Alex Katz Subway Drawings April 27 June 30, West 19th Street, New York, NY T timothytaylor.
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1 Subway Drawings April 27 June 30, West 19th Street, New York, NY T info@timothytaylor.com timothytaylor.com
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3 Subway Drawings April 27 June 30, 2017 Timothy Taylor is pleased to announce an historic solo exhibition by Alex Katz, of the artist s notebook drawings from the 1940s, presented in collaboration with Gavin Brown s enterprise, New York/Rome. This will be the first time these drawings are brought together in an exhibition. Coming of age as an artist in the 1940s in New York, Katz developed his unique approach to contemporary representational painting in reaction to the dominance of Abstract Expressionism, prior to the emergence of Pop Art. Subway Drawings exemplifies the artist s life-long pursuit to capture the present tense, through a highly accomplished but sparse line that has endured throughout his prolific career. Drawing serves as a crucial facet of the artist s practice a tool of immediacy that articulates Katz s most essential images, across all the processes in which he engages. During his time at Cooper Union, Katz chose figures on the subway as his subjects, preferring them over the models in the Cooper Union Art School figure drawing studio, where he attended from Riding the subway into the early hours of the morning, sketching portraits of passengers, the subway in effect became Katz s classroom. These experiments were part of Katz s search for a unique style of visual communication and bear witness to the artist s development as a draftsman a critical element of his acclaimed painting practice. The drawings are deceivingly complex: there is a sense that the subjects, despite sharing a subway car, were never present in the same space or at the same time. Lost in their own contemplation, Katz s subjects are surrounded by nothingness. There is no background or narrative, aside from the viewer s interpretation of the work. This tension is essential to Katz s style: portraits are rendered in fragmented moments, captured in the fleeting period between one subway station to the next. Though completed 70 years ago, Katz s subways drawings bring forth a charged immediacy. Katz is represented in over 100 public collections worldwide, and throughout his career has been the recipient of numerous awards: The John Simon Guggenheim Memorial Fellowship for Painting in 1972, and in 1987, the Pratt Institute s Mary Buckley Award for Achievement and The Queens Museum of Art Award for Lifetime Achievement. Katz was inducted by the American Academy of Arts and Letters in 1988, and recognized with honorary doctorates by Colby College, Maine in 1984 and Colgate University, Hamilton, New York in In 2007, he was honored with a Lifetime Achievement Award from the National Academy Museum, New York
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6 Crowd on Subway, c Pen on paper 4 7/8 7 7/8 in cm T
7 Big Man Looking Down, c Black ink on paper 4 7/8 7 7/8 in cm T
8 Ladies Sitting on the Subway, c Blue ink on paper 8 5 in cm T
9 Lady on Subway, c Black ink on paper 5 4 in cm T
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11 Lady with Flowers on her Hat, c Pencil on paper 8 4 7/8 in cm T
12 Profile of Woman in Glasses, c Pencil on paper 8 4 7/8 in cm T
13 Man Reading / Notes, c Pencil on paper 8 4 7/8 in cm T
14 Notes / People in a Park, c Pencil / Black ink on paper 7 1/2 4 7/8 in cm T
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16 Man in Hat / Two Men Talking on the Subway, c Pencil / Black ink on paper 8 5 in cm T
17 Man with Hat Smoking, c Black ink on paper 8 5 in cm T
18 Man with Newspaper on the Subway, c Black ink on paper 4 7/8 7 7/8 in cm T
19 Older Woman with Purse, c Black ink on paper 5 1/8 5 in cm T
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21 Man with Hat Leaning on Balcony, c Black ink on paper 6 1/4 4 1/2 in cm T
22 Seated Woman / Two Women, c Black ink / pencil on paper 8 5 in cm T
23 Seated Woman with Glasses / Woman with Purse, c Black ink / pencil on paper 8 5 in cm T
24 Study of A Man's Face, c Pencil on paper 8 4 7/8 in cm T
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26 Subway Scene, c Black ink on paper 4 3/4 8 in cm T
27 Subway Scene with Three People, c Black ink on paper 4 7/8 8 in cm T
28 Three Men on Subway, c Black ink on paper 4 7/8 7 7/8 in cm T
29 Two Men, c Black ink on paper 5 8 in cm T
30 I got out of the Navy. The next day I went to Pratt Institute. They were full. Someone told me about Cooper Union. They had an entrance exam in three days. I took it and got in. I could make a drawing from antique casts, given a week. I also could make slow drawings of people and places. At Cooper, all I could do in twenty minutes was two lines. After two weeks, the teacher, Bob Gwathmey, suggested I get a larger pad. I realized that if things continued this way I would flunk out. So I got some small pads and started drawing around the clock while commuting in subways, on lunch breaks, nights in bars and restaurants, jazz concerts, after dates on the subway. After three years, I could draw from life and only drew when I needed to. I did not want to become a sketch artist. Alex Katz, 2017
31 Subway Drawings April 27 June 30, West 19th Street, New York, NY T info@timothytaylor.com timothytaylor.com
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