Thomas Del Mar Ltd. In association with Sotheby s. Antique Arms, Armour & Militaria London Wednesday 24th June 2009

Size: px
Start display at page:

Download "Thomas Del Mar Ltd. In association with Sotheby s. Antique Arms, Armour & Militaria London Wednesday 24th June 2009"

Transcription

1 Thomas Del Mar Ltd In association with Sotheby s Antique Arms, Armour & Militaria London Wednesday 24th June 2009

2 AUCTION ENQUIRIES AND INFORMATION Sale Number: 008 Code name: Pang Enquiries Thomas Del Mar Ian Eaves Catalogue 15 plus postage Clair Boluski George Duckett Thomas Del Mar Ltd 25 Blythe Road London W14 0PD Tel: +44 (0) Fax: +44 (0) Online Catalogue: Thomas Del Mar Ltd gratefully acknowledges Peter Smith for his assistance in the preparation of this catalogue. Front cover: lot 210 Back cover: lot 368, detail

3 Thomas Del Mar Ltd In association with ANTIQUE ARMS, ARMOUR & MILITARIA TO BE SOLD BY AUCTION AT Thomas Del Mar Ltd 25 Blythe Road London W14 0PD PUBLIC EXHIBITION Sunday 21st June 12 noon to 4pm Monday 22nd June 10am to 7pm Tuesday 23rd June 10am to 5pm DAY OF SALE Wednesday 24th June 2009 at 12 noon, precisely This auction is conducted by Thomas Del Mar Ltd in accordance with our Conditions of Business printed in the back of this catalogue. All questions and comments relating to the operation of this sale or to its contents should be addressed to Thomas Del Mar Ltd and NOT to Sotheby s. view catalogue and contact us online at i

4 ii

5 Important Information for Buyers All lots are offered subject to Thomas Del Mar Ltd s Condition s of Business and to reserves. The Conditions of Business for Buyers are published at the end of the catalogue. Please note that all measurements including bore sizes are approximate. Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed starting prices. A Buyer s premium of 20% is applicable to all lots in this sale. Excepting lots sold under Temporary Import rules which are marked with the symbol (see below), the Buyer s Premium is subject to VAT at the standard rate (currently 15%). Lots offered for sale under the auctioneer s margin scheme and VAT on the Buyer s Premium is payable by all buyers. Lots marked with the symbol have been imported from outside the European Union (EU) to be sold at auction under Temporary Import Rules. When released to buyers within the EU, including the UK, the buyer will become the importer and must pay VAT at the rate of 5% on the hammer price. The Buyer s premium will be subject to the standard VAT rate at 15%. Buyers outside the EU will normally be eligible to obtain a refund in respect of VAT, upon satisfactory documentary evidence of exportation. Further information on this matter is available on request. Thomas Del Mar Ltd. will be pleased to execute bids on behalf of those clients unable to attend the sale in person, subject to our Conditions of Business. All bids must be submitted in writing in good time and lots will always be purchased as cheaply as possible (depending on any other bids received, reserves and competition in the saleroom). This service is offered free of charge. Thomas Del Mar Ltd. can supply quotations for shipping of purchases, including transit insurance and VAT refund administration fees, and will assist in the application for any export licenses which may be required. Administration fees may be applicable for this. Buyers are reminded that it is their responsibility to comply with UK export regulations and with any local import requirements. Payment Payment is due in sterling at the conclusion of the sale and before purchases can be released. Please note that we require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale. We are pleased to accept major credit cards (regrettably we are unable to accept American Express), for which a surcharge will be made of 3% of the transaction total. There is no charge for payments made by debit card. Cash payments above 6,000 will not be accepted without prior arrangement. Electronic transfers may be sent directly to our Bank: HSBC Bank Plc 38 High Street Dartford Kent DA1 1DG IBAN No.: GB78MIDL BIC.: MIDLGB22 Sort Code: Account No.: Account Name.: Thomas Del Mar Ltd Storage On receipt of cleared funds, lots can be collected from Thomas Del Mar Ltd s premises at 25 Blythe Road, London W14 0PD. Please note that collection is BY APPOINTMENT on +44 (0) All lots should be cleared within one month of the auction date, after which they will be transferred to a third party for storage. A transfer fee of 10 per lot plus all incurred transfer and storage costs due to the third party will be payable prior to release. iii

6 Select Bibliography D.G. Alexander 1985 David Alexander, European swords in the Collections of Istanbul. Part I: Swords from the Arsenal of Alexandria, in ZHWK, 1985 W. Berk 2008 Wolfgang Berk, William Tranter, Bramsche 2008 H.L. Blackmore 1986 Howard L. Blackmore, A Dictionary of London Gunmakers , Oxford 1986 H.L. Blackmore 1999 Howard L. Blackmore, Gunmakers of London Supplement , Canada & USA 1999 C. Blair and R.C. Claude Blair and Robert Clive Woosman-Savage, Scottish Firearms and a Register of Scottish Woosman-Savage1995 Long-Guns, New York 1995 G. Cambin 1987 Gastone Cambin, Le Rotelle Milanesi Giornico 1478, Switzerland 1987 D.A. Campbell 1971 D.A. Campbell, The Dress of the Royal Artillery, London 1971 F.H. Cripps-Day 1925 Francis Henry Cripps-Day, A Record of Armour Sales , London 1925 F. Cundall 1925 F. Cundall, Jamaica s part in the Great War , London 1925 N di Carpegna 1969 Nolfo di Carpegna, Antiche Armi dal sec. IX al XVIII, già Collezione Odescalchi, Rome 1969 A.R. Dufty & W. Reid 1968 Arthur Richard Dufty & William Reid, European Armour in the Tower of London, London 1968 A.R. Dufty 1974 Arthur Richard Dufty, European Swords and Daggers in the Tower of London, London 1974 R. Elgood 2004 Robert Elgood, Hindu Arms and Ritual, Arms and Armour from India , The Netherlands 2004 L.S. Figiel 1991 Leo S. Figiel, On Damascus Steel, Florida 1991 C.E. Franklin 2008 C.E. Franklin, British Napoleonic Uniforms, Stroud 2008 U. Franzoi 1990 Umberto Franzoi, L Armeria del Palazzo Ducale a Venice, Italy 1990 R.J. Garrett 2008 Richard J. Garrett, Irish Gunmakers, Hong Kong 2008 A. Godard 1931 André Godard, Ars Asiatica, Paris 1931 W.B. Gusler and J.D. Lavin W. B. Gusler and J. D. Lavin, Decorated Firearms from the Collection of W.G. Renwick, 1977 C.P. McN Hart 1988 C.P. McN Hart, The Hart Family, Privately published 1988 H.T. Hart 1907 H.T. Hart, The Family History of Hart of Donegal, London 1907 J.F. Hayward 1962 John F. Hayward, The Art of the Gunmaker, Vols 1 & 2, London J.F. Hayward 1963 John F. Hayward, Swords & Daggers, London 1963 D. Jarrett 1960 D. Jarrett, British Naval Dress, London 1960 J.V. Kalmár 1935/6 J.V. Kalmár, Säbel und Schwert in Ungarn in ZHWK, 1935/6 W.J. Karcheski Jr 1995 Walter J. Karcheski, Arms and Armour in The Art Institute of Chicago, Chicago 1995 Kienbusch Collection The C.Otto Von Kienbusch Collection in the Philadelphia Museum of Art iv

7 G.F. Laking 1922 Guy Francis Laking, A Record of European Armour and Arms through seven centuries, vols 1-6 (including A Record of Armour Sales ), J. Mann 1962 Sir James Mann, The Wallace Collection, London, Vols, 1962 V. Mavrodin 1977 Valentin Mavrodin, Fine Arms from Tula, New York 1977 A. Miller 2007 Alison Miller, Dressed to Kill: British Naval Uniform, Masculinity and Contemporary Fashions , London 2007 Y.A. Miller 1997 Yurij A. Miller, Caucasian Arms from the State Hermitage Museum, St. Petersburg, Denmark W.S. Moorsom 1860 W.S. Moorsom, Historical Record of the Fifty-Second Regiment (Oxfordshire Light Infantry) from the year 1755 to the year 1858, London 1860 W. Keith Neal and W. Keith Neal and D. H. L. Back, Great British Gunmakers , London 1975 D.H. L. Back W. Keith Neal and Keith Neal and D. H. L. Back, The Mantons: Gunmakers, Circencester 1966 D.H. L. Back A.V.B. Norman 1980 A.V.B. Norman, The Rapier and Small-Sword, , London 1980 W. Reid 1963 William Reid, The heart-butt pistols of East Scotland, published in The Scottish Art Review, Vol. 9, No. 1, 1963, Scotland 1963 J-P. Reverseau 1982 Jean-Pierre Reverseau, Musee de L Armee Paris, 1982 J.G. Rosa 1976 Joseph G. Rosa Colonel Colt, London. The History of Colt s London firearms, , London 1976 H. Schedelmann 1948 Hans Schedelmann, Konrad Fecit. The Story of a Remarkable Forger, 1948 P.A. Scott-Edeson 2000 Peter A. Scott-Edeson, Dating the Firearms of John Manton and John Manton & Son: , 2000 G.C. Stone 1934 George Cameron Stone, A Glossary of the Construction, Decoration and Use of Arms and Armour in all Countries and in all times, together with some closely related subjects, New York 1934 R.Q. Sutherland & Robert Q. Sutherland & R. Larry Wilson, The Book of Colt Firearms, Kansas City 1971 R.L. Wilson 1971 A.W.F. Taylerson, R.A.N. A.W.F. Taylerson, R. A. N. Andrews and J. Frith, The Revolver , London 1968 Andrews and J. Frith 1968 U. Volmer 1978 Udo Volmer, Die Armee des Königreichs Hannover. Bewaffnung und Geschichte von , 1978 J. Waldman 2005 John Waldman, Hafted Weapons in Medieval and Renaissance Europe, Boston 2005 T. Willis 1996 Tony Willis, Scottish twa handit Swerdis, published in the Thirteenth Park Lane Arms Fair catalogue G.M. Wilson 1985 Guy M. Wilson, A Halberd-Head from the River Thames, published in The Second Park Lane Arms Fair. catalogue v

8 vi

9 1 2 3 Eastern Arms and Armour VARIOUS OWNERS 1 A JAPANESE KATANA, LATE 19TH CENTURY with curved single-edged blade, signed tang pierced with a single hole, brass tsuba engraved with flowerheads, fabricbound sharkskin-covered grip, in its lacquered saya 66cm; 26in blade A JAPANESE W.W.II N.C.O S KATANA of regulation type, with curved fullered single-edged blade, stamped with the serial number 97264, iron tsuba, aluminium grip, in its steel saya 70cm; 27Iin blade A JAPANESE W.W.II OFFICER S KATANA with curved single-edged blade, signed tang pierced with a single hole, regulation cast brass tsuba, fabric-bound sharkskin-covered grip, in its regulation saya 69.5cm; 27G in blade A JAPANESE NAGINATA, 18TH CENTURY with curved blade formed with a double-edged point, cut with a pair of fullers of differing length each highlighted in red, plain tang pierced with a single hole, on a black lacquered wooden haft with iron show and copper mounts, and a Malaysian spear,19th century, with steel leaf-shaped blade, and bamboo shaft bound with rattan over the upper portion the first: 35.5cm; 14in blade (2)

10 5 A PAIR OF JAPANESE STEEL STIRRUPS (ABUMI BATTO), 19TH CENTURY with red lacquered treads (small cracks and minor losses), strongly curved at the front and rising to a signed pierced plate incorporating a loop buckle for suspension, the outer surface finely inlaid with silver scrolls, linear ornament and pellets (small losses, patinated), and the underside with traces of trellis ornament 24.5cm; 9K in high (2) A PAIR OF JAPANESE STEEL STIRRUPS (ABUMI BATTO), 19TH CENTURY 5 with red lacquered treads (cracks), strongly curved at the front and rising to a pierced finial plate incorporating a loop buckle for suspension, the outer surface overlaid over its entire surface with polychromatic designs in shell, and with a bird-of-prey in brass wire at the front (one cracked) and with brass wire scrolls throughout 28cm; 11in. (2)

11 7 A PAIR OF JAPANESE STEEL STIRRUPS (ABUMI BATTO), 19TH CENTURY with red lacquered treads (small cracks), strongly curved at the front and rising to a signed pierced plate incorporating a loop buckle for suspension, the outer surface profusely inlaid with silver flowers and boldly scrolling foliage, and the underside with further designs in brass (minor losses, patinated) 26cm; 10D in high (2) A PAIR OF JAPANESE STEEL STIRRUPS (ABUMI BATTO), 19TH CENTURY 7 with red lacquered treads (losses), strongly curved at the front and rising to a pierced plate incorporating a loop buckle for suspension and applied at the front with a large brass plaque chiselled with a scaly dragon 24cm; 9I in high (2) A PAIR OF JAPANESE STEEL STIRRUPS (ABUMI BATTO), EDO PERIOD, 18TH CENTURY with black lacquered treads, strongly curved at the front and rising to a pierced plate incorporating a loop buckle for suspension, the outer surface decorated with a single mon lying against a tightly inlaid aogai ground, unsigned (small cracks and losses) 27cm; 10K in high (2)

12 TWO CHINESE SWORDS comprising a pair of Chinese swords each with straight double-edged blade inlaid with copper pellets, brass hilt including cross-piece cast with a monstrous mask, in their brass-mounted sharkskin-covered scabbard; and a further sword, with brass-mounted hilt including up-turned crosspiece decorated with a mask on each side, horn grip, in its brass-mounted sharkskin-covered scabbard the first: 42.5cm; 16N in blades (2) SIX CHINESE BRONZE HORSE BITS, FIRST MILLENIUM BC each composed of two interlocking bars with a circular finial at each end, and in lightly patinated condition throughout (6) TWO CHINESE MACES, 19TH CENTURY each with bronze head, one polyhedral the other spherical, steel hafts with a pair of faceted collars at the base, and one retaining an early rope binding 40cm; 15N in and 30cm; 11P in (2)

13 A CHINESE CLOISONNÉ-MOUNTED SADDLE AND STIRRUPS, 19TH CENTURY the saddle with wooden frame (previously covered in leather), the principal borders faced with cloisonné brass decorated with flowers and foliage in polychrome, the front and the rear previously faced with shagreen (now painted green), and decorated with pierced brass mounts en suite with the borders (the cloisonné with small losses), matching stirrups of brass, the inside of the treads decorated with a strapwork design, the outer faces with cloisonné flowers and foliage in polychrome on a blue ground; together with another pair of similar stirrups with rectangular treads and cloisonné flowers and foliate in polychrome the saddle: 24.7cm; 9.75in high (5) SIX PAIRS OF CHINESE STIRRUPS, 18TH/19TH CENTURY the first of brass with near rectangular treads cast with a trellis pattern, a pair of arched side panels cast with foliage and exotic birds rising to a loop finial flanked by grotesques; the second with oval treads formed with a pair of arched side panels surmounted by a pierced loop decorated over much of the outer surface with soft metal with linear patterns and characteristic motifs; the third of similar form and decoration; the fourth of steel with hollow oval tread filed with fluting and foliage, a pair of slender side panels decorated en suite, fitted at the top with a loop for suspension; the fifth of brass decorated with a dragon mask on either side of the loop; and the sixth of russet iron the first: 17cm; 6N in high (12)

14 A TIBETAN SWORD, 17TH/18TH CENTURY with straight single-edged blade formed with a rounded tip, iron hilt comprising oval guard formed with a down-turned fluted brim, shaped pommel filled with a chased silver panel set with a large piece of coral at the front, the reverse with a loop, and integral grip bound with copper wire between two chased silver bands, and inset with a silver plaque decorated with a flowerhead, in its 19th Century leather-covered wooden scabbard with chased silver mounts set with red coral and a single turquoise 66.5cm; 26B in blade For a discussion of this type of sword see D. J. LaRocca 2006, pp TWO MORO KRIS, 19TH CENTURY the first with wavy double-edged blade, applied with silver bands at the forte, notched ganja, the grip bound with bands of chased silver and twisted silver wire and figured ivory pommel formed with pronounced finials (age cracks), in its wooden scabbard with carved wrangka; the second with blade of similar form, and the grip bound with plaited fabric and with faceted pear-shaped pommel set with a red shell the first: 69cm; 27B in (2) A MASSIVE DHA, A SMALLER DHA AND A KLEWANG the first with broad slightly curved blade, and rattan-bound wooden grip, in its scabbard; the second with curved single-edged blade, polished white metal covered grip, in its scabbard; and the third of characteristic form (hilt chipped), in its scabbard the first: 97.8cm; 38I in blade (3)

15 18 A RARE SOUTH INDIAN RAPIER, LATE 16TH/17TH CENTURY formed entirely of steel, with slender double-edged blade cut with three short fullers and blunted at the base (tip chipped), the hilt formed with a pair of long panels extending over the lower portion of the blade, a pair of rounded spatulate horizontally recurved quillons, integral grip formed swelling towards the pommel and interrupted by a moulding at the base, and compressed spherical pommel chiselled with fluting and petal mouldings (polished, areas of light pitting) 93cm; 36I in blade Provenance The Bikaner Armoury A number of related swords are preserved in the Junagarh Fort, Bikaner. See R. Elgood 2004, pp

16 AN INDIAN PATTISSA, LATE 18TH/19TH CENTURY with earlier blade of finely watered steel, broadening towards the tip, punched with a brief arsenal inscription on each side at the forte, iron hilt of talwar form, fitted with a pair of long shaped panels extending over the lower portion of the blade on each side, and decorated over much of its surface with silver koftgari flowers and foliage (small losses), in its leather-covered wooden scabbard with silver chape decorated with a lotus flower at the base (the mouth of the scabbard with one small chip), and shaped slender locket fitted with a suspension chain 80.5cm; 31N in blade TWO SOUTH INDIAN SWORDS, PATISSA, LATE 16TH/17TH CENTURIES each with blunt blade swelling to a broad tip, iron hilt of characteristic form extending over the lower portion of the blade, disc-shaped guard of v-section, integral grip, and cup-shaped pommel (rust patinated throughout) 74.5cm; 29G in and 67cm; 26D in blades (2) The blunt edges are unusual and would suggest that these might have been intended for practice use

17 AN INDIAN SWORD, KHANDA, 17TH CENTURY AND ANOTHER, 18TH CENTURY the first with broad blade of watered steel, double-edged towards the point, inlaid with a silver inscription on one side (losses) and inset with a copper rondel, the lower portion of the blade enclosed by a pierced reinforcing panel extending over the back-edge, moulded steel hilt of talwar form decorated with raised ribs and retaining some gold koftgari ornament, recurved knuckle-guard, and large disc pommel fitted with a small silver loop; the second with double-edged blade of watered steel, formed with a reinforcing panel enclosing the lower portion and extending along one edge (incomplete), steel hilt of talwar form (pommel bent upwards on one side), decorated over its full surface with gold koftgari flowers and scrollwork the first: 69cm; 27D in blade (2) The inscription on the first sword is in Urdu and relates to the sword s purchase by Abbas Salih Muhammad Khan Sahib from the armoury of Yar Muhammad Khan Sahib Bahadur. It is possible that this is the son of Mir Murad Ali, the Talpur ruler of Hyderabad, Sind AN INDIAN BROADSWORD, KHANDA, 18TH CENTURY with broad blade of flattened-diamond section, doubleedged for its last third, steel hilt of talwar form, including a pair of quillons with large flattened butt-shaped terminals, recurved knuckle-guard rising to a lion mask pommel, large disc-shaped pommel, and decorated around its borders with gold koftgari (losses), in its leather-covered wooden scabbard (small losses), with pierced steel chape and applied with a label at the top 76cm; 30in blade The label on the scabbard reads.from Deccan. Purchased by A. H. from Prince.. H. H. the Nizam of Hyderabad, Apparently 13th Century. Said to be Headsman s (Executioner s) sword - exhibited Durbar in

18 TWO INDIAN BROADSWORDS, KHANDA, 18TH CENTURY each with broad blade swelling towards the tip and reinforced with an additional plate enclosing the back-edge, hilt of characteristic form including figure-of-eight shaped guard, broad knuckle-guard, and cup-shaped pommel, the first with attenuated pommel formed with a sharply curved bud-shaped finial, the grip bound with finely plaited cord, and complete with its leather-covered wooden scabbard with brass chape (worn); and the second with silver-plated hilt and straight tapering pommel finial decorated with a spiralling pattern in silver, and later wire bound grip 84cm; 33in blade (2) TWO INDIAN SWORDS, FIRANGI, 18TH CENTURY each with fullered European blade double-edged towards the tip, the first with steel hilt comprising a pair of pronounced langets with shaped terminals, figure-of-eight shaped guard, broad knuckle-guard, cup-shaped pommel with attenuated tip with curved moulded finial, decorated throughout with a pattern of silver-encrusted stars (small losses), and leather-covered grip, in a leather-covered wooden scabbard with contemporary copper mounts; the second with hilt of characteristic form, including a pair of shaped panels extending over the lower portion of the blade, chiselled throughout with differing flowerheads and scrolling foliage enclosing cartouches filled with deities, and retaining its silk padded liner the first: 86.5cm; 34in blade (2)

19 25 AN INDIAN GAUNTLET SWORD, PATA, LATE 17TH CENTURY with broad blade of flattened-hexagonal section, cut with a large rectangular panel on each face filled with a calligraphic inscription, iron gauntlet hilt extending over the lower portion of the blade, embossed with a stylised mask at the base and an ellipse over the wrist, the borders applied with scalloped brass panels, and the inside retaining its iron grip par and fore-arm strap 86cm; 33P in blade The inscription is taken from the qasida al-burda of al- Busiri

20 TWO SOUTH INDIAN GAUNTLET SWORDS, PATA, LATE 17TH/18TH CENTURY the first with broad double-edged blade, steel hilt of characteristic form incorporating a pair of engraved long steel brackets extending over the lower portion of the blade, embossed over the hand and decorated with lightly chiseled ornament (early braized repairs), and the inside with grip bar and arm support; and the second with fullered blade (probably shortened in its early life), steel hilt of characteristic form incorporating a pair of long steel brackets extending over the lower portion of the blade, embossed over the hand and decorated with scale ornament, and the inside with grip bar and arm support the first: 87cm; 34D in blade (2) AN INDIAN HEADSMAN S SWORD, TEGHA, 18TH CENTURY AND AN INDIAN TALWAR, 19TH CENTURY the first with broad European blade double-edged towards the point, stamped with the bladesmith s mark, a double eyelash, at the forte on one side, steel hilt of talwar form engraved with linear patterns and flowers on each side, large disc-shaped pommel formed with an up-turned brim, and drawn-out at the top to a strongly curved finial with fluted button (areas of pitting); the second with slightly curved fullered blade, and steel hilt of characteristic form the first: 71.2cm; 28in blade (2)

21 AN INDIAN HEADSMAN S SWORD, TEGHA, 18TH/19TH CENTURY with broad blade double-edged towards the point, retaining traces of a crescent-shaped mark towards the forte, steel hilt of talwar form, decorated over almost its entire surface with gold flowers within oval frames on a ground of silver stars, large disc pommel decorated en suite on the underside, and the top incorporating a lengthy inscription in silver and gold (small losses) 58.5cm; 23in blade The inscriptions read, in translation: Call upon Ali who causes wonders You will find him helpful in misfortune All anguish, all sorrows will disappear Through your Prophethood, O Muhammad! Through your Friendship [with God] Oh Ali Oh Ali There is no youth [as brave as] Ali No sword [as sharp as] dhu l-faqar AN INDIAN SWORD, TALWAR, 19TH CENTURY with curved blade of kilig type, cut with a pair of fullers of differing length (areas of rust, polished bright), earlier steel hilt of characteristic form chiselled with a pattern of raised ribs over the langets and the grip, including knuckle-guard rising to a recurved beak finial, disc pommel fitted with a large pierced foliate washer, engraved over its surface with patterns of scrolling foliage and with gold-plated finish, in its velvet-covered wooden scabbard (light wear) 70cm; 27I in blade

22 30 30 AN INDIAN SWORD, TALWAR, FOR A BOY, 18TH CENTURY, AND THREE INDIAN SWORDS, KHANDA, FOR BOYS, 18TH CENTURY the first with curved single-edged blade of watered steel, steel hilt of characteristic form, chiselled over its surface with scrolling foliage and flowers, and retaining some gold koftgari, in its fabric-covered wooden scabbard (worn); the second with slender double-edged blade (pitting, polished), steel hilt decorated with gold koftgari flowers within a foliate frame (losses) including slender attenuated pommel, and the grip bound with plaited silver wire; the third with European blade stamped with the date, 1727, and cut with a running wolf mark on each side, and steel hilt of characteristic type including pierced mouldings beneath the guard, and the fourth of polished steel, in a fabric-covered wooden scabbard the first: 50cm; 19N in blade (4)

23 31 31 AN INDIAN SWORD, TALWAR, FIRST QUARTER OF THE 19TH CENTURY with curved blade of watered steel, cut with a broad shallow fuller over much of its length, inlaid in gold with a calligraphic cartouche, a magic square, and three calligraphic panels on one side at the forte, the back-edge with a further gold inscription (areas of pitting, the edge ground down), steel hilt of characteristic form, chiselled and encrusted with gold over much of its surface, including a central cartouche filled with a lotus flower on each side of the quillon block and the grip, all surrounded by further flowers and foliage within a linear frame, and the pommel decorated en suite, in a later scabbard 84cm; 33in blade The inscriptions include... Mir Karam ali Khan Talpur, Qur an, surah al-saff LXI, parts of 13, Invocations to Imam Ali and the later owner s name Ahmad Khan Mir Karam ali Khan Talpur (d.1244/1828) was son of Mir Sobdar, and ruled Sind. He enjoyed a peaceful reign and was a keen patron of the arts. During his reign a number of swordsmiths, painters and calligraphers came to live in Hyderabad. He contracted friendship with Fath Ali Shah Qajar, of Persia, and frequent exchanges of gifts were made between the two courts

24 AN INDIAN TABAR, EARLY 19TH CENTURY with wedge-shaped head formed with a curved leading edge, square rear pean, short domed central finial, and tubular socket, on its wooden haft, the middle covered with rayskin (perhaps later), and pierced tubular grip, the steel parts decorated throughout with gold koftgari scrollwork, and the head enriched with flowers (losses, worn) 66.5cm; 26B in AN INDO-PERSIAN PESH-KABZ, LATE 18TH/19TH CENTURY with reinforced blade of finely watered steel, extending to form a shaped tang, the latter overlaid with gold, the grip fitted with a pair of shaped ivory grip-scales retained by four rivets (age cracks), in its original velvet-covered wooden scabbard with large gilt-copper locket and chape each formed with a pierced decorative finial, and the former with a small loop for suspension 46cm; 18B in AN INDIAN DAGGER, 19TH CENTURY with recurved double-edged blade formed with a reinforced tip (one very small chip and lamination) and cut with a pair of long fullers on each side, decorated at the forte with a narrow panel of gold koftgari along the edges, shaped steel hilt formed with a bird s head pommel, decorated over its full surface with numerous expanded flowerheads within a trellis pattern of leaves, in its fabriccovered wooden scabbard (worn) 35.5cm; 14in

25 AN INDIAN JADE-HILTED DAGGER, 19TH CENTURY with associated slightly curved blade of watered steel formed with a pair of shallow fullers on each side and swelling towards the tip, figured jade grip carved with two mouldings at the base and rising to a flattened globular pommel, inset on each side of the base, the pommel and along the back-edge with flowers and leafy ornament in red and green pastes in raised gold settings 29cm; 11G in AN INDIAN JADE-HILTED DAGGER, 19TH CENTURY with straight single-edged blade formed with a reinforced back-edge, silver ferrule engraved with stylised foliage (refreshed), swelling faceted grip of grey-blue jade, and the pommel set with a red paste in a raised gold setting, in its leather-covered wooden scabbard with large silver locket and chape each repoussé with flowers, and shaped panels filled with stylised bouquets 35.5cm; 14in

26 AN INDIAN JADE-HILTED DAGGER, 19TH CENTURY with long recurved double-edged blade chiselled with a series of cartouches on each side (pitted), slender hilt of mottled jade fitted with a shaped iron ferrule at the base, and the top inset with a green paste, in its wooden scabbard with pierced gilt-brass chape and later fabric covering 44.5cm; 17I in A JADE HILTED KNIFE, LATE 19TH CENTURY with single-edged blade of watered steel moulded at the base, tapering jade grip flattened top and bottom, in its silver-mounted leather-covered wooden scabbard 24cm; 9D in TWO SOUTH INDIAN DAGGERS, BICHWA, 18TH/19TH CENTURY the first with recurved fullered blade, steel hilt of oval section formed with a pierced border, chiselled over the outer surface with a pattern of flowerheads, moulded inner bar, and fluted bud-shaped pommel (patinated); the second similar, the hilt with notched border at the front and small bud-shaped pommel (polished bright) 26cm; 10D in (2)

27 AN INDIAN KATAR, 18TH CENTURY with tapering blade formed with a reinforced tip and a pair of broad converging fullers on each side, steel hilt of characteristic form, including a pair of moulded grip bars each interrupted by a faceted central moulding, and decorated over much of its surface with gold koftgari scrolling flowers and foliage, in its velvet-covered wooden scabbard with steel chape decorated en suite with the hilt (the velvet worn and with losses) 36.5cm; 14G in AN INDIAN KATAR, EARLY 19TH CENTURY with strongly tapering watered steel blade formed with a medial ridge and swelling slightly towards the tip, steel hilt of characteristic form with a pair of moulded grip bars, and decorated with gold scrollwork and flowers around the borders (the blade edges and hilt polished bright, the gold with losses), in its leather-covered wooden scabbard with an additional pocket on the reverse, and moulded silver chape, all contained in a red fabric bag 26.5cm; 10I in Provenance Robin Wigington, Poet s Arbour, Stratford-upon-Avon

28 TWO SOUTH INDIAN DAGGERS, CHILANUM, 16TH/17TH CENTURY, PROBABLY DECCAN the first formed entirely of steel (rust patinated), with recurved fullered blade, steel hilt formed with a pair of shaped panels enclosing the lower portion of the blade, a pair of curling horns forming the pommel, and the grip interrupted by a spherical moulding; and the second recurved blade cut with a pair of short tapering fullers divided by a medial ridge on each side, carved wooden hilt (cracked) fitted with a brass ferrule at the base, flattened elliptical pommel, and the grip interrupted by a central moulding the first: 30cm; 11N in (2) For a discussion of this group and their dating see R. Elgood 2004, pp A NORTH INDIAN DAGGER, PESH-KABZ, 19TH CENTURY with recruved blade formed with a double-edged point, the hilt formed with a moulded steel ferrule at the base and fitted with a pair of shaped hardwood grip-scales 27cm; 10N in AN INDIAN DAGGER WITH PAINTED STONE HILT, AN ARAB DAGGER AND AN INDIAN AXE (ZAGNAL), 19TH CENTURY the first with double-edged blade of watered steel (repaired), painted stone grip decorated with sprays of foliage within a gilt trellis frame (losses), and bird s head pommel, the second with angular single-edged blade, and silver grip with architectural pommel of Marib type; and the third of characteristic form, the outer face decorated with lightly chiselled ornament and applied with silver and brass panels (rubbed) the first: 37.5cm; 14N in (3)

29 AN INDIAN DAGGER, 19TH CENTURY with curved double-edged blade of watered steel, reinforced at the tip and cut with a pair of broad fullers on each side, decorated with gold koftgari flowers and foliage at the forte, steel hilt decorated en suite, formed of a moulded ferrule rising to a shaped pommel, and fitted with a pair of figured ivory grip-scales each retained by three nails, in a later fabric-covered wooden scabbard 31cm; 12B in A PERSIAN KARD, 19TH CENTURY with single-edged blade of watered steel, moulded steel hilt decorated with scrolling flowers in gold koftagri, the pommel fitted with a small cartouche-shaped hinged finial, in its original leather-covered wooden scabbard with large silver chape with fluted bud-shaped finial 33.5cm; 13N in A PERSIAN KARD, LATE 18TH CENTURY with tapering blade sparsely decorated with gold koftgari flowers at the forte, steel hilt decorated en suite with the forte (the gold extensively worn), and morse grip-scales, in its fishskin-covered wooden scabbard reinforced along the back-edge with a silver strip (losses) and with copper chape 33cm; 13in

30 FIVE EASTERN DAGGERS INCLUDING A PERSIAN KARD AND A PERSIAN PESH-KABZ, 19TH CENTURY the kard with tapering blade reinforced at the tip, steel hilt decorated around the ferrule and back-strap with gold koftgari flowers and foliage (worn, the top of the pommel missing), and a pair of ivory grip-scales; the pesh kabz with tapering blade reinforced along the back-edge, the hilt encased with brass panels, and fitted with a pair of ivory grips carved with deities on each side; a Caucasian dagger, 19th century, with curved double-edged blade formed with a medial ridge and decorated at the forte with gold koftgari, morse grip carved at the top and bottom and incorporating a near cylindrical grip (age cracks); an ivory-hilted dagger, with broad single-edged blade of watered steel, decorated with gold koftgari flowers at the forte, steel ferrule decorated en suite and carved ivory grip, in its silk-covered wooden scabbard; and another dagger, with single-edged blade and ivory hilt formed of a single tusk carved with numerous rondels the first: 33cm; 13in (5) A BALKAN SILVER-MOUNTED DAGGER, 19TH CENTURY with straight blade of watered steel, double-edged towards the point, silver ferrule repoussé with scrolls beadwork and foliage extending over the forte, shaped ivory grip with strongly bevelled edges, and set with three turquoises in silver settings on each side, in its silver scabbard repoussé with scrolls, beadwork and foliage and set with a band of turquoises at the mouth 27cm; 10K in A BALKAN YATAGHAN, MID-19TH CENTURY AND A CAUCASIAN KINDJAL, LATE 19TH CENTURY the first with slightly curved single-edged blade stamped with a mark on one side, silver hilt extending over the forte, repoussé over its surface with scrolls enclosing flowers and trophies-of-music (worn), the second with very large blade, applied in silver with a stylised temple on one side at the forte and with a sacred figure within an architectural framework on the other, steel hilt of characteristic form with pointed pommel and retaining some of silver decoration, in its velvet-covered wooden scabbard with steel mounts en suite with the blade (worn) the first: 65.5cm; 25N in blade (2)

31 A BALKAN YATAGHAN, EARLY 19TH CENTURY with slightly curved single-edged blade, decorated in gold koftgari with a series of calligraphic panels and the date on one side (the date partly obscured by the hilt), characteristic hilt extending over the forte and rising to an eared pommel, decorated over much of its surface with beadwork, filigree, flowerheads and enriched with coral in raised settings (one coral missing, rubbed), in its velvetcovered wooden scabbard with large locket and chape each repoussé with scrolling foliage, the chape with scale pattern and terminating in a marine monster 58cm; 22P in blade A TURKISH YATAGHAN, DATED CIRCA 1803/4 with straight single-edged blade, inlaid with a brief gold inscription including a tughra and the date on one side and a further inscription in a cartouche on the other, gilt brass hilt chiselled with flowerheads and beadwork, formed of a pair of panels extending over the lower portion of the blade (one detached), extending to form the back-strap, and a pair of morse grip-scales rising to a pronounced eared pommel (one ear extensively chipped), in its wooden scabbard entirely encased in gilt brass decorated en suite with the hilt 59cm; 23D in blade The inscriptions read, in translation: I put my trust in God Work of al-haj Abdayhim.... owner Khusraw Khan A TURKISH KILIG, LATE 18TH/19TH CENTURY with curved blade formed with a reinforced back-edge and double-edged towards the tip, decorated with gold koftgari at the forte on each side, including two stylised calligraphic panels, engraved brass vertically recurved crosspiece, horn grip rising to an angular pommel, inset over much of its surface with brass and steel nails, in its original wooden scabbard with velvet covering, and fitted with a large brass locket and chape repoussé with flowers and foliage (one suspension band missing, worn) 63cm; 24N in blade

32 A TURKISH SWORD, LATE 19TH CENTURY with slightly curved single-edged blade cut with a series of long fullers on each side, white metal hilt comprising crosspiece engraved with foliage around the borders, engraved back-strap, and a pair of morse grip-scales rising to a bulbous pommel fitted with a tear-shaped engraved white metal plaque on one side (the other missing, the grip cracked), in its original leather-covered wooden scabbard with contemporary steel chape and white metal locket, the latter applied with a star and crescent 77cm; 30G in blade A GEORGIAN DAGGER, MID-19TH CENTURY with broad curved blade formed with a medial ridge and decorated with gold koftgari scrolling foliage on each side at the forte, carved morse hilt incorporating a cylindrical grip, in its original leather-covered wooden scabbard with large iron mounts decorated with silver koftgari scrollwork and foliage 42cm; 16I in A similar dagger is preserved in the State Hermitage, St Petersburg. See Y. Muller 1997, p. 75, no A LARGE BALKAN DAGGER, 19TH CENTURY, PROBABLY ALBANIAN with broad straight double-edged blade cut with a central fuller framed by a pair of slender grooves on each side, I- shaped morse hilt carved with a pronounced moulding top and bottom (small age cracks), in its velvet-covered wooden scabbard with large silver locket and chape (small dents), each chiselled with foliate borders, the former with associated white metal band and ring for suspension, and the latter with ball-shaped finial 69.2cm; 27D in A CAUCASIAN KINDJAL, 19TH CENTURY with double-edged blade cut with a long off-set fuller on each side and sharply tapering to a long point, carved morse grip of characteristic form (old cracks), retained by a pair of iron rivets with domed attenuated caps decorated with gold koftgari flowers, in a wooden scabbard covered with fishskin, the chape with fluted silver finial and decorated with plaited silver wire, and iron locket decorated with silver koftgari 53cm; 20P in

33 A CAUCASIAN SILVER-MOUNTED KINDJAL, LATE 19TH/20TH CENTURY with double-edged blade sharply tapering towards the tip, cut with an off-set fuller on each side, silver hilt encased in silver chased with bouquets of flowers and beadwork and enriched with niello, in its original wooden scabbard encased in silver decorated en suite with the hilt, the reverse inscribed No cm; 18D in A CAUCASIAN SILVER-MOUNTED KINDJAL, 19TH CENTURY with sharply tapering blade of flattened-diamond section stamped with a bladesmith s mark on each side at the forte, horn hilt encased with silver engraved with foliage against a punched ground top and bottom, and slender horn grip, in its original silk covered wooden scabbard (worn) with engraved silver locket and chape en suite with the hilt 42.5cm; 16N in A CAUCASIAN KINDJAL, LATE 19TH CENTURY with broad blade sharply tapering at the point, cut with a long off-set central fuller on each side, decorated with gold koftgari scrollwork at the forte (worn, areas of rust patination), morse hilt of characteristic form, retained by a pair of iron nails with domed nielloed silver heads, in its wooden scabbard covered with velvet (the blade a poor fit, velvet loose) and with large silver locket and chape each engraved and nielloed with a symmetrical arrangement of scrolling foliage and flowers 55cm; 21K in

34 A CAUCASIAN SILVER-MOUNTED KINDJAL, LATE 19TH/EARLY 20TH CENTURY with double-edged fullered blade sharply tapering towards the point (pitted, polished), silver hilt of characteristic form, decorated with silver beadwork, niello, gilt filigree and plaited silver wire, the reverse decorated with nielloed flowers, in its silver scabbard decorated en suite with the hilt 43cm; 17in A NEPALESE SWORD, KORA, 19TH CENTURY AND FIVE GURKHA KUKRI KNIVES with broad blade flaring towards the tip, cut with a pair of full-length shallow fullers, decorated along the back-edge and engraved with an eye on each side, steel hilt formed of an oval guard, tapering knuckle-guard and large disc pommel, engraved throughout with scrolling foliage, integral black-painted grip; the kukris of characteristic form, two with horn hilts and three complete with their scabbards (one scabbard split along the seams) the first: 45cm; 17N in blade (6) TWO NEPALESE KUKRI KNIVES, 19TH CENTURY the first with blade of characteristic form and carved ivory hilt; the second with broad blade pierced with two slots along the back-edge, and steel hilt of talwar form with leather-covered grip; and an Icelandic bone-mounted knife, in its scabbard carved with a reindeer pulling a sleigh the first: 46.5cm; 18D in (3)

35 A SOUTH INDIAN SPEAR, 17TH/18TH CENTURY with broad blade formed with a medial ridge, reinforced at the tip and widening at the base, original hardwood haft with engraved brass ferrule at the top, steel basal finial decorated with large fluted bun-shaped mouldings, and a pair of suspension rings 56.5cm; 22D in head Three similar spears are preserved in the Government Museum, Chennai, nos. 2248, 2247 and See R. Elgood 2004, p A NORTH INDIAN SPEAR, 18TH CENTURY with triangular head formed with a reinforced tip, moulded at the base and continuing to a faceted socket, on an associated wooden haft and complete with a contemporary steel basal finial perhaps the original, with reinforced point and interrupted by a spirally-fluted bun-shaped moulding (areas of rust) 18cm; 7in head

36 AN INDIAN MAIL SHIRT, 19TH CENTURY formed of small butted links arranged with layers of chevron pattern in copper, open at the front, a pair of short arms, and vented at the back (losses, some replacements) AN INDIAN MAIL AND PLATE PART ARMOUR, 17TH/18TH CENTURY formed of ten rectangular plates joined by strips of riveted mail, the plates with reinforced borders, the outer most each with three loop fittings for closing at the front, and complete with its mail and plate straps for fitting over the shoulders (rust patinated throughout)

37 AN INDO-PERSIAN KULAH KHUD, 19TH CENTURY with tall domed skull fitted with central spike, sliding nasal retained by a thumb-screw, a pair of tapering plumeholders, and mail neck-defence of butted links, finely etched over its full surface with ovals filled with scrolling foliage and flowers, the base encircled by calligraphic panels, and all enriched with gold and silver highlights (small losses, surface rust) 28cm; 11in high AN INDIAN TOP, LATE 18TH CENTURY AND A PAIR OF DECORATIVE KULAH KHUDS, 20TH CENTURY the first with hemispherical skull formed with an additional band around the base, fitted with central socket for a finial (missing), two plume-holders, sliding nasal bar with a shaped finial top and bottom (repaired), and retaining its original mail neck-defence of butted links; the second and third each with brass skull chiselled with characteristic motifs, central spike, sliding nasal, a pair of plume-holders, and mail neck-defence the first: 9cm; 3I in (3)

38 70 FOUR INDIAN ARM GUARDS, DASTANA, 16TH TO 18TH CENTURIES each of characteristic form, with a single main plate and a hinged inner plate, the first embossed with a series of radiating ribs each decorated with numerous flowerheads (patinated, small holes); the second and third reinforced with a cusped border, and chiselled with raised ribs and patterns of foliage; and the fourth decorated with a border of gold koftgari foliage within linear frames (small chips and losses) the first: 39cm; 15G in (4) TWO INDIAN SHIELDS, DHAL, 19TH CENTURY of characteristic form, the first of steel faced with pierced engraved brass, decorated with exotic animals amidst scrolling foliage, the inside retaining its original pad and four rings for enarmes, the second of engraved brass, decorated with an applied crescent above four central bosses the first: 27cm; 10K in diameter (2) AN INDIAN HIDE SHIELD, DHAL, AND ANOTHER, OF ETCHED STEEL, 19TH CENTURY 71 the first of convex circular form, the outer face fitted with four low domed brass bosses retained on the inside by later bolts; the second of characteristic form, fitted with four central bosses and a brass brim, and etched with a broad band of calligraphy around the border (worn) the first: 54cm; 21D in diameter (2)

39 73 A SMALL TURKISH SHIELD, 18TH CENTURY of concave form, comprising a panel of coiled wicker wrapped with coloured thread (losses), fitted in the centre with a wooden disc, the inside with four iron ring fittings and a single leather enarme, and the outer face fitted with a domed steel central boss reinforced with five squaretopped bolts, and a series of radiating steel bars joining the boss to a flat brim, and retaining a portion of its leather border (the steel parts pitted) 27.5cm; 10N in diameter A NORTH INDIAN PAINTED HIDE SHIELD, DHAL, LATE 18TH/19TH CENTURY, PROBABLY RAJASTHAN of strongly convex form turned back at the edge, fitted at the centre with four fluted bosses, the outer surface painted in gilt and polychrome against a black ground with a moustacheod mask, four antelope each set upon by a tiger, and small bouquets of flowers, and the inside retaining its pad, enarmes and a pair of straps (minor cracks) 45cm; 17N in diameter A FINE INDO-PERSIAN STEEL SHIELD, DHAL, SECOND HALF OF THE 19TH CENTURY of convex form, the outer face fitted with four low domed scalloped bosses, reinforced scalloped rim, decorated throughout in gold koftgari with a symmetrical arrangement of scrolling leafy tendrils enclosing further scrollwork and flowers, the inner face retaining four rings for enarmes, and an early green silk padded lining 35.5cm; 14in diameter

40 76 A RARE INDIAN ELEPHANT HIDE SHIELD, DHAL, 17TH CENTURY of shallow convex circular form, the outer face fitted with four large domed steel bosses with chiselled bases decorated with a scale pattern, inset with two near triangular brass plaques of differing size top and bottom, and the inside retaining an early pad and four iron rings for enarmes 58.5cm; 23in diameter AN INDIAN HIDE SHIELD, DHAL, LATE 18TH/19TH CENTURY 76 of circular deep convex form, fitted with four central steel bosses decorated with gold koftgari scrollwork and flowers and with a central crescent decorated en suite above, the inside retaining its original leather pad, and four steel rings with leather enarmes 43cm; 17in diameter AN INDIAN HIDE SHIELD, DHAL, LATE 18TH CENTURY of convex circular form, the outer face fitted with four large low domed copper bosses with pierced bases in the centre, and Celestial motifs above, and the inner face retaining its original pad and two rings for enarmes (two rings missing, small chips) 58.5cm; 23in diameter

41 79 79 A RARE PERSIAN BRONZE HORSE BIT, FIRST MILLENIUM BC comprising a pair of pierced side panels formed as stylised horses, each fitted with a pair of loops at the top (one loop missing), and with cylindrical mouth piece with re-curved terminals, and in patinated condition throughout 23cm; 9in across A similar example is recorded in the collection of David- Weill see A. Godard 1931, pl.xlvi, No

42 80 SIX PAIRS OF MOROCCAN STIRRUPS, 19TH CENTURY each with broad tread, near triangular side panels rising to a rectangular loop for suspension, the first decorated on the sides with designs of brass wire enriched with silver pellets and turquoise; the second with similar designs in brass wire and silver pellets; the third similar, with brass and copper wire patterns; the fourth and fifth with pierced treads and ribbed side panels; and the sixth of engraved white metal 80 the first 19cm; 7I in high (12) A PAIR OF DECORATED MOROCCAN STIRRUPS, 19TH CENTURY with curved treads pierced with a circular arrangement of holes, arched sides rising to a loop for suspension, chiselled over much of the surface with flowers, and retaining some silvered finish throughout 23.8cm; 9 3 /5in high FOUR PAIRS OF MEXICAN ROWEL SPURS, LAST QUARTER OF THE 19TH CENTURY the first with U-shaped heel bands, pierced slotted terminals for attaching straps, overlaid over their surface with panels of brass, moulded necks extending to a pair of pierced panels decorated en suite, and multi-spiked rowel; the second with U-shaped heel bands, pierced slotted terminals, moulded necks and large multi-spiked rowel; the third with U-shaped heel band with pierced slotted terminal, moulded neck fitted with a small washer and robust multi-spiked rowel; and the fourth with slender U- shaped heel band with pierced slotted terminals, moulded neck fitted with a small circular washer and multi-spiked rowel the first 19cm; 7I in (8)

43 83 A LARGE MEXICAN ROWEL SPUR AND THREE FURTHER PAIRS OF MEXICAN ROWEL SPURS, 19TH CENTURY the first with U-shaped heel band, pierced slotted terminal for attaching straps, pierced filed neck extending to a pair of long pierced rectangular panels, fitted with very large multi-spiked rowel; the second with broad pierced U- shaped heel bands moulded necks fitted with a large pierced washer and rowel of eight spikes; the third with U- shaped heel bands, pierced slotted terminal for attaching straps, moulded neck fitted with a small brass washer with scalloped edge extending to a pair of pierced panels and large multi-spiked rowels; and the fourth with slender heel bands with pierced terminals, moulded neck fitted with a pierced washer star-shaped rowel of seven spikes 83 the first 32cm; 12I in (7) FOUR PAIRS OF BRAZILIAN WHITE METAL ROWEL SPURS, 19TH CENTURY the first with broad heel bands decorated with border ornament and leaf-shaped finials, pierced necks decorated with flowers and foliage and large multi-spiked iron rowel and each retaining its buckles (one missing); the second with broad wavy heel band, the neck cast with foliage and fitted with white metal multi-spiked rowel with a pierced foliate washer on each side, complete with its chains; the third with slender heel bands stamped with the maker s details, iron multi-spiked rowel and a pair of chains; and the fourth cast with foliage fitted with iron rowel and a pair of chains 84 the first 27cm; 10N in (8) A PAIR OF MEXICAN STEEL SPURS AND A SINGLE MEXICAN SPUR, 19TH CENTURY 85 the first with narrow heel band fitted with buckles for attaching straps, short necks extending to a pair of broad panels, and large rowel of six spikes; the second with broad heel band with pierced slotted terminals, moulded neck fitted with a large pierced washer, and fitted with rowel of eight spikes the first: 23.5cm; 9D in (2)

44 86 EIGHT BRAZILIAN HORSE BITS, 19TH CENTURY six of russet iron, the first with U-shaped mouthpiece, a pair of pierced flattened side bars fitted with a large circular foliate washer; another of russet iron with U-shaped mouthpiece; two russet iron bits with mouthpiece formed of two bars; a 20th Century horse bit fitted with a roller in the centre; and another horse bit with engraved white metal mounts (8) FOUR PAIRS OF PERUVIAN BRASS AND WHITE METAL STIRRUPS, 18TH AND 19TH CENTURIES 86 each of characteristic form, the first cast with shell ornament (patinated); the second of white metal engraved over the forward portion; the third of brass engraved with pairs of lines; and the fourth similar (8) A LARGE GROUP OF SOUTH AMERICAN STIRRUPS AND SPURS, LATE 19TH CENTURY 87 including two pairs of Brazilian stirrups with bell-shaped base, pierced tread, a pair of slender side panels cast with foliage and a loop for suspension; a pair of Chilean clogshaped stirrups, carved with bold designs of foliage and a flower at the front, bound with an iron strap incorporating a loop for suspension; two Chilean stirrups of clog shaped form, the front portion encased in a large pierced brass panel; a pair of small Chilean leather clog-shaped stirrups; two further pairs of South American white metal stirrups; a pair of Brazilian silver spurs, each with U-shaped heel band naturalistically modelled, moulded neck en suite incorporating a grotesque mask, multi-spiked rowel complete with their straps; another pair of Brazilian white metal spurs, U-shaped heel bands cast with foliage and steel rowel; and nine further South American spurs (27)

45 89 A COMPOSITE BOW, LATE 18TH/19TH CENTURY, INDIAN OR PERSIAN of horn bound with sinew, painted in polychrome over almost its entire surface with flowers, and with linear frames top and bottom (small chips and losses) 96cm; 37N in high THREE INDIAN BOWS, LATE 18TH/19TH CENTURY each formed entirely of steel, the first moulded for the hand, chiselled with flowers and foliage at the top and bottom at the front; the second moulded for the hand and fitted with a string; and the third with wooden grip carved with birds heads the first: 90cm; 35G in (3) A RARE INDIAN BOLAS, 19TH CENTURY formed of two near spherical balls joined by three flat double-edged blades, hinging on a pair of pivots on each side of the central blade 79cm; 31in expanded

46 92 92 A FINE MALAYSIAN BRONZE LANTAKA GUN, 18TH/EARLY 19TH CENTURY with multi-stage barrel formed with a pronounced moulding incorporating the foresight at the muzzle, cast with raised mouldings and foliage behind the muzzle, at the median and over the breech, the latter with provision for a vent cover, cast with a pattern of foliage around the base ring, characteristic hollow cascabel for a tiller, a pair of finely cast lifting handles formed as marine monsters, fitted with its original bronze swivel mount and in green patinated condition throughout 146.5cm; 57N in barrel

47 A 28 BORE INDIAN SILVER-MOUNTED MATCHOCK MUSKET, 19TH CENTURY with swamped octagonal etched twist barrel retained by six slender silver bands (fore-sight removed), fitted at the breech with standing back-sight, pan with later pivot-cover, angular serpentine, pierced iron trigger, hardwood full stock (cracked through and repaired behind the action), grooved for sighting behind the breech and inlaid with two pieces of bone, applied with finely embossed silver plaques beneath the barrel bands, behind the breech, on the butt, and on each side of the action, all decorated with bold scrolling flowers, the latter incorporating exotic birds, applied with a further silver plaque with a brief inscription behind the action, a pair of silver sling swivels, and iron ramrod 128cm; 50G in barrel AN INDIAN MATCHLOCK MUSKET (TORADOR) 19TH CENTURY with tapering sighted barrel divided into ten panels each chiselled with foliage inhabited by differing exotic animals and retained by three plain brass bands, standing backsight, moulded pan fitted with pivot-cover, figured hardwood full stock applied with a pair of large steel plaques en suite with the barrel, retaining some painted decoration over the rear half of the stock, and associated steel ramrod 114.8cm; 45D in barrel

48 95 95 A 40 BORE INDIAN MATCHLOCK GUN FOR A BOY, 19TH CENTURY; A 28 BORE INDIAN MATCHLOCK MUSKET, 19TH CENTURY; AND A 14 BORE INDIAN MATCHLOCK MUSKET, 19TH CENTURY the first with tapering sighted barrel retaining traces of gold koftgari decoration over the breech and incorporating a standing back-sight, shaped pan fitted with pivot-cover, pierced brass trigger, hardwood full stock with steel mounts retained by pierced silver rosettes on each side of the action, a pair of steel sling swivels and iron ramrod (fore-end cracked, butt-cap missing, iron parts pitted); the second with tapering barrel retained by four slender brass bands and a single steel band enclosing the back-sight at the breech (fore-sight missing), the action enclosed on each side by a shaped steel plaque etched with an orange peel design, pierced serpentine, pierced shaped trigger, fitted on the right with a pricker chain (pricker missing), figured hardwood full stock fluted behind the breech and the butt-cap formed of contrasting layers of bone and horn, and original steel ramrod; and the third with tapering sighted barrel formed with fluted vase-shaped muzzle, widening towards a strongly flared breech, fitted with standing back-sight, iron pan with pivot-cover, fitted with shaped iron plates encasing the mechanism, carrying its original pricker on the right, plain serpentine, figured hardwood full stock formed with a curved faceted butt (cracks, repairs), and original iron ramrod The first: 67.5cm; 26I in barrel (3) AN 18 BORE INDIAN MATCHLOCK MUSKET, EARLY 19TH CENTURY with swamped sighted barrel of orange peel patterned twist steel, formed with a long sighting flat and engraved with an arsenal inscription, the breech with standing backsight and moulded pan (pivot-cover missing), the lock enclosed by a flat shaped plate of matching steel engraved with a band of border ornament on each side, fitted with moulded serpentine, pierced engraved trigger, hardwood full stock, stained black and grooved for sighting behind the breech, slender faceted butt of characteristic form, a pair of brass sling swivels, and steel ramrod 102.5cm; 40G in barrel Provenance Robin Wigington, Poet s Arbour, Stratford-upon-Avon For a gun with a barrel of similar pattern see L. S. Figiel 1991, p

49 A RARE MOROCCAN SNAPHAUNCE PISTOL DATED 1277 (CIRCA 1860/1) with tapering three-stage barrel retained by two chased silver bands (one replaced), lightly engraved flat lock fitted with sliding pan-cover and engraved gravity stop, figured hardwood full stock lightly carved about the barrel tang, and swelling at the butt, large elliptical silver pommel cap chased with scrolls and a central medallion with the date and a brief inscription on the respective sides, plain steel trigger-guard, and steel ramrod 41.5cm; 16D in TWO 18 BORE TURKISH FLINTLOCK HOLSTER PISTOLS, 19TH CENTURY the first with tapering barrel retained by a single brass band and engraved with a pseudo barrelsmith s mark at the breech, engraved rounded lock signed en suite, hardwood full stock impressed with a trellis pattern beneath the breech, engraved brass mounts including trigger-guard, spurred pommel and ramrod pipe, and white metal escutcheon (worn); the second with tapering three-stage barrel chiselled with scrolls over the breech, chiselled lock, hardwood full stock carved with scrollwork in low relief, and steel mounts (worn) 47cm; 18I in (2)

50 A PAIR OF RUSSIAN SILVER-MOUNTED STIRRUPS DATED 1903, A PAIR OF CAUCASIAN STIRRUPS, A COSSACK STIRRUP AND AN EAST EUROPEAN STIRRUP the first of iron, with oval tread, a pair of slender side panels rising to a pierced loop for suspension, the outer surface encased in silver chased with a running pattern of foliage enclosing flowers against a punched ground, enriched with niello, both including the date on a panel at the front and one with a further inscription; the second with circular tread, fluted side panels rising to a robust pair of loops; the third of brass with drum-shaped tread, a pair of tapering side panels and rectangular loop; and the fourth of iron the first 14cm; 5I in high (6) A HUNGARIAN SILVER-GILT MOUNTED BELT, LATE 18TH/19TH CENTURY of velvet, the front faced with a broad band of silver thread, applied with seven star-shaped bosses each rising to a faceted red paste in a tall conical setting surrounded by silver beads at the base, the terminals each fitted with a large chased silver gilt mount, each decorated with a broad panel pierced with scrolling foliage and differing flowers against a gilt panel within a ropework frame, fitted at the end with a serpent head hook on one side and with a chain of plaited silver wire for closure on the other, and with the later inscription A. Maier, Salzburg 86.5cm; 34in overall A similar example is preserved in the Magyar Nemzeti Museum, Budapest, inv. no

51 101 AN AXE, 18TH CENTURY, POSSIBLY EAST EUROPEAN with small crescentic blade stamped with a series of marks, two pellets within a triangular panel at the base, inlaid with three panels of brass framed between a pair of lines on each side, and faceted socket incised with further linear patterns 13.5cm; 5G in head A BRONZE HAMMER HEAD IN 14TH CENTURY STYLE, AND THREE BRONZE BLADES, PROBABLY LURISTAN 8TH CENTURY B.C. the first with polygonal head, strongly down-curved rear spike, and a hollow collar, engraved throughout with scrolls; the remaining pieces in excavated condition, two with tapering blades cut with a series of converging fullers the first: 11.8cm; 4K in (4) A RARE MAORI FIGHTING AXE, TOKI KAKAUROA with European steel spatulate head formed with a blunt rear pean (pitted), long hardwood haft with characteristic scroll and beadwork carving at the top and towards the base, the former set with a single haliotis shell eye (the eyes on the reverse and the lower carved panel missing), pointed basal terminal, and with old patina (minor scratching and bruising) 178cm; 70in A smaller example of this type is illustrated in G. C. Stone 1934, p. 619, fig.791, no

52 A MAORI STAFF, TIAHA with finely carved tiki head finial decorated with characteristic scrolls and mouldings, haliotis shell eyes, and much old patina 170.5cm; 67in A SOLOMON ISLANDS PADDLE CLUB with flattened flaring head formed with a slender medial ridge over the upper portion, retaining some rattan binding over the base (losses, the lower portion with a closed crack), and some patina 130cm; 51B in A CARVED MAORI STAFF tapering at the top, probably for fitting an axe head, carved with characteristic scrollwork and notched mouldings over the upper half, a smaller wasted moulding towards the base (slightly warped, one small crack), and some patina 180cm; 71in

53 European Edged Weapons 107 A RARE EAST EUROPEAN SWORD, 9TH/10TH CENTURY in excavated condition, with long straight blade doubleedged for the last 39cm, the forte enclosed by a shaped panel extending over the edge of the blade on each side, iron hilt comprising a pair of short drooping quillons with globular terminals, the tang retaining two rivets for attaching the grip, and tall compressed pear-shaped hollow bronze pommel 98.5cm; 38N in blade For a discussion of this group and its development see J. V. Kalmár 1935/6, pp The most famous sword from this distinctive group is the so-called sword of Charlemagne preserved in the former Imperial Schatzkammer, Vienna, inv. no. WS XIII 5. Another is preserved in the National Museum, Budapest

54 A RARE MEDIEVAL SWORD, LATE 15TH CENTURY, PROBABLY VENETIAN in excavated condition, with broad flat blade cut with a fuller on each side and retaining traces of a brass-lined bladesmith s mark, in a roundel the cross of St Andrew, iron hilt comprising a pair of flat horizontally recurved quillons with spatulate tips, and square pommel drawn-out to a central rondel on each side 98cm; 38K in blade A number of swords of this type are preserved in the armoury of the Palazzo Ducale, Venice and are referred to in early inventories as Spada Schiavonesca, See U. Franzoi p.85 no A RARE MEDIEVAL HAND-AND-A-HALF SWORD, LATE 14TH/15TH CENTURY in excavated condition, with broad flat blade tapering at the tip, straight cross-piece with slightly down-curved loweredge and swelling towards the tips, and large wheelshaped pommel 81.5cm; 32in blade The hilt of this sword is related to those preserved in the Military Museum Istanbul and associated with the period circa during which time there were numerous raids and skirmishes by the Mamluk forces against the Christian Kingdom of Lesser Armenia. See D. G. Alexander 1985, pp , nos. 32, 38,

55 A RARE FRENCH BEARING SWORD, LATE 17TH/EARLY 18TH CENTURY with broad flat double-edged blade tapering towards the point, retaining traces of engraving at the forte, and formed with a blunt ricasso, gilt-brass hilt cast and chiselled in low relief with cabalistic motifs, including a pair of straight quillons chiselled with fruit-bearing vines and foliage within a framework of scrolls, decorated in the centre with further motifs against a punched ground, compressed spherical pommel decorated with two pairs of clasped hands at the front, a vacant scrollwork cartouche on the back, and a pair of inverted green man masks, original grip bound with plaited copper wire with a chased gilt-brass collar top and bottom, and retaining much original gilding throughout 97cm; 38D in blade The clasped hands, or hands of alliance, motif signifies sworn faith and has been associated with Freemasonry and other secret societies since the renaissance. The importance of such societies amongst European noblemen and military leaders was considerable until relatively recently. A sword decorated in a similar manner and with a pommel of near identical type is preserved in the Musée de L Armée, Paris. See J-P. Reverseau 1982, p

56 111 A RARE SCOTTISH MEDIEVAL SWORD, EARLY 15TH CENTURY AND LATER with double-edged blade cut with a short fuller on each face and with traces of a running wolf mark incised on the front, later cross-piece formed of a pair of straight downward-slanted quillons with flattened spatulate terminals and pronounced écusson, and well formed wheel pommel drawn upwards at the top to form a stalk encasing the tip of the tang (areas of pitting) 78cm; 30N in blade The present sword is of the type illustrated on the tomb of Gilbert de Greenlau (d.1411) at Kinkell churchyard, Aberdeenshire. Another example is preserved in the Glasgow Art Gallery. For a discussion of this group see T. Willis, 1997, pp

57 112 A GERMAN SWEPT-HILT RAPIER, CIRCA 1600 with sharply tapering blade of diamond section, tapering ricasso stamped with a mark, probably the letters ST arranged vertically beneath a crown for Wolfgang Stantler (worn), steel hilt of flattened rounded bars, comprising down-curved forward-canted quillon with flattened globular pierced terminal (repairs), knuckle-guard with flattened globular terminal, bifurcated outer ring-guard joining the arms of the hilt at the base, lower ring-guard, trifurcated inner guard, and flattened barrel-shaped pommel (the hilt cleaned and with areas of pitting), and later grip bound with plaited silver wire and Turk s heads 91cm; 35P in blade This sword belongs to the well known group of rapiers associated with the Munich Town Guard. The present example varies in the use of an s-shaped as opposed to curved bar joining the outer ring to the lower ring-guard. Others are preserved in the Royal Armouries, Leeds, the Musée Royal de l Armée et d Histoire Militaire, Brussels, and the Wallace Collection. Another example from this group was sold Sotheby s Olympia, 29th June 2005, lot 34 ( 14,400, including premium). For a discussion of this group see A.V.B. Norman 1980, pp

58 113 AN ETCHED RAPIER IN LATE 16TH CENTURY SAXON STYLE, LATE 19TH/EARLY 20TH CENTURY with tapering blade of flattened-diamond section, stamped with a circular mark on one side towards the forte, rectangular ricasso etched with a panel of scrolling leafy tendrils and flowerheads on each side, iron hilt including a pair of straight quillons of hollow-diamond section, outer ring-guard swelling towards the centre, matching lower ring-guard fitted with a sprung-in plate, trifurcated innerguard incorporating a thumb-loop, faceted ovoid pommel, and etched throughout en suite with the ricasso, and with a grip of twisted wire retained by a shaped etched iron collar top and bottom 85.5cm; 33P in blade This sword is probably the work of the notorious forger Anton Konrad of Dresden. It is almost certainly inspired the silver-mounted rapier of Christian II, Elector of Saxony preserved in the Germanisches National Museum, Berlin

59 A GERMAN CUP-HILT RAPIER, LATE 17TH CENTURY with slender blade of flattened-hexagonal section, cut with a short fuller stamped by the bladesmith JACOB BRACH ANNO 1662 on one side and with a brief Latin inscription on the other, rectangular ricasso stamped with the bladesmith s mark (rubbed), steel hilt comprising elliptical cup-guard with moulded brim, engraved with scrollwork and linear patterns on the inside, a pair of straight quillons with button-shaped terminals, knuckle-guard interrupted by an elliptical moulding, globular pommel moulded en suite with the cup-guard and the grip bound with plaited wire and a moulded steel collar top and bottom 99.5cm; 39B in blade AN ITALIAN CUP-HILT RAPIER, CIRCA 1680 with blade of flattened-hexagonal section, stamped with an inscription within a short fuller on each side (rubbed), rectangular forte stamped with a series of marks including a crowned M, tapering ricasso, steel hilt comprising deep cup guard pierced with a series of horizontal panels filled with swirling foliage (small chips and holes), a pair of slender vertically recurved quillons, knuckle-guard, and earlier fluted ovoid pommel (pitted, the hilt loose), and spirally-carved wooden grip 113cm; 44I in blade

60 A RARE RUSSIAN SMALL-SWORD WITH CUT-STEEL HILT, CIRCA 1770, ALMOST CERTAINLY TULA with colichemarde blade etched with a panel of scrollwork incorporating a trophy-of-arms at the forte (rubbed, now polished bright), steel hilt including oval shell-guard finely pierced with numerous beads enclosed within a trellis framework, the border pierced with tightly scrolling foliage, a pair of straight quillons with flattened globular terminals and knuckle-guard all pierced with scrolling foliage en suite with the shell, quillon-block and pommel each pierced with beads within a framework of trellis matching the shell, and original grip bound with plaited silver wire, ribband and Turk s heads, in a later leather scabbard with silver locket and chape 80cm; 31I in blade A small-sword with steel hilt pierced with an almost identical pattern of scrolling foliage and inscribed Tula 1769 is preserved in the Kremlin Armoury. See Kremlin 1998, no A RUSSIAN SMALL-SWORD, CIRCA 1790, PROBABLY TULA with slender hollow-triangular blade etched with scrollwork at the forte, steel hilt set with numerous faceted studs and inlaid with twisted silver wire, comprising oval shell-guard pierced with a central panel of expanded flowerheads separated by leaves, a pair of slender arms, short scrolling quillon, knuckle-guard interrupted by a pierced moulding, urn-shaped pommel, and swelling grip decorated with a spiralling pattern of fluting, inset with studs and twisted wire en suite with the hilt (minor losses) 87cm; 34D in blade The style of decoration with the use of studs and twisted silver wire on burnished steel is characteristic of Tula workmanship of this period. For further examples see Tula 1977, nos. 124 and

61 118 A VERY RARE ENGLISH TRANSITIONAL RAPIER WITH BRASS HILT DECORATED WITH PORTRAIT BUSTS OF WILLIAM AND MARY, CIRCA 1690 with straight double-edged blade cut with a running wolf mark and stamped with the inscription SAHAGVM within a short fuller on each side at the forte (pitting), brass hilt comprising short down-curved quillon with flattened globular terminal, inner and outer ring-guards each interrupted by a central moulding and filled with a sprungin plate, the plates each chiselled with a religious scene on the outer face and a mounted figure inside, retaining traces of gilding and black paint probably for funerary purposes, knuckle-guard interrupted by a foliate moulding and joined to the rings by an additional bar front and back, and spherical pommel chiselled against a matted ground with the crowned Royal monograms WR and MR on the front and the back, each divided by the respective crowned portrait busts and contained within a beadwork frame, and the grip retaining its original spiral binding of alternating thicknesses of plaited brass wire 81.4cm; 32in blade The decoration of the pommel is notably rare: it would appear that this sword is the only example of its type extant. A sword with a hilt of similar form inscribed God save King William and Queen Mary is preserved in the Royal Armouries, Leeds. See A. R. Dufty 1974, p. 25 and pl

62 A FRENCH SILVER-HILTED SMALL-SWORD, CIRCA with tapering hollow-triangular blade etched and gilt with scrollwork and trophies on a blued panel at the forte (oxidised, small losses), silver hilt cast and chased in low relief comprising shell-guard decorated with classical figures including Neptune accompanied by putti, short globular quillon struck with silver marks, perhaps Paris , a pair of writhen pas-d âne, knuckle-guard formed en suite and interrupted by further putti, matching ovoid pommel, accompanied throughout with rococo scrolls and shell ornament against a punched ground, and the grip bound with plaited silver wire and Turk s heads 85.5cm; 33K in blade A FRENCH SILVER-HILTED SMALL-SWORD, CIRCA with associated tapering hollow-triangular blade, silver hilt cast and chased with rococo ornament in low relief, including double shell-guard up-turned front and rear decorated with trophies-of-arms against a finely punched ground within foliate frames, globular quillon cast and chased with foliage, quillon block with trophies on each side, knuckle-guard interrupted by a foliate moulding, and globular pommel decorated with foliage and stylised trophies, retaining traces of gilding throughout, and the grip bound with plaited silver wire and Turk s heads 84.5cm; 33D in blade AN UNUSUAL SILVER-HILTED SMALL-SWORD, LATE 17TH CENTURY, ENGLISH OR DUTCH with tapering blade double-edged towards the point, cut with a full-length broad fuller on each face, silver hilt comprising quillon with globular finial (repaired), stamped with the maker's mark, FW, outer ring-guard and knuckleguard each interrupted by a central moulding chiselled with fruit and foliage, the former fitted with a sprung-in plate finely pierced and engraved with a scrolling foliage, compressed ovoid pommel chiselled en suite, enriched throughout with panels of lightly engraved scrollwork, and the grip bound with plaited silver wire and Turk s heads 70.5cm; 27N in blade

63 A FRENCH SMALL-SWORD, CIRCA with hollow-triangular blade, etched with scrolls, a spray of halberds, and a warrior on a blued panel at the forte (oxidised), signed Liger Md Fourbisseur Rue Coquillere a la Justice a Paris on each side, steel hilt finely chiselled with rococo scrolls bouquets and garlands, including doubleshell-guard decorated with four differing vignettes including an allegory of architecture and a young boy with a gun, globular quillon, quillon block decorated with a pair of putti, knuckle-guard and ovoid pommel each en suite with the shell, all against a finely punched and gilt fish roe ground incorporating small panels of trellis, and the grip with a later binding of plaited silver wire, ribband and Turk s heads 81.5cm; 32B in blade Pierre André Liger is recorded at 192 de la rue Coquillière circa A SILVER-HILTED SMALL-SWORD, CIRCA 1760, PROBABLY DUTCH with two-stage blade of flattened-hexagonal section, etched and gilt with a crowned trophy-of-arms carrying a star, and a scrollwork panel involving a fleur-de-lys on a gilt panel at the forte on each side, silver hilt, including double shell-guard with moulded brim, boldly chiselled with foliage on each side of the blade, bulbous quillon chiselled with foliage faceted quillon block chiselled with foliage en suite with the shell, moulded knuckle-guard stamped with two maker s marks including the letters DH, faceted plummet-shaped pommel matching the quillon block and the shell, and the grip bound with plaited silver wire with a moulded collar top and bottom 83.5cm; 32P in blade

64 124 A RARE LONG KNIFE FROM A SAXON HUNTING TROUSSE, CIRCA with tapering blade double-edged towards the point, retaining traces of engraved and gilt decoration at the forte on each side (pitted), shaped tang filed with characteristic notched patterns, the hilt fitted with a pair of moulded faceted brass panels at the base incised with flowerheads and pellets, and a pair of natural staghorn grip-scales retained by four rivets with domed silver caps each engraved with the crossed swords of the Archmarshalship of the Empire and the arms of Saxony 60.5cm; 23N in blade A related hunting garniture comprising a sword and trousse is preserved in the Royal Armouries, Leeds. See H. L. Blackmore plate A BOWIE KNIFE BY J. RODGERS & SONS, NO. 6 NORFOLK ST, SHEFFIELD, ENGLAND, LATE 19TH CENTURY with broad single-edged blade of polished steel, stamped with the full maker s details and GR interrupted by a crown above on one side at the forte and with the star and Maltese cross mark on the other, German silver cross-piece with globular quillons, engraved with the owner s name R. C. Macgeagh, and polished horn grip-scales each retained by five steel nails, in its original leather scabbard with belt loop embossed with the owner s name, and complete with its sharpening steel cm; 14D in A SARDINIAN DAGGER, 18TH CENTURY AND TWO FURTHER DAGGERS the first with tapering blade double-edged towards the point, inlaid with an engraved brass panel on each side of the forte, moulded hilt partly encased in pierced and engraved silvered plaques over horn, in its tooled leather scabbard (now in two pieces, tip missing); and two North African daggers, 20th Century, each in its scabbard the first: 32.7cm; 12P in (3)

65 A SILVER-MOUNTED HUNTING SWORD, LONDON SILVER HALLMARKS CIRCA with curved blade double-edged for its last third, cut with a broad full-length fuller and a shorter slender fuller on each side, silver hilt comprising a pair of flattened recurved quillons chiselled with scrolls and stars, and with an expanded flowerhead in the centre on each side, the pommel formed as a finely modelled falcon s head, associated silver knuckle-chain, and spirally-carved greenstained ivory grip, in its silver-mounted vellum scabbard (repaired), with locket chased en suite with the hilt 63cm; 24N in blade A SILVER-MOUNTED HUNTING SWORD, LONDON SILVER HALLMARKS FOR 1777 with curved polished blade double-edged for its last third, cut with a broad full-length fuller and a shorter slender fuller on each side, silver hilt comprising a pair of recurved quillons with fluted flattened globular terminals, chiselled in the centre with classical trophies-of-arms and stamped with the maker s mark HI, lion's head pommel, and spirallycarved green-stained ivory grip, in its original silvermounted leather scabbard, the locket chased with trophiesof-arms in a framework of rococo scrolls, and the locket and middle band each with a ring for suspension 61.5cm; 24B in blade A SILVER-MOUNTED HUNTING SWORD, LONDON SILVER HALLMARKS FOR 1774 with curved blade double-edged for its last third, cut with a long slender fuller along the back-edge on each side, silver hilt comprising a pair of recurved flattened quillons chased in the centre with trophies-of-hunting and with globular terminals, lion s head pommel, and retaining its original spirally-carved green-stained ivory grip (one repaired age crack) bound with silver ribband, in a tooled leather scabbard with silver locket and chape 70cm; 27Kin blade A SILVER-MOUNTED HUNTING SWORD, CIRCA with curved blade double-edged for its last third, cut with a full length broad fuller and a shorter slender fuller on each side (areas of pitting), silver hilt comprising a pair of quillons formed as falcons heads, the quillon block chased with trophies-of-hunting carrying a bird-of-prey on one side and a hound s mask on the other, and spirally-carved green-stained swelling ivory grip (one small repair), in its original silver-mounted leather scabbard, the locket chased with rococo scrolls enclosing a hound s head, and the locket and middle-band each with a ring for suspension 70cm; 27K in blade

66 A RARE LATE GOTHIC POLE-AXE, GERMAN OR SWISS, FIRST QUARTER OF THE 16TH CENTURY with central spike of diamond section continuing at the base to form a pair of long straps, axe blade formed with a straight leading edge, flattened rear pean formed with a pronounced chequer pattern of numerous raised nodules, a pair of robust pyramidal transverse spikes, on an early wooden haft 69cm; 27B in head A very similar example, formerly in the Viktor Monetti Collection was sold Galerie Fischer 24th June 1974, lot 2. Another, decorated with the arms of the City of Venice, and formerly in the George F. Harding Collection is preserved in the Art Institute of Chicago (inv. no ). Another pole-axe of related form is preserved in the armoury of the Doges Palace, Venice. See U. Franzoi 1990, no A RARE ITALIAN CORSECA, MID-16TH CENTURY with very long tapering central blade of flattened-diamond section, stamped with a latten lined figure-of-eight shaped mark on each side (losses), and recessed at the base, a pair of strongly curved tapering basal lugs each of flattenedtriangular section, tapering faceted socket, the base of the blade and the lugs each retaining traces of pointillé and a pair of associated straps with shaped terminals (areas of pitting), on a later wooden haft 95.5cm; 37I in head Provenance The Gothic Room of Mrs Alexander Rice, New York. Rice, a socialite and philanthropist, was the daughter of William L. Elkins, the pioneer of Industry Standard Oil. She married George Widener who was drowned, together with their son, on the Titanic and in whose memory she built the $2 million Memorial Widener Library at Harvard. Smithsonian American Art Museum, formerly the National Museum of American Art (accession no ). John Waldman Literature: John Waldman, Hafted Weapons in Medieval and Renaissance Europe, 2005, p. 178, fig. 146 The traces of pointillé decoration were probably gilded and is similar to that of the hafted weapons associated with the reign of Henry VIII. A number of weapons were purchased by the crown during this period from Florentine merchants such as Leonardo Frescobaldi. See G. M. Wilson 1985, pp

67 133 A RARE ETCHED GLAIVE FOR THE GUARD OF THE EMPEROR LEOPOLD I, DATED 1694 with broad knife-like blade, tapering socket of square section, and a pair of short straps, the head decorated on each side with a large panel filled with a symmetrical arrangement of foliage against a stippled ground with the crowned letter I for Imperator at the top, one side with the device of Leopold I, in a sunburst the eye of God above a sword entwined with vine foliage, and his motto Amore et Timore within a wreath, and the other with the crowned Imperial Eagle enclosed by the collar of the Order of the Golden Fleece and the date (the etching worn and indistinct in places), on an early wooden haft (repaired) 68cm; 26N in head Leopold I ( ) was the second son of the emperor Ferdinand III and his first wife Maria Anna, daughter of Philip III of Spain. Originally Leopold was intended for the church until the death of his elder brother the German King Ferdinand IV in July Following this he became King of Hungary in 1655 and of Bohemia the following year. He was elected Emperor at Frankfurt in Whilst he was a man of peace the Imperial army was at war for much of his reign, most notably against France and the Turks. The Turkish wars were successfully brought to a close during his reign following their defeat at Vienna in Another glaive from this group is preserved in the Vienna Zeughaus, see Vienna 1977, cat. No. 702, abb

68 134 A RARE ETCHED HALBERD OF THE GUARD OF THE EMPEROR MATTHIAS, DATED 1612 with double-edged central spike of hollow-diamond section notched at the base, large flat axe-blade formed with concave leading edge, flat down-curved rear fluke, tapering socket, and a pair of long straps, the head finely etched over much of its surface with scrolling tendrils against a stippled ground, the spike with the Imperial cypher beneath an Imperial crown, the head decorated on one side with a large oval filled with the Imperial device, an eagle with orb and sceptre before the Imperial crown and beneath a sunburst, and on the other with the crowned Imperial arms within the collar of the Order of the Golden Fleece, the fluke with the abbreviated Imperial motto AVC (Amat Victoria Curam) on one side and the date on the other, the socket decorated with the maker s initials BS on one side and WHB on the other, and with traces of gilding throughout (one side with a large delamination), on a wooden haft fitted with an additional pair of etched straps 64.5cm; 25G in head 134 Matthias ( ) was the son of the Emperor Maximilian and Maria, daughter of the Emperor Charles V. The period leading up to his short reign was dominated by numerous disputes with his brother, Rudolph II. The two brothers fought each other in 1611, when Matthias was invited by the Bohemians whose land was being ravaged by Imperial troops. The following year Rudolph died and Mathias was crowned Emperor. Troubles in Bohemia continued through his reign, with the Thirty Years War starting the year before his death in Three other halberds from this group are preserved in the Metropolitan Museum of Art, New York (inv. nos , , and 461). Another is preserved in the Kienbusch Collection in the Philadelphia Museum of Art, no

69 A FINE GERMAN ETCHED HALBERD, CIRCA 1570 with long central spike of diamond section, forward leaning axe-blade pierced with three groups of holes, pierced down-curved rear spike, and a pair of long straps (one cracked at the base), decorated on each side with an espagnolette mask on the head and a warrior in contemporary costume in the centre (one side with a small lamination), all amidst scrolling leafy tendrils against a granulated ground extending up two-thirds of the length of the central spike, over the rear spike and the top of the straps, the latter also incorporating an expanded flowerhead, on an early wooden haft fitted with an additional pair of straps 79cm; 31in head A RARE NORTH ITALIAN DAMASCENED COMBINED GUN REST AND SPEAR, MID-17TH CENTURY with steel head formed of a pair of flattened scrolling arms each terminating in a falcon s head, decorated with gold damascened scrolls on each side (losses), fitted with a hinged cap at the base decorated en suite and covering a retractable long slender blade, moulded collar incorporating a release button for the blade each damascened with scrollwork, on a leather-covered haft complete with its original iron shoe and hook each with traces of gold damascene (the decoration with losses, the steel parts patinated throughout) 51cm; 20in head, with blade extended

70 138 A PARTISAN, SECOND QUARTER OF THE 17TH CENTURY with tapering central blade of flattened-diamond section swelling towards the tip, a pair of flat basal lugs with further short lugs top and bottom, retaining traces of engraving including addorsed cannon on each face, moulded faceted socket, and a pair of short straps, on an associated wooden haft 56.2cm; 22B in head TWO DECORATIVE TILTING LANCES, 19TH CENTURY each fluted over the greater part of its forward portion, recessed grip encircled with rivets at each end, conical rear portion, one fitted with a diamond-shaped iron head with moulded neck and painted red overall, the other applied with pierced iron plaques and painted gold 387cm; 152I in and 372cm; 146I in overall (2) A GERMAN MACE, MID-16TH CENTURY formed entirely of steel, with head of six pierced shaped flanges, each reinforced in the centre with a cruciformshaped tip, moulded central finial, tapering cylindrical haft pierced for a thong, spirally-fluted grip, and hemispherical basal cap (heavily pitted throughout) 59cm; 23D in SEVEN VARIOUS HAFTED WEAPONS, 18TH AND 19TH CENTURIES comprising a partisan, in excavated condition; a Spetum (repaired); a military spontoon (chipped, the cross-piece incomplete); a brass spear; and three further spears, each on a wooden haft (worn) the first: 52cm; 20I in head (7)

71 A SCOTTISH BASKET-HILTED SWORD BY HARVEY, DATED 1762 with straight blade double-edged over the upper half, cut with a long central fuller over its entire length and with a further slender fuller along the back-edge on each side (areas of pitting), engraved with GR crowned on each side of the forte and maker s name and date on one side, steel hilt comprising basket-guard of fluted bars carrying a series of narrow and near square panels pierced with arrangements of hearts and circles enriched with fluting, large oval loop for the reigns, scrolling quillon, fluted bunshaped pommel, and wooden grip retaining its original fishskin covering (small losses) and plaited brass wire binding 91cm; 35N in blade A MILITIA SHORTSWORD, SECOND HALF OF THE 18TH CENTURY with curved blade double-edged towards the tip, cut with a three-quarter-length fuller along the back-edge on each side (patinated, the forte with a braized repair), brass triplebar hilt formed with a broad guard at the base engraved 1st E S L M 25 on the underside (probably East Stirlingshire Loyal Militia), down-turned globular quillon, globular pommel, and spirally-fluted grip 71.8cm; 28D in blade

72 A 1796 PATTERN HEAVY CAVALRY OFFICER S SWORD with German blade inscribed J. J. Runkel, Solingen on the back-edge, retaining much etched and gilt decoration including GR crowned and the Royal Arms on the respective sides, regulation gilt-brass hilt, original grip bound with silver wire, in its scabbard impressed with two Fleur-de-lys, probably for the Third Dragoon Guards, and the initials J. C. 82cm; 32D in blade A 1796 PATTERN INFANTRY OFFICER S SWORD AND A BANDSMAN S SWORD, SECOND QUARTER OF THE 19TH CENTURY the first retaining some etched and gilt decoration including GR crowned on the blade (worn), regulation brass hilt with folding shell, in its regulation leather scabbard with brass mounts (the brass painted with gold in parts); the second with straight blade (rusted) and brass hilt cast with foliage on the langets and with lion mask pommel (patinated) the first: 80.5cm; 31N in (2) AN 1803 PATTERN INFANTRY OFFICER S SWORD with regulation blade etched with GR crowned, a Turk s bust, and sprays of foliage, the crowned Royal Arms, brass regulation hilt (bent, one small crack), and chequered ivory hilt, in its leather scabbard with brass mounts (locket stud missing, the brass painted gold throughout) 79cm; 31in blade AN 1803 PATTERN INFANTRY OFFICER S SWORD RETAILED BY TATHAM, NO 37 CHARING CROSS, NEAR THE ADMIRALTY, LONDON with German blade inscribed J. J. Runkel, Solingen on the back-edge, retaining traces of etched and gilt decoration, regulation brass hilt (knuckle-guard repaired), in its scabbard inscribed with the maker s details on the locket 80.5cm; 31N in blade

73 A GEORGE V 1897 PATTERN INFANTRY OFFICER S SWORD AND A MASONIC SWORD the first of regulation specifications, with etched fullered blade, steel hilt retaining traces of nickel-plating, in its scabbard (worn), the second with straight slender blade (tip chipped), brass hilt comprising a pair of bow-tie quillons and flattened ovoid pommel the first: 82.5cm; 32I in blade (2) AN 1845 PATTERN INFANTRY OFFICER S SWORD BY JOHNSTON, JERMYN ST, ST JAMES S, LONDON of regulation specifications, with etched blade including VR crowned, the maker s details and the owner s, crested arms and motto on the respective sides, brass hilt, fishskin-covered grip, in its brass scabbard (dents) 82.5cm; 32I in blade The arms are those of O Carroll of Ardagh, Co. Galway, Ireland A VICTORIAN 1827 PATTERN NAVAL OFFICER S SWORD BY LINNEY, 23 REGENT STREET, LONDON, CIRCA of regulation specifications, with 1846 pattern etched blade including VR crowned and the maker s details on one side of the forte (rubbed, partly obscured), brass hilt, sharkskincovered grip, original sword knot, in its scabbard cast with the retailer s details, H. & W. Seagrove, The Hard, Portsea 74.5cm; 29G in blade A MAMELUKE-HILTED SWORD BY WILKINSON FOR THE MALAYSIAN MARKET, 20TH CENTURY with curved etched blade including the full arms of Malaysia on each side and the maker s details at the forte, gilt metal cross-piece, composite white grip, in its scabbard 78.8cm; 31in blade

74 A SCOTTISH DIRK, LATE 19TH/20TH CENTURY with tapering fullered blade formed with a notched backedge, carved grip decorated with basketweave designs, white metal ferrule decorated with a plaited pattern, the pommel set with a large faceted amber coloured paste, in its leather-covered wooden scabbard with white metal mounts cast with entwined serpents at the front, complete with its accompanying knife, fork and suspension strap 40.8cm; 16in A FRENCH MODEL 1816 INFANTRY BRIQUET AND TWO VICTORIAN PRISON OFFICER S SWORDS the first with curved blade engraved with Klingenthal arsenal inscription on the back-edge (pitted), and brass hilt, in its brass-mounted leather scabbard (worn, chape missing); the second and third with curved blades doubleedged at the points, brass stirrup hilts, one engraved BLD on the quillon, and banded fishskin-covered grips, in their brass-mounted leather scabbards the first: 59.5cm; 23G in blade (3) A CONTINENTAL CAVALRY SWORD, 19TH CENTURY with curved fullered blade double-edged towards the tip, stamped with W crowned and 97 on the back-edge at the forte, steel stirrup hilt, in its steel scabbard with a single ring for suspension (surface rust) 76cm; 30in blade

75 TWO CONTINENTAL CAVALRY SWORDS, SECOND QUARTER OF THE 19TH CENTURY each with curved blade double-edged at the tip and formed with a long broad fuller on each side, stamped with a mark at the forte, regulation brass triple-bar hilt (one compressed), brass cap pommel, wire-bound leathercovered grip (one with minor losses), and each in its steel scabbard 90cm; 35I in blades (2) A PORTUGUESE SWORD, CIRCA 1830 with earlier Spanish blade of flattened-hexagonal section, stamped with the letters L, R crowned, and C IV for Carlos IV on one side and with the date 1799 on the other, gilt-brass hilt based on the British pattern of 1822, incorporating an oval carrying the crowned Royal arms of Portugal enclosed by laurel, folding inner-guard, the backstrap and pommel formed as a maned lion s head, and giltbrass banded grip, in an associated steel scabbard (now in two pieces) 91.5cm; 36in blade

76 Thomas Del Mar Ltd gratefully acknowledges Stephen Wood for his assistance in the preparation of this section of the catalogue. THE HART FAMILY COLLECTION OF NAVAL AND MILITARY UNIFORMS AND CIVILIAN COSTUME Originally from the English counties of Devonshire, Kent and Suffolk, the Hart family dates its establishment in the Ulster counties of Donegal and Londonderry to the Anglo- Irish wars of the late sixteenth century and to the subsequent seventeenth century Plantation of Ulster. The first Hart to settle in Ulster was Henry (circa 1568/ ) who went there as an officer in the army of Elizabeth I, was wounded at Carrickfergus in 1597 and became governor of Culmore Fort and an alderman and mayor of Londonderry: he was granted extensive lands in the province and founded the family s fortunes in Ulster as well as setting the tone for the lives and local influence of future generations of his family. Henry s descendants followed careers typical of the Anglo-Irish landed gentry from the seventeenth to the twentieth century: they were sailors, soldiers, clergymen, colonial governors, magistrates, high sheriffs, deputy lieutenants and politicians - the very backbone of the British Empire. In the collection of family clothing offered here are uniforms and civilian costume that span the period from before the Capture of Seringapatam in 1799 to the end of the First World War in There are a few items that run into the mid-twentieth century but the majority of the collection - representing four generations of the family, from General George Vaughan Hart (born 1752) to Lieutenant-Colonel John George Vaughan Hart (died 1946) - covers two centuries of naval and military experience across the globe, from India and Singapore to the West Indies and Africa: one highly significant item, an officer s jacket, or short-tailed coatee, was probably worn at the battle that was pivotal for the fortunes of the Empire to which the Hart family so significantly contributed for so long: Waterloo,

77 THE NAVAL AND MILITARY UNIFORM General George Vaughan Hart ( ) Ensign, 46th Foot, 1775; lieutenant, 1777; captainlieutenant, 55th Foot, Mar. 1779; captain, Dec. 1779; major, 75th Foot, 1787; lieutenant-colonel, 1795; colonel, 1798; brigadier-general, 1801; major general, 1805; lieutenantgeneral, 1811; general, ADC to Maj.Gen. The Hon. John Vaughan in America ; ADC to Maj.Gen. James Grant in the West Indies, ; ADC and Military Secretary to Maj.Gen. William Medows in proposed attacks on the Cape of Good Hope and Buenos Aires 1781 and in India 1782; ADC and Military Secretary to Medows in Bombay and Deputy Paymaster- General, Bombay, ; Deputy Paymaster-General, Madras, and Deputy Paymaster-General, India, ; Deputy Paymaster-General, Madras, and Commissary of Grain, Mysore, 1799; Officer Commanding in Canara, ; Brigadier-General commanding NW District, Ireland, ; Major General commanding NW & NE Districts, Ireland, ; Lieutenant-General commanding West & Central Districts, Ireland, and Northern District, Ireland, ; Governor of Londonderry and Culmore Fort MP, Co. Donegal, Served in: American War of Independence (Cape Fear, Charleston, Flatbush, Brooklyn, Forts Washington and Lee and Philadelphia, 1776; New Jersey, Chesapeake Bay, Germantown, Brandywine, Monmouth Courthouse and raids into Connecticut, ; St Lucia and Grenada 1779); 2nd Mysore War 1782; 3rd Mysore War (siege of Seringapatam and capture of Pondicherry) and 4th Mysore War (battle of Malvilly and capture of Seringapatam)

78 A STAFF OFFICER S UNDRESS FROCK, CIRCA of scarlet wool, with dark blue lapels and cuffs; twist loops to the sleeves, lapels and skirts arranged in pairs; plain, white metal, half-domed, open-back buttons (one replaced and one missing); the tails made to hook back (two tail ornaments missing); the body unlined but the breast and tails lined with white silk; provision for two epaulettes (moth damage and the lining largely shredded) This was probably worn by Hart as Deputy Paymaster- General for Madras and India between circa 1792 and

79 A STAFF OFFICER S FROCK, CIRCA of scarlet wool, with dark blue lapels and cuffs; loops of plain gold lace to the cuffs, lapels and skirts arranged in pairs; flat, polished gilt metal buttons - by M. Murphy, Dublin - embossed with a crowned Royal Cypher GR; made-up tails with plain gold lace ornaments; the body unlined; provision for a single epaulette on the right shoulder This was probably worn by Hart as a Colonel on the Staff in India and Britain between 1799 and 1801, and is almost certainly that shown in the illustration on p

80 A STAFF OFFICER S UNDRESS FROCK, CIRCA 1790s of scarlet wool, single-breasted, with dark blue collar and cuffs; flat, polished, plain, silver-plated buttons - marked SHEFFIELD PLATED on their backs; the tails made to hook back but without tail ornaments; the body unlined; epaulettes to both shoulders, the silver lace straps edged with twisted silver wire, with crescents formed of sequins and terminating in loose silver bullions, the straps each bearing an embroidered badge of a crown on a scarlet ground within a blue strap-and-buckle bearing the title GARRISON STAFF (some moth damage and staining) This extremely rare example of a staff officer s frock was probably worn by Hart as Deputy Paymaster-General for Madras and India between circa 1792 and

81 A LIEUTENANT-GENERAL S FULL DRESS COATEE, of scarlet wool, with dark blue lapels, cuffs and collar patches; gold embroidered loops to the sleeves, lapels and skirts arranged in threes; with gilt-metal, half-domed general officer s buttons; the skirts sewn back and retaining both tail ornaments (damage to rear right shoulder and some moth damage); with detached gold round-cord epaulette and aiguillette (some moth to epaulette base) This pattern of coatee was worn in Full Dress and Dress by lieutenant-generals Hart held that rank but the style in which the tails are sewn back may indicate that this coatee was made early in the period that he would have worn it

82 A LIEUTENANT-GENERAL S UNDRESS COATEE, of scarlet wool, with dark blue lapels, cuffs and collar patches; twist loops to the sleeves, lapels and skirts arranged in threes (lacking all buttons); the tails made to hook back and retaining one tail ornament (some moth damage, the lining shredded and some staining) This pattern of coatee was worn in Undress by lieutenantgenerals Hart held that rank but the archaic style in which the tails are made to hook back may indicate that this coatee was made very early in the period that he would have worn it A LIEUTENANT-GENERAL S UNDRESS COATEE, of scarlet wool, with dark blue lapels, cuffs and collar patches; twist loops to the sleeves, lapels and skirts arranged in threes; fully lined; with gilt-metal, half-domed general officer s buttons; external pocket in left breast; with made-up tails but no tail ornaments (slight moth damage) This pattern of coatee was worn in Undress by lieutenantgenerals Hart held that rank but the style in which the tails are made-up may indicate that this coatee was made quite late in the period that he would have worn it

83 THE FOLLOWING TWO LOTS WERE TAKEN, BY TRADITION, AFTER THE CAPTURE OF SERINGAPATAM BY GENERAL GEORGE VAUGHAN HART 162 AN INDIAN MAIL AND LAMELLAR SHIRT, 17TH CENTURY formed of rows of large riveted iron rings alternating with rows of butted rings, extending to above the knees, the chest area of robust closely meshed rings, and open at the front, vented at the back and applied with five rows of narrow vertically overlapping cusped iron plates, the sides with pairs of longitudinal plates, a pair of full-length sleeves, the front with four rectangular convex plates each fitted with two shaped bars for straps or laces, and engraved on the outside (the mail with small holes and losses, the plates patinated) By tradition taken by General George Vaughan Hart at Seringapatam A BRASS GONG, BY TRADITION FROM TIPU SULTAN'S PALACE of characteristic circular form, pieced with a pair of holes at the top for suspension, and the inner face painted with a short Chinese inscription (perhaps later) 53.5cm; 21in diameter

84 164 A BRITISH OFFICER S WAIST SASH, CIRCA of crimson netted and tatted silk, fastened at the tassels (some moth and damage) The sash 54 inches in length (doubled), including tassels, almost certainly that shown in the portrait on p A GENERAL S EPAULETTES, CIRCA four pairs; scarlet wool straps applied with trains of gold wire Staff pattern embroidery and terminating in thin bullion fringe; two pairs with flat, gilt metal general officer s buttons; one pair lacking its fringe (some moth and other damage) Prior to 1811, general officers wore epaulettes of this type on their frocks and coatees; Hart attained the rank of Brigadier-General in 1801 and so would have worn epaulettes of this type until the coatees of general officers changed their style in A GENERAL S SWORD KNOT, 1820s 166 of plaited crimson silk and gold wire cord with a crimson silk and gold wire Turk s Head slider and terminating in a massive gold-wire and bullion tassel, the tassel applied with two crimson velvet and gold wire medallions bearing the general officer s device of a crossed sword and baton in unused condition This magnificent knot conforms to that specified for general officers in the Dress Regulations of A STAFF AND GENERAL OFFICER S EMBROIDERED LOOPS AND BUTTONS, CIRCA a quantity of embroidered loops, in gold and silver wire and upon scarlet and dark blue cloth backgrounds, with some half-domed white metal Staff officer s buttons and a single tail ornament (variable condition) These loops will have been worn on his frocks and coatees by Hart in his various Staff positions and as a general officer c Whereas Staff officers, such as Deputy Paymaster-Generals, wore silver lace and embroidery on their coats, general officers wore equivalent in gold

85 168 A GENERAL S COCKED HAT, PLUME AND HAT-TIN, 1820s the hat of black felt (damaged), with a black silk rosette, gold wire embroidered star-loop, gilt metal, half-domed general officer s button and two crimson and gold bullion tassels; the plume of red and white swan s feathers; the hat-tin of japanned tin Although Hart would have worn a cocked hat in uniform for much of the last thirty-five years of his life, this example is dated to the 1820s by reason of its conformity to that specified for general officers in the Dress Regulations of A GENTLEMAN S VEST, MILITARY OR CIVILIAN, CIRCA of white cotton, single-breasted, with ten cotton-covered buttons and three pockets, showing signs of enlargement (some staining) Vests, or waistcoats, of this style were worn by gentlemen with both military and civilian coats at the period indicated. From its date, this vest is most likely to have been worn by General George Vaughan Hart, possibly with one of the frocks in this collection. This is almost certainly that shown in the portrait on p

86 A GENERAL S FULL DRESS COATEE, EPAULETTE, WAISTBELT AND SLINGS, the coatee of scarlet wool, with dark blue collar and cuffs; the collar, cuffs and pocket flaps all applied with gold oakleaf pattern embroidery; fully lined; with gilt-metal, halfdomed general officer s buttons equally placed on the double-breasted front; tail ornaments of general officer s pattern (some wear and staining); the single epaulette, for the left shoulder, with a gold lace strap and a broad, twisted gold wire border, with a gilded metal crescent and heavy boxed bullion and applied with the general officer s device of a crossed sword and baton embroidered in gold and silver wire; the waistbelt of brown leather, 1 ½ inches wide, with slings of 1 inch wide, belt and slings applied with triple trains of gold-wire embroidery and with giltmetal fittings, the oblong clasp gilt, mounted in silver with the crowned Royal cipher WR IV, flanked by oak-leaf sprays and above the motto DIEU ET MON DROIT (some wear) This pattern of coatee was worn by generals from 1828 to 1855; Hart held that rank from 1828 until his death in

87 A GOVERNOR S UNDRESS COATEE, CIRCA 1830 of scarlet wool with dark blue collar and cuffs; twist loops to the sleeves and tails arranged in threes; fully lined; with gilt metal half-domed buttons bearing an embossed crown within a wreath upon a horizontally-hatched ground; with made-up tails and tail ornaments of Staff pattern (slight moth damage) The Dress Regulations for 1822 specify a coat similar to this and with these buttons, for Full Dress and Dress wear by the Governors of garrisons and forts but no coatee is specified for Undress wear. The plain twist loops and lack of any epaulette-provision on this coatee suggest that it is an Undress coatee and would have been worn by Hart in his role as Governor of Londonderry and Culmore Fort ; its style implies that it is probably later rather than earlier in the period

88 Captain John Richard James Hart ( ) The eldest son of General George Vaughan Hart. Royal Military Colleges, Marlow and Sandhurst, ; ensign, 52nd Foot 1813; lieutenant 1814; lieutenant, 74th Foot, 1816; half-pay 1817; lieutenant, 35th Foot, 1819; lieutenant, 86th Foot, 1820; lieutenant, 4th Light Dragoons 1821; captain, half-pay, June 1825; captain, 10th Foot, July 1825; half-pay Served in France and Flanders (battle of Waterloo 1815); Ireland ; England and Ireland ; India Said to have been a Justice of the Peace, Co. Donegal, an Alderman of the City of Londonderry and also Commandant of the City of Derry Yeomanry. 172 A COMPANY OFFICER S SHORT-TAILED COATEE OR JACKET, 52nd (THE OXFORDSHIRE) REGIMENT OF FOOT (LIGHT INFANTRY), of scarlet cloth, with light buff collar, lapels and cuffs; the body lined with linen; white metal, half-domed buttons bearing an embossed 52 within a laurel wreath, with OXFORDSHIRE beneath; (some wear, fading and slight moth damage and lacking two buttons and its light infantry pattern wing epaulettes). Broadly conforming to the officer s jacket of 1812 illustrated in Franklin 2008 (p. 223), this jacket lacks the triangle of lace in the small of the back and appears never to have had tail ornaments Although John Hart received his commission as an ensign in the 52nd in 1813, his father was determined to keep him at the Royal Military College for at least a year [letter G.V. Hart to his elder brother John: Public Record Office of Northern Ireland, D3077/B/8/31] and so it is unlikely that he wore this jacket before joining his regiment in Since he left the 52nd by exchange to the 74th Foot in July 1816, this suggests a period of, at most, 18 months during which Hart can have worn this jacket and in this period Hart served with his regiment at the battle of Waterloo, in the subsequent pursuit of the defeated French army and in the occupation of France. The wear to the cloth of this jacket is consistent with hard service use and this, together with its preservation in the family, lends credence to the belief that Hart wore this jacket at Waterloo and in France and Flanders during 1815 and The 52nd, comprising the hastily-amalgamated 1st and 2nd battalions of the regiment, was one of the strongest infantry regiments at Waterloo, going into battle with upwards of a thousand bayonets [Moorsom 1860, p.259]. Stationed initially in the second line and on the centre-right of the Allied position, the regiment formed part of the 3rd Brigade within the 2nd Division of II Corps, being brigaded with 71st Highlanders and two battalions of 95th Rifles. As the battle progressed, the brigade was moved further to the right as reinforcements; the 52nd then moved forward to engage the advancing Old Guard of the French Army. By moving swiftly to its front and then wheeling left, the 52nd was able to pour immensely destructive fire into the left flank of the Old Guard columns, a manoeuvre that caused the columns eventually to break and retreat, whereupon the 52nd formed part of the final advance south across the battlefield to occupy the original French positions. Exposed to cannon-shot, grape and small-arms fire for much of the second part of the battle, the 52nd suffered 38 officers and men killed and 168 wounded. John Hart wrote his father a letter after the battle in which he gave his own version of the events of the day [reproduced in Hart 1907, pp ]

89 81

90 173 AN INFANTRY OFFICER S BELL-TOPPED SHAKO AND PLUME, CIRCA of black felted material, decorated with black leather strips and with a black leather crown, the headband of black velvet, lacking chinstrap and scales, plate and all fittings and damaged, the diameter of the crown 11 inches, height 7 inches; the plume of white feathers on a whalebone shaft This shako is of the pattern worn 1829 to 1844; in 1835 the plume was replaced by a ball tuft, dating this example between 1829 and 1835; it therefore seems most probable that this shako was worn by JRJ Hart as an officer with the Londonderry Legion AN INFANTRY COMPANY OFFICER S EPAULETTE AND WAIST SASH, CIRCA the epaulette s gold lace strap terminating in a crescent of twisted gold wire and loose gold bullions over a yellow fringe; lacking its underneath reinforcing strap, some bullions detached; the sash of crimson netted silk with silk tassels, 67 inches long and 7 inches wide (unstretched) or 3 inches wide when folded The styles of this epaulette and sash place them in the second decade of the nineteenth century and their provenance makes it likely that both were worn by Lieutenant John Hart in one of the line infantry regiments in which he served from 1816 to Between 1810 and 1829, company officers of line infantry regiments wore a single epaulette on the right shoulder (although there were many regimental and other exceptions to this rule): thus, this epaulette may have constituted Hart s badge of rank once he had left the 52nd and before he joined the 4th Light Dragoons. Of the line infantry regiments in which Hart served , the officers of both the 74th and 86th wore gold lace on their coatees and thus wore gold lace epaulettes: this epaulette therefore seems most likely to relate to Hart s service in one of those two regiments; the form of the sash makes it most likely to have been worn by Hart in a line infantry regiment, rather than one of light infantry, whose sashes might be expected to have been of specific light infantry form

91 175 A COMPANY OFFICER S COATEE OF THE LONDONDERRY LEGION, CIRCA of scarlet cloth with dark blue collar and cuffs and gold lace; gilt metal half-domed buttons - by Charles Clancy of Dublin - bearing the embossed device of a castle within a circlet containing the words NO SURRENDER 1688; with provision for an epaulette on both shoulders (some staining and moth damage) An Internet genealogical source states that John Hart was Commandant of the City of Derry Yeomanry but this is unsubstantiated. This coatee s facing colours and button design and colour are the same as those on a sergeant s jacket in the National Museum of Ireland [Accession Number 1913/226], that jacket and its accompanying sash having been originally catalogued as being of the Co. Londonderry Militia. However, the facing colours of the Londonderry Militia until 1880 were primrose yellow and from 1830 onwards its lace colour would have been silver; its badges and buttons did not resemble the button design of this coatee, the invocation to No Surrender on which definitely associates the coatee with the city of Londonderry, or Derry. The Commandant of the Londonderry Legion, a large volunteer infantry unit - known in Ireland as yeomanry - originally raised in 1796 and thought still to be in existence in the 1830s, was the Rt. Hon Sir George Fitzgerald Hill, baronet, ( ), who was associated with the Hart family through marriage, via the Beresford family, and through owning neighbouring land in Co. Londonderry, including Culmore - of which Fort General G.V. Hart was governor It therefore seems most likely that this coatee was worn by John Hart, following his retirement from the regular Army in 1827, as an officer in the Londonderry Legion; the coatee is of the pattern worn by line infantry officers (Thanks to F. Glenn Thompson, Dublin, for his help in cataloguing this lot)

92 176 Commander George Vaughan Hart, RN, ( ) Third son of General George Vaughan Hart. Royal Naval College, Portsmouth, ; Volunteer ; Midshipman ; passed for Lieutenant 1825; Lieutenant 1827; half-pay 1832; Commander Served in HMSs ROCHFORT, DISPATCH, MEDINA and PRINCE REGENT , as Mate in HMSs BRISK and CALLIOPE and HMYs ROYAL GEORGE and ROYAL SOVEREIGN and as Lieutenant in HMSs GLOUCESTER, RAMILLIES, PRINCE REGENT and VICTOR A Deputy Lieutenant and Justice of the Peace, Co. Donegal, he was also High Sheriff for the county in AN OFFICER S WAISTCOAT, UNDRESS COATEE, EPAULETTE AND LEVEE DRESS SWORD BELT, ROYAL NAVY, CIRCA the waistcoat of white wool, lined with cotton and with a linen back, two pockets and ten gilt-metal buttons; the coatee of dark blue wool, double-breasted, with a stand-up collar and slashed mariner s cuffs, the tails lined in black material, no provision for epaulettes, retaining all gilt metal buttons (some moth and other damage); the epaulette with a plain gold lace strap, loose gold bullions and a flat, gilt metal button; the sword belt, 1 ½ inches wide, with 1 inch wide slings, of Royal blue web silk with gilt metal fittings The waistcoat and epaulette conform to the 1812 Regulations for the dress of British naval officers - lieutenants wearing a single epaulette of this pattern on the right shoulder and the sword belt conforms to those of The coatee is less easy to categorise but it seems most probable that it was worn by Hart in undress in the rank of lieutenant

93 A LIEUTENANT S FULL DRESS COATEE, SWORD BELT, EPAULETTE AND SCALE, ROYAL NAVY, the coatee of dark blue wool, with scarlet collar and mariner s cuffs and the gold lace commensurate with the wearer s rank, double-breasted, the tails lined white (some moth damage); the sword belt of black Morocco leather, 1 ½ inches wide with two trains of gold wire embroidery, slings the same but 1 inch wide, gilt metal fittings; the epaulette with a gold lace strap, with a rolled edge of twisted gold wire, a rolled crescent of twisted gold wire and boxed bullions; the scale matching the epaulette but lacking the bullions, both items with a gilt metal button and contained in a shaped tin This coatee, epaulette and scale conform to those ordered to be worn by Lieutenants in the Royal Navy , with the difference that, between 1830 and 1843, the facings of naval officers full dress coatees were scarlet and not white. The sword belt is that ordered for naval officers in 1832, with the embroidery specified for lieutenants. These items can be ascribed to George Vaughan Hart during the last two years of the period that he was a lieutenant on the Royal Navy s active list. An image of him, as a lieutenant dressed in the coatee worn and with an epaulette and scale of the type offered here, is included in Hart The following three lots, because of their date-range, may have belonged to General George Vaughan Hart or either of his sons, John Richard James or George Vaughan, or all three men. 178 FOUR PAIRS OF GENTLEMAN S PANTALOONS, CIRCA in varying weights of unlined white cotton, three pairs with a four-button waist and one pair with a two-button waist, three pairs with tie-flies and one with a button-fly, all with French bearers, with tie-tighteners at knees and centre backs (varying conditions but all with staining and some damage) Pantaloons were fashionable wear for European gentlemen from the 1790s until circa 1820 and were worn in civilian clothes as well as in naval and military uniform, frequently being made in stretch cotton kerseymere and generally worn with pumps or soft knee-length boots of the type known as hessians. These pantaloons resemble what would now be known as jodhpurs, a type of legwear derived from the Indian pajama trousers, and this fact, together with their very light weight and manufacture from thin cotton, may indicate that they were made in India for wear in the 1790s by General George Vaughan Hart. However, British naval officers also wore white pantaloons, with hessian boots, until the 1820s and so they may equally have been worn by Commander George Vaughan Hart during his early days in the Royal Navy

94 179 THREE PAIRS OF GENTLEMAN S TROUSERS, CIRCA in varying weights of unlined white linen or heavy cotton, each with a two-button waist and a buttoning trap fly and each with two buttoning hip pockets and a deep watch pocket, the cuffs fitted with buttons for instep straps (varying conditions but all with staining and some damage) FOUR PAIRS OF GENTLEMAN S TROUSERS, CIRCA in varying weights of white linen or cotton, one pair lined with wool, three pairs with a two-button waist and one pair with a three-button waist, three pairs with trap flies and one with a button fly and French bearer, all with two buttoning hip pockets and a deep watch pocket, the cuffs fitted with buttons for instep straps (varying conditions but all with staining and some damage) Trousers gradually began to replace pantaloons as fashionable legwear for European gentlemen in the second decade of the nineteenth century and were worn, strapped over ankle or Wellington boots, by both civilians and naval and military officers. White trousers of the type in the preceding two lots were allowed for wear by naval officers in the Royal Navy s Dress Regulations of In the Army s Dress Regulations of 1831, such white trousers were ordered to be worn by all general and staff officers as well as by officers of Foot Guards and line infantry between 1st May and 14th October; in 1832, the Royal Navy followed the example of the Army and specified trousers of white Russia duck for wear between the same dates (Jarrett, 1960, pp.80 & 82). In the collections of the National Maritime Museum is at least one pair of trousers ascribed to a Lieutenant H. James (accession number UNI0228) (illustrated in Miller 2007, p. 134), which appears very similar to some of the pairs of trousers in the preceding two lots. While it is, therefore, possible that some or all of the pairs of trousers in the preceding two lots could have been worn by General George Vaughan Hart, the strongest candidate for their ownership is probably Commander George Vaughan Hart, R.N Lieutenant John Hume Hart ( ) Second son of Commander George Vaughan Hart, R.N.. Royal Military Academy, Woolwich, ; lieutenant, Royal Artillery, 1869; died in Hong Kong. 181 AN OFFICER S BUSBY, PLUME, COVER AND TIN, ROYAL ARTILLERY, the busby body covered in brown sable skin, with a scarlet cloth bag, gilt metal plume holder, white leather headband and black patent leather chinstrap (lacking much of its interior silk lining and its badge); the plume of white goat hair; the cover of white cotton; the tin bearing a label on its lid reading J.H. HART Esq

95 AN OFFICER S FULL DRESS TUNIC AND UNDRESS OVERALLS, ROYAL ARTILLERY, the tunic of dark blue wool, with scarlet collar and gold lace, round-cord and gimp, the collar bearing a single rank crown on either side, with gilt metal, regimental halfdomed buttons of the pattern worn , a label inside inscribed J.H. Hart (some moth and staining); the overalls of blue wool with scarlet seam stripes, retaining all buttons and with a label inscribed J.H. Hart AN OFFICER S FULL DRESS TUNIC AND UNDRESS OVERALLS, ROYAL ARTILLERY, the tunic of dark blue wool, with scarlet collar and gold lace, round-cord and gimp, the collar bearing a single rank crown on either side, with gilt metal, regimental halfdomed buttons of the pattern worn (some moth); the overalls of blue wool with scarlet seam stripes (lacking some buttons, some moth and staining)

96 184 AN OFFICER S STABLE JACKET AND VEST, ROYAL ARTILLERY, the jacket of blue wool with scarlet collar and gold gimp, round-cord and Russia braid, lined in scarlet silk, gilt metal, regimental ball buttons of the pattern worn (some moth); the vest of scarlet wool with a scarlet silk back and lined in white cotton, trimmed with gold gimp, hook-andeye front fastening A RARE PAIR OF OFFICER S BOOTED OVERALLS, ROYAL ARTILLERY, of blue wool serge with scarlet seam stripes, the legs reinforced, or booted, with black leather to above the knee on the inside leg and above the ankle on the outside leg, with instep-straps, a label inside inscribed J.H. Hart (some moth and staining) According to Campbell 1971 (p. 52), Royal Artillery officers were ordered to wear booted overalls in review order from 1864 but this order subsisted for only a short time, being cancelled in It is clear, though, from the survival of this provenanced pair, that some officers continued to own and wear booted overalls after the cancellation of the order AN OFFICER S STABLE JACKET AND UNDRESS POUCH, ROYAL ARTILLERY, the jacket of blue wool with scarlet collar and gold gimp, round-cord and Russia braid, lined in scarlet silk, gilt metal, regimental ball buttons of the pattern worn (some moth); the pouch of black patent leather (damaged) and bearing the gilt metal badge of a field gun

97 187 AN OFFICER S UNOFFICIAL REEFER, FATIGUE OR BOATING JACKET, ROYAL ARTILLERY, the jacket of dark blue wool, double-breasted with two rows of four gilt metal, regimental half-domed buttons of the pattern worn , the collar made to turn down, with two flapped pockets on front skirts and two internal breast pockets (some moth and staining) Not mentioned in any Royal Artillery Dress Regulations or by Campbell 1971, this short coat must be assumed to be an unofficial, privately-commissioned garment for informal wear Lieutenant-Colonel John George Vaughan Hart ( ) Grandson of Commander George Vaughan Hart, R.N.. Royal Military College, Sandhurst, ; 2nd lieutenant, West India Regiment, 1899; lieutenant, 1900; captain, 1911; major 1915; temp. lieutenant-colonel, 4th (S) Bn., British West Indies Regiment 1916; retired as lieutenant-colonel Attached to West African Frontier Force ; employed in West Africa Regiment ; employed in Anglo- Liberian Boundary Commission 1912 & ; commanded 4th (S) Bn., British West Indies Regiment Served in 2nd South African War (St Helena); Gambia Expedition 1901; Liberia, operations of the Kissi Field Force, 1905; Egyptian Expeditionary Force 1916; France and Belgium and Italy Jan.-Apr Deputy Lieutenant, Co. Donegal, See portrait on p A LIEUTENANT S FULL DRESS TUNIC, TWO WAIST SASHES, WEB WAISTBELT AND SWORD SLINGS, WEST INDIA REGIMENT, CIRCA the tunic of scarlet wool with white facings and gold lace and gimp and with twisted shoulder-cords of gold roundcord, each bearing two embroidered rank stars, gilt metal, regimental half-domed buttons embossed with the crowned cipher WIR within a laurel wreath, some moth, some signs of enlargement in the central rear skirt panel; the waist sashes of crimson silk with two tassels (some damage); the waistbelt of blue web from which are pendant two sword slings of scarlet morocco leather faced with gold lace with a central scarlet train From 1902, the rank badge of a lieutenant in the British army was two stars, having from 1880 to 1902 been a single star; JGV Hart attained the rank of captain in

98 189 A LIEUTENANT S MESS JACKET AND HOT-WEATHER VEST, WEST INDIA REGIMENT, CIRCA the jacket of scarlet wool, with white cuffs and a tawny/orange, corded-silk shawl collar, lined in tawny/orange silk, two embroidered rank stars to each shoulder strap, four gilt metal, regimental, half-domed buttons mounted with the crowned, reversed and interlaced cipher WIR; the vest of starched white Marcella cotton, single-breasted with provision for four buttons at front, two pockets AN OFFICER S SCARLET FROCK OR PATROL JACKET AND AN OTHER RANK S VEST, WEST INDIA REGIMENT, the frock of scarlet serge with white wool collar, cuffs and shoulder straps, with four flapped patch pockets and two shallow rear vents, lined in tawny/orange cotton and with a variety of regimental buttons (some moth, staining and damage); the vest of scarlet wool trimmed with yellow cotton lace and gimp and dated 1899 (some damage and staining) THREE OFFICER S KHAKI DRILL TUNICS, WEST INDIA REGIMENT OR BRITISH WEST INDIES REGIMENT, CIRCA of varying weights of khaki cotton drill, lacking most insignia (although one with a variety of brass regimental buttons) and each with four flapped patch pockets - the breast pockets with box pleats, one with a tailor s label of Geo. C. Smellie, Hamilton, Bermuda (all with some wear, moth, staining and damage)

99 192 TWO OFFICER S SERVICE DRESS TUNICS, 4TH (SERVICE) BATTALION, BRITISH WEST INDIES REGIMENT, DATED 1916 AND 1917 both by J.B. Johnstone Ltd., London and Dublin: the first, dated 28 March 1916, of standard weight khaki wool with brown leather woven buttons and chamois leather elbow patches, service stripes (four blue and one red) to the lower right sleeve, with the medal ribbon of the Africa General Service Medal on left breast and the battalion flash of 4th(S) Bn., British West Indies Regiment (Cundall 1925, p.81) on both shoulders, lieutenant-colonel s embroidered rank insignia to both cuffs - lacking both stars (some wear); the second, dated 13 July 1917, of unlined lightweight khaki barathea, lacking all buttons but with both (SD) collar badges (of the West India Regiment), with the same service stripes and medal ribbons as the first tunic and with a black crepe mourning band to the left arm, lieutenant-colonel s metal rank insignia to both shoulder straps (some moth) AN OFFICER S SERVICE DRESS TUNIC, WEST INDIA REGIMENT, CIRCA 1916 of khaki wool, with gilt-metal, half-domed regimental buttons, lieutenant-colonel s embroidered rank insignia to both cuffs, service stripes (four blue and one red) to lower right sleeve, retaining one SD collar badge (some damage to skirt) SEVEN MISCELLANEOUS ITEMS, WEST INDIA REGIMENT OR BRITISH WEST INDIES REGIMENT, c , ARMY STAFF AND BRITISH LINE INFANTRY, CIRCA a lot, comprising: two shirt-sleeve-order shoulder straps, one with a metal rank crown and the other with the metal shoulder title WIR; the short section of a shoulder-brace from an officer s Sam Browne belt; a pair of metal rank crowns and a single SD button, West India Regiment; an infantry officer s crimson silk shoulder sash, with scarlet tassels, of the pattern worn circa ; the remnants (two pieces) of a general or staff officer s aiguillette, in crimson and gold round-cord with one gilt-metal finial

100 Commander Charles Percyvall McNeill Hart ( ) Nephew of Lieutenant-Colonel John George Vaughan Hart. Royal Naval College Dartmouth 1925; midshipman, c. 1930; sub-lieutenant, 1932; lieutenant, 1933; lieutenantcommander, 1941; commander, 1946; retired 1958; Distinguished Service Cross, c He served in every class of ship from submarines to aircraft carriers in the Mediterranean, South America and China; between 1938 and 1946 he was almost continuously at sea in the North and South Atlantic, the Mediterranean and Indian and Pacific Oceans His principal war service was Gunnery Officer of H.M.S. Maidstone and the First Submarine Flotilla, Gunnery Officer of H.M.S. Revenge, and Staff Officer Operations and Squadron Gunnery Officer of the Fifth Cruiser Squadron - Hart 1988, p A MIDSHIPMAN S DIRK BELT AND SLINGS, CIRCA 1930 all of black Morocco leather, the belt 1 ½ inches wide, with a gilt metal clasp embossed with a crowned anchor within a laurel wreath, the name CP Hart written on the back of the clasp, the belt bearing in gilt lettering the supplier s name of Gieves & Co. Ltd, the slings, 1 inch wide and of equal length, attached to a slider and loops on the belt, the front sling lacking its swivel and fitting From 1879, midshipmen s dirk scabbards were suspended from the belt slings by rings placed either side of the top locket, the dirk thus hanging vertically from the belt and the slider on the belt allowing the dirk to be adjusted while the wearer was seated Francis Ellerker Hart ( ) Third son of Lieutenant-Colonel John George Vaughan Hart. According to an Internet genealogical source, he joined the Indian Army shortly before the Partition of India in 1947 but, after Partition, transferred to 1st (The King s) Dragoon Guards before leaving the regular Army and joining the North Irish Horse (TA); in 1949 he went to live in Southern Rhodesia (now Zimbabwe) and joined the South African Police, returning to Ireland in the 1960s. The ownership by F.E. Hart of the items in the following lot cannot be confirmed but is inferred because of their regimental connections. 196 AN OFFICER S SERVICE DRESS TUNIC AND TROUSERS, 1ST (THE KING S) DRAGOON GUARDS, DATED 1931, AND AN OTHER RANK S BATTLEDRESS BLOUSE, NORTH IRISH HORSE, DATED 1946 the SD tunic and trousers of khaki wool lined with khaki twill, by Rogers & Co., London, dated 10th February 1931 and with the original owner s name (A.P.C. Crossley) in the tunic, with SD half-domed regimental buttons but lacking 92

101 rank insignia and collar badges (some moth); the BD blouse of khaki wool with brown plastic buttons, the printed label inside specifying 1940 pattern, size 10, made by the Ulidia Clothing Co. Ltd., Belfast in 1946 and issued February 1946, shoulder badges of green wool with the white lettering NORTH IRISH HORSE (some moth) Lieutenant-Colonel Anthony Philip Clement Crossley ( ) commissioned KDG 1927; lieut. 1930; capt. 1934; major 1944 (acting, temporary and war substantive major ); lieut.-col (acting and war substantive lieut.-col. 1943). Served Transjordan and Palestine and (ADC to GOC 1939; MiD and OBE 1939); severely wounded in command KDG, Italy, June THE CIVILIAN COSTUME The date range of the garments in the following lots suggests that they most probably belonged to Commander George Vaughan Hart, R.N. but, equally, they could have belonged to any of his contemporary male relations. 197 TWO GENTLEMAN S COATEES, CIRCA both of black wool with roll collars (one of which is of black velvet), double-breasted with cloth-covered buttons and a pocket in each tail (some moth and staining) THREE GENTLEMAN S FROCK COATS, CIRCA two of dark blue or black wool and one of dark blue wool trimmed with black mohair braid, with broad shawl collars, double-breasted with cloth-covered buttons (some lacking), one with velvet-lined cuffs, pockets in the skirts and some with internal pockets (varying condition with staining and some moth) TWO GENTLEMAN S FROCK COATS AND AN EVENING DRESS WAISTCOAT, CIRCA 1850, , RESPECTIVELY the first of black wool, double-breasted with cloth-covered buttons, tailor s label of A. McVicker of Londonderry (some moth and staining); the second of heavy black wool with silk-faced lapels, double-breasted with woven-silk-covered buttons (some moth); the third, the front of starched white Marcella cotton with a thin cotton back, single-breasted and with provision for six buttons, four pockets

102 202 FOUR PAIRS OF FRENCH REGULATION STIRRUPS, 19TH CENTURY the first with near circular tread and a pair of slender side panels rising to a rectangular loop for suspension; the second with curved tapering tread rising to a looped finial; the third and fourth each with pierced tread and a pair of slender side panels rising to looped finial the first 16cm; 6G in high 202 (8) SIX REGIMENTAL HORSE BITS, 19TH AND 20TH CENTURIES of brass-mounted steel, the first for the Hyderabad Cavalry; the second for the Household Cavalry; the third for a Grenadier Regiment; and three further dress bits (6) A FRENCH THIRD REPUBLIC MODEL 1885 CUIRASS Property from the Castle Howard Collections THE UNIFORMS OF 2ND LIEUTENANT LESLIE MCCRACKEN, THE CAMERONIANS (SCOTTISH RIFLES), CIRCA 1946 including two sets of battle dress blouse and trousers, one service dress doublet with trews, one KD doublet, various officer s regulation shirts, socks and other small uniform items, regimental beret, Glengarry with silver badge (unmarked), regimental black double-brace Sam Browne, and all in generally fine condition (qty) VARIOUS OWNERS 201 A NAVY OFFICER S FULL DRESS, COATEE FOR AN ADMIRAL BASED ON THE 1747 PATTERN, LATE 19TH CENTURY probably for theatrical use or fancy dress, of blue wool, with white lapels and cuffs and gilt brass buttons throughout (areas of moth) comprising breastplate with medial ridge, outwardly flanged at the base, fitted with a pair of studs for securing shoulder straps, backplate formed en suite, complete with its shoulder chains each secured to the back by a lion mask boss, with a small portion of their leather backing and brass terminals decorated with laurel and anthemion (worn) 42.5cm; 16N in high (2) A CONTINENTAL CUIRASS, 19TH CENTURY comprising breastplate with medial ridge, outwardly flanged at the base, fitted with a pair of studs for securing shoulder straps, backplate formed en suite, complete with its shoulder chains each secured to the back by a lion mask boss, with a small portion of their leather backing and brass terminals formed as lion s paws (worn) 43cm; 17in high (2)

103 206 FIVE CAVALRY BREASTPLATES, TWO BACKPLATES AND A PACK SADDLE, 19TH CENTURY the first French, dated 1842, with medial ridge outwardly flanged at the base, and fitted with a pair of studs for securing shoulder straps; the second and third similar; the fourth, with medial ridge, outwardly flanged at the base, struck with the proof mark of a bullet on the right of the chest and fitted with a pair of studs for securing shoulder straps; the fifth with medial ridge, fitted with brass borders and large domed brass rivets, the backplates Continental, each retaining a portion of a plain brass shoulder boss; the pack saddle with wooden tree and leather fittings, stamped 34 beneath a broad arrow on one side; and a breast plate in 16th century style, modern, the outer face decorated with a series of very slender flutes radiating from the waist upwards (worn throughout) 207 the first: 40cm; 15N in high (9) A PRUSSIAN MODEL 1867 INFANTRY OFFICER S PICKELHAUBE with black leather skull and brass fittings including helmetplate, central spike, and chin-scales, black and silver right cockade (the left missing), and retaining its leather lining 22cm; 8N in high A SAXON PICKELHAUBE FOR A LINE INFANTRY VOLUNTEER, CIRCA 1910 with leather skull and brass fittings including star applied with the Saxon arms in white metal, central spike, red, white and black right cockade and green and white left cockade, leather chin-strap, and retaining its silk lining 24.4cm; 9I in high AN UNUSUAL STEEL HELMET, CIRCA 1900, PROBABLY TURKISH based on a pickelhaube, with domed skull, fitted with a steel central spike and a pair of plume-holders each decorated with gold koftgari flowers, brass brim, and a pair of bosses each with fragments of its original chin strap 25.5cm; 10in high

104 Armour 210 A FINELY CONSTRUCTED LIFE SIZED FLUTED FULL ARMOUR FOR MAN AND HORSE IN THE SO-CALLED MAXIMILIAN FASHION OF CIRCA , 19TH CENTURY comprising close helmet formed of a one-piece skull rising to a low roped comb, fitted with a neck-guard of one lame, bellows visor and bevor, the latter fitted at the left side with a spring-catch to engage the visor and secured to the skull at the right by a further spring catch, collar of four lames front and rear, globose breastplate fitted at the right of the chest with a folding lance-rest, gussets at the armopenings, waist-lame, fauld of three lames, and tassets each of four lames, matching backplate formed of a main plate flanged outwards at the base to receive a culet of four lames, large asymmetrical pauldrons fitted with hautepieces, vambraces formed of tubular upper and lower cannons, bracelet couters, mitten gauntlets each formed with a straight-ended cuff, and with hinged scaled thumbdefence, cuisses each formed of a gutter-shaped main plate, boldly roped at the upper edge and fitted at its lower with a winged poleyn of four lames, a pair of tubular fulllength greaves cut with an arch at the front to accommodate a sabaton of nine lames, saddle faced with three plates front and rear, the former rising to a pronounced pommel, shaffron formed of two main plates, the lower formed with a boldly roped medial ridge and flaring out over the nose, fitted with a robust spike on a shield-shaped escutcheon, large cheek-defences, ear defences, and eye covers pierced with a trellis pattern, crinet of eleven articulated lames the last six extending around the neck to six further articulated lames above a peytral of three large fixed plates, the latter embossed with a domed moulding on each side, crupper of eleven fixed plates fitted with an embossed tail guard, decorated throughout with fluted patterns accompanied by incised lines, the principle edges with boldly roped inward turns accompanied by recessed borders (small areas of very minor pitting, some minor disarticulations): mounted on a fabric-covered mannequin on a finely carved wooden horse caparisoned in rich green fabric with gold brocade and tassels (areas of wear, losses), on a black painted wooden plinth

105 97

106 A COMPOSITE HALF-ARMOUR, EUROPEAN LATE 16TH CENTURY AND LATER comprising close helmet with low-combed one-piece skull flanged outwards at the nape to receive missing gorgetplates, and transversely-boxed bevor, prow-shaped upper bevor and stepped visor attached to it by common pivots (the left one loose), the bevor fitted at the right with a swivel-hook to secure the upper bevor and flanged outwards at the neck to receive gorget-plates of which one remains, the skull and bevor probably late 16th century but partly reshaped, collar of one plate front and rear, onepiece breastplate of peascod form with integral flange at the waist, backplate of similar construction, large symmetrical pauldrons each of five lames overlapping outwards from the third (the right with two soldered repairs and some cracks), and fully articulated 16th century vambraces each with a tubular turner and upper cannon, narrow winged bracelet couter of three lames and tulip-shaped lower cannon formed in two halves hinged at the rear (mottled patination overall)

107 A FINE PAIR OF ITALIAN ETCHED AND GILT TASSETS, LATE 16TH CENTURY, PROBABLY MILANESE each of trapezoidal form, composed of thirteen upwardoverlapping lames of which the first and the last are deeper than the rest, the former fitted with two (originally three) later suspension-buckles and the latter having rounded lower corners and an inward-turned lower edge, the upper and lateral edges of each lame decorated with roped ribs bordered by narrow bands of etched and gilt scrolling foliage, dolphins and fabulous beasts, repeated in a broad medial band issuing upwards from a pair of addorsed volutes at the top of the lowest lame, each of which encloses a classical bust, the round heads of the connecting-rivets and lining-rivets all capped with brass 22cm; 8N in high A pair of tassets of similar design form part of an armour in the former George F. Harding Collection, now belonging to the Art Institute, Chicago. See W. Karcheski 1995, p. 47. Another pair are shown in a late 16th century portrait depicting a Knight of the Order of St John of Malta in armour. See G. F. Laking , Vol. IV, fig

108 A PAIR OF GERMAN TASSETS FROM A BLACK-AND- WHITE INFANTRY HALF ARMOUR, CIRCA each formed of seven articulated lames, embossed with a low vertical central band, the top of each lame cut with a cusped pattern, the lowest lame with a boldly roped turn (one with an early patched repair, the other with a small crack), each fitted with a buckle for suspension at the top, and retaining much early black painted finish (releathered) 32cm; 12I in high (2) Provenance The Property of a Nobleman, sold Christie s, London, 19th March 1987, lot 80, as part of a half armour with Nuremburg marks AN ENGLISH PIKEMAN S POT, PROBABLY GREENWICH, CIRCA 1630 formed in two pieces with a hemispherical crown joined medially along a low comb and fitted at its nape with a fragment of a plume-holder, and a broad integral brim turned down at each side, projecting to an obtuse point front and rear and decorated at its lower edge with a plain inward turn accompanied by a series of small stitch-holes and a double recessed border in each case occupied by a series of brass-capped round-headed rivets of which those in the lower border are fitted with square internal washers, the crown decorated at its base with a similar border and rivets and above that and beneath the comb at each side with paired stepped flutes interrupted in the case of the former by a central chevron (heavily pitted and patinated overall, the crown and brim showing significant losses especially at the left side) 23cm; 9in high Provenance Robin Wigington, Stratford-upon-Avon Very similar helmets can be found in the collections of The Royal Armouries, Leeds and The Art Institute, Chicago. See A. R. Dufty & W. Reid 1968, pl. LXIV; and W. Karcheski 1995, p

109 A FINE SOUTH GERMAN ETCHED COUTER FOR LIGHT FIELD USE, THIRD QUARTER OF THE 16TH CENTURY, POSSIBLY AUGSBURG for the left elbow, made in one piece, open at the rear, shaped to the point of the elbow, embossed at the front with a transverse medial ridge, and widening towards its inner end where it is formed with a central pucker that curves in slightly over the inside of the elbow, the front fitted with a pair of latten eyelets for arming-points, the upper and lower edges decorated with notched inward turns accompanied by finely etched borders of interlinked, foliate-tailed dolphins on a stippled and blackened ground (lightly patinated overall, a short section of the turned lower edge missing at its inner end) A RARE EUROPEAN ETCHED AND GILT VAMBRACE FOR THE TILT, MID-16TH CENTURY, PROBABLY FLEMISH for the left arm, of heavy construction, formed of a onepiece upper cannon open at the inside rear and rising to a convex upper edge, a couter of four lames, the central one formed with a centrally-puckered oval wing that curves in over the inside of the elbow, and a transverse medial ridge at the front where it is fitted with a sturdy bolt and octagonal nut for the attachment of a pasguard, and a tapering lower cannon formed in two pieces joined by a pair of external hinges at the rear, the main edges decorated with inward turns roped with pairs of chiselled lines and accompanied by narrow bands of etched and gilt symmetrical running foliage, the subsidiary edges decorated with single incised lines (moderately pitted overall, the gilding worn and some articulating rivets replaced) Provenance Dr John Waldman A narrow-fronted pauldron of very similar design, thought to have come from the armoury of the Earls of Pembroke at Wilton House, Wiltshire, is now in the Royal Armouries Museum, Leeds. A closely related, deep-bellied cuirass showing a number of characteristically Flemish features was formerly in a private collection in Brussels

110 A EUROPEAN BACKPLATE, POSSIBLY ENGLISH OR FLEMISH, CIRCA 1600 formed in one piece with plain inward turns at the neck and arm-openings and a scalloped flange at the waist (repaired at the left with a riveted internal patch), fitted in each lobe of the latter with a brass-capped round-headed lining-rivet, and at each shoulder and each side of the waist with a pair of similar rivets having brass rosette-washers beneath their heads for the attachment of the shoulder-straps and waistbelt respectively (the former partially preserved but later), and decorated with three pairs of incised lines that radiate from the waist to the neck and the shoulders respectively (mottled pitting overall) 40cm; 15Nin high Provenance Robin Wigington, Stratford-upon-Avon A similarly decorated breastplate from Warwick Castle was sold in these rooms 25 June 2008, lot 332. Another, with matching backplate, from Brancepeth Castle, Co. Durham, is now in the Royal Armouries Museum, Leeds. See F. H. Cripps-Day 1924, pp , fig A NORTH ITALIAN BACKPLATE OF SHOT-PROOF WEIGHT FROM A WAISTCOAT CUIRASS, CIRCA 1600 formed of three vertical plates joined to one another at their lower ends by internal hinges and at their upper ends by a transverse internal leather, the outer plates cut with arm-openings and fitted just above the waist with pierced staples, all three plates contributing to a high neck-opening and a waist-flange, the latter fitted at its left and right ends respectively with a later turning-pin and mushroom-headed stud for the attachment of a culet, the main edges of the backplate decorated with inward turns, later notched in the case of those at the arm-openings and in all cases accompanied by single incised lines (variably pitted and worn, the turns at the neck-opening removed at the top of each of the side-plates, the waist-flange repaired with a riveted internal patch at its left end and showing a short crack at the right of the central plate) 41.5cm; 16Din high Provenance Robin Wigington, Stratford-upon-Avon Similarly constructed backplates can be recorded as parts of waistcoat cuirasses in the Wallace Collection, London, Cat. Nos A222-4, the Philadelphia Museum of Art, Kienbusch No.125 and the Collection of the Princes Odescalchi, Rome, Cat. No.116. See J.G. Mann 1962, Vol. I, pp , pl. 78; Kienbusch 1963, pp. 85-6, pl. LVIII; and Di Carpegna 1969, p

111 A NORTH GERMAN BACKPLATE OF SIEGE WEIGHT, LATE 16TH CENTURY formed in one piece with a shallow neck-opening and deep arm-openings, each decorated at its edge with a file-roped inward turn accompanied by a pair of incised lines formed as an ogee with a stylised leaf at its centre, and a flange at the waist (repaired at the right with a riveted internal patch), decorated at its edge with a single incised line accompanied by eight (formerly eleven) round-headed lining-rivets, and fitted at each shoulder and each side of the waist with pairs of similar rivets, the latter retaining fragments of a leather waist-belt, the former each accompanied by two pairs of vacant rivet-holes representing the former attachment-sites for shoulderstraps (pitted overall with some cracking and delamination of the metal) 37.5cm; 14Nin high Provenance Robin Wigington, Stratford-upon-Avon A contemporary breastplate formerly in the possession of the Ranzau family and now in the library of Schloss Breitenbur, Holstein, has comparable decoration. A slightly earlier breastplate formerly in the Munster Zeughaus and now in the Landesmuseum für Kulturgeschichte zu Münster, Westphalia, is decorated at the centre of its neck with a very similar stylised leaf. See K. Ullmann 1963, figs. 7 & AN ENGLISH HARQUEBUSIER S BREAST-PLATE, MID- 17TH CENTURY formed in one piece, with medial ridge, V-shaped waistline, raised neck-opening and a outward-flanged lower edge, each side of the chest fitted with a stud for the attachment of a shoulder-strap, the left of the belly bearing the proof-mark of a bullet and the centre of the neckopening struck with a maker s mark (indistinct) 43cm; 17in high

112 221 A GROUP OF THREE EUROPEAN SPURS, 14TH, 15TH AND 17TH CENTURIES 221 the first in excavated condition, with arched slotted heel band with pierced figure-of-eight shaped terminals, tapering neck, and star-shaped rowel of six spikes; the second in excavated condition, with arched heel band with figure-of-eight shaped terminals (one chipped), long neck, and star shaped rowel of eight spikes, the third of brass, with arched heel band retaining an original buckle on one side, short neck, star-shaped rowel of five points, and chiselled throughout with scale ornament the first: 13cm; 5B in (3) A GROUP OF TWELVE VARIOUS IRON SPURS, ROMAN AND MEDIEVAL in excavated condition, the first, Roman, with short spike (incomplete); the second, 11th/12th Century, with pyramidal spike; the third to eighth, 13th/14th Century, each with strongly arched heel band, rounded neck and spiked rowel; and the remaining four, 15th Century (worn, losses) 222 (12) TWO HORSE PICKS, 18TH AND 19TH CENTURIES the first of brass fitted with near rectangular steel tip, and brass grip formed with large pierced spherical terminals; and the second of iron, the finial formed of a foot with a robust iron pick beneath, and turned wooden handle the first: 26cm; 10D in (2)

113 A RARE PAINTED CIRCULAR SHIELD IN 15TH CENTURY STYLE, LATE 19TH CENTURY of canvas covered wood, the outer face painted with a broad black frame, charged, or an eagle displayed sable, its talons and tongue highlighted gules, and the inside with a pair of leather enarmes (one broken) and a leather pad 64cm; 25B in diameter This is based on an identical shield preserved in the Luzern Historisches Museum. The Luzern example was captured as part of the booty following the Battle of Giornico in 1478, when the Swiss defeated a significantly larger army of Milanese troops at Giornico, between Milan and Luzern. The present shield is almost certainly one of the four included in J. Bossard Collection sale, Luzern, 4th July 1910, no See G. Cambin 1987, pp and AN ITALIAN CIRCULAR STEEL PARADE SHIELD, IN LATE 16TH CENTURY STYLE, 19TH CENTURY of convex section with broad recessed border cast in relief with military trophies between strapwork cartouches filled with Neptune, Diana the Huntress, Diana bathing, and a male soldier, turned cabled edge, four brass covered lining rivets for the later enarmes, and the moulded centre embossed with the arms of the Visconti family, a crowned figure of a marine monster devouring a man 56.5cm; 22¼in diameter Provenance The William H. Riggs Collection, donated to the Metropolitan Museum of Art, New York in 1913 This lot is mentioned under no.870 in the Manuscript Catalogue of the Riggs collection as Bouclier repoussé aux bords des figures et throphéea, aux milieu le blazon et couronne des Visconti. Acquired chez la cordonnier [at the shoemaker s] in Genoa in August 1863 for 200 francs. Literature George Cameron Stone: A Glossary of the Construction Decoration and use of Arms and Armour, 1929, p. 554 no A PAINTED CIRCULAR STEEL SHIELD, LATE 18TH/19TH CENTURY of low convex form, with plain turned border studded around the edge with brass domed rivets and two pairs of rivets in the centre for enarmes, the outer surface painted in gilt highlighted with dark red pigment with a classical warrior profile within a circular framework of scrolls and with the inscription Aspasia (the mistress of Pericles), and the inner surface retaining a portion of its leather lining (worn) 62.5cm; 24I in diameter

114 227 A MUSEUM COPY OF THE BREASTPLATE FROM THE GARNITURE PRESENTED BY CARL EMANUEL I DUKE OF SAVOY TO CHRISTIAN I ELECTOR OF SAXONY IN 1588 AND A MUSEUM COPY OF THE BURGONET OF MAXIMILLIAN II BY JÖRG SIGMAN OF AUGSBURG each of cast iron, the first decorated over its surface with classical figures including Diana the Huntress, putti, fruit, and knotted lace for the Order of the Annunciation of Savoy, and painted black overall; and the second decorated with classical scenes including Mars and Venus and complete with hinged ear-defences (peak missing) the first: 52cm; 20I in high (2) For the first see Dresden Rüstkammer inv. no. M62 and the second Vienna Rüstkammer inv. nr. A A MINIATURE FLUTED FULL FIELD ARMOUR IN THE GERMAN SO-CALLED MAXIMILLIAN STYLE OF CIRCA comprising close helmet with fluted skull, fitted with visor and bevor each on common pivots, the former pierced with a pair of vision slits, gorget, breastplate with strongly roped top border, fitted with skirt of three lames carrying a pair of tassets of three lames, matching backplate, a pair of full arm defences with mitten gauntlets, and a pair of full legdefences with broad-toed sabatons, decorated throughout with slender raised flutes each framed with incised lines, and the principle edges with roped turns, on a stand

115 229 A CLOSE HELMET IN LATE 16TH CENTURY STYLE, MODERN with two-piece skull joined at a roped comb, fitted at the nape with a plume-holder and rear neck-guard of two lames, visor pierced with two vision slits, upper and lower bevor, the former pierced with a circular arrangement of breathes on the right and a series of circular and slotted breathes on the left, the latter shaped for the chin, drawnout at the base to form a neck-guard of two lames, and the lower lame decorated with a roped inward turn accompanied by a recessed border 31cm; 12D in high A MODERN COPY OF A PIG-FACED BASCINET IN EARLY 15TH CENTURY STYLE with conical skull formed in two pieces, fitted with hinged visor with a pair of vision slits and tapering conical snout pierced with a series of breathes, the lower edge with plain turned border, and the base of the skull pierced with pairs of holes for a lining cm; 10in high

116 THE LIBRARY OF THE LATE ROBIN WIGINGTON ( ) I first met Robin Wigington some thirty years ago at his shop in Stratford-upon-Avon. Conveniently, in those days, I was working only a few doors away and thus lunchtimes were invariably spent admiring the ever-changing stock of arms and armour. My salary was small and this restricted my ability to purchase, and when I did buy my first object, an Indian matchlock gun, the price tag represented half a month s pay. I recall asking Robin if he could possibly hold the gun for me until the month end when I got paid. Without a moment s hesitation he agreed and then went on to discuss the weapon and pointed out some unusual features, which I had not picked up. I was immediately impressed with his knowledge and enthusiasm. I was further relieved that my financial embarrassment was so readily dismissed. Over the coming years I found that the qualities I had identified in Robin during this first encounter were ever present, not only in relation to his dealing with arms and armour, but in life generally. He had a boundless enthusiasm for life and was always happy to share this. Although he did not suffer fools gladly, status, financial or otherwise, mattered not to Robin provided there was no false pretence. A perfect illustration of this arose when a tramp decided to spend a few nights in his boathouse at the bottom of the garden. Robin s response to this was not to chase the fellow away but to serve him with morning tea presented in a silver teapot with fine bone china. Robin s shop was visited by customers from all over the world. Tucked away off Sheep Street in Stratford town centre, the shop was housed in a two-storey building built in the 1930s by Captain W. Jaggard to house his collection of antiquarian books. The building was aptly named Poet s Arbour. The ground floor provided more than enough space to display large amounts of arms and armour several cannon could easily be accommodated. This amount of space provided the ideal stage set for an exhibition and in July 1978 Robin presented British India A resounding success, the exhibition illustrated the close links between Great Britain and India and the influences each country had on the other s weapons. Nearly four years later Robin fulfilled a life-long ambition by using the building to exhibit a family collection of arms and armour. For a period, Poet s Arbour became known as the Arms and Armour Museum of Stratford-upon-Avon. The museum enabled the public to see some fine and rare exhibits. Dominating the ground floor was a bronze howitzer captured from the orderly battery of Ranjiit Singh during the Sutlej River Campaign, There were numerous pole arms and suits of armour, including a splendid German tilt armour, circa 1590 of Augsburg workmanship. Firearms of every age and description were on display including a German wheel-lock pistol bearing the date 1564 the year Shakespeare was born. The first floor displayed many other fine weapons and also a unique collection of artefacts produced by an eighteenth century Stratford gunsmith and clock-maker called Thomas Sharp. Also shown on the first floor was a superb collection of guns and pistols made for Tipu Sultan, the Tiger of Mysore. Robin spent many years studying and collecting these fascinating firearms. Happily the enormous amount of knowledge he amassed on these weapons was committed to writing when in 1992 Robin published The Firearms of Tipu Sultan. The book was beautifully produced and lavishly illustrated and is a permanent record of one man s unique collection and study. Although a serious collector, scholar and dealer, Robin was also a great family man with a tremendous sense of fun. Family and friends will long remember the halcyon days at his riverside home the practical jokes, the fun, and the laughter. Sadly it seems that all good things have to have an ending. After the sad death of his dear wife, Chris, in 1995, Robin s own health started to deteriorate until he too died in April last year. Our lives are truly richer from his knowledge, his humour and his kindness. Reproduced from part of the original article by Jeremy Chaplin in the 20 th Park Lane Arms Fair Catalogue, February 2003, by kind permission of D.A. Oliver. Most of the books offered here have the late owner s book plate pasted into the front. All lots in this section are offered not subject to return. 108

117 Tippoo Saib s Two Sons deliver d up to Lord Cornwallis as Hostages, after he had so Gloriously Conquered that proud Sultan at Seringapatam, the Capital of the Mysore Country, in the East Indies in London: Laurie & Whittle, Hand-coloured engraving (torn without loss, some staining), 367 x 248mm. Framed and glazed. With Robin Wigington s The Firearms of Tipu Sultan ([Hatfield], 1992). (2) Notes relative to the late Transactions in the Marhatta Empire. Fort William, December 15, London: John Stockdale, Quarto (267 x 210mm). 6 hand-coloured folding engraved plans. Contemporary polished calf gilt, spine gilt with red morocco lettering-pieces. With another octavo edition of the same work (defective). (2) TIPU SULTAN - Narrative Sketches of the Conquest of Mysore, effected by the British Troops and their Allies, in the Capture of Serigapatam, and the Death of Tippoo Sultaun The Third Edition. Edinburgh: J. Denovan, vo. Wood-engraved frontispiece (a few spots and some light staining). Contemporary wrappers (detached). With 4 other books of related interest comprising a fourth edition of the above work, Edward Moor s A Narrative of the Operations of Captain Little s Detachment, and of the Mahratta Army, commanded by Purseram Bhow, during the late confederacy in India, against the Newab Tippoo Sultan Bahadur (London, 1794), M. Wood s A Review of the Origin, Progress, and Result of the late decisive War in Mysore (London, 1800) and Alexander Beatson s A View of the Origin and Conduct of the War with Tippoo Sultaun and of the Siege of Seringapatam (London, 1800). (5)

118 DIROM, Alexander ( ). A Narrative of the Campaign in India which terminated the war with Tippoo Sultan in With maps and plans illustrative of the subject, and a view of Seringapatam London: W. Bulmer, Quarto (260 x 205mm). Engraved frontispiece, plate, 6 maps and plans, all but one folding, engraved plate of Tippoo Sultan s Great Seal (frontispiece cropped, frontispiece and title browned and spotted, some spotting and browning throughout, some mainly marginal staining). 19th-century green half calf gilt by Higginbotham & Co. of Madras (rather worn, lower cover detached). Provenance: Palace Library, Mysore (stamp on front free endpaper); early signature erased from title with some thinning of paper; some pencil marginalia and annotation. FIRST EDITION DIROM, Alexander ( ). A Narrative of the Campaign in India, which terminated the war with Tippoo Sultan, in With maps and plans illustrative of the subject, and a view of Seringapatam London: W. Bulmer, Quarto (270 x 215mm). Engraved frontispiece, plate, maps, most folding, folding table (some light spotting). Contemporary tree calf, spine gilt (joints split but holding, rubbed). Provenance: Christopher Cooke (armorial bookplate). Second edition GOLD, Charles. Oriental Drawings: sketched between the years 1791 and London: Bunney and Co., Quarto (323 x 257mm). 50 hand-coloured aquatint plates by Charles Gold (frontispiece and title browned and spotted, some other light spotting, staining and offsetting). Contemporary half calf gilt (rebacked preserving old spine, rubbed and scuffed). Provenance: Almeric Hugh Paget, 1st Baron Queenborough (armorial bookplate). Abbey Travel 428. Rare INDIA - MARQUIS CURZON OF KEDLESTON. British Government in India. The Story of the Viceroys and Government Houses. London: Cassell, volumes, quarto (317 x 270mm). Half titles, photogravure frontispiece portraits, half tone plates (some spotting and staining throughout). Original blue half morocco gilt, top edges gilt, others uncut (extremities rubbed). NUMBER 60 OF 500 EDITION DE LUXE COPIES. With 3 other works on India in 4 volumes including James Grant s Cassell s Illustrated History of India (London, [c.1880], 2 vols.) and The Historical Record of the Imperial Visit to India 1911 (London, John Murray, 1914, publisher s presentation copy, blindstamped With Mr Murray s Compliments ). (6) GOLD, Charles. Oriental Drawings: sketched between the years 1791 and London: Bunney and Co., Quarto (323 x 257mm). 50 hand-coloured aquatint plates by Charles Gold (frontispiece and title browned and spotted, some other light spotting, staining and offsetting). Contemporary half calf gilt (rebacked preserving old spine, rubbed and scuffed). Provenance: Almeric Hugh Paget, 1st Baron Queenborough (armorial bookplate). Abbey Travel 428. Rare MUNRO, Innes (d.1827). A Narrative of the Military Operations, on the Coromandel Coast, against the combined forces of the French, Dutch, and Hyder Ally Cawn. London: for the Author, Quarto (266 x 212mm). Additional title with engraved vignette, folding engraved plans (additional title detached and stained, some mainly marginal worming, spotting and staining, some offsetting). 19th-century half library calf (some staining, a few wormholes)

119 ROBSON, Francis. The Life of Hyder Ally: with an Account of his Usurpation of the Kingdom of Mysore To which is annexed, a Genuine Narrative of the Sufferings of the British Prisoners of War, taken by his Son, Tippoo Saib London: S. Hooper, vo. 3-page glossary at end (some light staining). Original wrappers (some loss to head and foot of backstrip). Provenance: A. Reece Esq (early signature on front free endpaper). SIGNED BY THE AUTHOR AT THE END OF THE PREFACE A List of the Officers of His Majesty s Marine Forces. [London:] Admiralty Office, vo. Finely-bound in contemporary red straight-grained morocco gilt, gilt edges (extremities lightly rubbed). Provenance: John Ward. This book belonged to my grand-aunt, Miss Sue Davis, Housekeeper of Windsor Castle (later inscription on front free endpaper). With 4 others similar including A List of the Officers of the Several District Corps of Ireland (Dublin, 1797). (5) ASHDOWN, Charles Henry. British and Foreign Arms & Armour. 1909, 2-page autograph letter from the author loosely-inserted; HEWITT, John. Ancient Armour and Weapons in Europe. 1855; ASHDOWN, C.H. Armour & Weapons in the Middle Ages 1925; DEMMIN, Auguste. An Illustrated History of Arms and Armour. 1877; BOUTELL, Charles. Arms and Armour in Antiquity and the Middle Ages (5) BARON DE COSSON ( ). Le Cabinet d Armes de Maurice de Talleyrand-Périgord Duc de Dino. Paris: Edouard Rouveyre, Folio (450 x 312mm). Half title, title printed in red and black, 23 photogravure plates by Paul Dujardin, a few tinted (some light, mainly marginal, spotting and staining). Contemporary vellum-backed paper boards, uncut (rubbed and lightly stained). Provenance: Richard Williams (armorial bookplate); Dennis J. Ward (exlibris sticker). NUMBER 25 OF 200 COPIES

120 244 BEARDMORE, John. A Catalogue with Illustrations of the Collection of Ancient Arms and Armour at Uplands, Near Fareham, Hampshire. London: T. and W. Boone, Folio (396 x 265mm). Lithographed frontispiece and 16 plates by Day & Haghe after E. Fudge and J. Beardmore (some spotting and mainly marginal staining). Modern green half morocco gilt. With a presentation slip pasted onto the new front pastedown reading Christopher Richardson Esq, from John Beardmore, Sept 10, [BEAUFOY, Henry Benjamin]. Scloppetaria: or Considerations on the Nature and Use of Rifled Barrel Guns, with reference to their forming the basis of a permanent system of National Defence, agreeable to the genius of the country. By a Corporal of Riflemen. London: C. Roworth, vo. Engraved frontispiece and 12 plates (frontispiece soiled and stained, title stained and torn without loss, index torn and repaired with slight loss, a few plates waterstained, occasional light spotting and staining). Contemporary half calf gilt. Provenance: B.C.L. (armorial bookplate with motto Fonte Puro ). The first book in English on target rifle shooting. With 5 others of related interest including Hans Busk s The Rifle: and How to Use It (London, 1858, third edition) and H. Bond s Treatise on Military Small Arms and Ammunition (London, c.1884). (6) BLACKMORE, Howard L. British Military Firearms ; HASWELL MILLER, A.E. & N.P. DAWNAY. Military Drawings and Paintings in the Collection of Her Majesty the Queen Volume One. Plates. 1970; MOLLO, John. Military Fashion. 1972; WOOD, Stephen. The Scottish Soldier. 1987, signed by the author. With 18 others of related interest. (22) BLACKMORE, H. L. The Armouries of the Tower of London. I. Ordnance. London: HMSO, Quarto. Coloured frontispiece, half tone plates, one folding, illustrations. Original red buckram gilt, top edges gilt. With 24 other books of related interest including Charles Ffoulkes The Gun-Founders of England (Cambridge, 1937), B. P. Hughes The Bengal Horse Artillery (Finchley, 1971, limited edition), J. G. D. Elvin s British Gunfounders (photocopied typescript dated 1983, inscribed by the author to Robin Wigington), A. N. Kennard s Gunfounding and Gunfounders (Hampstead, 1986) and Carel de Beer s The Art of Gunfounding (Rotherfield, 1991). (25) BLAIR, Claude. The James A. de Rothschild Collection at Waddesdon Manor. Arms, Armour and Base-Metalwork. 1974; MANN, James. Wallace Collection Catalogue. European Arms and Armour. 1962, 2 vols; NORMAN, A.V.B. Wallace Collection Catalogues. European Arms and Armour Supplement With 8 others of related interest. (12) BOCCIA, L.G. & E.T. COELHO. L Arte dell Armatura in Italia. 1967, limited edition; BOCCIA, L.G. Le Armature di S.Maria delle Grazie di Curtatone di Mantova e l Armatura Lombarda del , limited edition; PYHRR, Stuart W. & Jose-A. GODOY. Heroic Armor of the Italian Renaissance. Filippo Negroli and his Contemporaries (3) BOCCIA, Lionello. G. & Eduardo T. COELHO. Armi Bianche Italiane. 1975; STUBER, Karl & Hans WETTER. Edged Weapons. 1982; OAKESHOTT, Ewart. Records of the Medieval Sword 1991, inscribed by the author; MAZZINI, Franco. L Armeria Reale di Torino. 1982, limited edition. (4) BRETT, Edwin J A Pictorial and Descriptive Record of the Origin and Development of Arms and Armour. To which are appended 133 plates specially drawn from the Author s Collection at Oaklands, St. Peter s, Thanet, and Burleigh House, London. London: Sampson Low, Marston & Company, 1894, Quarto (357 x 270mm). Printed throughout in red and black, plates. Contemporary full red morocco gilt with armorial motifs, top edges gilt (extremities lightly rubbed). Provenance: Anne S. K. Brown (label); Henry Arthur Johnstone (ex-libris stamp on suede liner and armorial monogram stamped in gilt on upper cover). With another volume containing works of related interest. (2) BUCHANAN, Francis Hamilton ( ). Journey from Madras through the Counties of Mysore, Canara, and Malabar London: T. Cadell and W. Davies, volumes, quarto (281 x 232mm). Engraved frontispiece portrait, folding hand-coloured engraved map, plates, folding tables (some staining, browning and spotting). Contemporary half calf gilt (worn). Provenance: ex-library copy of The Palace Library, Mysore, with its labels, stamps, shelf nos. etc. FIRST EDITION

121 253 BURTON, Richard F. The Book of the Sword. 1884; CASTLE, Egerton. Schools and Masters of Fence. 1893; HUTTON, Alfred. The Sword and the Centuries. 1901; CARRINGTON-PEIRCE, P. A Handbook of Court and Hunting Swords ; AYLWARD, J.D. The Small-Sword in England. 1945; VALENTINE, Eric. Rapiers. 1968; WILKINSON, Frederick. Edged Weapons (7) CARTER, Thomas. Medals of the British Army, and how they were won... The Crimean Campaign Egypt, Peninsula, Waterloo, and South Africa India, China, Etc London: Groombridge, volumes in one, 8vo. Half title, 17 hand-coloured plates of medals (first plate creased, one plate detaching). Contemporary red half calf gilt (extremities lightly rubbed). Provenance: S. John Tombs (armorial bookplate) Catalogue of a Loan Exhibition of Scottish Art and Antiquities by kind permission of Mr & Mrs Robert Fleming. 1931; WHITELAW, Charles E. Scottish Arms Makers. A Biographical Dictionary. 1977; WALLACE, John. Scottish Swords and Dirks 1970; CAMPBELL, Archibald. Scottish Swords from the Battlefield at Culloden. 1971; The Sword and the Sorrows An Exhibition to Commemorate the Jacobite Rising of 1745 and the Battle of Culloden (5) CESCINSKY, Herbert & Ernest R. GRIBBLE. Early English Furniture & Woodwork. 1922, 2 vols; SYMONDS, R.W. Furniture Making in Seventeenth and Eighteenth Century England. 1955; GILBERT, Christopher. The Life and Work of Thomas Chippendale. 1978, 2 vols. (5) COLT - HAVEN, Charles T. & Frank A. BELDEN. A History of the Colt Revolver. 1940; WILSON, R.L. Samuel Colt Presents a Loan Exhibition of Presentation Colt Firearms. 1962; WILSON, R.L. (editor). Antique Arms Annual. Sponsored by the Texas Gun Collectors Association. 1971; ROSA, Joseph G. Colonel Colt London. The history of Colt s London firearms, ;WILSON, R.L. Colt. An American Legend CRONAU, Rudolf. Geschichte der Solinger Klingenindustrie. Stuttgart: Commissionsverlag von Gebrüder Kröner, Folio (365 x 275mm). Additional tinted pictorial title, title printed in red and black, plates. Original calf decorated in gilt and blind, gilt edges (part of spine lacking, another section detaching, extremities rubbed) DEAN, Bashford. The Collection of Arms and Armor of Rutherford Stuyvesant ONE OF 300 COPIES; DEAN, B. The Metropolitan Museum of Art. Catalogue of European Daggers. 1929; DEAN, B. The Metropolitan Museum of Art. Catalogue of European Court Swords and Hunting Swords. 1929; The Kretzschmar von Kienbusch Collection of Armor and Arms (4) DUFTY, Arthur. European Armour in the Tower of London. 1968; DUFTY, A. European Swords and Daggers in the Tower of London. 1974; BLAIR, C. The Emperor Maximilian s Gift of Armour to King Henry VIII and the Silvered and Engraved Armour at the Tower of London. 1965; BORG, Alan. Two Studies in the History of the Tower Armouries. 1976; WILLIAMS, Alan & Anthony de REUCK. The Royal Armoury at Greenwich A History of its Technology. 1995; Exhibition of Armour made in the Royal Workshops at Greenwich. 1951; Treasures of the Tower. Armours of Henry VIII. 1977; VISCOUNT DILLON. Armour An Elizabethan Armourer s Album and Armour Notes BORG, Alan (editor). Strange Stories from the Tower of London (9) [FAWCETT, William]. Rules and Regulations for the Sword Exercise of the Cavalry. London: Printed for the War Office, vo. Half title, 29 engraved plates, all but one folding (occasional light spotting and staining). Contemporary red half morocco gilt (extremities lightly rubbed, corners bumped). The author was killed in a cavalry charge at Salamanca. With 4 other books of related interest (one severely worn) including The Sword-Exercise and Movements for Cavalry (Taunton, 1803) and Regulations and Instructions for the Infantry Sword Exercise (London, 1819). (5) EXHIBITIONS - Kungl. Livrustkammaren. Bilder av Märkligare Föremål. Stockholm: 1927; The Metropolitan Museum of Art. The Art of Chivalry 1982; Allentown Art Museum. Arms and Armor. 1964; National Gallery of Art, Washington. Royal Treasures of Sweden, ; Royal Academy. Age of Chivalry And a quantity of others related. (qty)

122 263 [FRENCH, George Russell (editor)]. A Catalogue of the Antiquities and Works of Art exhibited at the Ironmongers Hall, London, in the Month of May, London: [Harrison and Sons], Quarto (370 x 265mm). Lithographed plates, a few coloured, some folding, facsimiles, wood-engraved illustrations (occasional spotting and staining). Modern dark blue half morocco gilt, spine gilt in compartments FFOULKES, Charles J. Inventory and Survey of the Armouries of the Tower of London. London: HMSO, [c.1916]. 2 volumes, quarto (270 x 220mm). Coloured frontispiece and 38 photogravure plates (some spotting). Original blue cloth-backed boards gilt, top edges gilt (extremities rubbed). With A. V. B. Norman & G. M. Wilson s Treasures from the Tower of London (London, 1982). (3) FORRER, R. Die Schwerter und Schweitknäufe der Sammlung Carl von Schwerzenbach - Bregenz. Mit einer Geschichte von Schwert und Dolch. Leipzig: Verlag von Karl W. Hiersemann, Folio (395 x 294mm). 60 plates, illustrations. Original tan cloth gilt (lower upper joints torn). Provenance: Harold L. Peterson (bookplate). With 3 other books of related interest including Waffen- Sammlung Kuppelmayr (Munich, c.1895) and C. A. Ossbahr s Kongl. Lifrustkammaren (Stockholm, 1897). (4) GAIER, Claude. Four Centuries of Liège Gunmaking. 1976; HOFF, Arne. Dutch Firearms Nederlandse Vuurwapens uit de 17e en 18e eeuw. 1977; Collection Pierre Solvay. [n.d.]. Dutch Muskets and Pistols And 3 others. (8) GARDNER, J. Starkie. Armour in England from the Earliest Times to the Seventeenth Century. 1898; HEWITT, I. Chart of Ancient Armour. [n.d., but mid 19th-century], fold-out; SOMERSET, Lady Henry. Eastnor Castle. [n.d.]; BLAIR, Claude. European Armour. 1958; GYNGELL, Dudley S. Hawtrey. Armourers Marks. 1959; FFOULKES, Charles. The Armourer and his Craft from the XIth to the XVIth Century. 1967, reprint; Medieval Warfare. 1978; OAKESHOTT, Ewart. European Weapons and Armour. 1980, signed by the author; BLACKMORE, David. Arms & Armour of the English Civil Wars (9) GEORGE, J.N. English Pistols and Revolvers. 1938; GEORGE, J.N. English Guns and Rifles 1947; ATKINSON, John A. Duelling Pistols. 1964; ATKINSON, John A. The British Duelling Pistol. 1978; NEIL, W. Keith & D.H.L. BACK. British Gunmakers. Their Trade Cards, Cases & Equipment ; COOPER, John S. For Commonwealth and Crown. English Gunmakers of the Seventeenth Century. 1993; DICKENS, Bernard. M.B. - The Gunmaker s Silversmith ONE OF 30 COPIES, FOR PRESENTATION TO R. WIGINGTON, signed by the author. (7) GREENER, W.W. The Breech-Loader and how to use it. 1899; Illustrated and Descriptive Catalogue of Military Goods for sale by Francis Bannerman Sons. 1938; Handbook of the Thompson Submachine Gun. Model of ; The Service Revolver and How to Use it. [n.d.]; DEXTER, F. Theodore. Half Century Scrapbook of Vari-Type Firearms based on the Pictorial and Descriptive Catalogue of the Frank E. Bivens, Jnr. Inspirational Collection of Vari- Type Firearms and Accessories. 1960, ring-binder; TAYLERSON, A.W.F. Revolving Arms. 1967; DUNLAP, Jack. American British & Continental Pepperbox Firearms. 1964; CHAMBERLAIN, W.H.J. & A.W.F.TAYLERSON. Adams Revolvers With a small quantity of related books and pamphlets. (qty) GRIMBLE, A. Highland Sport... Illustrated by Archibald Thorburn. 1894; MANNIX, Daniel P. A Sporting Chance. Unusual Methods of Hunting. 1967; BLACKMORE GROSE, Francis. Military Antiquities respecting a History of the English Army from the Conquest to the Present Time. London: T. Egerton, volumes, quarto (284 x 216mm). Engraved frontispieces and plates (some light spotting and mainly marginal staining). Contemporary calf gilt (rebacked, inner hinges reinforced) GUNMAKERS - NEAL, W. Keith & D.H.L. BACK. The Mantons: Gunmakers, 1967; with Supplement. 1978; [Ibid.]. Forsyth & Co.: Patent Gunmakers, 1969; [Ibid.] Messrs Griffin & Tow and W. Bailes ; TAYLOR, Leslie B. A Brief History of the Westley Richards Firm [1985], reprint of Shakespeare Head Press edition of 1913; BACK, D.H.L. Great Irish Gunmakers. Messrs Rigby ; BACK, D.H.L. The Mantons (7)

123 273 HARDING, D. F. Smallarms of the East India Company , 4 vols; MAY, W.E. & P.G.W. ANNIS. National Maritime Museum. Swords for Sea Service. 1970, 2 vols. (6) HAYWARD, J.F. The Earliest Forms of the Flint-Lock in England [published in the Journal of The Royal Armoury, Stockholm]. 1947; CAREY, A. Merwyn. English, Irish, and Scottish Firearms Makers. 1954; Notes on the Proof of Shotguns and other Small Arms. 1960; BAILEY, De Witt & Douglas A. NIE. English Gunmakers. The Birmingham and Provincial Gun Trade in the 18th and 19th Century. 1978; The Church Pistols. Relics of the Burr-Hamilton Duel. Published by The Chase Manhattan Bank, [n.d.]; SEABY, W.A. The Paris Family of Warwick [n.d.]; GOODING, Joyce E. & Peter A. SCOTT-EDESON. The London Gun Trade A Checklist of Tradesmen. 2001; DICKENS, B. A Pair of Transitional Duelling Pistols (1788/9) by Harvey Walklate Mortimer (8) HEER, Eugene. Der Neue Støckel. Internationales Lexikon der Buchsenmacher, Feuerwaffenfabrikanten und Armbrustmacher von , 3 vols; Katalog Desdener Buchsenmacher JH, 1975; Katalog Suhler Feuerwaffen JH, (5) HELD, Robert (editor). Art, Arms and Armour. An International Anthology. Volume I: ; HELD, R. Arms and Armor Annual. Volume One. 1973; Waffen und Kostumkunde Heft ; Armi Antichi. Numero unico del ; Arms and Armour from the Scott Collection. Scottish Weapons. Arms and Armour. Scottish Art Review Special Numbers 1956/1963/1969; HOFFELD, J.M. The Art of the Medieval Blacksmith. 1969; GRANCSAY, S.V. Lucio Piccinino With a small quantity of others related including a few Metropolitan Museum of Art Bulletins. (qty) HELD, Robert. The Age of Firearms. 1957, inscribed to Robin Wigington by Nancy Jenkins (Held); BLACKMORE, Howard L. Guns and Rifles of the World. 1965; BLAIR, Claude. Pistols of the World. 1968; POPE, Dudley. Guns. 1969; BOOTHROYD, Geoffrey. The Handgun. 1970; SMITH, W.H.B. Small Arms of the World Tenth edition completely revised by Joseph E. Smith 1973; HAWKINS, Peter. The Price Guide to Antique Guns & Pistols. 1973, inscribed to Robin Wigington by the author. With 7 others of related interest. (14) HELM, Franz. Armamentarium Principale oder Kriegsmunition und Artilleren Buch Frankfurt: Johann Ammon, Folio (302 x 195mm). Title within elaborate pictorial and figural border with bird s-eye-view of Amberg in upper section, engraved armorial at head of dedication, head-pieces and initials, with the 4 rare engraved plates at the end, 30 illustrations in the text, a few nearly full-page (inconspicuous repairs to title, some light browning and spotting). Contemporary vellum (a little bowed, lacking ties). Provenance: faint early inscription on title; some faint annotation. FIRST EDITION. Cockle 690 (with no collation); Graesse I:222 (citing a copy lacking the 4 plates); Jahns p.995; Rumpf The numbering of the illustrations in this work is eccentric. The text illustrations are numbered 1-9, 11-12, 14 and 16-33; the (often missing) plates at the end are numbered 32, 33, 34 and 35. However, the pagination in the present copy is continuous and the catchwords consistent throughout: the work is, therefore, apparently complete

124 HILTL, Georg. Waffen-Sammlung Sr. Königlichen Hoheit des Prinzen Carl von Preussen. Mittelalterliche Abtheilung. Berlin: W. Moeser Hofbuchhandlung, [1876]. Quarto (378 x 290mm). 2 wood-engraved plates. Original red decorated cloth gilt, gilt edges (worn at foot of spine, lightly rubbed). With a modern facsimile edition of the same work bound in blue cloth. (2) HOLMES, Richard R. Naval & Military Trophies & Personal Relics of British Heroes. London: John C. Nimmo, Folio (398 x 300mm). Half title, title printed in red and black, 36 chromolithographed plates by William Gibb. Original red pictorial cloth gilt, gilt edges (rebacked preserving original spine) JACKSON, Herbert J. European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Centuries NUMBER 312 OF 550 COPIES; POLLARD, H. B. C. A History of Firearms. 1936; LENK, Torsten. The Flintlock. 1965; BAXTER, D. R. Blunderbusses. 1970; LINDSAY, Merrill. Miniature Arms (5) JOUBERT, Felix. Catalogue of the Collection of European Arms & Armour Formed at Greenock by R. L. Scott. [Glasgow: David Robertson & Co.], volumes, folio (460 x 323mm). Titles printed in red and black, 107 tinted photogravure plates (a few light marginal stains). Original half vellum gilt, uncut (inner hinges of vol. I splitting, covers scuffed). Provenance: Anne S. K. Brown (label). NUMBER 76 OF 100 COPIES PRODUCED FOR PRIVATE CIRCULATION. PRESENTATION COPY, the front free endpaper of vol. I inscribed, To A. A. Dunbar-Brandon, with all good wishes from R. L. Scott JUBINAL, Michael Louis Achille ( ). La Armeria Real, ou Collection des Principales Pièces de la Galerie d Armes Anciennes de Madrid. Paris: au bureau des anciennes Tapisseries histories, [n.d., c.1839]. 3 volumes in 2 including Supplement, folio (472 x 320mm) [Supplement 530 x 340mm]. Half titles, titles in lithographed architectural borders, 125 lithographed plates by Gaspard Sensi, including 44 in the Supplement, illustrations and decorations (some spotting and staining, more pronounced to the Supplement, Supplement with some marginal loss and browning). Contemporary red morocco gilt, spines gilt in compartments (extremities rubbed, corners a little bumped) Colas 1574; Lipperheide This work was originally issued in parts and is difficult to find complete with Supplement

125 287 LE BLOND, Guillaume ( ). A Treatise of Artillery: or, of the Arms and Machines Used in War since the Invention of Gunpowder. Being the First Part of Le Blond s Elements of War. London: E. Cave, Quarto (222 x 184mm) 15 folding plates numbered I - XV (only, of about 50, lacking frontispiece and all after R2 [ie. p.128]). Modern old-style half calf gilt (new endpapers). Provenance:?Pock (old signature on title) KOTTENKAMP, Franz. Der Rittersaal. Eine Geschichte des Ritterthums, seines Entstehens und Fortgangs, seiner Gebräuch und Sitten Stuttgart: Carl Hoffmann, Oblong quarto (228 x 286mm). 62 hand-coloured engraved plates by Friedrich Martin von Reibisch, many folding (section excised from corner of one leaf, some staining and spotting). Original brown cloth gilt (stain to lower cover, some rubbing). With 3 others of related interest. (4) LAKING, Guy Francis. A Record of European Armour and Arms through Seven Centuries with an Introduction by the Baron de Cosson. London: G. Bell, volumes, quarto. Photogravure frontispiece, titles printed in red and black, half tone illustrations. Original buckram with red cloth gilt lettering-pieces (spines darkened). With Francis Henry Cripps-Day s A Record of Armour Sales (London, 1925), uniformly-bound. (6) LAKING, Guy Francis. The Armoury of Windsor Castle. European Section. London: Bradbury, Agnew & Company, Quarto (334 x 280mm). Half title, title printed in red and black, frontispiece and 39 photogravure plates on India paper, mounted (preliminary leaves and half title spotted, some mainly marginal spotting and staining). Original niger morocco-backed cloth boards gilt, top edges gilt, others uncut (lightly stained and thumb-soiled). Provenance: Anne S. K. Brown (label) With Ralph Willet s The Bombardier, and Pocket Gunner (London, 1806), William Greener s The Science of Gunnery (London, 1846, New Edition, Greatly Enlarged ) and a defective work on artillery by Muller with folding plates (lacking title, etc). (4) LOW, A.M. Musket to Machine-Gun. [c.1942]; A History of Browning Guns from [c.1946]; VAN RENSSELAER, Stephen. American Firearms. The Colt Supplement 1948, copy number 20 of a special deluxe edition, signed by the author; WILLIAMSON, Harold F. Winchester. The Gun that Won the West. 1952; MCHENRY, Roy C & Walter F. ROPER. Smith & Wesson Hand Guns 1958; CHAPEL, Charles Edward. The Gun Collector s Handbook of Values. 1958; FULLER, Claud E. The Rifled Musket. 1958; ABELS, Robert. Bowie Knives [c.1950s]; WATROUS, George R. The History of Winchester Firearms , third edition; MOORE, Warren. Weapons of the American Revolution and Accoutrements. 1967; WEEKS, John. Infantry Weapons. 1972; The Restorer s Handbook. Published by Normans of Framlingham Ltd. [c.1972]; FROST, H. Gordon. Blades and Barrels: Six Centuries of Combination Weapons. 1972; WASHER, Richard. The Sheffield Bowie & Pocket-knife makers ; NEUMANN, George C. & Frank J. KRAVIC. Collector s Illustrated Encyclopedia of the American Revolution. 1975; GUTHMAN, William H. U.S. Army Weapons ; SAYERS, Isabelle S. Annie Oakley and Buffalo Bill s Wild West. 1981; EARL, J. Curtis. Brochure of Machine Guns and Submachine Guns. 1983, reprint; TRAYWICK, Ben T. Tombstone Outlaw Album. 1984; FORGETT, Valmore J. (and others). LeMat. The Man, The Gun. 1996, inscribed; WALTER, John D. Secret Firearms. 1997; CONSTANTINE, Nathan A History of Cannibalism (21)

126 MACQUOID, Percy. A History of English Furniture. London: Lawrence & Bullen, volumes, folio (370 x 275mm). Half titles, titles printed in red and black, coloured plates by Shirley Slocombe, half tone illustrations (a few tears and repairs). Contemporary half vellum, spines gilt with green morocco lettering-pieces MCARTHUR, John. The Army and Navy Gentleman s Companion; or a New and Complete Treatise on the Theory and Practice of Fencing. London: J. Murray, Quarto (267 x 220mm). Engraved allegorical frontispiece, engraved title and 19 engraved plates, all but one folding (plate 6 and the following text leaves stained, some light staining, old pen trials to margin of one plate). Modern red cloth gilt, new endpapers MEYRICK, Samuel Rush & Joseph SKELTON. Engraved Illustrations of Antient Arms and Armour, from the Collection of Llewelyn Meyrick at Goodrich Court London: J. Skelton, volumes, folio (377 x 270mm). 2 frontispieces, additional engraved titles, portrait and 150 engraved plates (some spotting and staining). Finely-bound in 19th-century red half morocco gilt by Howell of Liverpool, spines gilt in compartments, top edges gilt, others uncut. Provenance: Bramley B. Kent (ex-libris sticker and signature on half title) MEYRICK, Samuel Rush ( ). A Critical Inquiry into Antient Armour. London: Robert Jennings, volumes, folio (380 x 275mm). Half title, additional titles with wood-engraved vignettes, 80 plates, most handcoloured aquatints (occasional light spotting and staining). Finely-bound in 19th-century red morocco gilt by Howell of Liverpool, spines gilt in compartments, top edges gilt, others uncut (extremities lightly rubbed). Provenance: Messenger (ex-libris sticker). FIRST EDITION

127 291 and NEAL, W. Keith & D. H. L. BLACK. Great British Gunmakers ; NUMBER 61 OF 750 COPIES; Great British Gunmakers ; BLACKMORE, Howard L. A Dictionary of London Gunmakers ; BLACKMORE, Howard L. English Pistols. 1985; Early Firearms of Great Britain and Ireland from the Collection of Clay P. Bedford. 1971; DIXON, Norman. Georgian Pistols. 1971, signed by the author. (6) NEIL, W. Keith. Spanish Guns and Pistols. 1955; LAVIN, James D. A History of Spanish Firearms. 1965; GRANCSAY, Stephen V. (editor). Master French Gunsmiths Designs of the XVII-XIX Centuries Reproduced in Facsimile. 1970, limited edition; GUSLER, Wallace B. & James D. LAVIN. Decorated Firearms from the Collection of Clay P. Bedford. 1977; DAEHNHARDT, Rainer. The Bewitched Gun. 1994, inscribed by the author. (5) NIOX & MARIAUX (editors). La Musée de l Armée. Armes & Armures Anciennes et Souvenirs Historiques les Plus Précieux. Paris: Hôtel des Invalides, volumes, quarto (365 x 275mm). Titles printed in red and black, 122 tinted plates. Modern burgundy morocco gilt, uncut. ONE OF 400 COPIES [NOLAN, Louis Edward ( )]. The Training of Cavalry Remount Horses. A New System. London: Parker, Furnivall & Parker, vo. Half title, wood-engraved frontispiece, title with vignette [counted as a plate] and 18 plates by Henry Alken (some mainly marginal staining and spotting to title and most plates). Original cloth lettered in gilt and decorated in blind (corners bumped). The author is best known for his controversial role in launching the illfated Charge of the Light Brigade during the Battle of Balaclava. He was also its first casualty. With 9 other miscellaneous books including The Exercise of the Foot; with the Evolutions, According to the Words of Command (London, 1690) and An Historical and Descriptive Account of the Royal Hospital, and the Royal Military Asylum, at Chelsea (London, 1805). (10) OWEN, C. H. & T. L. DAMES. Elementary Lectures on Artillery, Prepared for the Use of the Gentlemen Cadets of the Royal Military Academy Woolwich: Royal Artillery Institution, Quarto (280 x 212mm). Plates, some folding, some with hand-colouring, tables (several plates lacking). Contemporary half roan (rubbed). Provenance: Andrew Noble (armorial bookplate and pencil signature on title, Capt. Noble )

128 PARK LANE ARMS FAIR - A set of 21 Park Lane Arms Fair catalogues from and (21) PAYNE-GALLWEY, R. A Summary of the History, Construction and Effects in Warfare of the Projectile- Throwing Engines of the Ancients 1907; PAYNE-GALLWEY, R. The Crossbow. [n.d.]; RILING, Ray. The Powder Flask Book And another related. (4) Rules and Regulations for the Sword Exercise of the Cavalry Dublin: R. E. Mercier, vo. Half title, 29 plates, 2 folding (some staining, slight wear to half title). Contemporary [?original] paper-backed boards, uncut (spine a little worn with slight loss, some light staining and ink spotting). Provenance: Lord?Dillon (early signature on upper cover) SAINT REMY, Pierre Surirey de ( ). Memoire d Artillerie, où il est Traité des Mortiers, Petards, Arquebuses à Croc Mousquets, Fusils Des Bombes, Carcasses, Grenades, &c Amsterdam: Pierre Mortier, volumes, quarto (232 x 175mm). Engraved frontispiece, titles printed in red and black, 162 engraved plates, many folding, 8 folding tables (a few plates lightly browned in vol. II). Contemporary calf, later spines gilt in compartments with red and green morocco lettering-pieces (covers rubbed and scuffed, corners repaired and lightly bumped, later endpapers). Provenance: George Cockburn (armorial bookplate); Wm Heywood (old signature on recto of frontispiece); This book was given to me by my Dear Uncle Col. Heywood of Manchester Square London, G.?L. (inscription on front pastedown of vol. I)

129 SALE CATALOGUES - Bank House, Wellesbourne. 1940; Sheffield Park, 1971; The Green Collection (2 copies); Europaische Schmiedekunst. Part III. 1981; The Hever Castle Collection Volume One. Arms and Armour. 1983; Powerscourt, Eniskerry. 1984; A Cabinet of Curiosities: the Property of The Lord McAlpine of West Green With Wallis & Wallis Centenary. Some of the Best and Most Interesting. [n.d.]. (9) SALE CATALOGUES - Catalogue of the Choice Collection of Works of Art formed by that well known connoisseur, the late James Gurney, Esq. 1898; Catalogue of the Highly Important Collection of Armour and Arms and French Tapestry, the Property of Major the Hon. Thomas George Breadalbane Morgan-Granville-Gavin. 1917; Catalogue of a Collection of Arms and Armour, the Property of a Gentleman. Christie s, With 7 others, Christie s, Sotheby s and Wallis & Wallis. (10) SALE CATALOGUES - Catalogue of the Important Collection of Armour and Arms of Edwin J. Brett. Christie s, 1895, priced with some buyer s names; Catalogue of the Collection of Arms and Armour and Objects of Art formed by Sir Guy Francis Laking. Christie s, 1920, priced with some buyer s names; Catalogue of the Very Choice Collection of Armour and Weapons. The Property of the Late Baron C.H.de Cosson. Sotheby s, 1929, priced with most buyer s names. (3) SALE CATALOGUES - Catalogue of the Magnificent Collection of Works of Art and Vertu, formed by Mr. David Falcke. Christie s, 1858; Catalogue of the Collection of Armour and Arms and hunting Equipments of Herr Richard Zschille Christie s, 1897, priced; Catalogue of the Collection of Arms & Armour Formed early in the 19th Century by the late John Beardmore. Christie s, With sale catalogues for the collections of W.H. Spiller (1901) and Seymour Lucas (1903), the latter inscribed by the collector. (5)

130 SALE CATALOGUES - European Arms and Armor, mainly XV, XVI & XVII Centuries including Artistic and Rare Specimens from High Provenience [sic]. New York, 1928, priced; Collectors Arms & Armor from the John Wigington Collection. New York, 1951, priced; Arms and Armor XVI-XIX Century from the Collections of William Randolph Hearst. New York, 1957, priced. With sale catalogues from the collections of Mrs Roy S. Ritchey (1966), Historic American Swords (1989) and W. Keith Neal (2000,2001). (7) SCHOBEL, J. Princely Arms and Armour. 1975; THOMAS, B. (and others). Arms and Armour 1965; PETERSON, H.L. The Book of the Gun. 1962; TAVARD, Christian-H. Le Livre des Armes & Armures [n.d.]; REID, W. Arms through the Ages. 1976; BLAIR, C. European & American Arms c ; BULL, S. An Historical Guide to Arms and Armour With 6 others of related interest. (13) SEITZ, Heribert. Ein Waffenhistorisches Handbuch. Blankwaffen I [II] vols; OAKESHOTT, R. Ewart. The Sword in the Age of Chivalry. 1964; OAKESHOTT, R. Ewart. The Archaeology of Weapons 1960; NORMAN, A.V.B. The Rapier and Small-Sword (5) SPAIN - Catálogo Histórico-Descriptivo de la Real Armería de Madrid Madrid: Fototipias de Hauser Y Menet, Quarto (290 x 212mm). Half tone plates and illustrations (lightly spotted). Contemporary half vellum gilt, top edges gilt, others uncut (lightly stained). Provenance: (unidentifiable) armorial bookplate partly excised. Limited edition. With 4 others of Spanish interest including Museo-Armería de D. José Estruch y Cumella. Reproducción Fototípica (Barcelona,1976, facsimile of 1896 edition) and El Museo del Ejercito Español ([n.p.], 1983). (5) SCOTT, Mary Monica Maxwell. Abbotsford. The Personal Relics and Antiquarian Treasures of Sir Walter Scott. London: Adam and Charles Black, Quarto (306 x 260mm). Mounted chromolithographed frontispiece, title printed in red and black, 25 chromolithographed plates. Original cloth-backed boards gilt, top edges gilt

131 SPITZER, Frederic (? ), and others. La Collection Spitzer. Catalogue des Objets d Art et de Haute Curiosite Antiques, du Moyen Age & de la Renaissance Composant l importante et précieuse Collection Spitzer. Paris: Maison Quantin, Librairie Centrale, [1893]. 7 volumes including Sale Catalogue, folio (495 x 345mm) [Catalogue 387 x 284mm]. Half titles, titles printed in red and black, 341 photogravure plates, many tinted or coloured, woodengraved illustrations (occasional light spotting or staining). Finely-bound in uniform early 20th-century dark blue crushed morocco gilt by Birdsall & Son of Northampton, covers with gilt ruled, tooled and blind borders, spines gilt in compartments, dentelles, gilt edges (a few scuff marks, mainly to joints, corners lightly bumped). NUMBER 32 OF 600 COPIES SUR PAPIER VELIN. Volume VI of this monumental work is devoted to arms and armour STONE, George Cameron. A Glossary of the Construction, Decoration and Use of Arms and Armor in all Countries and in all Times. 1934; YAMAGAMI, Hatiro. Japan s Ancient Armour. 1940; ROBINSON, H. Russell. Oriental Armour. 1967; RAWSON, P.S. The Indian Sword. 1968; LATHAM, J.D. & W.F. PATTERSON. Saracen Archery. 1970; OLDMAN, W.O. Illustrated Catalogue of Ethnographical Specimens. 1976, limited edition. (6) The Journal of the Arms & Armour Society. 136 issues from March, Vol. II, nos. I - March 2002, vol. XVII, no. 3. Original pictorial wrappers (some issues lacking). And a few others, related. (qty) The Sportsman s Dictionary: or, the Country Gentleman s Companion in all Rural Recreations London: J. Osborn, volumes bound in one, 8vo. Engraved frontispiece and 24 plates, most folding, table (table torn with substantial loss, some plates repaired, occasional spotting and staining). Contemporary panelled calf (rebacked, corners rubbed and bumped). Provenance: J. Stephens & John Carr (early signatures); later (c.1912) inscription on recto of frontispiece relating to the book s provenance ( John Carr is in all probability my Grandfather, born 1764, died 1817 ). With William Barker Daniel s Rural Sports (London, vols. [without the Supplement]) and 2 copies of P. Hawker s Instructions to Young Sportsmen in all that relates to Guns and Shooting (London, 1826, fifth edition and sixth edition). (6)

132 315 THOMAS, B. The Shooter s Guide; or Complete Sportsman s Companion. 1823; [Anon]. Something About Guns and Shooting. By Purple Heather. 1891, inscribed To the editor of Land and Water with the Author s Compliments ; SLATER, J. Herbert. Illustrated Sporting Books. 1899; GATLIFF, James. Stations, Gentlemen! 1938; RILING, Ray. Guns and Shooting. 1951, limited edition; LOGAN, Herschel C. The Pictorial History of the Underhammer Gun. 1960; BLACKMORE, Howard L. Royal Sporting Guns at Windsor. 1968; AKEHURST, Richard. Sporting Guns. 1968; AKEHURST, Richard. Game Guns and Rifles. Percussion to Hammerless Ejector in Britain. 1969; CRUDGINGTON, I.M. The British Shotgun. Volume One ; HAWKER, Peter. The Sportsman s Pocket Companion. 1980, limited edition; KING, Peter. The Shooting Field. One hundred and fifty years with Holland & Holland THORDEMAN, Bengt (and others). Armour from the Battle of Wisby , 2 vols; Stadtmuseum Landshut. Landshuter Plattnerkunst. Ein Uberblick. 1975; MULLER, Heinrich. Europaische Helme aus der Sammlung des Museums fur Deutsche Geschichte. 1984; PYHRR, Stuart W. European Helmets, Treasures from the Reserve Collection. Metropolitan Museum of Art (5) TRAPP, Oswald Graf. The Armoury of the Castle of Churburg Translated, with a Preface, by James Gow Mann London: Methuen, Quarto. Half tone plates, errata slip (some light spotting). Original red buckram gilt, top edges gilt. NUMBER 104 OF 400 COPIES. With 18 others relating to collections of armour including Catalogue de la Collection d Armes Anciennes Européenes et Orientales de Charles Buttin (Rumilly, 1933), Otto Smith s Det Kongelige Partikulaere Rustkammer. I. Udgivet af Tøjhusmuseet (Copenhagen, 1938) and 3 miscellaneous volumes of Il Museo Stibbert a Firenze (Milan, c.1975). (19) UNTERMYER, Irwin. Bronzes, other Metalwork and Sculpture in the Irwin Untermyer Collection. 1962; D ALLEMAGNE, Henry Rene. Decorative Antique Ironwork. 1968; PLUMB, J.H. (and others). The Horizon Book of the Renaissance 1961; LINDSAY, J. Seymour. Iron and Brass Implements of the English House. 1964; SCHIFFER, Herbert, Peter & Nancy. Antique Iron [Ibid] The Brass Book. 1978; MICHEL, Henri. Scientific Instruments in Art and History With 4 others of related interest. (12) WALPOLE, Horace. A Catalogue of the Classic Contents of Strawberry Hill, Collected by Horace Walpole. [London: Smith and Robins], Quarto (246 x 205mm). Substantially priced with buyer s names throughout in a contemporary hand. Modern marbled boards, original pictorial wrapper bound in. The collection of armour was included in the nineteenth day s sale. With 7 other sale catalogues by Bruton, Knowles & Co., Buckland and Sons, Knight, Frank & Rutley, William Doyle Galleries and Walter Collins & Son including the Honington Hall and Rockfield House sales. (8) WARING, J.B. Masterpieces of Industrial Art & Sculpture at the International Exhibition, 1862 Chromo-Lithographed by and under the Direction of W. R. Tymms, A. Warren, and G. Macculloch, from photographs supplied by the London Photographic and Stereoscopic Company, taken exclusively for this work by Stephen Thompson. London: Day & Son, Volumes I - II only (of 3). Folio (422 x 290mm). Additional chromolithographed titles, chromolithographed and tinted plates. Original reverse calf elaborately decorated in gilt, gilt edges (rubbed). With J.B. Waring s Art Treasures of the United Kingdom from the Art Treasures Exhibition, Manchester chromo lithographed by F. Bedford with essays by Owen Jones, Digby Wyatt [etc] (London, 1858), The Art Journal. Illustrated Catalogue. The Industry of All Nations 1851 (London, [1852]) and Tallis s History and Description of the Crystal Palace, and the Exhibition of the World s Industry in 1851 (London, [n.d.], vols. I and III only) WILLIAMSON, Thomas. Oriental Field Sports. [Diss: Antony Atha Publishers Ltd, 1984]. Oblong quarto. Additional coloured title and 40 coloured plates by Samuel Howett. Original red half morocco gilt, red cloth box. NUMBER 51 OF 350 COPIES. Facsimile edition. With Kurt G. Blüchel s Game and Hunting (Cologne, 2000). (2)

133 WINANT, Lewis. Firearms Curiosa. 1956, limited edition; PETERSON, Harold (editor). Encyclopaedia of Firearms. 1964; BAXTER, D.R. Superimposed Load Firearms , limited edition; HAYWARD, J.F. The Art of the Gunmaker [1830] , 2 vols; BLAIR, Claude (editor). Pollard s History of Firearms, 1983, inscribed by the editor A HAWK RESTING, LATE 16TH/EARLY 17TH CENTURY, GERMAN OR NETHERLANDISH oil on canvas (relined), probably a fragment, the hawk resting on a buff leather gloved hand, the talons with bells, in a wooded landscape with its hood top right, framed 59.5 by 42cm; 23I in by 16I in

134 A NOBLE HUNTING SCENE IN EARLY 16TH CENTURY STYLE, BY P. SOYER, DATED 1880 depicting a mounted nobleman and woman, the former holding a hawk, with four attendants and hounds within a wooded landscape, all in polychrome enamel on copper, signed and dated bottom left (one small repair), in a contemporary frame, perhaps the original 16 by 28cm; 6D by 11in AN EXTENSIVE COLLECTION OF GUNMAKER S LABELS, 18TH, 19TH AND 20TH CENTURIES including: Isaac Barber, I. Blissett, Blisset & Son, Cogswell & Harrison, Thomas Conway, George H. Daw, William Drury, Durs Egg, George Forrest, Forsyth & Co., George Gibbs, Alexander Henry, Holland & Holland, Charles Lancaster, John Lofley, Edward London, Joseph Manton, Thomas Elsworth Mortimer, J. D. Needham, Henry Nock, Samuel Nock, Parker, Field & Sons, James Purdey, Reilly, William & John Rigby, Samuel & Charles Smith, Tatham & Egg, Trulock & Son, Westley Richards, Wilkinson, Witton & Daw, James Woodward, (some facsimiles), together with a small quantity of mid-19th Century game licenses, all contained within an album with tooled and gilt leather-covered boards

135 Miscellanea VARIOUS OWNERS 326 OLDMAN, W. O.: A COLLECTION OF EARLY CATALOGUES, CIRCA comprising Vol. VIII: nos. 92, 102, 103; Vol. IX: nos. 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115; Vol. X: nos. 116, 117, 118, 119, 120, 121, 122, 123, 127, 128, all complete with illustrations, in a contemporary binder William Ockelford Oldman exerted some considerable influence on his contemporaries in both the artistic and ethnographic fields. He is considered the most successful dealer and collector in this area. See H. Waterfield and J. C. H. King 2006, pp CHRISTIE S ARMS AND ARMOUR, MILITARIA AND SPORTING GUN AUCTION CATALOGUES including sales in London, Rome, Geneva, Glasgow, Dallas, New York, Melbourne and Sydney during the period , including the collections of McDonald-Peattie, J. F. R. Winsbury (two parts), Canon Charles Travers, Harold L. Peterson, Red Hackle Whiskey, A. C. C. Parker, Powerscourt, Howard Curtis, J. C. L. Knapton, The Armoury of Their Serene Highnesses the Princes zu Salm-Reifferscheidt-Dyck (two parts), Eugene Nielson, Wilfred Ward, Rothschild and R. T. Gwynn A full listing is available on request (qty) SOTHEBY S ARMS AND ARMOUR, MILITARIA AND SPORTING GUN AUCTION CATALOGUES including sales in London, Florence, Los Angeles, Johannesburg, Monte Carlo, Zurich, Sussex, Glasgow and New York during the period , including the collections of William Goodwin Renwick (parts I-IV & VII-X), John A. Williams, A. L. Jackson, John F. Hayward, Visser (two parts), and Alexander Davison A full listing is available on request (qty) A MINIATURE BRASS CANNON AND LIMBER, 20TH CENTURY with tapering brass barrel cast with raised mouldings and punched with sprays of foliage, fitted with a pair of plain trunnions and with globose cascabel: on its steel-mounted wooden carriage with spoked wheels (one broken), and complete with a limber en suite 37.5cm; 14N in overall A CONTINENTAL PERCUSSION MODEL CANNON, LATE 19TH CENTURY with four-stage moulded brass barrel, fitted with percussion nipple at the vent, on its wooden carriage fitted with a pair of large steel-clad trucks, height-adjusting mechanism, and hand-operated ignition hammer, and complete with its combination spanner, nipple wrench and turnscrew 20.5cm; 8in barrel 1cm; G in bore

136 331 AN INDIAN BRONZE BARREL, A HELMET IN 15TH CENTURY STYLE, TWO DAGGERS AND TWO SWORDS, 19TH CENTURY AND LATER the first of tapering form, swelling at the muzzle and formed with a bead sight, cast with a stylised candelabra, a raised band ahead of the breech, raised back-sight and integral pan; the second of conical form, brazed at the rear, formed with a turned lower edge and encircled with brass domed rivets at the base; a Matador s sword, 19th Century (incomplete); a North African sword, with broad blade inlaid with brass at the forte; a small African dagger, in its scabbard, and another small dagger with staghorn grip the first: 20.5cm; 8in (6) AN UNUSUAL POWDER-FLASK, 19TH CENTURY formed of wood, of tapering oval section, the outer surface encased in sharkskin (losses), and the borders encased in brass, with two rings for suspension, and complete with its wooden stopper 36.5cm;14G in A VENETIAN GONDOLIER S STAFF FINIAL, 18TH/19TH CENTURY of turned wood, covered with silk thread, profusely studded over its surface with numerous brass coins with a central gilt brass medallion decorated with two figures and the top fitted with moulded brass finial (losses) 91cm; 35¾in

137 A FLEMISH TARGET CROSSBOW AND WINDLASS, MID- 18TH CENTURY with robust steel bow stamped with a mark N.D. on the inside, fitted with an early string of twisted cord and retained by a pair of irons, figured walnut tiller applied with a large pierced iron plaque on each side of the nut cavity (the nut missing), the underside with rest of characteristic form fitted with steel stirrup, folding back-sight and trigger, moulded brass trigger-guard and butt-cap with folding support, and complete with its steel windlass formed of a pair of wheels with hooks for attaching to the string, near rectangular cover pierced with tracery to fit over the tiller, dated on a panel above, and a pair of writhen steel arms with turned wooden handles for winding 89.5cm; 35D in tiller (2)

138 335 European Military Firearms 335 A RARE PAIR OF.650 CALIBRE HANOVERIAN MODEL 1818/43 RIFLED PERCUSSION CAVALRY PISTOLS, NO. 449 with rebrowned tapering sighted 11Din barrels rifled with eight grooves, breech tangs numbered 5 and 6 respectively and incorporating the back-sights, stepped bevelled locks fitted with bolt safety-catches passing through from the opposite side and acting on the neck of the hammer, figured walnut full stocks (one fore-end repaired), the spines of the butts each with a pierced numbered plate for the shoulder stock, regulation brass mounts comprising flush-fitted side-plates stamped K.G.7, trigger-guards, butt-caps, and fore-end caps, with no provision for a ramrod, complete with numbered detachable shoulder stock impressed K.G.7, with its saddle bar with two rings, stamped throughout with the numbers 5 and 6 respectively and the arsenal marking TS conjoined, and remaining in good condition throughout 43.8cm; 17D in pistol without butt (3) Provenance The Konigsgendarmerie of 1866 Schloss Cumberland, Gmunden, inv. nos. 1467, 1468 Schloss Marienburg See U. Volmer 1978, p. 83, no

139 A.700 CALIBRE RUSSIAN FLINTLOCK REGULATION HOLSTER PISTOL, TULA, DATED 1813 with tapering sighted barrel retained by a single brass band at the muzzle, stamped with a series of marks including Tula military proof at the breech, stepped bevelled lock inscribed with the date and Tula arsenal inscription, regulation hardwood full stock (cracked through at the grip, fore-end chipped), regulation brass mounts including spurred pommel and escutcheon, the latter engraved with the Imperial cypher of Alexander I, and with no provision for a ramrod 42.5cm; 16N in A.700 CALIBRE FRENCH MODEL AN XIII PERCUSSION PISTOL, DATED 1807 a regulation conversion from flintlock, with 7Nin barrel, the lock with imperial arsenal marking of St Etienne, regulation stock, brass mounts stamped with the inspector s mark C beneath a star, and associated steel ramrod 34.5cm; 13K in A FRENCH.700 CALIBRE MODEL 1822 PERCUSSION PISTOL AND A 10 BORE PERCUSSION PISTOL OF REGULATION TYPE, BIRMINGHAM PROOF MARKS, CIRCA 1820 the first of regulation specifications, the lock with St Etienne arsenal inscription (the steel parts pitted, belt hook missing); the second rebuilt from flintlock, with tapering barrel, border-engraved lock, figured walnut full stock, regulation brass mounts and steel ramrod (fore-end split) the first: 34cm; 13G in (2) A.650 CALIBRE NEW LAND PATTERN FLINTLOCK PISTOL, EARLY 19TH CENTURY of regulation specifications, with 9in barrel stamped with Ordnance marks at the breech, the tang stamped with a crown mark, flat lock engraved Tower and with GR crowned, walnut full stock, brass mounts and original stirrup ramrod 38.5cm; 15B in

140 A.650 CALIBRE 1759 PATTERN LIGHT DRAGOON FLINTLOCK PISTOL BY DURS EGG of regulation specifications, with signed 9in barrel stamped with Ordnance marks at the breech (rubbed), signed rounded lock engraved with GR crowned and border ornament (light pitting), walnut full stock (the fore-end with a small crack), brass mounts and associated ramrod 38cm; 15in A.650 CALIBRE NEW LAND PATTERN FLINTLOCK PISTOL, EARLY 19TH CENTURY of regulation specifications, with 9in barrel stamped with Ordnance marks at the breech (areas of very light pitting), the tang stamped with a crown mark, flat lock engraved Tower and with GR crowned, walnut full stock impressed with Ordnance mark, brass mounts and original stirrup ramrod 38.5cm; 15B in

141 342 A.650 CALIBRE FLINTLOCK VOLUNTEER PISTOL, BIRMINGHAM PROOF MARKS CIRCA 1820 with tapering barrel moulded at the breech, borderengraved stepped lock stamped with GR crowned (cock cracked), figured walnut full stock (fore-end cracked), regulation brass mounts, and steel ramrod 39cm; 15G in A.700 CALIBRE FLINTLOCK REGULATION PISTOL OF EAST INDIA TYPE, SECOND QUARTER OF THE 19TH CENTURY AND A FLINTLOCK LIVERY PISTOL BY T. KETLAND & CO, BIRMINGHAM PROOF MARKS, CIRCA 1820 the first with tapering barrel, rounded lock stamped with the letter D and a crown, walnut full stock, brass mounts, the butt fitted with a steel ring for a lanyard, and with no provision for a ramrod; the second with tapering barrel moulded at the breech, signed border-engraved stepped lock, figured walnut full stock, brass mounts including trigger-guard engraved with pairs of lines and stars (the rear portion cracked), side-plate, butt-cap and vacant escutcheon, and steel ramrod the first: 38.5cm; 15B in (2) A.577 CALIBRE 1853 THREE BAND 1853 PATTERN SECOND MODEL PERCUSSION ENFIELD RIFLE, DATED 1857 of regulation specifications, the barrel rifled with three grooves and retained by two bands (the bore worn, muzzle band missing), folding back-sight graduated to 1000 yards, dated lock with VR crowned, figured walnut full stock impressed 59 on the right of the butt, regulation brass mounts including butt-plate engraved V RS 2 59, and retaining its steel ramrod 99cm; 39in barrel

142 American Firearms 345 A.31 CALIBRE U.S. COLT MODEL 1849 FIVE SHOT PERCUSSION POCKET REVOLVER, NO FOR 1854 of standard production specifications, with 6in barrel stamped with two line New York address, the barrel, cylinder and frame retaining some original finish, the trigger-guard and back-strap each with much original silverplating, and with matching numbers throughout 27.5cm; 10P in A.36 CALIBRE U.S. MODEL 1851 SIX-SHOT PERCUSSION NAVY REVOLVER, NO FOR 1863 of standard production specifications, with 7Iin barrel, retaining traces of original colour (largely oxidised), with matching numbers throughout, and the back-strap also stamped 5 on the base 33cm; 13in

143 A.36 CALIBRE COLT LONDON MODEL 1851 SIX-SHOT PERCUSSION NAVY REVOLVER FOR EXPORT TO CANADA, LONDON PROOF MARKS, NO FOR 1855 of standard production specifications, with 7I in barrel, steel frame, cylinder trigger-guard and back-strap all retaining traces of original finish, with matching numbers throughout, and the grip impressed U.C.F cm; 13in The inscription on the grip is for Upper Canada. For an account of the Canadian purchases from Colt s London business see J. G. Rosa 1974, pp

144 348 A.36 CALIBRE U.S. COLT MODEL 1862 FIVE-SHOT PERCUSSION POCKET NAVY REVOLVER, NO. 178 FOR 1861 AND A.31 CALIBRE U.S. COLT MODEL 1849 SIX SHOT PERCUSSION POCKET REVOLVER, NO FOR 1864 each of standard production specifications, the first with 6 Iin barrel stamped with single line New York address, with matching numbers throughout (fore-sight worn, engraving rubbed); and the second with 6in barrel stamped with single line New York address, and with matching numbers throughout (loading lever and grips restored, worn throughout) the first: 29.3cm; 11I in 348 (2) A.31 CALIBRE U.S. COLT MODEL 1849 FIVE SHOT PERCUSSION POCKET REVOLVER, NO FOR 1856; A.36 CALIBRE U.S. COMPOSITE COLT FIVE SHOT PERCUSSION REVOLVER, NO , CIRCA 1860; AND A.31 CALIBRE U.S. COLT MODEL 1849 FIVE SHOT PERCUSSION POCKET REVOLVER, NO FOR 1858 the first, of standard production specifications, with 4in barrel stamped with two line New York address, steel trigger-guard and back-strap, and with matching numbers throughout (worn, the cylinder with small dents); the second with octagonal sighted barrel stamped with New York address, plain cylinder and frame, brass trigger-guard and back-strap and later wooden grips (the steel parts pitted); and the third of standard production specifications, with 5in barrel stamped with two line New York address, associated loading lever numbered 5725, the trigger-guard and back-strap each with traces of original silver-plating, and with matching numbers throughout (cylinder worn, grips chipped) 349 the first: 22.5cm; 8P in (3) A.36 CALIBRE RIM-FIRE U.S. COLT MODEL 1871/72 CARTRIDGE CONVERTED POCKET REVOLVER, NO with 3Iin blued round barrel stamped Colt s Pt. F.A. MFG. Co. Hartford. CT USA, engraved cylinder, case-hardened frame stamped with patent details on the left, casehardened trigger, polished walnut butt, with matching numbers and retaining much original finish throughout See R. Q. Sutherland & R. L. Wilson 1971, p cm; 8I in

145 351 A.44 CALIBRE U.S. COLT MODEL 1860 SIX SHOT PERCUSSION ARMY REVOLVER, NO FOR 1865 AND A.36 CALIBRE U.S. COLT MODEL 1851 SIX-SHOT PERCUSSION NAVY REVOLVER, NO FOR 1861 each of standard production specifications, the first with 8in barrel stamped with single line New York address, and with matching numbers throughout (refinished overall); the second with barrel stamped with single line New York address, fitted with later back-sight, and with matching numbers throughout (the barrel with small dents, worn throughout) the first: 35cm; 13N in (2) TWO.31 CALIBRE U.S. COLT MODEL 1849 SIX SHOT PERCUSSION POCKET REVOLVERS, NO FOR 1863 AND NO FOR 1865 each of standard production specifications, the first with 6in barrel stamped with single line New York address, and with matching numbers throughout (small dents throughout); and the second with 6in barrel stamped with single line New York address (worn) and retaining some original blued finish, with matching numbers throughout (the loading lever unnumbered, cylinder with small dents) 27.5cm; 10P in (2) TWO.36 CALIBRE U.S. MANHATTAN FIREARMS COMPANY SERIES III FIVE-SHOT PERCUSSION REVOLVERS, NOS AND 22640, CIRCA 1865 each of standard production specifications, with 6Iin barrel, and with matching numbers throughout (the engraving rubbed, worn, one lug screw missing) 30cm; 11N in (2)

146 354 TWO.44 CALIBRE U.S. REMINGTON NEW MODEL ARMY SIX SHOT PERCUSSION REVOLVERS, THE FIRST NO , CIRCA each of standard production specifications, the first with barrel stamped with the number beneath, the barrel, frame, loading lever and cylinder retaining some early blued finish (largely faded to brown), and stamped throughout with inspectors letters and a cartouche on each side of the grips (the grips with minor bruising); and the second with barrel stamped with the number beneath (obscured) and fitted with later fore-sight (worn throughout, the grips extensively chipped) 35cm; 13N in 354 (2) A.31 CALIBRE U.S. WHITNEY SECOND MODEL SECOND TYPE FIVE-SHOT PERCUSSION POCKET REVOLVER, NO. 8147, CIRCA AND A.36 CALIBRE U.S. WHITNEY NAVY & EAGLE CO. SECOND MODEL SECOND TYPE SIX- SHOT PERCUSSION REVOLVER, NO. 7345, CIRCA 1860 each of standard production specifications, the first with 4in barrel (cylinder pin nut missing); and the second with 7Kin barrel the first: 22.5cm; 8P in (2) A.31 CALIBRE U.S. J.M. COOPER SECOND MODEL FIVE SHOT PERCUSSION REVOLVER, NO. 5092, CIRCA AND A 31 CALIBRE U.S. BACON MFG CO. SECOND MODEL FIVE SHOT PERCUSSION REVOLVER, CIRCA each of standard production specifications, the first with 4in barrel, retaining some early finish, and with matching numbers; the second with 4in barrel, and plain frame the first: 22.5cm; 8P in (2)

147 A.36 CALIBRE U.S. SAVAGE REVOLVING FIRE-ARMS CO. NAVY MODEL SIX-SHOT PERCUSSION REVOLVER, CIRCA of standard production specifications, with 7B in barrel, and retaining some original finish throughout (faded, the barrel with small dents) 36.5cm; 14G in A.44 CALIBRE U.S. REMINGTON NEW MODEL ARMY SIX SHOT PERCUSSION REVOLVER, NO , CIRCA of standard production specifications, the barrel stamped with the number beneath, the barrel, frame, loading lever and cylinder retaining much early blued finish (oxidised in places), and stamped throughout with inspectors letters and a cartouche on each side of the grips 35cm; 13N in

148 359 A.28 CALIBRE U.S. JAMES WARNER POCKET SECOND MODEL SIX SHOT PERCUSSION REVOLVER, CIRCA AND A.32 CALIBRE U.S. WHITNEYVILLE SECOND MODEL SIX-SHOT RIM-FIRE REVOLVER, NO. 8378, CIRCA each of standard production specifications, the first with 3 N in barrel, and traces of early finish, and the second with 3 I in barrel, and rosewood grips (the steel parts with areas of pitting) the first: 20.5cm; 8in (2) A.32 CALIBRE U.S. MOORE S PATENT FIREARMS COMPANY FRONT LOADING SIX SHOT TEAT FIRE REVOLVER, CIRCA AND A.32 CALIBRE U.S. MOORE S PATENT FIREARMS COMPANY SINGLE ACTION SIX-SHOT RIM-FIRE REVOLVER, CIRCA each of standard production specifications, the first with much original finish and walnut grips; and the second with 4in barrel and the frame retaining traces of silver-plating (clearing rod replaced) the first: 17.5cm; 6P in (2) A.32 CALIBRE U.S. SMITH & WESSON MODEL NO.2 OLD MODEL SIX-SHOT RIM-FIRE REVOLVER, NO , CIRCA ; ANOTHER, NO , CIRCA ; AND A.32 CALIBRE U.S. SMITH & WESSON MODEL 1-I FIRST ISSUE FIVE-SHOT RIM-FIRE REVOLVER, NO , CIRCA each of standard production specifications, the first with 6in barrel and retaining much original finish throughout; the second with 6in barrel (the steel parts pitted, worn); and the third with 3Iin barrel and retaining some original finish throughout (largely faded) the first: 28cm; 11in (3)

149 362 A.32 CALIBRE U.S. ALLEN SIDEHAMMER THIRD MODEL SIX-SHOT RIMFIRE REVOLVER, CIRCA ; A 120 BORE ALLEN, THURBER & CO FIVE-SHOT PERCUSSION PEPPERBOX REVOLVER, CIRCA 1845; AND A SIX-SHOT PERCUSION PEPPERBOX REVOLVER, CIRCA 1845, PROBABLY AMERICAN the first of standard production specifications; the second with fluted barrel group stamped with the maker s details, scroll-engraved rounded action with bar hammer, and walnut grips; and the third with fluted barrel group, stamped 67 on the muzzle, scroll-engraved rounded under-hammer action, ring trigger, and rounded walnut grips the first:20.5cm; 8in (3) A.54 CALIBRE U.S. MODEL 1842 PERCUSSION PISTOL BY HENRY ASTON, DATED 1847 of regulation specifications, the lock with Middletown arsenal inscription and some original finish, and the stock with inspectors marks 35.5cm; 14in A.32 CALIBRE U.S. PERCUSSION POCKET PISTOL, MID- 19TH CENTURY, A.32 CALIBRE U.S. ALLEN & THURBER CENTRE HAMMER PERCUSSION PISTOL, NO. 324, CIRCA ; A.32 CALIBRE U.S. D.B. SINGLE TRIGGER PISTOL OF ALLEN AND THURBER TYPE, STAMPED BRUCE & DAVIS, DATED 1855; A.32 CALIBRE PISTOL BY MANHATTAN FIREARMS CO., CIRCA ; AND A U.S..32 CALIBRE LONG RIM-FIRE NEW MODEL POCKET RIFLE, NO , LATE 19TH CENTURY 363 the first with tapering barrel stamped 351 beneath, rounded action, two-piece walnut grips, and steel triggerguard; the remaining each of standard production specifications, and the fifth retaining much original nickelplating the first: 17.5cm; 6P in (5)

150 A.36 CALIBRE U.S. PERCUSSION DERRINGER BY J. E. EVANS, PHILADELPHIA, CIRCA with tapering rifled barrel signed on the flat, fitted with German silver fore-sight, scroll-engraved tang fitted with back-sight, scroll and border-engraved back action lock, figured walnut full stock moulded at the fore-end, chequered butt, inset with an engraved German silver plaque ahead of the lock, German silver mounts comprising engraved flush-fitting side-plate, drop-shaped butt-cap, and scroll-engraved trigger-guard, and vacant shield-shaped escutcheon, and with no provision for a ramrod 13.5cm; 5G in A.40 CALIBRE U.S. PERCUSSION DERRINGER, MID-19TH CENTURY with tapering rifled sighted barrel, scroll-engraved breech and tang, the latter fitted with back-sight, scroll and borderengraved back-action lock, figured walnut full stock, chequered butt, inset with a German silver plaque ahead of the lock, German silver mounts of shaped outline, comprising side-plate, drop-shaped butt-cap, scrollengraved trigger-guard, a pair of barrel bolt escutcheons, and vacant escutcheon, and with no provision for a ramrod 13.5cm; 5G in

151 367 European Firearms 367 A D.B. 12 BORE FRENCH PERCUSSION SPORTING GUN BY CUSSON A CLERMONT FERRAND, CIRCA 1840 with browned twist sighted barrels encrusted with the gold inscription Canons de Leclerc on the rib, the breech decorated with a gold bird, chiselled with slender ribs enriched with gold lines (small losses), stamped with the barrelsmith s marks of Jean Nicolas Leclerc (Neue Støckel 187) and the serial number 4719 beneath, finely engraved breech tang decorated with scrolls and a central medallion decorated with a hound and her puppy in two colours of gold, signed flush-fitting shaped locks finely engraved with differing landscapes enriched with hounds, game birds and the signature in two colours of gold, engraved shaped hammers matching the locks, highly figured walnut halfstocks, engraved steel mounts comprising butt-plate, scrollwork trigger-guard, rear ramrod-pipe and barrel bolt escutcheons each decorated en suite with the locks, two further ramrod-pipes and a pair of sling swivels, vacant silver escutcheon, and brass-tipped wooden ramrod (incomplete) 78.5cm; 30P in barrels Cusson is recorded in Clermont-Ferrand circa

152 368 A FINE AND RARE 32 BORE D.B. RUSSIAN FLINTLOCK SPORTING GUN BY IVAN PUSHKIN, TULA, CIRCA with individually forged two-stage barrels faceted over the forward portion, retained by a shaped silver band incorporating the fore-sight towards the muzzle, formed with a broad flat at the breech, inlaid in silver and two colours of gold with elaborate panels of scrollwork enclosing the maker s inscription in Roman and Cyrillic characters, a pair of birds-of-prey above a cornucopia and all framed by slender panels of martial trophies, silver lined vents, the breech tang fitted with a moulded back-sight and damascened in silver and two colours of gold with scrolling foliage (the barrels very slightly shortened and the backsight added in the gun's early working life), stepped bevelled locks inlaid with trophies-of-war beneath the pans and bouquets on the tails, the cocks and top-jaws decorated en suite, figured walnut half stock inlaid with delicate patterns of silver wire scrollwork behind the rear ramrod-pipe, ahead of the trigger-guard, and about the tang (the fore-end with minor repairs), the latter incorporating trophies-of-arms, chequered grip, the butt with carved raised cheek-piece on the left, inlaid with further trophies-of-arms and scrolls in silver wire on each side, the spine and behind the trigger-guard, inlaid with an engraved gilt copper plaque decorated with a cupid mask on the left and right hand sides, a garland incorporating a trophy-of-hunting beneath, the cheek-piece applied with a further gilt-copper plaque decorated with a pair of birds above a bouquet of flowers and garlands formed as an inverted Imperial Crown, engraved steel mounts damascened in silver and two colours of gold, comprising butt-plate decorated with a pair of game birds entwined by a garland supporting a cornucopia, trigger-guard with shaped terminal matching the butt-plate and with a trophyof-war incorporating a fasces on the bow, rear ramrod-pipe decorated with a trophy and a pair of fronds, vacant gilt copper escutcheon, and engraved bone fore-end cap, and complete with its steel-tipped ramrod (the decoration with light wear and minor losses) 77.5cm; 30I in barrels Signed Tula firearms are notably rare and few by this maker are recorded. Another is preserved in the Moscow Kremlin and another, formerly in the Clay P. Bedford collection, is illustrated in W. B. Gusler and J. D. Lavin, 1977, p The Bedford gun and the present example both share a number of features that are characteristic of high quality Tula gunmaking of this period. Namely, the use of silver and two colours of gold on the steel mounts, fine silver wire on the stock, and inlaid gilt copper plaques. The style and use of damascene about the tang of the Bedford gun is identical to that of the present gun s butt-plate and triggerguard. Both guns share the use of the inverted Imperial crown on the cheek-piece, all of which are indicative of this maker s work. See J.F. Hayward, 1963, p. 268 and ill. 79C

153 145

154 A 12 BORE D.B. PERCUSSION SPORTING GUN FOR BELTED BALL BY THOMAS KENNEDY, KILMARNOCK, GUNMAKER TO HIS ROYAL HIGHNESS PRINCE ALBERT, NO. 267, CIRCA with browned twist sighted barrels cut with a pair of grooves for belted ball, fitted with blued folding leaf backsight calibrated to 300 yards, engraved case-hardened breech decorated with a stag s head and fitted with platinum plug, engraved case-hardened tang decorated with a reclining stag and scrolling foliage, signed borderengraved case-hardened locks decorated with differing hunting scenes, chequered forward trigger, figured walnut half-stock, chequered grip, steel mounts comprising blued trigger-guard decorated with scrollwork and with stylised pineapple finial, engraved blued butt-plate, three ramrodpipes, and engraved case-hardened fore-end cap, and original brass-tipped wooden ramrod (one sling swivel missing) 76cm; 30in barrels Thomas Kennedy is recorded in Kilmarnock circa He was appointed Gunmaker to Prince Albert in A 12 BORE PERCUSSION SPORTING GUN BY THEOPHILUS RICHARDS, BIRMINGHAM PROOF MARKS, CIRCA 1830 with rebrowned twist two-stage sighted barrel, engraved breech inlaid with a platinum line and numbered 438 beneath, pierced platinum plug, signed stepped foliateengraved lock, figured walnut half-stock with chequered grip, engraved steel mounts including trigger-guard with pineapple finial, vacant escutcheon, horn fore-end cap, and original brass-tipped ramrod (the steel parts pitted throughout) 77cm; 30D in barrel

155 A FLINTLOCK BLUNDERBUSS BY COOK, CIRCA 1800 with earlier brass barrel formed in three stages and flaring towards the muzzle, signed Castle over the breech, stamped with London view and proof marks, the barrelsmith s stamp, the letters EC beneath a Castle, and engraved with flowers and foliage (rubbed), steel tang, signed stepped lock fitted with roller, figured walnut full stock cut with a pattern of pineapple chequering over the grip (small chips about the tang and at the fore-end, minor bruising), engraved brass mounts including stepped solid side-plate decorated with a trophy-of-arms, butt-plate and trigger-guard decorated en suite, the latter with acorn finial, a pair of moulded brass ramrod-pipes, and original horntipped ramrod with steel worm 76cm; 29P in The barrelsmith s mark appears to be unrecorded and is probably that of Edmund Castle who apprenticed to Peter Bolton in He was made Free of the Gunmakers Company in 1700, was a contractor to the Ordnance and is last recorded in See H. L. Blackmore 1986, p A FLINTLOCK BLUNDERBUSS SIGNED HAMPTON, LONDON, BIRMINGHAM PROOF MARKS, CIRCA 1820 with brass barrel belled at the muzzle, fitted above with a spring bayonet secured by a stud, the former stamped with a mark, DL crowned at the base, engraved breech tang fitted with bayonet release catch, signed stepped bevelled lock engraved with foliage and fitted with roller, figured walnut full stock cut with a trellis pattern of chequering at the grip, engraved brass mounts comprising small oval side-plate decorated with a rococo shell, trigger-guard with a bouquet on the bow and acorn finial, butt-plate with further designs of foliage, vacant shield-shaped escutcheon, a pair of moulded ramrod-pipes, and original brass-tipped ramrod with steel worm 72cm; 28G in Probably by Thomas Hampton, recorded in Birmingham circa and known to have marked his guns London

156 A FLINTLOCK BLUNDERBUSS SIGNED KETLAND, LONDON, BIRMINGHAM PRIVATE PROOF MARKS, CIRCA 1800 with brass barrel formed in three stages, inscribed London over the breech and stamped with the barrelsmith s mark, TK, engraved steel tang, signed border-engraved stepped lock (the upper portion of the cock replaced), figured walnut full stock (cleaned, fore-end cracked), brass mounts including stepped solid side-plate engraved with shell and border ornament, butt-plate, and trigger-guard decorated with a flowerhead on the bow and with finial of late acorn form (later ramrod) 76.8cm; 30D in A FLINTLOCK BLUNDERBUSS BY BRANDER, CIRCA 1780 with steel barrel formed in two stages and flaring towards the muzzle, signed border-engraved rounded lock, figured walnut full stock (fore-end repaired), brass mounts including stepped solid side-plate, trigger-guard engraved with a rococo flower on the bow and with acorn finial, and associated horn-tipped ramrod (the steel parts pitted throughout) 81.5cm; 32in

157 A FLINTLOCK BLUNDERBUSS BY J. GRAY, CIRCA 1790 with brass barrel formed in three stages, strongly belled at the muzzle, inscribed Dublin, struck ME3367 for Meath County registration and twice with Birmingham proof mark at the breech, iron tang, signed strongly bevelled stepped lock (pitted), figured walnut full stock (cracks and repairs), and brass mounts comprising trigger-guard with finial of shaped outline, butt-plate and long ramrod-pipe (later ramrod) 77cm; 30D in John Gray is recorded in Dublin circa See R. J. Garrett 2008, p A FLINTLOCK BLUNDERBUSS WITH EARLIER BARREL BY TAYLOR, CIRCA 1680 with three-stage brass barrel swelling towards the muzzle, engraved with foliage, struck with the barrelsmith s mark and signed over the breech and formed with a raised moulding, rounded lock, hardwood full stock, brass mounts of livery type, and with no provision for a ramrod 81.5cm; 32in Godfrey Taylor (or Tailor) apprenticed to John Silke in 1658, was made free of the Gunmakers Company 1666 and became Master in He was a contractor to the Ordnance, The East India Company and the Royal African Company, he died in See H. L. Blackmore 1999, pp

158 377 A 20 BORE SPANISH MIQUELET-LOCK TRAVELLING PISTOL, 19TH CENTURY with shortened tapering barrel inlaid with silver scrollwork, stamped with a barrelsmith s mark at the breech, the tang overlaid with a small piece of chased silver (incomplete), steel lock of characteristic form, hardwood full stock inlaid with silver wire scrolls and pellets, and pieces of bone, and with no provision for a ramrod (worn, the steel parts patinated throughout) cm; 9in A 40 BORE BELGIAN PERCUSSION POCKET PISTOL, LIÈGE PROOF, CIRCA 1840 with turn-off barrel, stamped 2529 beneath the breech, foliate-engraved box-lock action, folding trigger, fluted ebonised butt, and engraved steel butt-cap 14.5cm; 5N in A 40 BORE FRENCH PERCUSSION POCKET PISTOL, ST ETIENNE PROOF, MID-19TH CENTURY AND A 28 BORE BELGIAN POCKET PISTOL, LIÈGE PROOF, MID-19TH CENTURY the first with octagonal etched twist barrel, box-lock action engraved with a flower on each side, folding trigger, and rounded walnut butt; the second with octagonal barrel, box-lock action, walnut butt and steel trigger-guard the first: 16.5cm; 6I in 379 (2) TWO D.B. PERCUSSION TRAVELLING PISTOLS AND A D.B. PIN-FIRE TRAVELLING PISTOL, MID-19TH CENTURY the first with Liège proof marks, engraved box-lock action stamped 1814 on the right, and chequered grip (repaired) fitted with German silver butt-cap with scalloped trap; the second with box-lock action and bag-shaped butt (patinated); and the third with tip-down barrels released by a catch on the left, engraved box-lock action and fluted butt the first: 22cm; 8N in (3)

159 A CASED PAIR OF 80 BORE FRENCH PIN-FIRE TARGET PISTOLS BY F. CLAUDIN A PARIS, CIRCA 1860 each with signed reblued octagonal sighted barrels rifled with twelve grooves and engraved with foliage at the breech, engraved breech tang fitted with back-sight and extending over the spine of the butt, engraved rounded underlever action, engraved flush-fitting back-action lock signed F. P. Fd. Claudin a Paris, fluted walnut butt carved with panels of scrolling foliage on the spine and each side, and engraved steel mounts comprising spurred triggerguard and butt-cap: in their original fitted case veneered in ebonised wood (small chips), inlaid with brass lines and applied with an escutcheon engraved with the owner s full coat-of-arms and motto beneath the coronet of a marquis on the lid, the inside lined with red velvet (extensively faded, small areas of wear), impressed with the maker s name on the lid, and complete with accessories including bullet mould, mallet and cleaning rod 39.5cm; 15I in Ferdinand Claudin exhibited at the Paris Industrial Exhibitions of 1835, 1839 and

160 A PAIR OF GERMAN PERCUSSION TARGET PISTOLS SIGNED A. SCHULER A SUHL, MID-19TH CENTURY with octagonal twist sighted barrels signed in gold (losses), engraved breeches and tangs, the latter fitted with adjustable back-sights, flush-fitting scroll-engraved locks signed in gold, fitted with gravity stops (one missing), figured walnut half-stocks carved with a monster mask at the fore-end, fluted butts, and German silver mounts including pommels engraved 23 and and spurred triggerguards, and with no provision for a ramrod (worn throughout) 35cm; 13N in (2)

161 A RARE CASED 60 BORE FOUR-SHOT SELF-COCKING PERCUSSION PEPPERBOX REVOLVER BY JAMES BEATTIE, 223 REGENT STREET, NO. 226, CIRCA with fluted barrel group engraved with a band of foliage around the muzzles and retaining some early colour, engraved case-hardened bar hammer decorated with patterns of tightly scrolling foliage, engraved rounded German silver action decorated en suite with the hammer, incorporating nipple-shield and fitted with engraved casehardened sliding thumb-piece safety-catch, finely chequered figured walnut butt carved with fluting around the base, engraved steel butt-cap with folding trap (one small area of pitting), engraved steel trigger-guard, vacant silver escutcheon: in an early fitted mahogany case lined in plum velvet (areas of wear, the lid repaired), complete with some early accessories including powder-flask, bullet mould and rammer 22.5cm; 8P in James Beattie is recorded at this address circa

162 A CASED 54 BORE SIX-SHOT SELF-COCKING PERCUSSION PEPPERBOX REVOLVER BY S. NOCK, REGENT CIRCUS, LONDON, CIRCA with blued fluted barrel group engraved with a band of foliage around the muzzles (areas of rust pitting), engraved case-hardened bar hammer decorated with patterns of tightly scrolling foliage, engraved case-hardened rounded action decorated en suite with the hammer, incorporating nipple-shield (light pitting) and fitted with blued sliding thumb-piece safety-catch, finely chequered figured walnut butt, engraved case-hardened steel butt-cap with folding trap, engraved steel trigger-guard, vacant silver escutcheon: in an associated fitted mahogany case lined in green baize, the lid with facsimile trade label, and complete with some accessories 23.5cm; 9D in

163 A CASED 80 BORE WITTON DAW & CO. IMPROVED PERCUSSION SINGLE ACTION GAS-SEAL LANG-TYPE REVOLVER, NO. 1181, CIRCA with signed octagonal polygroove rifled sighted barrel, retained by a wedge and fitted with cylinder retracting spring, fluted cylinder fitted with vertical nipples, scrollengraved action, off-set long spur hammer, chequered figured walnut butt, case-hardened butt-trap with engraved hinged cover, engraved trigger-guard, vacant silver escutcheon, and stamped with matching serial numbers throughout: in fitted mahogany case lined in green baize, the lid applied with facsimile trade label, and retaining some accessories including brass bullet mould 26.5cm; 10G in The Lang revolver was retailed by at least seven gunmakers including Witton, Daw & Co., many of which have been stamped with serial numbers. See A. W. F. Taylerson, R. A. N. Andrews and J. Frith 1968, p

164 386 A.32 CALIBRE TRANTER 1862 PATENT SEVEN-SHOT RIMFIRE SHEATH TRIGGER REVOLVER RETAILED BY J. GRAINGER & SON, TORONTO, NO.3450, BIRMINGHAM PROOF MARKS, CIRCA with blued octagonal sighted barrel of near hog s back form, signed by the retailer on top, border-engraved frame stamped with the patent number on the left, and grooved for sighting on the top, and with some original blued finish 21cm; 8D in 386 Tranter patented his new frame construction for the socalled sheath trigger revolver in 1863 under patent number See W. Berk 2008, pp John Grainger & Son are recorded in Toronto circa A 54 BORE TRANTERS PATENT SELF-COCKING FIVE- SHOT PERCUSSION REVOLVER, BIRMINGHAM PROOF MARKS, NO T, CIRCA 1865 AND A 120 BORE SIX- SHOT BAR HAMMER PERCUSSION PEPPERBOX REVOLVER SIGNED MANTON LONDON, BIRMINGHAM PROOF MARKS, CIRCA 1845 with octagonal rifled sighted barrel engraved with scrollwork, scroll-engraved frame fitted with patent loading lever on the left, plain cylinder, blued spurred trigger, chequered grip fitted with engraved steel cap, and the steel parts with later nickel plated finish throughout; the second with fluted barrel group engraved with foliage around the muzzles, case-hardened bar hammer, engraved rounded action signed on the left, engraved back-strap, figured walnut grips, and engraved steel butt-cap 387 the first: 31cm; 12D in (2)

165 A PAIR OF 40 BORE PERCUSSION TARGET PISTOLS BY MUSGROVE, GLASGOW, CIRCA 1840 with browned twist sighted barrels inscribed Glasgow, recessed breeches inlaid with platinum lines and incorporating the back-sight, scroll-engraved casehardened tangs, scroll-engraved signed case-hardened locks fitted with bolt safety-catches, set triggers, figured walnut half-stocks, chequered butts, engraved triggerguards and butt-caps, vacant silver escutcheons, silver barrel bolt escutcheons, steel fore-end caps, and with no provision for a ramrod (the steel parts refinished) 40cm; 15N in (2) Benjamin Musgrove is recorded at 46 Trongate, Glasgow circa The influence of James Purdey is evident in the form of the butts and the trigger-guards of these pistols

166 389 AN 80 BORE CONTINENTAL PERCUSSION POCKET PISTOL, LIÈGE PROOF, MID-19TH CENTURY, A 54 BORE PERCUSSION POCKET PISTOL SIGNED W. CHANCE & CO, LONDON, BIRMINGHAM PROOF MARKS, CIRCA 1840, AND A PERCUSSION PISTOL SIGNED W. DAROT, LONDON, BIRMINGHAM PROOF MARKS, CIRCA the first with scroll-engraved box-lock action (hammer spur chipped), and ivory butt (age cracks), in a later case; the second with fluted twist turn-off barrel, brass box-lock action engraved with scrolls, signed on the left and inscribed London on the right (worn), folding trigger, chequered walnut butt, and vacant silver escutcheon; the third with octagonal barrel inscribed London Live Twisted Wire, signed scroll-engraved German silver side-hammer action, folding trigger, chequered figured walnut butt, engraved German silver butt-cap with steel trap, and stirrup ramrod the first: 11.5cm; 4I in (3) A 40 BORE CONTINENTAL PERCUSSION TRAVELLING PISTOL, AND ANOTHER 50 BORE PISTOL, EARLY 19TH CENTURY both converted from flintlock, the first with tapering barrel moulded at the muzzle, border-engraved lock, figured walnut full stock, chequered butt, and steel mounts (later ramrod, worn); the second with short two-stage barrel, stepped lock, walnut full stock brass mounts, and no provision for a ramrod (worn) the first: 21.5cm; 8I in (2) A 40 BORE IRISH D.B. PERCUSSION TRAVELLING PISTOL BY MCDERMOT, DUBLIN, CIRCA 1800 converted from flintlock, with tapering sighted barrels inscribed Dublin on the rib, engraved grooved tang, signed stepped locks previously fitted with bolt safety catches, figured walnut half-stock, engraved steel triggerguard with pineapple finial, the butt inset with a silver tearshaped cap, and vacant silver escutcheon (ramrod missing) 26.5cm; 10I in

167 A CASED PAIR OF 40 BORE PERCUSSION RIFLED OFFICER S PISTOLS SIGNED MOORE, BIRMINGHAM PROOF MARKS, MID-19TH CENTURY with rebrowned twist octagonal sighted barrels inscribed London and rifled with three grooves, engraved breeches inlaid with three platinum lines, platinum plugs, engraved breech tangs fitted with standing back-sights, signed engraved case-hardened back-action locks decorated with foliage and border ornament, sliding bolt safety-catches, set triggers, highly figured walnut half-stocks inlaid with a piece of white metal beneath the percussion bolsters, chequered butts, engraved spurred steel trigger-guards with pineapple finials, a pair of ramrod-pipes, vacant white metal escutcheons, barrel bolt escutcheons and fore-end caps, and each with original brass-tipped wooden ramrod with steel worm: in a later brass bound fitted case lined in red baize, and with some accessories 38cm; 15in

168 393 A.25 CALIBRE RIM-FIRE WOODWARD S PATENT TURN- OVER PISTOL, BIRMINGHAM PROOF MARKS, CIRCA with case-hardened sighted barrels stamped 151, borderengraved silver-plated action signed Woodward s Regd. Feby. 4th 1863 no. 151 in an oval on the left, blued trigger, blued sliding safety-catch, chequered walnut grips and silver-plated back-strap (small losses, breech loose) 12.5cm; 4P in A 54 BORE SILVER-MOUNTED PERCUSSION TURN-OFF PISTOL BY KETLAND, LONDON PROOF MARKS, BIRMINGHAM SILVER HALLMARKS FOR 1776 AND A 100 BORE OVER-AND-UNDER FLINTLOCK TAP-ACTION POCKET PISTOL SIGNED JOHNSON & COLLINS, BIRMINGHAM PROOF MARKS, CIRCA 1820 the first, converted from flintlock, with cannon barrel, boxlock action signed on a scroll on the left and engraved with rococo ornament on the right, swelling figured walnut butt inlaid with silver wire scrolls (losses), grotesque silver mask cap, and sliding trigger-guard safety-catch engraved with a flower on the bow; the second with turn-off barrels cut for a key, box-lock action fitted with tap-lever and signed on the left, engraved with scrolls on the right and fitted with thumb-piece safety-catch, chequered walnut butt, steel trigger-guard engraved with a star, and vacant German silver escutcheon (the steel parts reblued) the first: 19.5cm; 7N in (2) A CASED 32 BORE PERCUSSION TRAVELLING PISTOL BY ROBT DUGARD, BIRMINGHAM, CIRCA with etched twist octagonal sighted barrel, engraved casehardened breech inlaid with two platinum lines and with platinum plug engraved with a tiger mask, engraved breech tang incorporating the back-sight, signed lock engraved with scrolls and border ornament, figured walnut full stock, chequered butt, engraved reblued steel trigger-guard and ramrod-pipe, vacant silver escutcheon, inlaid with an additional silver escutcheon opposite the lock engraved M.Walford, Headborough of Birmingham 1833 & 34, silver barrel bolt escutcheons, and brass-tipped wooden ramrod, perhaps the original, in a later fitted mahogany case lined in green baize, with later accessories including bullet mould, powder-flask and oil bottle 25.5cm; 10in barrel Headborough was the official in charge of local Parish Constables at this date. Robert Dugard is recorded making guns at Whittall Street, Birmingham, circa His business was succeeded to at this address by William Tranter

169 A CASED PAIR OF 38 BORE PERCUSSION DUELLING PISTOLS BY SAMUEL NOCK, LONDON, NO.7354, CIRCA 1833 with rebrowned twist octagonal sighted barrels signed in small block capitals on the flat, border-engraved casehardened breeches fitted with pierced platinum plugs, engraved case-hardened breech tangs incorporating the back-sight, engraved case-hardened flush-fitting stepped back-action locks signed Samuel Nock Invenit and decorated with characteristic scrolling serpents and foliage, fitted with engraved case-hardened hammers decorated en suite (spurs replaced), and blued bolt safety-catches, figured walnut half-stocks with slender chequered butts, engraved steel mounts comprising blued trigger-guards decorated with serpents and foliage and a pair of ramrodpipes (light pitting), vacant silver escutcheons and silver barrel bolt escutcheons, horn fore-end caps, and original ramrods each stamped with matching serial number: in their original fitted mahogany case lined in green baize (areas of wear and minor scratching), the lid with brass flush-fitting carrying handle, the interior with trade label, with some accessories including three-way flask covered in red leather 40cm; 15N in A pair of near identical pistols, formerly in the W. Keith Neal Collection, were sold Christie s 9th November 2000, lot 165. A note accompanying the Neal pistols attributes the form of the stocks to the whim of a Scottish Laird for whom the pistols were apparently made, in the style of the earlier Scottish pistol with fish-tailed butt

170 A CASED PAIR OF 22 BORE D.B. PERCUSSION BELT PISTOLS BY PARKER FIELD & SONS, 223 HIGH HOLBORN, LONDON, NO. 9477, CIRCA with browned twist sighted barrels signed on the rib, fitted with blued stirrup ramrods beneath, engraved casehardened breeches decorated with scallop shells, screw-in plugs, engraved cased-hardened side-hammer actions fitted with bolt safety-catches and decorated with scrolling foliage and anthemion on top, blued triggers, finely chequered walnut butts, one impressed with the serial number inside, engraved case-hardened steel butt-caps with traps, engraved blued trigger-guards, blued belt hooks, vacant silver escutcheons, and retaining much original finish throughout: in their original fitted mahogany case lined in green felt, the lid with flush-fitting carrying handle and the inside with trade label for 233 High Holborn, and complete with some accessories including bullet mould, turn screw, oil bottle by James Dixon and Sons, and copper powder-flask 28.5cm 11D in Parker Field & Son succeeded William Parker at 233 Holborn following his death in The different street number on the barrels and the trade label is apparently unrecorded, and might point to an additional premises. The company is known to have worked from three or more locations

171 163

172 398 detail 398 A FINE CASED PAIR OF 50 BORE PERCUSSION RIFLED DUELLING PISTOLS BY CHARLES MOORE, 77 ST JAMES STREET, LONDON, NO. 1821, COMPLETE WITH BILL OF SALE FOR 1835 each with scratch rifled browned twist octagonal sighted barrel signed in script (minor scratches, colour faded), blued standing back-sight, engraved case-hardened breech inlaid with a platinum line, platinum plug, scroll-engraved case-hardened breech tang, signed engraved casehardened flush-fitting lock decorated with scrolling foliage and border ornament, fitted with case-hardened hammer en suite and blued bolt safety-catch, blued steel set trigger, highly figured walnut half-stock, chequered butt with scalloped pommel in the continental taste, the latter inset with an oval silver plaque engraved with a lion mask, engraved blued steel spurred trigger-guard with pineapple finial, blued fore-end cap, vacant shield-shaped silver escutcheon, silver barrel bolt escutcheons, with no provision for a ramrod, and remaining in almost unused condition throughout: in original fitted rosewood case with flush-fitting carrying handle, lined in blue velvet (case lid warped, lock inoperative), with its accessories comprising mallet, brass three-way flask, wad cutter, nipple wrench, turnscrew, two brushes, powder-measure, and two bags of percussion caps, together with the original bill of sale from Charles Moore to Mr Wood 39.5cm; 15I in The bill of sale lists the price of the pistols in French Francs, at , approximately 34 at this date. The sale of the pistols in Paris might explain the Continental appearance of the butts and also the exotic casing. Charles Moore is recorded at Place Vendôme, circa

173 165

174 A PAIR OF 25 BORE FLINTLOCK DUELLING PISTOLS BY JOHN TWIGG, LONDON, CIRCA each with lightly swamped octagonal sighted barrel (very light pitting), signed with second form of signature, stamped with the barrelsmith s mark, IT crowned and London proof marks beneath, fitted with standing backsights and engraved with a band of beadwork at the breech, platinum-lined vent (relined), engraved breech tang decorated with an expanded flowerhead, stepped bevelled lock with signature en suite with the barrel, figured walnut full stock (minor bruising and small cracks), carved with a shell in relief behind the breech tang, flat-sided butt (one cracked), engraved iron trigger-guard decorated with a flowerhead matching the tang, second pattern acorn finial, a pair of moulded ramrod-pipes, and original horn-tipped ramrods with iron worms 38.8cm; 15D in (2) Provenance A. J. P. Penrose W. Keith Neal Literature W. Keith Neal and D. H. L. Back, Great British Gunmakers , p

175 A PAIR OF 18 BORE FLINTLOCK DUELLING PISTOLS BY JOVER, LONDON, CIRCA with lightly swamped octagonal sighted barrels signed Jover London over the breeches, inlaid with gold lines and stamped with the barrelsmith s mark of Edward Bate beneath, gold vents, engraved breech tangs fitted with standing back-sights, signed stepped bevelled locks engraved with flowers, fitted with detents and rollers, goldlined semi rainproof pans (the comb, top-jaw and screw of one cock missing), figured walnut half-stocks, finely chequered strongly formed butts (one fore-end with a small chip), engraved blued steel spurred trigger-guards with pineapple finials, large silver shield-shaped escutcheons, silver barrel bolt escutcheons, silver fore-end caps engraved with flowers and border ornament, original ramrods with steel and bone tips respectively (one terminal detached), and remaining in untouched condition throughout 38.5cm; 15B in (2) The Jovers are recorded in partnership with Edward Bate circa They made fine silver-mounted airguns. See H. L. Blackmore 1986, p

176 A CASED PAIR OF 54 BORE SILVER-MOUNTED FLINTLOCK TRAVELLING PISTOLS BY JOYNER, LONDON, BIRMINGHAM SILVER HALLMARKS FOR 1779 with turn-off cannon barrels, stamped with London and private proof marks beneath the breeches, box-lock actions engraved with scrollwork, signed on a rococo scroll on the left and inscribed London on a further scroll on the right, figured walnut butts inlaid with silver wire rococo scrolls enriched with pellets, silver grotesque mask butt-caps, and engraved steel trigger-guards decorated with a rococo flower on the bows: in a mid-19th Century refitted mahogany case lined in green baize, with some accessories including brass flask 23.5cm; 9D in (2)

177 A 40 BORE FLINTLOCK DUELLING PISTOL BY JOSEPH MANTON LONDON, NO FOR 1810 with browned scratch rifled twist octagonal barrel fitted with silver fore-sight (areas of pitting), recessed patent breech inlaid with a platinum line, platinum-lined maker s stamp, and vent, engraved case-hardened breech tang decorated with a trophy-of-arms and with standing backsight, signed engraved detented lock stamped JB, for Joseph Brazier of Wolverhampton, inside, fitted with bolt safety-catch, rainproof pan and roller, signed patent steel numbered 4141, figured walnut half-stock, chequered butt, engraved steel mounts (pitted) comprising butt-cap, blued spurred trigger with pineapple finial, and a pair of ramrodpipes, silver escutcheon engraved with the owner s initial M beneath a Baron s crown, silver barrel bolt escutcheons, horn fore-end cap, and associated horn-tipped wooden ramrod 36.5cm; 14G in A PAIR OF.700 CALIBRE IRISH FLINTLOCK YEOMANRY PISTOLS BY POWELL, DUBLIN, CIRCA 1750 with 11in barrels stamped with a proof mark (areas of pitting), in a heart the letter P at the breech, one stamped with another mark, probably Dublin (Neue Støckel 8550), tapering barrel tangs engraved E and N33, rounded locks signed on the tails, engraved en suite with the tangs (one indistinct), inscribed Dublin beneath the pans and engraved with pairs of lines (one cock repaired), regulation full stocks carved with an apron moulding about the tangs (one fore-end repaired), brass mounts of regulation type comprising moulded side-plates, spurred pommels engraved with an expanded flowerhead, trigger-guards with moulded finials, vacant oval escutcheons, a pair of ramrod-pipes, and later brass-tipped ramrods 45.5cm; 17P in (2) Literature Richard J. Garrett, Irish Gunmakers, 2008, p

178 A 20 BORE EAST SCOTTISH FLINTLOCK BELT PISTOL FORMED ENTIRELY OF STEEL, CIRCA 1700 with tapering multi-stage barrel faceted at the breech, decorated with raised bands covered with engraved silver, the breech and the median each inlaid with a broad central brass panel engraved with stars and framed by a wavy brass line on each side, rounded lock engraved with foliage and retaining traces of a signature at the base (cock cracked, top-jaw and steel missing), three-quarter steel stock engraved with pairs of lines, heart-shaped pommel applied with an engraved silver collar en suite with the barrel mouldings, engraved belt hook with pierced rings, and moulded button trigger (ramrod missing, areas of pitting, the inlays rubbed and with losses) 39cm; 15G in For an account of this distinctive group of pistols with heart shaped pommels see W. Reid 1963, pp Another pistol of this type with a barrel decorated in a similar manner was sold Thomas Del Mar Ltd, 26th June 2007, lot AN 80 BORE IRISH FLINTLOCK PISTOL BY M. BYRNE, CIRCA 1770, WITH EARLY SCOTTISH BARREL DATED 1612 with slender tapering brass barrel formed with five raised mouldings, engraved over its length with strapwork and flowers (rubbed), stamped with the date and incorporating a raised back-sight at the breech, iron tang, signed borderengraved rounded lock (cock missing), figured walnut three-quarter stock (cut-down, the fore-end repaired), brass mounts including pierced foliate side-plate, spurred pommel with grotesque mask cap, trigger-guard decorated with a spray of foliage on the bow and with foliate terminal (small dents, worn), and vacant escutcheon (ramrod missing) 41.5cm; 16G in A pair of snaphaunce pistols by James Low of Dundee, dated 1624, formed entirely of brass with barrels decorated in a very similar manner are preserved in the Glasgow Museums and Art Gallery, Kelvingrove. See M. Kelvin 1996, p The present barrel is of notably early date, other early examples being preserved in the former electoral collection, Dresden and the Tøjhusmuseum, Copenhagen, dated 1598 and 1602 respectively. See C. Blair and R. Woosman-Savage1995, p

179 A CASED PAIR OF 25 BORE FLINTLOCK DUELLING PISTOLS BY H. W. MORTIMER, LONDON, GUNMAKER TO HIS MAJESTY, CIRCA with swamped rebrowned octagonal sighted barrels signed H. W. Mortimer Gunmaker to His Majesty, engraved with a band over the breeches, gold-lined vents, engraved casehardened tangs fitted with standing back-sight, signed stepped bevelled locks with engraved tails, fitted with bolt safeties, detents, rollers, and set triggers, figured walnut full stocks (the fore-ends with minor repairs), finely chequered butts carved with an expanded flowerhead over the pommels, engraved steel mounts comprising triggerguards with pineapple finials and trophies on the bows, a pair of ramrod-pipes, and horn-tipped wooden ramrods (one replaced): in their original fitted mahogany case lined in green baize (the lid with a small crack and bruising), the lid with flush-fitting carrying handle retained by screws on the outside and with trade label for inside (small tears, the lining worn), and retaining some accessories including brass powder-flask, turnscrew and later mainspring clamp 39.5cm; 15I in Harvey Walklate Mortimer was made Gunmaker in Ordinary to George III in

180 A FINE CASED PAIR OF 38 BORE FLINTLOCK DUELLING PISTOLS BY JOHN MANTON & SON, DOVER STREET, LONDON, NO FOR 1827 with heavy rebrowned octagonal barrels cut with polygroove rifling, signed in full on the top flats, stamped with Galway census numbers 3575 and 3576, and the barrelsmith s mark WF for William Fullerd beneath, silver fore-sights, engraved case-hardened breeches decorated with scrolls of foliage and inlaid with a pair of platinum lines, platinum vents, engraved case-hardened breech tangs decorated en suite and fitted with standing backsight, signed engraved case-hardened patent locks, each with blued sliding safety-catch, blued steel spring with roller, French cock and v-shaped pan, the inside with detent and stamped with the maker s initials IL, figured walnut half-stocks (minor scratches and bruising), chequered butts, engraved blued steel mounts comprising trigger-guards with pineapple finials and the number in an oval on the tails, pear-shaped butt-caps, vacant silver escutcheons, horn fore-end caps, original brass-tipped ramrods, and retaining much original finish: in their original fitted mahogany case lined in green baize, the lid with flush-fitted carrying handle, the inside with trade label for 6 Dover Street (cracked around the lock, escutcheon missing), and retaining some accessories including comprising a pair of turnscrews, three-way brass flask covered with red leather, and oil bottle 38cm; 15in Provenance Clay P. Bedford Collection, no. 802 Christie s South Kensington, 20th September 1989, lot 184 Literature W. Keith Neal and D. H. L. Back, The Mantons 1966, p. 107 P. A. Scott-Edeson, Dating the Firearms of John Manton and John Manton & Son: , 2000, p END OF SALE 172

181 173

182 Sale Results for 10th December 2008 The following lots were sold at the prices stated , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Prices are the hammer price and do not include the buyer s premium, lot numbers which are omitted were withdrawn or did not sell. We are not responsible for typographical errors or omissions. 174

183 Thomas Del Mar Ltd In association with Sotheby s Antique Arms, Armour & Militaria, 9th December 2009

184 Arms & Armour Society The Society was formed in 1950 by a small group of dedicated enthusiasts to further the study of arms and armour, from earliest times, by bringing together scholars, collectors, professional experts and all who share this common interest. It has now grown into one of the leading groups of those concerned in the study, collection and preservation of arms and armour. A Journal, published twice yearly, is recognised worldwide as one of the most authoritative publications in this field and is the preferred medium for original research papers. A quarterly Newsletter keeps members in touch with the Society's many activities and major events in the world of arms and armour. Membership is open to all who share this interest and enables them to participate in monthly meetings held at The Tower of London, lectures, visits to places of arms and armour interest and to seek help and advice on their queries. In addition the Society keeps a close eye on all matters affecting the collection and ownership of arms, particularly with regard to legislation, and makes appropriate representations on behalf of members, to safeguard their interests. If you take pleasure in the collection or study of armour, swords, firearms and other arms, it will be greatly increased by membership of this Society, by bringing you into contact with others, including many of the world's leading experts, who share your interest. Moreover, it will enable you to take an active part in furthering your knowledge and that of your fellow members and, by joining with them, help to safeguard the future. Two categories of membership are open to you: CORRESPONDING MEMBERSHIP Annual membership fee is 15 UK and overseas, surface mail, 20 overseas airmail. This entitles you to the Journals and Newsletters, attendance at three Meetings at the Tower of London each year and full participation in all the Society's other activities. FULL MEMBERSHIP Annual membership fee is 25. This is by election after attending two meetings as a Corresponding Member or Guest and application and proposal forms may be obtained from the Hon. Secretary. Full membership entitles you to attend all twelve of the meetings at the Tower of London in addition to the other benefits of membership, as above. Send for an application form for membership and a free copy of the latest Newsletter to: Anthony Dove, PO Box 10232, London SW19 2ZD Telephone Fax (from outside UK +44 before the number and miss the first 0) edmund@jbgreenwood.force9.co.uk

185

186 Conditions of Business for Buyers 1. Introduction (a) The contractual relationship of Thomas Del Mar Ltd. and Sellers with prospective Buyers is governed by:- (i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Thomas Del Mar Ltd.; (iii) Thomas Del Mar Ltd. s Authenticity Guarantee; (iv) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer's announcement. (b) As auctioneer, Thomas Del Mar Ltd. acts as agent for the Seller. Occasionally, Thomas Del Mar Ltd. may own or have a financial interest in a lot. 2. Definitions "Bidder" is any person making, attempting or considering making a bid, including Buyers; "Buyer" is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer s principal when bidding as agent; "Seller" is the person offering a lot for sale, including their agent, or executors; TDM means Thomas Del Mar Ltd., Auctioneers, c/o Sotheby s Olympia, Hammersmith Road, London, W14 8UX, company number "Buyer s Expenses" are any costs or expenses due to Thomas Del Mar Ltd. from the Buyer; "Buyer s Premium" is the commission payable by the Buyer on the Hammer Price at the rates set out in the Guide for Prospective Buyers; "Hammer Price" is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; "Purchase Price" is the Hammer Price plus applicable Buyer s Premium and Buyer s Expenses; "Reserve Price" (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot. The Buyer s Premium, Buyer s Expenses and Hammer Price are subject to VAT, where applicable. 3. Examination of Lots (a) TDM s knowledge of lots is partly dependent on information provided by the Seller and TDM is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions. (b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of TDM s opinion and not representations of fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at TDM s absolute discretion. 4. Exclusions and limitations of liability to Buyers (a) TDM shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit, subject to the terms of TDM s Authenticity Guarantee. (b) Subject to Condition 4(a), neither TDM nor the Seller:- (i) is liable for any errors or omissions in any oral or written information provided to Bidders by TDM, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by TDM in connection with the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against TDM and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither TDM nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of TDM or the Seller for death or personal injury caused by the negligent acts or omissions of TDM or the Seller. 5. Bidding at Auction (a) TDM has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as TDM requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case TDM s prior and express consent must be obtained). (b) TDM advises Bidders to attend the auction, but TDM will endeavour to execute absentee written bids provided that they are, in TDM s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder s risk and subject to TDM s other commitments; TDM is therefore not liable for failure to execute such bids. Telephone bidding may be recorded. 6. Import, Export and Copyright Restrictions TDM and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer's sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required under the Convention on the International Trade in Endangered Species (CITES). 7. Conduct of the Auction (a) The auctioneer has discretion to refuse bids, withdraw or reoffer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary. (b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer's hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business. 8. Payment and Collection (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the "Payment Date"). (b) Title in a lot will not pass to the Buyer until TDM has received the Purchase Price in cleared funds. TDM will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer's obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots within 10 working 178

187 days of the auction. Purchased lots are at the Buyer's risk from the earlier of (i) collection or (ii) 10 working days after the auction. Until risk passes, TDM will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. TDM s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer's risk. TDM will not be liable for any acts or omissions of third party packers or shippers. 9. Remedies for non-payment Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, TDM may in its sole discretion exercise 1 or more of the following remedies:- (a) store the lot at its premises or elsewhere at the Buyer s sole risk and expense; (b) cancel the sale of the lot; (c) set off any amounts owed to the Buyer by TDM against any amounts owed to TDM by the Buyer for the lot; (d) reject future bids from the Buyer; (e) charge interest at 4% per annum above HSBC Bank plc Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) re-sell the lot by auction or privately, with estimates and reserves at TDM s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale; (g) Exercise a lien over any Buyer s Property in TDM s possession, applying the sale proceeds to any amounts owed by the Buyer to TDM. TDM shall give the Buyer 14 days written notice before exercising such lien; h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer s details to the Seller to enable the Seller to commence legal proceedings 10. Failure to collect purchases (a) If the Buyer pays the Purchase Price but does not collect the lot within 20 working days of the auction, the lot will be stored at the Buyer's expense and risk at TDM s premises or in independent storage (b) If a lot is paid for but uncollected within 6 months of the auction, following 60 days written notice to the Buyer, TDM will re-sell the lot by auction or privately, with estimates and reserves at TDM s discretion. The sale proceeds, less all TDM s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction. 11. Data Protection (a) TDM will use information supplied by Bidders or otherwise obtained lawfully by TDM for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i). 12. Miscellaneous (a) All images of lots, catalogue descriptions and all other materials produced by TDM are the copyright of TDM. (b) These Conditions of Business are not assignable by any Buyer without TDM s prior written consent, but are binding on Bidders' successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of TDM. Thomas Del Mar Ltd. s Authenticity Guarantee If Thomas Del Mar Ltd. sells an item of Property which is later shown to be a Counterfeit, subject to the terms below Thomas Del Mar Ltd. will rescind the sale and refund the Buyer the total amount paid by the Buyer to Thomas Del Mar Ltd. for that Property, up to a maximum of the Purchase Price. The Guarantee lasts for one (1) year after the date of the relevant auction, is for the benefit of the Buyer only and is non-transferable. Counterfeit means an item of Property that in Thomas Del Mar Ltd. s reasonable opinion is an imitation created with the intent to deceive over the authorship, origin, date, age, period, culture or source, where the correct description of such matters is not included in the catalogue description for the Property. Property shall not be considered Counterfeit solely because of any damage and/or restoration and/or modification work (including, but not limited to, recolouring, tooling or repatinating). Please note that this Guarantee does not apply if either:- (i) the catalogue description was in accordance with the generally accepted opinions of scholars and experts at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing at the date of the sale that the item was a Counterfeit would have been by means of processes not then generally available or accepted, unreasonably expensive or impractical; or likely to have caused damage to or loss in value to the Property (in Thomas Del Mar Ltd. s reasonable opinion); or (iii) there has been no material loss in value of the Property from its value had it accorded with its catalogue description. To claim under this Guarantee, the Buyer must:- (i) notify Thomas Del Mar Ltd. in writing within one (1) month of receiving any informationthat causes the Buyer to question the authenticity or attribution of the Property, specifying the lot number, date of the auction at which it was purchased and the reasons why it is believed to be Counterfeit; and (ii) return the Property to Thomas Del Mar Ltd. in the same condition as at the date of sale and be able to transfer good title in the Property, free from any third party claims arising after the date of the sale. Thomas Del Mar Ltd. has discretion to waive any of the above requirements. Thomas Del Mar Ltd. may require the Buyer to obtain at the Buyer's cost the reports of two independent and recognised experts in the relevant field and acceptable to Thomas Del Mar Ltd. Thomas Del Mar Ltd. shall not be bound by any reports produced by the Buyer, and reserves the right to seek additional expert advice at its own expense. In the event Thomas Del Mar Ltd. decides to rescind the sale under this Guarantee, it may refund to the Buyer the reasonable costs of up to two mutually approved independent expert reports, provided always that the costs of such reports have been approved in advance and in writing by Thomas Del Mar Ltd. 179

188 Thomas Del Mar Ltd In association with Sotheby s Catalogue Subscription Form In order to avoid missing a sale why not subscribe and receive the catalogue directly from the printer s mailing house. Subscribers receive at least two catalogues per annum and are kept up-to-date to sale-related events at Thomas Del Mar Ltd. Name (Block Capitals)..... Address Post/Zip Code... Telephone Number... Signature... Date... SUBSCRIPTION COSTS FOR TWO CATALOGUES AND POSTAGE UK 36 n Europe 40 n Rest of the world 44 n Please make cheques payable to THOMAS DEL MAR LTD and send to Thomas Del Mar Ltd, 25 Blythe Road, London W14 0PD, United Kingdom, or alternatively fax your details to us on +44 (0) Credit/Debit Card Information (please note that credit cards are subject to a 3% surchage) Mastercard Visa Debit/Switch n n n Card Number... Expiry Date... 3 Digit Security Code... Please debit my card for the amount shown above SIGNED...

189 Thomas Del Mar Ltd In association with Sotheby s ABSENTEE BID FORM (please print or type) Sale Title: Antique Arms, Armour & Militaria Date: 24th June 2009 Name Address Code: PANG Please mail or fax to: Thomas Del Mar 25 Blythe Road London W14 0PD Fax +44 (0) Important Please bid on my behalf at the above sale for the following Lot(s) up to the hammer price(s) mentioned below. These bids are to be executed as cheaply as is permitted by other bids or reserves and in an amount up to but not exceeding the specified amount. The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing responsive or consecutive bids for a lot. Telephone/Home Fax Signed Card type (Visa, Mastercard, Debit) Card Number Cardholder Name Postcode Business VAT No. Date I agree to be bound by Thomas Del Mar Ltd s Conditions of Business. If any bid is successful, I agree to pay a buyer s premium on the hammer price at the rate stated in the front of the catalogue and any VAT, or amounts in lieu of VAT, which may be due on the buyer s premium and the hammer price. Methods of Payment Thomas Del Mar Ltd. welcomes the following methods of payment, most of which will facilitate immediate release of your purchases. Wire Transfer to our Bank Electronic transfers may be sent directly to our Bank: HSBC Bank Plc 38 High Street Dartford Kent DA1 1DG Expiry Date 3 Digit Security Code Billing Address (if different from above) Cardholder Signature If you wish Thomas Del Mar Ltd. to ship your purchases, please tick Lot No Lot Description Bid Price IBAN No.:GB78MIDL BIC.:MIDLGB22 Sort Code: Account No.: Account Name.:Thomas Del Mar Ltd Credit/Debit Card A 3% surcharge is payable on all credit card transactions; there is no charge for debit cards. By signing this form you are authorizing payment for this sale. Sterling Bankers Draft Drawn on a recognised UK bank Sterling Cash or Cheque Cheques must be drawn on a recognised UK bank. We require seven days to clear a cheque without a letter of guarantee from your bank. 181

190 Lot No Lot Description Bid Price Lot No Lot Description Bid Price 182

191

192 NOTES

193 Sporting Guns at the Gleneagles Hotel Auction Monday 24th August 2009 Entries Invited David McKay Brown. "The Crocodile Gun" by Malcolm Appleby A magnificent 12-bore round action ejector gun engraved by Scotland's leading Goldsmith and Gun Engraver, a unique piece. To be sold at Gleneagles. For over forty years Record Prices for Sporting Guns have been achieved at the Gleneagles sale. Held two weeks into the Grouse shooting season, the unique location and atmosphere of The Gleneagles Hotel has seen this sale achieve a status like no other. The quality of the entry is always exceptional and to achieve the very best price for your gun in the marketplace there is only one true Internationally renowned sale. Entries for this years auction close on the 5th July. We travel extensively to view suitable items and are attending valuation days around the country during June. For further information and for a free valuation with a view to sale contact Gavin Gardiner or visit our website: Tel or www. gavingardiner.com Gavin Gardiner Limited In association with Sotheby s

194

195 Photography: Rolant Dafis

The New York Historical Society. Buch Uniform

The New York Historical Society. Buch Uniform The New York Historical Society Buch Uniform 1957.277a Uniform Jacket Dated: 1865-1870 Cotton, wool, metal, silk Overall: 3 x 18 1/2 x 26 1/4 in. ( 7.6 x 47 x 66.7 cm ) N-YHS, 3 / Storage - Processing

More information

Antique Arms, Armour & Militaria Sale

Antique Arms, Armour & Militaria Sale Antique Arms, Armour & Militaria Sale Wednesday 04 December 2013 12:00 Thomas Del Mar Ltd 25 Blythe Road London W14 0PD Lot: 1 **A JAPANESE SILVER-MOUNTED DAGGER (AIKUCHI TANTO) with single-edged blade

More information

Furniture. Type of object:

Furniture. Type of object: Furniture 2005.731 Chair Wood, bone / hand-crafted Large ornate wooden chair, flat back panel (new) and seat, perpendicular arms with five symmetrical curved ribs crossing under chair to form legs. The

More information

Oriental Arms. Coutinho, F.A.B. 1

Oriental Arms. Coutinho, F.A.B. 1 Up for sale is this Indian Shamshir sword, employing a fantastic Persian wootz (Damascus) blade. The long heavy blade is 35 inches long, signed in true gold inlay that reads: Nasro Min Allhi Wa Fathon

More information

G. Bersu & D. Wilson. Three Viking Graves in the Isle of Man, London 1966 The Society for Medieval Archaeology Monograph Series: No.

G. Bersu & D. Wilson. Three Viking Graves in the Isle of Man, London 1966 The Society for Medieval Archaeology Monograph Series: No. Scabbards 8 Ballateare & Cronk Moar in the Isle of Man Probably the best known scabbards from the period under study are the two from the Isle of Man. These were excavated primarily by the German archaeologist

More information

RESTORATION SERVICES

RESTORATION SERVICES Contents About us Blade restoration & Repairs Scabbard, Sheath & Hilt Horn & Ethical Ivory Leatherwork Engraving & Inlay Guns & Rifles Our Promise Aftercare About us Just like the great British armourers

More information

George III decanter. English c See Page 7. Fall 2018

George III decanter. English c See Page 7. Fall 2018 Antique Decanters George III decanter. English c.1820. See Page 7 Fall 2018 Tradition & History Each holiday season since 1993, we have offered a range of antique wine decanters, primarily from England

More information

C-94G Knight s Templar. 47 Overall. Intricate detail gold. SW-370 Robin Hood Sword 48 Overall. D-5001 Knight s Templar Sword 40.5 Overall.

C-94G Knight s Templar. 47 Overall. Intricate detail gold. SW-370 Robin Hood Sword 48 Overall. D-5001 Knight s Templar Sword 40.5 Overall. C-94G Knight s Templar 47 Overall. Polish stainless ssteel blade. Intricate detail gold handle. Include wood wall plaque. C-94S Knight s Templar Sword 47 Overall. Mirror polished stainless steel blade.

More information

Sale 421 Lot 184 A Fine Platinum and Diamond Necklace, Van Cleef & Arpels, with a Detachable Cultured Pearl and Diamond Pendant, consisting of a

Sale 421 Lot 184 A Fine Platinum and Diamond Necklace, Van Cleef & Arpels, with a Detachable Cultured Pearl and Diamond Pendant, consisting of a Sale 421 Lot 184 A Fine Platinum and Diamond Necklace, Van Cleef & Arpels, with a Detachable Cultured Pearl and Diamond Pendant, consisting of a single row V-shape necklace containing one octagonal step

More information

Antique Decanters. Empire decanter. French c See Page 6. Fall 2017

Antique Decanters. Empire decanter. French c See Page 6. Fall 2017 Antique Decanters Empire decanter. French c. 1800. See Page 6 Fall 2017 Tradition & History Each holiday season since 1993, we have offered a range of antique English, Irish and, occasionally, French wine

More information

JEWELLERY AUCTION WEDNESDAY, 23 NOVEMBER 17:00 VENUE WILLOWS GARDEN COURT POTCHEFSTROOM

JEWELLERY AUCTION WEDNESDAY, 23 NOVEMBER 17:00 VENUE WILLOWS GARDEN COURT POTCHEFSTROOM JEWELLERY AUCTION WEDNESDAY, 23 NOVEMBER 2016 @ 17:00 VENUE WILLOWS GARDEN COURT POTCHEFSTROOM 1. NO RESERVE PRICE However no ridiculous bid will be accepted. 2. VIEWING FROM 15:00 ON DAY OF AUCTION. 3.

More information

STATE OF CALIFORNIA BID SPECIFICATION R1 SERVICE AWARDS, 25 YEARS SERVICE AWARDS, RETIREMENT

STATE OF CALIFORNIA BID SPECIFICATION R1 SERVICE AWARDS, 25 YEARS SERVICE AWARDS, RETIREMENT STATE OF CALIFORNIA BID SPECIFICATION 8455-1908R1 SERVICE AWARDS, 25 YEARS SERVICE AWARDS, RETIREMENT 1. SCOPE This specification establishes requirements for 25 years service awards and retirement service

More information

Paul and Veronika Bucherer

Paul and Veronika Bucherer Accession numbers: 2004.1185-1221 Inventory numbers: B-D 01-37 Description / Inventory of a Collection of Miscellaneous Objects Most of them Collected in 1971-75 Presented for Repatriation to the Afghanistan-Museum

More information

We wish all of our readers a Merry Christmas and a Happy New Year.

We wish all of our readers a Merry Christmas and a Happy New Year. carltonware.com news Issue 184 22 December 2009 Merry Christmas We wish all of our readers a Merry Christmas and a Happy New Year. Carlton Ware Auction Day The following provides the lot description for

More information

Bulgari An 18 Karat Yellow Gold, Cultured Pearl, Multi Gem and Diamond Collar Necklace, Bulgari,

Bulgari An 18 Karat Yellow Gold, Cultured Pearl, Multi Gem and Diamond Collar Necklace, Bulgari, Bulgari Lot 250 An 18 Karat Yellow Gold, Cultured Pearl, Multi Gem and Diamond Collar Necklace, Bulgari, in an alternating pattern of spindle and oval bezel links within an outer double border containing

More information

READING MUSEUM SERVICE BRONZE AGE FINDS FROM THE RIVER THAMES

READING MUSEUM SERVICE BRONZE AGE FINDS FROM THE RIVER THAMES READING MUSEUM SERVICE BRONZE AGE FINDS FROM THE RIVER THAMES From the and other sources. AXEHEADS...1 BOWL...3 DAGGERS, DIRKS AND KNIVES...4 POTSHERD...7 SICKLE...7 SPEARS...7 SWORDS, RAPIERS...14 AXEHEADS

More information

Galactic City Costume Club B-Wing Pilot (Episode VI) Standard

Galactic City Costume Club B-Wing Pilot (Episode VI) Standard Galactic City Costume Club B-Wing Pilot (Episode VI) Standard FLIGHT SUIT The flight suit is long-sleeved, Chinese red or a medium to dark red. The suit fits the costumer with the waist at the costumer

More information

The Iron Age ( 500 BC to 400 AD)

The Iron Age ( 500 BC to 400 AD) Classroom DM Search this site Navigation Home Page Stone Age Bronze Age Iron Age Sitemap Iron Age The Iron Age ( 500 BC to 400 AD) 0 The Iron Age in Ireland spans almost one thousand years from the end

More information

IRON AGE. The Iron Age ( 500 BC to 400 AD)

IRON AGE. The Iron Age ( 500 BC to 400 AD) IRON AGE The Iron Age ( 500 BC to 400 AD) The Iron Age in Ireland spans almost one thousand years from the end of the Bronze Age to the start of the Early Christian Era during the fifth century AD. Knowledge

More information

Thomas Del Mar Ltd. Antique Arms, Armour & Militaria. London Wednesday 28th June In association with Sotheby s

Thomas Del Mar Ltd. Antique Arms, Armour & Militaria. London Wednesday 28th June In association with Sotheby s Thomas Del Mar Ltd In association with Sotheby s Antique Arms, Armour & Militaria including The Peter Cottis Collection London Wednesday 28th June 2006 AUCTION ENQURIES AND INFORMATION Sale Number: 002

More information

( 123 ) CELTIC EEMAINS POUND IN THE HUNDRED OP HOO.

( 123 ) CELTIC EEMAINS POUND IN THE HUNDRED OP HOO. Archaeologia Cantiana Vol. 11 1877 ( 123 ) CELTIC EEMAINS POUND IN THE HUNDRED OP HOO. THE twenty-seven, objects drawn in miniature, upon plate A, are all of pure copper, and together with ten lumps of

More information

Lots Lot #301: EDWARDIAN BAMBOO SMALL BLANKET CHEST WITH CHINOISERIE STAMPED LEATHERETTE PANELS Estimate: $200 - $400

Lots Lot #301: EDWARDIAN BAMBOO SMALL BLANKET CHEST WITH CHINOISERIE STAMPED LEATHERETTE PANELS Estimate: $200 - $400 Lots 301-310 Lot #301: EDWARDIAN BAMBOO SMALL BLANKET CHEST WITH CHINOISERIE STAMPED LEATHERETTE PANELS Lot #302: GEORGE III STYLE MAHOGANY HANGING FOUR-SHELF WHATNOT WITH PIERCED TRELLIS SIDES Height:

More information

Baju Band North India, Uttar Pradesh, Lucknow, late 18 th century

Baju Band North India, Uttar Pradesh, Lucknow, late 18 th century Bangles...They wear on their arms, above the elbow, rich armlets two inches wide, enriched on the surface with stones, and having small bunches of pearls depending from them. At their wrists are very rich

More information

SNUFF BOXES AND TOBACCO JARS

SNUFF BOXES AND TOBACCO JARS SNUFF BOXES AND TOBACCO JARS An interesting subject for a collector as these can still be found and might vary in price from about 40 or less - upwards (the dearest below was about 500). Very attractive

More information

ALBERT AMOR LTD. The Princess Reuss Collection. 37 Bury Street, St James s, London SW1Y 6AU Telephone: Fax:

ALBERT AMOR LTD. The Princess Reuss Collection. 37 Bury Street, St James s, London SW1Y 6AU Telephone: Fax: ALBERT AMOR LTD The Princess Reuss Collection 37 Bury Street, St James s, London SW1Y 6AU Telephone: 0207 930 2444 Fax: 0207 930 9067 Exhibition Friday 18th November - Wednesday 14th December 2011 9.30am

More information

SAWANKHALOK GLOBULAR JARS: THE FIRST SIAMESE CELADON WARE TO REACH ENGLAND, AND OTHER NOTABLE PIECES

SAWANKHALOK GLOBULAR JARS: THE FIRST SIAMESE CELADON WARE TO REACH ENGLAND, AND OTHER NOTABLE PIECES r ' SAWANKHALOK GLOBULAR JARS: THE FIRST SIAMESE CELADON WARE TO REACH ENGLAND, AND OTHER NOTABLE PIECES The Sawankhalok kilns in the kingdom of Sukhothai, in northcentral Siam, produced large numbers

More information

PRICE LIST / LIGHTING - January 2018 EUR.

PRICE LIST / LIGHTING - January 2018 EUR. PRICE LIST / LIGHTING - January 2018 EUR. GENERAL INFORMATION DELIVERY TIME Standard delivery: 1-3 weeks. WARRANTY PRICES CANCELLATION FEE PAYMENT A warranty on workmanship is granted for two years in

More information

Oscar Heyman Brothers

Oscar Heyman Brothers Oscar Heyman Brothers Lot 460 A Fine 18 Karat Yellow Gold, Platinum, Padparadscha Sapphire and Diamond Ring, Oscar Heyman Brothers, containing one oval mixed cut padparadscha sapphire weighing approximately

More information

ORNAMENTS. of Wealth and Power Bronze, Silver and Gold Artefacts of Ancient China and Neighbouring Regions BARRY TILL

ORNAMENTS. of Wealth and Power Bronze, Silver and Gold Artefacts of Ancient China and Neighbouring Regions BARRY TILL ORNAMENTS of Wealth and Power Bronze, Silver and Gold Artefacts of Ancient China and Neighbouring Regions BARRY TILL 1 2 3 4 Abbreviations Tanenbaum Gift of Joey and Toby Tanenbaum Menzie From the Collection

More information

Trailmaster Holsters

Trailmaster Holsters Trailmaster Holsters Ruger Super Blackhawk Catalog 1 Thanks for checking out Trailmaster Holsters! This catalog is designed with the aim of being ultra simple to use. Just holsters and information on design

More information

MUSEUM OF FINE ARTS BULLETIN OF THE VOLUME LII BOSTON, DECEMBER, 1954 NO. 290

MUSEUM OF FINE ARTS BULLETIN OF THE VOLUME LII BOSTON, DECEMBER, 1954 NO. 290 BULLETIN OF THE MUSEUM OF FINE ARTS VOLUME LII BOSTON, DECEMBER, 1954 NO. 290 54.1044. Hans Burgkmair, The Virgin and Child (Woodcut) Otis Norcross Fund See Page 96 PUBLISHED QUARTERLY SUBSCRIPTION ONE

More information

JEWELLERY SALE Tuesday, 21 February 2017

JEWELLERY SALE Tuesday, 21 February 2017 JEWELLERY SALE Lot No Description Hammer Incl. Buyer's Premium 125 A diamond single-stone ring The cushion-shaped diamond, in a six-claw setting, diamond approx. 0.95ct, ring size L½ 671.00 136 A five-stone

More information

#401: AFTER GEORGE GARDNER SYMONS ( ): MEADOW IN LATE FALL

#401: AFTER GEORGE GARDNER SYMONS ( ): MEADOW IN LATE FALL Lots 401-410 Lot #401: AFTER GEORGE GARDNER SYMONS (1863-1930): MEADOW IN LATE FALL Watercolor on paper laid down on cardboard, 10 1/8 x 17 1/4 in., bearing signature. Provenance: The collection of the

More information

Royal Navy bayonet belt frogs

Royal Navy bayonet belt frogs Royal Navy bayonet belt frogs If you re set on acquiring examples of regulation pattern bayonet belt frogs as issued to the Royal Navy, you re in for a real hunt. Whilst some later patterns are common

More information

LAWS AND REGULATIONS OF THE GRAND COMMANDERY OF KNIGHTS TEMPLAR OF COLORADO

LAWS AND REGULATIONS OF THE GRAND COMMANDERY OF KNIGHTS TEMPLAR OF COLORADO LAWS AND REGULATIONS OF THE GRAND COMMANDERY OF KNIGHTS TEMPLAR OF COLORADO Adopted September 11, 1999 Revised September 9, 2004 Revised September 7, 2012 SECTION 77. Ballot. The ballot upon a petition

More information

United States Marine Corps

United States Marine Corps UNIFORMS AND DRESS OF THE United States Marine Corps FULL DRESS COAT 272. Officers: All officers shall wear, in full dress, a double-breasted frock coat, of dark blue cloth, the skirt to extend three-fourths

More information

International Auction Gallery 1645 S. Sinclair St., Anaheim, CA 92806

International Auction Gallery 1645 S. Sinclair St., Anaheim, CA 92806 International Auction Gallery 1645 S. Sinclair St., Anaheim, CA 92806 714-935-9294 Jun 4, 2018 Auction Catalog Prev. @ Sun. (06/03) 10am-4pm & Mon. 10am-6pm, Sale Starts 2pm 1 2 3 4 5 6 7 8 9 10 11 12

More information

From the collection of Jim Lowe

From the collection of Jim Lowe From the collection of Jim Lowe rodsmith@highcountryflyfisher.com Shield 1 Peurise Awe- Sumatra. Very Old, Rattan with bronze or brass bosses. - $450.00 Firm. Shields 2, 3, and 4 Kalinga Northern Philippines.

More information

International Auction Gallery 1645 S. Sinclair St., Anaheim, CA 92806

International Auction Gallery 1645 S. Sinclair St., Anaheim, CA 92806 International Auction Gallery 1645 S. Sinclair St., Anaheim, CA 92806 714-935-9294 Aug. 27, 2018 Auction Catalog Prev. @ Sun. (08/26) 10am-4pm & Mon. 10am-6pm, Sale Starts 2:30pm Lot # Item description

More information

Queen s Awards M e r c h a n d i s e THE QUEEN S AWARDS FOR ENTERPRISE: 2017

Queen s Awards M e r c h a n d i s e THE QUEEN S AWARDS FOR ENTERPRISE: 2017 Queen s Awards M e r c h a n d i s e FOR ENTERPRISE: 2017 Elite Jade Glass Award A stylish modern award available in 2 sizes, 220mm and 255mm high. Your logo can be added too. Presented in red satin-lined

More information

A cently made by Mr. I. Myhre Hofstad and his sons, of Petersberg,

A cently made by Mr. I. Myhre Hofstad and his sons, of Petersberg, MUMMIFIED HEADS FROM ALASKA By FREDERICA DE LAGUNA N ARCHAEOLOGICAL discovery of considerable interest was re- A cently made by Mr. I. Myhre Hofstad and his sons, of Petersberg, southeastern Alaska. In

More information

THE ALFRED JEWEL: AD STIRRUP: AD THE CUDDESDON BOWL: AD c600 ABINGDON SWORD: AD C875

THE ALFRED JEWEL: AD STIRRUP: AD THE CUDDESDON BOWL: AD c600 ABINGDON SWORD: AD C875 STIRRUP: AD 950 1050 THE ALFRED JEWEL: AD 871 899 Found in 1693, ploughed up in a field at North Petherton, Somerset. Found only a few miles from Athelney Abbey where Alfred planned his counter-attack

More information

Kangaroo Island Easter Art Exhibition Penneshaw Hall, Penneshaw Good Friday 30 March to Sunday 8 April 2018

Kangaroo Island Easter Art Exhibition Penneshaw Hall, Penneshaw Good Friday 30 March to Sunday 8 April 2018 Kangaroo Island Easter Art Exhibition Penneshaw Hall, Penneshaw Good Friday 30 March to Sunday 8 April 2018 Peter Walker Award Peter Walker Award 2 nd prize Current Works 2 dimensional (includes printmaking)

More information

Women's Pendants. *All pictured chains and cords on pendants are sold separately. Q Small Peace Sign Pendant Q Small Peace Sign Pendant

Women's Pendants. *All pictured chains and cords on pendants are sold separately. Q Small Peace Sign Pendant Q Small Peace Sign Pendant sample sale Summer 2014 FREE FDL PENDANT w/ PURCHASE OF $50 or more WHILE Women's s *All pictured chains and cords on pendants are sold separately Curb Link $95 Q10-3012 Small Skull Coin Q12-5133 Small

More information

CLOTH SEAL MEDALS. The transformation of a Cloth Seal into a Medal. By Steve Cox [1]

CLOTH SEAL MEDALS. The transformation of a Cloth Seal into a Medal. By Steve Cox [1] CLOTH SEAL MEDALS The transformation of a Cloth Seal into a Medal By Steve Cox [1] On a cool September afternoon, in a majestic forest nurtured by Lake Michigan, a good friend of mine gave new life to

More information

PRICE LIST CEMETERY & CREMATORIUM. Effective August 15, 2017 Operated by: The Lindsay Cemetery Corporation Ian Merritt General Manager

PRICE LIST CEMETERY & CREMATORIUM. Effective August 15, 2017 Operated by: The Lindsay Cemetery Corporation Ian Merritt General Manager CEMETERY & CREMATORIUM PRICE LIST Effective August 15, 2017 Operated by: The Lindsay Cemetery Corporation Ian Merritt General Manager 347 Lindsay St. South, Lindsay, Ontario K9V 4R4 705-324-2431 www.riversidelindsay.com

More information

2.6 Introduction to Pacific Review of Pacific Collections Collections: in Scottish Museums Material Culture of Vanuatu

2.6 Introduction to Pacific Review of Pacific Collections Collections: in Scottish Museums Material Culture of Vanuatu 2.6 Introduction to Pacific Review of Pacific Collections Collections: in Scottish Museums Material Culture of Vanuatu The following summary provides an overview of material you are likely to come across

More information

theodorealexander.com

theodorealexander.com LIGHTING Supplement LIGHTING Supplement theodorealexander.com 2 Empire Line Lamp 2000-240 An imbuya burl inlaid table lamp, the waisted cylinder body with brass mounts and a bracelet centre surmounted

More information

PROCEEDINGS. of the Society of Antiquaries of Scotland

PROCEEDINGS. of the Society of Antiquaries of Scotland PROCEEDINGS of the Society of Antiquaries of Scotland Our full archive of freely accessible articles covering Scottish archaeology and history is available at http://archaeologydataservice.ac.uk/archives/view/psas/volumes.cfm

More information

JEWELLERY, FINDINGS, CHAINS & SOLDERS

JEWELLERY, FINDINGS, CHAINS & SOLDERS BALLS, BEADS & DECORATIVE ITEMS JEWELLERY, FINDINGS, CHAINS & SOLDERS BALLS, BEADS & DECORATIVE ITEMS Take a look of our large range of beads and sliver decorative items in a great variety of colors, shapes

More information

Kitguide 1.4 Suentana 798 Saxons October 2016

Kitguide 1.4 Suentana 798 Saxons October 2016 Kitguide 1.4 Suentana 798 Saxons October 2016 This kit guide contains the minimum requirements for a simple representation for the "Battle of Suentana" and is binding for the event in May 2017. The aim

More information

JEWELLERY/ANTIQUES - Auction Starts at 10:00am in Saleroom ( ) 11/06/2018 AUCTION 3

JEWELLERY/ANTIQUES - Auction Starts at 10:00am in Saleroom ( ) 11/06/2018 AUCTION 3 5001.Ladies' Tissot 18ct yellow gold wristwatch, circular gold coloured dial, with baton hour markers and date aperture, on an integral 18ct gold bracelet strap, with spare links, gross weight, 43.4 grams,

More information

Material Encounters Catalogue The Black Watch Castle and Museum, Perth

Material Encounters Catalogue The Black Watch Castle and Museum, Perth II. Individual Records Department: Collection Type: The Black Watch Castle and Museum, Perth North American Powder Horns Accession number: BWRM.A2361 No. of items: 1 Category Equipment Object name: Powder

More information

(12) Patent Application Publication (10) Pub. No.: US 2005/ A1

(12) Patent Application Publication (10) Pub. No.: US 2005/ A1 (19) United States US 2005O198829A1 (12) Patent Application Publication (10) Pub. No.: US 2005/0198829 A1 Gray et al. (43) Pub. Date: Sep. 15, 2005 (54) SHAVING RAZOR WITH TRIMMING BLADE (76) Inventors:

More information

We DO NOT do any postage supplies, collections only or local Mailbox

We DO NOT do any postage supplies, collections only or local Mailbox McCartneys Jewellery and Silver Sale We DO NOT do any postage supplies, collections only or local Mailbox Portcullis Saleroom The Ox Pasture Overton Road Ludlow Shropshire SY8 4AA United Kingdom Started

More information

140. REVOLUTIONARY WAR PERIOD ENGRAVED POWDERHORN, SIGNED PE 1777, engraved with mermaid, ship, flower, and house decoration. Length 8 ½ in.

140. REVOLUTIONARY WAR PERIOD ENGRAVED POWDERHORN, SIGNED PE 1777, engraved with mermaid, ship, flower, and house decoration. Length 8 ½ in. 139. ENGRAVED FRENCH AND INDIAN WAR POWDERHORN, SIGNED DONALD SMYTH, HIS HORN CUT AT HALF MOON, APRIL TH 7, 1756, with map engravings of soldier s campaign up the Hudson River starting in New York City

More information

Welcome Hopi Festival Artists!

Welcome Hopi Festival Artists! Welcome Hopi Festival Artists! It is time to plan for the 85th Annual Hopi Festival of Arts & Culture at the (MNA). This year s festival will be held June 28 - July 1, 2018. Reminder: The Museum Shop will

More information

RHE 1St July, 1766, is the date given by R. P. Berry, in his

RHE 1St July, 1766, is the date given by R. P. Berry, in his IRISH VOLUNTEERS AND MILITIA. MEDALS, BELT PLATES AND SHAKO PLATES. By CHARLES WINTER. RHE 1St July, 1766, is the date given by R. P. Berry, in his History of the Volunteer Infantry, for the first volunteers

More information

Chapter 16 Haircutting

Chapter 16 Haircutting Chapter 16 Haircutting MULTIPLE CHOICE 1. Surfaces on the head where the head changes, such as the ears, jawline, and occipital bone, are referred to as. a. junction points b. reference points c. apex

More information

Sale 394 Lot 121 A Platinum, Diamond, and Sapphire Shooting Star Brooch, Verdura, Circa 1944, composed of a central shooting star motif containing 73 transitional and round brilliant cut diamonds weighing

More information

DAY 1: Antique, Vintage & Modern Jewellery, Watches, Silverware, Ceramics, Porcelain & Collectables

DAY 1: Antique, Vintage & Modern Jewellery, Watches, Silverware, Ceramics, Porcelain & Collectables DAY 1: Antique, Vintage & Modern Jewellery, Watches, Silverware, Ceramics, Porcelain & Collectables Tuesday 17 June 2014 12:30 A F Brock & Co Ltd 269 London Road Hazel Grove Stockport SK7 4PL Lot: 1 Lot:

More information

Clips & fittings Bead chain necklaces and cord lanyards mm width breakaway lanyards mm width breakaway lanyards...

Clips & fittings Bead chain necklaces and cord lanyards mm width breakaway lanyards mm width breakaway lanyards... ID accessories Contents Items Page Clips & fittings... 3 Bead chain necklaces and cord lanyards... 4 10mm width breakaway lanyards... 5 15mm width breakaway lanyards... 6-7 Yo-yo badge reels... 8-9 Badge

More information

The Brooches. from the. Easton Maudit Romano-British Villa

The Brooches. from the. Easton Maudit Romano-British Villa The Brooches from the Easton Maudit Romano-British Villa There follows a report on the brooches by Mr D.F. Mackreth, with illustrations and supplementary observations by Mr B. Martin and Mr M. Line (indicated

More information

PINDER BROS. LTD Est SHINE. Sheaf Plate Works by Jo Peel

PINDER BROS. LTD Est SHINE.   Sheaf Plate Works by Jo Peel PINDER BROS. LTD Est. 1877 SHINE www.pinder.co.uk Sheaf Plate Works by Jo Peel OUR HISTORY John Thomas Griffith Pinder 1854-1931 In 1877 two brothers John and Edward set up Pinder Brothers as silversmiths

More information

Splendours of the Subcontinent, 8 June 14 October 2018

Splendours of the Subcontinent, 8 June 14 October 2018 Splendours of the Subcontinent, 8 June 14 October 2018 The Splendours of the Subcontinent exhibitions, which run from 8th June 14th October 2018 at The Queen s Gallery, Buckingham Palace bring together

More information

ADDENDUM NO. 1. Please contact Ed Bonnette, CPPB, CPM, Senior Buyer at (970) with any questions regarding this addendum.

ADDENDUM NO. 1. Please contact Ed Bonnette, CPPB, CPM, Senior Buyer at (970) with any questions regarding this addendum. Financial Services Purchasing Division 215 N. Mason St. 2 nd Floor PO Box 580 Fort Collins, CO 80522 970.221.6775 970.221.6707 fcgov.com/purchasing ADDENDUM NO. 1 SPECIFICATIONS AND CONTRACT DOCUMENTS

More information

Make a Metal-Frame Purse Costume College 2008, instructor Trystan L. Bass

Make a Metal-Frame Purse Costume College 2008, instructor Trystan L. Bass Make a Metal-Frame Purse Costume College 2008, instructor Trystan L. Bass Historical Background: The earliest surviving metal-frame bags date from the 1400s and functioned as coin purses and alms bags

More information

Bishop & Miller Auctioneers Ltd

Bishop & Miller Auctioneers Ltd Bishop & Miller Auctioneers Ltd April Fine Jewellery & Watches 2017 Fine Sale April 1st 2017 Fine Sale 19 Charles Ind. Estate Stowmarket Suffolk IP14 5AH United Kingdom Started Apr 01, 2017 9:30am BST

More information

Telephone: Metal key tags Split rings

Telephone: Metal key tags Split rings Metal key tags These discs come in various sizes and finishes. Once engraved they can be used for key or pet identification. All come complete with a hole for easy attachment to a split ring. 20mm (3/4")

More information

Time Pieces Auction. Tuesday June 25th 2013 at 6 p.m. PREVIEW

Time Pieces Auction. Tuesday June 25th 2013 at 6 p.m. PREVIEW Time Pieces Auction Tuesday June 25th 2013 at 6 p.m. PREVIEW Saturday, June 22nd, 10 a.m. - 4 p.m. Monday, June 24th, 9 a.m. - 6 p.m. Tuesday, June 25th, 9 a.m. - sale time Time Pieces Auction Tuesday,

More information

DORFMAN MUSEUM FIGURES, INC. Price List & Catalog. Catalog # Item Price

DORFMAN MUSEUM FIGURES, INC. Price List & Catalog. Catalog # Item Price Price List & Catalog Catalog # Item Price 1000 Realistic Figure, Customized Body starting at $2,695. 3000 Realistic Figure, Flexible Foam Body 2,295. 3500 Realistic Figure, Military Man (Rigid Foam Body)

More information

Chapter 14 Men s Haircutting and Styling

Chapter 14 Men s Haircutting and Styling Chapter 14 Men s Haircutting and Styling MULTIPLE CHOICE 1. During the, the barber must determine what the client is asking for in the way of a haircut or style. a. strand test c. client consultation b.

More information

Touring Highlights from The Courtauld Gallery s Collection of Islamic Metalwork

Touring Highlights from The Courtauld Gallery s Collection of Islamic Metalwork Touring Highlights from The Courtauld Gallery s Collection of Islamic Metalwork An opportunity to create a unique display and learning programme around this world class collection Introduction The Courtauld

More information

Wednesday, 6th December Broughton Place Edinburgh. Jewellery, Silver, Watches & Wine

Wednesday, 6th December Broughton Place Edinburgh. Jewellery, Silver, Watches & Wine Wednesday, 6th December 2017 33 Broughton Place Edinburgh Jewellery, Silver, Watches & Wine 2 Lyon & Turnbull For details of fees payable in addition to the hammer price of each lot, please see the Buyer

More information

John Henry Eden s full dress tunic,

John Henry Eden s full dress tunic, John Henry Eden s full dress tunic, 1881-1899 The Person John Henry Eden was born on 10th May 1851 to Canon John Patrick Eden, Rector of Sedgefield, Co. Durham. He joined the Green Howards on 3rd July

More information

Evantine Wledig Race: half elf, half vampire Career: Princess of Avalon, Shi-alyt of the Anla-shak Patron Deity: Felyrina, the Shadow Dragon Main

Evantine Wledig Race: half elf, half vampire Career: Princess of Avalon, Shi-alyt of the Anla-shak Patron Deity: Felyrina, the Shadow Dragon Main Evantine Wledig Race: half elf, half vampire Career: Princess of Avalon, Shi-alyt of the Anla-shak Patron Deity: Felyrina, the Shadow Dragon Main Physical attributes o Sex: female o Age: 30 o Height: 4

More information

Sofe Design Auctions, LLC. Spring Antique Arms and Armor Day - 1

Sofe Design Auctions, LLC. Spring Antique Arms and Armor Day - 1 Sofe Design Auctions, LLC Friday - March 1, 2019 18th C. French Versailles Grenadier Officer's PALASCH 18th C. French Versailles Grenadier Officer's PALASCH Sword. A Massive example of pre-napoleonic era

More information

WALTERS ART MUSEUM WILLIAM AND HENRY WALTERS: Pioneer Collectors and Promoters of the Arts of Asia ASIAN ART IN THE WILLIAM R.

WALTERS ART MUSEUM WILLIAM AND HENRY WALTERS: Pioneer Collectors and Promoters of the Arts of Asia ASIAN ART IN THE WILLIAM R. ASIAN ART IN THE WALTERS ART MUSEUM WILLIAM AND HENRY WALTERS: Pioneer Collectors and Promoters of the Arts of Asia WILLIAM R. JOHNSTON 7 Works exhibited at the International Exhibition, London 1862, lithograph

More information

1. GENERAL DESCRIPTION

1. GENERAL DESCRIPTION 1. GENERAL DESCRIPTION This is a specific model of polarized sunglasses manufactured by the sunglass and eyeglass company Ray-Ban, with the model name and code of New Wayfarer RB2132. Sunglasses primarily

More information

PRODUCT CATALOG Winter 2017

PRODUCT CATALOG Winter 2017 PRODUCT CATALOG Winter 2017 2 Welcome to Opulenza Designs Jewelry! As owners of this exciting new company, we were brought together by our shared experiences as representatives of a sterling silver jewelry

More information

Victorian Vintage Jewellery and Accesories at Fellows By Zita Thornton

Victorian Vintage Jewellery and Accesories at Fellows By Zita Thornton Fig 3. A selection of Scottish jewellery, to include a hardstone rectangular panel bracelet and twelve brooches, four brooches of thistle design, ten with marks to indicate silver. 180. Fig 1. A late 19thC

More information

SILVER FIRST DAY S SALE. WEDNESDAY 3rd JULY 2013

SILVER FIRST DAY S SALE. WEDNESDAY 3rd JULY 2013 FIRST DAY S SALE WEDNESDAY 3rd JULY 2013 SILVER Commencing at 10.30am Silver will be on view on: Saturday 29th June 9.00am to 1.00pm Sunday 30th June 2.00pm to 4.00pm Monday 1st July 9.00am to 5.15pm Tuesday

More information

Sussex, East Lewes Seaford Overlooking the mouth of the Cuckmere River on the W bank. Field Visit 2001/06/28

Sussex, East Lewes Seaford Overlooking the mouth of the Cuckmere River on the W bank. Field Visit 2001/06/28 5. Annex COMPONENTS OF DEFENCE AREA 14 Details of the defence works shown on Maps 2 and 3 are given below. The listing is arranged in sequence of the unique database record numbers that are also given

More information

Seiko Australia Pty Ltd. Bracelet Sizing Manual

Seiko Australia Pty Ltd. Bracelet Sizing Manual Seiko Australia Pty Ltd Bracelet Sizing Manual SEIKO Bracelet Sizing Manual Contents Introduction 1 ( I ) General Information 2 ( II ) Suggested Tools 3 ( III ) Bracelet Sizing Codes And Methods 4 1. Sizing

More information

Regimental Coat, Commander In Chief s Guard

Regimental Coat, Commander In Chief s Guard Regimental Coat, Commander In Chief s Guard Guide for Construction Compiled by Judith Wicker, Revised May 1989 PLEASE READ ALL DIRECTIONS BEFORE CUTTING FABRIC! Make the lining first to check proper fit.

More information

British Sigillography Collection

British Sigillography Collection Item Number: 1 Initials T.M. bronze 17th century seal with the letters "T M" separated by a sprig; very good condition; trefoil handle Period: 16th c Dealer: Stigs-Antiquities, Mr. C.R. Clarke, Mildenhall,

More information

PRICE LIST CEMETERY & CREMATORIUM. Effective May 1st, 2018 Operated by: The Lindsay Cemetery Corporation Timothy Godfrey General Manager

PRICE LIST CEMETERY & CREMATORIUM. Effective May 1st, 2018 Operated by: The Lindsay Cemetery Corporation Timothy Godfrey General Manager CEMETERY & CREMATORIUM PRICE LIST Effective May 1st, 2018 Operated by: The Lindsay Cemetery Corporation Timothy Godfrey General Manager 347 Lindsay St. South, Lindsay, Ontario K9V 4R4 705-324-2431 www.riversidelindsay.com

More information

IRAN. Bowl Northern Iran, Ismailabad Chalcolithic, mid-5th millennium B.C. Pottery (65.1) Published: Handbook, no. 10

IRAN. Bowl Northern Iran, Ismailabad Chalcolithic, mid-5th millennium B.C. Pottery (65.1) Published: Handbook, no. 10 Bowl Northern Iran, Ismailabad Chalcolithic, mid-5th millennium B.C. Pottery (65.1) IRAN Published: Handbook, no. 10 Bowl Iran, Tepe Giyan 2500-2000 B.C. Pottery (70.39) Pottery, which appeared in Iran

More information

Index High visibility vest / Tactical vest

Index High visibility vest / Tactical vest Index I Fluro vest / high visibility vest orange 01 Luminous reflective vest / warning vest "POLICE" 01 Luminous reflective vest / warning vest "SECURITY" 02 Luminous waistcoat / High visibility waistcoat

More information

Fire Power Auction. Tuesday April 23th 2013 at 6 p.m. PREVIEW

Fire Power Auction. Tuesday April 23th 2013 at 6 p.m. PREVIEW Fire Power Auction Tuesday April 23th 2013 at 6 p.m. PREVIEW Saturday, April 20th, 10 a.m. - 4 p.m. Monday, April 22nd, 9 a.m. - 6 p.m. Tuesday, April 23rd, 9 a.m. - sale time. Fire Power Auction Tuesday,

More information

CAPE SAAACA. P O Box 2567, BELLVILLE, 7535, South Africa. Telephone: (021) Facsimile: (021)

CAPE SAAACA. P O Box 2567, BELLVILLE, 7535, South Africa. Telephone: (021) Facsimile: (021) CAPE SAAACA P O Box 2567, BELLVILLE, 7535, South Africa Telephone: (021) 9461712 Facsimile: (021) 949 0045 capesaaaca@sfa.co.za OCTOBER 2007 NEWSLETTER SEPTEMBER TALK Notes on the talks at the end of the

More information

Devi Design is an Indian design studio that works with designers and skilled craftsmen to create products that compliment today s contemporary

Devi Design is an Indian design studio that works with designers and skilled craftsmen to create products that compliment today s contemporary Devi Design is an Indian design studio that works with designers and skilled craftsmen to create products that compliment today s contemporary settings. We design and manufacture a range of products including

More information

CERAMICS, SILVER AND COLLECTABLES WEDNESDAY 1ST FEBRUARY 10H45

CERAMICS, SILVER AND COLLECTABLES WEDNESDAY 1ST FEBRUARY 10H45 201. A MID 20TH CENTURY FOLEY BONE CHINA TEA SERVICE, the pale blue bodies with band of gilt foliage, interior printed with roses, comprising 6 teacups, 6 saucers and 6 side plates. Printed marks. R300/400

More information

Furness Railway Wagon Co.

Furness Railway Wagon Co. Furness Railway Wagon Co. Furness Railway/LMS/BR 25ton All Steel Bogie Bolster/Rail Wagon Wheels, paint and transfers required to complete. Please note that to aid the folding of the various parts score

More information

BeDazzled Auction. Tuesday May 15th 2018 at 6 p.m. PREVIEW

BeDazzled Auction. Tuesday May 15th 2018 at 6 p.m. PREVIEW BeDazzled Auction Tuesday May 15th 2018 at 6 p.m. PREVIEW Saturday, May 12th, 10 a.m. - 4 p.m. Monday, May 14th, 9 a.m. - 6 p.m. Tuesday, May 15th, 9 a.m. - 6 p.m. BeDazzled Auction Tuesday, May 15th 2018

More information

Index. Primadonna TUTUS. Classical Romantic Bodices ACCESSORIES MEASURING CHARTS/SIZING.. 22 ORDERING INSTRUCTIONS...

Index. Primadonna TUTUS. Classical Romantic Bodices ACCESSORIES MEASURING CHARTS/SIZING.. 22 ORDERING INSTRUCTIONS... PrimadonnaTutusworkbook 2016-2017 Index TUTUS Classical... 3 Romantic... 7 Bodices... 13 ACCESSORIES... 22 MEASURING CHARTS/SIZING.. 22 ORDERING INSTRUCTIONS... 23 Primadonna 1594 Monrovia Ave Newport

More information

The Bronze Age BC

The Bronze Age BC The Bronze Age 2000-500 BC Art & Craftsmanship It was not until at least four thousand years after the first people settled on the island in 7000 BC that there is any evidence to suggest artistic activity

More information

An archery set from Dra Abu el-naga

An archery set from Dra Abu el-naga An archery set from Dra Abu el-naga Even a looted burial can yield archaeological treasures: David García and José M. Galán describe a remarkable set of bows and arrows from an early Eighteenth Dynasty

More information

LIST OF FIGURES. 14. G 7000 X. East-west section of shaft with offering niche.

LIST OF FIGURES. 14. G 7000 X. East-west section of shaft with offering niche. LIST OF FIGURES I. Plan of a portion of the Eastern Cemetery at Giza as it was at the death of Cheops, showing the position of the tomb of Queen Hetep-heres (G 7000 X) in relation to the king s pyramid

More information

Ancient Chinese Cultures of Gold Jewellery and Ornamentation

Ancient Chinese Cultures of Gold Jewellery and Ornamentation 1 Xia Shang (Siba culture). Gold nose guard (biyin) and earring. JQ, 1, 9 2 Xia Shang (Kayue culture). Gold ear ornaments. JQ, 1, 10 Ancient Chinese Cultures of Gold Jewellery and Ornamentation YANG BODA

More information