Aldridges of Bath Ltd.

Transcription

1 Aldridges of Bath Ltd. FINE ART & ANTIQUES Including items from the estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, Phoenix House Lower Bristol Road Bath Somerset BA2 9ES United Kingdom Started 30 Jan GMT Lot Description 1 A pair of George I style candlesticks with square baluster columns, 6¾ high; & a twin-branch table candelabra with round tapered column & reeded scroll arms, 15 high x 13 wide. 2 An oval serving dish with House of Commons crest to rim, 12 x 9 ; &a matching smaller dish; a chamber candlestick; & an oblong entrée dish liner. 3 A quantity of various plated flatware & cutlery. 4 Various items of plated ware, including a Victorian round fluted teapot; sugar castor; toast racks; sauce boat, etc. 5 A HUKIN & HEATH CHAMBER CANDLESTICK, the triangular base with candle sconce & match striker, the perpendicular triangular back-plate inset bull s-eye lens; 6 high. (Lacking snuffer cone). 6 Various items of King s pattern & other flatware, etc. 7 No Lot. 8 An 8 diam. waiter with engraved inscription, raised pie-crust border, & on four pad feet; Birmingham 1946, by E. W. Haywood. (8 oz). 9 A South African silver rectangular cigar box with engraved facsimile signatures to the hinged lid & dated 1955, with wood-lined interior, 8 wide. 10 An Edwardian desk inkstand of oblong form, with gadrooned border & fitted two round glass inkwells with hinged silver flat coves, on four short feet, 9 wide; Sheffield 1907, by W. S. Hutton & Sons. 11 An Edwardian square box with canted corners, the hinged lid with embossed bust of a young woman within a border of mistletoe, 2¾ wide x 2 high; London 1901, by Goldsmiths & Silversmiths Co. 12 A set of four Quaich-shaped sweetmeat dishes with pierced decoration to the sides & the flat handles, 3¼ diam., Birmingham 1912/13, by W. S. Hutton & Sons; in fitted case. 13 A pair of William IV King s Husk pattern table spoons, London 1836; another pair 1839; & matching table forks, 1836 & 1939; all by John James Whiting. (20 oz). 14 Six Victorian Fiddle, Shell, & Thread pattern table forks; & four matching table spoons; London 1890, by Aldwinckle & Slater. (24½ oz).

2 15 Six William IV Fiddle, Shell, & Thread pattern dessert forks; London , by Richard Britton. (9½ oz). 16 Six George IV & William IV Fiddle, Shell, & Thread pattern dessert spoons; London 1826 (2), 1827 (2), & 1833 (2). (9 oz). 17 Six Scottish William IV Fiddle, Shell, & Thread pattern dessert forks; Edinburgh 1833, by Marshall & Sons. (7 oz). 18 Five George III & George IV Fiddle pattern dessert spoons; & five similar dessert forks; odd dates & makers. (13 oz). 19 A Victorian apostle-knop sifter spoon, Birmingham 1892; & various odd coffee spoons, etc. 20 A late Victorian salver with raised pie-crust edge & engraved family crest, on three scroll feet, 10 diam.; London 1899, by Wakely & Wheeler. (18½ oz). 21 An Edwardian oval shallow dish, the wide borders embossed with flowers & scrolls, 10 x 7½ ; London 1903, by William Comyns & Sons. (8 oz). 22 A late Victorian spiral-fluted circular deep bowl in the mid-18th century style, on three shell & pad feet, 5 diam., London 1898, by Barnard Bros. (6 oz); & a Hanoverian rat-tail small ladle, London 1899, by Jackson & Fullerton. 23 A Victorian cylindrical mustard pot with engraved floral decoration, domed hinged cover, scroll handle, & on four scroll feet, 3½ high, London 1849, by John Evans II. (4½ oz). 24 A late Victorian teapoy of tapered oval form with pull-off cap & ring side handles, spiral fluting to the lower part, 3¼ high; London 1899, by W. S. Hutton & Sons. (3½ oz). 25 A Victorian caddy spoon with engraved shovel bowl & mother-of-pearl handle, Birmingham 1862, by Hilliard & Thomason; & a Chinese tea strainer with pierced floral border to the circular bowl, & carved jade handle. 26 A pair of late Victorian oblong semi-fluted salt cellars, Birmingham ; a dwarf candlestick; a pepperette; a glass butter dish with silver rim; a hand mirror; a hair brush; & a heavy glass inkwell with plated cover. 27 A wine coaster with pierced sides &inset turned wood base, 4¾ diam.; London 1991, by David R. Mills; & a similar 4 coaster, Birmingham 1972, by Deakin & Francis. 28 An early Victorian melon-shaped teapot with hinged lid, chased scroll decoration, & on four acanthus scroll feet; & a matching twohandled sugar bowl; London 1840, by E., E., J., & W. Barnard. (34 oz). 29 Two Old English table spoons; two matching dessert spoons; four dessert forks; & a teaspoon; London 1924 (one table spoon, one dessert fork & the teaspoon London 1897). (16 oz). 30 An Edwardian salver with raised & pierced scroll border, engraved family crest to centre, & on three pierced scroll feet, 11 diam.; Sheffield 1906, by Martin, Hall & Co. (21 oz). 31 No Lot. 32 No Lot.

3 33 A 9ct. gold chain necklace of flat curb links (7.4gm); & a silver pendant fob 34 A 9ct. gold curb-link bracelet with padlock clasp & safety chain. (15gm). 35 A 9ct. gold signet ring; a ditto wedding band (5.3gm total); a 9ct. signet ring inset black onyx matrix; & a Victorian un-marked gold wedding band dated An 18ct. gold wedding band; & an 18ct. signet ring the hardstone matrix missing. (6.8gm total). 37 Two 22ct. gold wedding bands; & two 22ct. gold rings lacking gemstones. (13.3gm total). 38 A pair of 18ct. gold hollow oval cuff-links. (7.6gm). 39 Two 9ct. gold rings set small diamonds; an eternity ring set white stones; & eight other rings. 40 An 18ct. gold ring, the domed head set twenty four small rubies, & central diamond of approx. 0.3ct. 41 A continental white metal ring, cross-over set with a blue & a white sapphire; another set large oval white stone; & two gold mounted gem-set pendants. 42 An 18ct. gold & platinum ring set five small graduated diamonds; & a similar ring set single diamond. 43 Various items of costume jewellery. 44 A 9ct. gold cased open-face gent s pocket watch with Swiss movement, the white enamel dial with black Arabic numerals & subsidiary seconds, inscribed: Armstrong s, Manchester ; Birmingham hallmarks for A 9ct. gold cased open-faced gent s pocket watch, the white enamel dial with black roman numerals & subsidiary seconds, the backplate signed: Thomas Armstrong & Bros. Ltd., Manchester, Makers to the Admiralty, No , Super ; Birmingham hallmarks for A Cartier pocket cigarette lighter in white metal Brushed Florentine case; in original box, with accessories. 47 A 15ct. crescent & star pin brooch set diamond & seed pearls; a 9ct. gold pin brooch; a 9ct. ring set amethyst; a similar pendant on 14K chain necklace; & a gilt-metal ribbon-bow pendant set simulated pearl. 48 An early 20th century portrait miniature of a young girl, signed S. A. Elford; 1½ diam., in 9ct. gold frame. 49 A Victorian silver cased open-face gent s pocket watch with verge movement, the white enamel dial with black roman numerals & subsidiary seconds; Chester hallmarks for (slight faults to dial). 50 A white metal albert of oval reeded links, with silver & enamel Bath Football League pendant fob (Birmingham hallmarks for 1925); a silver albert of alternating fancy links; & a silver pendant fob (loose). 51 An 18ct. orchid brooch set small pearl; & a quantity of costume jewellery, wristwatches, etc.

4 52 A Capo-di-Monte large porcelain group of The Last Supper, signed to reverse Cortese, on rectangular gilt scroll base; 30 wide x 12½ high. 53 Three 18th century Bow blue-&-white porcelain octagonal plates, each painted with peonies & bamboo, workman s numeral 16 inside foot-rim, 9 wide, circa (w.a.f.). 54 An 18th century Derby porcelain seated figure of a boy holding flowers, on pierced scroll base, 5 high; a group of seven items of 18th century English blue-&-white teaware; & a pair of 19th century Wedgwood creamware 6½ diam. basket dishes. (Mostly damaged).provenance: The estate of the l...[more] 55 An early 19th century Coalport porcelain flared cylindrical vase of deep blue ground with finely painted floral reserve, 6 high; a Victorian pale green ground spherical teapot painted with floral swags (both damaged); & a teacup & saucer with floral painted borders. 56 A naïve brown glazed & green splashed terracotta figural bust, 7 high; & a creamware group of a male saint kneeling before the infant Christ (head & arms missing); 8¼ wide x 8½ high.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academ...[more] 57 A set of twelve Royal Copenhagen porcelain Portraits of Old Copenhagen plates; 10½ diam. 57A A 19th century MEISSEN TWO-HANDLED ICE PAIL with separate liner, the exterior with finely painted landscape panels of a shepherd, sheep & a recumbent donkey to one side, a maid milking a goat to the other, below a coral-red & gilt-scroll border, &on three fluted bun feet; 9¾" wide x 5¾" high. 58 A pair of Grainger s Worcester bottle vases of blush ivory ground, with coloured & raised gilt decoration of butterflies; 8½ high. 59 A Pilkington Royal Lancastrian baluster vase of emerald green ground, with trumpet-shaped neck; 9¼ high. 60 A Clarice Cliff Fantasque Umbrellas pattern lotus vase, 9½ high. (Two hairline cracks to neck).provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, A rectangular slipware dish decorated with pairs of cream lines on a chocolate-brown ground; 15 x 12¼.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, A group of six items of studio pottery small vases & bowls. 63 ANNA CHEYNE; a contemporary studio pottery sculpture titled: Pilgrim Pebble No. 7 ; 16½ high.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, EWEN HENDERSON ( ). A large studio pottery round tapered vase with a rough Volcanic glaze of blue, cream, & brown; 24 high.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST'S RE-SALE RIGHT*...[more] 65 A contemporary studio ceramic large blue-glazed octagonal shallow dish, 17¾ wide; & two studio pottery baluster vases, 13½ & 13 high.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, A A Ruskin pottery circular shallow bowl with iridescent glaze over a mottled green/blue ground, impressed mark & date 1923 to base; 9¾ diam.

5 66 A pair of late 19th century Japanese Imari porcelain vases of rounded form with flared rims, the exteriors painted with a procession of horses; 7¼ diam. x 5¼ high. 67 A late 19th century Japanese Imari charger painted with floral panels; 18 diam. 68 A Chinese porcelain aubergine-glazed circular box with domed cover with raised scroll borders; 5 diam.; Qianlong seal mark to base. 69 Two 18th century Chinese blue-&-white porcelain ginger jars with painted landscape decoration, 6 & 5¾ high; another with dragon decoration, 4 (all lacking covers); a 19th century Prunus Blossom ditto, 5¼ ; a poly chrome ditto with exotic birds on a coral-red ground, 6¼, with later wood cover & s...[more] 70 A Chinese porcelain peach-bloom glazed saucer dish, 6¾ diam.; Yongcheng six-character mark to base. 71 A pair of 19th century Chinese porcelain bottle vases painted in rose-verte enamels with figure scenes on a trellis ground, applied dragons to the shoulders, lion-dogs to the narrow necks, 9½ high (one riveted); four 18th century Mandarin pattern coffee cups (one damaged); four ditto teabowls (one...[more] 72 A 20th century Chinese yellow-ground eggshell porcelain slender hexagonal baluster vase with all-over floral decoration painted in famille rose enamels, 10¼ high; Jingdezhen seal mark to base. 73 An 18th century Chinese blue-&-white porcelain scallop-shaped dish with painted river landscape decoration, 8 wide; seven similar items of teaware (w.a.f.); a large tankard (cracked); & a Japanese blue-&-white porcelain square dish, 12 wide; (riveted).provenance: The estate of the lat...[more] 74 A Chinese stoneware flared round bowl with hare s-fur glaze, 5¼ diam.; & a yellow-ground porcelain small bowl with flared rim & famille rose flower-scroll design, 4 diam. 75 A Chinese blue-&-white porcelain Yuhuchunping, painted with formal panels of archaic motifs, 12 high; Xuande six-character mark to base. 76 An early Chinese grey pottery rectangular tile with relief decoration of a standing Buddhistic figure; 10 high x 4¾ wide.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, An ancient Chinese pottery standing male figure of an official dressed in tightly-wrapped robe, his right hand raised, with traces of painted decoration; 18¼ high, possibly Han dynasty.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, C...[more] 78 An ancient Cypriot terracotta two-handled shallow bowl with painted bands to the interior, 6 diam.; a similar squat round vase painted with fish, 4¼ high; seven other various ancient Mediterranean pottery small vessels; two ditto relief masks; & two small fragments of fresco.provenance: The e...[more] 79 An ancient Balouchistan terracotta deep bowl with painted bands to the interior, 9 diam.; a similar round two-handled pot; & four other early pottery vessels.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, Four ancient middle-eastern pottery small cylindrical vessels with painted geometric decoration, the largest 4 diam. x 2½ high; two similar small jarlets; & four items of ancient Baluchistan Nal pottery; (w.a.f.).provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of...[more]

6 81 Three roman bronzed rings; a ditto pin fastener; an early bronze key (in two parts); a necklace of coloured glass beads; a scarab seal; & various coins.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, No Lot. 83 No Lot. 84 BELLI, Enrico. (Active second half 19th century). Three-quarter length portrait of a seated musketeer, holding a beaker in his right hand, his left hand resting on his sword. Signed & dated 1879; oil on canvas: 30 x ENGLISH SCHOOL, late 19th century. A study of three terriers, oil on board: 12 x 9¼ ; & a mid-19th century three-quarter length portrait of a lady; oil on canvas: 8½ x 6½.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham C...[more] 86 BIRD, Charles ( , attributed to). An historical Bristol scene depicting Queen Elizabeth s entry into Bristol at Lawford s Gate in Watercolour: 14 x 10.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, [more] 87 ENGLISH SCHOOL A sepia wash study of figures beside a ruined temple, 8 x 12 ; & another view of a gothic style country house, 9¾ x 13½. 88 FREER, H. Branston (late 19th/early 20th century). A pair of maritme scenes titled: Hastings Luggers & Seeking Shelter. Signed; watercolour: 9½ x 13½. 89 WILSON-BACHELOR, P. H. A dry-point etching titled: Trees at Corfe, signed & inscribed in pencil; another etching of a Venetian architectural scene; four black-&-white prints of Oxford colleges after Charles Broadhurst; & an 18th century perspective of Chiswick House by Kip after Knuff. 90 DOYLE, John ( , after). Two coloured lithographs, political caricatures from HB sketches, No. 432, The Irish Tutor, & No. 440, A Battering Train, publ by T. McLean; 10½ x 14 ; & another after Gilray, titled: Coaches-The Very Stones Look Up To See, publ HEATH, William ( , after). A pair of coloured engravings, political caricatures titled: Hokie Pokie Wankie Fum The King of the Cannibal Islands publ. 1830, & A 40th Freeholders Only Expedient. (no date); 10½ x 1q4 ; & four similar smaller caricatures & figure scenes. 92 J. C. NATTES; one volume View of Bath & Bristol, black-&-white engravings, 38 plates, page size 10¾ x 16, half-calf with marbled boards. 93 ENGLISH SCHOOL A head-&-shoulders portrait of a bearded man. Oil on canvas: 20 x 16 (w.a.f.). 94 SCHMIDT, J. W. A head-&-shoulders portrait of a young man. Signed & dated 1911; oil on canvas: 20 x S. & N. BUCK (after). A coloured engraving of The South East Prospect of the City of Bath, first published 1734, re-printed; 12½ x ITALIAN SCHOOL, 17th/18th century Our Lady of The Rosary, with Saints Anthony of Padua & Catherine of Sienna. Oil on canvas: 31 x 41.

7 97 BARKER of BATH, John Joseph ( ). Highland cattle in a landscape. Signed; oil on canvas: 24 x BURRA, Edward ( ) Two black-&-white woodcuts, titled: Fleet s In, & Boy With Jug, each with pencil initials & numbered 35t/45; 7 x 5.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ART...[more] 99 EYTON, Anthony (Born 1923) A landscape with figure & dogs, oil on canvas laid on board, 17½ x 21½ ; & two small watercolour figure studies, 10½ x 7 ; all un-framed.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court...[more] 100 FRY, Anthony ( ) Figures in a landscape. Signed lower right; oil on board: 15¼ x 14½.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST'S RE-SALE RIGHT* Please be advised that any work of art by a...[more] 101 HODGKIN, HOWARD (after) A coloured lithograph titled: Artificial Flowers, one of 250 copies printed in 1975 by John Vince for the opening of the Arnolfini in Bristol, inscribed in pencil: P/P, For Joe-JV ; 12 x 16.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of...[more] 102 TREVELYAN, Julian ( ) The White Nile ; artist s proof, aquatint in colours with embossing, signed & inscribed in pencil; 13½ x 18.*ARTIST'S RE-SALE RIGHT* Please be advised that any work of art by a living artist, or an artist that died within the last 70 yers, which realises the St...[more] 103 CLOUGH, Prunella ( ) Untitled Drawing No. 17, 1972, black-&-white study, signed in pencil lower right; 13½ x 13.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST'S RE-SALE RIGHT* Please be...[more] 104 BARRATTI, J. (20th century) A Manhattan bar-room scene, inscribed On The Bowery, signed & dated July 22nd, 1946; & a similar scene of a pool room, signed & dated July 28th 1947; both pen & watercolour: 11 x PEMBERTON, Christopher ( ) A landscape at Carneville, North West France. Signed, inscribed & dated 79; pencil: 14 x 21¾. (Exhib: Arts Council of Great Britain, Hayward Annual, 1982).Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academ...[more] 106 HIBBARD, C. A collage titled: Night Clerk 5 (Rubber Sheet), signed & dated (19)72, 21 x 14½ ; & four other contemporary works by various artists.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIS...[more] 107 AYRES, Gillian (Born 1930) Abstract study in bright colours; screenprint with embossing; signed in pencil & inscribed P/P, 2/3, 98 to margin; 29 x 27½.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *AR...[more] 108 CUMMING, Diana (Born 1929) Leaving The Ark, black-&-white etching, artist s proof, signed & dated 54; 10 x 13 ; & six other contemporary works.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *AR...[more] 109 MUNDY, Henry (Born 1919) Abstract study, screenprint, signed, dated 64, & numbered 2/40 in pencil, 23½ x 23 (water stains to lower border); & six other contemporary works.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsh...[more] 110 CAMBERWELL PRESS: John Vernon Lord, Doodles & Diaries, publ. 1986; This Solid Globe, with wood engravings by Jane Lydbury, publ. 1984; The Book of Tears, with wood engravings by Liza Adamczewski, produced by Camberwell School of Arts 1983; together with two unframed coloured prints by Eilee...[more]

8 111 RUDD, Bob (Born 1944) A canal scene with stone bridge. Signed; watercolour: 14 x 21.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, DENNY, Robyn ( ) titled: Drawing, signed & dated 64; gouache: 22½ x 17½. (Ex: Kasmin Gallery, 118, New Bond St., exhib: Arts Council of Great Britain, 4St. James s Sq.).Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of...[more] 113 REED, Denis William ( ) A still-life study titled: Daisies At The Window. Signed; oil on board: 32 x 24. Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST'S RE- SALE RIGHT* Please be advised tha...[more] 113A AITCHISON, CRAIGIE ( ), Winged form in a landscape. Watercolour: 6" x 4.25"; inscribed inside of mount, & dated 1955.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST'S RE-SALE RIGHT* Please b...[more] 114 BRATBY, John Randall ( ) A coloured lithograph titled: Sunflowers II, numbered 52/75 & signed in pencil: 30½ x 21½.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST'S RE-SALE RIGHT* Please...[more] 115 FROY, Martin ( ) A landscape at Middlehill, near Box, Wiltshire, inscribed & dated 1956 on stretcher, oil on canvas: 10 z 14 ; & PELL, Cynthia ( ); French landscape; charcoal: 11 x 12.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Ar...[more] 116 HOPE, Joe. Study of a machinist s workshop, oil on canvas: 24 x 16 ; a landscape study by the same artist, 24 x 20 ; & four other contemporary works.provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST...[more] 117 KINLEY, Peter ( ) Aeroplane, artist s proof; signed, inscribed, & dated in pencil; 22½ x 28.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, KINLEY, Peter ( ) A house & garden in yellow, green, red, & grey. Signed; watercolour & pencil: 10 x 15.Provenance: The estate of the late Joe & Mary Hope. Joe Hope, former head of Fine Art, Bath Academy of Art, Corsham Court, *ARTIST'S RE- SALE RIGHT* Please be a...[more] 119 *Please Note* *One of the supports has been broken off during Saturdays viewing* A replica Tiffany Studios leaded & coloured glass table lamp with large domed flower & spider-web shade, 17 diam., the slender ovoid base with bronze wheat ears on a blue/green mosaic glass ground; 22 high. 120 A cloisonné enamel table lamp of slender ovoid form with all-over floral decoration on a black ground, on circular pedestal base; 16½ high. 121 An unusual Chines bronze table lamp with tall narrow cylindrical pierced scroll-work column on three elephant-head supports; 22 high. 122 An early 20th century Palm-wood table lamp with domed shade, on turned flared base; 19 high. 123 A 19th century mahogany & burr-elm sewing box, the hinged lid inset ivory lozenge & enclosing a fitted interior; 11 wide. 124 A Chinese carved opaque green/white jade stylised model of a pig, 3¾ long; & a bronzed square weight with two Kylin in relief, 2 square.

9 125 A carved wood large circular shallow bowl with relief decoration of the Holy Family to the centre within a grapevine border; 30 diam. across the stump handles. 126 A carved & polychrome painted wood figure of a huntsman with crossbow, standing beside the Stag of St Eustace, 16 high; together with two other similar religious figures. 127 A large carved oak standing figure of the Virgin Mary & Infant Christ; 30 high; & a carved limewood figure of St. Christopher carrying the Infant Christ; 27 high. 128 A Victorian coromandel writing slope with inlaid mother-of-pearl & brass wire floral decoration, with mahogany-lined fitted interior enclosed by two hinged flaps; 14¾ wide. 129 A plaster fragmentary bust of the Madonna, 11 ; a carved plaster gothic arch, 15 high; & a plaster model of The Nativity, 11 high. 130 A late 19th century brass double inkwell in the form of Louis XV bureau with sloping hinged lid, raised scroll & figure decoration & on four cabriole legs; 6½ wide x 5½ high. 131 A collection of treen items, including two 15 diam. bowls; a 7¼ diam. bowl (old wire repairs); two mortars; & four salt cellars. 132 A carved wood standing figure of a male saint, 26¾ high; & four smaller carved wood religious figures. 133 Five 18th century pewter graduated chargers, 18, 16½, 15, 13½, & 12 diam.; & six ditto 8½ plates, all by Samuel Duncombe, circa A finely carved boxwood Corpus Christi mounted on an ebonised crucifix, 27 high over-all; an ivory ditto; together with a 17th century style carved wood articulated male figure, 17 high. 135 Two ecclesiastical brass twin-branch candelabra, 18½ & 17¼ high; & a bronze andiron with standing putto figure, A carved oak standing figure of a monk, 20 high; & three other smaller carved wood religious standing figures. 137 An oak sloping Bible stand, 18 wide; & another with open framework. 138 A hardwood door porter with tall handle, 36 high; a small rustic elm stool; a walnut candle stand with tapered barley-twist column, 36 high (w.a.f.); & three treen candlesticks. 139 An early carved wood standing robed figure with traces of painted decoration, 18½ high (lacking head & arms, extensive worm damage); & two other carved wood groups of the Virgin & Infant Christ, 15 high (both with worm damage). 140 A carved oak standing figure of the Virgin Mary, 19¼ high; & another carved wood figure of the Virgin Mary & Infant Christ; 17 high. 141 A 19th century miniature oak cabinet enclosed pair of carved panel doors, the base with open recesses & fitted two short & one long drawer; 12½ wide x 18½ high. 142 A large collection of carved oak panels, columns, sections, figural uprights, pew-ends, etc. 143 No Lot.

10 144 AN EARLY VICTORIA DROP-DIAL WALL TIMEPIECE, the 14 diam. painted dial signed: BONYAN & GARDNER, MARKET PLACE, MANCHESTER, with black roman numerals, brass bezel, fusee movement, in figured mahogany octagonal case, a glazed lenticule to the trunk; 34 high. 145 A 19th century French Vineyard wall clock with striking movement, blue & white enamel numerals to the alabaster dial, in shaped case with mother-of-pearl & wire inlaid border; 25 high. 146 A 19th century REGULATOR WALL TIMEPIECE, the 10 diam. silvered dial signed: WALTER YONGE, STRAND, LONDON, in mahogany case with rounded top & glazed trunk door; 53¾ high. 147 A 19th century French clock garniture, the portico clock with 3½ diam. convex enamel dial with black Arabic numerals & decorated with painted floral swags, eight-day movement striking on a bell, in gilt-brass drum case with foliate borders, supported by four yellow-pink marble columns & ditto plat...[more] 148 A late 19th century striking mantel clock with blue & white ceramic square dial, in ebonised dome-top case; 14 high. 149 A GEORGE III WALL TIMEPIECE, the 12 diam. engraved silvered dial signed: Charles Powell, Bristol, with roman hours & Arabic five-minute divisions, having anchor escapement & brass bezel, in mahogany circular case with long trunk; 54 high. 150 A late 18th century mahogany chest-on-chest with converted fall having mock drawer-fronts, above five long graduated drawers with shaped brass handles & escutcheons, on ogee bracket feet; 41 wide x 72½ high. 151 A late 18th century oak bureau with fitted interior enclosed by a sloping fall front above two short & two long graduated drawers with brass swan-neck handles, on ogee bracket feet; 36 wide. 152 A late Georgian mahogany drop-leaf supper table, the rectangular top with reeded edges, fitted drawer to one end, on ring-turned tapering legs with brass castors, 41 high x 47 wide (open). 153 A late Victorian inlaid mahogany occasional table, the shaped circular top with pie-crust edge, on slender cabriole legs with shaped undertier; 30 diam. x 28½ high. 154 A late 19th/early 20th century mahogany long narrow table with brass edge, on square slightly-tapered legs with centre stretchers; 72½ x A George III figured mahogany small bow-front sideboard with mahogany crossbanding, fitted five drawers, & on square tapered legs; 42½ wide. 156 A Regency mahogany breakfast table, the rectangular tilt-top on turned gun-barrel centre column & four reeded splay legs with brass toes & castors; 55½ x 39¾. 157 A set of six 19th century mahogany dining chairs with pierced splat backs, padded drop-in seats upholstered floral needlework, on square tapered legs with plain stretchers. 158 A late 17th century oak coffer with lift top, the frieze, uprights, & triple-panel front with carved stylised floral decoration; 57 wide (w.a.f.). 159 A late Victorian mahogany shaving stand with adjustable circular mirror on turned centre column & three strut legs. 160 A George III mahogany rectangular wall mirror inset bevelled plate with gilt inner slip in mahogany frame with fret carved border with gilt ho-ho bird surmount, 17 wide x 30¾ high.

11 161 A 19th century oak Wellington chest fitted seven graduated drawers with turned handles, on plinth base, 20½ wide x 42 high, w.a.f. 162 A regency mahogany tea table with rounded corners to the rectangular fold-over top, on four slender turned & reeded legs; 34½ wide. 162A A regency mahogany tea table with rounded corners to the rectangular fold-over top, on four slender ring-turned legs with brass castors; 34½ wide. 163 An 18th century-style rectangular wall mirror in mahogany fret-carved frame, 22½ x 20½ ; & a similar smaller mirror, 21½ x A brass electrolier in the 18th century Dutch style, the twelve scroll arms with dolphin-head motifs & on bulbous-turned centre column; 33 wide x 39 high. 165 A late 17th century oak coffer with hinged lift-lid, having four carved panels to the front above two drawers with later brass handles, & on plinth base; 21 x 56 wide. 166 A Victorian burr-walnut Sutherland table on bobbin-turned supports with curved legs; 36 wide. 167 An early 19th century mahogany tripod table, the rectangular top on ring-turned centre column & three slender curved legs with pad feet; 20 wide. 168 A William IV mahogany work table, the rectangular top fitted two drawers with turned knob handles, on reeded foliate centre column & triform base with bun feet & brass castors; 18 wide. 169 A late Victorian mahogany breakfast table, the shaped oval top on central turned & fluted column, on four carved cabriole legs; 49½ x A George III inlaid-mahogany bureau, the sloping fall-front enclosing a fitted interior, with marquetry decoration, two short & three long drawers below with brass swan-neck handles, on bracket feet; 38 wide. 171 A 17th century-style rectangular wall mirror in ebonised cushion frame; with ripple moulded border; 20 x A pair of woven portrait panels, one titled: SAVONAROLA, the other titled: CIMABUE ; each 40 x A regency mahogany & brass mounted elbow chair with scroll arms & cane seat, on sabre legs. (w.a.f.). 174 A regency mahogany pedestal sideboard, the centre fitted two drawers, a cellarette drawer above a cupboard to the right pedestal, the left fitted two drawers above a cupboard each on plinth base, 89½ wide. 174A A REGENCY GILT-FRAME TRIPLE-PANEL OVERMANTEL MIRROR with reeded ebonised borders to the bevelled plates, classical figure scene to the frieze, & with carved & fluted pilasters; 58" wide. 174B A Louis XVI style giltwood frame sofa with padded back, seat, & open arms; on six turned & fluted tapering legs, 65" wide; & a pair of matching open armchairs. 174C A 19th century continental cream-painted & gilt console table on carved cabriole supports with open undertiers, 41" wide, with narrow rectangular mirror above; 90" high over-all.

12 175 A Georgian mahogany tray-top bedside cupboard (converted from a commode), with two inlaid panel doors above a hinged compartment; 21½ wide. 176 A Victorian birch drop-leaf side table fitted two frieze drawers, on ring-turned tapered legs; 20½ x 28 (open). 177 A 19th century inlaid-mahogany bedside cupboard, the inverted break-front with tambour shutter above a frieze drawer, marquetry shell petrae to the top, on square tapered legs. 178 A pair of Edwardian oak & burr-elm single bedsteads with carved head & footboard, on square tapering feet, complete with side rails; 6 4 x A Chinese silk circular rug with coloured decoration of birds on a fawn ground; 36 diam. 180 A Persian rug of pink ground, dark blue figured with central lozenge, 7 5 x 4 7 ; & a similar rug; 7 2 x A Bokhara rug of crimson, deep blue, & ivory ground, with three rows of sixteen guhls within multiple borders, & with ivory ground stripes; 5 10 x A William & Mary style walnut armchair, the tall wing-back, arms, & loose cushion seat upholstered striped glazed chintz, on short turned legs with carved & pierced scroll front-stretcher. 183 An antique Kelim rug of fawn ground, 4 6 x 3 10 (worn), applied to a 5 4½ x 4 canvas. 184 A cast iron fire back with female figure decoration; 21½ wide x 30 high. 185 An early 19th century wrought-iron window balcony, with scroll decoration & ball finials; 55 long (w.a.f.); & a similar lantern bracket. 186 A Victorian library elbow chair upholstered tan leather, with turned spindle supports to the rounded back, on five turned legs with ceramic castors. 187 A late 18th century mahogany tripod table, the circular tilt top on vase-turned centre column & slender cabriole legs with pad feet; 29 diam. 188 A late 19th century inlaid mahogany pedestal of square tapered form with ebony & satinwood inlaid borders, on square concave base, 12½ wide x 45 high. 188A An 18th century oak hanging corner cupboard, fitted two shelves enclosed by bevelled panel door with brass hinges & escutcheons, 28 wide x 32½ high. 189 A late 19th century Chinese carved hardwood jardinière stand with circular top inset rouge marble, carved & pierced frieze, on four cabriole legs with X shaped stretcher, 35½ high. w.a.f. 190 An early/mid-20th century Chinese carved hardwood drinks cabinet with lift top & fall front, cupboards below & to either side; 35 wide x 41 high. 191 A 20th century French Kingwood, tulipwood-crossbanded & marquetry commode in the Louis XVII style, with rouge marble top & giltmetal mounts, fitted three long drawers, & on shaped square feet; 35 wide.

13 192 An early 19th century rosewood, ebonised & gilt centre table inset white marble to the circular top, on round tapered centre column & platform base with carved lion-paw feet; 28 diam. 193 A Victorian mahogany pedestal desk, with gilt-tooled green leather top above an arrangement of nine graduated drawers with turned wood handles & hidden cupboard to each pedestal. 48 wide x 27 deep, w.a.f. 194 A George III-style mahogany extending dining table, with square centre section & pair of D-shaped end sections, having carved moulded edges, & square tapered legs with block feet; the centre table 51 x 45 ; each side table 45 x A Victorian aesthetic-style bookcase section, the upper part fitted three shelves, a further two small shelves to the base below a frieze drawer, on stump feet; 45 wide x 80 high. 196 A 17th century style oak small refectory table with three-board top on four turned legs with plain stretchers; 48 x A late 18th century oak bureau-bookcase with adjustable shelves enclosed by a pair of panel doors, the sloping fall front enclosing fitted interior, four long graduated drawers below, on bracket feet; 38½" wide x 74" high. 198 A Hamadan rug of crimson & blue ground, with central medallion surrounded by floral spandrels within multiple borders; 5 2 x A Kazak rug of crimson, deep blue & ivory ground with geometric lozenge design within multiple orders; 52 x A Beluchi payer rug of deep red &black ground, with central geometric design within multiple borders; 56 x A Meshwari runner of crimson, deep blue, & ivory ground, with row of four lozenges within multiple borders; 93½ x 22½. 202 A late 18th century mahogany elbow chair with pierced ladder back & on square chamfered legs, the armorial needlework seat with the Arms of Clan Farquarson; another ladder back elbow chair; & a single chair. 203 A matched set of eight early Victorian dining chairs with padded drop-in seats upholstered crimson silk damask, comprising six single chairs & two carver chairs (painted white). 204 An early Victorian figured mahogany card table, the rectangular fold-over top inset circular pink baize & with shaped apron, on tapered centre column & platform base with bun feet & brass castors; 36 wide. (w.a.f.) 205 A Regency-style mahogany twin-pedestal dining table, the rectangular top with rounded corners, one additional leaf, on turned centre columns, each with three reeded splay legs on brass lion paw feet & castors, 81 wide x 45 deep. 206 An early Victorian walnut rectangular foot stool, on curved X supports with turned centre stretcher, the padded seat upholstered wool gros-point; 17¼ x 15¾. 207 An early Victorian mahogany rectangular stool with padded seat upholstered floral material, on four turned legs, 15 x 13 ; together with a similar piano stool with adjustable circular padded seat. 208 A rosewood & mahogany small firescreen inset oval floral needlework panel to the centre, on four splay legs, 17½ wide x 30 high. (w.a.f.). 209 A mid-victorian tub-shaped armchair, the buttoned back, arms & sprung seat upholstered salmon-pink velour, on short turned mahogany legs with brass castors.

14 210 A mid-victorian mahogany linen press, fitted four sliding trays enclosed by pair of fielded panel doors with carved scroll mouldings, the base fitted two short & two long drawers with turned knob handles, & with cavetto cornice; 46½ wide x 80 high; (lacking feet, w.a.f.). 211 A replica Henry VIII oak turner s chair, bearing label inscribed: an exact copy of the Saxon example discovered in Leycester s Hospital at Warwick, manufactured by T. H. Kendall, Warwick. 212 A 19th century continental inlaid mahogany work table with hinged top enclosing numerous interior compartments, fitted frieze drawer, & on slender square curved legs with under-tier; 17¼" wide. 213 A regency mahogany & brass inlaid sofa table, the rectangular top fitted frieze drawer to one side, mock drawer to the other, both sides with inlaid star motif, on lyre supports & platform base with scrolling reeded splay legs with brass toes & castors; 57½" wide (open). 214 A Queen Anne style armchair upholstered pink velour, with shaped back & scroll arms, on four walnut cabriole legs with pad feet, & shell knees to the front. 215 A Turkish corridor runner retailed by Liberty, of crimson ground with two rows of repeating herringbone motifs with in multiple borders; 12 7 x A modern Persian corridor runner with row of six multi-coloured panels on a coral-red ground; 9 10 x A modern Persian rug of ivory ground with all-over repeating multi-coloured geometric pattern; 6 2 x No Lot. 219 A late Georgian mahogany chest of two short & three long drawers with original brass swan-neck handles, & on bracket feet; 37 wide (stained green). 220 A Meshwari runner of crimson, deep blue, & ivory ground, with row of five lozenges within multiple borders; 8 10 x 25½. 221 A Suzni Kelim runner of bright multi-coloured geometric design, with row of four lozenges within multiple borders; 9 9 x 26½. 222 A PAIR OF GEORGE III STYLE MAHOGANY OPEN ARMCHAIRS with carved mahogany frames, upholstered brass-studded cream floral material, the reeded arms with carved roundels, on four carved cabriole legs with acanthus knees & toes. 223 *LOT WITHDRAWN* A set of six Irish mahogany dining chairs in the early George III style, with carved & pierced splat backs, padded drop-in seats upholstered salmon-pink fabric, on fluted square legs with egg-&-dart carving & plain stretchers. 224 A set of five mahogany Chippendale-style dining chairs with carved & pierced splat backs, padded drop-in seats upholstered blue, velour, &on square chamfered legs with plain stretchers. 225 A LATE 18th century MAHOGANY SERPENTINE-FRONT CHEST fitted four long graduated drawers with boxwood stringing & pressed swing handles, having canted corners, & on ogee bracket feet; 43½" wide. 226 A Regency giltwood frame pier glass, the square mirror plate with reeded ebonised border, flanked by reeded pilasters, the frieze with relief acanthus & scroll decoration, with break-front moulded cornice & ebonised ball feet; 35 high x 37½ wide. 227 A mid-victorian table-top collector s chest, fitted eight graduated plush-lined drawers with turned knob handles, enclosed by a figure arch panel door, brass carrying handles to the sides, on bun feet; 16 wide x 20 high x 13 deep.

15 228 A set of six William IV mahogany dining chairs with carved & pierced splat backs, padded drop-in seats, & on ring-turned octagonal tapered legs (including a pair of carver chairs with scroll arms). Condition:Lot 228: One of the single chairs has a repair to the back, in the uprights just ab...[more] 229 A regency ebonised & parcel-gilt armchair with open scroll arms, cane panels to the seat & back, & on sabre legs. 230 An early 19th century Anglo-Indian rosewood cellarette of rectangular tapered form, the hinged lid, front, & sides with carved sunburst decoration, on later bun feet; 24 wide x 17 high (lacking lead liner; some restoration). 231 AN 18th century MAHOGANY CHEST-ON-CHEST, the upper part with cavetto cornice & fluted canted corners, fitted three short & three long graduated oak-lined drawers, the lower part fitted a further three long drawers, all with narrow satinwood crossbanding & pierced brass handles & escutcheons, on ogee...[more] 232 AN 18th CENTURY CHINESE EXPORT BLACK & GILT LACQUER WRITING CABINET, with all-over decoration of figure scenes & flowers, the upper part fitted three shelves above two drawers, enclosed by pair of panel doors surmounted by scroll & shell cornice, the base with fold-over writing surface, on ring-turn...[more] 233 A late 18th century inlaid mahogany chest of four long graduated drawers with brass swan-neck handles & stylised escutcheons, on splay bracket feet; 24¾ wide. (slight faults). 234 A VICTORIAN OAK PEDESTAL WRITING DESK BY HOWARD & SONS, fitted an arrangement of nine drawers with shaped brass handles, a further four drawers to the stage top, on plinth base; 44 wide. (The central frieze drawer stamped HOWARD & SONS BERNERS ST ). 235 A set of six George III mahogany dining chairs in the Chippendale style, with pierced splat backs, padded drop-in seats upholstered cream fabric, & on square chamfered legs with plain stretchers. 236 A Victorian walnut stool with hard saddle seat, on three turned legs with pad feet, & turned stretchers, the seat 16 long, 16 high; with die-stamped design registration No ; circa A 17th century OAK JOINT STOOL, the rectangular seat with moulded edge, on four turned tapering legs with plain stretchers; 17¾ wide x 22 high. 238 A LARGE PERSIAN PATTERN MACHINE MADE RUG BY JEFFERIES OF NORTHAMPTON, of deep crimson ground, with centre medallion surrounded by floral spandrels within multiple borders; x A A 19th century ANGLO-INDIAN EBONY ARMCHAIR with curved back, reeded frame & open arms, woven-cane back & seat, & on turned & tapered reeded legs with brass castors. 238B An early 19th century mahogany chest fitted two short & two long drawers with brass oval handles, on splay bracket feet; 34.5" wide. (slight faults). 239 An oak long foot-rest with angled top & shaped frieze; 48½. 240 A 17th century OAK COFFER with original hinges to the lift lid, a till compartment to the interior, the four-panel front carved with foliate roundels, the frieze & uprights with carved borders; 54 wide x 32½ high. 241 A late 17th century oak joined chair-table, the circular top tilting to form the chair-back, having open arms, fitted shallow drawer beneath the hard seat, on turned legs with H-stretchers.

16 242 A MID-19TH CENTURY TEAK & BRASS MOUNTED CAMPAIGN CHEST in two sections, fitted two short & three long drawers with brass flush handles; 42 wide (lacking feet).