 1/2" long, together with a Victorian oval brooch open back collet set with three citrine coloured stones within a scroll mount, 2" long (2) (Est. plus 18% 247 A PAIR OF AMETHYST AND DIAMOND CUFF EAR STUDS, the wide tapering bands gypsy set with an oval amethyst and diamond point (Est. plus 18% 248 A HARDSTONE CAMEO, early 19th century, the oval bevelled polished opaline panel carved with the bust portrait of a young Roman lady wearing flowers in her curled hair, in a plain pendant mount, 2 1/4" x 1 3/4" (Est. plus 18% 249 A BLUE TOPAZ AND DIAMOND CLUSTER PENDANT, the circular briolette cut topaz open back collet set to a border of small diamonds and diamond set 9ct white gold bale on a white gold fine chain necklace (Est. plus 18% 250 AN 18CT GOLD AND DIAMOND SPRAY BROOCH, the four white gold flower heads each centred by a small round brilliant cut stone, with similar tied bow, 2" high (Est. plus 18% 251 A SAPPHIRE AND DIAMOND DRESS RING, the oval facet cut sapphire claw set in a modern cross over millegrain set with numerous small diamonds to a plain 18ct white gold shank, size M (Est. plus 18% 252 A PAIR OF DIAMOND EARRINGS, the shallow loops each centrally pave set with eight small round brilliant cut stones to 18kt screw action fasteners (Est. plus 18%

16 253 A SOLITAIRE DIAMOND RING, the old brilliant cut stone of approximately 0.85cts claw set to a plain 18ct gold shank, size K (Est. plus 18% 254 AN EMERALD AND DIAMOND HALF HOOP ETERNITY RING, the four circular facet cut emeralds and three brilliant cut diamonds point set to a plain 18ct gold shank, size M (Est. plus 18% 255 TWO GEORGIAN PASTE SET BROOCHES, one as a star, 1 1/2" wide, the other as a curved bar with engraved border, 1 1/2" long (Est. plus 18% 256 A CONTINENTAL RING, the open scroll mount set with nine mixed cut diamonds in rub-over settings to a plain shank, size O, together with a Georgian diamond set circular brooch (2) (Est. plus 18% 257 A 19TH CENTURY DIAMOND BROOCH/PENDANT of open convex quatrefoil form centred by a bell flower, scrolls and foliage, all set with mixed cut stones in silver to a gold back (Est. plus 18% 258 AN AMETHYST AND SEED PEARL PENDANT, the 9ct gold shield panel centred by an oval cut amethyst and hung with a round cut amethyst from a plain bale on a 9ct gold fine chain necklace, 1 1/2" long excluding bale (Est. plus 18% 259 A THREE STONE DIAMOND RING, the central brilliant cut stone of approximately 0.4cts flanked by two similar smaller stones to a plain 18ct gold shank, size K (Est. plus 18% 260 A DIAMOND ETERNITY RING, the small brilliant cut stones in a carved setting, indistinctly marked, size N (Est. plus 18% premium inc. 261 A DIAMOND PENDANT, the foliate cluster hung from an open scroll mount set with six further smaller stones in white gold fixed to a silver fine chain necklace (Est. plus 18% 262 A VICTORIAN AMETHYST DRESS RING, the oval facet cut stone claw set to engraved shoulders and a gold shank, size M 1/2 (Est. plus 18% 263 A GENTLEMAN'S SAPPHIRE AND DIAMOND RING, the chequer board panel set with twelve vivid blue small sapphires within a border of twenty six small round brilliant cut diamonds to a wide 18ct white gold shank, size R 1/2 (Est. plus 18% 264 A MODERN JAPANESE RING, the 18ct gold matt scroll panel gypsy set with six small diamonds to a plain shank, size L 1/2 (Est. plus 18% 265 A RUBY AND DIAMOND CLUSTER RING, the oval facet cut (un-heat treated) ruby claw set to a border of twelve small round brilliant cut diamonds to a plain platinum shank, size M (Est. plus 18% 266 A SAPPHIRE AND DIAMOND RING, the oval facet cut stone claw set to angular shoulders each set with two baguette cut diamonds and a plain 9ct white gold shank, size L 1/2 (Est. plus 18% 267 A DIAMOND BAR BROOCH, the central round brilliant cut stone of approximately 0.15cts claw set and flanked by two similar slightly smaller stones to a plain 14ct white gold propellor bar, 3.8g gross, 2 1/4" long, cased (Est. plus 18% 268 A DIAMOND HALF HOOP ETERNITY RING, the seven round brilliant cut stones point set to a plain 18ct white gold shank, size L (Est. plus 18%...[more]