Reproduction Permission

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1 The J. Paul Getty Trust Communications Department Reproduction Permission 1200 Getty Center Drive, Suite 400 Los Angeles, CA Tel Fax November 3, 2016 Re: Reproduction Permission Dear Media User, Thank you for your recent request for image(s) from the J. Paul Getty Trust and its operating programs (collectively "Getty"). This is a one-time permission for use of the image(s) for the article in your publication and/or for the article/listing on your Web site, and for these purposes only. Unless otherwise noted, image(s) included in Web articles and listings may be archived in their original context in perpetuity. Any further usage will require an additional permission. Image(s) are to be used in their entirety and are not to be cropped, altered or manipulated in any way. All image(s) are either the property of the Getty or are licensed to the Getty for the uses set forth herein. All copyright and collection credits must appear on the same or facing page(s) as the image(s). If noted, identified photographer(s) must be credited. Please refer to the next page(s) for proper notation of image caption(s) and credit(s). Images prepared for web use should use 72dpi resolution. Please let us know if you have any questions or need additional materials. We would appreciate one copy of the publication or article and/or notification of the URL address in which the image(s) appear for our files. Once again, thank you for your interest in the Getty. Sincerely, Julie Jaskol Communications Department The J. Paul Getty Trust Attachments

2 Concrete Poetry: Words and Sounds in Graphic Space March 28-July 30, 2017 The Tug/The Barge Peter Lyle (British), draftsman From Ian Hamilton Finlay, ed., Poor. Old. Tired. Horse., no. 20: cover Publisher: Wild Hawthorn Press Getty Research Institute, Los Angeles ( ) Forsythia 1965 Mary Ellen Solt (American, ) John Dearstyne (American), designer and printer From Flowers in Concrete (Bloomington: Fine Arts Department, Indiana University, 1966) Getty Research Institute, Los Angeles (94-B19512) Gift of Susan Solt Courtesy of the Estate of Mary Ellen Solt 1

3 Ho/Horizon/On From The Blue and the Brown Poems (New York: Atlantic Richfield Company & Jargon Press, 1968) Getty Research Institute, Los Angeles (2016.PR.36) Tugboat a Drag Says Barge John Furnival (British, b. 1933), draftsman Frankie Partridge (British), artist From Headlines, Pondlines (Gloucester, England: Pluto Press, 1969) Getty Research Institute, Los Angeles (890164) 2

4 Homage to Malevich From Rapel: 10 Fauve and Suprematist Poems (Edinburgh: Wild Hawthorn Press, 1963) Getty Research Institute, Los Angeles (890144) Rever (To See Again) 1964 Julio Plaza (Spanish, ) From Poemobiles (São Paulo: Ed. de autor, 1974) Getty Research Institute, Los Angeles (92-B21581) Courtesy Augusto de Campos / Courtesy Anabela Plaza Open (Abre) 1969 Julio Plaza (Spanish, ) From Poemobiles (São Paulo: Ed. de autor, 1974) Getty Research Institute, Los Angeles (92-B21581) Courtesy Augusto de Campos / Courtesy Anabela Plaza 3

5 Luxo (Luxury) 1965 Leaflet folder Published in São Paulo, 1966 The Museum of Modern Art, New York. The Museum of Modern Art Library 2017.E.5.2 Courtesy Augusto de Campos Acrobats 1964 Screen print Publisher: Tarasque Press, 1968 Getty Research Institute, Los Angeles (890144) 4

6 Star/Steer 1965 Screen print Publisher: Tarasque Press, 1968 Getty Research Institute, Los Angeles (890144) Lygia Fingers (Lygia Fingers) 1953 From Poetamenos (São Paulo: Edições Invenção, 1973) Getty Research Institute, Los Angeles (92-B22170) Courtesy Augusto de Campos 5