CHAPTER 8 - DESIGN DECISIONS 4. 5.

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1 CHP 8 - DG DC Clients who are very fashion-oriented and enjoy wearing the latest looks sing all the gathered information to make a proper design decision Factors in a person s life such as job/career, hobbies, family, time willing to spend on hair, etc. that have to be considered when making a design decision Created when weight is positioned equally on both sides of a center axis, creating a mirror image Created when weight is positioned unequally from a center axis Copyright 2001 Pivot Point nternational, nc.

2 CHP 8 - DG DC (con t) profile that has a strong outward curvature resulting from either a protruding nose or a sloping forehead or chin profile that has an inward curve, which is most often the result of a dominant, protruding forehead and chin or a small nose he ends of the hair are visible Clients who are very coordinated in their wardrobe Copyright 2001 Pivot Point nternational, nc.

3 CHP 8 - DG DC (W KY) Gamine tyle 6. Convex Profile 2. Client Consultation 7. Concave Profile 3. ifestyle 8. ctivated texture 4. ymmetrical balance 9. Classic style 5. symmetrical balance Copyright 2001 Pivot Point nternational, nc.

4 CHP 8 - DG DC (GY) erm Page Pronunciation Definition ctivated 236 he surface texture of the hair is rough lternation Design principle; a pattern in which an element 3. changes from one to another repeatedly symmetrical balance 250 Created when weight is positioned unequally from a center axis verage 221 Body shape classification that identifies normal height, dominant shoulders and average hips Balance 250 he state of equilibrium existing between contrasting, opposite or interacting elements Body shapes 220 he height and bone structure of the body often referred to as tall and lanky, average and short and sturdy Casual style 241 Clients who wear very comfortable clothing; blue jeans, t-shirts and sweatshirts are the norm Classic style 241 Clients who are very coordinated in their wardrobe; classic colors, such as navy, black, white, cream, beige, brown and gray are worn by this client Concave profile 231 his face has an inward curve, which is most often the result of a 4. dominant, protruding forehead and 5. chin or a small nose Consultation 242 he act of gathering all information necessary to make a proper design decision and then communicate recommendations to the client Contrast 249 Design principle; a pattern in which an element has a relationship of opposites that create interest, variety and excitement Convex profile 231 his face has a strong outward curvature resulting from either a protruding nose or a sloping forehead or chin Dark colors 249 Colors that add harshness to the features; seem to recede; add depth Density 236 Describes the amount of hair per square inch on the scalp; usually referred to as light, medium or heavy (or thin, medium or thick) Design composition 245 he coming together of all the individual elements of the intended design into one artistic whole Design considerations 219 lements used to determine the composition of a design; proportion, hair personality, clothing and lifestyle are the primary considerations Copyright 2001 Pivot Point nternational, nc.

5 CHP 8 - DG DC (GY) erm Page Pronunciation Definition Diagonal lines 247 ines that fall between horizontal and vertical, slanting right or left, or toward or away from the face; these lines create 3. the illusion of movement and excitement Diamond facial shape 228 he diamond face is elongated and angular; its widest area is at the cheekbones, while the forehead and chin are narrow Dramatic style 240 Clients who like anything out of the ordinary, they want to draw attention and make heads turn ntire body shape analysis 224 Process of identifying the widest area of the body to determine the amount of volume needed for the hairstyle to bring the widest area into proportion with the rest of the body Facial structure analysis 224 valuation of the bone structure, hairline and the widest and most dominant area of the face to help determine the appropriate hairstyle Facial shapes 225 he most common facial shapes are oval, round, square, oblong, pear, diamond and heart Five teps of Consultation 244 Five phases to a successful consultation include: 1) greeting 2) ask, analyze and assess 3) agree 4) deliver 5) complete Form he outline or silhouette of an object 5. Gamine style 240 Clients who are very fashion-oriented and enjoy wearing the latest looks; playful and very feminine Heart facial shape 229 he heart-shaped (triangle) face is long; the heart shape is angular and the chin is sometimes elongated and pointed, while the forehead is wide ifestyle considerations 241 nalysis of factors to determine hairstyle practicality; job/career, hobbies (such as sports), family, time willing to spend on hair, skill or ability to care for hair and the money the client is willing to invest in hair maintenance ines in hairstyles 246 ines establish directions that lead the eye through a hairstyle and create visual illusions atural style 239 Clients who like to wear clothes that are found in nature and made from natural materials blong facial shape 227 he oblong (rectangle) face is long, narrow and angular. he jaw line is Copyright 2001 Pivot Point nternational, nc.

6 CHP 8 - DG DC (GY) erm Page Pronunciation Definition wide and almost horizontal; the hairline on the oblong face is only slightly curved 3. val facial shape 226 his face is rounded, long and narrow rather than wide and short Pear facial shape 228 he pear-shaped (trapezoid) face is most often elongated, with a fore head that is narrow and a jaw that is the widest area of the face Personality considerations 237 lements used to help the stylist determine the client s personality type in an effort to match their style and begin to build rapport; outgoing or reserved are two personality type indicators Profile 231 he most notable features; the forehead, nose and chin are the most notable features of the facial profile Progression 249 Design principle; a pattern in which an element changes gradually in an ascending or descending scale epetition 249 Design principle; a pattern in which an element is identical omantic style 240 Clients who like silk, flower prints, lace, beads and pastel shades of color ound facial shape 226 his face has a low, round hairline and a short chin with a very rounded 4. jaw line; it appears to be short and wide rather than long and narrow 5. hort and sturdy 221 Body shape classification that identifies short and heavy or robust bone structure quare facial shape 227 his face is short and wide; it looks very angular with a lot of straight lines; the front hairline and jaw line are almost horizontal while the cheekbones protrude very little on the sides traight profile 231 straight profile has a very slight outward curvature from the front hairline to the tip of the nose and from the tip of the nose to the chin ymmetrical balance 250 Created when weight is positioned equally on both sides of a center axis, creating a mirror image all and lanky 220 Body shape classification that identifies an overall elongated and narrow bone structure exture 236 efers to the surface appearance or feel of the hair as well as the diameter of the hair strand itself; unactivated texture - having a smooth and unbroken surface, activated - having a rough surface Copyright 2001 Pivot Point nternational, nc.

7 CHP 8 - DG DC (GY) erm Page Pronunciation Definition hree-sectioning of the face 225 valuation by measurement to determine the proportions of the face nactivated he surface texture of the hair is smooth and 3. unbroken Copyright 2001 Pivot Point nternational, nc.

8 CHP 8 - DG DC (CWD PZZ) Copyright 2001 Pivot Point nternational, nc.

9 CHP 8 - DG DC (C) C D W 2 propel a boat with oars 1 pattern in which an element changes gradually powerful design element 5 line that creates the illusion of movement 6 says moo 9 plural of 7 down 10 hello 11 short for sister 13 more than one 16 outward reflection of inner thoughts 20 style including silk, lace, beads and pastels 21 profile with inward curvature 23 clothing style with colors found in nature 24 hill dweller 25 possess 26 playful and very feminine 27 facial shape that has even three-sectioning 23 wears a habit 30 Boston Party not in way to measure proportions of the face 35 Central ntelligence gency, for short 39 facial shape with narrow forehead and wide jaw 41 weight is positioned equally over a center axis 44 describes silhouette 3 was, they. 4 everything is comfortable in this style 5 style that is very coordinated 6 a pattern in which elements have a relationship of opposites 7 beast of burden 8 all of us 10 line parallel to the horizon 12 profile with slight outward curvature 14 in and. 15 style out of the ordinary 17 gallery product 18 side view 19 line at right angle to the horizon 22 long and narrow facial shape 28 empty space 29 elongated bone structure 32 facial shape that looks circular 33 short and wide facial shape 34 profile with strong outward curvature 36 amount of hair per square inch 37 surface appearance or feel of hair 38 pa s partner 40 Greek letter 42 more than one man 43 seventh tone of the diatonic scale Copyright 2001 Pivot Point nternational, nc.

10 CHP 8 - DG DC () P Y 25 W F H Z P G H M P F H C G Q D K X 23 M D Y 4 C 38 H P 42 M M M D C M 6 9 C 13 W C 7 X V X W V Y C 22 V D C C V B M 1 2 P G W D C 19 V C Copyright 2001 Pivot Point nternational, nc.