Super Strokes Pigments for Hair Strokes NANO PIGMENTS:

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1 ECURI PIGMENTS Ecuri pigments are the most concentrated pigments available. Ecuri pigments are instantly absorbed by the skin and have a minimal rejection. Ecuri pigments have an ideal, thick consistency. They don t splatter or spill. Ecuri pigments do not turn red or grey, but gradually fade into the skin. Ecuri pigments have a unique cool/warm code. Each pigment is marked with a temperature for undertone, so you can tell at a glance whether you are dealing with a warm or cool colour. Practically all pigments can be removed with the Ecuri Removal or Q-med laser technique. 3 ml lockable solo packaging 10 ml flexi flacon 14,50 44,00 Super Strokes Pigments for Hair Strokes Microblading with razor are applied with unique pigments. The traditional eyebrow pigments fade too fast. Therefore, it is recommended to use the Super Strokes pigments, when you work with machines. No matter whether you use either 3-point power, 4-point flat, 1-point micro or Microblading, use always the Super Strokes Pigments. There are 7 colors: 3ml 10ml 14,50 44,00 XL-Blond Ash blonde color for natural look. XL-Brown Creates beautiful dark eyebrow hairs. XL-Caramel 25 C Warm brown. XL-Mahogany 20 C Warm brown color it can be applied between pigmented hairs, if the eyebrows turn too gray. Sensation XL Brown 18 C Warm dark brown. Albast Brown 18 C Warm dark brown. Almost Black For dark skin. NANO PIGMENTS: Nano Olive Nano 1 Nano 2 Nano 3 Using 14 curved blade with pigment XL-Blond. 10

2 Deep Blond Caribbean Brown Eyebrow Pigments Derma 4 Micro Brown 9 Salt & Pepper Sunny Blond (Honey Blond) Beautiful soft hue for creating a light eyebrow, pencil effect. Neutral hue but does not turn grey. Suitable for light translucent skin types or older ladies with soft contrast or little definition. Be careful: always use Derma 4 for light skin types with translucid, porcelain skin. Colour power 1 Undertone Neutral Temp: 20 o Too warm Brown 9 (Ash Blond) Top pigment. Beautiful soft hue suitable for older and blonde types. Does not turn red or grey but produces a beautiful colour with the cool skin type. Colours very naturally into the skin. The perfect hue for the correction of red dyed eyebrows for cool types. Undertone Cool Temp: 16 o Too light Dark Blond Too grey Derma 4 or Yvoire 1 Soft hue for a light eyebrow for defined cool types. Covers softly grey skin. Good colour for women with grey hair and soft definition. Very appropriate for correction of red dyed eyebrows. undertone Cool Temp: 10 o Too grey Yvoire 1 + Peach Corrector Light pigment for soft eyebrow tones for warm types. For persons who definitely don t want grey undertones in the eyebrow. Undertone Warm Temp: 21 o Too warm Brown 9 Too grey Derma 4 or Walnut 3 Colour for brunettes. with a strong ash tone. Does not turn red. Grab very quickly. One tone darker than Deep Olive 1. Colour power 4 Undertone Cool Temp: 15 o Too warm Never Too cool Sunny Blond or Peach Corrector Too light Grab always Dark Blond 3 Like Brown 9, but one hue darker,. Produces cool hue. undertone Cool Temp: 16 o Too warm Salt & Peper Too light Chestnut 2 Too grey Yvoire 1 or Peach Corrector Dark Brown 2 Beautiful neutral brown hue for brunettes. Does not turn grey or red. Colour power 4 undertone Neutral (yellow undertone) Temp: 18 o Too light Caribbean Brown Too dark Ivory 2 Too grey Sunny Blonde or Walnut 3 Too warm Dark Blond or Chestnut 2 Walnut 3 (Medium Brown) Warm medium brown colour. Produces warm brown eyebrows. Suitable for red haired persons with warm undertone. Warm types are not so frequent in Northern Europe. Also, very appropriate for arming grey eyebrows. Undertone Warm Temp: 25 o Too warm Derma 6 (for black type) Too dark Derma 3 or Ivory 2 The perfect colour for dark skin. Creates truly beautiful eyebrows. Suitable for hairstroke technique. Ideal for Hindu, black and Indian skin. Dark, fast catching pigment. Does not turn grey or dull. Undertone Neutral Temp: 20 o Too warm Derma 6 Too dark Ivory 2 Derma 6 (Ebony) Deep dark brown hue for (almost) black hair and white skin. Only suitable for cool types and persons with a lot of contrast in their skin. Produces a very evident eyebrow. Potentially suitable for soft eyeliner (pencil effect). Very nice hue for under eyeliner. Undertone Cool Temp: 10 o Espresso Brown 1 & 2 Beautiful deep brown hue. Expressive hue that goes well for black types. Does not turn grey. Espresso 1 Temp: 21 o Undertone Warm Espresso 2 Temp: 28 o Too warm Derma 6 (for black type) Brown Black Almost black hue for very dark eyebrows. Create distinct dark eyebrows. Undertone Cool Temp: 15 o Too dark Skin 2 Deep Olive 1 Top pigment for blondes. A little darker and warmer than Brown 9. Does not turn red. A must for every professional. undertone Neutral to cool Temp: 17 o Too grey Walnut 3 or Peach Corrector Chestnut 2 Medium brown, blond brown hue suitable for persons with brown hair and cool skin undertones. Very fast catching pigment. (not to be used for translucent skin) Colour power 5 Undertone Cool (grey undertone Temp: 10 o Too grey Sunny Blonde or Walnut 3 or Peach Corrector or Chestnut 2 once more Earl Grey This is the lightest brow color in the cool palette. Although it is called Earl Grey, it is not actually grey. Earl Grey heals as a baby blond color and is perfect for white, salt & pepper, and grey/blond mixtures. 11

3 Eyeliner Pigments Glamour Black * Golden Brown Yet Black 2 Deep dark eyeliner pigment. Only for the real professional with experience. No other pigment which can reach the best result. You can make the most beautiful eyeliner with this pigment. Super strong, the absolute must for the professional. Not for the beginners. This pigment can not be removable. For some older people black a little too hard, but a darker eyeliner is nevertheless desired. Golden Brown is created for these persons. A deep dark hue which is just not quite black. Very catchy pigment, produces a clear line. Contains orange/red pigment that prevents blue/grey colouring. Shake well before use. Also recommended for ladies with darker skin tones. Strongest pigment available. For more than 10 years an absolute top product. You ll get a deep black eyeliner right after pigmentation. A must for every professional. Excellent in combination with the double eyeline technique. Green Moss * Black Velvet Navy Liner Dark green hue. May be placed directly as eyeliner between the lashes. Black Velvet is the strongest eyeliner pigment on the market. Produces a deep, dark, intensely black eyeliner. Black Velvet contains the highest concentration of pigment parts of all pigments on the market. It really flies into the skin. In no time you apply an eyeliner. Each point catches on immediately. Black Velvet is the colour for the real professional. A must for any experienced specialist. We advise beginners to first gain sufficient experience using Novoxx Black. Deep dark blue eyeliner pigment. Very quick to catch. Perfectly combined with the blue iris of the eye. Blue Marine Forever Black Novoxx Black Dark blue pigment with soft grey undertone. Very pretty with light types of blue eyes. Gives eyes a beautiful soft accent. Novoxx Black is a deep black eyeliner pigment especially for sensitive skin. We recommend always using Novoxx Black on tender, thin skin. Novoxx is an extract obtained from the shell of oysters. Novoxx has been used already for some time in the medical world for breast transplants, artificial hips and other implants. It prevents immune reactions and infections. It works as a natural antibiotic. Which is why Novoxx Black is highly appropriate for sensitive skin. Blue Azure Highlighter for pigmenting a double eyeliner. First apply a black eyeliner with Black Velvet between the eyelashes. Apply Blue Azure directly above the edge of the lashes. Blue Azure is also appropriate for the colouring of the interior of the eye lid (mucous membrane of the eye). For light eyeliner hues always use Black Velvet between the lashes. Ivory 2 Cream-white pigment for creating a double eyeliner for warm types. Makes black eyeliner more intense and more expressive. Appropriate for the pigmentation of the interior eye lid. Soft Onyx Black Soft black eye liner for creating a subtle pencil line. Very pretty for under the eyeliner. No line but powdery effect. Appropriate for creating a wet eyeliner. Silver Gray Deep Turquoise * Beautiful blue green eyeliner. Also appropriate as double eyeliner on top of Yet Black between the lashes. Also appropriate for colouring the interior of the eye lid (mucous membrane). For light eyeliner hues always use Black Velvet between the lashes. Pearl White Light white liner for creating a double eyeliner for cool types. Makes black eyeliner darker and more expressive. Also appropriate for the pigmentation of the interior eye lid. A drop of soft pink is added to this white pigment so that the white pigment never turns bluish. Beautiful shiny gray full eyeliner pigment for intense eyeliner. * Not removable. 12

4 Lipliner Pigments Yet Red 1 Yet Red 1 Beautiful red as wine lip liner with cool undertone. Yet Red 2 Cool dark red lip liner. Very strong pigment. Coral lips Blood coral red liner. Subtle, but distinct hue. Perfect for full lips with Rosewood. Lip 256 Dark raspberry red hue with purple undertone. Distinct lip liner, also beautiful on dark skin. Brick Red 1 Apricot Twister Apricot pink hue with orange undertone. Appropriate for lip liner and Full lips. Cancels grey and blue undertones in the lips. Has a nice, powdery effect on the lips. Wild Orchid Beautiful pinky pink lip shade to create very tight lipliners. Rosewood (Top) Absolute favourite for brightening lips, smoothening or levelling them. Rosewood is the primer of lips. Does not turn light pink or purple but blends in perfectly with the original lip colour. Rosewood is a soft hue but catches on very well and lasts long after recovery. Rosewood is a must, you simply have to have this colour in the house. Burgundy 2 Lip Shading pigments Soft natural lip hues for the colouring of lips (full lips) or creating a subtle, soft lipline. Fresh Raspberry Natural lip tone.blend very nicely along with own lip tint. Pink 7 Beautiful warm apricot hue. Pink with a soft brown. Produces the exact subtle element that many women desire on their lips. Very nice as lipliner and appropriate for full lips. Lip 260 Beautiful soft beige-pink hue for subtle lip liner or full-lips. Lip Light Brown Warm auburn copper brown lip liner. Very popular hue for warm types. Brick Red 2 Full red lip hue with red wine undertone. Produces a sensual hue. May also be applied very softly for a transparent, glossy effect.. Soft Mocca Solide donkerbruine lipliner. Pakt heel snel en blijft heel goed en lang zitten. Geeft een duudelijke lipliner met veel contrast. Purple Haze Warm red copper brown lip liner. A little darker and more expressive than Brick Red 1. Aubergine Deep dark lip liner with aubergine-purple undertone. Produces a full lip liner with high contrast. This pigment catches on instantly. Red Sienna 2 Mocca lip liner for a soft mocha brown lip liner which definitely does not turn grey or dull. Even after a number of years, Soft mocca does not turn grey but blends in nicely with your lip. Brown 5 Warm brown lip liner with red undertone. Beautiful natural shade with cool undertones for subtly coloring the lips. Naked Kiss Soft beige lip liner. As lip gloss for an ultra modern look. Yellow Corrector Full cherry red.strongest red pigment on the market.organic Pigment.Does not turn grey or blue on the lips.excellent as an extrovert lip liner or for the clearly visible colouring of lips. Peach Corrector 1 & 2 Fruit orange hue, created for correcting blue lips. Areola Breast Colours Camouflage Areola 1 Beige undertone Yvoire 1 Ivory 2 Areola 2 Orange undertone Breast Colour 1 Breast Colour 2 Breast Colour 3 Camo - Light 2 Skin 2 Areola 3 Brick undertone Areola 4 Brown undertone Areola 5 Brown Beige Breast Colour 4 Breast Colour 5 Breast Colour 6 Breast Colour 7 Breast Colour 8 Skin 1 Derma 1 Derma 2A Derma 3 Pearl White 13

5 Scalp Pigmentation Ecuri has 2 series of scalp pigments: Classic Scalp pigments - Razor Sharp pigments Ecuri Scalp pigments differ from micropigmentation colours, because they do hardly fade after the healing process. Most of these pigments stay sharp over 10 years. They will stay in the skin for quite a long time. Ecuri Scalp pigments also differ from tattoo colours, since they are easy to remove if necessary. Scalp pigments also contain a special protein which ensures the pigment cures immediately with the contacting on the blood. This avoid big and blurry dots. Razor Scalp Pigments Razor Scalp Pigments will give a shaven look. These pigments are made for men who will shave there scalp nearly everyday. To understand the Razor Scalp Pigments, you have to take a look a beard when it is just shaven. Whatever colour beard hair has, black/gray/brown/reddish, when a beard is shaven, the mood of your beard has the same colour. You can not tell, what colour your beard hair will be, just by looking at the shaven beard mood. The mood always has a typical gray/black colour. Ecuri Sharp Razor Pigments are 100% radiancy free (non polair). These pigments contain NO glycerine. They can not be mixed with regular glycerine pigments. Razor Pigments 10 ml 44,00 Ecuri has 11 different shades of black for a shaven look. All these pigments contain the same black pigment. Adjusted for blueish undertones, number between 20 to 30 is equivalent to the amount of pigment. Razor Scalp 1.1 Almost black razor pigment specially developed for the tinted and dark skin. Heals so as Razor Pigment, very sharp and crispy skin without blue undertone. Razor Scalp 1.2 Brown-black pigment scalp, especially developed for the tinted and dark skin. Heals like Razor Pigment, very sharp and crispy skin without blue undertone. Scalp 1.2 is slightly lighter than Scalp 1.1. Scalp 1 Nearly black pigment, adjusted for blueish undertones for long hair pigmentations: women with thinning dark hair, 100% radiancy free, non polair pigment, Glycerine base. Scalp 2 Very dark brown pigment. Cool undertones, For shading effects on darker hair tones, For long hair pigmentation and follicle simulation on bold scalp, Scalp 3 Dark brown pigment. Cool undertones, For shading effects on darker hair tones, For long hair pigmentation and follicle simulation on bold scalp, Scalp 5 Dark brown pigment, warm undertones, For long hair pigmentations, Scalp 6 Dark brown pigment, warm undertones, Scalp 7 Medium brown pigment, warm undertones, Scalp 8 Light brown pigment, warm undertones., Scalp 4 Ash blonde shade for the soft coloring of the scalp, Suitable for blond and gray hair, Especially for gray/blond hair, Iron oxide, titanium dioxide pigment, Glycerine base. Peach Orange pigment for correction of gray/blue, Always mix with other scalp pigment, 15