Antique & Vintage Costume, Textiles & Dolls

Transcription

1 Antique & Vintage Costume, Textiles & Dolls Friday 24 November am Viewing: Wednesday 22 November 10:00am-4:00pm, Thursday 23 November 9.00am pm and morning of sale Buyers Premium 18.5%+VAT (22.2% in total) Please note: There is also a large section of costume and textiles within our Antiques & Interiors Sale, to be held on the same day. Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first served basis and are subject to a minimum lot value of 500 in Fine Art Sales and 200 for all other sales. Live bidding is available at: 2002 French Gaultier Fashion Doll, with bisque socket head and shoulder mount, kid leather body, swivel head, impressed 'G', and hand painted in red 'H 5', brown wig, fixed blue eyes, pierced ears, fully dressed with bonnet and fur stole, 41cm; together with a pair of Bru Brown Leather Dolls Shoes, stamped 'Bru Jne Paris' (heel to toe 9cm) Victorian Pram, manufactured by 'H C Askwith, Humber Works, Hull', with a sage green painted body, black leather hood and cover, 112cm long, 45cm wide and 120cm high 2005 Damask White Tablecloth, featuring stags, bulldogs and elephants, 168cm by 200cm; together with Assorted Cotton and Linen Items, including four Victorian night dresses, four collarless shirts, two waistcoats, twenty pieces white linen, one pinafore, two underskirts 2006 Early 20th Century Large Rag Rug, in shades of navy blue, turquoise and grey, attributed to a young girl of 14 years old in the Lake District, 185cm by 93cm approx Mid-19th Century Silk Patchwork Quilt, worked in small hexagons of various colour, edged with purple velvet and purple fringing, backed onto cream cotton, 180cm by 220cm approx (excluding fringe) 2000 Quantity of Early 20th Century Dolls Garments, including dolls, hats, bonnets and underwear 2008 Late 19th Century Patchwork Cover, with coloured stripes to one side in pinks and reds, with a turkey red printed pattern to the reverse, 180cm by 204cm approx 2001 Five Assorted Sasha Dolls, partly clothed, and one Sasha Doll in a cylindrical box and cover 2009 Late 19th Century Patchwork Quilt, with central red basket, enclosed within a brown cotton floral sprigged border, with green zigzag appliqués, and striped reverse, 240cm by 240cm approx

2 2010 Mid-19th Century Finely Woven Cashmere Cream Centred Wool Shawl, edged at two sides with multicoloured wool sections, each embroidered with a different design, the central panel of fine wool with four very finely detailed cream roundels at each corner, the outer pieced panels in strong orange, lilac, green and yellow and variously designed with roundels, boteh with a meandering outer border, 186cm by 200cm; together with a 19th Century Indian Wool Shawl, red ground embroidered throughout in green, yellow, cream and turquoise, the central square panel with decorative motif to centre, the four corners bearing large boteh, the deep outer border with a regular design of boteh interspersed with finely worked and floral forms, two ends with the addition of wool borders in various colours, 194cm by 176cm (2) Mid-19th Century Floral Chintz Quilt, worked in stripes of compatible fabrics in pale greens, creams and reds, backed with a cream cotton printed with black spots, no padding, 240cm by 255cm Late 19th Century Patchwork Quilt, central diamond of floral cotton within a band of white and turkey red, with patchwork of squares to the reverse using shirt fabrics, 180cm by 200cm approx 2013 Late 19th Century Reversible Striped Quilt, primarily incorporating pink, purple and blue printed cottons in floral and checked patterns, 230cm by 225cm approx 2014 A White Linen Bed Cover Appliquéd with Flowers in turkey red cotton, edged with blanket stitch in white, with a gathered frilled trim and scalloped hem, 185cm by 210cm approx (excluding trim) 2015 Quantity of Assorted Linen, including a Madeira tablecloth embellished with needle lace, 168cm by 368cm, twelve matching napkins; further matching sets of Madeira shadow work and miscellaneous embroidered and crocheted tablecloths, mats etc 2016 Assorted White Bed and Table Linen, including drawn thread work sheets, linen sheets and pillowcases embroidered 'M' and 'MM'; damask table cloth decorated with flowers; pink linen table cloth and napkins, lace coasters etc (two boxes) White Linen Bed Cover, embroidered with flowers in coloured silks, of panel format incorporating lace insertions and edgings, 240cm by 185cm; Another Similar with green silk trim and crochet edging, 220cm by 150cm (2) 2018 Late 19th Century Mauve and White Linen Quilt, in a diamond design incorporating patterned silk damask, 170cm by 215cm approx; Another Similar, with central block of four alternate colours, quilted in diamonds, within a series of frames, 200cm by 200cm approx (2) Early 20th Century Mosaic Patchwork Cover, using striped and coloured cottons, within a border of turkey red and pink striped frames, 175cm by 180cm approx 2020 Late 19th Century Turkey Red and White Striped Bed Cover, with chevron quilted design overall, 190cm by 210cm approx 2021 Late 19th Century Damask Tablecloth, woven with bulrushes, fish and birds, 396cm by 214cm; together with a small quantity of Afternoon Tablecloths; a further quantity of Lace Fragments, Napkins; and a group of Mainly Edwardian Petticoats, Camisoles and Children's Nightwear etc, together with 1920s Boy's Sailor Suit in cotton, trimmed with navy blue

3 Provenance of Damask Tablecloth: with attribution to Halliwell-Phillipps, 1884, a literary figure Seven Mid 19th Century Shawls, including a long gauze Summer shawl in cream and cerise, a second long Summer shawl in black and red, a square printed shawl of cream, red and blue, light wool shawl with silk ribbon and fringed border, a small beige woollen shawl with woven Indian fringed border, black and red checked square shawl and a plain lilac fine wool shawl; a White Marcella Bed Cover, edged with crochet, 220cm by 230cm, together with a Berlin Woolwork Floral Cushion Panel, a Pair of Unfinished Stool Covers, in wool and bead work, Two Pairs of Wool and Beadwork Slipper Panels; a 1930s Satin Panel, painted with flowers; Various Quantity of Aprons, Embroidered Textiles etc 2023 Circa 1890 Victorian Patchwork Quilt, with central panel of small squares and triangles in various gingham floral and other patterned cottons, bordered by various cut shapes in further fabrics, the outer panels of large varying rectangles, bordered in red and white stylised fabric, backed onto various chintz and other floral fabrics; 220cm by 260cm White Linen Damask Banqueting Cloth, decorated with floral and leaf designs, 225cm by 360cm; Assorted White Cotton Undergarments, baby gowns, bloomers etc (one box) 2028 A Good Quality Damask Banqueting Cloth, decorated with ferns and flowers, monogrammed possibly with the initials of the Behrens family, Swinton Grange, Malton, 460cm by 228cm approx; Another Large Banqueting Cloth, with classical friezes amongst floral and leaf designs, 630cm by 216cm approx; Another with drawn thread work, 480cm by 228cm approx (3) Assorted White Table and Bed Linen, white cotton lady's nightgown, baby dresses, embroidered table linen etc (two boxes) th Century Embroidered Silk Bed Cover, backed in a patterned linen, the mustard yellow ground is regularly quilted throughout, the top and bottom of the cover varyingly embroidered with carnations and other foliage, appliquéd with a taupe heavy weight silk in places, in a beautifully executed design, 143cm by 172cm Late 19th Century Red and White Quilted Cover, decorated in Irish Chain pattern, with chevron style quilting, within a red border, 180cm by 200cm approx 2025 White Linen Bed Cover, embroidered with birds and foliate motifs; Two Further Covers embroidered with floral designs; Smaller Example with deep frilled hem (4) 2026 Woven Paisley Shawl, with vibrant green centre decorated with boteh overall, 165cm by 335cm approx th Century Embroidered and Quilted Bed Cover, worked on two fabrics which alternate in stripes, three sides finished in scallops, the last side straight, decoratively embroidered with carnations, other flowers and foliage in silk and metal threads, on a regular quilted design, the backing is pieced from various fabrics, mainly linens, 160cm by 200cm Early 19th Century Pieced Quilt in the Flying Geese Pattern, predominant colours of cream and dark red, inter-spaced with blues, yellows, greens and purples, the outer borders in small scale foliate designs, regular quilting throughout, backed with cream cotton, 260cm by 250cm

4 2033 Pair of 1920s Printed Velvet Curtains, depicting musicians serenading regal Indian figures in Summer houses, surrounded by animals and birds, amongst stylised gardens, printed in strong colours of green, red, purple and gold, 235cm by 120cm 2034 A Late 19th Century Black Wool Pelmet, profusely and densely embroidered in mainly gold threads, with the addition of pink silk thread within flowerheads and a regular pattern repeat, of stylised teapot design, 120cm by 31cm; together with Two Matching Panels, being the two halves for a tea-cosy Early 19th Century Pieced and Appliquéd Quilt, in mainly pastel shades of blue, beige and pink, regular quilting throughout, the central floral panel surrounded by various borders of different widths and inner designs, side borders turned over by approx 392cm (on two sides), backed in cream cotton, 218cm by 236cm Early 19th Century Pieced Quilt, central floral medallion bordered by ever-widening strips of miscellaneous chintz and dress fabrics, strong colours and multiple designs to the varying fabrics, regular quilting throughout, plain cream backing, 236cm by 252cm A Late 19th Century Military or Soldier's Quilt, fashioned from wool serge uniform fabric, very bright colours (red, yellow, black and blue), a feature of such quilts made in India at that time usually by servicemen injured in battle, central square block with inner block on the diagonal, containing five circles within which there are two five-pointed stars, further bordered with a chevron border cornered with Union Jacks, the final wide red border featuring three regular large diamonds to each side, small blue squares to each corner and the quilt is bound with blue braid. Reverse side with printed cotton in muted shades of orange and brown, itself in a 'patchwork' print featuring dogs, cats, period dress fabrics, bordering a different 'patchwork' print in reds, dull blues and greens, featuring sailors and naval officers in uniform, on board a ship, courting ladies, overall background colour red featuring strong yellow, black and blue, 250cm by 220cm Provenance: Made by Master Tailor H Cormack during his service in India during late 19th century. Believed to have been serving in Rowalpindi Silk Pin Cushion, Dated 1829, bearing the verse "Fathers hope, Mothers joy, Welcome either Girl or boy 1829"; and an Undated Silk Pin Cushion, bearing "Welcome Sweet Babe" (2) 2040 Nine Assorted Bone Lace Bobbins With Spangles, including four named examples, 'Mary', 'My Love...Love Me', 'John Bunyan', 'Forgit Me Not' (sic), and 'Henry' (a.f.) A Victorian Brass Needle Case 'The Quadruple Golden Casket', together with a leather needle case and two plated thimbles (4) 50-80

5 2042 Edwardian Chemical Lace Stole, in the fashion of Irish crochet, with short rear panel and very long front panels, trimmed at the neck with silver coloured metal cording, trimmed throughout with hanging bobbles, a strong design of flowers with raised centres; together with an Edwardian Floral Silk Bodice, by Portier, London, Lower Seymour St. embellished with lame ribbon and sequin trim; further Small Amount of Dress Trimming and a Quantity of Chemical Lace in the Irish crochet style, some Handmade Irish Crochet and other machine laces (qty) 2043 Mid-19th Century Ball Gown (distressed); together with a Large Quantity of Carded Black Lace Trimmings; and a quantity of Mainly Edwardian Machine Lace, collars, flounces and dress trimmings 2044 Late 19th Century Honiton and Other Handmade English Lace, including a a Honiton bobbin lace tie; a long Honiton applique stole; a fall cap and a hanky; two bobbin lace edgings (likely late 18th century); together with Two Darned Net Veils and Three Bedfordshire Lace Hankies Early 20th Century Fine Lace Dress, made in the style of Normandy lace with a mixture of embroidery, filet panels and machine lace, with underskirt in gold lamé; together with Fine Lawn and Lace Petticoat with broderie anglaise insertion; a Quantity of Black Machine Lace; a Fine Bonnet Veil, of black Honiton lace; Quantity of Cream Edwardian Lace; a Fine Long Piece of Cream Embroidered Net; a Quantity of Victorian Broderie Anglaise, some fragments of Brussels Point De Gaze, and a Painted Satin Panel, depicting oranges Carrickmacross Lace Shawl, of triangular shape and floral design Assorted Circa 19th Century and Later Lace Items, including detachable sleeves, collars, modesty panels, waistcoat, lace appliquéd shawl (a.f.) etc th Century Cream Silk Panel, embroidered with flowers in coloured silks; Various 19th Century and Later Lace Items, including detachable sleeves, baby bonnets, handkerchiefs etc 2049 Collection of Assorted 19th Century and Later Lace, including trims, remnants etc (one box) 2050 Assorted 19th Century and Later Lace, including trimmings, black lace flounce, white net flounce with embroidered flowers, cream net flounce with needle run embroidery, cream lace flounce of foliate design, white shawl with floral appliquéd decoration and lace edging, etc; Five Late 1930s Home Notes Dress Booklets with dress patterns, various copies of Fancy Needlework Illustrated, four other 1930s magazines with patterns; assorted lace including trimmings, black lace flounce, white shawl with floral appliqué decoration and lace edging, etc (one box) th Century Needle Lace Collar, possibly made in Venice; Other Lace including lappet, collars, lace flounce with tape lace appliques etc 2052 Assorted 19th Century and Later Lace including sleeves, cuffs, modesty panels, collars etc 2053 Assorted 19th Century and Later Lace including black lace capelet, handkerchiefs, cuffs, modesty panels, collars etc

6 2055 A Selection of Circa 1880s to 1920s Brussels and Other Handmade Lace and White work Hankies, contained in an embroidered lawn hanky case, to include four mixed Brussels hankies of varying sizes; a large frilled Valenciennes hanky; a Rosaline hanky; a fine lawn hanky embroidered to one corner with a shield, initials and flowers; two Bruges hankies; and an extremely fine white work embroidered hanky, with initials to one corner and stylised flowers and urns to all borders (11) th Century Irish Laces to Include Limerick, Carrickmacross and Youghal: a fine Youghal needle lace hanky bearing the shop label of L Coghlan and Co, 116 Patrick Street, Cork; and another similar; together with a Length of Youghal pieced to form a third hanky border; an Unused Collar of Carrickmacross Lace; together with a Similar Hanky; a Very Fine Hanky of Limerick Lace of Art Nouveau design; a Limerick Collar, unused; an Unused Limerick Hanky with a design of flowers and bows; a Small Square Fine Limerick Veil; a Large and Wide Limerick Stole or Veil; Another Similar of Art Nouveau design A Mid-19th Century Dark Cream Machine Lace Semi-Circular Cape; together with an Edwardian Machine Lace Bodice with high neck and side fastening, retailed by ***ard soeurs, ***Square, London; and a Second Edwardian Bodice fashioned from lightweight netty laces; a Further Quantity of Mainly Edwardian to 1920s Machine Lace Collars, Flounces, Edgings and Hankies 2063 Circa 1840s Young Girls White Cotton Dress, ruched bodice, long sleeves, machine lace trimming to collar, upper sleeves and cuff, with a piped waistline, broderie anglaise and one tuck to the hemline, hook and eye rear fastening; together with Young Girls White Cotton Spencer, long shaped sleeves, covered buttons, frilled collar; an Edwardian Young Girls White Cotton Blouse, with tucks and machine lace insertion, button back, fitted waist; and a Mid-19th Century Girls Beige Shoulder Cape, lined in beige glazed cotton, trimmed with raspberry braid, tied at neck with silk ribbon (4) 2064 Circa 1845 White Cotton Ladies Dress, wide sleeves culminating in fitted cuffs, decorative pleating to top of sleeve followed by a decorative frill, one additional cotton tier at hem line, rear hook and eye fastening, neckline trimmed with a slender edging of bobbin lace, together with a matching cotton collared frilled perlerine Circa 1835 Ladies White Cotton Dress, wide sleeves tapering to narrow cuffs, extremely gathered skirt at waistline, front gathering feature to bodice, hook and eye fastening at waistband, very simply embellished with broderie anglaise Mid-19th Century White Quilted Petticoat, probably Provencal French, finely quilted with a deep border of meandering foliage and flowers, drawstring to waist Circa 1845 Floral Cotton Ladies Dress, sleeves shaped at elbow at which point there are three tucks, piping to neckline, cuffs and lower hemline, hook and eye rear fastening, fitted waist, V shaped tucking to front of bodice Late 19th Century Gents Double Breasted Frock Coat and Waistcoat, with coat with quilted lining, inside pockets together with a Black Silk Top Hat in Brown Leather Travelling Case, labelled 'The Self Adjustable' to interior, carries attribution to Mr Harman, circa 1890,

7 th Century Reproduction of a Mary Antoinette Gown, probably made for a fancy dress ball or theatre, comprising petticoats, over petticoat, lace skirt, rear fastening stiffened bodice, fabrics used being satin, glazed cotton, floral woven silk and pink ribbons 2069 Circa Bodices and Mantles, varying fabrics from velvet, silk, embossed and plain, variously trimmed with lace, beadwork, tassels etc (10) 2070 Late 19th Century Ladies Shawl Collared Peignoir, in a self-patterned white cotton checked design, double layered and frilled shawl collar to match a frill from neckline to floor on the left hand side, cotton ties to neck, long sleeves, button cuffs ending in a frill, gathered waist at back with draw ties 2071 Circa 1860s Grey Wool Dress of Quaker Interest, front button fastening, simple pleats to bodice, blue velvet trim to long sleeve cuffs, gather at waistband on rear of skirt A very simple and formal dress of the sort worn by Quakers 2073 Circa 1870 and Later Costume, including a brown silk two piece with velvet insert to the skirt; a grey silk two piece with a black crochet trim with bead appliques; a purple self-striped two piece; a brown and cream striped silk two piece with velvet appliques; a black silk two piece with black lace and tassel trim; a black silk quilted cape with tassel and pink silk lining; a black silk skirt; a black silk long sleeved top with beaded hem and appliques; a cream linen capelet with blue velvet trim; a black net and floral embroidered shawl with tassel trim; and five black capelets of various designs (14) Late 19th Century Two Piece, comprising a fitted bodice with green silk insert, and plum coloured brocade woven with fruit, and a matching skirt with multi-tiered pleated hem 2075 Circa 1880s Fitted Navy Blue Overdress; Circa 1870s Cream Silk Cape, elaborately trimmed with cream fringing and embroidered velvet covered bobbles in black and red, quilted lining; together with a Quantity of Assorted 19th Century Costume, comprising two circa 1950s gauze petticoats; together with three slightly later cotton petticoats; four gentleman's white evening waistcoats, one satin shoulder cape edged in marabou; a Quantity of Silk and Satin Bows, Scarves; assorted collectables including a Premier Electric Iron, Buttons, Sewing Accessories etc th Century and Later Dresses, including a black silk two piece decorated with gold spots and black lace ribbon trims; a black silk two piece with sequin and bead applique trim; a black silk two piece with lace trimmed cuffs; an olive silk skirt together with a silver grey self-patterned linen bodice, with bead appliqués and lace trims; a black silk two piece, self-patterned and woven with green flower heads; a black long sleeved top with coloured embroidered modesty panel; and a black silk two piece with black ruffle trim, and net modesty panel with coloured embroidery (7) 2076 Circa 1870s Brown Silk Three Piece Ensemble, consisting of a fitted jacket with high neck, long sleeves, trimming of brown velvet and darker brown silk, a trained skirt with velvet edging to hem with an overskirt with applied bows to pocket, front and verso; together with Mid 19th Century Maltese Black Lace Mantle, labelled E Crane & Co, Whitby; Maltese Black Lace Bonnet Veil; approximately six metres of Maltese Black Lace Trim; a Maltese Black Fine and Deep Lace Collar; a 1920s Black Net and Figured Velvet Evening Dress; a Reproduction Cream Frilled Broderie Anglaise Skirt; and Four Knitted Shawls, and one Chinese Silk Embroidered Neck Scarf

8 th Century Farmers Smock, with long sleeves, buttons to the front, smocked and embroidered detailing to the front and back 2078 Early 20th Century Grey Dress, with black velvet mounts to the bodice, multi pleated tiered detail to the front and train to reverse; Black Silk Bodice with embroidered front; Black Velvet and Bead Capelet, with ribbon appliques and a gathered silk hem (3) 2079 Mid 19th Century Brown Checked Silk Dress, with long sleeves, blue covered buttons and embroidered trim; Late 19th Century Silk and Velvet Two Piece, comprising green silk long sleeved fitted jacket, and velvet striped full skirt (2) 2083 Circa 1865 Thomson's No 272 Empress Red Cage Crinoline 2084 Late 19th Century Floral Sprigged Silk Two Piece, comprising a fitted bodice with lace sleeves and lace mount to the front and back, labelled 'Almera Robes, 275 Regent Street', with cummerband and full skirt 2085 Late 19th Century Cream Silk and Black Lace Two Piece, comprising a fitted silk bodice with black lace mount, cotton muslin long sleeves with attached black lace lower sleeves, full skirt with black lace mounts, and a black lace and silk chiffon ruffled hem; and a Similar Silk Petticoat, with a cream lace two tier trim (3) 2080 Late 18th Century Gents eau de Nil Silk Long Waistcoat, finely embroidered on the front panels in silver metal thread with tiny silver sequins, front fabric buttons covered with the same metal thread and sequins, two front flap pockets, the rear panel of a heavy dyed green linen, finished at the lower back with the same silk as the front, entirely hand stitched Late 19th Century/Early 20th Century Heavy Linen Smock, with colourful beadwork to shoulders and collar, trimmed with brown wool on the collar, and one inch crochet border finished in the same brown wool to the sleeves and hem, smocking to open front, extensive pleating to rear of yoke, probably Eastern European Late 19th Century Cream Silk Brocade Wedding Dress, with long sleeves, pleated detailing to the bodice trimmed with lace and cream satin, buttons to the front, gathered skirt creating a pleated effect to the skirt, with vertical double pleated attached hem and lace trim and train Assorted 19th Century and Later Gents Clothing, including a white cotton smock; military brown wool lining fleece with button fastening; pair of CC41 riding breeches and a pair of Hebdon Cord breeches; two striped blazers, one with matching scarf; three gents' black morning suit jackets with two waistcoats and a pair of trousers; and a black evening tail jacket (10) 2082 Circa 1870 Three Piece, comprising fitted bodice with black velvet trim, gathered skirt with frills and black velvet trims to the hem, and a crinoline mount; Purple and Black Striped Silk Skirt, with crinoline mount, of similar date; Circa 1850 Linen Cape, with pleated detail around the collar; and Two Circa 1860 Silk Short Sleeved Evening Bodices (5) 2091 Large Quantity of Early to Mid 20th Century Gents Mainly Wool Garments, including jackets, overcoats, waistcoats, breeches, hunting waistcoat and jacket, red evening dress tailcoat, striped blazers (one dated 1903) (17); together with a quantity of stirrups and collars (contained within two tin trunks)

9 2092 Quantity of Early 20th Century Coachmen and Footmen's Wool Outer Garments, mainly retailed by W H Todd, Ulverston; together with Nine Striped Cotton Staff Waistcoats (13) (all contained within a leather trunk with fitted drawer) 2098 Early 20th Century Navy Blue Dress, with buttons to the front, lace mounted cuffs, pleated trims to the hem and large bow to the reverse 2093 Quantity of Late 19th to Early 20th Century Gents Costume, including a dark beige wool top hat by L & H Nathan Ltd, Court Costumiers, Naval & Military Outfitters London; a cerise silk waistcoat; mulberry red wool frock coat; navy blue wool frock coat with black velvet collar; two patterned silk waistcoats; long sleeved shirt with lace cuffs; pair of A.Macleod & Co Edinburgh grey wool trousers; pair of 'trews' in Highland regiment tartan; and a pair of gents black leather ankle boots 2099 Late 19th Century Quilted Silk Shawl, of triangular shape with tassel trim, woven with flower heads and trailing flowers; Three Unfinished Dresses, including a vibrant blue open weave floral printed tiered skirt, with cut bodice panels and fabric remnants; an unfinished brown open weave skirt woven with silver leaves overall; together with two sleeves and bodice with brown satin appliqué trims; an unfinished eau de Nil self-striped silk skirt, a fitted bodice with detachable sleeves and fabric remnants (one box) 2094 Busvine Ltd Navy Blue Wool Riding Habit, comprising a fitted jacket and apron 2095 Early 20th Century Dark Blue Velvet Court Suit comprising jacket and breeches labelled Meyer & Mortimer, London, velvet waistcoat and Another Similar in cream silk with cut steel buttons, Meyer & Mortimer bicorn hat, velvet sword belt and two pairs of stocking, in original black Meyer & Mortimer tin trunk, bearing a label 'V W Yorke Esq' Early 20th Century Cream Silk Wedding Dress, with short sleeves, long train, appliquéd with cream and silver woven trims, and heavy cream braiding 2097 Circa s Costume, including a Purple Day Coat with button detail to the collar, single button fastening, pleated detail to the sides; White Cotton Muslin Dress, with cutwork and embroidered detail, long sleeves and Peter Pan collar; Black Chiffon Sleeveless Dress, with drop waist, embroidered overall; Net Drop Waist Dress, printed with purple crossed 'c's' and floral lace appliques (4) 2100 Assorted Early 20th Century Costume, including a lace coat with capped sleeves; cream net and lace blouse; pale blue Chinese style brocade dressing gown; Chinese style jacket embroidered with coloured silks, with a wool lining; stylish cream and floral knee length coat with belt; Saks Fifth Avenue purple floral cocktail dress; a similar lime green satin evening jacket; and a pink wild silk shift dress with matching jacket (7) 2101 Early 20th Century Cream Cape, with embroidered, bead and sequin applied decoration in floral motifs overall, a long fringed hem, silk mounted collar and quilted silk lining, on button fastening; Black Velvet Opera Coat with white rabbit trimmed collar, gathered detail to the bottom of the sleeves; Circa 1950s Wedding Dress, full length with long sleeves, in silver leaf brocade patterned fabric, with faux pearl net style head dress and short veil (3) Worn by Anne Elmhirst for her marriage at The Grange, Elvington, near York, bought from Liberty, London, and later included in a exhibition at the London store of wedding dresses (3)

10 2102 Early 20th Century Costume, including a cream silk drop waist wedding dress, labelled 'Marshalls Ltd Leeds', with a chiffon bodice and handkerchief insertions to the hem, with pearl appliqués; a blue chiffon drop waist dress with paste set trims to front and back and floral corsage to one shoulder; black satin and velvet long sleeved drop waist dress, with tab detail appliqués to the front and sheer chiffon sleeves; black velvet floral devore evening jacket; Edwardian black silk chiffon dress with black silk arms, embroidered with fleur de lys, with a central panel of multi-pleated grey crepe and matching lower sleeves (5) 2103 Edwardian Powder Blue Silk Dress, short sleeves with patterned net inner sleeves and matching yoke to bodice, the bodice embellished with darker blue silk work appliques; Circa Cream Satin Dress, with black lace overlay and later crochet panels; and a Circa 1910 Cream Ensemble, comprising a trained cotton skirt embellished with a front panel of floral machine lace, and a fitted long sleeved bodice to match, lace detail, various pleats and tucks (3) 2104 Assorted Early 20th Century Dresses, including a navy chiffon and black lace long sleeved dress with V-neckline; a black long sleeved dress with smocking to the upper arm and cream silk collar; a black long sleeved dress with black lace modesty panel, two black satin leaf decorations to the bust and a large paste button to the waistline; a black lace short sleeved dress with V detailing to front and back; a black chiffon 3/4 length sleeve dress with pleating and sequin detail to the bodice and tie detail to the back; a black multi-pleated chiffon shirt decorated with gold spots overall and frilled detailing; a navy blue long sleeved dress with pleated detailing and coloured embroidery to the collar; a black silk drop waist dress with short sleeves (a.f.); and a black long sleeved dress with frilled edging to the collar and button detailing to the front (9) 2105 Early 20th Century Lamé Trained Wedding Dress, the skirt a pale gold with stylised flower design, the bodice and sleeves of a fine machine lace in a floral pattern; together with a Lavish Gold Lamé Lined Cut Velvet Court Presentation Train, the buttermilk velvet in a design of stylised flowers, fastened at the shoulders with a faux pearl and diamante clasp (2) s Black Cut Velvet Long Sleeve Dress, with a geometric design and chiffon underskirt; 1920s Black Lace and Chiffon Dress with drop waist detail, diamante clasp and chiffon petticoat; Early 1920s Black Chiffon Long Sleeve Dress, with embroidered and cutwork detail to sleeves, waistline and hem; and a 1930s Powder Blue Shoulder Collared Lace Evening Dress (4) 2107 Circa 1911 Blue Silk Dress, by Court Dress Makers, J H Rockhey Ltd Torquay, with trained skirt, the fitted bodice boned inside, hook and eye fastening to rear, embellished with silk machine lace, hanging beadwork and decorative embroidered panels of metal thread, silk thread and wooden beads, matching panels to upper sleeves from which inner net sleeves protrude, the front of skirt open to show the same decorative panels, together with Matching Large Velvet Hat, retailed by Sara Smith Gifford, Bristol, silver and lace lined; and a Pair of Louis Heeled Blue Suede Shoes, bearing metal and cut steel buckles, over instep fastening (lacking ribbon), partly lined in cream kid (3) Circa 1910 Black Net Overdress, embellished with a floral design in black sequins and beads, fastening to centre front, cut to form a point to the rear and a point to the open front, short sleeves 2109 Circa 1910 Black Silk Evening Dress, fitted waist, side front fastening with hooks and eyes, black net overskirt covered in tiny black sequins, matching sleeves, some hanging bead decoration, trained satin skirt, royal blue velvet ribbon trim to neckline and to outer sleeves

11 s Cream Wedding Dress, dropped waist, floss silk embroidery to front of bodice, handkerchief sleeves with tassels, rosette embellishment at waistline leading to sash with matching cream embroidery; together with a 1920s Silk Crochet and Knitted Tabard, with crochet draw cord to dropped waist, 3/4 sleeves; 1920s Printed Silk Boudoir Kimono (3) s Pale Green Silk Chiffon Beaded Dress, woven label "Made in France", dropped waist, gladiator panels to the skirt, beaded in clear bugle beads and others with silver coloured centre; together with a 1930s Brown Panne Velvet Short Jacket, long ties at the waist, labelled "Glentor", lined in brown silk, slightly ruched shoulders to elbow length sleeves; and a 1930s Green Velvet Short Jacket, long ties to front of waist, frilled neckline, elbow length sleeves, stitched detail to shoulders, partly lined in floral silk (3) s Floral Chiffon Cowl-Neck Dress and Jacket, in powder blue, navy and yellow floral design, the long sleeved jacket with ties at the neck, the sleeves of jacket and sides of dress with additional chiffon tiers; together with 1920s Vibrant Yellow and Orange Chiffon Sleeveless Dress, ruched centre front, frilling to skirt and side panels, cream petticoat; 1920s Powder Blue Chiffon Sleeveless Dress, press stud fastening to side, machine lace tier decoration to skirt, stitching detail to simple bodice, gold lamé ribbon bow; and a 1920s Salmon Pink Silk Taffeta Beaded Dress, with shoe string straps, press stud side fastening and a flared skirt from a bustier waistline and top (4) 2113 Assorted Circa 1930s and Later Evening Wear, including an Ecker Couture Model black crepe dress with multi pleated skirt and sequin decoration; a black silk jacket with long sleeves and button fastening; a dark cream and pale blue brocade full length evening dress; a peach sleeveless evening dress with ruched detailed to the bodice and sequin appliqués; a blue sleeveless evening dress printed overall with black flower heads; a mauve sleeveless evening dress with double layered collar; a black strapless evening dress with net mount decorated with sequins; a pale blue short sleeved dress with lace trim; and two black ostrich feather and silk large stoles (10) s Long Sleeved Gold and Black Lamé Silk Jacket, of foliate design, hemline dipping longer to centre back, unlined, with matching separate shaped collar; together with 1920s Gold Lamé Long Sleeved Jacket, side button fastening, and a 1920s Lamé Silk Jacket, with long sleeves, black ground with floral designs in green, plum and gold, stitched detail to rear of neck (3) s Black Velvet Coat, by Browns of Chester, shawl collar trimmed with fox fur, ruching to elbows, covered buttons to cuff, piping to waistline at rear, black silk lining; together with 1920s Black Panne Velvet Dress, 3/4 length sleeves, button fastening to rear of neckline, some ruching detail to front of bodice; and 1930s Black Panne Velvet Dress, cream satin lined long open sleeves with tie feature to the right sleeve, the neckline embellished with a cream and black sequined panel (3) Circa 1920s Black Net Flapper Dress, with sequin appliqués, together with a Pair of Long Black Evening Gloves and a Bead and Filigree Belt (3) 2117 Circa 1920s Black Crepe and Silk Drop Waist Dress, with long sleeves and tiered skirt; a Classic Sealette Opera Coat, with stylised double button detailing to the front; and a Janice Wainwright Black Wool Jacket, with silk appliqués to the front (3)

12 2118 Circa 1920 Black Coat, self-patterned silk with Chinese symbols; together with a Black Panne Velvet Sleeveless Evening Gown with Matching Velvet Shoulder Cape; and a further 1930s Satin Evening Gown in Deep Mauve (3) s Black Embroidered Net Tabard Top, further embellished with lilac and pale green beads, worked in chain stitch; Mid-Victorian Black Silk Satin Elbow Length Cape, heavily embellished with black beads in a striking design to front and back, trimmed with lace (lining removed); together with assorted Other Textiles, mainly Children's Nightwear; a Modern Black Wool Coat by Sarah Sturgeon; and a Mauve Wool Fringed Coat by Penny C (qty) 2120 French First Half 20th Century Black Beaded Frilled Dress, embellished with black beads in a design of roundels, sprays and decorative shapes; together with a 1920s Black Sheer and Machine Lace Dress, with frilled neckline and under-slip; a Light Pink Night Dress and Shorts; a Pair of Taupe Leather 3/4 Length Gloves; and a Lanca Silver Coloured Clutch Bag (5) s Candy Pink Beaded Flapper Dress, embellished with clear bugle beads in a design of stripes to the skirt and burst design to the waist; together with another 1920s Pink/Nude Beaded Flapper Dress, embellished with clear and grey bugle and other beads in a design of paisley boteh surrounding a large beaded flower to the waist (2) 2122 Circa 1920s and Later Costume, including a black velvet opera cape with cream lining and white fur trims; black velvet short cape with peach lining; black panelled full length sleeveless evening dress, with alternating inserts of black floral lace and pleated silk; black silk day dress with pleated bodice and black trims; black chiffon full length dress with voluminous black lace sleeves and underdress; black velvet day dress, with long sleeves, later pink lace trim and floral corsage (7) s Black Sequined and Beaded Net Over Dress, the skirt slit into six panels, fringed with long strings of beads s Blue Beaded Evening Dress, the skirt densely embroidered with black, clear and silver coloured beads in an alternating diamond design, the waist and neckline further embellished with stripes of the same beads, with a plain blue under-slip Circa 1920s Green Velvet Opera Coat, with padded collar 2126 Circa 1920s Evening Coat, with long sleeves embroidered with floral motifs and leaves, and a Circa 1920s Black Long Sleeved Drop Waist Dress, with cream silk insert to bodice, embroidered with faux buttons (2) 2127 Circa 1930s Black Silk Crepe Evening Coat with scalloped lapels; a Pale Blue Chiffon Dress, with short sleeves and daisy head appliqués, of similar date; together with a Collection of Assorted Circa 1950s and Later Costume, Cocktail Dresses, Daywear etc (23) s Plum Velvet Full Length Dress, with tie front, cape effect sleeves and a panel of diamante to embellish the neckline; together with a 1930s Black Velvet Short Jacket, with ruched detail elbow length sleeves, cream lining, diamante buckle fastening at waist; and a 1930s Brown Velvet Coat, small detachable musquash collar, slightly flared, front slit pockets, turned cuffs to 3/4 length sleeves, lined in brown (3)

13 2129 Circa 1930s Cream Crepe Wedding Dress, with short sleeves, sequin and bead embroidery to the bust and attached weighted train; a White Rabbit Fur Evening Capelet, with black collar and ermine stole; a Bonafric Brown Fur Evening Capelet, with scalloped hem; Circa 1930s Black and Yellow Stylised Sleeveless Top (5) 2133 Christian Dior Pink Night Gown, edged in cream lace; together with a Givenchy Pink Night Gown; a Givenchy Lace Edge Cream Peignoir; a Lily of France Pink Night Gown; and a 1920s Peach Bridesmaids Muff 2130 A 1930s Black Chiffon Floral Printed Dress, remodelled in the 1940s; together with a 1930s Honey Coloured Panne Velvet Evening Gown; a 1930s Red Panne Velvet Long Sleeved Jacket, with flared waist; a Black Panne Velvet Full Length Skirt; a 1950s Candy Pink Ball Gown, and a 1950s Ermine Stole (6) 2131 Circa 1930s-1950s Costume, including a black full length bias cut chiffon dress, with diagonal stitching to the waist, long sleeves and high neck; gold lace dress with capped sleeves, drop waist and lamé under dress; black lace bias cut full length sleeveless dress, with chiffon modesty panel; Mildred Bellamy Grimsby black lace and net cocktail dress, matching bolero and net scarf, with black bead appliqués; Mary Lee Tunbridge Wells red brocade evening jacket, with three buttons to the front; black sleeveless drop waist dress; a black lace dress with ruched bodice and velvet ribbon detail; black lace long sleeved drop waist dress (8) s Deborah Gant Full Length Black Satin Gown, skirt opens centre front to reveal under-layer of salmon satin, bodice decorated with black guipure machine lace, side zip fastening, with velvet belt; 1950s Peter Lowe Navy Blue Machine Lace Fitted Dress, with flared skirt, ruching to neckline, zip to verso; 1950s Black Velvet Dress, with gathered waist and pleating to front bodice; 1960s N-Models Guipure Lace Fitted Dress, in shades of pale apricot and pale green, shawl collar to neckline trimmed with fabric roses; 1960s Black Lamé Fabric Short Sleeved Fitted Dress, cross over detail to verso, velvet ribbon trimming to skirt; 1940s Black Crepe Fitted Hip Length Bodice, covered buttons to verso, Peter Pan collar, satin and appliqué trimming to front; and a 20th Century Nettie Vogues Long Sleeved Plain Salmon Day Dress, with flared panels to skirt, rear zip fastening (7) 2134 Assorted Circa 1950s and Later Clothing, including a bronzed brocade and cream satin full length evening dress; another shorter in silver brocade, and red velvet trimmed bodice; Ricci Michaels Mayfair full length red and black rose printed dress, with ruched style bodice; Cresta Couture red shift dress, with capped sleeves and pleated detail to the waist, another without sleeves in a blue floral fabric (size 10), and a turquoise short sleeve shift dress (size 14); Silk Fashions Hong Kong green silk two piece suit, comprising a short sleeved shift dress and matching coat; sage green silk type five piece outfit, including a shell top, short sleeved top with waist ties, short sleeved dress coat, long skirt and a short skirt; black sheath dress; Susan Small Casual brown self striped mohair long sleeved dress and matching coat; grey silk and white geometric patterned three quarter sleeve dress, with pleated skirt and buttons to the front; navy wool two piece skirt suit, with three large buttons to the jacket (12) Circa 1950s Hershelle Model Black Velvet Evening Coat, with velvet neck tie and white fur trimmed cuffs; Mono London Black Silk Double Breasted Coat, with oversized buttons and white fur mounted collar; Cherry London Red Velvet Evening Coat, with large collar and single button fastening to the neck (3) Circa 1960s Pierre Balmain Paris Two Piece Suit, in an orange checked design comprising a sleeveless shift dress with high neck and buttoned tab detail to the waist, with matching long sleeve jacket and bow detail to the neck

14 2137 Circa 1960s Pierre Balmain Paris Black Wool Dress, self-striped with faux long sleeve jacket, with buttons to the reverse and waist tie to the front Early 1970s Laura Ashley Light Brown and Blue Floral Cotton Dress, labelled 'Laura Ashley, Dyers and Printers, Made in Wales', with cream crochet trim to the neckline, short gathered sleeves, tie back ribbons under the bust and the hem with tiered ruffles, zip fastening to reverse (size 14); together with a 1980s Laura Ashley White Cotton Dress, with square neckline, simple tiered design to bust and hem, slit pockets to each side of skirt, zip fastening to reverse, (size 14); a 1980s Laura Ashley Red and Purple Floral Cotton Dress, with front button detail leading to a gathered waistline with piped detail, zip fastening to reverse (size 14); a 1980s Laura Ashley Green and Berry Floral Cotton Velvet Dress, gathered sleeves and pleats at the waist, zip fastening to reverse (size 16); a Laura Ashley Girls Yellow and Pink Floral Cotton Dress, with white embroidered and crochet edged collar, two gathered patch pockets to skirt, zip fastening to reverse (age 6); and another Girls Pink Cotton Dress of similar size (unlabelled) (6) 2139 A Quantity of 20th Century Costume, comprising a salmon leather belted trench coat; Liberty striped wool trouser suit with turn ups; Gina Bacconi mint green beaded and sequinned evening dress with tiered skirt, Frank Usher full length long sleeved black chiffon evening dress embellished with beading and silver sequins; a 1970s Frank Usher cream lace wedding outfit comprising tiered skirt, tiered bodice and flounced wrap; Algo Boutique black full length halter-neck evening dress trimmed with diamante; Persianelle black beaver lamb coat with fur collar; Chantex brown leather jacket; an earlier musquash fur shoulder cape; Catherine Clarke of Harrogate 1950s fur stole; a Murek Modell black and white polka dot strapless cocktail dress with shaped ruffle hem and corsage, with matching shawl; a Paul Costello turquoise long blazer; a Grace Collection mottled green jacket; a Murek Modell black velvet full length skirt with layered tier to lower part; and a Danielle Dumar black velvet quilted short jacket (15) 2140 A Quantity of Ladies 1970s Clothing and Accessories, comprising a Parigi red long sleeved shift dress with pleated panel to the front and back and a appliquéd mesh panel to the reverse (size 14); a floor length emerald green sheer long sleeved dress with cream crochet bodice and cuffs; a Parigi blue multi pleated long sleeved shift dress (size 10); a Entente black long sleeved dress with bow pleat and ruffle detail to the skirt (size 10); a Parigi red and patterned multi pleated long sleeved dress (size 12); a Gina Bacconi striped grey and pastel dress, with pleated skirt and attached tie (size 10); Gina Bacconi black beaded evening dress; a Roter pastel pink and purple summer dress with matching overlay top (size 12); a 1930s peach asymmetrical nightgown; a wedding dress with crochet work bodice and bead detail, with veil; together with a Suitcase of Assorted Beaded and Other Evening Bags (qty) 2141 Circa 1960s Guy Laroche Couture Partially Beaded Full Length Cream Evening Dress, the top section embellished with clusters of small black beads, many with a larger bead or sequin drop, the embellishment decreasing in density towards the Empire line skirt 2142 Guy Laroche Couture Pale Pink Two Piece Suit, comprising a chiffon bustier with a chiffon short sleeved mount incorporating a draped and weighted neckline, the skirt has a woven lace mount of circular design in pale pink, with a matching jacket trimmed with chiffon and three quarter length sleeves Christian Dior Tricots & Coordonnes Denim Two Piece Suit, comprising a long sleeved jacket with collar and straight hem, button fastening and two oversized pockets to the front, button tabs to the reverse on each side, and a gathered skirt Patron Original Christian Dior Paris Navy Blue Wool Coat, numbered '00200', double breasted with long sleeves, patch pockets to the front and small pocket to the left arm

15 2145 Assorted 20th Century Cocktail and Eveningwear, in assorted colours, makers and style, including examples by J'adore, Sticky Fingers, Joseph Ribkoff, Dynasty, Manon, Charoa, Sousourada, etc (16) 2149 Burberrys Ladies Red/Orange Jacket, lined in check fabric; a Burberrys Check Pleated Skirt; and three Demure Leather Jackets in tan, green and terracotta (5) Quantity of 20th and 21st Century Ladies Clothing, comprising Ghost pink summer dress; a Ghost polka dot pink skirt and top; a Ghost yellow and pink floral summer dress; a Ghost black velvet two piece jacket and skirt with frilled hem; a Ghost ivory V neck dress; three various Armani tops; a Dolce & Gabanna striped t-shirt; a Paul Smith multi-coloured skirt and black top with matching trim; a Pied A Terre light blue and orange two piece square print shirt and top; a Demure blue leather jacket with quilted details to shoulders; a Demure violet leather jacket; two patterned Roberto Cavalli 'Just Cavalli' skirts; and a 'Just Cavalli' silver coloured blazer (qty) 2147 Assorted 20th Century Ladies Designer Clothing, comprising an Yves Saint Laurent blue cotton jacket; Yves Saint Laurent black cotton button down skirt; a Louis Féraud ivory shirt with abstract embroidered motif; a Louis Féraud silk shirt patterned with rows of stylised flowers; a Louis Féraud three piece set comprising jacket, skirt and top in vibrant yellow, purple, orange and black; a Guy Laroche sleeveless yellow and white dress with parallel gold coloured buttons to front; a Milly red and blue patterned sleeveless dress with gold coloured chain belt; a Marc By Marc Jacobs blue purple and brown abstract sleeveless dress; and three Diane Von Furstenberg dresses in varying patterns and colours (13) 2148 Small Group Of Ladies Beaded And Sequinned Evening Dresses, comprising a Jenny Packham lilac strappy dress densely embellished with rows of coloured bugle beads and sequins (size 12); a further Jenny Packham gold coloured evening dress embellished with an abstract design in various colours, beads and sequins, leading to a tiered zigzag hem (size 12); another Jenny Packham cocktail dress, the light blue organza with rosette detail and bead embellishment laid over a light pink satin fabric (size 12); and a Manon collection heavily sequined purple sleeveless evening dress (4) 2150 Group Of Moschino 'Cheap And Chic' Ladies Clothing, comprising a grey two piece A-line skirt and jacket with spherical matt metal buttons upon multiple patch pockets (size 10); a purple sleeveless shift dress with asymmetric frilled hem (size 10); a boldly printed purple and green floral summer dress with halter tie to back (size 10); a black short thin cardigan with frilled neckline and cuffs and decorative floral buttons; together with Marc By Marc Jacobs Self Patterned Black Polka Dot Evening Dress, with velvet waistband (6) 2151 Ada Collection Green Leather Suede Belted Long Coat, with detachable dyed rabbit fur collar and pompom neck ties; an Armani Jeans Faux Suede Pilot Jacket, lined in cream faux fur (size 42); and a Jaeger Cream Wool and Silk Blend Long Coat, with matching belt (size 10) (3) 2152 Group Of Vivienne Westwood Red Label Ladies Clothing comprising green cotton waterfall jacket with asymmetric necktie (size 42); a pink blue and green tartan asymmetric skirt (42); and a white cotton t-shirt with embroidered orb motif (size XS) (3) 2153 Burberrys Ladies Beige Double Breasted Belted Trench Coat/Mac, lined in check fabric; together with associated Burberrys Check Wool Longline Waistcoat Lining (2) Gianni Versace Black Shearling Coat