AVAILABLE WORKS MADE SINCE 2000

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1 AVAILABLE WORKS MADE SINCE 2000 Works made by Artists for Parkett July 2017

2 WORKS SINCE 2000 Works made by Artists for Parkett from / Vol /101) TOMMA ABTS ED ATKINS NAIRY BAGHRAMIAN YTO BARRADA KERSTIN BRÄTSCH ANDREA BÜTTNER CAO FEI VALENTIN CARRON MARC CAMILLE CHAIMOWICZ MAURIZIO CATTELAN PAUL CHAN ABRAHAM CRUZVILLEGAS JEREMY DELLER TRISHA DONNELLY JIMMIE DURHAM NICOLE EISENMAN OMER FAST CYPRIEN GAILLARD DOMINIQUE GONZALEZ-FOERSTER KATHARINA GROSSE RACHEL HARRISON CAMILLE HENROT PIERRE HUYGHE CHRISTIAN JANKOWSKI ANNETTE KELM LEE KIT ZOE LEONARD LUCY MCKENZIE MARILYN MINTER JEAN-LUC MYLAYNE OLAF NICOLAI PAULINA OLOWSKA NICOLAS PARTY MAI-THU PERRET RICHARD PHILLIPS MICHAEL RAEDECKER PIPILOTTI RIST PAMELA ROSENKRANZ MIKA ROTTENBERG DANA SCHUTZ SHIRANA SHAHBAZI WAEL SHAWKY DAYANITA SINGH MONIKA SOSNOWSKA FRANCES STARK HITO STEYERL OSCAR TUAZON KEITH TYSON COSIMA VON BONIN JOHN WATERS ANDRO WEKUA JORDAN WOLFSON HAEGUE YANG

3 the most important artists of our time have created works for PARKETT that represent the essence of their art or reveal an unexpected dimension. Iwona Blazwick, Director, The Whitechapel Art Gallery, London the diversity of works on view offer a sense of what artists can do with the challenge of how to distill their multivalent practices into a single, compact object or image. Philip Tinari, Director, Ullens Center for Contemporary Art, Beijing The MoMA collection contains numerous examples of editions by the most significant artists of the modern period... the editions made for PARKETT carry on this rich tradition. Deborah Wye, Chief Curator emerita, Prints and Illustrated Books, Museum of Modern Art, New York A show of the work produced for a revolutionary magazine functions as a mini-museum of the recent time. Financial Times, London... A catalyst for invigorating change whilst always producing the harvest of the quiet eye Hans-Ulrich Obrist, Co-Director, Serpentine Gallery, London... a wonderland of sometimes fantastical treasures... the scope and quality of what is on display, not to mention the artists involved make this show one of the strongest so far this year Time-Out, Beijing PARKETT s editions highlight the Zeitgeist, the hopes and fears of artists in the globalized world, their questions of identity, of past and future, their zest for life, and their creation of new utopias... Neue Zürcher Zeitung, Zurich PARKETT has taken the pulse of our time and built a Schaulager for it in book form: it has turned the present into a lasting phenomenon. Stanislaus von Moos, Prof. emeritus, University of Zurich Congratulations on three decades of exceptional publishing. Sir Nicholas Serota, Director, Tate, London

Parkett Exhibitions in Public Institutions Taipei Taipei Fine Arts Museum (May August 2013) Inside a Book a House of gold Artists Editions for Parkett The most complete exhibition to date presents

Beijing Ullens Center for Contemporary Art (February April, 2012) Inside a Book a House of gold Artists Editions for Parkett Catalogue in Chinese and English, edited by Phil Tinari.

4 Parkett Exhibitions in Public Institutions Taipei Taipei Fine Arts Museum (May August 2013) Inside a Book a House of gold Artists Editions for Parkett The most complete exhibition to date presents all 220 works made by artists for Parkett, with catalogue in Chinese and English. Beijing Ullens Center for Contemporary Art (February April, 2012) Inside a Book a House of gold Artists Editions for Parkett Catalogue in Chinese and English, edited by Phil Tinari. Collaborations with Parkett, Exhibition at MoMA, New York, 2001 Seoul Seoul Arts Center / Hangaram Museum (December 2010 March 2011) 200 Artworks 25 Years. Artists Editions for Parkett Curated by Honki Chae and Shim Chung, with catalogue in Korean and English. Singapore STPI (May July 2010) 200 Artworks 25 Years. Artists Editions for Parkett In collaboration with Emi Eu and Ong Boo Chai. Kanazawa 21st Century Museum of Contemporary Art (September 2009) 200 Art Works 25 Years The most complete museum exhibition to date presents all 200 works made by artists for Parkett since 1984, with catalog. Zurich Kunsthaus (November, 2004 February, 2005) Parkett 20 Years of Artists Collaborations curated by Miriam Varadinis, with catalog. Venice Palazzo Remer (June October, 2003) At the occasion of the Biennale this exhibition presented all Parkett editions in Venice. Parkett 20 Years of Artists Collaborations, Kunsthaus Zürich

Dublin Irish Museum of Modern Art (June October, 2002) Beautiful Productions London Whitechapel Art Gallery (July August, 2001) In its Centenary the Whitechapel Gallery presented a Parkett

New York Museum of Modern Art (April June, 2001) Collaborations with Parkett: 1984 to Now, curated by Deborah Wye, with catalog.

5 Dublin Irish Museum of Modern Art (June October, 2002) Beautiful Productions London Whitechapel Art Gallery (July August, 2001) In its Centenary the Whitechapel Gallery presented a Parkett exhibition entitled Beautiful Productions: Art to Play, Art to Wear, Art to Own, curated by Iwona Blazwick. New York Museum of Modern Art (April June, 2001) Collaborations with Parkett: 1984 to Now, curated by Deborah Wye, with catalog. Geneva Centre d Art Contemporain (November, 1999) Siena Palazzo delle Papesse (June October, 1999) Cologne Museum Ludwig (November 1998 January, 1999), curated by Reinhold Misselbeck, with catalog. Humlebaek, Denmark Louisiana Museum (September October, 1996) Curated by Lars Grambye Los Angeles MAK-Center at the Schindler House (March June, 1995) Catalog Silent & Violent edited by Peter Noever. Geneva Centre de Gravure Contemporaîne (April May, 1992) Marseille Centre de la Vieille Chariteé, Museés de Marseille (February March, 1991) Zurich Helmhaus (January February, 1989) Frankfurt Portikus (September October, 1988) Paris Centre Georges Pompidou (April June, 1987) Inside a Book a House of Gold, Exhibition at UCCA, Beijing,

Parkett Exhibition Space Zürich 2012 2015 CARTE BLANCHE Pamela Rosenkranz (Aug Dec 2015) Parkett collaboration artist Pamela Rosenkranz curates a selection of some 50 Parkett Editions and shares an

«CRUSH» by Kilian Rüthemann (Feb Jul 2015) A sensurround experience by Kilian Rüthemann who presented selected Parkett Editions in a stunning installation with ten tons of turquoise-colored, crushed

6 Parkett Exhibition Space Zürich CARTE BLANCHE Pamela Rosenkranz (Aug Dec 2015) Parkett collaboration artist Pamela Rosenkranz curates a selection of some 50 Parkett Editions and shares an insight into her artistic approach. «CRUSH» by Kilian Rüthemann (Feb Jul 2015) A sensurround experience by Kilian Rüthemann who presented selected Parkett Editions in a stunning installation with ten tons of turquoise-colored, crushed glass on the gallery floor and pedestals made of large glass chunks. Crush CORNUCOPIA (Aug Dec 2014) On the occasion of Parkett s thirty years all editions were on view for the first time in one room in a specially designed installation- The presentation provided visitors with a unique look at the universe of artistic thought under one roof, beyond the limits of space or time. SMALL IS BEAUTIFUL (Feb June 2014) A never before seen selection of seventy works which all embody one of Parkett s key feature. ABSTRACT NATURE (Sep Dec 2013) A playful dialogue among fifty selected Parkett works with unexpected, enlightening relations. PEOPLE (Feb July, 2013) The show explored the exhibition theme and illustrated with sixty works the innovation and diversity, that artists bring to their Parkett projects in manyfold variations. IDEAS, VARIATIONS & UNIQUE WORKS (Oct 2012 Jan 2013) Forty groups of works documented the range of imagination and uniqueness that artists bring to their Parkett projects in untold variations. Cornucopia 44 45

publishing. Nicholas Serota, Director, Tate, London SET OF ALL 60 AVAILABLE PARKETT VOLUMES COLLECTION OF ALL 98 VOLUMES (VOL.

7 THE COLLECTION OF ALL PARKETT BOOKS... a catalyst for invigorating change whilst always producing the harvest of the quiet eye Hans-Ulrich Obrist, Co-Director, Serpentine Gallery, London Congratulations on three decades of exceptional publishing. Nicholas Serota, Director, Tate, London SET OF ALL 60 AVAILABLE PARKETT VOLUMES COLLECTION OF ALL 98 VOLUMES (VOL. 1-98) o 60 volumes in Parkett s signature book design o 155 artists monographic collaborations, each with 3-5 texts o 850 texts by compelling and renown authors and writers o More than 4000 color illustrations o 98 volumes in Parkett s signature book design (incl. 38 out-of-print volumes) o 250 artists monographic collaborations, each with 3-5 texts o 1400 texts by compelling authors and writers o More than 8000 color illustrations We gladly assist you in finding missing, out-of-print Volumes and completing your collection of Parkett Books. Please or call Melissa Burgos, New York, m.burgos@parkettart.com, or Bozena Civic, Zurich, b.civic@parkettart.

8 TOMMA ABTS Untitled (Uto), 2008 For Parkett 84 Archival pigment print on Angelica paper, mounted on sintra, framed, paper size: 15 7 /8 x 19 3 /4 ( 50,5 x 40,5 cm), image size: 15 x 18 7 /8 (48 x 38 cm), printed by Laumont, New York, Ed. 45/XXV, signed and numbered certificate 64 65

9 ED ATKINS Safe Conduct Epidermal, 2016 For Parkett 98 Archival pigment print on rubber, 23 5 /8 x 20 x 1 /8, two grommets, printed by Laumont, New York. Ed. 35 / XX, signed and numbered certificate

NAIRY BAGHRAMIAN Maintainers, 2017 For Parkett 100/101 2 parts, cast aluminum and cast polishing wax Cast aluminum: 11,5h x 7d x 4,8w cm / 4.53 x 2.76 x 1.89 Cast polishing wax: approx.

10 NAIRY BAGHRAMIAN Maintainers, 2017 For Parkett 100/101 2 parts, cast aluminum and cast polishing wax Cast aluminum: 11,5h x 7d x 4,8w cm / 4.53 x 2.76 x 1.89 Cast polishing wax: approx. 4,8h x 11,5d x 7w cm / 1.89 x 4.53 x 2.76 Ed XII + 10 APS, signed and numbered certificate Nairy Baghramian's two-part sculpture Maintainers consists of a wax cast and a seemingly identical aluminum cast. The two objects appear in close relationship and interact throughout the artist's serial casting process, as the wax cast informs the aluminum cast. The work playfully explores Nairy Baghramian's conceptual interests in "... thingly speculations,... the organic and the machinic,... and the corporeal and the mental". (Caoimhín Mac Giola Léith in Parkett 100/101)

11 YTO BARRADA Aquariums for Sale on a Rainy Day, Tangier, 2001 For Parkett 91 Two C-Prints, 10 1 /4 x 11 (26 x 28 cm) each, Ed. 35/XX, signed and numbered certificate

12 MONICA BONVICINI Drill 4 Chastity, 2004 For Parkett 72 2-part cast, bronze and resin, 4 1 /8 x 5 7 /8 x 3 1 /2 (10,5 x 15 x 9 cm), Ed. 35/XX, signed and numbered

KERSTIN BRÄTSCH AND DAS INSTITUT Parasite Patch, from Schröderline, 2011 For Parkett 88 In 4 versions each with 4 design layers (Nothing Nothing / Thus / Ä / Ö).

13 KERSTIN BRÄTSCH AND DAS INSTITUT Parasite Patch, from Schröderline, 2011 For Parkett 88 In 4 versions each with 4 design layers (Nothing Nothing / Thus / Ä / Ö). Knitted textile patch with 4 design layers,made of custom dyed yarns, each layer 15 x 12 (38 x 30,5 cm). Designed by DAS INSTITUT(Kerstin Brätsch, Adele Röder). Program and digital knitwear by Stoll, New York. Cotton yarn by Filartex, Italy, silk/merino yarn by Cariaggi and Filipucci, Italy. To be individually attached to clothes with three snap buttons. The parasite patch can be worn displaying each of the 4 different design layers. Ed. 18/X for each patch version, with signed and numbered certificate

14 ANDREA BÜTTNER Piano Stool / Klavierstuhl (Silkscreen), 2015 For Parkett 97 Silkscreen in 4 colors, on 160 g/m 2 Fabriano Design 5, 24 x 25 1 /8, printed by Atelier für Siebdruck, Lorenz Boegli. Ed. 25 / XX, signed and numbered

15 CAO FEI Rumba I: Incubator, 2017 For Parkett 99 Mini vacuum cleaning robot, two synthetic chicks, 6 7 /8 x 9 1 /8, 1,4 lb. Ed. 30 / XX, signed and numbered certificate

MAURIZIO CATTELAN Untitled, 2017 For Parkett 100/101 10-color silkscreen print 50 x 50cm (19 7/10 x 19 1/10 ) on Velin d

16 MAURIZIO CATTELAN Untitled, 2017 For Parkett 100/ color silkscreen print 50 x 50cm (19 7/10 x 19 1/10 ) on Velin d Arches noir 250 gm2 Printed by Atelier für Siebdruck Lorenz Boegli Ed. 35 / XX / 10 APs, signed and numbered certificate

17 VALENTIN CARRON Bell, 2013 For Parkett 93 Bronze cast, wood, diameter 6 1 /2 x 2 3 /4, fabricated by Kunstbetrieb AG, Münchenstein, Switzerland. Ed. 35 / XX, signed and numbered certificate

18 MARC CAMILLE CHAIMOWICZ Loxos, Vase, 1989/2015 For Parkett 96 Crystal glass on aluminum base, 6 3 /4 x 5 1 /2 x 3, produced by Kunstbetrieb AG. Ed. 35/XX, signed and numbered certificate

19 PAUL CHAN The Libertine Reader, 2011 For Parkett 88 Silkscreen on natural woven rayon cloth, with foil stamping, on wooden frame, 25 x 16 1 /2 x 3 /4 (63,5 x 42, 1,9 cm). Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed.35/XX, signed and numbered certificate

custom made from larch wood and MDF by Stiftung St. Jakob, 13 1 /8 x 21 x 1 3 /4, 7.

20 ABRAHAM CRUZVILLEGAS Autoconclusión, 2015 For Parkett 97 Wooden briefcase, with 34 bamboo wood sticks in 34 different colors, with a separate 7-color silkscreen included in the briefcase, briefcase interior lined with canvas, briefcase custom made from larch wood and MDF by Stiftung St. Jakob, 13 1 /8 x 21 x 1 3 /4, 7.2 lb, silkscreen printed by Atelier für Siebdruck, Lorenz Boegli on Bütten 250 g/m 2 paper, 12 x 19 1 /2. Ed. 35/XX, signed and numbered certificate

JEREMY DELLER Odds And Sods, 2001 2014 For Parkett 95

2014, Commissioned by Locws International for Art

International) Portfolio with 5 silkscreen prints in 6

17 3 /4 x 11 3 /4 : BATS, 2011; BARN OWL, 2013 (from

POETRY IS NEEDED, Swansea, 2014; SACRILEGE, 2012;

21 JEREMY DELLER Odds And Sods, For Parkett 95 Jeremy Deller, MORE POETRY IS NEEDED, wall painting, 2014, Commissioned by Locws International for Art Across The City, Swansea, 2014 (Photo: Locws International) Portfolio with 5 silkscreen prints in 6 colors, BVK Rives 300 g/m 2, each approx /4 x 11 3 /4 : BATS, 2011; BARN OWL, 2013 (from ENGLISH MAGIC); THE BATTLE OF ORGREAVE, 2001; MORE POETRY IS NEEDED, Swansea, 2014; SACRILEGE, 2012; Atelier für Siebdruck, Lorenz Boegli, Zurich Ed. 35 / XX, signed and numbered colophon

22 TRISHA DONNELLY The Dashiell Delay an Edition Subscription, 2006 For Parkett 77 Edition in 10 installments made and delivered every 1 2 months over a period of one year, varied media, each approx. 8 x 10 (20 x 25 cm), Ed. 45/XXV, signed and numbered certificate

23 JIMMIE DURHAM Look Ahead, 2013 For Parkett 92 9 color silkscreen print, on Arches Velin 400 g/m 2, one leaf lasercut, 31 1 /2 x 31 1 /2. Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich. Ed. 35/XX, signed and numbered

NICOLE EISENMAN Untitled, 2012 For Parkett 91 Woodcut, 24 1 /4

20/VIII, signed and numbered Color monotypes, each unique, 24

24 NICOLE EISENMAN Untitled, 2012 For Parkett 91 Woodcut, 24 1 /4 x 18 3 /4 (61,6 x 47,6 cm). Printed in collaboration with Marina Ancona at 10 Grand Press, Brooklyn NY Ed. 20/VIII, signed and numbered Color monotypes, each unique, 24 1 /4 x 18 3 /4 (61,6 x 47,6 cm). Printed in collaboration with Marina Ancona at 10 Grand Press, Brooklyn NY Ed. 20/X, signed and numbered

25 OMER FAST White Male Selfies, 2017 For Parkett 99 9 portraits, including unique prints, on 290 g/m 2 Satin Baryta paper, in box, each print 7 7 /8 x 7 7 /8. Ed. 25/XXV, signed and numbered certificate

26 CYPRIEN GAILLARD An Urgent Message About The Great Organ, 2014 For Parkett 94 Aluminum sculpture with 7-color silkscreen print, 8 7 /8 x 4 x 14 1 /8, printed by Atelier für Siebdruck, Lorenz Boegli, Zurich. Ed. 35 / XX, signed and numbered certificate

DOMINIQUE GONZALEZ-FOERSTER Calendario 2020, 2007 For Parkett 80

prints including 2 by Philippe Parreno, color silkscreen on Munken

11 1 /2 x 16 3 /4 ( 28,6 x 42,6 cm), bound, printed by Atelier für

27 DOMINIQUE GONZALEZ-FOERSTER Calendario 2020, 2007 For Parkett 80 Calendar for 12 months in 12 years (January 2008 December 2019), 14 prints including 2 by Philippe Parreno, color silkscreen on Munken 350g/m 2, paper size: 16 1 /2 x 19 (42 x 46,6 cm) each, image size: 11 1 /2 x 16 3 /4 ( 28,6 x 42,6 cm), bound, printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed. 45/XX, numbered and signed

28 KATHARINA GROSSE Untitled (Painted Parkett Volume), 2017 For Parkett 100/101 Paint, Parkett volume, each object unique, 20 x 20.5 x 2 cm. (8 ¾ x 10 x ¾ ) Ed. 25/12 APs, signed and numbered.

RACHEL HARRISON Wardrobe Malfunction, 2008 For Parkett 82 10-color lithograph on polypropylene, 26 3 /8 x 18

29 RACHEL HARRISON Wardrobe Malfunction, 2008 For Parkett color lithograph on polypropylene, 26 3 /8 x 18 3 /8 (67 x 46,8 cm), printed by Derrière L Etoile Studio, New York, Ed. 48/XXII, signed and numbered

loosely and carefully draped on the wall, a table or the floor), with two grommets.

30 CAMILLE HENROT Extinction on the Table, 2015 For Parkett 97 Two UV prints, one on each side of a sheet of white nitrile rubber, (the work can be installed either flat or loosely and carefully draped on the wall, a table or the floor), with two grommets. Printed by Laumont, New York, 22 x 30 x 1 /8, ca. 6 lb. Ed. 35 / XX, signed and numbered

PIERRE HUYGHE All But One, 2002 For Parkett 66 Windchime for outdoor use, 5 hand-tuned aluminium tubes, 1 3 /8 (6,1 cm) diameter each, top hanging ring 2 (5,2 cm), black cord, black wood striker,

31 PIERRE HUYGHE All But One, 2002 For Parkett 66 Windchime for outdoor use, 5 hand-tuned aluminium tubes, 1 3 /8 (6,1 cm) diameter each, top hanging ring 2 (5,2 cm), black cord, black wood striker, engraved aluminium wind plate, 4 (10,2 cm) diameter, overall length: 55 1 /8 (140 cm), overall diameter: 8 (20,5 cm), manufactured by Jeff Kile, Grace Note Windchimes, Mariposa, California, Ed. 70/XXX, signed and numbered certificate

32 CHRISTIAN JANKOWSKI Christian Jankowski reads 50 Parkett Artists Collaborations, For Parkett unique photographs by 50 photographers, approx. 9 3 /4 x 7 3 /4 (25 x 20 cm) each, Ed. 1/II, each signed and numbered

33 ANNETTE KELM Untitled, 2010 For Parkett 87 C-print, from 4 x 5 negative, on Fuji Crystal Archive DPII matt, paper size 16 x 20 5 /8 (40,5 x 52,4 cm), image 14 1 /2 x 19 1 /8 (36,7 x 48,6 cm), printed by Golab, Berlin, Ed. 38/XX, signed and numbered certificate

34 LEE KIT Upon, 2016 For Parkett 98 Installation with photograph (archival print, framed) and towel. Photograph, 7 3 /4 x 9 3 /4, overall dimensions variable. Ed. 35 / XX, signed and numbered certificate

35 ZOE LEONARD 1 Hour Photo & Video, 2007/2008 For Parkett 84 C-print, paper size: 18 x 13 (45,7 x 33 cm), image: 8 1 /2 x 8 1 /2 (21,6 x 21,6 cm), printed by My Own Color Lab, New York, Ed. 40/XXV, signed and numbered

36 LUCY McKENZIE Untitled, 2006 For Parkett 76 5-color silkscreen on Somerset Satin, paper size: 29 1 /2 x 22 (75 x 55,5 cm), image: 22 1 /2 x 15 (57 x 38 cm), printed by Bernie Reid, Edinburgh, Scotland, Ed. 60/XX, signed and numbered

37 MARILYN MINTER Absinthe, 2017 For Parkett 100/101 C-print 24 x 16 (70 x 40 cm), printed by Griffins Studio Ed. 35/ XV/ 15 APs, signed and numbered certificate

38 JEAN-LUC MYLANE «TOGETHER» A17, January, February, March, 2007 For Parkett 100/101 C-print 36.5 x 36.5 cm (24 x 24cm), 14 3/8 x 14 3/8 (9 1/2 x 9 1/2 ) Ed. 30 / XV / pp15, signed and numbered certificate

OLAF NICOLAI Georg s Pillow, 2007 (Replica of a pillow from George Lukács sofa in his study at Belgrad Kai, Budapest) For Parkett 78 Handwoven pillowcase, hand-dyed sheep s

39 OLAF NICOLAI Georg s Pillow, 2007 (Replica of a pillow from George Lukács sofa in his study at Belgrad Kai, Budapest) For Parkett 78 Handwoven pillowcase, hand-dyed sheep s wool and red silk, 18 1 /2 x 20 (47 x 51cm), made by the Department of Textiles, Institute of Applied Arts, Schneeberg, Germany, Ed. 35/XX, signed and numbered certificate

11 3 /4 x 4 x 3 1 /4, fabricated by Klajster Majster

40 PAULINA OLOWSKA Siatkarka Volleyball Player, 2013 For Parkett 92 Ceramic, hand painted, each unique, 11 3 /4 x 4 x 3 1 /4, fabricated by Klajster Majster Studio, Poland. Ed. 50/10 AP, signed and numbered

MAI-THU PERRET A Portable Apocalypse Ballet (Red Ring), 2008 For Parkett 84 Sculpture, opaque non-toxic polyurethane resin, color cast with instant polyurethane pigments, clothing designed by Ligia

41 MAI-THU PERRET A Portable Apocalypse Ballet (Red Ring), 2008 For Parkett 84 Sculpture, opaque non-toxic polyurethane resin, color cast with instant polyurethane pigments, clothing designed by Ligia Dias, beige viscose fabric with white accents and metal buttons, black leather belt, modacrylic light brown wig, solid cast polyurethane resin base, painted, neon ring powered by 12 V CE and UL approved universal wall adapter, 14 3 /4 x 7 x 7 (37,5 x 17,8 x 17,8 cm) production by Gamla Model Makers, Feasterville, PA, USA, Ed. 45/XX, signed and numbered certificate

42 RICHARD PHILLIPS Miss Parkett, 2004 For Parkett 71 5-color lithograph on Somerset white paper, paper size: 26 x 20 3 /16 (66 x 51,3 cm), image size: 21 1 /4 x 16 1 /16 (54 x 40,8 cm), printed by Maurice Sanchez, Derrière l Etoile Studio, New York, Ed. 70/XXVI, signed and numbered

MICHAEL RAEDECKER The Other Side, 2002 For Parkett 65 13-color silkscreen print on pure silk satin scarf with handrolled border, 33 1 /2 x 33 1 /2 (81,2 x

43 MICHAEL RAEDECKER The Other Side, 2002 For Parkett color silkscreen print on pure silk satin scarf with handrolled border, 33 1 /2 x 33 1 /2 (81,2 x 81,2 cm), detail from the back of the painting INCOMPLETE (2002), produced by Fabric Frontline, Zurich, Ed. 50/LI, signed and numbered certificate

PIPILOTTI RIST Dry Water, 2017 For Parkett 100/101

16 x 10 x 1 (40 x 25 x 2.5cm), handcrafted by E.

44 PIPILOTTI RIST Dry Water, 2017 For Parkett 100/101 Necklace for a window or around the neck, each unique, mixed media (Alamar Ice (synthetic material), rubber, copper wire et al.), ca. 16 x 10 x 1 (40 x 25 x 2.5cm), handcrafted by E. Goldschmidt, Cristallux Germany Ed. 25/ XV /10 APs, signed and numbered certificate

45 PIPILOTTI RIST The Help, 2004 For Parkett 71 Cut-out, 4-color print on fabric, ca /8 x 43 5 /16 (178 x 110 cm), with 7 straight pins (plus 7 spare pins) to fasten it to a wall, a chair, or a table, support, Thomas Ryner, Photo by Martin Stollenwerk, printed by Plotfactory, Weisslingen, Switzerland, Ed. 70/XX, signed and numbered

46 PAMELA ROSENKRANZ Survivor Series, 2015 For Parkett 96 Polyurethane resin, tinted, 15 3 /4 x 3 x 1 1 /2, produced by Kunstbetrieb AG. Ed. 35/XX, signed and numbered certificate

MIKA ROTTENBERG Bubble 1 Bubble 6, 2016 For

silk lining, zipper, 4 3 /4 x 2 3 /8 x 1 /2 ),

47 MIKA ROTTENBERG Bubble 1 Bubble 6, 2016 For Parkett 98 Single channel video in six versions, with sound, approx sec. loop. Custom-made purse in oyster design (plastic, silk lining, zipper, 4 3 /4 x 2 3 /8 x 1 /2 ), with pearlescent capsule inside containing memory stick. Video to be presented on videomonitor. Each video version Ed. 6 / 2APs signed and numbered certificate

DANA SCHUTZ Untitled (Head of Timothy Leary), 2005 For Parkett 75 11-color lithograph with wood printing elements on Rives cover white 350g/m 2, paper size: 28 1 /8

48 DANA SCHUTZ Untitled (Head of Timothy Leary), 2005 For Parkett color lithograph with wood printing elements on Rives cover white 350g/m 2, paper size: 28 1 /8 x 26 1 /8 (71,5 x 66,5 cm), image: 24 x 22 1 /2 (61 x 57 cm), printed by Maurice Sanchez, Derrière L Etoile Studio, New York, Ed. 55/XXV, signed and numbered

49 SHIRANA SHAHBAZI Composition With Mountain, 2014 For Parkett 94 6-color lithograph on gelatin silver baryta print /8 x 18 1 /8, printed by Steindruckerei Wolfensberger, Zurich and Tricolor Photoprint, Zurich Ed. 35 / XX, signed and numbered

50 WAEL SHAWKY Untitled, 2014 For Parkett 95 Portfolio with 12 silkscreen prints in 1 6 colors, BFK Rives 250 g/m 2, each 8 1 /4 x 11 1 /2 Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich. Ed. 35 / XXV, signed and numbered colophon. Portfolio no each come with an additional original drawing. 4 of 12 silkscreen prints

DAYANITA SINGH Dear Mr Walter MONA AND MYSELF, 2014 For Parkett 95 Archival pigment print on Harmon-Hahnemühle baryta paper, mounted on archival museum board, 18 x 24, teak wood frame, with a

51 DAYANITA SINGH Dear Mr Walter MONA AND MYSELF, 2014 For Parkett 95 Archival pigment print on Harmon-Hahnemühle baryta paper, mounted on archival museum board, 18 x 24, teak wood frame, with a removable matt revealing four images: MONA AND MYSELF, 2013, PHEROZA VAKEEL from Privacy, 2003, UNTITLED from I am as I am, 2000, UNTITLED from Go Away Closer, 2007, Ed. 35 / XX, signed, numbered and titled on back

52 MONIKA SOSNOWSKA Fly Repellent, 2012 For Parkett 91 Two plastic bags, wire, electric motor, cable, 23 1 /2 diameter, minimal distance to ceiling 13 3 /4 (60 cm). Ed. 35/XX, signed and numbered certificate

The work of artist and writer Frances Stark often centers on an exploration of language and the written word, translating the process of writing or

Working in multiple media, from works on paper to performance, Stark examines what she describes as the conditions of creative labor, highlighting the

page the picaresque novel, a genre of prose fiction featuring adventures of roguish heroes or heroines.

53 The work of artist and writer Frances Stark often centers on an exploration of language and the written word, translating the process of writing or creating art into visual form. Working in multiple media, from works on paper to performance, Stark examines what she describes as the conditions of creative labor, highlighting the aspects of artistic production that are less frequently acknowledged Her elaborate book object for Parkett Dishonest but Appealing mimicks with its title page the picaresque novel, a genre of prose fiction featuring adventures of roguish heroes or heroines. The book object comes with a custom made hidden chamber between the pages to stash away secret things. (2) FRANCES STARK Dishonest But Appealing, 2013 For Parkett 93 Book with safe, paper pages, hand bound, hardcover with embossed printing, red cloth, silk ribbon, 11 1 /2 x 8 1 /2 x 2 1 /4. Edition of 35/XX, signed and numbered

54 HITO STEYERL Gosprom, 2015 For Parkett 97 Silkscreen in 7 colors, on Invercote G 380 g/m 2, 27 1 /2 x 27 1 /2, printed by Atelier für Siebdruck, Lorenz Boegli. Ed. 35/XX, signed and numbered

OSCAR TUAZON Alloy (For Steve Baer), 2011 For Parkett 89 20 hex nuts, assembled and welded into a sphere,

55 OSCAR TUAZON Alloy (For Steve Baer), 2011 For Parkett hex nuts, assembled and welded into a sphere, steel, diameter 7, 13.7 lb. (diameter 18 cm, 6.2 kg). Ed. 45/XX, signed and numbered certificate

1 9 /16 (4 cm) high, each piece is unique in its combination of plate, pattern, pebble, paint, and

56 KEITH TYSON Parkett Paperweight, 2004 For Parkett 71 Pebble on copper plate, partially painted in enamel, mounted on rubber base, 3 15 /16 x 3 15 /16 (10 x 10 cm), ca. 1 9 /16 (4 cm) high, each piece is unique in its combination of plate, pattern, pebble, paint, and position, and each comes with a signed pattern sheet showing its specific design within the 100 different possibilities, Ed. 75/XXV, signed and numbered

57 COSIMA VON BONIN Colour Wheel, 2007 For Parkett 81 Stainless steel, polypropylen handles, enameled in 7 colors, 18 1 /2 x 2 1 /4 (47 x 6 cm), production by Saygel & Schreiber, Berlin, Ed. 45/XX, signed and numbered certificate

58 JOHN WATERS Tragedy, 2015 For Parkett 96 Acrylic, synthetic hair, painted silicone, urethane, approx. 18 x 18 x 5, produced by Alterian Inc. Ed. 25/XX, signed and numbered certificate

ANDRO WEKUA Black Sea Lamp, 2011 For Parkett 88 Color glass lamp with metal base, conceived and designed by the artist, glass colored and bent by glassworks GmbH, casing cut from laquered steel

59 ANDRO WEKUA Black Sea Lamp, 2011 For Parkett 88 Color glass lamp with metal base, conceived and designed by the artist, glass colored and bent by glassworks GmbH, casing cut from laquered steel sheet, illuminated with 2 LED bulbs, electrical cable, fabricated and assembled by Kunstbetrieb AG Münchenstein, Switzerland, 7 1 /4 x 5 1 /2 x 3 1 /8 (18,3 x 13,5 x 8 cm), Ed. 35/XX, signed and numbered certificate

60 HAEGUE YANG Cup Cosies, 2011 For Parkett 89 Knitting yarn in varying colors and patterns, each unique, 100 plastic cups, approx. 27 high, diameter 4 1 /8 (ca. 70 cm high, diameter 10,5 cm). Ed. 35/XX, signed and numbered certificate

Multipart Works. Made by Artists for Parkett since 1984

Multipart Works. Made by Artists for Parkett since 1984 Multipart Works Made by Artists for Parkett since 1984 This group presents works made by artists for Parkett in multi parts with two, three or often more elements August 2017 Multipart Works Made by Artists