I WANT TO SEE HOW YOU SEE JULIA STOSCHEK COLLECTION April 16 July 25, 2010 (Deichtorhallen Hamburg)

Transcription

1 I WANT TO SEE HOW YOU SEE JULIA STOSCHEK COLLECTION April 16 July 25, 2010 (Deichtorhallen Hamburg) The exhibition at the Hamburg Deichtorhallen will be the first extensive presentation of the JULIA STOSCHEK COLLECTION shown in the context of a museum worldwide. The exhibition, which will commence April 16, 2010, will feature 65 works by 54 artists from this very young private collection in a space extending of over 3,000 square meters. The main focus of the presentation will be on film and video works produced in the last 40 years, a time range which applies to the entire Julia Stoschek Collection. Classics of video art, such as Marina Abramović s Art must be beautiful/ Artist must be beautiful dating from , Vito Acconci s Openings (1970) and Chris Burden s Shoot (1971 are conjoined with more recent works of younger artists, giving viewers the opportunity to relate to the history of the still rather young genre of video art. The majority of the works were actually produced after They range from lyrical pieces such as Heike Baranowsky s Mondfahrt and complex animation films such as Björk s Wanderlust in 3D up to elaborate spatial installations by artists such as Monica Bonvicini, Anthony McCall, and Nathalie Djurberg. The video works are accompanied by sculptures (e.g., by Nandipha Mntambo), photographic works (e.g., by Thomas Demand, Taryn Simon, Thomas Ruff) and installations (e.g., by Jeppe Hein). The title of the exhibition I Want To See How You See was derived from the work in the show by Pipilotti Rist (2003) of the same name. Most of the presented works reflect the production process or question the validity of the image via the staged realites generated in the realms of film or video. A recurring subject is the image of women as conveyed by the mass media. The exhibition continues the Deichtorhallen tradition of presenting major private collections. In this case, the collection is one of the most important convolutes of media-influenced art in Germany, whose contemporaneity and acuteness aptly reflects the young age of the collector (34). At the same time, the show refers back to the Fire, Earth, Water, Air exhibition, presented at the Deichtorhallen in 1993 as part of the Mediale Festival featuring media-influenced art at the Deichtorhallen for the first time. The Julia Stoschek Collection is a private collection of contemporary art that focuses on media and video art, installations and photography. Julia Stoschek was born in 1975 and is a shareholder of the Brose Group and great-granddaughter of the founder of the company, which produces automotive components for the international market. She studied Business Administration and since her graduation in 2001 has devoted herself completely to the collection of art. Since 2004 she has been on the Board of Directors of the KW-Institute for Contemporary Art, Berlin. In 2007, she was appointed a voting member of the acquisitions commission of the Trustee Committee for Media and Performance Art at MoMA, Museum of Modern Art.

2 I WANT TO SEE HOW YOU SEE JULIA STOSCHEK COLLECTION April 16 July 25, 2010 (Deichtorhallen Hamburg) Selection of Artists for the Deichtorhallen Marina Abramović Jen DeNike Vito Acconci Nathalie Djurberg Pep Agut Claus Föttinger Peggy Ahwesh Douglas Gordon Doug Aitken Cao Guimarães Eleanor Antin Andreas Gursky Heike Baranowsky Jeppe Hein Lynda Benglis Christian Jankowski Walead Beshty Isaac Julien Björk (Encyclopedia Pictura) Terence Koh Monica Bonvicini Klara Liden Robert Boyd Gordon Matta-Clark Chris Burden Anthony McCall Jeff Burton Adam McEwen Matt Calderwood Alex McQuilkin Paul Chan Nandipha Mntambo Patty Chang Lutz Mommartz Thomas Demand Bruce Nauman Carsten Nicolai Tony Oursler Paul Pfeiffer Rob Pruitt Pipilotti Rist Aura Rosenberg Martha Rosler Mika Rottenberg Thomas Ruff Christoph Schlingensief Carolee Schneemann Taryn Simon Wolfgang Tillmans Steina Vasulka Clemens von Wedemeyer Franz West Hannah Wilke Aaron Young CATALOGUE Julia Stoschek Collection I Want To See How You See, Snoeck Verlagsgesellschaft mbh, Ed. Dirk Luckow, with texts of Beate Söntgen, Dörte Zbikowski and an interview between Dirk Luckow and Julia Stoschek,. Format 17,5 x 24,5 cm, 148 pages, Hardcover,, ISBN , in German language, price on request. PRESS CONFERENCE Thursday, April 15, 2010, 11 h Julia Stoschek and Dirk Luckow, Intendant of the Deichtorhallen, will be present PRESSMATERIAL Press photograph : Presse at OPENING HOURS NEW: TUESDAY, WEDNESDAY, THURSDAY 2-9 h und FRIDAY, SATURDAY, SUNDAY 11-6 h

3 Pressefotos I WANT TO SEE HOW YOU SEE JULIA STOSCHEK COLLECTION 16. APRIL 25. JULI 2010 GROSSE DEICHTORHALLE Die Pressefotos stehen zum Download in 300dpi im Bereich Presse unter zur Verfügung. Dort werden auch Installationsaufnahmen fortlaufend aktualisiert. Die Pressebilder sind nur frei zur aktuellen Berichterstattung über die o.g. Ausstellung in den Deichtorhallen Hamburg und bei Copyright-Nennung. Jede andere Nutzung ist nicht gestattet. ALLE RECHTE VORBEHALTEN. PRESS PRINT - IMPORTANT NOTE: These photographs have been copyright cleared for media reproduction in the context of a review or preview of the exhibition, ALL RIGHTS RESERVED. Information : presse@deichtorhallen.de; Tel. +49-(0) Anthony McCall: Line Describing A Cone, mm-Filminstallation; 30min; unlimitiert Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies, Düsseldorf, Courtesy of Galerie Thomas Zander, Köln

4 Björk (Encyclopedia Pictura) Wanderlust (3-D), 2008 Stereoskopische, digitale Videoinstallation. 7:27 min., Farbe, Ton, Edition 1/6 Courtesy of One Little Indian; London

5 Terence Koh: The Camel was God, the Camel Was Shot, 2007, Abguss des Künstlerkörpers, Bronze, weiße Patina 18 x 46 x 166 cm Ed. 1/5 + 2 AP Courtesy of Peres Projects, Berlin/Los Angeles Foto: Hans-Georg Gaul. (Details auf Anfrage)

6 Claus Föttinger: Hanoi/Saigon Leuchtobjekt Höhe circa 290 cm, Durchmesser circa 100 cm, Inkjetprints mit pigmentierter Tinte auf Baumwollpapier, beidseitig laminiert, auf Kupfergestell genäht, beleuchtet Unikat, 2007 Foto: Ivo Faber, Düsseldorf Paul Chan: Happiness (Finally) After 35,000 Years of Civilization (after Henry Darger and Charles Fourier), Digital animiertes Video,17:20 Min.,Farbe, Ton, Ed. 3/6 Courtesy of Greene Naftali, New York,(weitere Motive auf Anfrage)

7 Rob Pruitt: Esprit de Corps: Guitar Jam, 2006 Skulptur; Jeans, Beton, 38 x 74 x 59 cm Unikat; Courtesy of the artist and Gavin Brown s enterprise, New York Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf Thomas Demand Zaun/Fence, 2004 C-Print/Diasec, 180 x 230 cm Thomas Demand, VG Bild-Kunst, Bonn

8 Issac Julien: True North Series, Digital print on Epson Premium Photo Glossy, 100 x 100 cm. (In der Ausstellung als 3-Kanal Film Installation) Courtesy of Isaac Julien and Victoria Miro Gallery, London Issac Julien: True North Series, Digital print on Epson Premium Photo Glossy, 100 x 100 cm. (In der Ausstellung als 3-Kanal-Videoinstallation) Courtesy of Isaac Julien and Victoria Miro Gallery, London

9 Jeff Burton: untitled #151 (picket fence), Cibachrome print, 50,8 x 61 cm, Ed. 2/5 Courtesy of the artist and Casey Kaplan, New York Jeff Burton: untitled#176 (rods and clamps), Cibachrome print, 67,3 x 101,6 cm, gerahmt 71,1 x 105,4 cm Ed. 1/5, Courtesy of the artist and Casey Kaplan, New York

10 Monica Bonvicini: Destroy She Said, Kanal-Videoinstallation, 60 min. Courtesy of the artist and Galleria Emi Fontana, Mailand und VG Bild-Kunst, Bonn Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf links Taryn Simon, LARRY MAYES. Scene of arrest, The Royal Inn, Gary, Indiana Police found Mayes hiding beneath a mattress in this room, Served 18.5 years of an 80- year sentence for Rape, Robbery and Unlawful Deviate Conduct, 2002, C-Print, 121,9 x 157,5 cm, Ed. 5/5, Taryn Simon, Courtesy of Gagosian Gallery, New York Rechts Thomas Demand, Zaun/Fence, 2004, C-Print/Diasec, 180 x 230 cm, Thomas Demand, VG Bild-Kunst, Bonn

11 Heike Baranowsky: Mondfahrt, Videoinstallation, 6:22 min., Farbe, kein Ton, Ed. 4/5 Courtesy of Galerie Barbara Weiss, Berlin und VG Bild-Kunst, Bonn Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies, Düsseldorf Robert Boyd: Xanadu, 2006, 4-Kanal-Videoinstallation, 22 min., Farbe, Ton, Ed. 2/2 + AP, Courtesy of the artist and Participant Inc., New York Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies, Düsseldorf

12 Clemens von Wedemeyer, The Big Business Project, 2002 The Big Business Project, 2002, 2-Kanal-Videoinstallation, Farbe, Ton Big Business, 25 Min., The Making Of Big Business, 27 Min.,Ed. 6/10 Courtesy of the artist and Galerie Jocelyn Wolff, Paris Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf Jeppe Hein: 2-Dimensional-Mirror-Labyrinth, 2006 Skulptur-Installation, polierter Edelstahl, 220 x 350 cm, Ed. 1/3 + 2 AP Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies, Düsseldorf, Courtesy of Galerie Johann König, Berlin

13 Aaron Young : High Performance, 2000 Video, 3 min., Farbe, Ton, Ed. 1/5 + AP, Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies, Düsseldorf Courtesy of the artist and Harris Lieberman Gallery, New York Matt Calderwood: Gloss, 2004, Video Farbe, kein Ton, 01:16 Min., Ed. 3/6, Courtesy of the artist

14 Mika Rottenberg: The Tropical Breeze Project, Videoinstallation, Speerholzcontainer, Pappkartons, tropical breeze moist tissues - Boxen, Maße variabel, 10 Min., Farbe, Ton, Ed. 1/5 + 1 AP Courtesy of Nicole Klagsbrun Gallery, New York Mika Rottenberg: The Tropical Breeze Project, Videoinstallation, Speerholzcontainer, Pappkartons, tropical breeze moist tissues -Boxen, Maße variabel, 10 Min., Farbe, Ton, Ed. 1/5 + 1 AP,Courtesy of Nicole Klagsbrun Gallery, New York

15 Nandipha Mntambo: Intsandvokati, Rinderfell, Harz, Polyestergewebe und gewachste Schnur,100 x 175 x 140 cm, Unikat Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf, Courtesy of Michael Stevenson, Kapstadt Nandipha Mntambo: Sondzela, Rinderfell, Harz, Polyestergewebe, Glasperlen und gewachste Schnur,170 x 165 x 100 cm, Unikat, Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf, Courtesy of Michael Stevenson, Kapstadt

16 Taryn Simon, Calvin Washington, C&E Motel, Room No. 24, Waco, Texas, 2002, Where an informant claimed to have heard Washington confess, Served 13 years of a Life sentence for Murder, 2002, C-Print, 121,9 x 157,5 cm, Ed. 5/5. Taryn Simon, Courtesy of Gagosian Gallery, New York Taryn Simon, Ronald Jones, Scene of arrest, South Side, Chicago, Illinois, Served 8 years of a Death sentence for Murder and Rape, 2002, C-Print, 121,9 x 157,5 cm, Ed. 2/5, Taryn Simon, Courtesy of Gagosian Gallery, New York

17 Eleonor Antin. The King,, 1972.,Video, 52min., s/w, kein Ton, unlimitiert Courtesy Electronic Arts Intermix (EAI), New York. Credit is a condition of use for each image. The full credit line as worded below must appear directly under the reproduction, on the page facing, or on the reverse. If the image is reproduced on the Web, a link to must be included. Lynda Benglis. Female Sensibility, 1973, Video, 14 Min.. Farbe, Ton, unlimitiert, Courtesy Electronic Arts Intermix (EAI), New York. Credit is a condition of use for each image. The full credit line as worded below must appear directly under the reproduction, on the page facing, or on the reverse. If the image is reproduced on the Web, a link to must be included.

18 Bruce Nauman. Gauze,, 1969, 16-mm-Film, transferiert auf Video 8 Min., S/W, Ton, Unlimitiert Courtesy Electronic Arts Intermix (EAI), New York. Credit is a condition of use for each image. The full credit line as worded below must appear directly under the reproduction, on the page facing, or on the reverse. If the image is reproduced on the Web, a link to must be included. Martha Rosler. Semiotics of the kitchen, Video, 6:09 Min. S/W, Ton Unlimitiert, Courtesy Electronic Arts Intermix (EAI), New York. Credit is a condition of use for each image. The full credit line as worded below must appear directly under the reproduction, on the page facing, or on the reverse. If the image is reproduced on the Web, a link to must be included.

19 Carolee Schneemann. Up to and including her limits, Video 29 Min., Farbe, Ton, Unlimitiert Courtesy Electronic Arts Intermix (EAI), New York. Credit is a condition of use for each image. The full credit line as worded below must appear directly under the reproduction, on the page facing, or on the reverse. If the image is reproduced on the Web, a link to must be included. Steina Vasulka. Violin Power, , Video, 10:04 Min., S/W, Ton Unlimitiert, Courtesy Electronic Arts Intermix (EAI), New York. Credit is a condition of use for each image. The full credit line as worded below must appear directly under the reproduction, on the page facing, or on the reverse. If the image is reproduced on the Web, a link to must be included.

20 Julia Stoschek, 2010 Fotos: Max von Gumppenberg und Patrick Bienert/COLORSTORM