CARFAC EXHIBITION FEE SCHEDULE 2005
|
|
- Evelyn Bruce
- 5 years ago
- Views:
Transcription
1 1 CARFAC EXHIBITION FEE SCHEDULE 2005 Introduction An artist-run organization founded in 1968 by artists for artists, CARFAC (Canadian Artists Representation / le Front des artistes canadiens) is the federally certified representative of professional visual and media artists in Canada. As such, CARFAC is obligated to represent the interests of all visual/media artists in Canada and to establish the standards and fee scales within this sector. CARFAC s founding principle and continued area of concern is that artists, like professionals in other fields, be paid fairly for their creative output and services. At its 2004 Annual General Meeting, CARFAC passed this new exhibition fee schedule to be effective January 1, It also adopted the Policy Guideline Fee Schedule for the years 2006 through to 2010, to establish the goals for fee increases over that period. Fee increases will be reviewed annually and approved by the CARFAC membership. The following text explains the new categories and rates of exhibition fees. Contact information: CARFAC National, 2 Daly Avenue, Suite 250, Ottawa, ON, K1N 6E2 T F TF E carfac@carfac.ca W CARCC (Canadian Artists Representation Copyright Collective Inc.) 109A Fourth Ave., Ottawa, ON K1S 2L3 T F TF E carcc@carcc.ca W
2 2 TABLE OF CONTENTS CARFAC Fee Structures to A. Exhibition Fee Schedule A.1 Solo Exhibitions A.2 Touring Exhibitions A.3 Group Exhibitions A.4 Permanent Collection Exhibitions 9-10 A.5 Performance..11 A.6 Video and Film..11 B. Exhibition-related Fees B.1 Exhibitions in Other Public Places..12 B.2 Exhibition of a Reproduction B.3 Creation of a Work in Public.12 B.4 Other Professional Fees C. Reproduction Fees..13 C.1 Internet Reproduction C.2 Theatre and Film 15 C.3 Television and Video. 15 C.4 Projection.. 16 C.5 Exhibition Catalogues.. 17 C.6 Books C.7 Magazines C.8 Brochures C.9 Posters C.10 DVD/CD ROM C.11 Cards...20 C.12 Objects bearing Reproductions...20 The Future 21 Policy Guideline Fee Schedule.. 22 INTELLECTUAL PROPERTY The intangible, as opposed to the physical, aspects of an artistic work are an artist s intellectual property (IP). The Canadian Copyright Act protects copyright, one area covered by intellectual property laws. Copyright is automatic upon the creation of a work, and the Act gives the artist the right to benefit financially from the use of his or her work. In Canada, copyright accords the artist the rights to approve use, to specify terms of use, and to receive compensation for: Exhibition Rights the public exhibition of work, including permanent collections. This right does not include the exhibition of works for sale or rent. Reproduction Rights the reproducing of a work, or a substantial part thereof, into any other material form, including digital or electronic. Reprography Rights the reproduction of a work by photocopy or other duplication, a right that is managed collectively. Telecommunication Rights the transmission or retransmission of a work by radio or television, via cable, satellite, wire, and so on. Moral Rights are non-economic rights and held only by the creator. They protect the artist s reputation through rights of Paternity, Integrity and Association.
3 3 CARFAC Fee Structure to 2004 Since 1968 and approximately every two years, CARFAC has issued its exhibition fee schedules. These schedules were developed from rates established by Jack Chambers and Tony Urquhart in They were updated through negotiation and usage, and reflect increases in the cost of living. All fees were considered minimum payments for the use of the copyrights and/or the professional services of visual/media artists. The payment of the Exhibition Right for the public exhibition of artistic production became part of federal copyright law in This exhibition fee is payment for the use of work created after June 7, 1988 in an exhibition in a public space where the gallery receives public funds. The exhibition fee only applies when the artwork shown is not being actively presented for sale. When art works created after June 7, 1988 in a gallery s permanent collection are exhibited, a copyright exhibition fee is required to be paid. Copyright fees and royalties are subject to GST. The GST is not included in the listed fees. CARFAC Exhibition Fee Schedule 2005 Guiding Principles This revised fee schedule is conceived with several principles in mind: To increase exhibition fee rates substantially, to improve artists livelihoods, to work towards a living income for artists. To recognize that the present fee schedule is an accepted structure and that changes to it must be incremental, to respect the budgets of exhibiting institutions. That a new schedule be structured to reflect the differences in size and operating budgets of various art institutions, as well as the variations in scope of exhibitions.
4 4 Structural Modifications Recognising the size of a museum or gallery In CARFAC s discussions with artists and institutions, it has been agreed that the new fee schedule must reflect the fact that there are institutions of different sizes and means in Canada. Operating budgets are a matter of public record, and provide a convenient indicator of the size of an exhibiting institution. In the new fee schedule, the size categories have intentionally been made broad, except in the lower ranges where it is evident that galleries have less ability to absorb increases. o Standard galleries Galleries 1 For galleries with operating budgets up to $50K, rates have been decreased. Galleries 2 - For galleries with operating budgets over $50K and up to $100K the solo exhibition rate is increased by 5% over the 2004 CARFAC base rate. Galleries 3 - For galleries with operating budgets over $100K and up to $150K the solo exhibition rate is increased by 10% over the 2004 CARFAC base rate. Galleries 4 - For galleries with operating budgets over $150K and up to $200K the solo exhibition rate is increased by 15% over the 2004 CARFAC base rate. o Medium-sized galleries o Galleries 5 - For galleries with operating budgets over $200K and up to $250K the solo exhibition rate is increased by 20% over the 2004 CARFAC base rate. Galleries 6 For institutions with operating budgets over $250K and up to $500K, the solo exhibition rate is increased by 25% over the 2004 CARFAC base rate. Galleries 7 - For institutions with operating budgets over $500K and up to $750K, the solo exhibition rate is increased by 30% over the 2004 CARFAC base rate. Galleries 8 - For institutions with operating budgets over $750K and up to $1M, the solo exhibition rate is increased by 35% over the 2004 CARFAC base rate.
5 5 Major galleries Galleries 9 - For institutions with operating budgets over $1M and up to $3M, the solo exhibition rate is increased by 40% over the 2004 CARFAC base rate. Galleries 10 - For institutions with operating budgets over $3M and up to$5m the solo exhibition rate is increased by 40% over the 2004 CARFAC National base rate. Galleries 11 - The top category for large museums is reserved for those with operating budgets over $5M. CARFAC recognizes that these institutions operate many different services and support large collections with purchases, education programs and conservation. Yet these institutions still depend on the artist, the creator for their core programming, and it is imperative that the living artist be recognized financially for his or her contribution to the operation of these major museums. The fee increase is 50% over the 2004 CARFAC National base rate. o International Exhibitions A fourth institutional category is included, reflecting the international categories on the 2004 schedule. This category is reserved for international exhibitions that are funded by multiple major funding bodies and/or sponsors, which may or may not include museums. The International category includes two sections: International I this category includes exhibitions held in cultural centres, embassies or other locations under the auspices of a federal agency. The fee is an increase of 40% over the 2004 CARFAC National / International B rate. International II this category includes major international exhibitions, such as international biennials or surveys, where the artist is selected to represent Canada and which are funded by several funding bodies and/or sponsors. The 2005 fee for these exhibitions is increased by 20% over the 2004 CARFAC International A rate. Recognising the scope of an exhibition The basis of the fee schedule is the listed solo exhibition fee. A solo exhibition, for the purposes of the fee schedule, is defined as an exhibition that features a body of work by a single artist that spans less than 10 years of his or her production. Many types of exhibitions vary from this norm. Retrospectives, group shows, small projects,
6 6 or installations, for example, have different parameters and costs, as do touring exhibitions in which costs are shared. A percentage calculation has been adopted for these different types of exhibitions. As for the duration of exhibitions, all exhibition rates generally apply to exhibitions of up to three months duration. For longer exhibitions, the fees are pro-rated on a monthly basis. o o o o o o For group exhibitions with a local focus that include up to 4 artists, the rate is the solo exhibition rate divided by the number of artists. For exhibitions with 5 or more artists with 3 or more works each in the show, each artist is to receive 20% of the listed solo exhibition rate (equal to the Single Work Rate). For exhibitions with 5 or more artists showing less than three works each, the rate is 10% of the solo rate per work (equal to half the Single Work Rate per work.) The total fee for a group exhibition must equal or surpass the solo rate. A group exhibition is termed major when it is a survey exhibition or an annual or biennial show that is regional or national in scope and the rates are increased by 15%. For retrospectives, or solo exhibitions that feature more than 10 years of an artist s production, the rate is the listed solo rate plus 25% for galleries in the major categories (9-11). For galleries in the medium categories (5-8) the rate is the solo rate plus 15%; for galleries in the standard categories (1-4), the rate is the solo rate plus 10%. For projects, small exhibitions, or installations exhibitions with a very narrow focus on a small body of work and occupying one room or a single space - the rate is the listed solo rate minus 15% for all categories. The single works category applies to specific cases of exhibition of single works, such as very small sites associated with artist-run galleries or the like, such as windows or foyers. It also serves as a benchmark for calculating permanent collection exhibition fees, and performance presentations. The rate for such exhibitions is 20% of the appropriate solo rate. For touring exhibitions, the rate for the originating gallery is 100% of the appropriate rate whether solo, group, etc. For each additional venue, the rate is 50% of that venue s appropriate exhibition fee. CARCC Licensing: Administration fees of $25 for artist-run centres and institutions in the Galleries 1-4 categories, and $100 for all others, are added to the fees listed. Exhibition fees are subject to GST.
7 7 A.1 CARFAC Solo Exhibition Fee Schedule Effective January 1, 2005 Exhibiting Institution Categories Exhibiting Institution Operating Budget % inc. for Retrospective Project Single Work International + 25% N/A N/A International II Multiple funders 20% 10,246 12,300 15,400 N/A N/A International I Embassies, etc. 40% 2,362 3,300 4,150 N/A N/A Major Galleries + 25% - 15% - 80% Galleries 11 Over $5M 50% 2,362 3,500 4,400 3, Galleries 10 Over $3M, up to $5M 40% 2,362 3,300 4,150 2, Galleries 9 Over $1M, up to $3M 40% 1,297 1,800 2,250 1, Medium Galleries + 15% - 15% - 80% Galleries 8 Over $750K, up to $1M 35% 1,297 1,750 2,000 1, Galleries 7 Over $500K, up to $750K 30% 1,297 1,700 1,950 1, Galleries 6 Over $250K, up to $500K 25% 1,297 1,650 1,900 1, Galleries 5 Over $200K, up to $250K 20% 1,297 1,550 1,800 1, Standard Galleries + 10% - 15% - 80% Galleries 4 Over $150K, up to $200K 15% 1,297 1,500 1,650 1, Galleries 3 Over $100K, up to $150K 10% 1,297 1,450 1,600 1, Galleries 2 Over $50K, up to $100K 5% 1,297 1,350 1,500 1, Galleries 1 Up to $50K 1,
8 8 NOTES TO THE CARFAC EXHIBITION FEE SCHEDULE 2005: Note A Calculations: The rates are calculated as a percentage increase rounded to the nearest $50. Note B Standard solo exhibitions: This category includes exhibitions dedicated to a single artist featuring a body of work that spans less than 10 years of his or her production. Note C Retrospectives: This category includes exhibitions dedicated to a single artist featuring works drawn from more than 10 years of his or her production. For major galleries (9-11), the retrospective rate is the listed solo rate plus 25%. For medium galleries (5-8), the retrospective rate is the listed solo rate plus 15%, for standard galleries (1-4) the retrospective rate is the listed solo rate plus 10%. Note D Projects: This category includes small exhibitions, projects, installations, or exhibitions with a very narrow focus on a small body of work and occupying one room or a single space. The rate is the listed solo rate minus 15%. Note E - Single Work Rate: This category applies to specific cases of exhibition of single works, such as very small sites associated with artistrun galleries or the like, such as windows or foyers. It also serves as a benchmark for calculating permanent collection exhibition fees, and performance presentations. The rate for such exhibitions is 20% of the appropriate solo rate. Note F International categories: International I includes exhibitions held in embassies or cultural centres organized under the auspices of a federal agency. International II includes exhibitions with several funding bodies and/or sponsors, like international biennials or surveys, where the artist is selected to represent Canada. A.2 Touring Exhibitions For the originating gallery the rate is 100% of the appropriate exhibition rate for the gallery s size and the scope of the exhibition (whether solo, group, etc.). For each additional venue, the rate is 50% of that venue s appropriate exhibition fee.
9 9 A.3 Group Exhibitions For group exhibitions with a local focus that include up to 4 artists, the rate is the solo exhibition rate divided by the number of artists. For exhibitions with 5 or more artists with 3 or more works each in the show, each artist is to receive 20% of the listed solo exhibition rate (equal to the Single Work Rate). For exhibitions with 5 or more artists showing less than three works each, the rate is 10% of the solo rate per work (equal to half the Single Work Rate per work.) The total fee for a group exhibition must equal or surpass the solo rate. Major Group Exhibitions: Major group exhibitions include survey exhibitions, annuals or biennials that are regional, national, or international in scope. The rate for these exhibitions is the appropriate solo rate plus 15%, divided by the number of artists, for exhibitions with up to 4 artists. For exhibitions with 5 or more artists, each showing 3 or more works, each artist is to receive 20% of the appropriate solo exhibition rate plus 15%. For exhibitions with 5 or more artists, each showing less than 3 works, the rate is 10% of the solo exhibition rate plus 15% per work. Regions are defined as: Atlantic (PEI, NS, NB, NL); Quebec; Ontario; Prairies and North (MB, SK, AB, NWT, NU; and Pacific (BC, YK). A.4 Permanent Collection Exhibition Fees Permanent Collection Exhibition Fees are calculated using the Single Work rate as a base for works under $10,000 in value. For works above $10,000 in value, the fee is calculated on a percentage basis. Rates apply to both purchased and donated works created after June 7, Fees are one-time for a ten-year licence. Fees are for exhibition at the owner s premises only. Temporary exhibition fees apply to any touring exhibition or loan for exhibition. Where a large number of works are purchased at one time from the same artist, a percentage reduction of the total fees may be considered. Where a portfolio or series of prints is purchased, one print can be licensed provided that only one print is exhibited at any one time at the owner s location. When more than one is exhibited, Temporary Exhibition Fees at the appropriate Window rate applies to each extra print exhibited.
10 10 Permanent Collection Exhibition Fees Exhibiting Institution Categories Exhibiting Institution Operating Budget Works up to $5K value Works over $5K, up to $10K Works over $10K value Major Galleries - 50% SWR Single work rate % of value Galleries 11 + Corporate Over $5M % Galleries 10 Over $3M, up to $5M % Galleries 9 Over $1M, up to $3M 175 Medium Galleries Galleries 8 Over $750K, up to $1M 175 Galleries 7 Over $500K, up to $750K Galleries 6 Over $250K, up to $500K Galleries 5 Over $200K, up to $250K Standard Galleries Galleries 4 Over $150K, up to 150 $200K Galleries 3 Over $100K, up to 150 $150K Galleries 2 Over $50K, up to 150 $100K Galleries 1 Up to $50K % 350 5% 350 5% 350 5% 300 3% 300 3% 300 3% 300 3% 100 3%
11 11 A.5 Performance Presentation Fees Festival: A single performance within a curated, ongoing showcase or event. The fee for a first performance is equivalent to the Single Work Rate appropriate to the organizing institution, with a fee of 30% of the appropriate Single Work Rate added for each additional performance. Cabaret: Works under 15 minutes in length in a setting of multiple performances in a single evening, with single ticket prices. The fee is equivalent to 50% of the Single Work Rate appropriate to the organizing institution. Fees do not include general equipment (i.e. lights, projectors, video, audio) that should be provided by the gallery / host. Special equipment integral to the work is the responsibility of the artist. Fees do not include artists travel costs. Fees are per performance. Additional performances are of the same work at the same venue or project. For major solo performances and / or the inclusion of performance artworks in exhibitions, use Exhibition Fee Schedule. A.6 Video and Film Presentations The fees for the presentation of works in Video and Film remain the same as those published in the 2004 CARFAC Fee Schedule. Research into the revision of these fees is underway and they will be revised in the 2006 Fee Schedule. Fees do not include equipment rental or other presentation costs. Multiple screening: if over 25 days, add a dubbing fee of $63. For inclusion of video or film artworks in exhibitions, use exhibition fee schedules, and add the appropriate dubbing fee. Screening: Single Multiple Each additional month Works to 15 min. in length Works min. in length Works min. in length
12 12 B Exhibition-related Fees Exhibition-related fees remain the same as those published in the 2004 CARFAC Fee Schedule. Research into the revision of these fees is underway and they will be revised in the 2006 Fee Schedule. B.1 Exhibitions in Other Public Places Rates are applicable only to exhibition in a location (i.e. public business or institution, hotel, restaurant, etc.) where the mandate or activity of the business or organization does not include the exhibition of visual art works. Related reproductions: see the relevant category of the reproduction fee schedule. Each exhibition may be up to three months in duration. For each additional month or portion thereof, add 10%. For exhibitions under 10 days in duration, fees are 25% of those listed. Per artist, per exhibition Exhibition under 10 days Solo artists artists or more artists B.2 Exhibition of a Reproduction When a reproduction of an original work, and not the original work, is exhibited. Temporary exhibition, up to three months 113 per work Permanent exhibition, up to 5 years 212 per work B.3 Creation of a Work in Public When a Work is created in public, the organizer of the event must include in the amount of compensation to the artist: Relevant exhibition fees. An appropriate professional fee that considers time and other requirements such as materials or travel.
13 13 B.4 Other Professional Fees Presentation and consultation fees are not copyright fees, but they are often part of an exhibition project and apply to the compensation of the artist. The following are recommended rates. Presentation / consultation Per day, over 4 hours 305 Presentation / consultation Per half day, under 4 hours 161 C Reproductions Please note that Reproduction Fees have not been revised for Theatre, Film, TV, Video, Internet and Projection Guidelines A Licence does not grant ownership to a Work or the various copyrights to a Work; it only entitles a User to reproduce or use a Work in a specified manner. Moral rights continue to protect the Work from association with an unapproved cause or product, and from unapproved alteration or distortion (including overprinting & cropping). The Artist must be identified with the Work. Rates given include a licensing administration fee of 10%. GST is not included in the listed fee. Fees do not include the actual cost of reproduction, rental fees, shipping costs, or insurance costs. Please contact CARCC for more information. Definitions BACKGROUND: background use of a Work (i.e. as a prop). CHARACTER: Where the Work adds character to a scene and is featured in part or in whole. PRINCIPLE: Where the Work is featured prominently and/or solely, or where the Work is referred to in script, action or dialogue. PROJECTION: slide, transparency, digital, or other similar projection of an original work. Does not apply to works that are conceived by an artist as a projection and are original works in that format.
14 14 C.1 Reproduction on the Internet Presentation of a Work on the Internet is considered a digital reproduction and electronic publication of the Work. Internet use is necessarily world-wide. The licence requires specifics of digitization, data-base storage, and removal from the data-base upon termination of the licence. Fees are per year and per work. For shorter or longer period rates, call CARCC. Fees are for non-profit organizations that have a cultural or educational mandate. For all other users, except sites where the work is presented for sale or hire, the rates are doubled. When Works are presented for sale or hire, no fee is charged. The number of works is calculated on the total number of visual artworks licensed on one site. Rates given include a licensing administration fee of 10%. Number of works Fee per work
15 15 C.2 Reproduction in Theatre and Film Rates: single production only, per work, per 5 year period Rates given include a licensing administration fee of 10% These rates are for dramatic-type productions only; they do not apply to advertising commercials. Non-profit rates are 50% of those listed below. For mid-range rates and advertising rates, please call CARCC. 1-4 works (per work) 50 + works (per work) Background Character Principle C.3 REPRODUCTION IN: TV - VIDEO Rates: single production only, per work, per 5 year period Rates given include a licensing administration fee of 10%. Non-profit rates are 50% of those listed. 1-4 works (per work) 50 + works (per work) Background Character Principle
16 16 C.4 Reproduction by Projection For the projection of slides, transparencies, or digital formats of an original work not for original projection works. Fees do not include costs of materials. Fees are per slide, etc. and include a licensing administration fee of 10%. Non-profit rates are 50% of those listed. # of slides, per work Single use months One year Each additional month, add 5%. Print Reproduction Guideline Permissions entitle the User to reproduce a Work in a specified manner only with no transfer of ownership of Work or copyright. Moral rights continue to protect the Work and the Artist. The Artist must be identified with the Work. Fees do not include the costs of producing the reproduction. Rates given include licensing administration fee of 10%, and are subject to GST. EXHIBITION PROMOTIONAL MATERIALS: When items (except exhibition catalogues see C.5) are produced by a non-profit organization and are not offered for sale, the fee is $25 / image / support regardless of print-run with every third use free, if CARCC exhibition fees have been paid. Definitions NON-COMMERCIAL: the reproduction produced or the item bearing the reproduction is not for sale or hire or advertising. The fees are 50% of the commercial rates listed in the schedules. COMMERCIAL: includes any item or reproduction sold or used in advertising with the exception of items produced for exhibition promotion by a non-profit gallery or other non-profit exhibition organizer (see above).
17 17 C.5 Reproduction in Exhibition Catalogues Non-profit / non-commercial: rates are 50% of those listed. For non-profit galleries / exhibition organizers, catalogues that are offered for sale use non-commercial book rate in C.6 Rates given include a licensing administration fee of 10%. For rates between those listed, contact CARCC. Print run: up to over 150K Image size: Up to ¼ page Up to ½ page Up to full page Front cover C.6 Reproduction in Books Non-profit / non-commercial: rates are 50% of those listed. Rates include a licensing administration fee of 10%. For rates between those listed, contact CARCC. Print run: up to over 150K Image size: Up to ¼ page Up to ½ page Up to full page Front cover
18 18 C.7 Reproduction in Magazines Non-profit / non-commercial rates are 50% of those listed Includes newspapers, and periodicals, etc Rates include a licensing administration fee of 10%. For rates between those listed, contact CARCC. Print run: up to over 100K Image size: up to ¼ page up to ½ page up to full page front cover C.8 Reproduction in Brochures Non-profit / non-commercial rates are 50% of those listed. Includes annual reports, house organs, prospectuses, etc. For stationery, double the ¼ page rates. Rates include a licensing administration fee of 10%. For rates between those listed, contact CARCC. Print run: up to K-500K Image size: up to ¼ page up to ½ page up to full page front cover
19 19 C.9 Reproduction in Posters Includes posters, billboards, banners, signs, plaques, and so on, no advertising function. The rates are for such reproductions offered for sale. For reproductions distributed free of charge, the rates are 50% of those given below. For all advertising rates, please contact CARCC. Limited edition reproductions (often incorrectly referred to as limited edition prints) are calculated as a fee paid in advance based on rates given below plus a royalty of 10% of the retail value of the entire print run. See CARFAC advisory for print/reproduction standards and definitions. Rates are based on print run and total area of the support upon which the reproduction appears. For rates between those listed, please contact CARCC. Rates include a licensing administration fee of 10%. GST is added. Print run: Up to Over 25K Up to 600cm cm2-2400cm cm2-4000cm Over 60Kcm C.10 Reproduction in DVD, CD-ROM These rates apply to reproductions distributed by sale to the public and intended for private use. For rates falling between the categories, please contact CARCC. Rates include a licensing administration fee of 10%. GST is added. No. of DVDs, CD-ROMs produced (per work): Up to Over 100K No. of works
20 20 C.11 Reproduction in Cards Non-advertising rates for cards offered for sale are 10% of the retail value of the entire print run, payable in advance. Rates for cards offered for sale and used as advertising are 15% of the retail value of the entire print run, payable in advance. Please contact CARCC for other advertising rates. For exhibition promotion, the fee is $25 per image per support, when CARCC exhibition fees have been paid; each third use is free. Rates given include a licensing administration fee of 10%. GST is added. C.12 Objects Bearing Reproductions A broad category intended to cover a range of products that have reproductions printed on them, like T-shirts, puzzles, mugs, and so on. For objects with no advertising function, the rate is 10% of the retail price of the entire production run, payable in advance. For objects offered for sale and also having an advertising function (the work appears in conjunction with the name of the organization or product advertised) the rate is 15% of the retail price of the entire production run, payable in advance. Rates include a licensing administration fee of 10%. GST is added.
21 21 Future Directions Future annual increases for CARFAC exhibition fees will be more than the cost of living increase that has been levied in the past. Most collective bargaining aims for wage increases that surpass the cost of living, and the payment of artists should not be an exception. While the percentages in the upper categories may seem high (30-50%), there are two good reasons for this. Firstly, as already noted, all institutions paid roughly the same amounts under the old schedule and, secondly, the rates have not been reviewed or significantly increased for over 20 years. Given that artists are among the lowest paid workers in the country and that they have seen little increase over the years, the higher percentages seem more than justified. The long-term goal of these revisions of the fee schedule is to arrive at fees that contribute significantly to a living income for artists, and this can not be achieved in a single round of increases. The end product of these increases is simply to achieve a payment level roughly equal to what our peers who work in those institutions receive. If one considers the salaries earned by directors and curators of major institutions, for example, it is justified that the artists who are featured in those museums and galleries receive comparable levels of compensation, especially for projects that require huge investments of the artist s time and effort. The Policy Guideline Fee Schedule outlines the direction of annual fee increases to the year The amounts given are solo exhibition fee rates all other exhibition fees are calculated from this base. The Policy Guideline Fee Schedule was created for two reasons. First, the Policy Guideline Fee Schedule will give institutions adequate time to prepare for the increases. Second, it will allow CARFAC to review the progress of the increases and to consult its members annually on the direction of the fee schedule.
22 22 Policy Guideline Fee Schedule - Proposed Yearly Increases to the Solo Exhibition Fee to 2010* Exhibiting Institution Categories International Exhibiting Institution Operating Budget International II Multiple funders 14, ,700 21,250 25,500 30,600 International I Embassies, etc. 4,600 6,450 9,050 12,650 17,700 Major Galleries Galleries 11 Over $5M 5,300 8,000 12,000 17,900 26,900 Galleries 10 Over $3M, up to $5M 4,600 6,500 9,000 12, Galleries 9 Over $1M, up to $3M 2,550 3,550 5,000 6,900 9,750 Medium Galleries Galleries 8 Over $750K, up to $1M 2,350 3,200 4,300 5,800 7,850 Galleries 7 Over $500K, up to $750K 2,200 2,850 3,700 4,800 6,260 Galleries 6 Over $250K, up to $500K 2,000 2,550 3,150 3,950 4,950 Galleries 5 Over $200K, up to $250K 1,850 2,250 2,700 3,200 3,900 Standard Galleries Galleries 4 Over $150K, up to $200K 1,700 2,000 2,250 2,600 3,000 Galleries 3 Over $100K, up to $150K 1,550 1,700 1,900 2,100 2,300 Galleries 2 Over $50K, up to $100K 1,400 1,500 1,600 1,650 1,700 Galleries 1 Up to $50K ,000 * The yearly increases from 2006 to 2010 were approved as suggested increases in a policy document in Each annual increase will be reviewed and ratified by CARFAC members before becoming effective.
Media Arts Fee Schedule. June 2018 Review
Media Arts Fee Schedule June 2018 Review PRESENTATION FEES FILM AND VIDEO PROJECTION FEES PERFORMANCE FEES WEB DISTRIBUTION FEES ARTIST S RESIDENCY FEES COMMISSIONED WORKS/PROJECT SUPPORT CURATOR S FEES
More informationGuide to the Las Vegas Contemporary Arts Center Records
Guide to the Las Vegas Contemporary Arts Center Records This finding aid was created by Lindsay Oden and Tom Sommer on September 25, 2017. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1f31j
More informationEXHIBITION GUIDELINES
CENTRAL AUSTRALIAN ART SOCIETY EXHIBITION GUIDELINES APPLICATION & CONTRACT 20/05/2013 1 Artistic policies of CAAS The Central Australian Arts Society (CAAS) encourages art exhibitions, events and programs
More informationLICENSE AGREEMENT FOR MANAGEMENT 3.0 FACILITATORS
AGREEMENT Version 2.01 18 August 2015 LICENSE AGREEMENT FOR MANAGEMENT 3.0 FACILITATORS INTRODUCTION This is an agreement between: Happy Melly One BV Handelsplein 37 3071 PR Rotterdam The Netherlands VAT:
More informationALUTIIQ MUSEUM & ARCHAEOLOGICAL REPOSITORY 215 Mission Road, Suite 101! Kodiak, Alaska 99615! ! FAX EXHIBITS POLICY
ALUTIIQ MUSEUM & ARCHAEOLOGICAL REPOSITORY 215 Mission Road, Suite 101! Kodiak, Alaska 99615! 907-486-7004! FAX 907-486-7048 EXHIBITS POLICY I. INTRODUCTION The Alutiiq Heritage Foundation recognizes that
More informationAPPLICATION FOR ENTRY PACKAGE
APPLICATION FOR ENTRY PACKAGE The Prince Edward County Studio Tour (PEC Studio Tour) is a Prince Edward County Arts Council (PEC Arts Council) event. It is an opportunity for artists and gallery owners
More informationStart date: 30 July 2017 Finish date: 10 February Number of people who came to see a performance or showing of your project?
Creative Communities Scheme Funding Project Accountability Form This Project Completion Report form must be submitted within two months after your project has been completed. Please note that if you don
More information1 NORTHEAST 40 STREET,
Dear Artist: I want to take this opportunity to welcome you to Art Fusion Galleries. It is a real pleasure to have you join the distinguished Art Fusion Family of Artists. We look forward to working closely
More informationCharles W. Eisemann Center Forrest & Virginia Green Mezzanine-Gallery Policies & Procedures for Exhibiting
I. Application and Submitting of Proposals Charles W. Eisemann Center Forrest & Virginia Green Mezzanine-Gallery Policies & Procedures for Exhibiting A. Submittal Process for Exhibiting Artists or organizations
More informationLogo Usage Licence Agreement For the use of the Responsible Wood and PEFC Trademarks
RESPONSIBLE WOOD Logo Usage Licence Agreement For the use of the Responsible Wood and PEFC Trademarks PEFC/21-1-1 Between Responsible Wood having its registered office at: 30 Boothby Street, Kedron, QLD
More informationOUR MOB and OUR YOUNG MOB 2017 ENTRY FORM 2017
OUR MOB and OUR YOUNG MOB 2017 ENTRY FORM 2017 EXHIBITION DATES: 20 October 2 December 2017 Adelaide Festival Centre CLOSING DATE TO ENTER: Monday 21 August 2017 ENTRY FORMS CAN BE DOWNLOADED FROM: https://www.adelaidefestivalcentre.com.au/whats-on/exhibitions/our-mob-2017
More informationTHE ARTIST S RESALE RIGHT: DEROGATION FOR DECEASED ARTISTS CONSULTATION SUMMARY OF RESPONSES
THE ARTIST S RESALE RIGHT: DEROGATION FOR DECEASED ARTISTS CONSULTATION SUMMARY OF RESPONSES INDEX PAGE Introduction 2 Question 1: Should the UK maintain the derogation for an additional two years? 3 Question
More informationGuidelines for organising exhibitions in the Atrium Gallery at LSE
Guidelines for organising exhibitions in the Atrium Gallery at LSE Introduction All administrative and organisational aspects of exhibitions held in the Atrium Gallery, Old Building are the responsibility
More informationCullity Gallery Hire Information
Cullity Gallery Hire Information Background The Cullity Gallery at The University of Western Australia is an exhibition space on the ground floor of the Architecture, Landscape and Visual Arts building,
More informationIn 2014 Antioch Hosts our 5TH Annual Public Art Program REFLECTIONS ON THE CHAIN Artists: Showcase your Artistic Talents
In 2014 Antioch Hosts our 5TH Annual Public Art Program REFLECTIONS ON THE CHAIN Artists: Showcase your Artistic Talents The Antioch Chamber is hosting Antioch s 5th Annual Charity Public Art Event for
More informationBONO submission on the Consultation in preparation of a Commission report on the implementation and effect of the Resale Right Directive (2001/84/EC)
European Commission Internal Market and Services DG, Unit D.1 Copyright, SPA2, B-1049 Brussels BELGIUM Sent per e-mail: markt-d1@ec.europa.eu Oslo, Norway, 11 th of March 2011 BONO submission on the Consultation
More informationThe Dunedin Art Show Terms and Conditions of Exhibition
The Dunedin Art Show Terms and Conditions of Exhibition Artists please take note of our terms and conditions. Read the terms and conditions well and make sure you understand them before you submit your
More informationApthorp Gallery 2019 exhibition information pack
Apthorp Gallery 2019 exhibition information pack artsdepot is seeking exhibitions and/or installations to be presented in the Apthorp Gallery at artsdepot across three time periods in 2019. Exhibitions
More informationENTRY TERMS AND CONDITIONS 2017 CITY OF WHYLLA ART PRIZE
2017 CITY OF WHYLLA ART PRIZE ENTRY TERMS AND CONDITIONS Established by the Whyalla Arts Council in 1972, the Whyalla Art Prize was initially designed to promote emerging artists; since this time the prize
More informationResponsible Wood. Work Instruction. WI12 Issuance of PEFC & AFS Logo use licences by Responsible Wood (PEFC Australia)
Responsible Wood Work Instruction WI12 Issuance of PEFC & AFS Logo use licences by Responsible Wood (PEFC Australia) Document name: Approved by: Issuance of PEFC & Responsible Wood Logo use licences by
More informationGuidelines for organising exhibitions in the Atrium Gallery at LSE
Guidelines for organising exhibitions in the Atrium Gallery at LSE Introduction All administrative and organisational aspects of exhibitions held in the Atrium Gallery, Old Building are the responsibility
More informationARTIST SUBMISSION CONTRACT XI FIP World Polo Championship Art Exhibition
Tranquil Impressions ABN: 16074266318 Selina Hitches. Director & Curator, Artist. Mobile: 0408 617 894 Email: tranquilimpressions@bigpond.com ARTIST SUBMISSION CONTRACT XI FIP World Polo Championship Art
More informationCITY OF HAMILTON BY-LAW NO
Authority: CITY OF HAMILTON BY-LAW NO. 17-128 Item 5, Planning Committee Report 17-011 (PED17102) CM: June 28, 2017 Ward: City Wide Bill No. 128 To Amend By-law No. 07-170, a By-law to License and Regulate
More informationHyperSound copyright & brand guidelines
HyperSound copyright & brand guidelines ii Copyright & brand guidelines Table of Contents Introduction......................................... 1 General Marketing Guidelines......................... 2
More informationArts for ACT Gallery, Studio and Boutique 2265 First Street Downtown River District Fort Myers, FL Curator: Claudia Goode
Arts for ACT Gallery, Studio and Boutique 2265 First Street Downtown River District Fort Myers, FL 33901 239-337-5050 Curator: Claudia Goode Dear Artists: BECOME A MEMBER OF THE ARTS FOR ACT GALLERY CO-OP!
More informationBoise Art Museum 2018 Art in the Park Prospectus WELCOME
Boise Art Museum 2018 Art in the Park Prospectus WELCOME Thank you for your interest in applying to exhibit as an artist at Boise Art Museum's 64th Annual Art in the Park to be held September 7-9, 2018.
More informationThe junk ensemble Papers
The junk ensemble Papers N42 The National Dance Archive of Ireland University of Limerick Sept 2013 The National Dance Archive of Ireland University of Limerick The junk ensemble Papers Reference Code:
More informationCopyright in Tattoos:
Copyright in Tattoos: What a tangled web we weave Associate Professor Alex Sims APCA Conference 27-28 November 2015, Auckland 2 or The case for why tattoo artists rights must be limited under the Copyright
More informationALASKA GROSS STATE PRODUCT
ALASKA GROSS STATE PRODUCT 1961-1998 by Scott Goldsmith Professor of Economics prepared for Alaska Department of Commerce and Economic Development June 1999 Institute of Social and Economic Research University
More informationKangaroo Island Easter Art Exhibition Penneshaw Hall, Penneshaw Good Friday 30 March to Sunday 8 April 2018
Kangaroo Island Easter Art Exhibition Penneshaw Hall, Penneshaw Good Friday 30 March to Sunday 8 April 2018 Peter Walker Award Peter Walker Award 2 nd prize Current Works 2 dimensional (includes printmaking)
More informationGet Real. Real Skills. Real Jobs.
Get Real. Real Skills. Real Jobs. www.europeanschoolofesthetics.ca 294 William Avenue, Winnipeg, MB R3B 0R1, Phone: 204-944-8202, Fax: 204-944-8207, Toll Free: #1-877-829-8071, Email: info@europeanschoolofesthetics.ca,
More informationManitoba Society of Artists
Page! 1 of! 7 Manitoba Society of Artists Piano Nobile Gallery Submissions All Applications and Artwork should be emailed to the Application Coordinator at: submit@manitobaartists.com GUIDELINES Artists
More informationXXIInd INTERNATIONAL BIENNIAL OF ARTISTIC CERAMICS CONTEMPORARY CREATION AND CERAMIC Vallauris July November 2012
XXIInd INTERNATIONAL BIENNIAL OF ARTISTIC CERAMICS CONTEMPORARY CREATION AND CERAMIC Vallauris July November 2012 Place Jacques Cavasse 06220 Vallauris phone: + 33 4 93 64 24 24 e-mail: biennale@vallauris.fr
More informationBrand Identity Guidelines. v1.3 /
Brand Identity Guidelines v1.3 / 10.07.09 Contents 1.1 About L2P... 1.2 Introduction... 1.3 The L2P Visual Identity... 1.4 The L2P Brandmark... 1.5 Colour... 1.5 Greyscale & reversed... 1.6 Colour configurations...
More informationHOUSE OF REPRESENTATIVES STAFF ANALYSIS REFERENCE ACTION ANALYST STAFF DIRECTOR
HOUSE OF REPRESENTATIVES STAFF ANALYSIS BILL #: HB 117 Cosmetology SPONSOR(S): Carroll TIED BILLS: IDEN./SIM. BILLS: SB 920 REFERENCE ACTION ANALYST STAFF DIRECTOR 1) Jobs & Entrepreneurship Council 2)
More informationExhibition Proposal Guidelines Arnold Street Gallery a: 189 Arnold Street, North Bendigo, 3550 p: e:
ABOUT THE GALLERY: is an eclectic contemporary art gallery and project space established by Bendigo based artists Susan McMinn and Tegan Wheeldon. Located in North Bendigo in what was once the local tuck
More information2018 Artist application form + Terms & Conditions
2018 Artist application form + Terms & Conditions Annual event, Sculpture in the Paddock has moved location and will be held at Shaw Vineyard Estate, Murrumbateman. 22nd September 7 October 2017. Key Information
More informationThe 17 th Western China International Fair 2018
REGULATIONS AND COMMITMENTS FOR THE PARTICIPATION IN THE PROMOTIONAL INITIATIVES ORGANIZED BY THE FONDAZIONE PROGETTO ITALIA-CINA(AGENZIA PER LA PROMOZIONE INVESTIMENTI DEL SICHUAN IN ITALIA(SVIZZERA)
More informationCalling All Visual Artists. Applications are now being accepted for 2018 Art Exhibitions at Ajax Town Hall
Calling All Visual Artists Applications are now being accepted for 2018 Art Exhibitions at Ajax Town Hall The Town of Ajax offers free art exhibit hanging space in the Council Chamber Lobby at Ajax Town
More informationleveeartgallery.com.au @leveeartgalleryandstudios Who We Are THE LEVEE ART GALLERY & STUDIOS is located in the heart of Maitland Art Precinct Our aim is to provide a new and vibrant exhibition location
More information25th Annual RIVERSIDE DICKENS FESTIVAL London Marketplace Application February 24 & 25, am to 5pm
Application The Riverside Dickens Festival will return to its new permanent home on Main Street between University Avenue and 11 th Street. This location features a large covered area, and a portion of
More informationNew Manhattan Studios
New Manhattan Studios New York City www.newmanhattanstudios.com Instagram: newmanhattanstudios FIRST SESSIONS WITH NEW MANHATTAN STUDIOS ANSWERS TO QUESTIONS FREQUENTLY ASKED BY NEW MODELS This PDF has
More informationIN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF MISSOURI EASTERN DIVISION ) ) ) ) ) ) ) ) )
Whitmill v. Warner Bros. Entertainment Inc. Doc. 2 Att. 1 IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF MISSOURI EASTERN DIVISION S. VICTOR WHITMILL, Plaintiff, v. WARNER BROS. ENTERTAINMENT
More informationJohn B. Aird Gallery Galerie John B. Aird
John B. Aird Gallery Galerie John B. Aird Submitting an Exhibition Proposal Eligibility The following are eligible to submit exhibition proposals: a) Art Societies and organizations associated with the
More informationExhibition application form
Exhibition application form Dunedin School of Art Gallery Support material checklist Please include with this application form the following: A CD with numbered, high resolution (350ppi, jpeg or tiff)images
More informationTURNING IDEAS INTO ACTION:
#PRESSFORPROGRESS International Women s Day March 8, 2018 TURNING IDEAS INTO ACTION: Easy ways to fundraise for #IWD2018 The World Economic Forum's 2017 Global Gender Gap Report findings tell us that gender
More informationGUIDE FOR ARTISTS 2018
NZ ART SHOW 2018 - Guide For Artists Page 1 of 6 GUIDE FOR ARTISTS 2018 Applications Open: 1 ST November 2017 Applications Close: Single Artist Wall 30 March 2018* Solo Panel Exhibition 1 May 2018* *Will
More informationADIA MEMBER MARKETING GUIDE. How using ADIA branding will help grow your business
ADIA MEMBER MARKETING GUIDE How using ADIA branding will help grow your business CONTENTS ADIA membership benefits that support your business 3 Why and where to use the ADIA member logo 4 The ADIA member
More informationRESEARCH PERMIT SIGN-OFF SHEET. The attached research application has been reviewed by the individuals below with recommendations as follows:
RESEARCH PERMIT SIGN-OFF SHEET Name of Research Project Representative: Project Representative Address & Phone Project Funder: The attached research application has been reviewed by the individuals below
More informationLAW WEEK LOGO USE: Guidelines for Event Partners. Using this guide. Further information
LAW WEEK LOGO USE: Guidelines for Event Partners STOP! Did you receive a Law Week Grant from Victoria Law Foundation? Then you re reading the wrong guidelines! You need to acknowledge your event s grant
More informationRegional Experiences and strategies for the Creative Economy
Regional Experiences and strategies for the Creative Economy Chomwan Weeraworawit, PhD WIPO AND UN ESCAP High Level Seminar on the Creative Economy and Copyright as Pathways to Sustainable Development
More informationHigher National Unit Specification. General information for centres. Fashion: Commercial Design. Unit code: F18W 34
Higher National Unit Specification General information for centres Unit title: Fashion: Commercial Design Unit code: F18W 34 Unit purpose: This Unit enables candidates to demonstrate a logical and creative
More informationIntravenous Access and Injections Through Tattoos: Safety and Guidelines
CADTH RAPID RESPONSE REPORT: SUMMARY OF ABSTRACTS Intravenous Access and Injections Through Tattoos: Safety and Guidelines Service Line: Rapid Response Service Version: 1.0 Publication Date: August 03,
More informationSAFEGUARDING YOUR FINANCIAL INFORMATION
SAFEGUARDING YOUR FINANCIAL INFORMATION The application for the 2018 American Indian Arts Marketplace at the Autry will be available the first week of March online at theautry.org/marketplace. In order
More information2018 Florida Folk Festival Participant Guidelines
2018 Florida Folk Festival Participant Guidelines Mission: The mission of the Florida Folk Festival is to provide a Florida heritage-based celebration while conserving and interpreting Florida s diverse
More informationInformation for the spectators
Information for the spectators Fondazione Arena di Verona reserves the right to make any changes in the programme (date, time, cast, title). Purchase of the ticket implies acceptance of these Regulations.
More informationClean Clothes Campaign Wage Survey
VE RSACE SUBMI SSI ON Clean Clothes Campaign Wage Survey Response ID:41; Data 1. Login/Password Action 2. Introduction 1. Company name: GIANNI VERSACE Spa 2. Brands owned by company: VERSACE 3. Main contact
More informationTransitions Makeup and Photo Saticoy Street Van Nuys, Ca (818) Owner/Author: Gina Ortiz
Transitions Makeup and Photo 13835 Saticoy Street Van Nuys, Ca. 91402 (818) 738-8711 Gina@TsTransitions.com Owner/Author: Gina Ortiz Executive Summary: Transitions Makeup and Photo (formerly Transformations
More informationTechnical Regulations
Technical Regulations 1. Presentation area The works (pictures or models) shall be presented at the grafikschweiz 18 Exhibition on white Sagex cubes. Each participant shall have one cube (4 x 1 x 0.5 metres)
More informationEASTERN KENTUCKY UNIVERSITY HAZARD COMMUNICATION PROGRAM SUMMARY COMPLIANCE MANUAL. Table of Contents
EASTERN KENTUCKY UNIVERSITY HAZARD COMMUNICATION PROGRAM SUMMARY COMPLIANCE MANUAL Table of Contents I. OVERVIEW OF THE HAZARD COMMUNICATION STANDARD A. Background and Scope.................................
More informationENVIRONMENTAL HEALTH SERVICE REQUEST FORM 2019
Environmental Health Division 1675 W. Garden of the Gods Rd., Suite 2044 Colorado Springs, CO 80907 (719) 578-3199 phone (719) 578-3188 fax www.elpasocountyhealth.org ENVIRONMENTAL HEALTH SERVICE REQUEST
More informationAfrican Arts and Fashion Week DC. an African Arts and Fashion Initiative
African Arts and Fashion Week DC an African Arts and Fashion Initiative www.africanartsandfashionweekdc.com info@africanartsandfashionweekdc.com The African Arts and Fashion Initiative is a Non Governmental
More informationTouring exhibitions and collections French museums experience from registrars point of view
Touring exhibitions and collections French museums experience from registrars point of view Regarding the subject of the European Registrars Conference in Edinburgh Think smart, the French Registrar Association,
More informationANEC position on claim of defective standard
POSITION PAPER EN 16708 Beauty salon services ANEC position on claim of defective standard September 2016 Contact Person: Michela Vuerich, Sustainability & Services Programme Manager (tel. 02 743 24 70,
More informationSephora Body Care Centers Marketing Plan 2011
Sephora Body Care Centers Marketing Plan 2011 Table of Contents Part One : STRATEGIC PLANNING 1. Analysis of the Current Situation 2. Achievable Marketing Objectives Part Two : ACTION PLAN 3. Yearly Action
More informationArt in the Plaza Guidelines
Art in the Plaza Summer Art Market in Century Plaza Who: We are seeking individuals who create local, handmade artworks and crafts ranging from paintings and photography to glasswork and carvings. We are
More informationThe City of Jacksonville presents
The City of Jacksonville presents ART SHOW AND CRAFT SALE MAY 24-26, 2013 A part of the annual Jacksonville Jazz Festival JaxJazzFest.com Calling All Artists In conjunction with the 2013 Jacksonville Jazz
More informationTHE GOVERNMENT SOCIALIST REPUBLIC OF VIETNAM Independence - Freedom - Happiness No. 79/2012/ND-CP Hanoi, October 05, 2012
THE GOVERNMENT SOCIALIST REPUBLIC OF VIETNAM ------- Independence - Freedom - Happiness -------------- No. 79/2012/ND-CP Hanoi, October 05, 2012 DECISION ON ART PERFORMANCES, FASHION SHOWS, MODEL CONTESTS
More informationImage Consultant. Introduction. Also known as. Work Activities
Image Consultant Introduction Image consultants help people to make the most of the way they look, so they feel good and confident about themselves. They also show people how to create the right impression
More informationThe Nature Artists Guild of the Morton Arboretum
The Nature Artists Guild of the Morton Arboretum August, 2008 Dear Nature Artists Guild Member, It s time to get ready for our Annual Holiday Show! This year s show runs November 7 through November 9,
More informationGuidelines for Law Week Grant recipients
LAW WEEK LOGO USE: Guidelines for Law Week Grant recipients STOP! These guidelines are for Event Partners who received a Law Week Grant in 2018. If this is not you, you re reading the wrong guidelines!
More informationOpen Studios Art Tour, April 14 th & 15 th 2018 Preview Exhibition, March 3 rd - April 6th/ OS Reception 6-8 pm, Friday March 23rd
San Benito County Arts Council Open Studios Art Tour, April 14 th & 15 th 2018 Preview Exhibition, March 3 rd - April 6th/ OS Reception 6-8 pm, Friday March 23rd APPLICANT INFORMATION Application Deadline:
More informationBrand Story. Niza is a women fashion brand designed in Spain with more than 20 years experience.
BRAND PROFILE Brand Story Niza is a women fashion brand designed in Spain with more than 20 years experience. The brand reflects a unique personality given the exclusivity of the embroideries applied to
More informationUCONN STAMFORD ART GALLERY 10th ANNUAL JURIED FINE ART PHOTOGRAPHY SHOW
UCONN STAMFORD ART GALLERY 10th ANNUAL JURIED FINE ART PHOTOGRAPHY SHOW 2017-18 Exhibition Guidelines, Information, & Entry Form The University of Connecticut, Stamford Campus is pleased to announce its
More informationRUNWAY PARTICIPATION FORM
RUNWAY PARTICIPATION FORM DETAILS First Name Last Name Company Name Address Mobile No(S) E-mail address Facebook ID Twitter handle Instagram Name of fashion label What is your basic product line? tick
More informationALLERGIC TO IDIOTS. By Bradley Walton
ALLERGIC TO IDIOTS By Bradley Walton Copyright 2018 by Bradley Walton, All rights reserved. ISBN: 978-1-60003-980-5 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a
More informationSAC MEMBERSHIP. 82 Second Street, San Francisco, CA 94105
SAC MEMBERSHIP 82 Second Street, San Francisco, CA 94105 Vision MEMBERSHIP OVERVIEW An apparel, footwear and textile industry that produces no unnecessary environmental harm and has a positive impact on
More informationFINAL DRAFT UGANDA STANDARD
FINAL DRAFT UGANDA STANDARD FDUS EAS 377-1 First Edition 2013-mm-dd Cosmetics and cosmetic products Part 1: List of substances prohibited in cosmetic products Reference number FDUS EAS 377-1: 2013 UNBS
More informationNEW JERSEY STATE BAR FOUNDATION NEW JERSEY LAW CENTER ART SHOW PROSPECTUS 2017
NEW JERSEY STATE BAR FOUNDATION NEW JERSEY LAW CENTER ART SHOW PROSPECTUS 2017 The New Jersey State Bar Foundation is proud to announce the Sixth Annual Art Show to take place at the New Jersey Law Center
More informationVision. Current Focus
sac membership membership overview Vision An apparel, footwear, and textile industry that produces no unnecessary environmental harm and has a positive impact on the people and communities associated with
More informationASSEMBLY, No STATE OF NEW JERSEY. 216th LEGISLATURE INTRODUCED MARCH 10, 2014
ASSEMBLY, No. STATE OF NEW JERSEY th LEGISLATURE INTRODUCED MARCH 0, 0 Sponsored by: Assemblywoman ANNETTE QUIJANO District 0 (Union) SYNOPSIS Permits chair or booth rentals for the purpose of providing
More informationActors Theatre of Louisville Posted February 2018 COSTUME DESIGN ASSISTANT
Actors Theatre of Louisville Posted February 2018 COSTUME DESIGN ASSISTANT Position: Costume Design Assistant Reports To: Costume Director Department: Costumes FLSA: Non-Exempt Start Date: 7/23/18 (Tentative)
More informationArrival (please arrive latest one hour before your rehearsal starts)
CIRCUS MIGNON proudly presents the 10th SOLyCIRCO Festival on the beautiful island of Sylt, the northernmost point of Germany. Once again the most talented and innovative young artists up to 27 years from
More information2014 Brand Guidelines
01 Contents 02 Introduction 03-05 Homecoming Scotland Master Logos 06 Promotional Logos 07 Logo Exclusion Area and Minimum Size 08 Logo Distortion Illustration 09-10 Colour Specification (Print and Online)
More informationREALITY IS HIGHLY OVERRATED May 3 May 23, 2019
Members-Only Juried Exhibit REALITY IS HIGHLY OVERRATED May 3 May 23, 2019 BETSY LUEKE CREATIVE ARTS CENTER 1100 West Clark Avenue, Burbank, CA 91506 Phone: 818 238-5397 Gallery Hours: Monday Thursday
More informationAustralian Standard. Sunglasses and fashion spectacles. Part 1: Safety requirements AS
AS 1067.1 1990 Australian Standard Sunglasses and fashion spectacles Part 1: Safety requirements This Australian Standard was prepared by Committee CS/53, Sunglasses. It was approved on behalf of the Council
More informationTerms and Conditions of Hire
Terms and Conditions of Hire This document (together with the documents referred to in it) sets out the terms and conditions on which the Queensland College of Art Galleries (QCA Galleries) ( we, us or
More informationREFORM THE QUASI-DRUG APPROVAL SYSTEM
REFORM THE QUASI-DRUG APPROVAL SYSTEM Reform the Quasi-Drug Approval System YEARLY STATUS REPORT: Progress The Ministry of Health, Labour and Welfare (MHLW) released a model template for ordinary quasi-drug
More informationAustralian/New Zealand Standard
AS/NZS 4399:2017 AS/NZS 4399:2017 Australian/New Zealand Standard Sun protective clothing Evaluation and classification AS/NZS 4399:2017 This Joint Australian/New Zealand Standard was prepared by Joint
More informationTHE FOURTH LOCKER By Maureen Brady Johnson
THE FOURTH LOCKER By Maureen Brady Johnson Copyright 2009 by Maureen Brady Johnson, All rights reserved. ISBN: 1-60003-415-2 CAUTION: Professionals and amateurs are hereby warned that this Work is subject
More informationjanuary OUR MISSION VALID THRU
holiday suite 20 It s literally time to deck the halls! Or as we prefer to say, chalk the halls. There s never been a more joyful season or so many VALID THRU january 2019 ways to make your home a haven,
More informationThe College of New Rochelle Division of Graduate Professional & Fine Arts 29 Castle Place, New Rochelle, NY 10805
The College of New Rochelle Division of Graduate Professional & Fine Arts 29 Castle Place, New Rochelle, NY 10805 November 14, 2018 Dear Artists: You are invited to respond to this Call for Entries for
More information2017 SEAC Native Art Market November 10-11, 2017 Hyatt Regency Downtown 100 East 2 nd Street Tulsa, Oklahoma
2017 SEAC Native Art Market November 10-11, 2017 Hyatt Regency Downtown 100 East 2 nd Street Tulsa, Oklahoma Name: Tribal Affiliation: Address: Birth date: Telephone: daytime: ( ) after 5 p.m.: ( ) E-mail:
More informationPLEASE NOTE: ADDITIONAL DOCUMENTATION ON PAGE 2 MUST BE SUBMITTED WITH THIS APPLICATION. Name Business is Conducted Under (DBA):
BUSINESS FILING AND VERIFICATION SECTION TATTOO STUDIO Initial / Renewal License Application (Health and Safety Code, Chapter 146 Return both the completed application, and nonrefundable check or money
More informationWhere and when. General Information. 1 P a g e
The Mission to Seafarers Victoria Annual Maritime Art Award & Exhibition 2018 Promoting Maritime and Seafaring Subjects in Art Exhibition runs from October 4th October 26th 2018 General Information Where
More informationResearch or experimental laboratory; Office building and/or office for governmental, business, professional or general purpose;
613. Limited Industrial District (LI). Intent. It is the intent of the Limited Industrial District to provide areas for limited industrial purposes which are not significantly objectionable in terms of
More informationISO INTERNATIONAL STANDARD. Cosmetics Sun protection test methods In vivo determination of the sun protection factor (SPF)
INTERNATIONAL STANDARD ISO 24444 First edition 2010-11-15 Cosmetics Sun protection test methods In vivo determination of the sun protection factor (SPF) Cosmétiques Méthodes d'essai de protection solaire
More informationTHE EVERYTHING DOCUMENT ALL YOU NEED FOR THE AWARDS ENRTY
THE EVERYTHING DOCUMENT ALL YOU NEED FOR THE AWARDS ENRTY THE AWARDS To celebrate the achievement of industry excellence amongst the creative talent across the diverse genres of makeup artistry THE COLLECTION
More informationSponsorship Opportunities. Commitment Form
Sponsorship Opportunities The Long s Park Art Festival is the primary source of funding for the annual Summer Music Series enjoyed by more than 100,000 music lovers each summer. Your sponsorship dollars
More informationCOSMOS-standard. Labelling Guide
Labelling Guide Version 1.1 20 th July 2011 COSMOS-standard AISBL Rue du Commerce 124 1000 Brussels Belgium E: info@cosmos-standard.org W: www.cosmos-standard.org Labelling Guide version 1.1 20 th July
More information