AUTUMN FINE AUCTION. 7th 9th November 2017

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1 AUTUMN FINE AUCTION 7th 9th November 2017

2 Specialist Departments Asian Works of Art Philip Howell FRICS Books, Maps and Ephemera David Dawson Denise Kelly Carpets & Rugs Silas Currie MA (Cantab) Harriet Friend Clocks Philip Belcher, Senior Director Simon Garner MNAVA Coins & Medals Stephen Thurlow European Ceramics & Glass Philip Howell FRICS Simon Garner MNAVA Furniture William Pasfield, Associate Director Valuations for Sale, Insurance and Probate Jonathan Pratt FGA FRICS, Managing Director Philip Belcher, Senior Director Silas Currie MA (Cantab) Paintings, Watercolours & Prints James Gadd Jewellery & Watches Jonathan Pratt FGA FRICS, Managing Director Stephen Thurlow Rachel Morgan FGA Saturday Sales Adam Garner Silver Jonathan Pratt FGA FRICS, Managing Director Stephen Thurlow Lee Cox Toys, Collectables & Works of Art Simon Garner MNAVA Wine & Spirits Simon Garner MNAVA Condition Reports All departments are happy to provide condition reports on any lot, where practical. To request a condition report, please contact or enquiries@bellmans.co.uk Bidding Commission Bidding: If you are not able to attend the sale in person, you are welcome to leave a commission bid. This will be executed on your behalf by the auctioneer, who will purchase the lot as cheaply as possible, subject to the reserve price and any other bids. Telephone Bidding: We offer the facility to bid over the telephone for lots with a low estimate of 300 or above. Online Bidding: Online bidding is hosted by Please note this facility carries an additional 3% surcharge. For bidding enquiries, please contact or enquiries@bellmans.co.uk Valuation Services Including Probate, Insurance & Inheritance Tax, Chattels and valuations for sale at Auction. We welcome consignments at our open valuation days, held at our Sussex Saleroom on Tuesdays & Thursdays 9.30am 1pm and 2pm 4.30pm For valuation enquiries, please contact or caroline@bellmans.co.uk Front cover image: Lots Back cover image: 2195 (detail) Images of all lots in this auction are available to view online at

3 Sussex Saleroom AUTUMN FINE AUCTION TUESDAY 7 th November noon Clocks & Scientific Instruments Works of Art & Collectables Textiles, Carpets & Rugs 46 ON VIEW Friday 3rd November 9am 4pm Saturday 4th November 9am 1pm Monday 6th November 9am 4pm Tuesday 7th November 9am 12 noon WEDNESDAY 8 th November am European Ceramics & Glass 48 11am Asian Works of Art 58 1pm Ephemera & Antiquarian Books 75 3pm Watercolours & Prints Oil Paintings 97 THURSDAY 9 th November am Furniture & Garden Statuary pm Silver & Plate Jewellery & Watches Coins & Medals 162 Lot 925 Sussex Saleroom Newpound, Wisborough Green, West Sussex RH14 0AZ Hampshire Saleroom The Red House, Hyde Street, Winchester SO23 7DX

4 Clocks & Scientific Instruments Lot 705 (detail)

5 Tuesday 7th November 2017 at 12 noon Clocks & Scientific Instruments Descriptions provided in both printed and online catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or free from imperfections or the effects of ageing. All clocks may need professional attention to ensure they work as originally intended. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid A small mahogany cased two-day marine chronometer By Parkinson & Frodsham, London, No. 768, circa 1825 The case with plain hinged cover, above glazed lid, the front inset with a rectangular ivory panel, above shaped lock escutcheon and a brass carrying handle to each side, lacquered brass bowl, gimbals and locking lever, with tipsy key stamped 768, the bezel with a convex glass above the 3in. silvered brass dial, signed below the XII PARKINSON & FRODSHAM / Change Alley /London No. 768, with Roman chapters and Arabic five-minute markers, blued steel hands and seconds subsidiary, the signed chain fusée movement with cylindrical ring-turned pillars, bi-metallic compensated balance with diamond endpiece, blued steel hairspring, Earnshaw spring detent escapement, internal brass sprung dust cover 15.2cm x 16cm Parkinson & Frodsham was established in 1801 by William James Frodsham ( ) and William Parkinson (d.1842). Their business continued throughout the 19th century at Change Alley, supplying chronometers to the Admiralty and to shipping lines. Very little of their records survive, although there are some late 19th century records from the firm at the Guildhall Library, London. In Phillip Arnott s article Chronometers on East India Company Ships , the Company is recorded as having Parkinson & Frodsham No. 771, which was in use by Captain Graham on Caledonia in 1822, see Antiquarian Horological Journal, Vol. 30, No. 4, December 2007, p (+26.4% BP ) Lot 701 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

6 703. A Swiss brass-bound mahogany quartz deck watch Signed Luxor, No , circa 1978 The double hinged case with top cover opening to reveal the glazed 2 ¼in. white enamelled dial, with gilt hands and sweep centre seconds, within a brass case, the lower box with a compartment and original dated instructions 11cm wide; 13.5cm deep; 7.5cm high. Lot 702 Lot A mahogany cased deck chronometer By Ulysse Nardin, Le Locle & Genève, No. 3018, circa 1945 The brass-bound three-tier mahogany case with brass maker s label to the top and numbered to the front, velvet lined and with nickel hinges and hand key, the 2¾ in. silvered dial with Roman chapters, blued steel spade hands, 56-hour power reserve indicator below the XII, signed to the centre ULYSSE NARDIN LOCLE & GENÈVE, with seconds subsidary and numbered in red 3018 within the circle, the three-quarter plate gilt movement with maker s device mark and No. 3018, and with Earnshaw s spring detent escapement, compensated bi-metallic balance, blued steel spring and regulator, jewelled to the centre wheel, within a brass bowl, with screwed bevelled glass front cover and hand nut at the rear for winding 127mm square (+26.4% BP ) Lot 704 Lot A small brass-bound mahogany cased two-day marine chronometer By Parkinson & Frodsham, London, London, No. 456, circa 1825 The hinged lid centred with a shaped brass escutcheon, the front inset with a rectangular ivory panel, with shaped lock escutcheon and a brass carrying handle to each side, lacquered brass bowl, gimbals and locking lever, with tipsy key, the bevelled convex glass above the 2¾ in. silvered brass dial, signed below the XII PARKINSON & FRODSHAM / Change Alley /London No. 456 TWO DAYS, with Roman chapters and Arabic five-minute markers, blued steel hands and seconds subsidiary, the fully signed and numbered chain fusée movement with cylindical ringturned pillars, bi-metallic compensated balance with diamond endpiece, blued steel hairspring with double overcoil, Earnshaw spring detent escapement 12.8cm x 13.4cm (+26.4% BP ) 705. A brass-bound mahogany cased two-day marine chronometer By Ulysse Nardin, Le Locle, No. 4068, circa 1950 The three-piece case with hinged lids, the front with rectangular metal maker s label and numbered on a circular metal roundel, with two brass carrying handles, lacquered brass bowl and gimbal mount, the 4¼ in. silvered brass dial signed ULYSSE NARDIN / LOCLE SUISSE, with seconds subsidiary and numbered in red 4068, with power reserve indicator below the XII, blued steel hands, the movement with gilded plates, No. 4068, the maker s mark in a roundel, Earnshaw spring detent escapement, bi-metallic compensated balance, with helical spring, diamond endpiece to the balance, the escape wheel and second wheel with inset screwed jewelling, four baluster pillars and chain fusée drive with Harrison s maintaining power 19cm square (+26.4% BP ) 4

7 THE PAKENHAM ARNOLD 706. A rare eight-day mantel chronometer By John Roger Arnold, London, No. 619, circa 1830 In a Derbyshire Ashford marble case attributed to John Mawe With gilt engine-turned bezel, beneath an associated glazed push-on bezel, with lacquered brass drum-shaped case; the 3¾in. white enamel dial signed Arnold London and with eight-day power reserve indicatot, seconds subsidiary, and numbered 619, with gold Breguet hour and minute hands, the eight-day chain fusée movement signed Jno. Arnold / London / Invt. Et Fecit No 619, with Harrison s maintaining power, within semi-elliptical plates, the escapement carriage with blued steel helical spring, J. R. Arnold s U + I bi-metallic balance with diamond endpiece and Arnold s spring detent escapement, a circular countersunk recess to the plate with blank locating holes and two screw-holes, blued steel screws; within a black marble case with a turned drum-shaped surround, on block foot, raised on a stepped plinth, the front diamond engraved with a Bacchic figure pouring wine, the sides each engraved with a griffin 37cm high overall. PROVENANCE, BY REPUTE: Possibly, Admiral Sir Thomas Pakenham, GCB ( ) More likely, his son, Vice Admiral John Pakenham ( ) Thence by descent through the Pakenham family to the current vendor. John Roger Arnold ( ), the son of John Arnold, learnt his craft in his father s business and also working for Abraham-Louis Breguet in Paris. The Arnolds were in business as Arnold & Son from 1787 until the father s death in John Roger continued with the business and entered into partnership in 1830 with Edward John Dent, an agreement which lasted 10 years. In Vaudrey Mercer s John Arnold & Son, London 1972, he mentions that No. 620 would appear to be the end of this series up to the year 1830 (the start of the Arnold & Dent partnership). Plate 174 shows the third version of the J. R. Arnold balance, which this chronometer has. Designed with a non-ferrous bi-metallic bar, formed from silver and platinum, and probably used experimentally by the partnership. In the Worshipful Company of Clockmakers Library (held in the Guildhall Library) is a household financial daybook from the Arnolds covering the period October October 1830 is significant as the month in which the Arnold & Dent partnership was formally started. Intriguingly, Arnold s penned entry for 7 January 1830 in the account book is Mawe for marble cases. It was probably not the first transaction between these two businesses, especially Lot 706 taking into account their proximity to each other in the Strand. Perhaps it was Mawe who would have supplied Arnold with his jewels for pallets, endpieces and balances? It is worth noting here, Arnold s use of the fine engine-turned bezel, which recalls his Paris training, as he would have seen such decoration incorporated there. John Mawe was the proprietor of the renowned mineral shop at 149 Strand, just a short walk from the Arnolds at 84 Strand. Established in 1811, Mawe had travelled the world and his shop would have been well-known to Arnold. Mawe (b Derby) was apprenticed to the Derby mason Richard Brown (d. 1816) and married his daughter Sarah in They established a retail business near Covent Garden at the end of the 18th century called Brown & Mawe, selling objects created from Derbyshire marble and minerals, including Blue John, from the factory in Derby. The pedestal base is finely engraved, most probably with a diamond and would suggest Anne Rayner (b ) as the artist. In her 1876 work English Female Artists, Ellen Crayton recorded that Mrs Rayner was distinguished in early life for her beautiful engravings on black marble. Her work is rare, examples can be seen at the Buxton Art Gallery, as well as Chatsworth. Mawe died in 1829, and the Strand business was continued by his wife, who held the official title of Mineralogist to the Queen. Their apprentice, James Tennant (d. 1881), continued with the business after her retirement during which time he oversaw the cutting of the Koh-i-Noor for the Great Exhibition. No doubt the Pakenham Admirals would have been well aware of Arnold s reputation and would have seen his chronometers used under their commands. It would have been second-nature to ask Mr. Arnold for a version that could be used as a mantel timepiece, as this eight-day chronometer does not appear to have been mounted in gimbals and boxed. In Staeger s book he lists 619 and gives a reference to a sale at Christie s as 11/1978. There was no Arnold chronometer in this sale (Christie s King Street 22 November 1978). COMPARATIVE LITERATURE: Rupert T. Gould, The Marine Chronometer, London, 1973 Vaudrey Mercer, John Arnold & Son, Chronometer Makers, , London 1972 Hans Staeger, 100 Jahre Präzisionsuhren von John Arnold bis Arnold & Frodsham , Stuttgart, 1997 Peak District Mines Historical Society, Vol. 11, Number 6, Winter (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

8 Lot 707 Lots 708 & 709 Lot 710 Lot 711 Lot A fine late Regency mahogany and outlined bow front barometer By Anthony Pastorelli, London The pediment with moulded cornice above bowed glazed panel, the silvered dial signed A. Pastorelli 4 Cross St. Hatton Garden London, and with vernier scale, the trunk with wellfigured veneer, above an ebonised urn cistern, flanked to each side by a canted angle with chevron inlay 98cm high overall The Pastorellis were established in Cross Street in the first half of the 19th century (+26.4% BP ) 708. An ivory desk thermometer By Dollond, London, circa 1900 On an ebonised scalloped base and with cylindrical glass cover 23cm high; and a high/low thermometer by Carpenter & Westley, 24 Regent Street, London, circa 1890, with ivory scale, on ebonised support and base, 26.5cm high (2) (+26.4% BP ) 709. A late Victorian ivory tower thermometer and inset compass By T. Straight, London, circa 1890 The compass scale below a convex glass, with pierced surround, on an engine-turned columnar support with thermometer scale on turned base, mounted on an ebonised plinth, lacking dome 15cm high. Probably Thomas Straight, 26 Bartlett Buildings, Strand, London A Victorian rosewood wheel barometer By F. Stoppani, Holborn With an arched top inset with a hydrometer scale above a bow-fronted thermometer with silvered scale, above the 10in. silvered circular dial with maker s roundel, signed F. Stoppani, 25 Red Lion St, High Holborn 104cm high (+26.4% BP ) 711. An unusual walnut cased hexagonal Stormoguide By Short & Mason, for C. W. Dixey & Son, London & Newport, circa 1930 The chamfered octagonal case supported by a pair of brackets on a stepped plinth base, the silvered dial with turned brass bezel, engraved with indications for Rising and Falling, and with an engraved brass panel to the plinth with additional instructions, the reverse with altitude dial for adjustment 46cm wide; 38cm high (+26.4% BP ) 712. A collection of twelve various thermometers Including a brass Polymetre Lambrecht; a marine ivory thermometer scale with later tube; a brass scale thermometer signed Buss Hatton Garden ; a boxwood thermometer impressed A. M. Viener, Southport ; two porcelain scale thermometers each in rectangular glazed cases; two others by Negretti & Zambra each with mahogany backs; and four various ceramic scale thermometers (12). 6

9 Lot 713 Lot A late Victorian oak and brass-mounted Miner s or Pit-head stick barometer By Negretti & Zambra, London, circa 1890 The plain case with an arched pediment, above a glazed brass surround with silvered plates, signed NEGRETTI & ZAMBRA LONDON, and fitted with a thermometer, the trunk with canted angles 90.5cm high. These were used in determining the risks from inflammable and suffocating gases, known to miners as firedamp and choke damp. As the gas was heavier than air, and combined with a drop to low atmospheric pressure, it would be driven to the lowest and least ventilated galleries A late Victorian oak and brass-mounted stick barometer By Negretti & Zambra, London, circa 1890 The plain case with an arched pediment, above a glazed brass surround with ivory plates, signed NEGRETTI & ZAMBRA LONDON, and fitted with a thermometer, the trunk with canted angles 97cm high (+26.4% BP ) Lot 715 Lot A George III mahogany stick barometer By Adam, London The arched pediment enclosing a partially silvered brass dial, with thermometer and vernier scale, the plain trunk with moulded edge, above a semi-spherical cistern cover 93cm high A George III mahogany stick barometer By Baptiste Roncheti & Co With a broken arched pediment above the silvered dial, signed Bap. Roncheti & Co. Fecit, with vernier scale, the trunk with a star inlay above a silvered thermometer scale, with turned reservoir cover below 100cm high. Probably Giovanni Battista Ronchetti, recorded at 15 High Street, Manchester in (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

10 Lot 717 Lot 718 Lot 719 Lot A late Victorian oak stick barometer By C. Baker, London, circa 1890 The moulded pediment above bevelled glazed panel and ivory plates, signed C. BAKER 244 HIGH HOLBORN LONDON, the trunk with removable thermometer above domed cistern cover 96cm high A George III mahogany stick barometer By Harris, London With a broken arched pediment centred with a brass finial, above silvered dial signed HARRIS 47 Holborn London, the trunk with a moulded edge above a spherical cistern cover 98cm high. William Harris & Co. at 47 High Holborn, London (+26.4% BP ) 719. A late George II walnut stick barometer The arched pediment surmounted by three brass finials, the printed paper dial with maker s name DOMIN / IROLIMO within a laurel-festooned band, flanked to each side by a turned column, with a plain trunk and rectangular cistern cover 100cm high (+26.4% BP ) 720. A Directoire mahogany barometer By Chevallier, Paris The case with a later moulded pediment above the silvered dial, signed L Ingr Chevallier / Opticien du Roi/ Vis a vis le Marche aux Fleurs a Paris, with vernier scale, a thermometer to the right, above the plain trunk and rounded reservoir 107cm high (+26.4% BP ) 721. A Napoleon III ormolu and tortoiseshell barometer and thermometer In the manner of André-Charles Boulle, circa 1870 Surmounted by a pair of winged seated putti, the 7in. circular white painted dial with a convex glass and moulded bezel, supported on two winged cherub caryatids, above the square-shaped tapering stem, with thermometer scale (glass tube lacking), the acanthus-cast base with pineapple terminal 108cm high. A related early 18th century barometer/ thermometer by Boulle can be found in the Billiard Room of the Wallace Collection, London (+26.4% BP ) Lot 721 8

11 723. A Swiss steel and brass watchmaker s mandrel Second half 19th century With square brass foot, steel bed, adjustable tool bed, helical gearing, on an oak base 55cm wide (+26.4% BP ) 724. Antiquarian Horology: Vols. I to XIX (December 1953 to 1991) Red cloth, with gilt lettering (19). Lot 723 Lot A George I longcase clock movement By Stephen Wilmott, London The 12in. square brass dial, lacking spandrels, with seconds subsidiary and calendar aperture, signed above the VI, the twin train movement with four ringed and shouldered pillars, with internal countwheel strike on a bell and anchor escapement. Lot A George II longcase clock movement By Francis Robinson, London The 12in. square brass dial with cherub, crown and Maltese Cross spandrels, the silvered chapter ring signed below the VI, and with calendar aperture above, the matted centre with seconds subsidiary and harboured winding apertures, pierced blued steel hands, the twin train five pillar movement with internal countwheel strike on a bell and anchor escapement. BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

12 Lot 727 Lot 728 Lot 729 Lot A Swiss nickel cased five-minute repeating open faced keyless eight-day desk watch, circa 1900 The enamel dial inscribed J. E. Caldwell & Co. below the XII and 8 DAYS and 5 MINUTE REPEATER above the seconds subsidiary dial, the movement with machined nickel-plated plates, stamped with the Swiss Cross and No. 7032, jewelled to the third wheel, with lever escapement and bi-metallic compensated balance, the case numbered inside to both covers mm diameter (+26.4% BP ) 728. An Edwardian silver and oak timepiece Hallmarked Birmingham 1905 The arched case above a white enamel dial, with blued steel hands, the movement with replaced platform lever escapement and push-on dust cover 13.5cm high A keyless deck watch By Longines, No , circa 1947, with later walnut case The brass watch case with a screwed bezel and bevelled glass, silvered dial signed LONGINES CHRONOMETER, with 50-hour power reserve, seconds subsidiary and with black Arabic chapters, the nickel bridged movement with lever escapement, bi-metallic compensated balance with blued steel hairspring with overcoil, micrometer cam adjustment and jewelled to the centre, signed LONGINES WATCH Co. SWISS / SEVENTEEN 17 JEWELS / ADJUSTED TO THREE 3 POSITIONS, with glazed cover to the back, in a later walnut hinged easel case The watch 9cm diameter The walnut case 13.5 x 12.5cm (+26.4% BP ) 730. A French miniature brass carriage timepiece, circa 1890 In a Corniche case, with bevelled glass panels, visible silvered platform lever escapement with bi-metallic compensated balance (platform original), white enamel dial with blued steel trefoil hands; original red Morocco leather carrying case (distressed) 9cm high (+26.4% BP ) Lot 731 Lot 732 Lot 733 Lot

13 731. A French gilt brass carriage timepiece, circa 1900 In a Corniche case with bevelled glass panels, the movement No. 5058, with distinctive arrow mark for the hands, the original silvered platform lever escapement with bi-metallic compensated balance, fitted red Morocco leather case 17.5cm high A French gilt brass and cloisonné enamel repeating carriage clock with one-minute tourbillon escapement By L Epée for Garrard, London, circa 1990 The glazed Corniche case and dial surround decorated all over with polychrome enamel and with bevelled glazed panels, the circular dial with Roman chapters and Arabic five-minute numerals signed L Epée Fonde en 1839 and GARRARD London with alarm subsidiary below, the twin train movement, No. 31, striking the hours and halves on a gong with push repeat and with alarm train, the pierced and engraved rectangular platform with lever escapement in a tourbillon carriage 19.5cm high (+26.4% BP ) 733. A French gilt brass carriage clock, circa 1870 In a one-piece case with bevelled full glazed panels to the top, front, sides and back, the rectangular white enamel dial, indistinctly signed, with blued steel trefoil hands and subsidiary alarm dial, the twin train movement No. 584, with original platform cylinder escapement, with push/repeat on a bell 16cm high (+26.4% BP ) Lot A French gilt brass carriage clock Possibly by Henri Jacot, Paris, circa 1890 The Gorge case with a large square top bevelled glass and four further bevelled glass panels, the twin train repeating movement, no. 7757, with a white enamel dial, Roman chapters and blued steel hands, original silvered platform with bi-metallic compensated balance and blued steel overcoil hairspring, striking the hours and halves on a gong 17cm high overall (+26.4% BP ) 735. A Victorian 36in. copper turret clock dial Together with under dial wheel-work and a cast-iron wall bracket with projecting spindle (3) A German green painted cast-iron and brass three train Turmuhr or turret clock By Bernhard Zachariä, Leipzig, No. 737, last quarter 19th century With substantial wheel-work and screwed bridges to the frame, quarter cam to chiming train and countwheel to the striking train, the going train with maintaining power; on a wooden trellis frame; together with substantial pendulum, three weights and winding shank The frame 73cm wide; 32cm high; 36cm deep The wooden stand 102cm high. Established in 1808 by Christian Friedrich Zachariä in Leipzig, his son Bernhard took over in The company still exists today and is one of the largest suppliers of tower and public clocks (+26.4% BP ) Lot 736 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

14 Lot 737 Lot 738 Lot A late George III mahogany dial timepiece By J. Harvey, London The rectangular case with shaped top and apron, with a turned surround and shaped cast brass bezel, with off-white painted dial inscribed J. Harvey, London, with Roman chapters and blued steel hands, the fusée movement with tapering plates and anchor escapement 45cm diameter overall A Victorian mahogany dial timepiece By J. Kaltenbach, 12 Boro Road, last quarter 19th century The case with a turned surround, cast brass bezel and convex glass, the 10½in. dial signed J. Kaltenbach / 12 Boro Road, with Roman chapters and blued steel spade hands, the fusée movement with rectangular plates and anchor escapement 35cm diameter (+26.4% BP ) Lot A George III brass 30-hour journey-man s timepiece By John Wenham, Dereham, circa 1785 The arched 5in. dial signed Jno Wenham, Dereham, above the engraved chapter ring with Roman chapters and Arabic five-minute divisions, with pierced blued steel hands and central alarm disc, the rectangular plates enclosed by four brass dust plates, four shouldered pillars, with verge escapement and bell alarm, on a wooden bracket 18cm high. John Wenham is recorded as working in East Dereham from the mid 18th century to (+26.4% BP ) 740. A brass ship s bulkhead timepiece Retailed by E & E. Emanuel, Portsea & Portsmouth, circa 1890 The circular brass ring-turned tapering case with cast hinged bezel set with a bevelled glass, the 6¾in. white painted dial, inscribed E & E. EMANUEL Portsea & Portsmouth, with Roman chapters, seconds subsidiary below the XII and slow/fast lever above, blued steel hands, the chain fusée movement with circular plates and four plain shouldered pillars, Harrison s maintaining power, the platform lever escapement with plain three-armed steel balance and blued steel hairspring 19.5cm diameter (+26.4% BP ) 741. A small mahogany drop-dial timepiece, circa 1880 The 8in. white painted dial with Roman chapters and blued steel hands, the fusée movement with arched plates and turned tapering pillars, with anchor escapement 31cm high overall 26cm diameter (+26.4% BP ) Lot

15 Lot 742 Lot A brass and mahogany Sedan timepiece The movement by Hawley s, London No The case with a brass suspension ring, with brass surround and bezel, ring-turned body, with later painted steel dial, the verge movement with pierced fan cock 15.5cm diameter And another with modern replaced movement (2) (+26.4% BP ) 743. An unusual William IV mahogany and brass-inlaid square dial timepiece By French, Royal Exchange, London, No. 1749, circa 1840 The square case brass inlaid at each corner with a trefoil and line inlaid with a circle, the convex glass with cast brass bezel above the white painted wooden dial, inscribed French / Royal Exchange / LONDON / 1749, with brass spade hands, the fusée movement with four shouldered and ring turned pillars, with anchor escapement and locking pendulum block 30cm square. Santiago James Moore French was at Sweetings Alley from and at 18 Cornhill (Royal Exchange) from (+26.4% BP ) 744. A Regency mahogany Norfolk drop-dial wall timepiece By Matthew Read, Aylsham, circa 1820 The case with a circular glazed reeded dial surround, with octagonal shaped sides, above the trunk centred by a well-figured panel door, within a crossbanded border and flanked to each side by a canted angle, above an ogee-shaped base, the 16in. white painted convex dial, signed READ / AYLSHAM with black painted Roman chapters and blued steel spade hands, the movement with four pillars, tapered to each centre with a turned band, the anchor escapement with 35in. brass rod pendulum with large brass bob 125cm high. Matthew Read (b.1756-d.1826) is recorded as working in Aylsham (+26.4% BP ) Lot 744 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

16 Lot 745 Lot 746 Lot A Regency mahogany and brass-inlaid drop-dial timepiece The 12in. white painted convex dial with blued spade hands, brass bezel, above a trunk with floret inlay, the fusée movement with arched plates and anchor escapement 51cm high (+26.4% BP ) 746. A Regency mahogany and brass-inlaid drop-dial timepiece The cast bezel with convex glass above a white painted 8in. dial with Roman chapters and blued steel moon hands, the fusée movement with shaped plates and baluster pillars, with anchor escapement 29cm high; 25cm diameter. Lot A mahogany dial timepiece By Payne & Co, London, circa 1880 The moulded surround with a cast brass glazed bezel, the 8in. white painted dial, with Roman chapters, inscribed PAYNE & Co / 163 NEW BOND STREET, London, with blued steel hands, the chain fusée movement with shaped plates, shouldered pillars and anchor escapement 26cm diameter A George III mahogany verge dial timepiece The case with a turned surround, glazed brass bezel, the 14½in. circular brass dial with Roman and Arabic chapters, later engraved Woodcock & Son, Colchester, with pierced steel hands, the fusée movement with tapering plates, five ringed and shouldered pillars and uncrossed-out verge wheel and brass bob pendulum, the back case later and with adaptations to the reverse of the dial surround 45cm diameter (+26.4% BP ) 749. A Victorian parcel-gilt, ebonised and mother-of-pearl decorated octagonal drop-dial timepiece, circa 1870 The case with a chamfered dial surround, glazed brass bezel and shaped apron, with glazed pendulum aperture, the 12in. white painted dial with stylised Roman chapters and blued steel trefoil hands, with fusée movement and anchor escapement 64cm high overall. Lot

17 Lot 750 Lot A Viennese mahogany and boxwood outlined wall regulator Dachluhr By Peter Peuker, Wien, circa 1845 The six-glazed panel case with an architectural pediment, enclosing the 7 1/4in. silvered dial with engine-turned bezel, signed to the central reserve PETER PEUKER / IN WIEN, with finely cut blued steel hands, the movement with tapered plates, deadbeat escapement, Harrison s maintaining power and steel rod brass bob pendulum and brass cased weight 86.5cm high overall (+26.4% BP ) 751. A walnut and ebonised quarter-striking Vienna regulator Last quarter 19th century The case with an arched pediment above a glazed front and sides, flanked by shaped canted angles, above a waisted terminal; the 7½in. white enamel dial within an ormolu surround, the recessed centre with seconds subsidiary and pierced steel hands, strike/silent lever to the edge, the three-train movement striking the hours and quarters on two coiled steel gongs, with Graham s deadbeat escapement and bi-metallic compensated pendulum. 108cm high (+26.4% BP ) Lot A parcel-gilt red lacquer longcase clock Mid 18th century and later The movement by Thomas May, Hereford The arched case surmounted by a gilt eagle with outstretched wings, above a stepped pediment with glazed arched dial, the trunk inset with a panel door decorated with pavilions, figures and foliage, on a plinth base; the associated movement with a 13in. arched brass dial, with roundel to the arch flanked by two dolphin spandrels, the brass chapter ring with Roman chapters and Arabic five-minute divisions, signed to the centre Thos. May Hereford, with seconds subsidiary and calendar aperture sector, with foliate pierced masks, the twin train movement with plain pillars and anchor escapement; case and movement associated 258cm high overall (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

18 16 Lot A mahogany triple train longcase clock of small size John Barwise, 20 Duke Street, SW1 and made by Birch & Gaydon Ltd, London, 20th century The arched hood with a glazed panel door, flanked by three-quarter pillars and with pierced sides, above an arched trunk door, on panelled plinth, the 8in. arched brass dial with chime/silent subsidiary in the arch, above a silvered chapter ring, inscribed JOHN BARWISE, 20 DUKE ST. SW1 below the VI, with pierced blued steel hands and seconds subsidiary, on a matted centre with cast and pierced spandrels, the three train weight-driven movement with deadbeat escapement and maintaining power, chiming the quarters on a carillon of eight bells and striking the hour on a gong, signed to the backplate BIRCH & GAYDON Ltd, 153 FENCHURCH STREET EC3 & 20 DUKE ST, SW1, with wood rod pendulum (no weights) 167.5cm high. The commercial roots of John Barwise and Birch & Gaydon began in Georgian London. Both names were owned by Asprey in the second half of the last century (+26.4% BP ) Lot A mahogany longcase clock of small size, circa 1930 The hood with a stepped rectangular pediment, above a glazed door flanked to each side by a column, the trunk inset with an arched panel door with reeded edge, on a plinth base and ogee bracket feet; the 8in. arched brass dial with painted moon phase, engraved with the age of the moon, above the silvered chapter ring, enclosed by four pierced spandrels and with a foliate engraved centre, pierced steel hands, the twin train four-pillar weight-driven movement with anchor escapement and striking on a bell 185cm high (+26.4% BP ) Lot A mahogany quarter-chiming longcase clock of small size By Gillett & Johnson, Croydon, No , mid 20th century The case, surmounted by three brass finials and a broken arched hood, with a glazed door; the trunk with canted angles, inset with an arched panel door, the plinth inset with an oval panel on swept foot; the silvered arched 8¼in. dial engraved with foliate scrolls, the arch with CHIME / SILENT ring, above silvered chapter ring, signed above the VI on an escutcheon Gillett & Johnston / Croydon, with WHITTINGTON / WESTMINSTER selection lever at the IX, the high quality twin train weight-driven movement, number 15565, with four screwed shouldered pillars, with Harrison s maintaining power and deadbeat escapement with fine adjustment to the crutch, chiming the quarters on nine straight steel rods mounted to the case backboard 177cm high (+26.4% BP )

19 Lot 756 Lot 757 Lot A George III oak longcase clock The movement by Jacob Riviere, London The case with a broken arched pediment surmounted by three gilt finials, above a glazed panel door, the trunk inset with an arched panel door, on plinth base and bracket feet; the 12in. arched brass dial with strike / silent silvered ring in the arch, surrounded by dolphin spandrels, the silvered chapter ring with pierced foliate mask spandrels, the matted centre with seconds subsidiary, brass escutcheon signed Jacob Riviere, London and calendar aperture below, the twin train movement with five ring-turned pillars with anchor escapement, striking on a bell; movement and case possibly associated 226cm high overall (+26.4% BP ) 757. A George II oak longcase clock The movement by John Inkpen, Horsham The case with a moulded pediment above a glazed panel door, flanked to each side by a turned column, the trunk inset with an arched panel door, on plinth base; the 12in. arched brass dial with a silvered ring to the arch TEMPUS FUGIT with pivoted figure of Father Time, flanked by dolphin spandrels, the brass chapter ring, with Roman chapters and Arabic five-minute markers, with urn and eagle spandrels, enclosing a matted centre, signed on the oval Jno Inkpen, Horsham, with silvered seconds subsidiary ring, and calendar aperture above the VI, the twin train movement with five ring-turned shouldered pillars, with anchor escapement and striking on a bell; movement and case possibly associated 207cm high. John Inkpen (b d. 1759) is recorded as working 1726 to circa He married Elizabeth Muzzle (another clockmaker family) of Bolney in 1735 and is understood to have had his workshop in the Carfax, Horsham. This is a finely made movement, unusually for a provincial maker with five pillars, and of high quality finish (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page A George III Scottish mahogany longcase clock William Chisholm, Aberdeen The case with a swan neck pediment, surmounted by a finial, above a glazed arched door, flanked to each side by a gilt Corinthian capital and fluted column, the trunk flanked to each side by a three-quarter column and centred with an arched panel door, on plain plinth and stepped foot; the 12in. arched white painted dial, inscribed Wm Chisholm, Aberdeen, with seconds and calendar aperture, painted with a basket of fruit to the arch and spandrels, the twin train movement with anchor escapement, striking on a bell 214cm high (+26.4% BP ) 17

20 Lot 759 (detail) 759. A fine William III walnut and foliate marquetry longcase clock By John Williamson, Leeds, circa 1700 The case with a rectangular hood (formerly rising) and still with hinged wrought-iron holding block, flanked to each side by a spiral turned pillar, between a glazed panel and sides, the trunk inset with a panel door, inlaid with three foliate marquetry panels of summer flowers, the centre panel also with a bird, centred by an oval glazed aperture, the sides each with two outlined panels, on a plinth base with foliate marquetry panel; the 10 in. square brass dial with well-cast mask and foliate scroll Gretton -type spandrels, with silvered chapter ring, Roman chapters and Arabic five-minute markers, trefoil half-hour tridents, signed on the dial plate Jno Williamson in Leeds fecit below the VI, the matted centre with rose engraved boss, harboured winding apertures, small seconds subsidiary ring and calendar aperture, with blued steel hands; the twin train movement with five ringed and shouldered pillars, bolt and shutter maintaining power, internal countwheel strike on a bell and with anchor escapement 208cm high overall. John Williamson was born around 1651 in Guisley, near Leeds. He died in A maker of high repute, he trained in London, and gained his Freedom of the Worshipful Company of Clockmakers in 1682, returning the following year to Leeds. An interesting movement signed John Williamson near Temple Bar Londini Fecit, in a modern case, was sold at Christie s, London, 11 March (+26.4% BP ) Lot

21 Lot 760 Lot A Queen Anne walnut and arabesque marquetry longcase clock John Gammon, London, the case circa 1710 and later The hood with a domed scroll marquetry inlaid pediment, above a plain entablature, with glazed front and side panels, flanked by tapering three-quarter columns, the trunk inset with an arabesque marquetry panel door inlaid with birds and foliate scrolls, centred by a glazed roundel, on plinth base; the 12in. square brass dial with silvered chapter ring, Roman chapters and Arabic five-minute markers, signed at the VI Jno Gammon, London, with twin cherub and Maltese Cross spandrels, the matted centre with seconds subsidiary, harboured winding apertures and lambrequin outlined calendar aperture, blued steel hands, the twin train movement with five ringed and shouldered pillars, internal countwheel strike on a bell and anchor escapement; dial and case possibly associated 221cm high (+26.4% BP ) 761. A late George II parcel-gilt, black and polychrome chinoiserie lacquer longcase clock The movement signed Henry Rogerson, London The hood with a broken arch and ogee dome pediment, surmounted by three giltwood finials, above the glazed arched door with a Corinthian pillar flanking each side, the trunk inset with an arched panel door, decorated with pavilions, foliage and figures, on a plinth base and stepped foot; the 12in. arched brass dial with strike/silent ring and a pair of dolphin spandrels to the arch, above a silvered chapter ring, signed Henry Rogerson, London at the VI, and with mask spandrels, the matted centre with seconds subsidiary, blued steel hands and calendar aperture, the twin train movement with four pillars and anchor escapement; case and movement associated 275cm high overall (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

22 Lot 762 Lot 763 Lot A George III parcel-gilt red lacquer longcase clock The movement by B. Russell, Norwich The arched pediment above a glazed panel door, flanked to each side by three-quarter columns, the trunk inset with an arched panel door, decorated with pavilions, figures and foliage, on a plinth base; the 12in. white painted dial with moon phase to the arch above seconds subsidiary, with calendar sector aperture below, the twin train movement with anchor ecscapement striking on a bell; case and movement associated 226cm high (+26.4% BP ) 763. A late George II walnut and chequer strung longcase clock By William Skeggs, Rotherhith, circa 1750 The case with a broken arched pediment above a glazed panel door, flanked to each side by a fluted column, the trunk with an arched inset panel door, on a plinth base; the 12in. arched brass dial, with strike / silent ring, foliate scroll spandrels, brass chapter ring, with Roman numerals and Arabic five-minute markers, the matted centre with seconds subsidiary ring, signed on an escutcheon below the centre Wm. Skeggs, Rotherhith, with calendar aperture below, the twin train movement with five shouldered pillars, with anchor escapement and striking on a bell; case and movement possibly associated 203cm high (+26.4% BP ) 764. A Regency mahogany and marquetry inlaid longcase clock The movement by Davies, North Shields The hood with a swan neck pediment, surmounted by three brass finials, above an arched glazed panel door, flanked by cluster columns, the trunk with a ribbon-tied foliate inlaid apron above a trefoil arched door, flanked by cluster columns, on plinth base with canted angles; the 14in. arched white and polychrome painted dial, with rocking ship automaton in the arch, inscribed DAVIES Nth SHIELDS, with gilt engraved latten hands, seconds and calendar subsidiary, the twin train movement with anchor escapement and striking on a bell 227cm high (+26.4% BP ) 20

23 Lot 765 Lot A brass skeleton timepiece, circa 1890 The fusée movement with shaped plates and anchor escapement, on four baluster shaped feet, on an oval velvet-covered ebonised plinth below a glass dome The movement 29cm high; 39cm high overall A brass Gothic-style striking skeleton clock By Cox, Islington, circa 1850 With well pierced plates, six screwed tapering pillars, silvered chapter ring, signed Cox, Islington, the wheels with six crossings, chain drive twin fusées with anchor escapement, with brass shot-filled cylindrical pendulum bob, steel rod, striking the hour on a gong, raised on four turned feet, on a replacement ebonised base and glass dome The movement 32cm high; 42cm high overall (+26.4% BP ) 767. A rare and unusual pyramidical brass skeleton timepiece of eighteen-day duration By John Pace, Bury St. Edmunds, No. 253, circa 1855 The cast frame of good gauge, with chamfered edges on scrolled feet, the movement with going barrel and three wheels to the escape wheel, each of five or six crossings, with Graham s deadbeat escapement, inset jewelled pallets, surmounted by an arched bridge with fine knurled screw adjustment for regulating to the spring suspension, steel and brass halberd-shaped pendulum, the pierced and engine-turned gilt dial with Arabic numerals, blued steel spade hands, linked by a fine thread at the back to drive the hands, on an oval tapering base, signed John Pace BURY St. EDMUNDS No. 253, raised on a velvet plinth and rosewood stand, under a glass dome The timepiece 33cm high; 43cm high overall. John Pace (d. 1867) lived and worked in Bury St. Edmunds. His workshop was at 19 Abbeygate Street. He exhibited a virtually identical skeleton timepiece, of three-month duration, at the 1851 Great Exhibition. See Antiquarian Horology, No. 1, Vol. 34, March 2013, for an article on the Pace family of Quaker clockmakers, by David Edmund Pace. This clock is illustrated in Derek Roberts Skeleton Clocks, Britain , Antique Collectors Club, 1996, fig. 3/15a, p. 97, and other Pace clocks are discussed p (+26.4% BP ) Lot 767 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

24 Lot 769 Lot A large French silvered metal rectangular desk timepiece Couaillet movement, circa 1920 The cast frame with bevelled glass panel, above a silvered dial with gilt hands, the movement with Couaillet hand setting stamp, and platform lever escapement, the reverse with sprung easel support 21.5 x 30cm; together with two other gilt desk watches, each with easel support, one with an aneroid barometer and two thermometers, the other with a photo frame (3). Lot A French brass combination mantel clock, circa 1890 In the form of an oversized carriage clock, the shaped handle above a circular inset glazed panel and aneroid barometer below, plain brass sides, the gilt dial with Arabic numerals and inset to the centre with a shaped platform lever escapement, above an engraved circular panel, with bi-metallic compensated balance, the twin train movement No. 604, striking on a gong 26cm high (+26.4% BP ) 770. A French gilt brass four-glass mantel clock In the Empire Revival style, circa 1900, Maple & Co., Paris The rectangular case with a stepped pediment above arched bevelled glass panels with chimera to the front above fluted three-quarter uprights with baluster stems, on chimera relief-moulded plinth and four bracket feet, the 3½in. circular white enamel dial, with Roman chapters and Arabic 15-minute markers, pierced blued steel Breguet moon hands, the twin train movement by S. Marti, Paris No , and stamped MAPLE & Co. LTD., PARIS, striking on a bell 29cm high (+26.4% BP ) 771. A French gilt brass four-glass mantel clock Retailed by Payne & Co, New Bond Street, London, circa 1880 The rectangular case with moulded surround and four bevelled glass panels, the 4¼in. white enamel dial inscribed PAYNE & Co 163 NEW BOND STREET LONDON, with visible Brocot escapement with straight bridge, the twin train movement No and also inscribed by the retailer, with strike on a bell and false mercury compensated pendulum 27cm high. Lot

25 Lot 772 Lot A brass, red perspex and leather-lined inclined plane timepiece Dent, London, by Andrew Fell, dated 1973 The drum-shaped case with silvered chapter ring, engraved to the centre with a sunburst and inscribed DENT, London, pierced steel hands, with two milled ridges to the edge, the movement signed Andrew Fell del. 1973, with platform lever escapement and pivoted internal weight, the back cover inscribed DENT in a triangle and for CECIL ERNEST PETCH 1973 ; the inclined plane with days of the week to the edge, the left side with a pair of turned uprights and triangular pyramid inscribed DENT 72cm long. Andrew Fell (d. 1988) established and was the first Principal of the National College of Horology in Clerkenwell, founded in (+26.4% BP ) 773. A French ormolu oval four-glass mantel clock, circa 1890 The case with a moulded top and inset with shaped bevelled glass panels, the 4¼in. dial with visible arched Brocot escapement, the twin train movement No. 1752, with strike on a bell and mercury compensated pendulum 30.5cm high (+26.4% BP ) Lot A Swiss gilt metal, silvered and blue enamel world-time compendium table timepiece By Imhof, No , circa 1990 Modelled as a rotating globe, with a fixed ring inscribed with twenty-four cities of the world, supported on four ringed turned columns with silvered twenty-four hour chapter ring, supported on a cube, the four faces with dials for time, temperature, moonphase and humidity, on a square base, signed to one side IMHOF, on bun feet, numbered to the underside of the base 21.5cm square; 27cm high (+26.4% BP ) 775. A Swiss brass Atmos timepiece By Jaeger LeCoultre, No , circa 1980 The glazed brass case with canted angles, with rectangular silvered pierced dial showing the movement and rotating circular torsion pendulum, on a stepped base with pendulum locking lever and levelling eye 23.5cm high (+26.4% BP ) Lot A French gilt, lacquered brass and blue enamel-mounted octagonal compendium table timepiece By Hour Lavigne, Paris, circa 1990 The top with a convex glass dome and orrery, the sides with four dials for time, temperature, humidity and pressure, each below a small domed glass and with a small blue enamel panel between each, on half bun feet, with battery-operated quartz movement 22cm wide. A similar timepiece/orrery, signed Kutchinsky, was sold in these rooms 16 February 2016, lot (+26.4% BP ) Lot 776 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

26 Lot 777 Lot An ormolu-mounted Sèvres biscuit porcelain clock garniture In the Louis XVI style, circa 1880 The clock modelled with a seated figure of Diane Chasseresse, a dog at her side, on a rocky outcrop, above the movement with glazed 4¼in. white enamel dial, inscribed BALTHAZARD / PARIS, the twin train movement by A D Mougin, No. 2411, striking on a bell; the pair of side figures modelled as Cybele, wearing a crown and holding an orb in one hand and a cornucopia in the other, her companion, Juno, with a diadem in her hair and a peacock at her side, each on shaped square bases, the three pieces each with incised interlaced L marks and stamped A.P to the underside The clock 32cm high; the figures 31cm high (+26.4% BP ) 778. A late Louis XVI ormolu and white marble mantel clock The case surmounted by a pair of doves on cloudburst, flanked to each side by a lyre with laurel, the drum-shaped case supported between uprights, the 5in. white enamel convex dial with Arabic chapters, finely pierced and engraved gilt latten hands, with bevelled glazed front, the twin train movement with external countwheel strike on a bell, with sunburst pendulum on silk suspension, above oak and laurel apron with musical trophy, the base flanked to each side by a cherub, on a double bow-fronted and shaped base, on toupie feet 53cm high (+26.4% BP ) 779. A French gilt bronze and giallo marble mantel clock In the Empire Revival style, second half 19th century Modelled with a seated cuirassed figure, a child standing at his side, enclosing the circular enamel dial decorated with floral garlands, the twin train movement with outside countwheel on a bell, on a stepped plinth base, on bracket feet 55cm high (+26.4% BP ) 24 Lot 779

27 Lot 780 Lot 781 Lot A French ormolu-mounted mahogany Second Empire mantel clock In the Neo-Classical style, by Laine, Paris, circa 1855 The case in the form of a portico, the rectangular pediment with a stepped edge, raised on four columns, each with a gilt engine-turned capital and base, on a stepped conforming plinth, on bun feet, the convex gilt dial signed LAINE A PARIS above the VI, centred with two raised winged lions, within a beaded surround, the twin train movement with outside countwheel strike on a bell, and bi-metallic grid-iron pendulum, cast with a bird-mounted lyre support, above a foliate cast bob 54.5cm high (+26.4% BP ) 783. A French ormolu mantel clock In the Louis XVI style, circa 1885 The drum-shaped case surmounted by a swagged urn, with ribbon-tied surmount, on a stepped base with laurel festoons and scrolled acanthus, on shaped breakfront plinth, the white enamel dial with black Roman chapters and gilt fleur-de-lys, Arabic five-minute divisions, and pierced gilt latten hands, the twin train movement by S. Marti, No. 138, striking on a bell 62cm high (+26.4% BP ) 781. A French ormolu and bronze mantel clock In the Louis XVI style, circa 1880 The case cast as an urn, flanked to each side by a bacchic faun, playing pipes, supporting a drum, with musical trophy surmount above the 4¼in. circular white enamel dial, with Roman chaptera and Arabic fiveminute markers, inscribed Paul Garnier A Paris, with finely pierced latten hands, the twin train movement by Japy Freres, No , striking on a bell, on a stepped shaped base, on toupie feet 43cm high (+26.4% BP ) 782. A French or Swiss ormolu-mounted brass and stained-horn veneered quarter striking and repeating bracket clock In the Louis XV style, First half 19th Century The waisted case, surmounted by an associated figure of a seated pagod, with glazed panel door, the front and sides inlaid with polychrome stained horn foliage, on scrolled bracket feet; the 9½in. convex white enamel dial with Roman chapters and Arabic five -minute markers, engraved gilt latten hands, the twin train movement with rectangular plates and four shouldered ring-turned pillars, with verge escapement, twin barrels, the backplate mounted with well crossed-out countwheel for quarter striking on two bells, and cam for quarter repeating on two further bells, each with vertical hammer arbours, opposite the pullquarter repeat mechanism, with silk suspension and brass bob and steel pendulum 85cm high overall (+26.4% BP ) Lot 783 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

28 784. A French burr elm table regulator - Régulateur de précision The movement No. 494, the case stamped THÉVENARD, second half 19th century The rectangular case with lift-off pediment (a modern replacement) revealing sliding glazed panels to the front and back, with inset glazed sides, on a stepped plinth, with block feet; the 5in. white enamel dial with Roman chapters, blued steel moon hands and sweep centre seconds (hand lost), within a stepped gilt mount, numbered to the back 494, and with a shaped rectangular panel below, with raised moulded surround enclosing a silvered dial with two subsidiaries for day and month with moon phase aperture below and date aperture above; the reverse with three knurled hand adjusters, with linkage and small counter-weight to the substantial twin train movement No. 494 to the back plate; plain turned pillars, pin-wheel escapement, fine beat adjustment to the crutch and countwheel strike on a bell; substantial bi-metallic grid-iron pendulum, with gilded bob, fine wheel adjustment, the centre with a white enamel roundel painted R A with an arrow between, the underside of the plinth marqué au feu THÉVENARD 59cm high. Tardy lists in Dictionnaire des Horlogers Français a Thévenard as working in Corbeil in (+26.4% BP ) Lot 784 Lot 784 (detail) 26

29 Lot 785 Lot 786 Lot A Tyrolean walnut fusée cuckoo clock, circa 1890 The case in the form of a chalet with arched pediment and deep overhang, dentil ornament and blind Gothic tracery, centred with a hatch door above the circular dial with Gothic ivory applied chapters, on a stepped base carved with trefoil and foliate scroll, the sides each with a small hinged door and removable back; the twin train fusée movement with bushed wooden plates, twin bellows and a painted cuckoo automaton, with outside countwheel strike on the hour and half, and with anchor escapement 39cm high (+26.4% BP ) 786. A German oak cased chain fusée three train quarter-chiming and repeating bracket clock By Winterhalder & Hofmeier, circa 1900 The case with a broken arched pediment inset with a shell carving above the bevelled glazed door, flanked by columns, the sides and back with hinged doors, on a stepped base; the 6¾in. rectangular brass dial with SLOW / FAST and CHIME / SILENT subsidiaries between scroll and mask mount, above the silvered chapter ring enclosed by scroll spandrels, the three train chain drive fusée movement of good quality, stamped to the backplate W & H / Sch 4, with plain turned screwed pillars, with semi-deadbeat escapement and chiming the quarters on four coiled steel gongs, and the hour on the fifth gong, with pull repeat 48cm high (+26.4% BP ) 787. A French ormolu and white marble mantel clock In the Louis XVI style, circa 1900 The fluted arched case surmounted by a pair of doves on a flaming torch and cloud, on a shaped breakfront marble plinth with musical and military trophies to each side, on toupie feet, the circular 3¼in. white enamel dial with Arabic numerals, the twin train movement, No , by Vincenti, striking on a bell (missing) 25cm high (+26.4% BP ) 788. An Empire ormolu mantel clock By L. Moinet, Paris The case modelled with figures of Venus and Cupid, she holding a laurel wreath above his head; the arched case with a panel to the front raised with a Grecian urn, on a rectangular plinth inset with a panel cast in relief with the two lovers, on an anthemion cast edge and spreading foliate feet; the twin train movement with enamel dial and external countwheel strike on a bell (lost), the backplate stamped L. MOINET A PARIS, with silk suspension 68cm high. Louis Moinet (d. 1853) was the secrétaire of Abraham-Louis Breguet (+26.4% BP ) Lot 788 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

30 Lot 790 Lot A George III mahogany, chequer strung and outlined mantel timepiece Possibly of long duration, circa 1790 The broken arched case with a square tapering pediment above a brass bezel, with oval inlay below, flanked by a small marquetry vase to each side, on tapering spreading feet, the 7in. white painted dial with pierced blued steel hands, the rectangular plate movement with three tapering, shouldered pillars, with oversize drum, and with three wheels to the deadbeat escape wheel, with bridge over the intermediate wheel 56cm high (+26.4% BP ) 28 Lot A late Regency brass-mounted ebonised mantel timepiece By Finer & Nowland, London, circa 1820 The chamfer top case with a stepped pediment, above an arched glazed front panel door and with rectangular glazed sides and back door; the arched gilt brass dial surround with foliate engraved panel below the 2¾in. enamelled dial (re-enamelled) inscribed FINER & NOWLAND / HIGH HOLBORN with Roman chapters and blued steel moon hands, the chain fusée movement with shouldered plates and four ring-turned tapering pillars, locking pendulum block and with anchor escapement 22cm high. Finer & Nowland are recorded as working (+26.4% BP ) 791. An interesting George III ebonised and brass-mounted timepiece Retailed by Haley & Milner, London, The movement by John Thwaites, No. 992, circa 1780 The broken arched case surmounted by a small carrying handle, above arched glazed front and back doors, on a stepped base with reeded ball feet; the 3in. arched brass dial, finely worked, with circular white enamel centre, with Arabic numerals, finely pierced gilt brass hands, within matted surround and slow / fast adjustment to the arch, the arched fusée movement with engraved outer edge, signed to the backplate Haley & Milner / London, with locking pendulum block, steel rod pendulum with brass bob, four turned shouldered and ringed pillars with anchor escapement, the front plate stamped I. THWAITES cm high overall. Haley & Milner were established in Wigmore Street Evidently they were good clients of Thwaites, who supplied approximately 76 movements to them. See Antiquarian Horology, Vol. 8, No. 4, September 1973: The Content of production, identification and dating of clocks by A & J. Thwaites, by G.T.E. Buggins and A.J. Turner (+26.4% BP )

31 Lot 792 Lot A Regency mahogany and brass-inlaid bracket clock The case with a chamfered pediment surmounted by a pineapple finial, above the 8in. convex white painted dial, inscribed HEWITT LONDON, with blued steel hands, scroll brass inlay below, the sides each with a ring handle and laurel roundel escutcheon, above pierced grille panel, on a stepped plinth with quartered bobbin-turned moulding, raised on brass ball feet, the twin train fusée movement with arched top to the plates, anchor escapement, locking pendulum nut, striking on a bell 49cm high (+26.4% BP ) 793. A late Regency mahogany bracket clock In the manner of Thomas Hope, by James Gorham, Kensington, circa 1820 The case with gadrooned pediment, surmounted by a large pineapple finial, above anthemion angled brackets with reeded tapering angles, outlined with a line-inlaid half-beaded border, centred with the silvered 7in. dial, signed James Gorham / KENSINGTON / Clock & Watch Maker / to The Royal Family, with pierced blued steel moon hands, on a stepped plinth and gadrooned bracket feet, the twin train chain fusée movement with anchor escapement and brass locking nut to the pendulum, striking the hour on a bell 47cm high (+26.4% BP ) 794. A late Victorian walnut Gothic Revival three train mantel clock By Dent, London, No , circa 1890 The arched case with three finials above a glazed door, flanked by turned pillars, on a stepped breakfront plinth, the arched gilt dial plate with foliate engraving and with a painted subsidiary in the arch for slow/fast, with silent/chime lever below; the painted circular dial signed DENT in a triangle 4, ROYAL EXCHANGE & 61, STRAND / LONDON / ; the substantial three train chain fusée movement, similarly signed on the backplate and with locking pendulum bracket and nut, striking the hour on a gong and chiming the quarters on a carillon of eight bells, with anchor escapement and heavy brass pendulum 63cm high overall (+26.4% BP ) Lot 794 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

32 Lot A gilt metal-mounted ebonised quarter repeating table clock By John Dickings, London, late 17th century and later The case now with a caddy top, surmounted by a scroll handle, above glazed front and back door, with glazed sides, on a stepped plinth with brass bun feet; the 7in. square brass dial with cherub head spandrels, silvered chapter ring with Roman numerals and Arabic five-minute markers, enclosing a matted centre with false pendulum aperture and signed behind on a panel, harboured winding holes and calendar aperture above the VI with strike/silent lever at the XII; the twin train fusée movement, with foliate engraved backplate, five ring-turned and shouldered pillars, re-converted verge escapement with bob pendulum, striking the hour on a bell and repeating the quarters on five bells 42cm high. Probably John Dickens, who was apprenticed to William Cattell in 1680 and obtained his Freedom of the Worshipful Company of Clockmakers in 1688 and is recorded as working until (+26.4% BP )

33 Lot 796 Lot 797 Lot A Regency brass-mounted mahogany bracket clock, circa 1810 The chamfer top case surmounted by a pineapple finial, with brass grille panels, on stepped base with brass ball feet, the 8in. white enamelled dial, inscribed AYNSWORTH THWAITES, LONDON, with blued steel moon hands, the twin train fusée movement with arched plates, later stamped to the edge, with pendulum locking plate, striking the hour on a bell, the pendulum bob also engraved 43cm high (+26.4% BP ) 797. A George III brass-mounted ebonised bracket clock By John Thwaites, No. 2293, London, circa 1800 The arched case surmounted by a brass carrying handle above triple rectangular brass-outlined pads, with an arched hinged door inset with well-pierced silk-backed brass panels, centred with a circular 8in. white painted dial inscribed JOHN THWAITES / LONDON, with delicate interlaced pierced brass hands, within a brass surround and with strike/ silent lever at the XII, the sides each with an arched brass grille panel, glazed rear door, on a stepped plinth on brass bracket feet, the twin train fusée movement, with shouldered plates, signed Jno Thwaites / London, within engraved shaped rectangular and wavy border, striking the hour on a bell, with brass pendulum locking block, the front plate stamped I. THWAITES and cm high (+26.4% BP ) 799. A George III mahogany and gilt brass-mounted bracket clock Signed Joseph Thompson, London, circa 1800 The case with a broken arch pediment surmounted by a carrying handle, arched glazed door with moulded brass surround, flanked to each side by pierced grille panel and with glazed back door, on a stepped base and bracket feet; the 7in. arched white painted dial, inscribed Jos Thompson, London, with finely pierced latten hands, with STRIKE / SILENT in the arch, the twin train fusée movement with five ringed and shouldered pillars, the rectangular plates with festoon engraved outer edge, with verge escapement, and striking the hour on a bell with pull repeat, stamped to the front plate ROBSON cm high. The movement is probably by Thwaites and the number would date its production to (+26.4% BP ) 798. A giltmetal-mounted ebonised three train mantel clock, of large size Retailed by Wilson, Penrith, circa 1890 The caddy top case with five flaming finials and ribbon-tied foliate festoons, above an arched cast brass glazed door, flanked by a caryatid to each corner, and with a foliate cast handle and pierced mask arched panel to each side, on a stepped foot with scroll cast feet, the 8½in. arched brass dial with twin silvered subsidiary rings in the arch CHIME/ SILENT and CHIME ON EIGHT BELLS/ WESTMINSTER CHIMES, above a silvered chapter ring signed below the VI WILSON PENRITH with a matted centre and pierced blued steel hands, the three train chain fusée movement with anchor escapement and pendulum locking block (lacking nut), chiming the quarters on eight bells, with pull-quarter repeat and striking the hour on a gong 75cm high (+26.4% BP ) Lot 799 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

34 Works of Art & Collectables Lot 950 (detail)

35 Works of Art & Collectables 801. A double sided AA enamel advertising sign of circular form, black and yellow, Franco SW1, 46cm diameter (+26.4% BP ) 802. Three AA Road Flooded metal signs, black and yellow, of rectangular shape, 61cm x 31cm (3) (+26.4% BP ) 803. Three AA car/motorbike grille badges, and a quantity of AA buttons (qty) (+26.4% BP ) 804. A Chinese celadon and ormolu table lamp, modern, with silk shade, 68cm high overall Taxidermy; two Razorbills, 19th century, set against a naturalistic backdrop, in a glazed ebonised case, 53.5cm wide A French gilt bronze six light chandelier, the central urn body issuing three scrolling female figures, each supporting two foliate cast branches suspended by three tasseled faux rope suspension rods, 85cm high (+26.4% BP ) 807. A pair of fourteen point fallow deer antlers on skull mount, together with four further U.K. deer species; red, sika, muntjac, roe, and one other (6) An ormolu twenty four light chandelier, the scrolled arms, issuing from a foliate cast central stem (a.f.), 102cm diameter (+26.4% BP ) 809. A brass standard lamp formed as a reeded Corinthian column, on a square stepped base with paw feet, 123cm high excluding fitments A pair of French ormolu and bronze table lamps, circa 1870, with shades formed as Bacchic putti with vine garlands in their hair, holding cornucopia shaped arms, on elaborately scrolled and foliate bases, the lamps 53cm high (2) (+26.4% BP ) 811. A Chinese porcelain vase, circa 1860, the everted rim painted with a flowering fruit tree (60cm high), a Cantonese vase and cover with gilt lion handles (38.5cm high) and one further Cantonese vase (45cm high) (a.f.) (3) (+26.4% BP ) 812. A pair of Chinese blue and white vase and covers (converted to table lamps), each with relief masks, decorated with flowers and prunus against a baluster ground. Vases 31cm high (2) A pair of hand hammered copper and brass coal buckets of circular form, with twin handles and paw feet, 53cm across the handles (2) A set of three amber glass flagons, late 19th century, each with an engraved silver plated mount, Gin, Brandy, Whisky, and one further similar, 17.5cm high (a.f.) (4) (+26.4% BP ) 815. A pair of Czech porcelain vases painted with floral panels, the bases applied with rustic figures, now converted into lamps, with shades, the vases 39cm high (2) (+26.4% BP ) 816. A pair of heavy brass candlesticks, possibly 18th century, with large hexagonal drip pan and a circular turned base, with allover foliate decoration, 35cm high (2) An 18th century shagreen bound wooden etui, with hinged lid opening to reveal a fitted interior, enclosing brass and steel drawing instruments, case 13cm high (+26.4% BP ) 818. A gilt brass Louis XVI style fire fender of pierced serpentine form (126cm wide), a steel and brass three bar fire grate with serpentine pierced frieze (61cm high) and a brass helmet shaped coal scuttle with foliate embossed decoration (3) An 18th century horn beaker, engraved with a hunting scene and with plated mount to the rim (10.5cm high), another engraved with horses ploughing a field, another engraved with letters S.P.O and two small horn beakers (5) (+26.4% BP ) Lot A George III silvered pewter carriage coat of arms for Adam Duncan, 1st Viscount Duncan ( ), inscribed papel label attached, 23cm wide. Illustrated. Footnote: Admiral Duncan commanded the British North Sea Fleet in their defeat over the Dutch fleet off Camperdown in October Receiving the Dutch Admiral De Winter aboard his flagship HMS Venerable after his victory, Duncan refused his offer of his sword as a token of surrender, instead shaking De Winter s hand and insisting I would much rather take a brave man s hand than his sword (+26.4% BP ) 821. A pair of Lucite and marble table lamps with square silk shades, 100cm high overall (2) (+26.4% BP ) 822. A set of four 20th century gilt bronze two light wall lights, in the Louis XV style, each with scrolled arms and backplates cast with foliage, the backplate 37cm high (4) A small painted wood Madonna and child, 18.5cm (+26.4% BP ) 824. A Japanese Meiji period bronze vase, decorated with applied flora and fauna (29cm high) and a patinated metal figure of Krishna (51cm high) (2) (+26.4% BP ) 825. A folding brass propeller, stamped HAMBLE 20 x 14 and a large four blade brass propeller (60cm dia) (2) British school, 20th century, sculpture in the manner of the late David Collins, wood and marble on a glass base, 21.5cm wide (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

36 839. A brass and glass chandelier, late 19th/ early 20th century, the open circlet frame cast with floral swags and rams head masks, hung with cut glass drops and suspended with beaded chains, 39cm diameter (+26.4% BP ) Lot A ship s binnacle, by Solver & Svarrer, early 20th century, with brass hood and oil lamp over a gimble mounted compass and oak stand, with applied brass plaque detailed SOLVER & SVARRER IVER.C. VEILBACH COPENHAGEN 124cm high overall (+26.4% BP ) 827. A French ormolu table lamp, 19th century, with a tapering fluted column over three lion paw feet and a triform base, with a pleated green silk shade (57cm high overall) and a French gilt metal figural table lamp on a circular beaded foot (2) (+26.4% BP ) 828. A Russian carved wooden desk set by the Vornoskov brothers, Abramtsevo, dated 1924 (39.5cm wide) comprising a pair of matching bookends, a blotter and a letter opener (5) (+26.4% BP ) 829. A French gilt metal pen tray, circa 1880, of rectangular form, surmounted by a boy in the manner of Boucher, seated on a chair with fluted volutes to each side, the pen tray with projecting rounded corners, on turned feet, 25.5cm wide, and a pair of glass and hardstone vases on gilt bronze scroll feet, 30cm high (3) Two late 17th century North European double sided gilt bronze mounted ivory plaques, each engraved to both sides with hunting and battle scenes respectively, 14.5cm wide (2). Illustrated (+26.4% BP ) 831. A Victorian copper and brass mounted samovar with turned wooden handles and a brass spout on a shaped square base and four bun feet (31cm high) and another similar, larger copper and brass samovar (a.f.) (2) (+26.4% BP ) 832. A set of four brass twin branch wall lights, 20th century, of Victorian style, each cast with a bow and swag backplate, issuing two spiral twist branches (a.f.), 65cm (4) A Thomas Harris 3 brass refracting telescope on stand, English, early 19th century, with accessories in a fitted mahogany case (+26.4% BP ) 834. A Japanese ivory okimono, 19th century, carved as a fisherman carrying a basket, signed (17.5cm high), three further carved ivory figures and a late 19th century Japanese okimono of a woman gathering fruit in a basket (25cm high) (5) (+26.4% BP ) 835. A quantity of hardstone specimen eggs, 20th century, including malachite, rose quartz, amethyst, Cocrite, Serpentine, unakite, purite and others (approx 50) (+26.4% BP ) 836. A Roman pottery oil jar, of upright spherical form, with a small loop handle, 13.5cm high, a Roman glass vase of ovoid form, with a tall thin neck, some gilding and lustre visible, 13cm high, and two Chinese spinach jade tea bowls, 5.5cm high (4) (+26.4% BP ) 837. An Italian mother of pearl and silver mounted small casket of canted rectangular form, late 19th century, relief carved with religious scenes (8cm wide), two Continental white metal snuff boxes, an 18th century enamel patch box detailed Let this impart to you my heart (3.5cm wide) and eight further small boxes (11) (+26.4% BP ) 838. A pierced brass oval miniature frame, foliate cast, containing a portrait miniature of a young lady (14cm high), a Scandinavian style silver cup stamped 900 and a brass two branch candelabra of rococo form (23.5cm high) (3) (+26.4% BP ) 841. A white painted cast iron stick stand, titled WALLACE with figural backplate and removable drip pan, 77.5cm high (+26.4% BP ) 842. A set of four Adam style gilt brass two branch wall lights, 20th century, with urn finial over a tapering faceted backplate, 35cm, and a pair of Rococo style brass two branch wall lights (6) A Victorian brass mirrored fire screen (84cm high), an Adams Style brass coal purdonium and cover and a brass fire fender of Art Nouveau design (115cm wide) (3) (+26.4% BP ) 844. A Georgian bronze two-handled footman on cabriole supports, 51cm wide across the handles, and a 16th century style brass alms dish depicting Adam and Eve, 44.5cm diameter (2) (+26.4% BP ) 845. A Victorian style brass and mesh four fold fire screen (87cm high), a brass coal purdonium, a brass adjustable fire fender and a set of three brass fire irons (6) (+26.4% BP ) 846. A cast and wrought iron cannon, 20th century, with triple knopped tapering barrel (95cm long), spoked iron wheels and a pierced frame, 158cm wide A brass cylindrical car horn, early 20th century, with side mounted conical funnel (53cm) and a brass loud hailer of conical form (32cm) (2) (+26.4% BP ) 34

37 Lot A Naval dress uniform, two tricorn hats, one further hat and a silver presentation trowel, formerly owned by Sir James Thompson (KCSI), 96 July ), Governor of Madras Also including invites and order of ceremony for the funeral of King Edward VII. Provenance: for further related literature on Sir James Thompson please see lot numbers 1326,1327,1416,1417,1418 and 1419 in the Ephemera and Book Auction (+26.4% BP ) 848. A modern burr maple and beech strung humidor, 34cm wide, and a Victorian burr walnut writing slope with fitted interior, 40cm wide (2) (+26.4% BP ) 849. A pair of French green vein marble and ormolu mounted table lamps, late 19th century, each of urn form, with portrait handles and square bases, 52cm high including shades (2) (+26.4% BP ) 850. A massive steel hunting knife by Broomhead & Thomas, Celebrated American hunting knife, with single edged steel blade (32cm), brass and mother of pearl two piece handle in a silver plated scabbard, presentation engraved Presented to Capt James Buddington of the GEORGE HENRY of NEW LONDON as a token of their highest esteem from HER BRITANNIC MAJESTIES GOVT, October 1856 contained in a velvet lined leather case, gilt embossed with VR cypher, knife 46cm overall. Illustrated (+26.4% BP ) 851. A pair of steel and brass mounted Arts & Crafts andirons, each of foliate pierced form on two shaped feet, 63cm high. (2) 852. M. Colmant ( ), a bronze figure modelled as a Dutch farmer resting on his stick, signed to the base M. Colmant, 37cm high, on a yellow Sienna marble rectangular plinth A pair of patinated bronze models of bison, late 19th century, each modelled charging on a rectangular naturalistic base and stepped wooden plinth, the bronze 25.5cm wide (2) A vintage mahogany Finkel Atelier cello bow, with white metal and rosewood mounts, stamped Finkel Atelier, to the handle, 72cm long (+26.4% BP ) 855. A pair of Georgian brass andirons, with octagonal finials over a turned shaft and two ball and claw feet, 47cm high (2) (+26.4% BP ) 856. Eight polychrome painted wooden religious figures, early 20th century, each raised on a naturalistic shaped base, and a similar carved wooden figure depicting a Roman gladiator, the tallest 118cm high (9) (+26.4% BP ) 857. English School, late 18th century, oil on panel of R.N. Williams, aged 81, housed in a rectangular gilt gesso frame, panel 14cm x 11cm (+26.4% BP ) 858. A brass Art Deco corner wall shelf and hanging rail, of sectional tubular form, with three shaped wall mounts and twelve adjustable hooks, 85cm wide A Victorian brass and wire mesh fire guard, with brass curved top rail and ebonised metal mesh (99cm wide) and a matching smaller brass and mesh fire guard (2) (+26.4% BP ) 860. A pair of Indian white metal Choba staffs, late 19th century, each with tiger head terminals and a foliate cast tapering cylindrical handle, 60cm (2). Illustrated. Provenance: formerly owned and bought back from India by Sir James Thompson (KCSI) (6 July ) Governor of Madras For further related literature on Sir James Thompson please see lot numbers 1326, 1327, 1416, 1417, 1418 and 1419 in the Ephemera and Book Auction (+26.4% BP ) 862. An early 20th century polished steel and wire mesh fire guard, of low rectangular form with two spherical finials on two shaped feet, 85cm wide x 37cm high (+26.4% BP ) 863. A Victorian cast iron boot scraper, polychrome decorated and cast as opposing horses united by scroll work frame, with central oval brush recess, raised on a foliate cast rectangular base, 32cm wide A Regency style papier mâché bucket, with wrought iron swing over handle, impressed monogram to the base, 27cm high (+26.4% BP ) 865. A pair of figural bronze twin branch candelabra, late 19th century, each putti figure on a rococo style base, 24.5cm high (2) (+26.4% BP ) 866. A pair of Chinese green and yellow glazed figures of Buddhistic lions, 20th century, modelled with a lion cub and brocade ball and raised on rectangular pierced bases, 35cm high (2) Three Chinese bronze figures, 20th century, variously modelled as Shoulao and scholars, each approximately 33cm high, on wood stands (3) (+26.4% BP ) Lot 860 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page 166.

38 Lot A Thai lacquer three-part basket, 20th century, gilt with birds and flowers on a black ground, 33cm high (+26.4% BP ) 869. A set of three late 18th century English School portrait miniatures mounted in common frame comprising; watercolour on ivory of William Birch of Writtle Essex, 3.3cm high; a watercolour on ivory of his wife Sally Birch née Holwell, 4.9cm high; a watercolour on paper of her brother Lt Colonel James Holwell, 8.5cm high; set in a gilt frame within a glazed mahogany case- inscriptions to the reverse (including erroneous detail of James Holwell as one of the last survivors of the Black Hole of Calcutta (actually his father), case 29 by 21.5cm (+26.4% BP ) 870. A French Moynat leather and brass bound travel trunk, early 20th century with wooden slats to the lid and base, twin leather handles and strap, stamped brass hardware and an internal lift out tray (a.f.), 85cm wide x 50cm deep x 32cm high (+26.4% BP ) 871. A group of five Chinese Blanc-de-Chine figures, late 19th/20th century, three modelled as Guanyin (two mounted as lamps), one as a scholar and a study of Tara, heights 17cm to 34cm (af) (5) A pair of Victorian style brass five branch candelabra, 20th century, the foliate pierced frame adorned with angel figures, issuing five branches, each hung with lustre drops over a pierced square base and four shaped feet, converted to electricity, 76cm high (2) (+26.4% BP ) 873. A pair of Italian Sienna marble and gilt metal mounted urns and covers, 19th century, each of twin handled form, with mask embellishments on a square foots, 41cm high (2). Illustrated (+26.4% BP ) 874. A South East Asian bronze of a seated deity, 20th century, seated on lotus throne and holding a small vase, 40cm high; together with a bronze figure of Buddha, wood stand (2) (+26.4% BP ) 875. A six string French guitar by Rene Lacote, Paris, circa 1830, labelled Rue de Louvois, No.10, Lacote, Luthier, a Paris annee 182-, with satinwood back and sides, spruce soundboard, ebony neck with flush fingerboard, seventeen frets, ebony head with brass mounted ivory tuning pegs, length of back 44cm, with an ebonised wooden case. Illustrated (+26.4% BP ) 876. A ten string French guitar by Jean Henri Naderman (French, ), labelled Naderman Maitre Luthier, Facteur de Harpes Rue d Argenteuil; Butte Sainte Roch A Paris 1772, with yew wood back and sides, spruce sound board with applied foliate sound hole, ebonised fretboard with eleven cat gut frets, and a shaped headstock with later pegs, length of back 43.4cm, with a fitted pine case. Illustrated (+26.4% BP ) 877. A six string guitar by Paterson Sons & Co, 152 Buchanan St, Glasgow, with stained satinwood back and sides, spruce soundboard with mother-of-pearl dogtooth inlay, ebony neck with seventeen frets and an ebony and brass mounted headstock with ivory pegs, length of back 44.8cm, in an ebonised fitted case. Illustrated (+26.4% BP ) 878. A six string Dutch guitar by Johannes Theodorus Cuypers ( ), with interior label dated 1806, with satinwood back and sides, spruce and inlaid soundboard, ebony neck with nine cat gut frets and a shaped ebony headstock, length of back 42.6cm. Illustrated (+26.4% BP ) 879. An eight string French theorbo guitar by Moitessier a Mirecourt, 1808, with interior paper label, maple back and sides, an inlaid spruce soundboard, ebonised neck with fourteen frets and a shaped headstock with ivory inlaid ebony keys, length of back 46.6cm. Illustrated (+26.4% BP ) 880. A six string parlour guitar, 19th century, with satinwood back and sides, spruce and mother-of-pearl inlaid soundboard, rosewood neck with eighteen frets and a shaped rosewood headstock with six rosewood keys, length of back 43.8cm. Illustrated A nine string English guitar or cittern by Remerus Liessem, 18th century, with satinwood back, sides, neck and headstock, stamped R. Liessem, with twelve frets, length of back 33cm. Illustrated (+26.4% BP ) 882. An eleven string English lute guitar by Michael Rauche, signed and dated 1767, with line inlaid body, spruce soundboard with carved and pierced sound holes, a satinwood neck and headstock, with twelve frets and later sandalwood pegs, length of back 38cm Illustrated. Footnote: recent research indicates that German born Rauche may have been a retailer rather than a maker (+26.4% BP ) 36

39 Lot 875 Lot 876 Lot 877 Lot 878 Lot 879 Lot 880 Lot 881 Lot 882 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

40 Lot 885 Lot A polychrome decorated tole piente tray, c.1820, of oval two handled form with a pierced gallery painted with figures and donkeys within a landscape, 62cm wide (+26.4% BP ) 884. A quantity of small collectables including; a Victorian brass paper clip modelled as a lady s hand on an ebonised plinth, a Regency ivory and pique inlaid toothpick box with mirror to the interior (8.5cm), a Victorian ivory visiting card case, three basalt oval plaques relief moulded with classical figures, a French Art Nouveau patinated bronze figural seal (7.5cm), a George III Wedgwood jasperware oval portrait plaque and sundry. (qty) (+26.4% BP ) 885. Thomas Francois Cartier (French ), a patinated bronze stag group, early 20th century, modelled as two rutting stags on a naturalistic base, signed to the body T. CARTIER, 55cm wide. Illustrated (+26.4% BP ) 886. A modern terracotta wall pocket moulded with the head of a classical figure (30cm high), a modern terracotta wall fountain, a Gothic style wooden panel (32cm x 29cm) and an oak Gothic revival altar piece (a.f.) (4) (+26.4% BP ) 887. An alabaster bust carved of Julius Caesar raised on a socle (27cm high) and a terracotta head of a classical female figure on a later fluted wooden column (26cm high) (+26.4% BP ) 888. Jules Cheret (French, ). A pair of coloured lithographs, c.1898 La Diaphane Poudre de Riz Sarah Bernhardt, with GMC monogram and Republique Francaise stamp signed, framed and glazed. 111cm x 80cm (2) (+26.4% BP ) 889. A Victorian sewing box A present from the Crystal Palace sea shell encrustation against a blue card ground (20cm wide), a small print Lion in love, a glass paperweight and further collectables (+26.4% BP ) 890. A large scale model of a Charles Burrell & Son traction engine, early 20th century, burgundy livery with applied plaque The Burrell Road Locomotive, coal fired with forward and reverse gears, chain driven steering from front axle, nine inch fly wheel, single piston and boiler over four spoked wheels, 95cm wide, 59cm high. Illustrated (+26.4% BP ) 891. A pair of Victorian prints simulating reverse painted glass pictures (34cm x 24cm), a smaller oval picture and three further including a business card for Joseph Gillott, all framed and glazed. (6) (+26.4% BP ) 892. A French bronze bust, signed to the cast While Wulff Paris 1910, with JENSEN foundry stamp to the rear, modelled as cast as a moustached gentleman (lacking base), 41cm high (+26.4% BP ) Lot

41 Lot A Chinese blue and white porcelain tulip vase, 20th century, each side moulded and painted with two musicians seated on the back of a dragon and phoenix, beneath five flower holders, 45cm high (+26.4% BP ) 894. A pair of French blue glass and gilt-metal mounted vases, circa 1900, the mounts with fruiting vine supports beneath three winged putti, 16.5cm high (+26.4% BP ) 895. Jules Edmond Masson (French ) a gilt and patinated bronze stag group, circa 1900, modelled as a stag and deer on a rocky naturalistic base, signed to the body J.E. MASSON, 55cm high. Illustrated (+26.4% BP ) 896. A Chinese porcelain blue and white jardiniere, 20th century, of octagonal form, painted with flowers, 23cm high A Victorian japanned tea canister adapted as a table lamp, decorated gilt figure and script against a green ground, canister 46cm high (+26.4% BP ) 898. A Chinese export parcel gilt sewing casket, circa 1900, of canted rectangular form with a hinged lid opening to reveal a fitted interior, over a frieze drawer and four gilt shaped feet (35cm wide) and another similar sewing casket (2) (+26.4% BP ) 899. A quantity of Chinese export ivory sewing accessories, circa 1900 mostly florid carved including; needle cases, spools, thread winders, pin cushion clamps and sundry (qty) (+26.4% BP ) 900. A French gilt bronze Medici lion, circa 1820, after Vacca, modelled and cast standing with right foot raised on a ball, mounted on a griotte marble rectangular plinth, 28cm wide. Illustrated (+26.4% BP ) 901. An Anglo-Indian sadeli ware sandalwood and ivory inlaid stationery box, circa 1850, of irregular angular outline, the hinged lid opening to reveal a compartmented interior (a.f.) 23cm wide A pair of North European three branch brass candelabra, 19th century, cast with opposing tigers over a turned stem and circular foot, 42cm high (2) (+26.4% BP ) 903. An Italian giltwood carved altar candlestick, 20th century, foliate carved on a triform base, 88cm high (+26.4% BP ) Lot A Victorian serpentine marble pedestal, 19th century, of sectional form on an octagonal base (a.f.) (+26.4% BP ) 905. After Jean Antoine Houdon (French ), a patinated bronze female figure emblematic of summer, late 19th century, modelled as a scantily clad maiden, with harvest produce and watering can on a circular base, signed HOUDON, 60cm high. Illustrated (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

42 Lot 910 Lot A French gilt and patinated bronze table lamp of fluted column form, titled to the base Place des Victoires No1 GOTTEN Inventeur Brevete (47cm high) and one further gilt bronze table lamp of similar form (2) A Chinese porcelain and gilt brass mounted vase table lamp, 20th century, with applied dragons against a blue and white baluster body, 67cm high excluding fitments (+26.4% BP ) 908. A pair of gilt bronze three branch wall appliques of Louis XV style, late 20th century, of foliate scroll form, 75cm high (2) (+26.4% BP ) 909. A Chinese famille verte porcelain lamp base,19th century, decorated all over with Chinese immortals, on a wooden base, the vase 46cm high, together with two further Chinese vases converted to table lamps, and a pair of modern Chinese vases, 58cm high (a.f.) (5) (+26.4% BP ) 910. After Bayre, Lion au Serpent a patinated bronze model of a lion crushing a snake on a naturalistic base, inscribed A. BAYRE on an oval black marble base. 34cm high x 41cm wide. Illustrated (+26.4% BP ) 911. An onyx pedestal, late 19th century, with foliate cast ormolu mounts, square top, tapering circular column and a stepped square base (a.f.), 110cm high A modern faux marble centrepiece modelled as the infant Hercules wrestling a snake on a lion skin and a shaped base relief carved with further Herculean scenes, 47cm high A pair of Indian marble models of elephants, 20th century, each carved with foliate howdah and turbaned rider, on a rounded rectangular base, 70cm high (a.f.) (2) (+26.4% BP ) 914. A patinated bronze Art Nouveau figure, circa 1900, modelled as a naked fairy amongst flowers, signed to the cast Rosse (a.f.), 31cm high (+26.4% BP ) Lot

43 915. A pair of Louis XVI style French marble and ormolu brûle parfumes, late 19th century, each with foliate finial to the circular cover over a pierced collar and white marble bowl, supported by three Bacchus mask embellished legs over a triform base and three shaped feet, 33cm high (2). Illustrated (+26.4% BP ) 916. An English pewter two handled porringer and cover, 18th century, with dolphin finial to the circular cover, indistinct touch marks, 29cm across the handles, a similar two handled pewter bowl, and an 18th century pewter ewer with figural handle, bulbous body and a circular foot, 23cm high (3) (+26.4% BP ) 917. A repousse white metal Indian figure, 19th century, modelled and cast as a female attendant in florid foliate dress (a.f.), 60cm high, on a later ebonised pine circular plinth. Illustrated (+26.4% BP ) 918. A mahogany brass and glass rectangular display case, 43.5cm high, one further (lacking base) with dome top, a circular striated marble plinth of turned form, 23cm diameter, and three matching marble plinths of square section, 16cm x 16cm (6) (+26.4% BP ) 919. A near pair of Victorian brass postal candlesticks, stamped with a crown and VR, 21.5cm high, and a pair of silver plate and brass mounted candlesticks, each cast as an anchor with ropetwist brass band to the foot, 18cm high (4) (+26.4% BP ) 920. A marble figure of the Venus of Cyrene, after the Antique, modelled standing with a dolphin at her side, on a shaped base, unsigned. 75cm high. Illustrated (+26.4% BP ) 921. A bronzed terracotta model of a tiger, early 20th century, indistinctly signed and modelled on a naturalistic rocky base, 63cm wide (+26.4% BP ) 922. An unusual Celtic bronze plaque, possibly 18th century, cast with a central crucifix shaped figure surrounded by four smaller attendants, 23.5cm high. Illustrated (+26.4% BP ) 923. A Sienna marble and brass mounted desk top inkwell of square section, late 19th century, with eagle finial and four brass feet, 13cm high, a Victorian brass inkstand of pierced foliate form, and a gilt brass pocket watch holder (3) (+26.4% BP ) 924. A Victorian gilt bronze vase and cover, late 19th century, of two handled urn form, with rams head masks and relief cast putto figures, on a turned black slate plinth, 30cm high (+26.4% BP ) 925. Luca Madrassi (Italian ) a gilt and patinated bronze figure group, late 19th century, modelled with Diana the Huntress with bow and quiver of arrows and hound on a tree trunk, with leafy foliage, signed MADRASSI to the cast on a green vein marble plinth, 68cm high. Illustrated on page (+26.4% BP ) 926. An unusual brass loudhailer, 36.5cm long, a South East Asian bronze bell, relief cast with figures and script, 16.5cm high, a treen boxwood goblet and cover, a lignum vitae string box, and two brass ladles (6) (+26.4% BP ) 927. After Moreau, a French patinated bronze figure En Vedette, late 19th century, modelled on a griotte marble circular plinth, 61.5cm high (+26.4% BP ) 928. A Regency style patinated bronze figural candlestick, late 19th century, modelled and cast with putti and a mythological dolphin on a rock and with canted slate plinth, 21cm high, a gilt and patinated bronze putto on a rock, 11cm high, and a Victorian bronze group depicting a mother and children in embrace, 15.5cm high (3) (+26.4% BP ) 929. A pair of Gothic Revival brass five branch candelabra of foliate design, mounted over a triform shaped base and three feet, 56cm high (2) (+26.4% BP ) Lot 920 Lot 922 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

44 Lot 930 Lot Georges Gardet (French ) late 19th century, a patinated bronze figure of a retriever dog, modelled on a stone plinth, signed GEORGES GARDET, 59cm, wide. Illustrated (+26.4% BP ) 931. A set of eight Chinese carved wooden horses of Mu Wang, early 20th century, in varying poses, with inset glass eyes, on an ebonised wooden stand, the largest 21cm wide (8) (+26.4% BP ) 932. An early 19th century pewter tappit hen with hinged cover, 28cm high, another similar, an Irish pewter flagon, an early 19th century pewter plate and sundry (a.f.) (8) (+26.4% BP ) 933. An early 19th century brass and wooden bound single drawer telescope, signed A. Barnaschina, London, the painted wooden sleeve of faceted form, 82cm long extended (+26.4% BP ) 934. A Victorian Bengal Cavalry officer s sword, by Henry Wilkinson, with slightly curved engraved steel blade (89cm) detailed Bengal Cavalry, with VR cypher and CAD monogram beneath heraldic crest, with a pierced steel guard and wire bound fish skin grip, in a leather bound metal scabbard (+26.4% BP ) 936. A quantity of sewing accessories and related small items, all ivory, late 19th/early 20th century, including; a Chinese carved pin cushion, a table clamp, spools, thread winders, a Stanhope needle case, a nutmeg grater of egg form (4.5cm), an unusual utility instrument, comprising; a calendar, a quill sharpener and a matrix seal (9.5cm), and sundry (a.f.) (qty) (+26.4% BP ) 937. An early 19th century six shot pepper pot revolver, with steel cylindrical barrel (8cm long), ring trigger, engraved steel body and a two piece wooden handle and with assorted proof marks, together with one further six shot revolver, with folding trigger and side loading, 12.5cm long (a.f.) (2) (+26.4% BP ) 938. A 19th century portrait miniature on ivory, detailed Mrs Mosse to the rear, the frame 11.5cm x 9.5cm (+26.4% BP ) 939. A copper and brass mounted samovar, early 19th century, of circular form, with twin handles, brass spout, a square shaped base and four bun feet A set of 56lb industrial brass beam scales by De Grave and Co Ltd of London, c. 1900, on a stepped wooden base with foot operated suspension mechanism, stamped County of Stafford, De Grave and Co Ltd Makers London 162cm high. Illustrated (+26.4% BP ) 941. A pair of modern wooden jardinieres, each cream and gilt with carved foliate decoration, over a tapering cylindrical body, 113cm high (2) (+26.4% BP ) 942. A cast iron lawn jockey, mid-20th century, polychrome painted, depicting an African-American jockey on a rectangular plinth, 94cm high (+26.4% BP ) 943. An Edwardian style polished steel twin division stick stand, with foliate loop handle over a tapering hexagonal shaft, with two removable drip trays, on a shaped plinth (+26.4% BP ) 944. A pair of French polychrome painted terracotta figures, circa 1900, each depicting a penitent peasant on a canted rectangular base, impressed Mon Gousset Places Jean 6, Lyon, 91cm high (2) (+26.4% BP ) 945. After the Antique, a French patinated bronze figure of a gladiator, late 19th century, modelled naked with sword in his right hand, on a white marble plinth, unsigned, 66cm high overall (+26.4% BP ) 946. A French gilt bronze fifteen light chandelier, late 19th century, the pierced dome with applied cut glass drops over a circlet united by floral swags, over an open three part frame of Rococo scroll form, issuing fifteen branches and a central foliate spire, 115cm high, 87cm diameter (+26.4% BP ) 42

45 Lot A Chinese export Puzzle ball stained ivory part chess set, early 20th century, each figure carved on a concentric ball and circular lotus pad base (king 14cm high) and a boxwood and ebony chess set of turned form (a.f.) (2) (+26.4% BP ) 948. A Chinese export Puzzle ball stained ivory part chess set, early 20th century, each figure carved on a concentric ball and circular lotus pad base (a.f.) (king 14cm high) (+26.4% BP ) 949. An English stained bone chess set late 19th/ early 20th century, of turned form (king 10.5cm high) and one further similar chess set (a.f.) (+26.4% BP ) 950. A mid-19th century Italian micromosaic panel of The Roman Forum in the manner of Domenico Moglia, centred by the Temple of Saturn and the three surviving Corinthian columns of the Temple of Vespasian and Arch of Septimius Severus, and with the Colosseum to the distance and a coach and horses ascending to the right, the panel within red strung line and black marble border and set into original metal frame and with carved giltwood frame (possibly original), the plaque 28.8cm x 14.5cm, the image 11.8cm x 26.2cm, the frame 22cm x 37cm Illustrated. Footnote: A micromosaic panel of comparable quality and depicting a similar view by Moglia is on loan to the Victoria and Albert Museum from The Rosalinde and Arthur Gilbert Collection, and is currently on display in Los Angeles County Museum (+26.4% BP ) 951. A Chinese export stained ivory chess set, early 20th century, each modelled as an Oriental figure, the warrior pawns holding long arm blades (a.f.) (King 10.5cm high) (+26.4% BP ) 952. An unusual French stained and painted part ivory chess set, late 19th century, each piece carved as the bust of a military officer (a.f.). King 7cm high (+26.4% BP ) 953. A German Barleycorn pattern stained bone chess set, late 19th century, of turned form (a.f.) (King 8cm high) (+26.4% BP ) 954. A Chinese export folding chess and backgammon board, early 20th century, with all over chinoiserie decoration and a set of stained ivory chequers, board 42cm square A French ormolu mounted Chinese famille rose porcelain two light candelabra, possibly by Escalier de Cristal, modelled with an Oriental figure flanked by two foliate cast ormolu sconces on a pierced rococo style base, un-signed, 25cm high. Illustrated (+26.4% BP ) Lot 955 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

46 Lot 956 Lot 961 Lot 957 Lot 963 Lot 958 Lot 964 Lot 959 Lot A Swiss stained softwood figural part chess set, 20th century, each piece carved as a bust, including King, Queen and attendants (a.f.), King 8.5cm high. Illustrated (+26.4% BP ) 957. An Anglo-Indian stained ivory part chess set, 19th century, the Kings and Queens with pierced foliate crowns (a.f.), King 11cm high. Illustrated (+26.4% BP ) 958. A Makondi tribal ivory and hardwood bust chest set, Mozambique, early 20th century, Kings as tribal chiefs, Queens with cooking pots on their heads, bishops as witch doctors, knights as giraffes, rooks as trees, pawns as tribesmen, King 10.4cm high. Illustrated (+26.4% BP ) 959. A French stained ivory Regence pattern chess set, 19th century, of turned form, the Kings with crown finials, bishops with canted knops (a.f.), King 8.5cm high. Illustrated (+26.4% BP ) 960. After the Antique; a French patinated bronze figure of The Dying Gaul, late 19th century, on an oval relief cast base, unsigned, 28.5cm wide An English stained ivory chess set, 19th century, the Kings and Queens of turned form, King 10.5cm. Illustrated (+26.4% BP ) 962. A large wooden chess board, 20th century, stained elm and oak (70cm square), a stained beech folding chess board, with velvet lined backgammon to the interior (44cm square) and a modern glass chess board (45cm square) (3) (+26.4% BP ) 963. A Lyon pattern fruitwood and stained ivory chess set, late 19th century, the Kings and Queens of turned knopped form (a.f.), King 9cm high. Illustrated (+26.4% BP ) 964. A Chinese export stained ivory chess set, 19th century, the Kings & Queens with crown finials, the rooks as castles with flags, King 9.5cm high. Illustrated (+26.4% BP ) 965. A Chinese export stained ivory chess set, circa 1900, the kings and queens of foliate two tier design (king 9cm high), a set of thirty stained, carved and pierced ivory backgammon pieces and a matching dice shaker contained in a folding chinoiserie lacquered games board, 56.5cm wide (qty). Illustrated (+26.4% BP ) 44

47 Lot 970 Lot 971 Lot A group of six French carved wooden casting moulds of Putto, varying poses, the largest 58cm (6) An English stained ivory chess set, 19th century, the Kings and Queens of turned tapering form (King 10cm high) and a Staunton stained wood chess set with loaded bases (King 6.5cm high) (2) A Victorian ivory walking stick handle carved as a dog s head with inset glass eyes, 10cm, two 19th century whale teeth and a Chinese 19th century visiting card case, 11.5cm (a.f.) (4) A Kashmiri wooden model of an oxen drawn carriage, early 20th century, polychrome painted on a later wooden plinth 60cm wide A Tiger s eye, yellow and white metal paper knife, modern, modelled as a Scottish sword, with reeded grip and lobed finials with pierced panels, stamped 18K, Italy and 925, 22cm long, cased. Illustrated (+26.4% BP ) 971. A Tiger s eye and rose cut diamond set desk seal, modern, of oval outline, the top with a black enamel panel centred by a diamond cluster setting, engraved with a coat of arms, Gibb and motto Virtutis Gloria Merces (Glory is the reward of valour), unmarked yellow and white metal, 7cm high, cased. Illustrated. Footnote: the coat of arms is the same as that used for the cover of the BeeGee s Mythology album, released (+26.4% BP ) 972. Nine Victorian miniature copper chocolate moulds stamped Jones Bros Down St.W, including; an egg, golf clubs, jelly, a clover and others, one further stamped Temple & Crook and a silver plated pepperette in the form of a milk churn (11) A tin figural whirligig, early 20th century, polychrome painted and modelled as a gentleman in suit and bowler hat, rotating the arms of a windmill, on an ebonised circular wooden base, 57cm high A Ramsden 3 inch brass telescope, 19th century, with height adjustment on a folding tripod stand (tube 95.5cm) with fitted mahogany case and spare eye piece. Illustrated (+26.4% BP ) 975. A Victorian cast iron boot scraper of plain rectangular iron form, mounted in a later stone plinth, 63cm wide (+26.4% BP ) 976. A 3 ¼ inch model steam tank locomotive, 4-4-0, brass body with internal boiler and engine, 62cm (+26.4% BP ) 977. A Victorian cast iron boot scraper, the square bar up-rights united by a recessed flat foot plate on a rectangular stone plinth, 58cm wide (+26.4% BP ) 978. A pair of papier mâché fluted columns, faux Sienna marble on a square plinth, 122cm high (2) An ormolu mounted Sienna marble pedestal with square top over a circular tapering centre and square base, 107cm high (+26.4% BP ) 980. A pair of Victorian cast iron boot scrapers, each foliate pillar of quadralobe form united by a flat foot plate on a rectangular stone plinth, 60cm (2) (+26.4% BP ) 981. A modern painted wrought iron six branch chandelier, modelled as the Montgolfier brother s hot air balloon, 75cm high (+26.4% BP ) 982. A Dutch style brass eleven branch chandelier, 19th century, the bulbous stem issuing eleven scroll work branches over two graduated tiers. 65cm high A pair of Continental 19th century style gilt brass andirons, each with turned finial over a foliate pierced sphere and relief carved mask terminating on two plinth feet, 62cm high (2) (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

48 992. A pair of Tekke Turkman saddle bags, with three rows of three guls, on a madder ground, used as floor cushions, each 104cm x 76cm (2) (+26.4% BP ) 993. Jean Lurcat ( ), L Oiseau Fou, signed Lurcat and with the Suzanne Goubely-Gatien weaver s label, 190cm wide x 155cm long A verdure tapestry, late 17th Century, woven in coloured wools, depicting a couple in a wooded clearing, a maid to their left approaching, the base with six large leaved plants, within a foliate and grape border, 273 x 311cm. Illustrated (+26.4% BP ) 995. A Regency silkwork picture, possibly depicting Rebecca at the well (42cm x 34cm) and one further, smaller foliate silkwork picture, both framed and glazed (2) (+26.4% BP ) Lot A Karajar runner, Caucasian, the fawn field with four stepped crosses, single flowerheads, an ivory cartouche border, 306cm x 108cm Textiles, Carpets & Rugs 984. A verdure tapestry, late 17th Century, woven in wools, depicting a cuirassed warrior wearing plumed helmet and two other figures, within foliate borders, centred by oval escutcheons, 260 x 233cm. Illustrated (+26.4% BP ) 985. A Tekke Turkman rug, the madder field with three columns of eleven guls, supporting bee crosses, various border, skirt ends, 234 x 139cm (+26.4% BP ) 986. A Hamadan rug, Persian, the madder field with a black medallion, herate pattern, ivory spandrels, a brown floral border (+26.4% BP ) 987. A Ghom silk rug, Persian the plain gold field with a stepped medallion, matching spandrels, a palmette border, 150 x 105cm (+26.4% BP ) 988. A Bidjar Kelim, Persian, the indigo field with a bold madder medallion, ivory surround, a yellow flower border, 170 x 115cm. Illustrated A Karachor Kazak rug, Caucasian, the indigo field with two ivory squares, a madder central cross, hook motifs, a star border, 174 x 117cm (+26.4% BP ) 990. A Bakhtiari rug, Persian, the indigo field with a bold madder medallion, surrounded by rows of flowerheads, pale indigo spandrels, an ivory floral border, 220cm x 153cm. Illustrated A Tabriz carpet, Persian, the madder field with an allover trellis design, an indigo cartouche border, 316 x 230cm (+26.4% BP ) 997. A Sarough rug, Persian, the beige field with allover sprays of flowers, central medallion, the pink pelmette and flower border, 200cm x 128cm. Illustrated (+26.4% BP ) 998. A Quasghai rug, South Persian, the madder field with an ivory medallion, four similar corner motifs, all with floral motifs, an ivory border, 210cm x 155cm 999. A Victorian needlework sampler, by Sarah Shipman, March 23rd 1812, detailed centrally with a poem within a wide foliate border, framed and glazed (34cm x 33cm) and two further alphabet samplers, dated 1827 and 1864, both framed and glazed (3) (+26.4% BP ) 46

49 Lot 988 Lot 990 Lot 997 Lot 994 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

50 European Ceramics & Glass Lot 1080 (detail)

51 Wednesday 8th November 2017 at 10am European Ceramics & Glass Lot 1001 Lot 1004 Lot 1005 Lot 1006 Lot A St. Louis fruit paperweight, circa 1850, set with two ripe pears and and an unripe pear with four cherries and leaves in a basket of spiralling white latticinio threads (minor bruising and chips), 7cm diameter, 5.2cm high. Illustrated A Baccarat close-packed millefiori paperweight, dated 1848, inset with brightly coloured canes and silhouette canes including a horse and dog and the signature cane B 1848, 6.5cm diameter, 4.5cm high (+26.4% BP ) A St. Louis scrambled millefiori paperweight, circa 1850, set with assorted brightly coloured canes and twisted spirals, ribbon and latticinio threads, probably polished, 8cm diameter, 4.5cm high (+26.4% BP ) A large Baccarat purple pansy paperweight, circa 1850, the flower with two purple petals above three ochre, with ochre and purple bud and several leaves, star-cut base, 7.5cm diameter, 6.25cm high. Illustrated (+26.4% BP ) A Baccarat spaced millefiori glass paperweight, dated 1848, set with evenly spaced canes on an upset muslin ground, the canes including silhouette canes of a cockerel, a deer, a goat and a dog and the date cane B1848 (a.f.), 6.25cm diameter, 4.5cm high. Illustrated (+26.4% BP ) A Clichy faceted concentric millefiori paperweight, mid-19th century, set with a central blue and white cogwheel cane inside concentric white canes and an outer garland of pink and green canes, 5cm diameter, 4.25cm high. Illustrated (+26.4% BP ) A good Vienna porcelain octagonal dish, 19th century, finely painted with a scene depicting Aeneas saving his father Anchises from the burning of Troy, within an elaborate panelled border, blue beehive mark, 34.5cm wide. Illustrated. Provenance: Winifred Williams Antiques, Eastbourne and with applied paper label (+26.4% BP ) A Herend porcelain tureen, cover and stand, with rose finial over a two handled circular body and stand, foliate decoration with a relief moulded basket weave border, blue printed mark, 36cm wide across handles of stand A St Louis glass pansy paperweight, mid-19th century, the flower with purple and blue edged ochre leaves, 7.5cmdiameter, 4.5cm high. Illustrated A Lambeth delftware polychrome plate, mid-18th century, painted with flowering shrubs issuing from a blue mound, 23cm diameter; also two Dutch Delft plates and an English earthenware pierced basket and shell shaped dish printed and coloured with fruiting vine (a.f.) (5). Lot 1007 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

52 Lot 1017 Lot 1020 Lot An English porcelain rectangular plaque, 19th century, painted with a still life of fruit and flowers within a gilt border, pierced for hanging, 14cm x 18.5cm; and a porcelain plaque painted with a view of Chatsworth House, possibly Derby, unmarked (a.f.), 10cm x 15.25cm, framed (2) (+26.4% BP ) A Royal Crown Derby eight piece part tea service, early 20th century, decorated in a gilt Imari pattern, comprising; a sugar bowl, a milk jug, a serving plate, eight teacups, eight saucers and eight side plates, with red printed and impressed marks Two Bing & Grondhal figures, each modelled as Dutch peasant women, 24cm high, and a Bing & Grondhal model of a bird (3) A pair of Staffordshire pottery spaniels, 19th century, seated facing to the left or right, 19cm high; also a model of a brown and white seated spaniel, 16cm high, and a porcelain model of a bird (4) Six Kevin Francis figures, comprising; five Art Deco female figures and a seated gentleman with a vase on his lap, 27cm high (6) Six Royal Copenhagen porcelain animals, comprising; a fawn (2648), three horses (4653, 4616), a deer (22607) and a kingfisher (2257), a Bing & Grondhal penguin group, a Royal Copenhagen figure of a young naked girl on a rock (4027), and a Copenhagen biscuit porcelain figure of Mercury (9) (+26.4% BP ) An English concentric millefiori paperweight, 19th century, set with five rows of canes around a central pastrymould cane, pontil mark to base (a.f.), 8.5cm diameter, 6.25cm high; and a larger example on a pedestal foot, 9.5cm diameter, 6cm high (2). Illustrated A small St Louis glass spill vase, circa 1850, with faceted waisted bowl and blue torsade to the rim, set on a scrambled paperweight base, 8.75cm high; and a St Louis glass wafer dish or ring holder, circa 1850, with pink torsade and scrambled paperweight base (a.f.), 8cm high. Illustrated A pair of Sitzendorf porcelain five-light candelabra, late 19th century, modelled as a young boy and girl standing below four scroll arm branches encrusted with flowers, each carrying a basket and holding a flower, blue painted mark, 45cm high (+26.4% BP ) An Almaric Walter pate-de-verre pendant, circa 1925, of rounded triangular form, moulded with a moth in shades of yellow, brown and ochre, moulded signature AW N, 4.5cm high, cased. Illustrated A Liverpool porcelain blue and white bowl, probably Philip Christian, circa 1770, painted on the exterior with a chinoiserie landscape, the interior painted with a hut on an island below a diaper border, 25.5cm diameter. Illustrated (+26.4% BP ) A Baccarat dogrose paperweight, mid-19th century, with five heart shaped red petals edged in white, the stalk with six leaves, star-cut base, two chips around base, 6.5cm diameter, 5cm high. Illustrated (+26.4% BP ) A Bohemian amber glass casket, late 19th century, engraved all over with architectural scenes against a canted rectangular body and brass mounts (a.f.), 13cm wide (+26.4% BP ) A pair of Italian tin glaze drug jars, late 19th century, detailed diappio and rqipiaro, each with a shaped cartouche flanked by winged angels, against a blue ground, raised on a circular foot, 20cm high (2). 50 Lot A Plaue porcelain centrepiece, 20th century modelled as a boy and girl with dog picking apples, beneath a flower encrusted and pierced bowl, blue printed marks, 44cm high (+26.4% BP )

53 Lot 1021 Lot A Royal Worcester twelve piece tea service, decorated in the Lady Evelyn pattern, comprising; a teapot and cover, a water pot and cover, a milk jug, a sugar bowl, twelve teacups, twelve saucers, twelve tea plates and four serving plates Eight Royal Worcester figures, comprising; Monday s Child is Fair of Face (3519), Wednesday s Child Knows Little Woe (3521), Thursday s Child Has Far to Go (3260), Thursday s Child is Full of Grace (3534), Friday s Child is Loving and Giving (3261), Saturday s Child Works Hard for a Living (3524 and 3262), and But the Child That is Born on the Sabbath Day is Fair and Wise and Good and Gay (3256) (8) An Italian earthenware square vase, Siena, late 19th/early 20th century, each side moulded in white relief with The Singing Gallery after Luca della Robbia, against a sky blue ground, indistinct stamped mark Terra Cotta di Siena, 20.5cm high (+26.4% BP ) A Lalique clear and frosted glass bowl, of everted square form, moulded with floral wreaths and etched Lalique France, 24.5cm wide (+26.4% BP ) A pair of Minton ormolu mounted three branch candelabra, circa 1830, modelled as a youth and companion, each wearing brightly coloured costume and holding flowers, seated below three leafy Rococo branches and foliate nozzles, girl with restoration, 34cm high. Illustrated (+26.4% BP ) A pair of Royal Doulton bone china named view cabinet plates, 20th century, painted by P. Curnock, signed with views titled Evening. Lago D orta and Varenna. Lago di Como, inside elaborate borders, printed and painted marks, 27cm diameter (+26.4% BP ) A Cantagalli blue and white ewer, late 19th/early 20th century, painted in 17th century style with putti and a goat in a landscape, painted cockerel mark, 35cm high (+26.4% BP ) A French porcelain mantel clock, late 19th century, in the manner of Jacob Petit, moulded with shells, dolphins and flowers against a gilt green ground with two train movement, on a matching stand (a.f.), 38.5cm high overall (key and pendulum) (+26.4% BP ) A Whieldon-type creamware teapot and a matched cover, circa 1770, of bullet form raised on three lion mask and paw feet, sprigged with flowering branches beneath a brown tortoiseshell glaze (a.f.), 15cm high A massive Davenport blue and white printed earthenware punch bowl, mid-19th century, printed on the interior and exterior with a river landscape with boats, a bridge, a town and mountains in the distance, beneath a floral border blue printed and impressed marks, 45cm diameter. Illustrated (+26.4% BP ) A Minton porcelain part tea service, circa 1830, gilt foliate decorated against a yellow ground, comprising; two twin handled square cake plates, 24.5cm wide, a bowl, a milk jug, twelve tea cups, twelve coffee cups and twelve saucers (a.f.) (+26.4% BP ) Lot 1030 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

54 Lot 1040 Lot An Italian gilt and blue glass footed bowl, possibly Barovier & Toso, 20th century, gilt with a frieze of classical figures representing days of the week, 19cm high A Troika pottery vase of circular form, with geometric decoration in tones of greens and browns, signed SL, 11.5cm high (+26.4% BP ) A group of Cantagalli blue and white wares, late 19th/early 20th century, comprising; a two-handled bulbous vase painted with a putto on a dolphin, 15cm high; a lobed cup and a saucer; a pair of small flasks and covers, 15cm high; a small moonflask, 15cm high; also a Savona style blue and white two-handled vase, 15.5cm high. (a.f.) (+26.4% BP ) A Minton vase a Tête d Eléphant, circa 1876, modelled after the Sèvres prototype, modelled with elephant heads at the neck, the body painted on one side with a shepherdess and sheep, the reverse with a panel of fruit and flowers, against a deep blue ground with vermiculè gilding, gold printed globe mark for John Mortlock, impressed date cipher (a.f.), 30cm high. Illustrated (+26.4% BP ) A Dutch Delft blue and white ovoid vase and cover, 18th century, painted with a panel of a bird perched in flowering branches (a.f.), 27cm high; also a Dutch Delft blue and white baluster vase painted with a figure fishing, 26cm high; and two Dutch Delft manganese tiles painted with a mother and children (4) (+26.4% BP ) A pair of earthenware vases designed by Christopher Dresser, possibly Ault Pottery, late 19th/early 20th century, each of domed form, decorated with butterflies against a cream ground, impressed facsimile signature, 11.5cm diameter, and two Victorian copper lustre jugs (4) (+26.4% BP ) A Meissen porcelain figure, 20th century, modelled as a Mandarin attending a globe, raised on a naturalistic base, blue crossed swords mark, incised 107, 12.5cm high A pair of Dresden porcelain urns and covers, 20th century, each with a gilt foliate finial over a two handled urn, on a canted square base with allover gilt and foliate decoration, painted mark to base, 42cm high (2) (+26.4% BP ) Seven Royal Crown Derby animal paperweights, each decorated in a gilt Imari pattern, comprising; a dolphin, a ladybird, a koala, two birds, a seal and a squirrel (7) (+26.4% BP ) A quantity of 20th century glass paperweights, including; a Perthshire Scrambled millefiori, 6.5cm diameter, Baccarat style with a central swan inclusion, Mdina and others (22) (+26.4% BP ) A Royal Copenhagen figure of a young Dutch girl with a goose, no.527 and a Bohemian ruby glass goblet engraved with a recumbent stag, on a shaped spreading foot, 15.5cm high (2) (+26.4% BP ) A Pilkington s Royal Lancastrian vase by Richard Joyce, circa 1912, of ovoid form with a short waisted neck, decorated in gold and red lustre with a band of peacocks amongst flowers and foliage, painted artist s cipher and initials, impressed England and shape 3012, 21cm high (+26.4% BP ) Eight Minton & Co Arts and Crafts tiles, each foliate decorated in white against a black ground, stamped to the rear Minton & Co Patent, Stoke Upon Trent (a.f.), 15cm x 15cm x 2.5cm (+26.4% BP ) A Royal Worcester part dessert service, circa 1912, painted with studies of fruit, signed Cole, within deep blue and pale pink borders richly gilt with shells and scrollwork, comprising; a comport; a pair of square shaped dishes and six plates, puce printed marks. Illustrated (+26.4% BP ) A pair of Art Nouveau stoneware jardinieres and stands, circa 1920, each decorated with a intertwined band, over a fluted central column and square foot, one impressed FW, 82.5cm high (2) (+26.4% BP ) A quantity of Royal Crown Derby tea wares, decorated in varying Imari patterns (29) (+26.4% BP ) 52

55 1053. A pair of early 20th century French gilt bronze mounted cut glass garniture vases, the glass possibly St Louis (lacking one cover), 37cm high. (2) (+26.4% BP ) Three French cabinet plates, 19th century, each decorated with classical figures, within a wide gilt foliate and cobalt blue shaped border, titled to the rear and stamped SCHOELCHEA & FILS A PARIS, 24.3cm diameter (3) (+26.4% BP ) A K.P.M Berlin porcelain dessert service, late 19th/early 20th century, individually fruit painted within a shaped gilt foliate border, printed and painted marks, comprising; a two handled oval bowl (38cm across the handles) and six plates (18.8cm diameter) (7) (+26.4% BP ) A Louis XVI style ormolu mounted Continental porcelain pot pourri vase (lacking cover), 19th century, relief moulded with leaves and decorated with flowers, against a gilt pink ground of two handled urn form, 24.5cm high (+26.4% BP ) A Westerwald stoneware ewer, 19th century, with hinged pewter lid over a body incised with rutting stag and geometric foliage (30.5cm overall) and a Rhenish stoneware tankard moulded with a band of portrait masks and titled Wohl Bekomuns (25cm high) (2) Three Continental faience tankards, probably Gmunden, Austria, late 18th/19th century, each with a pewter hinged lid, decorated with figures, flowers or landscapes, the tallest 31cm high (3) (+26.4% BP ) A pair of three branch Sitzendorf porcelain four branch candelabra, early 20th century, each with applied flowers and four musical putti to the shaped gilt scroll base, blue painted mark, 51cm high, and a Continental porcelain figure modelled within an oversized shoe, 16cm high (3) (+26.4% BP ) A pair of Royal Worcester two-handled vases and covers by Richard Sebright, circa 1911, each painted with a panel of fruit and flowers, signed R. Sebright, inside tooled gilt frames against a deep blue ground (restoration to one vase), puce printed marks, 31cm high. Illustrated (+26.4% BP ) Four English creamware transfer printed baluster jugs, circa 1800 and later, each printed with American scenes, Ship Caroline (21.5cm high), another similar, both with The Shipwrights Arms heraldic crest, another Come by the Compass and a commemorative jug for General La Fayette, dated 1824 (a.f.) (4) (+26.4% BP ) Two creamware transfer printed mugs and a black printed jug, the first mug, circa 1820, detailed with a calendar (11.5cm high), the second detailed with a nautical compass and moral verse, the jug with a sailing ship detailed Success to the wooden walls of Old England (12cm high) (3) (+26.4% BP ) Lot Two English creamware transfer printed martime jugs, circa 1800, probably Liverpool, both with coloured war ships at full sail, the first detailed Success to the William & Jane John Roberts (23.8cm high), the second, An east view of Liverpool light house and signals on Bidston Hill (23.5cm high) (2). Illustrated (+26.4% BP ) Four English creamware transfer printed armorial jugs, circa 1800, probably Liverpool, comprising; The Hatters Arms (14.2cm high), The Joiners Arms (18.5cm high) and two further jugs (a.f.) (4). Illustrated (+26.4% BP ) Lot 1063 Lot 1064 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

56 Lot 1069 Lot 1070 Lot 1075 Lot A pair of Meissen four branch candelabra, circa 1760, blue crossed swords mark, decorated with trailing foilate vines over a shaped foot (a.f.), 39cm high (2) (+26.4% BP ) An English porcelain desk set, 19th century, with loop handle and a shaped, floral encrusted tray, with inkwell, night light and quill holder, 29.5cm wide (+26.4% BP ) A Vienna figure of a lady playing a mandolin, circa 1770, blue shield mark, modelled with sheet music on her knee, on a naturalistic base, 16cm high (a.f.) A large studio pottery table lamp, 20th century, mottled green and brown glaze with shade (100cm high overall), another ovoid vase with bottleneck spout (34cm high), a stoneware vase stamped GRAYSHOTT, a Chinese cloisonné lamp base (28cm high) and a Herend porcelain duck group, decorated in a gilt Imari pattern (5) (+26.4% BP ) A pair of Walton style Staffordshire pottery figure groups, early 19th century, Flight to Egypt and Return to Egypt (a.f.), 24cm high (2). Illustrated (+26.4% BP ) A Christian s Liverpool flared oval sauceboat, circa 1765, painted in a famille-rose palette with Chinese figures, stands and tables beneath a scroll-moulded rim, the interior painted with a single flower beneath an iron-red loop and dot border, 15.5cm wide. Illustrated. Provenance: Roderick Jellicoe, London (+26.4% BP ) A patinated terracotta plaque, late 19th century, depicting the Holy Mother and Child on a shrine, 42cm high (+26.4% BP ) A large twin handled Victorian foot bath, with black printed decoration depicting children and animals, with an Oriental church landscape to the interior, 54cm across the handles (+26.4% BP ) A Chaffer s Liverpool coffee cup, circa 1760, painted in a famille-rose palette with chinoiserie figures with two chickens and a dog, 6cm high; and a Chaffer s saucer, painted in Chinese export style with grisaille and gilt flowers (2) A Liverpool polychrome oval moulded sauceboat, circa 1765, each side painted with bird and leaves beneath a puce-edged scroll moulded rim, 17cm wide A Staffordshire white saltglazed stoneware teapot and cover, circa 1765, of globular form with crabstock handle and spout, each side painted in famille-rose enamels with a figure holding a birdcage flanked by flowers (a.f.), 13cm high. Illustrated (+26.4% BP ) A George Jones majolica strawberry set, late 19th century, comprising an oval tray, two handled jug, pouring pot and spoon, all with leaf moulded decoration, painted marks (a.f.), 36.5cm wide (+26.4% BP ) An engraved wine glass, circa 1750, the pan topped bowl engraved with fruiting vine, raised on a multi series airtwist stem with central knop, plain foot, 15.5cm high; also a pedestal stemmed wine glass with rounded funnel bowl and folded foot, 14.5cm high (2) (+26.4% BP ) A Longton Hall figure of a female flower vendor, circa 1755, modelled reclining beside a basket of flowers, the scroll moulded base picked out in puce, yellow and green (a.f.), 12cm high. Illustrated (+26.4% BP ) A German Schneeballen type vase and cover, late 19th/early 20th century, decorated all over with applied flower heads, fruiting vines and exotic birds, 41cm high. 54

57 Lot Sirènes, a large Lalique opalescent and frosted glass clock, first designed 1928, of canted square form, moulded with six swimming mermaids, the glass ATO dial with black enamelled Arabic numerals, moulded mark, R. LALIQUE (a.f.), 28cm high. Illustrated. Footnote: for the model, see Felix Marcilhac, page 372, no (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

58 1084. A Jacobite airtwist wine glass, mid-18th century, the bell bowl engraved with a rose, two buds, an oakleaf and star, raised on a multi series airtwist stem and folded foot, 16cm high. Illustrated (+26.4% BP ) A Jacobite wine glass, mid-18th century, the bell bowl engraved with a rose and two buds, raised on a plain stem with tear, folded foot, 16.5cm high (+26.4% BP ) An Italian maiolica twin handled vase, late 19th century, depicting four male nudes engaging a mythological dragon, against an architectural backdrop, signed Mennella to the base, 47.5cm high (+26.4% BP ) Lot 1084 Lot 1087 Lot A small Christian s Liverpool dolphin ewer creamboat, circa 1770, painted with scattered flowers, the interior with an iron-red loop and dot border, 7cm high An opaque twist ratafia glass, circa 1765, the trumpet bowl raised on a double series opaque twist stem and plain foot, 16.5cm high. Illustrated (+26.4% BP ) A glass wine goblet, circa 1750, the bucket bowl raised on a double mercury twist stem and plain foot, 17.3cm high. Illustrated (+26.4% BP ) A group of English porcelain and pottery, 18th and 19th century, comprising; a New Hall pattern 171 silver shaped teapot and cover, 15cm high; a pair of polychrome delftware plates painted with a central basket of flowers, 22cm diameter; a Whieldon type creamware tortoiseshell glazed plate, 24cm diameter; a pair of porcelain figures of gardeners, 14.5cm high; a porcelain group of two seated spaniels, 13cm high; also a French porcelain of a seated Turkish soldier, 12cm high. (a.f.) A group of Meissen porcelain, circa , each piece painted with flower sprays, comprising; a small bullet shaped teapot and a cover, 10cm high; a chocolate pot and a matching cover, 12.5cm high; a pear shaped milk jug, 12.5cm high, blue crossed swords marks (3) (+26.4% BP ) A Jacobite facet stemmed wine glass, 18th century, the ovoid bowl with engraved OXO border, a disguised six petalled rose to the base of the bowl, raised on a diamond-faceted stem and plain foot, 15cm high (+26.4% BP ) A large Sevres style blue ground vase and cover, 20th century, the shield shaped body set with gilt rams mask handles and gilt with flower swags on a deep blue ground, raised on socle foot and square base, gilt painted mark, 69cm high. Illustrated (+26.4% BP ) A Goldschieder style terracotta figure, La Fille aux Puits, raised on a square plinth, 69.5cm high (+26.4% BP ) A pair of Waterford cut crystal decanters and stoppers, with etched mark to base, 33cm high, and a Rosenthal Versace octagonal glass bowl, 16cm wide (3) (+26.4% BP ) Lot

59 1093. A Limoges pate-sur-pate porcelain plaque, 19th century, depicting angels warming themselves around a fire, signed A. BARRIERE LIMOGES, framed, plaque 16cm x 11cm A pair of Royal Worcester porcelain King George III and covers from the Nelson Collection, hand painted with battle scenes by L. Sykes and Liam Millar, Ltd Edition 1/10, gold printed marks, each 35cm high (2) (+26.4% BP ) A Sevres style blue ground bowl and cover on stand, 20th century, the circular domed cover with gilt flame finial over a bowl supported by four gilt putti, the square base painted with flowers and cherubs, with gilt mythological dolphins to the four corners, over a shaped gilt embellished plinth, 84cm high (+26.4% BP ) A Sevres biscuit porcelain bust depicting General Jules Forgeot, circa 1875, raised on a cobalt blue porcelain socle, printed red ground mark and S.75, 34cm high (+26.4% BP ) A Derby porcelain figure of Falstaff, late 18th century, modelled on a naturalistic gilt scroll base, 21cm high A pair of unusual Bow porcelain figures, circa 1765, representing Spring and Winter from the Seasons, Spring as a girl standing beside flowers and holding a nest with chicks, Winter as a boy standing over a brazier with an ermine muff over his hands, scroll moulded bases, 17.5cm high. Illustrated (+26.4% BP ) A Derby porcelain figure, circa 1765, modelled as a young Hercules on a naturalistic base, paper label for The Blackwell Wood Collection, 14cm high (+26.4% BP ) A Copenhagen part dinner service, early 20th century, hand painted with still life flowers within a relief moulded and shaped basket weave border, comprising; thirty two dinner plates (25cm diameter), eighteen smaller plates (21.5cm diameter), and ten soup bowls (21.5cm diameter). Lot An Edinburgh part suite of stemware, Thistle pattern, comprising; two decanters and stoppers, one smaller, five white wine glasses, five red wine glasses, five cognac glasses, seven sherry glasses, one beaker, two liqueur glasses and five similar glasses (+26.4% BP ) A Derby bough pot, early 19th century, foliate decorated and flanked by gilt rams head masks against a demi lune body, pseudo Chinese mark to base, 24cm wide (+26.4% BP ) A B&L pottery Farmers Arms pedestal bowl, early 20th century, decorated with moral verse and God speed the plough banners, 30cm diameter, and a matching plate, 26cm diameter (2) A quantity of Farmers Arms and God Speed the Plough pottery including; a bat printed jug (20.5cm high), various loving cups, mugs, cups and saucers and further jugs, also including various 19th century pottery, large Adams blue and white teapot and cover, a milk jug, Save your breath to cool your porridge and sundry (approx. 26) (+26.4% BP ) A Wedgwood Jasper ware jug and pewter hinged cover, 19th century, impressed marks, 18.5cm high, two further Wedgwood Jasper ware jugs with pewter covers, a Wedgwood preserve pot and cover and further Jasper wares (8) (+26.4% BP ) Lot A pair of blue and white pottery tureens and covers, 19th century, with shell finial over a shell and foliate decorated cover, the base detailed with sailing ships, 23.5cm wide, a Herculaneum square shaped dish, 21cm wide, a blue and white small tureen and cover decorated with a pagoda, and one further 19th century blue and white jug, 17cm high (5) (+26.4% BP ) Seventeen Herend porcelain dessert plates, 20th century, hand painted with mushrooms, fruits, berries and flowers, within a relief moulded and shaped basket weave border, with printed and impressed marks, each 23cm diameter (17) A tall Madoura ceramic vase by Suzanne Ramie ( ), of cylindrical form, covered in partly matte cream and ochre glazes, impressed Madoura Plein Feu, 48cm high. Illustrated (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

60 Asian Works of Art Lot 1112 (detail)

61 Wednesday 8th November 2017 at 11am Asian Works of Art A Chinese rhino horn portable seal container, of flask form, each end with a compartment enclosing a seal, the centre opening to reveal a reservoir of red ink, 8.5cm high (+26.4% BP ) A good Japanese Shibayama inlaid ivory two-fold table screen (Tsuitate), Meiji period, inlaid in ivory, red lacquer and mother-of-pearl with three seated figures in conversation with a nobleman, being entertained by a dancer and musician, before a vase of prunus blossom and a hanging vase filled with flowers, above a smaller panel of flowers and a fan on a kinji lacquer ground, the reverse decorated with birds and flowers against a roiro ground sprinkled with nashiji, signed Masa. on a mother-of pearl reserve, 37.5cm high by 37.5cm wide unfolded. Illustrated (+26.4% BP ) Three Chinese inside painted glass snuff bottles, 20th century, one painted with a tiger and two leopards, another with two women in a landscape, the third painted with a landscape and insects, signed, largest 7.5cm high (+26.4% BP ) Lot 1112 (front) A Chinese inside painted glass snuff bottle, 20th century, painted with eight horses in a landscape, signed, 7cm high A Chinese inside painted glass snuff bottle, 20th century, well painted on one side with two tigers on the water s edge, the reverse painted with two deer in a landscape, signed, 6.5cm high. Lot 1112 (detail) Lot 1112 (back) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

62 Lot A pale celadon jade bowl, probably Chinese for the Mughul market, 17th/18th century, the gently flared sides carved with lappet panels enclosing flowers, the base carved as a chrysanthemum flower (a.f.), 11.5cm diameter; and a celadon and brown jade bowl carved with overlapping leaves, 11cm diameter A Chinese blue and white crocus vase, late 19th century, painted with two dragons amongst flowers, 24.5cm high A Chinese reverse-painted mirror, late 18th/19th century, painted with a mother and child, 34cm by 29cm, framed (+26.4% BP ) A set of twelve Chinese famille-rose plates, Qianlong, each painted with scattered flowers (a.f.), 22.5cm diameter (+26.4% BP ) A Longquan celadon dish, Ming dynasty, 14th/15th century, stamped in the centre with flower spray and four characters, with floral scrolls to the well beneath a barbed rim, covered in an olive glaze, 28cm diameter. Illustrated (+26.4% BP ) Seven Chinese famille-rose Immortals, 20th century, each standing with attribute on a green wave base (a.f.), each approx. 24cm high; and a painted terracotta figure of a woman, 24cm high (+26.4% BP ) A Chinese famille rose shaped oval footed dish, 19th century, the exterior painted with Immortals in a landscape, 26.5cm length (+26.4% BP ) A pair of Chinese lacquered wood rectangular panels, each applied with painted and lacquered wood objects including vases, censers and tables, to simulate bronze, jade and wood, overall size 144cm by 39cm (+26.4% BP ) A Burmese wood figure of a musician, 20th century, carved as a seated young woman playing the harp, 53cm high (+26.4% BP ) A Chinese pottery model of a horse and rider, Tang Dynasty, the rider seated upright holding drumsticks picked out in red, 33cm high, cased. Together with Thermoluminescence Analysis Report, sample no.c103m13, dated 2nd June Illustrated (+26.4% BP ) A Chinese jade boulder carving, of pale celadon tone with light brown and cream inclusions, carved with buddha seated in a grotto flanked by two acolytes, framed by pine, a figure in a boat below, the reverse with two diminutive figures on a bridge beneath rocks and two pavilions, two character mark, 12cm high, wood stand and fitted case. Illustrated (+26.4% BP ) Tin mining on Singkep island, Indonesia, a large painting, watercolour and ink on silk, painted with an extensive landscape with figures (a.f.), 85cm by 140cm, framed and glazed A Chinese bronze figure of Amitayus, possibly 18th century, the bodhisattva seated in dhyanasana with hands in dhyana mudra holding a slender flask, traces of gilding, 25cm high. Illustrated (+26.4% BP ) A Japanese patinated bronze and gold flecked koro and cover, Meiji period, the cylindrical sides cast in relief with two landscape panels, the cover pierced with a dragon amongst cloud scrolls, upright loop handle, signed, 11cm high excluding handle. Lot 1125 Lot 1126 Lot

63 1130. A large embroidered hanging, Rescht, Persia, 20th century, the main deep blue field with central lobed medallion with polychrome floral design, similar spandrels, the scarlet red main border with repeating boteh decoration, approx. 428cm length by 208cm wide. Illustrated (+26.4% BP ) A pair of Japanese cloisonné vases, Meiji period, of slender ovoid form, each worked with a blue-ground central frieze depicting birds in flight above convolvulus, between elaborate panelled borders enclosing flowers, birds, fish and insects, 38cm high. Illustrated (+26.4% BP ) Lot A Japanese cloisonné jardiniere, Meiji period, worked with two blue-ground panels enclosing birds in flight amongst flowers, against a brown ground decorated with a fierce dragon between elaborate borders, 36cm diameter An Chinese overlay glass snuff bottle, late 19th/20th century, overlaid in blue, green, white and red with a bird standing beside bamboo, the reverse with a phoenix in flight, 5.5cm high; and a blue overlay glass snuff bottle, carved with vases and tables on a snowflake ground, 5.75cm high (+26.4% BP ) An Indian painting of an interior scene, opaque pigments on paper, depicting a prince and princess with attendants and musicians, the border filled with further figures, birds and animals amongst flowers, mounted, framed and glazed, 27cm by 54cm including border; also an Indian painting of a prince and princess with attendants, 19cm by 32cm, and a smaller hunting scene, both framed and glazed An inside painted glass snuff bottle, 20th century, painted with a figure on a mule and an attendant about to cross a bridge, signed, the reverse with lines of calligraphy (a.f.), 6.25cm high; also a red overlay glass snuff bottle carved with chilong, 6.5cm high; and an agate snuff bottle (+26.4% BP ) A Chinese sandalwood box, late 19th/early 20th century, of shaped rectangular form raised on four mask supports, the hinged cover and sides profusely carved with figures amongst trees and pavilions, 27cm wide. Illustrated (+26.4% BP ) A Turkish clear and gilt glass two-handled vase, 19th century, of two-tiered bulbous form beneath a cylindrical neck, gilt with two heart shaped panels amidst interlaced panels enclosing flower sprigs, 31cm high (+26.4% BP ) A Japanese four-case gold lacquer inro, Meiji period, decorated in low relief with birds amongst sheaves of wheat, 7.5cm high, with an iron ojime and an ivory netsuke carved as a toad on a root vegetable, 7.25cm length; also an ivory netsuke of a seated monkey looking at a monkey netsuke attached to an inro, 3.5cm high (+26.4% BP ) Lot 1136 Lot 1131 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

64 Lot 1139 Lot A Chinese blue and white porcelain and ebonised wood eight-fold screen, 19th century, inset with panels of varying size painted with figures in landscapes, flowers, fish in waves, landscapes and taotie masks, overall 98cm high by 136cm wide. Illustrated (+26.4% BP ) A Japanese lacquered and inlaid rectangular wood panel, Meiji/Taisho period, inlaid in gold and red lacquer and mother-of-pearl with an owl perched in branches, a kingfisher looking up from a branch below, bronze loop for hanging, signed and with inlaid seal, 144cm by 20cm. Illustrated (+26.4% BP ) A large Chinese mandarin palette punchbowl, Qianlong, painted with two large figurative panels alternating with smaller landscape panels against an orange and gilt Y-diaper ground (a.f.), 40cm diameter An Islamic brass bowl and cover, circa 1900, the compressed bowl and wide rim engraved with panels of script, the cover pierced with foliate designs, 24cm diameter An Iznik pottery tile panel, Turkey, probably 17th century, painted in red, green, cobalt blue and turquoise with a birds-eye view of the Masjid al-haram at Mecca, with the Ka ba in the centre surrounded by various structures labelled in green Naskhi script, the upper half with a panel containing two verses from the Qur an, beneath a lunette filled with cloud scrolls (a.f.), 55cm by 39cm, framed. Illustrated (+26.4% BP ) A Chinese bronze figure of Guanyin, probably Ming dynasty, 17th century, the goddess seated in meditation on a lotus base, traces of gilding, 17cm high. Illustrated (+26.4% BP ) A set of three Indian miniatures, opaque pigments on paper, each with a pair of portraits of a seated man and woman above a scene of lovers beneath lines of calligraphy, 23cm by 14cm, framed and glazed (+26.4% BP ) A set of four Chinese carved wood rectangular panels, 20th century, each carved in high relief with a warrior in a landscape beneath calligraphy, 88cm by 36cm overall A large Japanese Imari dish, Edo period, painted in the centre with a vase of flowers, inside branches of pomegranates, the border with lappets enclosing flowers, 55cm diameter (+26.4% BP ) A pair of Japanese Imari oval fluted dishes, Meiji period, each painted in the centre with a vase of flowers, on a ground filled with flowering branches and reserved with four floral panels, 41cm wide (+26.4% BP ) A group of six Chinese jade archaistic dragon plaques, of various form and colour, largest 15.5cm high A pair of small Japanese Kakiemon dishes, Edo period, with foliate rims, each painted in the centre with two ho-o birds perched on rockwork beside peony and chrysanthemum, beneath a border with flour birds amongst flowers, 14.7cm diameter. Illustrated (+26.4% BP ) A set of twelve Chinese paintings on rice paper, 19th century, painted with various fish and aquatic life, 5.5cm by 9cm, mounted, framed and glazed (+26.4% BP ) 62 Lot 1140

65 Lot 1144 Lot Krishna with attendants, Tanjore, South India, late 19th/early 20th century, gouache, gold and inlaid glass on wood, 57cm by 43cm, framed and glazed (+26.4% BP ) A Japanese Seto ware small segment dish, painted with brown lines and squiggles against a straw coloured ground, 16.5cm wide; and a small pottery dish, moulded in the centre with a key pattern beneath a chevron border, 10cm diameter A pair of Chinese biscuit figures, 18th/19th century, each modelled as a man standing, one carrying a parcel, coloured in brown, aubergine, green and yellow glazes and raised on a rectangular green washed base, each approx. 20cm high A Chinese biscuit figure of Guandi, 18th/19th century, the god of war seated in armour with one foot resting on the head of a lion dog (a.f.), 22cm high; wood stand; also a biscuit figure of a man standing in long aubergine glazed robes, 23cm high, wood stand (+26.4% BP ) A Damascus pottery tile panel, 16th/17th century, comprising of two tiles, painted in blue, black and manganese with a composition of tulips (a.f.), 36cm by 22cm, framed; also a Damascus pottery tile fragment (+26.4% BP ) A group of Thai pottery, 15th/16th century, comprising;a celadon glazed elephant with mahout (rider) and servant, 15cm high; a brown glazed elephant, 7cm high; an unglazed kneeling woman, 11cm high; and a model of a bird, 15.5cm high (a.f.) (+26.4% BP ) A group of South East Asian pottery, comprisng; a Thai circular box and cover, Sawankhalok, 15th/16th century, 10.25cm diameter; a small Thai bottle vase, 8cm high; a Sukhothai bowl, 14th century, 15cm diameter; a Vietnamese blue and white water pipe base, 15th-17th century, 10cm high (+26.4% BP ) A Chinese biscuit figure of Guanyin, Kangxi, the goddess kneeling with her right hand resting on her knee and holding a lotus flower, coloured in aubergine, green and yellow glazes (a.f.), 17cm high, wood stand A large Chinese embroidered silk hanging, late 19th/early 20th century, worked with a line of seven performers, 70cm by 242cm (+26.4% BP ) Two Chinese biscuit porcelain brushwashers, Kangxi, each modelled with two pagodas and a pine tree before a mountain, a lotus plant sprouting up from the pool below, coloured in brown, green and yellow (a.f.), 17cm and 15cm high, wood stands. Illustrated (+26.4% BP ) Lot 1161 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

66 Lot 1165 Lot 1166 Lot A large Chinese celadon dish, Ming dynasty, decorated with a central phoenix (a.f.), 42cm diameter A pair of Chinese famille-rose export dishes, Qianlong, each painted with a central river landscape beneath underglaze-blue floral and diaper pattern borders, 29.5cm diameter; also a small blue and white jar painted with figures, early 20th century, 14cm high, wood cover (+26.4% BP ) A Chinese famille-rose plate, Qianlong, painted with a central vase, bowl of fruit and flowers, 23cm diameter; also six blue and white plates including a pair painted river landscapes (a.f.) (7) (+26.4% BP ) A Chinese blue and white flask, Kangxi, of square section, each side painted with figurative scenes, the shoulders painted with birds and lotus beneath a short neck painted with Buddhist emblems, impressed four character Xuande mark, 28.5cm high. Illustrated (+26.4% BP ) A Chinese blue and white ginger jar, Kangxi, painted with three barbed panels enclosing Precious Objects against a cracked ice ground, 22cm high, wood cover. Illustrated (+26.4% BP ) A Chinese blue and white dish, Kangxi, painted in the centre with flowering shrubs and rocks, beneath panelled borders enclosing flowers, 35cm diameter. Illustrated (+26.4% BP ) A near pair of Chinese blue and white vases, Kangxi, of elongated pear form, each painted with Precious Objects beneath a ruyi head and hatched border, the necks painted with flowers and rocks, 21cm high. Illustrated (+26.4% BP ) A Chinese blue and white bottle vase, Kangxi, the bulbous body painted with panels of Precious Objects alternating with panels of flowering shrubs, the neck painted with Buddhist emblems, 20.5cm high. Illustrated (+26.4% BP ) A Chinese blue and white vase and cover, Kangxi, of slender ovoid form, painted with barb shaped panels enclosing flowers against a ground scattered with flower sprays, 19.5cm high. Illustrated (+26.4% BP ) Lot 1168 Lot 1169 Lot

67 Lot A Multan pottery tile, 19th century, of curved section painted in tones of blue with flower panels, 29cm length; also a Chinese blue glazed tile fragment, Ming dynasty (a.f.) (+26.4% BP ) A Chinese yellow-ground bowl, six character Guangxu mark, incised on the exterior with two dragons chasing a flaming pearl, the interior painted with two underglaze-blue carp, 13.5cm diameter, wood stand; also a yellow ground famille-rose plate, 24cm diameter; and a yellow ground eggshell cup (+26.4% BP ) A Chinese jade bi disc, possibly Warring States, the stone of brown and cream tone, carved with two chilong, the underside carved with a grain pattern, the outer rim with three recumbent lions, 10.5cm wide. Illustrated (+26.4% BP ) A Chinese agate white and brown agate carving of a lion dog resting on lotus leaves, late 19th century, 7cm length (+26.4% BP ) A Persian pottery two-handled flask, probably Safavid, 17th century, the lobed flattened discoidal body painted with panels of radiating underglaze-blue flowering branches alternating with iron-red flowers, beneath a tapered neck, gilt-metal mounted foot (a.f.), 34cm high. Illustrated (+26.4% BP ) A Chinese blue and white small lobed dish, Kangxi, painted in the centre with figures in a mountainous landscape, beneath a panelled border enclosing landscapes alternating with flowers, 21cm diameter. Illustrated A Chinese blue and white bowl and a matching cover, Kangxi, the bowl painted with ruyi heads, flower motifs and scrolls, the cover painted with Buddhist emblems and flowers (a.f.), 14cm high (+26.4% BP ) A small Chinese blue and white spiral moulded ovoid vase and a cover, Kangxi, painted with panels of fruiting branches (a.f.), 15cm high (+26.4% BP ) Lot 1175 Lot 1176 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

68 Lot 1180 Lot A pair of Chinese blue and white porcelain beakers, Kangxi, painted with panels of flowering plants (a.f.); also a pair of similar saucers;a pair of teabowls and two other blue and white teabowls A Qajar lacquer mirror case, mid-19th century, the exteriors painted with birds perched in flowering branches with roses, bluebells, carnations, other flowers and with a butterfly hovering nearby, on a gold sprinkled ground, the inside cover with an iris spray and lily, inside a border containing Persian couplets in nasta liq script, 30cm by 19cm. Illustrated. Provenance: Sotheby s London, 25th April, 2002, lot (+26.4% BP ) A Japanese inlaid rectangular wood box and cover, Meiji period, inlaid in mother-of-pearl on the exterior with a variety of fish, the interior with a mouse, a bunch of radishes, a frog and snail, 23cm length A Chinese bronze figure of an official or soldier, probably Ming dynasty, 17th century, standing on a cut square base (a.f.), 31cm high (+26.4% BP ) The mater and plates from a brass astrolabe, dated AH 1195/ AD, the brass mater with throne engraved with arabesque and calligraphic cartouches, the reverse with shadow square, projection for unequal hours, the lower half engraved with a calendar, the five plates engraved each side with stereographic projections, the alidade and three of the plates later replacements, 14.6cm high excluding shackle. Illustrated (+26.4% BP ) A Khorassan copper and silver inlaid bronze inkwell, 12th century, of cylindrical form, the sides engraved and inlaid with roundels enclosing the signs of the zodiac linked by interlaced strapwork, the underside engraved with bird panels, 6.5cm high. Provenance: Christie s, London, 17th April, 2007, lot (+26.4% BP ) A large Chinese print of a mountainous landscape after Wang Wei ( AD), 20th century, 52cm by 130cm, framed and glazed A Chinese blanc de chine figure of Guanyin, seated in meditation on a rockwork base with hands in dhyanamudra (a.f.), 16.5cm high, wood stand A Safavid cut-steel calligraphic panel, probably second half 16th century, of convex cusped form, the centre cut and pierced with the inscription, Sadaqa Allah al-azim (The most Great God told the truth), 24cm wide. Illustrated (+26.4% BP ) A Chinese famille-rose bowl, painted on the exterior with an extensive landcape, blue Qianlong seal mark, 15cm diameter. 66

69 Lot Punjab school, circa 1830, a royal playing a sitar in a tent with two attendants, opaque pigments on paper, Persian blue border, image 18cm by 13cm (+26.4% BP ) A Japanese Arita blue and white garniture, Edo period, 18th century, comprising; three baluster vases and covers and two beaker vases, each painted with panels of flowers against a foliate ground the covers with shishi knops, vases and covers 25.5cm high (+26.4% BP ) A Chinese blue and white jardiniere, early 20th century, painted with scholars in a landscape, 36.5cm high.; and a blue and white child s garden seat painted with birds and insects and pierced with cash medallions, 29cm high (+26.4% BP ) Kangra School, circa 1850, a lady looking into a lotus pond with bees and butterflies around, oval composition against an orange foliate ground, inside a black border painted with white flowerheads, image 23cm by 17.5cm (+26.4% BP ) A Japanese ivory okimono of a farmer, Meiji period, carved carrying a lantern and a bunch of radishes (a.f.), 15cm high; also an ivory figure of a bearded man with birds, 17.5cm high; and a small Goanese carving of a saint, 7cm high A Chinese iron-red ground bowl, six character Yongzheng mark but later, painted in famille-rose enamels with three geese standing on rocks amongst flowering shrubs, 14cm diameter (+26.4% BP ) The Golden Temple of Amritsar, Punjab school, circa 1930, watercolour on paper, image 30cm by 20cm (+26.4% BP ) A pair of Chinese doucai bowls, Yongzheng six character marks but later, each painted on the exterior with flowers and tendrils above a ruyi head border, 13cm diameter A Chinese blue glazed vase, Qianlong seal mark but later, with tapered cylindrical neck, the shoulder applied in relief with a sinuous dragon, 25cm high; together with a Chinese shou character famille-verte ewer and cover, 25cm high (2) (af) (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

70 1202. Jaipur School, 1860s, portrait of Maharajah Sawai Ram Singh II seated at a table, opaque pigments on paper, inside yellow, blue and red borders, 44cm by 34cm (+26.4% BP ) A small Chinese lapis lazuli brush rest, in the form of a mountain range, 10.5cm wide (+26.4% BP ) A Chinese ivory puzzle ball and stand, late 19th/20th century, the ball and pierced on the exterior with dragons amongst cloud scrolls, enclosing approximately seven geometric pierced concentric balls, the stand with a smaller puzzle ball above two warriors on horses, the base with further dragons, 49cm high. Illustrated (+26.4% BP ) A pair of Chinese ancestral portraits on silk, 19th century, framed and glazed, 34cm by 24cm (2). Illustrated (+26.4% BP ) Kotah School, circa 1840, Krishna and Radha on a swing below the banyan tree, observed by four attendants, opaque pigments on paper, red border, image 24cm by 17cm. Illustrated (+26.4% BP ) Lot A Chinese green glazed pottery brushwasher, probably 18th century, in the form of a bird perched on a pomegranate beside an oval bowl inhabited by a fish, a prunus branch forming the handle (a.f.), 9.5cm wide A large Chinese pottery turquoise, aubergine and gilt-decorated seated figure of Guanyin, Ming dynasty, modelled seated in long robes with hands clasped, 34cm high (+26.4% BP ) Kotah school, circa 1870, Srinathji standing beneath the banyan tree playing a flute, flanked by two attendants, red border, opaque pigments on paper, 26.5cm by 19.5cm. Illustrated (+26.4% BP ) 68 Lot 1199 Lot 1205 Lot 1204

71 Lot 1208 Lot Two Chinese silk embroidered panels, 19th century, worked with four Immortals amongst bats, flowers and cloud scrolls, 146cm by 68.5cm, framed and glazed (+26.4% BP ) A Chinese blue and white porcelain cylindrical teapot and cover, late 19th/early 20th century, painted with frogs amongst foliage (a.f.), 16cm high, wicker case (+26.4% BP ) Three Sino-Islamic cloisonné enamel gilt-bronze vessels, 19th century, each with a pseudo Arabic inscription in black against a turquoise ground filled with lotus meander, comprising; a two-handled censer and cover, 17cm high; a small circular box and cover, 8cm high, wood stand; and a small arrow vase, 15cm high. Illustrated. Provenance: The Saeed Motamed Collection (+26.4% BP ) Seven Ikat panels, Uzbekistan, late 19th/early 20th century, of square and rectangular form, mostly on cream and burgundy ground, with typical motifs, largest 147.5cm by 23.4cm (+26.4% BP ) A group of Chinese and Japanese ceramics, 20th century, comprising; a Chinese porcelain small dish, enamelled with koi carp, signed Zhou Xiaoxiang, 12cm diameter; a Chinese blue and white porcelain cup painted with leafy branches; seven Japanese Sumida ware figures and groups A small Japanese Satsuma bowl, early 20th, the exterior and interior painted with densely packed flowers beneath a notched rim, signed, 12cm diameter (+26.4% BP ) Kangra school, circa 1860, dancing Lord Shiva with a sword, lotus flower and wine cup, standing over a killed demon, oval composition with floral corners, opaque pigments on paper, main image 18.5cm by 13cm (+26.4% BP ) A large Chinese famille-rose vase, late 19th century, painted with scholars amongst rocks and interiors, iron-red Qianlong seal mark to base, 41cm high. Illustrated (+26.4% BP ) Bikaner school, circa 1840, portrait of a king standing in a white robe with gold highlights, overall 15.5cm by 12cm, mounted; and a pen and ink sketch of a seated figure praying and holding beads, 15cm by 12.5cm, mounted (+26.4% BP ) An Iznik pottery dish, 17th century, painted in blue, turquoise, red and black with a floral spray rising from a tuft of flowers, the cavetto with undulating clouds and flowers, the rim with a wave and rock pattern (a.f.), 30cm diameter. Illustrated. Provenance: The Saeed Motamed Collection (+26.4% BP ) Lot 1212 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

72 Lot A Persian lustre pottery bowl, probably Samarkand, 10th century, painted in ruby and ochre with a central bird beneath a stylised panelled border (a.f.), 28cm diameter; also a small lustre bowl, possibly Iraq, 9th century (a.f.), 11cm diameter (+26.4% BP ) A small Chinese famille-verte vase, probably 19th century, of slender waisted form with wide everted rim, painted with a dragon amongst cloud scrolls (a.f.), 14cm high A Mamluk engraved brass pouring vessel, probably 15th century, with tapering sides and everted spout, engraved with panels of script and geometric designs, 24.5cm max. width (+26.4% BP ) A Chinese agate snuff bottle, in tones of brown and lavender, carved with a scholar and attendant in a landscape, 6cm high (+26.4% BP ) A Japanese bronze two-handled koro and cover, Meiji period, of oval form, each side cast in relief with a dragon amongst cloud scrolls, supported by three karako, another boy seated on the cover, signed, 20cm high (+26.4% BP ) A Seto Chawan teabowl, Japan, Edo period, coloured in various brown glazes (a.f.), 8cm high (+26.4% BP ) Two illuminated folios from a Safavid manuscript, Shiraz, 16th century, from a Kitab-i Badayi of Sa di, Persian manuscript on paper, mounted, 24cm by 28.5cm visible area. Illustrated (+26.4% BP ) A Turkish book of poetry, possibly 17th century, ninety eight leaves, the text within ruled silver borders, one illuminated illustration, old leather binding blind stamped on covers, small octavo (+26.4% BP ) A Chinese mottled green jadeite snuff bottle, 5cm high; and a Chinese jadeite and silver bracelet, stamped marks A Safavid miniature painting, opaque pigments on paper, painted with four figures with animals approaching a walled city, between rows of script. painting 17cm by 8.5cm, mounted A large Japanese cloisonné vase and cover, Meiji period, of lobed oval form, worked in copper wire and colourful enamels, worked with panels enclosing a phoenix on a red ground alternating with panels enclosing a dragon on a green ground flecked with aventurine, the cover with a large phoenix beneath a kiku finial, 30cm high. Illustrated. Provenance: Christie s London, 15th May, 2008, lot (+26.4% BP ) A Chinese Qingpai teapot and cover, Song dynasty or later, of melon form with strap handle, covered in a light blue glaze, 8.25cm overall height. Lot An album page with a portrait of a mughal prince, Delhi, North India, circa 1800, pencil and transparent pigments on paper, the prince standing holding a long gun and with a shield and sword, laid down between blue and salmon illuminated borders, the marins with floral illumination, painting 18.8cm by 10.6cm, folio 31.3cm by 21cm. Illustrated (+26.4% BP ) A Mughal folio from a maunuscript, probably from Gulistan of Sa di, opaque pigments on paper, painted with two figures beside lines of nasta liq script on a gilt floral ground, painting 25.5cm by 17cm, mounted (+26.4% BP ) A group of four Chinese jade cicadas, of various colour an size, each with carved details, sizes 6.5cm to 8cm length A Chinese brown and jade carving of two cicadas, possibly Song/Ming dynasty, carved side by side and surmounted by a recumbent animal, 6cm high; and a jade carving of a single cicada, 6.5cm (+26.4% BP ) An Indian painting of Krishna and Radha enthroned, opaque pigments on paper, seated before three musicians and attendants (a.f.), painting 32cm by 22cm Three jade Neolithic style ritual notched discs (xuanji), two of of similar mottled black tone, the third, larger, and of celadon colour, 8.5cm and 10cm diameter (+26.4% BP ) 70

73 1234. A Burmese Buddhist palm leaf manuscript ritual text, 19th century, each leaf with rows of text, set with wood cover boards, 48cm high A Komai type waisted square lamp base/vase, early 20th century, of tapered square section with gilt overlay on iron, two sides depicting travellers, the other two sides with landscapes, between bands of karakusa and cash-design, set with later wood cover with pierced bone finial, 33cm high, attached pierced wood stand. Illustrated (+26.4% BP ) A Chinese blue ground vase, Qianlong blue seal mark but later, of squat form with waisted neck, painted in black with figures in a landscape against a deep blue ground (a.f.), 22cm high A Chinese white jade plaque, 19th/20th century, carved in the form of a chilong, 6cm diameter, wood stand (+26.4% BP ) A Chinese celadon jade model of a recumbent camel, carved with head turned across its back, 6.5cm length; also a jade rooster and recumbent hound (+26.4% BP ) A Chinese dehua Immortals bowl, Kangxi, of octagonal form, each side moulded with a standing Immortal, 15.8cm diameter (+26.4% BP ) A Safavid pen and ink drawing of three figures in a landcsape, possibly 17th century, with wide blue border gilt with flowers, the reverse with lines of script, painting 17cm by 8cm A Persian miniature of a pensive dervish, Zand, 18th century, kneeling beside a pond with ducks, a figure and tree behind and a building in the distance, painting 14cm by 7.5cm Lot An album page, India and Persia, 17th-19th century, pen and ink on paper, painted with a princess seated on a terrace with a visitor, below a panel with late Zand or early Qajar portraits of youths, on wide gold-sprinkled pink card, the reverse with a Deccani miniature of a woman dressed in European style standing on a balcony, first painting 9.8cm by 7.1cm, Deccani painting 16.3cm by 12.1cm, folio 37.4 by 26.4cm (+26.4% BP ) An Islamic brass scribes travelling pencase, 19th century, engraved with panels of script, the inkwell with shell cover, 23cm length A large Chinese Longquan celadon deep dish, Ming Dynasty, the curving walls incised with lotus flowers and leafy branches around a central flower panel (a.f.), 36cm diameter, (+26.4% BP ) Four jade animal carvings, various colours, comprising; a recumbent lion with cub, 8cm length; a standing bear, 8cm high; a recumbent hound, 7.5cm length; and a celadon jade lion, 5cm length A pair of Chinese porcelain celadon-ground slender baluster vases, circa 1900, each painted in blue with a scholar and attendant, set with lion mask and ring handles, 24.5cm high (+26.4% BP ) Lot 1235 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

74 1253. A group of ivory carvings, late 19th/early 20th century, comprising; a Canton ivory cylindrical bodkin case carved with dragons amidst cloud scrolls and containing eight bodkins, 16cm length; a Japanese ivory okimono of a farmer, 17cm high; and an ivory handle carved with deer, 8cm high (+26.4% BP ) A group of five Chinese jade archaistic carvings, various colours, comprising; a sword slide, 7cm length; a Shang style bear and plaque; a dragon pendant and a dragon plaque A Japanese ivory okimono, Meiji period, carved as a girl carrying a water bucket across her back and holding an umbrella (a.f.), signed on red lacquer panel, 15.5cm high A Chinese blue and white porcelain kendi, Wanli, painted with flower and horse panels, later French silver-gilt mounts and ivory finial, overall height 28cm (af); and a Chinese blue and white plate, early 19th century, painted with a sunburst pattern (a.f.), 27cm diameter (+26.4% BP ) Lot A large Khorasan copper-inlaid bronze ewer, Persia, 12th century, with slightly flared cyindrical body, flat shoulder, the conical neck rising to a covered spout, with associated strap handle, the body engraved with palmette and scrolling vine-filled medallions below bands of kufic inscription with crescents between, 41cm high (+26.4% BP ) A large Chinese blue and white dish in Ming style, probably 18th century, painted in the centre with a tied lotus bouquet, beneath a border of flowerheads and classic scroll (a.f.), 52cm diameter. Illustrated (+26.4% BP ) A group of three Chinese jade carvings, comprising; a white jade toad with money belt pendant, 5cm length; a green tortoise seal, 4.5cm wide; and a pale grey/green figure of a man holding a ruyi sceptre, 9.5cm length A pair of Chinese ivory seals, late 19th century, of square section with key pattern borders, each surmounted by a figure seated on a rock, one with a hat and bundle of sticks below, each with carved seal marks, 7cm high. Illustrated (+26.4% BP ) An Indian silver and copper inlaid bronze pilgrim flask and cover, Deccan, 19th century, of crescent form with tubular spout, inlaid with script around bird roundels, the foot of rhomboid section, 44cm high (+26.4% BP ) Three Japanese ivory okimono, Meiji period, comprising; a mother and three children, 11cm high; a fisherman and child 11cm high; and a figure of a traveller, 12cm, all signed (a.f.) A Chinese ivory wrist rest, late 19th/early 20th century, the interior carved and pierced with figures in a mountainous landscape, with two carved seals, the exterior carved with a woman standing beside a basket of flowers, 26cm high. Illustrated (+26.4% BP ) Five Chinese jade carvings, various colours, comprising; a circular dragon disc, 7cm diameter; an oval disc with animal handles, 12cm wide; two archaistic circular bi discs; a circular chrysanthemum carved button/pendant with yin yan symbol to centre, 7.5cm diameter (+26.4% BP ) A Chinese inside painted snuff bottle, 20th century, painted with grasshoppers amongst leaves and trailing wisteria, 7cm high; also a deep grey overlay glass snuff bottle depicting a wolf and two rabbits, 6cm high; and jade dragon and monkey pierced pendant, 9cm high A Chinese doucai-type large plate, 18th century, painted with a small bird amongst bamboo, blossoming peony and hibiscus issuing from rockwork, the everted rim reserved with four flower panels against a blue cell pattern ground (a.f.), 32cm diameter (+26.4% BP ) A Chinese famille-rose plaque, 20th century, painted with a figure with a tiger beneath a dragon amongst clouds, 19cm by 12cm, framed A large red painted and gilt bronze figure of Buddha, seated in dhyanasana with hands in bhumisparsa and dhyana mudra, inlaid eyes, 45cm high (+26.4% BP ) A Chinese famille-rose mythological subject teabowl, Qianlong, painted on the exterior with three figures in a landscape, iron-red and gilt leafy inner border, 7cm diameter; also a Chinese porcelain Dutch-decorated bowl, 5cm diameter A Chinese wucai vase and cover, 17th century, of baluster form, painted with flowering peony and chrysanthemum beneath a stiff leaf border (a.f.), 38cm high (+26.4% BP ) 72

75 Lot 1250 Lot 1257 Lot A pair of famille-rose armorial punchbowls, late 19th/20th century, painted with the arms of Boume amongst flower sprays, 40.5cm diameter (2) A Qajar pottery vase, late 19th/20th century, densely decorated with trees and flowers with further floral bands at the neck, fitted for electricity, 52cm high (+26.4% BP ) An Indian reverse glass painting, Gujarat, early/mid 19th century, painted with dancers and musicians entertaining gentlemen at a feast, 33cm by 48.5cm, framed. A very similar painting was sold by Bonhams, London, 9th June 2014, lot (+26.4% BP ) An Indian bronze figure of Vishnu, 18th/19th century, the four-armed deity standing on a dome and square base, his primary hands in varada mudra, one of his upper hands holding a discus, 19.5cm high (+26.4% BP ) A large Chinese embroidered silk panel, 20th century, depicting a farmer and ox and rice cultivation, below a procession of figures carrying goods along a winding path to market, 193.7cm by 133.4cm including wood frame (+26.4% BP ) A large Chinese famille-rose plate, Qianlong, painted with flowering shrubs and pierced blue rocks beneath a floral border and shaped rim, 33.5cm diameter (+26.4% BP ) A Chinese export green ground cylindrical mug, late Qianlong/Jiaqing, painted in puce monochrome with an extensive river landscape against an apple-green ground incised with tendrils and enamelled with flower sprays, 13cm high (+26.4% BP ) A Tang style pottery bactrian camel, standing four square with head raised, its saddle laden with travel supplies, 30cm high, cased A large Canton famille-rose two-handled baluster vase, 19th century, painted with figurative panels against a green ground filled with dragons, flower, insects and emblems (a.f.), 61cm high, wood stand A Chinese export blue and white large plate, Qianlong, painted in the centre with a willow tree, flowering peony and auspicious objects, beneath an elaborate border, 35cm diameter A Chinese blue and white dish, Kangxi, painted with flowering peony, 34.5cm diameter A very large Chinese soapstone ruyi sceptre, the head and shaft carved in high relief with writhing dragons and flaming pearls against cloud scrolls, the sides with a key pattern border, 85cm length A Chinese doucai style lotus bowl, six character Guangxu mark and probably of the period, the exterior painted in underglaze-blue and enamelled with lotus meander above a lapper border, the interior painted with a single flower, blue painted mark, 16cm diameter A pair of Chinese famille-rose eggshell vases, 20th century, of cylindrical form with everted rim, each painted with two panels enclosing two young women in a garden against a millefleur ground, blue enamel Qianlong four character mark, 17cm high, wood stands. Illustrated (+26.4% BP ) A pair of Chinese polished bronze dragon vases, circa 1900, each bulbous body decorated with two raised panels enclosing dragons against a leiwen ground, the cylindrical neck applied in high relief with a writhing dragon, 49cm high. BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

76 1280. An ivory netsuke of a monkey, 20th century, seated with its young playing in its lap, stained detail and inlaid eyes, bearing the signature Masatami, 4.3cm, feet chipped (+26.4% BP ) A large Chinese export blue and white plate, Qianlong, painted with scattered flower sprays inside an elaborate border, 35.5cm diameter; also two Japanese blue and white dishes, 27cm and 33cm diameter A Chinese famille-rose ginger jar and cover, circa 1900, painted with precious objects beneath a ruyi-head border, 22cm high; and another jar with matched cover, painted in blue with figures in a landscape, 22cm high A Chinese porcelain double- gourd vase, Qianlong seal mark but later, made to simulate red lacquer, moulded with dragons amongst cloud scrolls, gilt painted mark, 21cm high A Chinese famille-rose vase, of slender baluster form painted with Immortals amidst pine trees, pseudo six character Yongzheng mark, 26cm high A Chinese hardwood figure, early 20th century, carved as a smiling man holding aloft a mythical creature, adapted as a lamp, 44cm high A Chinese famille-rose dish, late 18th century, painted with flowering shrubs and pierced blue rocks in a fenced garden beneath a floral border, 36cm diameter (+26.4% BP ) A pair of Chinese porcelain plates, circa 1900, each enamelled with a profusion of butterflies, 21cm diameter; also a famille-rose plate painted with a bird and flowers, 24.5cm diameter; and a crackleware dish, late 19th century, painted with warriors, 40cm diameter (+26.4% BP ) A Chinese export porcelain blue and white canted rectangular tureen and a cover, Qianlong, the tureen painted with river landscapes, set with hare s head handles (a.f.), 35cm wide A group of four Chinese famille-rose export plates, Qianlong, including a pair, each painted with flower subjects, each approx.23cm diameter (+26.4% BP ) A Magic tinned copper dish, Iran, probably 18th century, centred with Qur anic script within a Zodiac sign border, 21.5cm diameter. Illustrated (+26.4% BP ) Two Persian earthenware tankards, late 19th century, of tapered cylindrical form, painted with flowers in Iznik style, 14cm high (+26.4% BP ) A Canton ivory rectangular panel, late 19th century, carved with figures amongst pavilions and trees and in a boat, set in a pierced wood frame enclosing a fan shaped ivory panel bearing an inscription, panel 13.5cm by 8cm, overall height 30cm A Chinese blue and white baluster vase and cover, late 19th century, painted with prunus on a cracked ice ground, six character Kangxi mark, 39cm high A Chinese porcelain rouleau vase, six character Kangxi mark but later, painted predominantly in iron-red with three warriors, 40cm high A Chinese porcelain vase, six character Kangxi mark but later, of gu form covered in a lavender glaze, 20.25cm, 8in. high; also a pear shaped celadon vase, 17cm high; and a blue and white double gourd shaped vase A group of six Chinese porcelain blue and white plates, 18th century, painted with various landscape and flower subjects, each approx. 24cm diameter A Chinese blue and white baluster vase, 20th century, painted with panels of figures at leisure beneath a floral border, apochryphal Jiajing reign mark, 25cm high, wood stand A Chinese stone figure of Buddha, Ming Dynasty, seated on a lotus base, 50cm, head detached (+26.4% BP ) A group of ten Chinese rice paper paintings, 19th century, in for frames, painted with figure subjects (a.f.), paintings 9.5cm by 6.5cm to 10cm by 14cm (+26.4% BP ) Three pieces of Chinese Imari porcelain, circa , comprising; a bowl painted with flower sprays, 26cm diameter; a bowl painted with flowers and panels of precious objects, 23cm diameter; and a saucer dish painted with flowers; also a famille-rose plate painted with a landscape (a.f.). (4). 74

77 Ephemera & Antiquarian Books Lot 1449 (detail)

78 Wednesday 8th November 2017 at 1pm Ephemera POSTCARDS - a miscellany of Sentimental, Greetings, & a few Topographical; approx (+26.4% BP ) POSTCARDS - Great Britain & a few Foreign; approx (+26.4% BP ) POSTCARDS - a miscellany including American views, approx. 80, ca. 1920s & 30s; sold with a qty. of mostly Ecclesiastical & Art postcards, approx. 230; also a 34pp. album of miscellaneous photos. & postcards (+26.4% BP ) POSTCARDS - a miscellany of Sentimental, Greetings, Topographical, WWI foreign & silk cards, & a few other military; approx (+26.4% BP ) POSTCARDS - a collection of glamour cards by Raphael Kirchner & A. Penot; approx. 48; includes original printed envelopes, Paris, (ca. 1900) POSTCARDS - Great Britain & a few others; approx (+26.4% BP ) PHOTOGRAPHS - England & Scotland, 4 albums (approx. 150 photos. of various sizes); together with a small album of approx. 40, including Hungary & Venice, with ms. captions ( ) * some of the English of superior quality, by S. Riches (+26.4% BP ) GREETINGS CARDS - a large selection, mounted in 3 albums, includes Christmas, New Year, etc., mostly later 19th / earlier 20th cents (+26.4% BP ) GREETINGS CARDS - mounted on approx. 40pp., with some scraps, woodbury types & associated material, with some others loosely inserted; (later 19th cent.) (+26.4% BP ) QUEEN VICTORIA - the Diamond Jubilee Procession, 1897; Marion and Co. s photograph album showing the procession leaving St. Paul s Cathedral; 24 mounted images, with letterpress index, publisher s gilt-ruled & lettered black morocco, (1897) (+26.4% BP ) PHOTOGRAPHS - a few loose cabinet, carte de visite & some later others; also a decorated clothbound collection of Chinese portrait postcards in concertina style (+26.4% BP ) PHOTOGRAPHS - a leatherbound album of carte de visite, some coloured- in, approx. 30; includes some of Queen Victoria s children, Prince of Wales, the Kings of Prussia & Portugal, Emperor Napoleon, Tennyson, Charles Dickens & other notables of the period. * ms. gift inscription (Xmas, 1862) (+26.4% BP ) SUN RECORDS - Sam Philips framed documents relating to the record label 1950s/1960s; 48x 66cms. mounted within black frame (+26.4% BP ) ORDNANCE SURVEY - 25 inches to mile series; mostly West Sussex (with some Surrey borders), approx. 120 loose sheets, 76 x 102cms edition (& some later revisions). * the most detailed; includes field acreages, outhouses & some individual trees (+22% BP non VATable) BRITISH INDIA - Sir James Thomson ( ), sometime acting Governor of Madras, etc.); 2 photograph albums. the first mostly the family at home; the second of his life in India (approx. 150 images, vs. sizes) includes Government House (Madras) family & official groups, events, several of hunting, tented camps etc. * a most illuminating later 19th cent. record. see related lots 860, 861, 1357, 1416, 1417, 1418, (+26.4% BP ) ESTATE MAP - (Photostat Copy) - This Mapp of the Demesne Land of the Manor of Thurnham & Newenham, also the Rectory of Thurnham, together with Goddard Castle, Canon Barns, & other Lands, the Estate of the Rt. Worshipfull William Cage Esqr x 75cms. (within frame), some outline colour & handcoloured armorial at head, pictorial engraved title, with engraved texts both beneath & at sides *by Jno. Walls of Boxley, Kent; i.e. the Kent Estate of Wm. Cage, portman & sometime bailiff of Ipswich, & also the town s MP. at various times between 1614 & 1645 (the time of his death); this later mapping presumably commissioned as evidence in a possible inheritance dispute? (+26.4% BP ) Robert ROWE - A New Map of England and Wales... coloured & folded on linen, 66 x 54cms., engraved key, in original slipcase * turnpike & other roads, canals etc.; sold with a large-scale plan of Brighton & Hove, cut & mounted on 13 folded leaves within cloth covers. (no title or publisher s name etc. retained, ca. 1880) (+22% BP non VATable) ANTARCTIC - The Scott Memorial Portrait; an advertising flyer by Maull & Fox being the proprietors of the copyright in the only photographs of the late Captain Robert Falcon Scott... (1913). * for a photogravure plate of the hero in his full dress uniform (& approved by his widow). Illustrated (+22% BP non VATable) SKETCH BOOK - Topographical Scenes, British & Continental, mostly pencil with a few coloured, approx. 31pp. used, half-leather binding, small oblong octavo. (?1830 / 40s) (+26.4% BP ) SCRAP ALBUMS - two albums of some 86pp. in total, with many mounted scraps, some of larger size; mid - later 19th cent (+22% BP non VATable) AUTOGRAPHS - three albums; one (262 signatures) including W.G. Grace; another with some WWI interest (Roy. Flying Corps., & 20th Aero Sqdn. US. Army), & some attractive sketches (+22% BP non VATable) OLD DOCUMENTS - mostly Surrey, approx. 22 ( ); also includes one for a Lady Elizabeth Lincoln (? ca. 1580); & another (temp. James I) with a damaged royal seal (+26.4% BP ) 76

79 1334. BRADFIELD FAMILY - of Milton, near Abingdon (Berks.); approx. 30 documents ( ) mostly concerning property, an 1809 taxation document (for the whole village) & an 18th cent. churchwarden s notebook (+26.4% BP ) FASCISM - The Tribune: the Organ of Fascist Opinion, vol. 1 no. 1, (Dec. 1926) - no. 11, (Dec. 1927); originally edited & published by A.M. Coles, Battersea - but later associated with the A.C.E. (Associated Citizens of the Empire); orig. printed wrappers, contents on upper & from no. 5 advert on lower * contents include Reality of the English Coal Strike (by Arnoldo Mussolini) & the monthly regular feature Before the Tribune ; a very scarce periodical in uncertain times. Illustrated (+22% BP non VATable) WORLD WAR 2 - Intelligence Training Centre (British Army); a substantial file of typescript material (many marked SECRET) with information gathered from POWs & other sources; approx. 650 foolscap pp. * headings include Interrogation Course, German tactics, If the Invader Comes, Chemical Warfare etc ANTI-AIRCRAFT (Ack Ack) DEFENCE contemp. folders with approx. 230 typescript leaves; one folder of mostly commercial correspondence (firms inengland, Germany, France & the United States) discussing practical & technical aspects of the armaments; the second folder deals mainly with coastal artillery * the firms involved include Frankford Arsenal (Philadelphia), J. Sichel (London), Vickers Armstrong, Dr. Richard Levetzow (Berlin), Schneider & Co. (Paris) (+26.4% BP ) MONTGOMERY OF ALAMEIN - 6 line ANS. to a British Army officer replying to a request concerning an army placement for his son; on the Field Marshal s Trianon Palace Hotel (Versailles) headed notepaper, dated * at the time Monty was partly domiciled at the hotel, whilst serving as Deputy Supreme Commander, Allied Powers Europe (+26.4% BP ) PHOTOGRAPHS - morocco bound album with clasps, containing approx. 45 sepia prints mounted & some captioned; (mid 19th cent.) (+26.4% BP ) PHOTOGRAPHS - approx. 49 carte de visite in a small 8vo. decorative album, appears to be a mixture of known personages & family members, with a military slant (+26.4% BP ) HEJAZ RAILWAY - the projected line was to be from Damascus to the Muslim holy city of Mecca, but the outbreak of World War 1 caused it to reach only Medina. Sir Laurence Oliphant ( ), the former British MP. & traveller (with especial interests in the region, including a hoped-for Jewish settlement in Gallilee) had invested money in & purchased land for the railway scheme. The documents present relate to his widow (Mrs. Rosamond Templeton s) postwar attempts for compensation as apparently the land concerned had been retained by the Turks in the former Ottoman Empire settlement; they comprise: 2 typescript booklets (10 & 18pp.) with labelled paper wrappers - List of Documents & Letters & an Outline of the Case (for the Appellant), & both for the attention of Col. R.B. Holmes, then the railway s manager, & representing the defendants; the first is addressed to the President of the Haifa District Court; the second includes extracts from letters written to the appellant, from the legal Secretary s Office, Jerusalem (Govt. of Palestine), the Board of Trade (London) & others. Presumably having written to the former prime minister, A.J. Balfour concerning the Turkish Problem, there is a 30 line (dictated) letter from him (Nov. 1914) - Dear Mrs. Templeton... the Turkish ruler blasts with sterility every place which he controls.... However, a successful outcome was eventually achieved; a Post Office Telegram (originating Jerusalem, Feb. 1933) addressed to Mrs. Templeton states that a Government cheque for 5,000 has been received (+26.4% BP ) Lot 1329 Lot 1335 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

80 Lot 1351 Lot ASHCROFT THEATRE (Croydon) - Club Visitors Book ( ); mostly actors in the various productions (including some ballet companies) * amongst the signatures are Susannah York, Dianna Rigg, Rex Harrison, & Mandy Rice- Davies (+22% BP non VATable) WORLD WAR 2, TURKEY - Militargeograohische Angaben uber die Turkei. comprises: Textheft, Bildheft, Ortschaftsverzeichnis & 11 loose maps & plans; all contained in the original printed paper packet. Berlin: Generalstaab des Heeres, Abteilung fur Kreigskarten und Vermessungswesen (iv. Mil.-Geo), * detailed military intelligence, the coloured maps include industrial sites, with individual city plans; very scarce (+22% BP non VATable) SCIENCE FICTION MONTHLY - vols. 1-3 ( ), 27 issues (ex 28), i.e.almost the complete set; illus. throughout, mostly coloured... leading British SF. magazine of the day; complete issues scarce as many illus. used for posters (+26.4% BP ) AIRSHIPS - a most interesting collection of Magic Lantern slides, including Dirigibles etc.approx. 74, 8.2sq.cms., (?ca. 1910); possibly produced by Johnsons of Hendon (as contained in their labelled wooden box), a major name in the photographic world of the day, being suppliers to the Roy. Flying Corps., Roy. Naval Air Service, etc.; sold with 6 Tylers Topical slides of the same period. Illustrated (+26.4% BP ) GERMAN HIGH SEAS FLEET - 31 colour printed plates (by various artists) mounted on thick paper, captioned in gilt beneath; contained in the original gilt-lettered & pictorial oblong portfolio * also present (as part of the publication) is a fully detailed & coloured model plan for assembly (the Dreadnought Nassau ), with its accompanying 9pp. pamphlet; a significant date in view of the impending Conflict (+26.4% BP ) JUNKERS AIRCRAFT - a Promotional Album with 48 captioned & mounted photos., Dessau, (1937); AUFBAU UND KONSTRUKTION JU pp. illus. throughout with 32 specification sheets loosely inserted, orig. printed wrappers. Dessau, 1937; sold with an aircraft photo. album (24 mounted) mostly captioned, taken at Karachi (+26.4% BP ) ZEPPELINS - LZ127, Graf Zeppelin... manufacturer s promotional small portfolio of 15 mounted photos. (the airship in production, some fitted interiors, in flight etc.), with a letterpress leaf of specifications; cloth-backed printed boards, oblong 4to., Friederichshafen a.b., (ca. 1927); ZEPPELIN Weltfahten Series, nos. 1-4, being 24 captioned photos. with orig. printed envelops & mounted in a well presented album. (? ca. 1930) * the Graf Zeppelin flew commercially ( ) finally being scrapped for fighter plane parts in WW2; the Photo. series with some aerial shots including the seafront at Brighton and the Palace Pier (+26.4% BP ) Lot 1351 (detail) MILITARY PHOTOGRAPHIC MISCELLANY - World Wars I & 2, some in albums, also a printed album of the Japanese conflict with China (+26.4% BP ) WORLD WAR 2 - Germany, Home Front & Military; 4 vols. from a stereoscopic album series, each with 100 stereographs and viewer; gilt-lettered cloth. Munich, * titles - Der Kampf in Westen, Die Soldaten des Fuhrers im Felde, Arbeit und Frohsinn, Wien Die Perle des Reiches; sterographs both contained in cut out inset well pockets or mounted on thick leaves; sold as found not subject to return; the Vienna vol. with some captioned colour plates mounted (+26.4% BP ) DESIGNED LEATHER PANELS - by Stanley Bray, during his retirement (in 1978) from the ownership of the famous bookbinders Sangorski & Sutcliffe; 3 black Niger morocco panels (30 x 30cms., within narrow Hogarth frames) with individual designs & 22 carat gold leaf hand tooling on coloured inlays * part of a limited edition (of 50 in all) each numbered with the signed limitation certificate on verso. Illustrated (+26.4% BP ) 78

81 1352. DESIGNED LEATHER PANELS - by Stanley Bray, 5 further examples (without limitation) 2 framed, as previous, 2 others (unframed) & another (framed) of kaleidoscopic design (without gilt) (+26.4% BP ) ROBERT GIBBINGS ( ) - 6 als. & a postcard, written to George Sutcliffe, owner of the London bookbinders, Sangorski & Sutcliffe. Gibbings, a leading wood-engraver of the period, had purchased the Golden Cockerel Press in 1924, and Sangorski s carried out much of the binding for the deservedly well-known private press. The letters written between 1934 & 1937, after the artist had sold up the Press, mostly concern books which he would like bound - specifications are given & estimates requested; the preferred style being a sharkskin spine & tappa (chinese mulberry bark) sides; whilst a lighter touch is sometimes present - when that last Bill of yours is met in November I m damn well coming along for a drink... you can choose me a halo! * written on either his Tresue, Maenporth, Falmouth, or the Orchard, Waltham Saint Lawrence headed notepaper; on a couple the recipient has made technical notes in pencil; sold with 2 other ms. items (written to Sutcliffe), including a Dennis Wheatley postcard (+26.4% BP ) SIR ALFRED MUNNINGS - an Autograph Sketch Album, 32pp. used, includes the autograph of the artist (dated Oct 27th 1902) & also a pencil sketch by him of Girl with a Cigarette - as used by Caley s of Norwich in their chocolate & Christmas cracker advertising, 19 x 16cms. (page size), with the artist s printed name & date (Oct ). * the album belonged to Mabel A. Bugg nee Woods of Harleston, a friend of Munnings, also included is a coloured sketch by Mia Welham Clarke - cousin & painting companion of the artist (an RA. exhibitor, 1901/1902). Another page has a 4 line inscription by the famous Sussex & England cricketer, Prince Ranjitsinhji, dated Cambridge / February 8th / 03 / Ranji ; there are also some entries relating to WW1. Illustrated (+26.4% BP ) RIDER HAGGARD - a five line ms. note, dated July 1888, printed heading - Ditchingham House, Bungay (Suffolk), * sold with JOHN HERRING Jnr. two letters & a note of 1881 & 1884, written from the Poplars, Fulbourn, near Cambridge (+26.4% BP ) Lot IVOR NOVELLO - 3 manuscript 4/5 line thank-you notes (undated) in his hand & on his headed notesheets (to an unknown recipient), two regarding the First Nights of King s Rhapsody & Perchance to Dream ; together with the order of the memorial service (29th March, 1951) at St. Martin-in -the-fields (+26.4% BP ) BRITISH INDIA - Sir James Thomson. ( ), Indian Civil Service - sometime Resident for Travancore & Cochin, Madras Legislative Council (from 1898), the Executive Council from 1901, acting Governor of Madras from April - December 1904, Council of the Secretary of State for India (from 1908); Knight Commander of the Order of the Star of India (1904). * 7 contemporary documents appertaining to the above; together with 2 congratulatory manuscript letters on large sheets with gold decorated borders, 1904, from the Palace Trevandrum, & in the original decorated envelopes; with another (in similar vein) from the Raja of Cochin, in original envelope; together with 4 relevant honours & awards including the dress miniature for the Order of the Star of India, & the Delhi Durbar (1903) official medal; together with a miscellany of various stationery & documents, all contained in the original dispatch box, red morocco, gilt lettered - India Office / royal cypher / James Thomson; see related lots 860, 861, 1326, 1416, 1417, 1418, Illustrated (+26.4% BP ) WORLD WAR I - approx. 15 pamphlets; a folded map (on linen) of part of German East Africa (1916) * includes Correspondence... respecting the excecution of Miss Cavell at Brussels (1915) & War on Hospital Ships... (1917); sold with a few others on WW (+22% BP non VATable) RUGBY UNION - 3 framed photographs of the St. John s College (Cambridge) XV, , & ; two of other teams; sold with 1 other St. John s athletics & a Lady Margaret rowing (+26.4% BP ) Antiquarian Books ELIOT (G.) The Novels. 10 vols. engraved frontispieces; gilt-decorated cloth. (ca. 1925) (+22% BP non VATable) STEVENSON (R.L.) The Works of... Swanston Edition, 25 vols. frontispieces, gilt-lettered cloth with gilt tops, partly unopened (+22% BP non VATable) SHAKESPEARE (Wm.) The Oxford Miniature Edition, 3 vols. frontispieces; publisher s gilt-ruled half vellum & marbled boards, gilt-decorated spines with red labels, gilt-tops & marbled e/ps., 12mo. (1903) (+22% BP non VATable) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

82 Lot DURAND (R.) Oxford: its buildings and gardens. De Luxe Edition. 32 coloured & mounted plates; gilt-pictorial vellum, gilt top & pictorial e/ps., sold with some other cloth & leatherbound literary & illustrated books (+22% BP non VATable) POGANY (W.), illustrator. Parsifal: or the Legend of the Holy Grail, retold... by C.W. Rolleston. Limited Edition. coloured pictorial title, 16 mounted & coloured plates, other full-page illus. & decorations throughout; publisher s gilt-pictorial vellum, gilt top & coloured pictorial e/ps., 4to. (1912). * limitation of 525 numbered copies, signed by the artist; loosely inserted is the original etched plate (signed by Pogany) in its printed envelope (+22% BP non VATable) BEWICK (T.) History of British Birds... (3rd & 1st editions), 2 vols. titles with pictorial vignette illus. & wood engraved illus. throughout (both of birds & a variety of rural scenes); later 19th cent. gilt-ruled calf, gilt-decorated & panelled spines, gilt dentelles & marbled e/ps., dy. 8vo. Newcastle: printed by Edward Walker, (1805) * booklabel of Philip Hofer & ownership inscription (1922) of George Lake Russell; this demy 8vo. of vol. 1 (Land Birds) although dated 1804, was published the year following - together with the royal 8vo. & imperial issues (which bear the correct date of 1805) (+22% BP non VATable) RACINE (J.) Alexandre le Grande. Tragedie. First Edition. engraved pictorial title vignette, head & tailpiece decorations, (lacks last leaf of Epistre in prelims.); contemp. mottled calf, panelled spine, 12mo. Paris: chez Pierre Trabouillet, (+22% BP non VATable) MARCOY (P.) A Journey Across South America... First Edition, 2 vols. num. engraved plates & text illus., 10 coloured maps & a plan; contemp. half calf & cloth, gilt-panelled spines, roy. 4to (+22% BP non VATable) OLD LEATHER & CLOTH - another selection (+22% BP non VATable) CIRCUS (& some related); includes Prevert s Le Cirque d Izis (Monte Carlo, 1965); an attractive modern selection (+22% BP non VATable) ART - a Modern Miscellany; includes British, American & Oriental (+22% BP non VATable) SCOTT (W.) Waverley Novels. Large Type Border Editions, 25 vols. num. plates; contemp. Oxford blue morocco-backed cloth, cr. 8vo. (ca. 1930) * with introductions by Andrew Lang (+22% BP non VATable) TAUCHNITZ EDITIONS - includes 17 vols. Ouida, 7 vols. Hardy & 23 others; various bindings. Leipzig, 1840s-90s (+22% BP non VATable) BOSWELL (J.) The Life of Samuel Johnson. newly edited with notes by Roger Ingpen, 2 vols. 13 photogravure plates & num. other illus.; later 20th cent. gilt-ruled maroon half morocco & cloth, gilt-decorated & panelled spines, g.e. & marbled e/ps. (by Bayntun), roy. 8vo. Bath, 1925; FORSTER (J.) The Life of Charles Dickens. 12th edition, 3 vols. plates & other illus.; earlier 20th cent. maroon morocco-backed cloth with gilt spines (+22% BP non VATable) BEARDSLEY (A.), illustrator. The Rape of the Lock... written by Alexander Pope... with 7 engraved plates & 2 text illus.; gilt-pictorial, decorated & lettered cloth, bevelled boards & gilt top, slim 4to. Leonard Smithers, * the elaborately designed cover was also by the artist; first edition with these noteworthy plates (+22% BP non VATable) GILBERT (C.) The Life and Works of Thomas Chippendale. 2 vols. (text & plates); gilt cloth in slipcase, 4to. 1978; sold with some related others (+22% BP non VATable) FRENCH ANTIQUARIAN - quarto & royal octavo books, (19th cent.) (+22% BP non VATable) FRENCH ANTIQUARIAN - octavo books, (mostly 19th cent.) (+22% BP non VATable) 80

83 1378. BINDINGS - Jeffrey s Contributions to the Edinburgh Review (4 vols., 1844, red half morocco); Macaulay s Miscellaneous Writings (2 vols., 1860, maroon polished calf); Hooker s Ecclesiastical Polity (3 vols., 1820, calf); & Greville s Memoirs (8 vols., 1887, half calf) (+22% BP non VATable) POUQUEVILLE (F.C.H.L.) Voyage en Grece. deuxieme edition, 6 vols. 27 lithographed plates (some folded) & 9 maps/plans (some folded), half titles; later 19th cent. calf-backed marbled boards. giltruled & lettered spines, marbled e/ps., cr. 8vo. Paris, (+22% BP non VATable) DE FORBIN (Le Comte) Voyage dans Levant en 1817 et folded plan, half title; contemp. morocco-backed marbled boards, 8vo. Paris, (+22% BP non VATable) TANCOIGNE (J.M.) Voyage a Smyrne, dans l Archipel et l Isle de Candie... First Edition, 2 vols. hand-coloured folded frontispieces, half titles, 4pp. publisher s list (vol.1); contemp. paper wrappers, uncut, 12mo. Paris, Illustrated (+22% BP non VATable) INDIA - Religion & Literature, a mostly modern selection (+22% BP non VATable) ICONOGRAPHY & STAINED GLASS - a selection of religious of modern books (+22% BP non VATable) FRENCH ANTIQUARIAN - miscellaneous historical titles (+22% BP non VATable) FURNITURE - a small selection; together with some miscellaneous other books (+22% BP non VATable) CHURCHILL (R.S.) & GILBERT (M.) Winston S. Churchill. vols. I - V (Biographical vols.) & the 10 Companion vols. (for the first 4 vols.) only - ex the complete set of 21 vols. num. photo. plates, other illus. & 3 folded tables (in the Biography vols.); d/wrappers * the biography covers the years ; together with a few other books by W.S. Churchill (+22% BP non VATable) SHAKESPEARE (Wm.) Complete Works... with notes by Malone, Stevens... 8 vols. coloured frontispieces & 32 woodengraved plates; gilt-ruled maroon half morocco, gilt-lettered & panelled spines, gilt tops & marbled e/ps. New York, (+22% BP non VATable) CONRAD (J.) The Medallion Edition, 22 vols. photogravure frontispieces: gilt cloth with pictorial e/ps * includes the 2 later volumes - not always present (+22% BP non VATable) STERNE (L.) The Works of Laurence Sterne... with a Life of the Author... 4 vols. portrait frontis.; earlier 20th cent. levant half morocco & cloth, gilt tops & marbled e/ ps. (by Riviere) (+22% BP non VATable) GIBBON (Edw.) The History of the Decline and Fall of the Roman Empire... 8 vols., edited, with additional notes, by William Smith; engraved portrait, folded maps & plans; contemp. vellum, giltdecorated spines with red & green labels, marbled e/ps * the standard antiquarian edition (+22% BP non VATable) BURNET (G.) The History of the Reformation of the Church of England... revised and corrected, with additional notes... 4 vols. printed & pictorial engraved titles (vol. 1) & 21 portraits; together with BURNET (G.) History of His Own Time: with notes... 2nd edition enlarged, 6 vols. uniform later 19th cent. gilt-ruled diced calf, gilt-decorated & panelled spines with red & green labels, marbled e/ps. & edges & Oxford, (+22% BP non VATable) HUME (D.) & SMOLLET (T.) The History of England... a new edition vols. 2 portrait frontispieces; gilt-ruled & decorated diced calf with panelled spines, marbled e/ps. & edges (+22% BP non VATable) WAIN (L.) With Louis Wain in Pussyland. 4 full-page coloured & 13 b/w. text illus.; (16)pp. orig. coloured pictorial board covers, 4to. (? ca. 1910) * Father Tuck s Hurrah Series (+22% BP non VATable) JUVENILES - a small early 20th cent. selection, including 6 (with coloured illus.) by Mrs. H.G. Marsh Lambert (+22% BP non VATable) FURNITURE - a modern selection; with some associated books (+22% BP non VATable) CESCINSKY (H.) & GRIBBLE (E.R.) Early English Furniture & Woodwork. 2 vols. (bound together) photo. & other illus. throughout; gilt-lettered buckram, thick roy. 4to. 1922; sold with a few related (+22% BP non VATable) TERENTIUS. Terentii Andria Germanice Reddita et Scholiis illustrata. Ioann Agr. Isleb. Avtore... pictorial engraved title within architectural borders (& another following the preface); (620)pp., black letter; contemp. blind-stamped & decorated pigskin, cr. 8vo. impressum Berlin: (Hans Weiss), * edited by Johann Agricola; a rare volume - Adams lists a Paris edition of 1541 (& an earliest Berlin printing of any book as 1578) (+22% BP non VATable) SCOTT (W.) The Waverley Novels. 27 vols. num. engraved plates; contemp. maroon half morocco & cloth, gilt-decorated & panelled spines, gilt-tops & marbled e/ps. New York: Merrill and Baker, (ca. 1885). * sold as bindings (+22% BP non VATable) HOROLOGY - British Clockmakers; a modern selection. Includes Appleby s Clockmakers of Cheshire (1999); Dowlen s Gloucestershire Clock and Watchmakers (1984) & numerous others (+22% BP non VATable) HOROLOGY - General aspects, mostly modern, with a few European / US interest; and some others on scientific instruments, mechanical music, & related (+22% BP non VATable) ANTIQUARIAN HOROLOGY, vols ( ), many illus., a few bound - but mostly in the printed wrappers. * the run almost (but not quite complete); includes some indexes (+22% BP non VATable) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

84 Lot RANSOME (A.) Winter Holiday. First Edition. frontispiece, 23 full-page text illus. with other text decorations & illus. half title, col. map on e/ps.; publisher s gilt & blind-lettered cloth, d/wrapper, * the fourth book in the Swallows and Amazons series (+22% BP non VATable) WALTON (I.) The Compleat Angler, or the Contemplative Man s Recreation... First Edition (thus). pictorial title (printed in green & black), 12 coloured plates (with captioned guards) & num. text illus. (by Arthur Rackham); gilt-pictorial cloth, gilt top, d/wrapper & pictorial e/ps., roy. 8vo (+22% BP non VATable) SHERER (J.) Rural Life... in the Management of Horses, Dogs, Cattle, Sheep, Pigs, Poultry... (and) modern farming, gardening, shooting, angling... 5 vols. printed & pictorial engraved titles (vol. 1), 64 plates (3 d-page); publisher s gilt & blinddecorated cloth, 4to. (? ca. 1865) (+22% BP non VATable) NATURAL HISTORY & RELATED - a small, old cloth selection (+22% BP non VATable) OLD CLOTH - a mostly literary / art selection (+22% BP non VATable) DE GUEVARA (Don Antonio) The Praise and Happiness of the Countrie-Life. Written originally in Spanish... put into English by H. Vaughan, Silurist. Limited Edition. pictorial engraved title vignette & text engravings (by Reynolds Stone); red morocco-backed paper boards, gilt-lettered on spine, bds. with morocco tips (decorated paper label on upper), decorated d/wrapper, 12 mo. Newtown: the Gregynog Press, * limitation of 400 numbered copies (+22% BP non VATable) 82

85 1408. BIBLE - The Self-Interpreting Bible... to which are annexed an extensive introduction: marginal references and illustration... by the late Rev. John Brown. new edition, with many additional references... 2 vols. frontispieces & other copperengraved plates; newly rebound calf with black spine labels & marbled e/ps., thick folio. Bungay: printed and published by T. Webster, (+22% BP non VATable) HUNGARISCH-TURKISCHE CHRONIK: Das ist Curiuse und dabey kurzgefasste Beschreibung alles desjenigen, was sich vom Ersten grausamen Kreigs-Zug der Turken, under das Konigreich Hungurn, und derselben Kronige... (4th edition). title in red & black, frontispiece, folded table & 26 engraved plates (some folded, including battle scenes & maps), 800, (12)pp. & binder s plates list leaf at end; contemp. vellum, thick cr. 8vo. Nuremberg: im Verlag Leonhard Loschge, * the two month siege of Vienna in 1683 by the Ottoman Army, & their subsequent major defeat in September of that year at nearby Kahlenberg, by the relieving forces of the Polish Lithuanian Commonwealth & the Holy Roman Empire; a turning point in history marking the end of the Ottoman Empire s expansion in Europe. This edition with significantly more plates than the 3 earlier ones. Illustrated (+22% BP non VATable) POETRY - modern British, a small selection of first editions; includes Heaney & Muldoon (+22% BP non VATable) SIMONETTI (Giovanni) Raccolta delle Migliori Sculture del Canova, D Ornati Moderni de Percier... e della Decadenza dell Architettura... Pui Belli del Palladio. 116 engraved plates (?only); old leatherbacked boards, folio. Naples, * not traced in the usual sources (+22% BP non VATable) DICKENS (C.) The Authentic Edition, 21 vols. coloured frontispieces, num. plates & other illus., gilt cloth with gilt tops & pictorial e/ps * printed from the edition that was carefully corrected by the author in 1867 and (+22% BP non VATable) BLOMEFIELD (Rev. F.) An Essay towards a Topographical History of the County of Norfolk... vols 1 & 2. with engraved plates & 7 genealogical tables (some folded), text illus.; old calf (rebacked- with panelled, gilt-lettered & blind- decorated spines), folio. Fersfield & Norwich, * the second volume (as the first) was originally printed by the Rector of Fersfield (& author of the work) at his private press in the rectory (1741); 3 further vols. (completing the work), by the Rev. Charles Parkin, were published Kings Lynn, ; vol. 2 is complete for the City of Norwich (+22% BP non VATable) POSTLETHWAYT (M.) The Universal Dictionary of Trade and Commerce. 4th edition, 2 vols., with large additions and improvements, adapting the same to the present state of British affairs in North America, since the last Treaty of Peace made in the year copper-engraved frontis., pictorial title vignettes, 24 folded maps, some full-page text tables; contemp. mottled calf, panelled spine with gilt morocco labels, folio * a very comprehensive, not to say monumental compilation; this edition based on the third (of 1766) (+22% BP non VATable) GATTY (Mrs. A.) The Book of Sun- Dials. 4th edition, now enlarged and re-edited by H.F.K. Eden and Eleanor LLoyd. 9 photogravure plates & num. text illus., errata slip. earlier 20th cent. gilt-ruled blue levant morocco, gilt-lettered & decorated panelled spine, inner gilt dentelles, watered silk e/ps. (by Zaensdorf), 4to * an especially handsome binding for the best edition of a most interesting subject book (+22% BP non VATable) PRICE (Sir Fredk.) Ootacamund. A History... First Edition. folded lithographed frontis., photogravure portrait, 15 other photogravure & litho plates, 8 maps & plans; original gilt-ruled half morocco & cloth, folio. Madras: printed & published by the Superintendent, Government Press, * compliment slip loosely inserted - presented by the Government of Madras. * the famous hill station & summer capital of the Madras Presidency. see related lots 860, 861, 1326, 1357, 1417, 1418, (+22% BP non VATable) BOURNE & SHEPHERD, photographers. The Coronation Durbar, Delhi, First Edition. title (printed in purple within decorated borders), introductory 4pp. letterpress & 135 photographs mounted on 103 leaves of thick paper, each preceded by a leaf of descriptive text (& all within decorated borders); publisher s gilt-ruled, lettered & pictorial red morocco, gilt-decorated spine, thick folio. Calcutta (etc.), Bourne & Shepherd, * seemingly one of the world s most spectacular events (held over 2 weeks & organised by the Viceroy, Lord Curzon; the leading members of the British Administration together with the Sub Continent s maharajahs & other native princes attending en masse; Curzon s only disappointment being the absence of the Emperor himself (Edw.VII) - his brother, the Duke of Connaught being his representative; it is generally acknowledged that the 1903 Durbar was superior in pomp & pageantry to the earlier (1877) or later (1911). see related lots 860, 861, 1326, 1357, 1416, 1418, Illustrated (+22% BP non VATable) WHEELER (S.) History of the Delhi Coronation Durbar... compiled from official papers by order of the Viceroy and Governor-General of India... First Edition. 30 photogravure portraits (with tissue guards), 19 photo. / photogravure plates, 3 plans (2 folded) & a d-page folded panorama; gilt-ruled, pictorial & decorated red cloth, gilt top, thick roy. 4to see related lots 860, 861, 1326, 1357, 1416, 1417, (+22% BP non VATable) LOVE (Lt. Col. H.D.) Descriptive List of Pictures in Government House and the Banqueting Hall, Madras... First Edition. maps & a plan, photogravure frontis. & other plates, d-page table; gilt-decorated red morocco with panelled spine. Madras... Government Printers, see related lots 860, 861, 1326, 1357, 1416, 1417, (+22% BP non VATable) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

86 1423. WAKEFIELD (Edw.) An Account of Ireland, Statistical and Political. First Edition, 2 vols. folded map & diagram, half titles; later 19th cent. half calf & marbled boards, 4to * bookplates of the Surveyors Institution (+22% BP non VATable) MUNNINGS (A.J.) The Tale of Anthony Bell: a hunting ballad. pictorial wrappers, slim 8vo. published privately, (1921). * signed by the author (1949) on upper wrapper, & with small photo. of the author s pekinese (ms. title in his hand - I am the President s dog! ) on inside of upper wrapper; together with 2 related exhibition catalogues, & an old mounted photo. of the artist (as a young man) seated in his studio at Mendham (Suffolk) (+22% BP non VATable) HOGARTH (Wm.) The Complete Works... new edition, complete in the 24 parts. num. engraved plates; original pictorial wrappers, 4to. (? 1840s) (+22% BP non VATable) Lot The FOUR GOSPELS of the LORD JESUS CHRIST... with Decorations by Eric Gill. Printed and published at the Golden Cockerel Press, MCMXXXI (Christopher Skelton s September Press Reproduction Limited Edition). woodengraved illus. & decorations; publisher s buckram, with incised cross on covers & giltlettered on spine, folio * limitation of 600 copies, this being one of the 480 (unnumbered) buckram issue; 16 supplementary pages were added - giving information on the reproduction process, & also Robert Gibbings: Memories of Eric Gill (with 3 full-page photo. illus.). Illustrated (+22% BP non VATable) ERASMUS (Desiderius) Paraclesis, Id Est, adhortatio ad sanctissimu ac saluberrimum Cristianae philosophia Studium... title & commencing text leaf within decorated woodcut borders, printer s woodcut device on colophon, 24pp.; old calf, covers blind-decorated within panels, panelled spine, cr. 8vo. Basileae: in aedibus Ioannis Frobenii ; bound with (Same Author) Ratio Seu Methodus copendio (sic) perueniendi ad ueram Theologiam... title & following dedication page within decorated woodcut borders, printer s woodcut device on colophon, 219pp. Basileae: in aedibus Ioannis Frobenii ; bound with (Same Author) Enchiridion Militis Christiani... title within decorated woodcut borders, 106ff. Argentinae: apud Ioannem Knoblochum * old library title stamps - Bibliothek Kapuziner Hospiz, Rigi Klosterli ; early editions published within the lifetime of the great humanist scholar & theologian; the Enchiridion was first published in Paraclesis & Ratio were introductory material found in his New Testament (of 1516). Illustrated (+22% BP non VATable) The NAUTICAL ALMANAC and ASTRONOMICAL Ephemeris for the year folded tables, advert. leaf; contemp. calf, gilt-decorated & panelled spine with red label * published by order of the Commissioners of Longtitude (+22% BP non VATable) OLD CLOTH & LEATHER - an interesting & viewable selection (+22% BP non VATable) LEE (B.N.), editor. Dearest Joanna: a selection of Joan Hassall s lifetime letters and art... introduction by John Dreyfus. Limited Edition, 2 vols. num. mounted & other illus. (some full-page & coloured); black half morcco & grey cloth, paper spine labels, roy. 8vo. printed in Denby Dale at the Fleece Press, (2000). * limitation of 300 sets, this one privately bound from original sheets (+22% BP non VATable) ANDERSEN (H.C.) Fairy Tales... decorated title, 40 plates (some coloured) & text decorations (by Harry Clarke); pictorial cloth, roy. 8vo. reprinted January (+22% BP non VATable) 84 Lot 1426

87 1429. BALCH (H.E.) Wookey Hole: its caves and cave dwellers... First Edition. photogravure frontis., 19 other plates & num. text illus. (some full-page, some colour); cloth-backed pictorial paper boards, roy. 4to * a valuable contribution; includes a subscribers list (+22% BP non VATable) TOLKIEN (J.R.R.) The Hobbit or There and Back Again. 3rd edition, tenth impression. 5 coloured plates & some text illus.; contemp. gilt-ruled & decorated red half morocco & cloth, panelled spine, g.e. & marbled e/ps. (by Asprey) * note: the original e/ ps. were replaced - with the loss of the 2 maps; COOPER (B.) Badminton: the three-day event illus.; red half morocco (gilt) & cloth, (+22% BP non VATable) FITZGERALD (E.) Rubaiyat of Omar Khayyam, the Astronomer-Poet of Persia... reprint of the fourth edition. contemp. decorated boards, gilt red spine label & sm. gilt lettered roundel upper board, g.e. lilac e/ps., sm. 8vo. (by Sangorski & Sutcliffe) * the shilling edition, the initials G.S. on the roundel possibly standing for George Sutcliffe (+22% BP non VATable) BEETON (I.) Mrs. Beeton s Family Cookery... new edition. 20 coloured plates & other illus.; later 20th cent. blinddecorated tan morocco, gilt lettered & panelled spine, g.e. & marbled e/ps., in a matching marbled slipcase, thick cr. 8vo. (ca. 1930) (+22% BP non VATable) Lot BIBLE - The Holy Bible, Containing the Old Testament, and the New / 1614, Authorised Version. engraved pictorial general & NT. titles (with the heart-shaped printed centres), head & tailpiece decorations & some initial letters, black-letter & d-column; earlier 19th cent. half calf & marbled boards, gilt-decorated spine, 4to. imprinted at London by Robert Barker & (NT.) * with the Two Right Profitable and Fruitfull Concordances... collected by R.F.H. (1615) as issued with this edition; the Genealogies & Map (sometime found with this edition) are not here present; the work is preceded by a Book of Common Prayer (1615) & has a Sternhold & Hopkins Psalmes (1621) at end; Darlow & Moule 331A. Illustrated (+22% BP non VATable) VERNE (J.) Five Weeks in a Balloon... new and cheaper edition. title illus., num. engraved plates & other illus., near contemp. gilt-ruled tan morocco, gilt-decorated upper cover, plain panelled spine, g.e., cr. 8vo. (ca. 1910) * ink signature at front of Alberto Sangorski. Illustrated (+22% BP non VATable) ILLUSTRATED BOOKS - an older selection; including Maxwell, Tunnicliffe & Gibbings (+22% BP non VATable) THACKERAY (W.M.) The Works of vols. printed & pictorial engraved titles & num. other plates; near contemp. half calf & marbled boards, gilt-decorated & panelled spines with red labels, marbled e/ps. & edges (+22% BP non VATable) ANDERSEN (H.C.) Hans Andersen s Fairy Tales... pictorial title, 16 coloured & mounted plates, num. other illus. (by W. Heath Robinson); gilt-pictorial cloth, 4to. (ca. 1935?); ARABIAN NIGHTS. Stories from... retold by Laurence Houseman. 20 coloured plates & some text decorations (by Edmund Dulac); gilt-pictorial cloth, 4to. (ca. 1935?). * both are Boots the Chemist s issues (+22% BP non VATable) SHEPARD (E.H.). illustrator Everybody s Pepys... abridged from the complete text... Limited Large Paper Edition. illustrated title & num. plates, e/p. maps; gilt buckram, thick 8vo * limitation of 350 numbered copies, signed by the artist. together with some other illustrated books by this artist & others - including Hugh Thomson & Charles Brock (+22% BP non VATable) Lot 1438 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

88 Lot THE STUDIO: an illustrated magazine of fine and applied art, vols. 13, 71-73, 77 & 128. illus. throughout; clothbound & 1944; sold with 5 Special Winter Issues. num. illus.; printed wrappers, ( ); and a few others (+22% BP non VATable) LEIGH S New Pocket Road-Book of England & Wales... 3rd edition, carefully revised. printed & pictorial engraved titles, coloured folded map & 55 others; publisher s gilt calf (damaged), sm. 8vo (+22% BP non VATable) THE NEW and COMPLETE TRAVELLER... revised, corrected, and improved by William Hugh Dalton... num. folded maps & engraved plates; newly rebound calf, panelled spine with red label, folio. (ca. 1795) (+22% BP non VATable) THE BRITISH ESSAYISTS vols. (some with portrait frontispieces); later half calf & marbled boards, sm. 8vo (+22% BP non VATable) MUNNINGS (A.) An Artist s Life / The Second Burst / The Finish. 3 vols. num. photo. plates, illus. e/ps.; gilt cloth & d/wrappers * i.e. Sir Alfred s autobiography; vol. 1 with a tipped-in Order of Service for his funeral (July 1959); vol. 2 with a lengthy presentation inscription from the author to his friend A.A. Rawlinson (of the Wildenstein Gallery), a full-page pen & ink sketch, & a 2pp. pencilled note (on his Chelsea headed paper) loosely inserted; together with a copy of the Author s Ballads and Poems... Limited Edition. photo. plates & other illus.; gilt cloth & d/wrapper * limitation of 250 numbered copies; with it is a typed tls. (Nov. 1957) to Rawlinson from James Green (of the Bond Street Galleries - on their headed notepaper) enclosing the book; also present is a 13 line als. from the author to Rawlinson on his headed (Castle House, Dedham notepaper) of profuse thanks for a case of Harveys (?sherry) sent - you ll have to come down and drink the lot ; this with a relevant fullpage humorous sketch on verso. Illustrated (+22% BP non VATable) HOFMANN (C.G.) Memoriam Saecularum Funeris et Sepulchri D. Martini Lutheri... engraved portrait frontispiece; together with the Appendix, & a Supplementary Text (by the same author); followed by 2 related texts (by others); old boards, 8vo. Wittenberg: Johann Joachim Ahlfeld, * these texts possibly often found together - as published to commemorate the 200th anniversary of Luther s death (+22% BP non VATable) 86

89 1445. BIBLE - The Newe Testament of our Saviour Iesus Christe, faithfully translated out of the Greke, with the Notes and Expositions of the darke places therein... (1566 revised Coverdale version). title printed in red & black & woodcut portrait (Edw. VI) within decorative surround, a map, num. engraved text illus. & decorated initial letters, blackletter text; old blind-ruled calf with later giltdecorated & lettered panelled spine, 4to. (imprinted at London... by Richard Jugge ) * the third Jugge edition; booklabel of the Baptist College, Bristol & the armorial bookplate their great benefactor, Dr. Andrew Gifford ; Darlow & Moule 121. Illustrated (+22% BP non VATable) MODERN ILLUSTRATORS - A good selection of books about individual illustrators; with a few related (+22% BP non VATable) Lot ILLUSTRATED BOOKS - some collective reference books (+22% BP non VATable) BEETON (Mrs. I.) Mrs. Beeton s Book of Household Management... new edition: revised, enlarged (ex 30) colour printed plates, num. other illus.; rebound morocco-backed cloth, spine paper label, v. thick 8vo (+22% BP non VATable) CLARKE (Harry), illustrator. Tales of Mystery and Imagination, by Edgar Allan Poe. (? First Edition) 32 plates (8 coloured, & mounted on thick paper), pictorial title & text illus.; gilt-lettered cloth, inset illus. on upper cover, gilt top, roy. 8vo. London: George G. Harrap; New York: Brentano s (? 1923). * as might be expected, the artist s own macabre imagination is fully realised in these chilling illustrations. Illustrated (+22% BP non VATable) Lot

90 Lot 1450

91 1450. [DODGSON, Rev. C.L.] Doublets: a Word-Puzzle. By Lewis Carroll. First Edition. title within black-ruled border, 39pp.; publisher s blind-ruled & gilt-lettered red cloth, with their blind-tooled monogram on upper cover, slim. 8vo. Macmillan and Co., * inscribed by the author (in his purple ink) at head of title - Alice Hull / from the Author. * Dodgson had met the Hull family at Eastbourne, where he holidayed for many years from a plaque at 7 Lushington Road marks the location of his chosen guest house. Doubtless the five daughters of the London barrister Henry Hull were a welcome addition to his child friends, with Eastbourne itself being a fruitful hunting ground for others. Doublets, a word transformation puzzle, had appeared in embryonic form as Word-Links (a cyclostyled leaflet) the year previous, becoming in its developed form a very popular parlour game. As well as his sisters in Guildford, another lived in Brighton, also much visited by the author - who on occasion took a steamer trip between the two resorts; indeed it is at the latter place that Dodgson had a few copies of his legendary pantomime song printed - thus far none have (knowingly) surfaced. Perhaps here, however, we may be able to claim an uncommon sighting of Oxford in Eastbourne. Illustrated (+22% BP non VATable) CICERO - Opera, Quae Supersunt Omnia vols. gilt-ruled black morocco, gilt-extra decorated spines with red double labels, g.e. & marbled e/ps., 12 mo. Glasgow: Robert and Andrew, Foulis, (+22% BP non VATable) GROTE (G.) A History of Greece... new edition, 12 vols. portrait frontispiece & folded maps; contemp. gilt calf, panelled spines with red double labels, marbled e/ps. & edges, sm. cr. 8vo (+22% BP non VATable) MARITIME - a small selection, mostly Merchant Navy; with a few miscellaneous other books (+22% BP non VATable) DICKENS (C.) Master Humphrey s Clock. First Edition, 3 vols. engraved frontispiece for each volume & num. text illus. (by Cattermole & Browne); later 19th cent. black polished calf, covers with blinddecorated borders, gilt-ruled & decorated panelled spines, with double red labels, marbled edges, tall 8vo * each volume with a ms. inscription (1892) at head of title, to a Dr. Haynes, from a grateful patient (+22% BP non VATable) BIBLE - Sacra Biblia, das ist Die ganze Heilige Sohrift, Alten und Neuen Testaments... num. copper-engraved portraits, blackletter, separate N.T. title; old vellum boards, thick roy. 4to. Vienna, * an RC. version, edited by Casper Wenberg (+22% BP non VATable) JOHNSON (S.) A Dictionary of the English Language... facsimile of the first (1755) edition, 2 vols. publisher s half leather & marbled boards, gilt-decorated spines, in slipcase, folio. (ca. 2005). * a facsimile booklet for The Plan of a Dictionary... (1747) & a relevant historical information pamphlet accompanying the publication (+22% BP non VATable) FRANCE (A.) (Collected Writings), 23 vols. continental calf-backed marbled boards, gilt-decorated with red labels, gilt tops & marbled e/ps., cr. 8vo. Paris, (?1950s) (+22% BP non VATable) BYRON (Lord) The Poetical Works. new edition, 6 vols. engraved portrait; contemp. gilt-decorated green morocco, g.e (+22% BP non VATable) OLD LEATHER - a small selection (+22% BP non VATable) The LADIES CABINET... with coloured fashion & other plates; old half calf & marbled boards. 1846; together with a volume of num. hand-coloured fashion plates from another series; half leather binding. (? ca. 1820) (+22% BP non VATable) OLD LEATHER - a mostly 19th cent. selection; includes 2 part sets of Dickens (+22% BP non VATable) UPTON (F.K.) The Golliwogg s Christmas. Pictures by Bertha Upton. First Edition. coloured pictorial title & 31 fullpage coloured illus., some text decorations, cloth-backed pictorial boards, patterned e/ps. oblong 4to (+22% BP non VATable) POLLARD (B.C.) Game Birds... First Edition. 12 coloured plates (mounted & with captioned guards), by Philip Rickman) & other illus., gilt-lettered cloth, 4to. 1929; sold with some other related books (+22% BP non VATable) RICKMAN (Philip) A Bird-Painter s Sketch Book. First Edition. 11 coloured plates (with captioned guards) & other illus.; holland cloth with paper label, 4to. 1931; with others by this artist, including Bird Sketches and some Field Observations (1938) (+22% BP non VATable) FULLER (E.) The Great Auk. Limited Edition. coloured & mounted frontis., illus. throughout (many full-page & coloured); publisher s green half morocco & marbled boards, in slipcase, 4to. Southborough (Kent): the Author, * limitation of 400 numbered copies, signed by the author (+22% BP non VATable) GOULD (J.) Monograph of the Piitidae. Facsimile Edition, the 2 parts bound together. 20 coloured plates (with letterpress descriptions); gilt cloth, folio. Melbourne: Hill House, 1989) (+22% BP non VATable) AUDUBON (J.) Audubon s Birds of America; edited by Roger Tory Peterson... many coloured illus. throughout (mostly full-page); lettered buckram in d/wrapper, thick folio. in slipcase. New York & London: Abberville Press, * The National Audubon Society Baby Elephant Folio ; together with an interesting (mostly modern) ornithological selection (+22% BP non VATable) GOULD (J) The Birds of Australia. Facsimile Edition, vol. 2 (only, of 8). many coloured plates (with letterpress descriptions); gilt leather, folio. Melbourne: Lansdowne, * a handsome production, limited to approx. 500 sets (+22% BP non VATable) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

92 1470. WARREN (M.) Shorelines: birds at the water s edge. First Edition. coloured pictorial title, coloured illus. throughout (some full or d-page), pictorial e/ps.; contemp. red half calf morocco & cloth, gilt-lettered, ruled & panelled spine, gilt top (by Period Binders), 4to. Hodder & Stoughton, * evidently specially bound for presentation; with a separately printed illus. (of the green heron) mounted at front & signed in ink above - Michael Warren ; bound-in at the end are the d/ wrapper s front & back covers and the spine (+22% BP non VATable) FROST (C.) Victorian Taxidermy: its history and finest exponents. Limited Edition. illus., produced & typescript; giltlettered cloth with upper cover inset illus., slim 4to. (privately published), * ms. inscription dedication verso - special edition of 5 copies numbered and signed by the author (+22% BP non VATable) 1471A. BIRD PRINTS - a large sized selection of 12 coloured, mostly facsimile reprints, but including John Tennent s Jay in a snowstorm (limited edition of 95), with artist s pencilled dated signature & limitation beneath (+22% BP non VATable) MISCELLANY - a few ex-library volumes; includes Graily Hewitt s Lettering (signed limited edition, 1930) (+22% BP non VATable) PHOTOGRAPHY - Portfolios Electra, 3 vols. (D. Palazolli, editor). each with introductory letterpress & 12 plates, card wrappers in printed sleeves, 4to * Fox Talbot,Muybridge & Beaton; ex library copies (+22% BP non VATable) BOUQUET (M.) An Artist s Ramble in the North of Scotland. pictorial title & 24 lithographed plates; contemp. half morocco & gilt-lettered cloth, folio. (ca. 1840s). * artist s pencilled presentation inscription foot of title; together with BOUQUET (M.) The Tourist s Ramble in the Highlands... pictorial & decorated titles & 35 lithographed plates; contemp. half morocco & gilt-lettered watered silk cloth, folio. London & Paris, (ca. 1840s). * sold with a second copy (in printed boards) (+22% BP non VATable) COCTEAU (J.) 25 Lithographes Originales... Limited Edition. 2 prints only present, with introductory letterpress; contained in the original box, large folio. Paris, (n.d.) (+22% BP non VATable) SCOTT (W.) Waverley Novels, 48 vols. engraved pictorial titles & frontispieces; 19th cent. half morocco & cloth, gilt lettered & panelled spines, sm. 8vo (+22% BP non VATable) POTTERY - a few (old) books on English pottery (+22% BP non VATable) PULTENEY (Lt. Gen. Sir Wm.) & Brice (B.) The Immortal Salient: an historical record and complete guide for pilgrims to Ypres. 3rd edition. 6 plates (4 coloured), text plan & folded maps in pocket; printed boards * British Information Bureau stamps (+22% BP non VATable) POTTER (B.) A collection of Early /? First Editions, in the original format, & all Frederick Warne & Co., mostly poor condition (lacking spines, etc) (+22% BP non VATable) POTTER (B.) The Roly-Poly Pudding. First Edition. coloured pictorial title (printed in blue), half title, coloured illus. & coloured pictorial e/ps.; gilt & green lettered maroon cloth with inset coloured illus., cr. 8vo. Frederick Warne & Co., * small stamped ownership name - Eric Lindus Forge verso of front free e/p (+22% BP non VATable) POTTER (B.) Appley Dapply s Nursery Rhymes; The Tale of Johnny Town Mouse. Early Printings in theor original format, & both Frederick Warne & Co. * Appley Dapply appears to be second printing (Nov. 1917); Johnny Town Mouse probably June 1919; together with The Tale of Mrs. Tiggy Winkle; an early printing (? ca. 1912) (+22% BP non VATable) POTTER (B.) The Tale of Tom Kitten. First Edition. pictorial title, half title, coloured illus. & coloured pictorial e/ps.; grey / green paper boards lettered in white with inset coloured illus., sm. 8vo. Frederick Warne & Co., * half title ink inscription - Mabel Kitching / from Father / Wishing you a happy birthday / Nov 28 / (+22% BP non VATable) POTTER (B.) The Tale of Peter Rabbit. (6th printing?) pictorial title vignette, half title, coloured illus. & coloured pictorial e/ps.; white lettered brown paper boards (rebacked cloth) with inset coloured illus., sm. 8vo. Frederick Warne & Co., (? Dec. 1903). * old pencilled ownership name (+22% BP non VATable) ROWLING (J.K.) The Harry Potter Gift Set, 4 vols. pictorial titles; gilt cloth with inset illus. on upper covers, contained in the gilt-pictorial slipcase * i.e. The first four titles in the series (+22% BP non VATable) TOULOUSE-LAUTREC (H. de) Elles... introduction by Michel Melot. 11 coloured & mounted plates (& an extra presentation one); cloth-backed pictorial boards, in slipcase, folio * 3pp. introductory sheet loosely inserted (+22% BP non VATable) WINDSOR FOREST - Foresta de Windsor, in Com. Surrey. The Meers, Meets, Limit and Bounds... 14pp. disbound. printed in the year, (1646) (+22% BP non VATable) GORER (E.) & BLACKER (J.F.) Chinese Porcelain and Hard Stones. Limited Edition, 2 vols. 254 tissue-guarded plates (mostly coloured); gilt-pictorial buckram, v. thick folios. Bernard Quaritch, * text in English & French; 1000 numbered sets were issued (+22% BP non VATable) BIBLE - The Holy Bible... the Authorized Version; with Notes... (edited by) Rev. George D Oyly and the Rev. Richard Mant... 3 vols. engraved plates & maps; near contemp. gilt-ruled maroon morocco, (by Norman & Duncan), roy. 8vo. 1839; together with The BOOK of COMMON PRAYER... printed within red-ruled borders & uniformly bound as the Bible (though demy 8vo.) Oxford, * a handsome set, each with the gilt morocco ownership label of Thomas Weeding Baggally. (June 1848) on pastedowns (+22% BP non VATable) 90

93 Watercolours, Prints & Oil Paintings Lot 1501 (detail)

94 Wednesday 8th November 2017 at 3pm Watercolours & Prints Explanation of Catalogue Terms Full name of the artist - In our opinion a work by the artist. Attributed to.. - In our opinion probably a work by the artist in whole or in part. Name and initial - In our opinion possibly a work by the artist. Studio of.. - In our opinion a work executed in the studio or workshop of the artist. Circle of.. - In our opinion a work of the period of the artist and showing his signature. Follower of.. - In our opinion a work executed in the artist s style, but not neccessarily a pupil. Manner of.. - In our opinion a work in the artist s style, but of a later date. After.. - In our opinion a copy (of any date) of a work by that artist. Signed.. Dated.. Inscribed - In our opinion the work has been signed/date/inscribed by artist. bears signature and/or date and/or inscription - In our opinion has been added by another hand. - Subject to Droit de Suite Thomas Stothard RA (17 August April 1834) British, The Wellington Shield, a rare complete set of six original etchings and engravings by McQueen & Co, later trimmed to the edge of each image and pasted together to form a complete roundel, now displayed in a glazed circular low table with parcel gilt decorated ebonised frame on shaped tapering legs, 107.5cm diameter, 35cm high overall. Illustrated. Provenance: From the collection of the late Jeremy Mass Esq. Footnote: Thomas Stothard exhibited at the Royal Academy between 1778 and 1834 and was one of the foremost illustrators and designers of his generation. The Wellington Shield, now on display in the Wellington Museum Apsley House, was commissioned from subscriptions by the merchants and bankers of the City of London to commemorate the spectacular victories of Field Marshal Arthur Wellesley, 1st Duke of Wellington. The leading artists of the day were invited to tender for the commission but with a strictly limited proposal deadline and Stothard had only three weeks in which to compose his designs and send them in to the committee. He completed his design for the shield in later modelling some of the details in plaster (an example of which now resides in the collections of the V&A Museum). The design was based upon the arrangement of Flaxman s Shield of Achilles after the description in Homer s Iliad and by contemporary interpretations of ceremonial shields. The surround narrates Wellington s military successes starting with the battle of Assay, his victories in the Peninsula War, and concludes with his receipt of the Ducal Coronet from the Prince Regent. The central roundel depicts the Duke astride his war horse Copenhagen and being crowned by the winged figure of Victory. The enormous silver gilt shield itself was completed in 1822 by Benjamin Smith for the silversmiths Green, Ward and Green. Even before the silver shield itself was exhibited and presented- Stothard decided to Lot 1501 create and sell his own original etchings of the designs for this important work- which found equal favour among the general public, collectors and artists. In a letter dated 13th April 1822 John Constable wrote to his friend the Rev. John Fisher Stothard has published his beautiful etching of the shield of Wellington, three and a half feet circle. Oblige me and my dear old friend by purchasing one. This set of etchings represents not only one of the largest and most ambitious original etching sets produced in the early 19th century but also perhaps the first time in 24 years that such an assembled work has been offered for sale at auction (+26.4% BP ) 92

95 1502. After Giovanni Battista Tiepolo, Three allegorical figures, etching, first state of two, by Giovanni Domenico Tiepolo, 17cm x 16cm After J. J. Beich, Biblical scene; The crucifixion, two engravings, each 49cm x 64cm (2) Circle of John Laporte, Peasants on a wooded path; Travellers on a mountain pass, a pair, gouache, each 26cm x 35cm (2) (+26.4% BP ) Colonial School (19th century), Mexican landscape, watercolour, indistinctly inscribed, unframed, 26.5cm x 45cm (+26.4% BP ) English School (c.1800) Joan of Arc and the Furies, pen, ink, and watercolour, 22cm x 27cm (+26.4% BP ) English School (early 19th century), River scene with angler catching a fish, pastel, 41cm x 57cm Thomas Staunton (Major General) Saint Clair ( ), An officer on horseback crossing a bridge; Blackamoors by the coast; Man on horseback with a girl on a mountain pass, three watercolours, each approx 21cm x 16.5cm (9) Thomas Staunton (Major General) Saint Clair ( ), Travellers in a landscape; Pony and trap; Figures near a bridge, three watercolours, the largest 17cm x 27cm (3) Thomas Staunton (Major General) Saint Clair ( ), Water gatherers; A beggar at the steps; Figures riding, three watercolours, each approx 20cm x 16cm (3) French School (19th century), Portrait of a lady, pastel, 70cm x 57cm; in a carved and pierced Florentine style frame. Illustrated (+26.4% BP ) Richard Dighton ( ), Profile portrait of Mr Patterson; Profile portrait of a gentleman, two watercolours, the larger 21.5cm x 16cm (2) (+26.4% BP ) Richard Dighton ( ), Portrait of the Earl of Ridesdale; Portrait of Mr Sampson, late of The Times newspaper; Portrait of the Earl of Ridesdale, three watercolours, the largest 23.5cm x 15.5cm (3) (+26.4% BP ) Richard Dighton ( ), Self portrait; Portrait of Rev. Mr Kerr; Portrait of the Earl of Winchelsea, three watercolours, the largest 18cm x 13cm (3) Circle of John Varley, Figures on the edge of a plain, watercolour, arched top, 38cm x 56cm; together with two further watercolours of North African scenes. (3) (+26.4% BP ) Richard Dighton ( ), Portrait of a gentleman, watercolour, signed and dated 1872, 54cm x 43cm (+26.4% BP ) Walter Goldsmith ( ), The Village Street, watercolour, signed and dated 1880, 48cm x 70.5cm Follower of David Roberts, The Bridge of Sighs, Venice, watercolour, bears a signature and date, 49cm x 27cm (+26.4% BP ) Nathanel Everett Green ( ), Loch Lomond, watercolour, signed and inscribed, 35cm x 63cm William Hough ( ), Still life of roses and vase, watercolour, signed, 25.5cm x 35cm William Hough ( ), Still life studies of apples, a pair, watercolour, both signed, each 11.5cm x 15.5cm (2) (+26.4% BP ) William Adolphus Knell ( ), Hastings, watercolour, signed, 22.5cm x 36.5cm Attributed to Orlando Norie ( ), A Cavalry Charge, watercolour, 33cm x 50cm (+26.4% BP ) Lot Stephen John Batchelder ( ), Scenes on the Norfolk Broads, a pair, watercolour, one signed, each 17cm x 30cm, together with a further watercolour by the same hand Richard Doyle ( ), The Pied Piper of Hamelin, watercolour, signed with monogram, 51cm x 77cm (+26.4% BP ) Edward Renard (19th/20th century), Lily pond with cattle grazing beyond, watercolour, signed and dated 1907, 60cm x 90cm (+26.4% BP ) Warren Williams ( ), Near Trefriw, North Wales; On the river Conway, North Wales, a pair, watercolour, both signed, unframed, each 25.5cm x 36.5cm Wilfred Knox ( ), Boats in the Venetian lagoon, river scene, a pair, gauache, both signed, each 27cm x 37cm Cipriano Mannucci ( ), A Soirée, watercolour and bodycolour, signed and inscribed Firenze, 53cm x 73cm (+26.4% BP ) Wycliffe Egginton ( ), Summer Haze, Teignmouth, watercolour, signed, 25cm x 35cm (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

96 1541. Attributed to William George Gillies ( ), Goats and duck, watercolour and gouache, bears a signature, 29cm x 39cm Attributed to Augustus John ( ), Seated Female, pen and ink, 43cm x 31.5cm (+26.4% BP ) Bertha Boynton Lum ( ), Oriental Procession, colour woodblock, signed, inscribed and dated 1924, 22cm x 28cm Guy Malet ( ), Birds wheeling over South Downs, watercolour, signed, 28.5cm x 53cm (+26.4% BP ) Lot Paul Cezanne ( ), Entrance to the farm, etching, 13cm x 10.5cm (+26.4% BP ) Frank Egginton ( ), At Cushendun, Co. Antrim, watercolour, signed and dated 1932, 26cm x 36cm Frank Egginton ( ), Dunfanaghy from Breaghy, Co. Donegal, watercolour, signed and dated 1932, inscribed on reverse, 26cm x 365cm Lot Herbert Thomas Dicksee ( ), Sleeping Tigress, etching, signed in pencil, 18cm x 35cm (+26.4% BP ) Herbert Thomas Dicksee ( ), Leopard with jungle fowl, etching, signed in pencil, 20cm x 43cm (+26.4% BP ) Erich Heckel ( ), Pantomime von WS Guttman, woodblock print, signed, inscribed and dated 12, unframed, 23.5cm x 11cm Simon-Albert Bussy ( ), Bird on a perch, gouache, signed with initials, inscribed on label verso, 28cm x 14cm. Illustrated (+26.4% BP ) Simon-Albert Bussy ( ), Bird on a perch, gouache, signed with initials, 28.5cm x 20cm. Illustrated (+26.4% BP ) Paul Maze ( ), Race horses exercising, watercolour over pencil, signed, 11cm x 16cm William Walcott ( ), Study of a nude, watercolour over pencil, signed, 25cm x 44cm. Illustrated. Provenance: The Fine Art Society (+26.4% BP ) Lot 1548 Lot

97 Lot 1557 Lot Hugo Schiber ( ), Landscape, watercolour and gouache, signed, 65cm x 45cm (+26.4% BP ) Andre Brasilier (b.1929), L Obstade; Petit Cheval de Circe, two colour lithographs, both signed, the larger 23.5cm x 19cm (2) Robert Motherwell ( ), Mirror I, lithograph, 1989, signed with initials and numbered 1/25, 56cm x 38cm (+26.4% BP ) Norman Ackroyd (b.1938), Landscape with a rainbow, etching with colour aquatint, signed, inscribed, dated 1968, numbered 7/75, 50cm x 53.5cm (+26.4% BP ) Ronald Brooks Kitaj ( ), Pogany, colour lithograph, signed and numbered 48/70, 60.5cm x 91cm (+26.4% BP ) Edward Seago ( ), Fishing boats Chieggia, Italy, watercolour, signed, 26cm x 37cm Illustrated (+26.4% BP ) Andre Brasilier (b.1929), Le Bouquet Bleu, colour lithograph, signed and numbered 91/300, 80cm x 57cm (+26.4% BP ) Bram Bogaert ( ) Untitled 2 Aqua-Gravure, 1989, printed in colours on paper pulp, signed, dated 89 and numbered 99/99, 96cm x 97cm Please note that this lot is subject to VAT on the hammer. Illustrated (+26.4% BP ) Keith Baynes ( ), The Spanish steps, Rome, watercolour, signed, 18.5cm x 25cm (+26.4% BP ) Richard Smith CBE ( ), Florance 1, 1973, and Florance 2, both with frosted Plexiglas and blue string, both signed, dated 73, and numbered 46/75 and 57/75, each 50cm x 70cm (2) Please note that this lot is subject to VAT on the hammer (+26.4% BP ) Alan Davie CBE RA ( ), two screenprints, Fox Watch 1, 1970 (from series 1), and Bird Through Wall, 1973 (from the Penwith portfolio), two colour screen prints both signed and dated, one 70 the other 73, both numbered, 77/90 the other 7/75, each 55cm x 73.5cm (2) Please note that this lot is subject to VAT on the hammer (+26.4% BP ) Bruce Onobrakpeya (b.1932), Ughegbe, metal plate, signed and dated 1986, 25cm x 19.5cm; together with a book of poems and lithographs by the artist, with the same image depicted on the front cover. Illustrated (+26.4% BP ) Lot Bruce Onobrakpeya (b.1932), Akopia (Shealth) metal foil deep etching, signed, inscribed, numbered 12/45, dated 1986, further inscribed on reverse, 69cm x 23cm. Illustrated (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

98 Lot Bruce Onobrakpeya (b.1932), Idimarha (Birth Right), plastograph, signed, inscribed, numbered 16/30, dated October 1983, 99cm x 51cm. Illustrated (+26.4% BP ) Bruce Onobrakpeya (b.1932), Agbogidi (Red base) plastograph, signed, inscribed, numbered 1/15, dated January 1972, 46cm x 61cm. Illustrated (+26.4% BP ) Kim Donaldson (b.1952), Waterbuck, pastel, signed, 53cm x 73cm. Illustrated (+26.4% BP ) Kim Donaldson (b.1952), Wildebeest, pastel, signed, 45cm x 68cm. Illustrated (+26.4% BP ) Lot 1563 Lot 1565 Lot

99 Oil Paintings Brian Plummer (b. 1934), Wast Water Red, 1977, oil and relief on board, signed and dated 1977, 90cm x 90cm Please note that this lot is subject to VAT on the hammer. Illustrated (+26.4% BP ) Brian Plummer (b.1934), Winter Bay, Kent s Bank,1978, oil and relief on board, signed and dated JULY 1978, 120cm x 120cm Please note that this lot is subject to VAT on the hammer. Illustrated (+26.4% BP ) Laugo Rodrigues, 20th century, House at Catete inhabited by Sir Charles Stuart and Sugar Loaf, 1825 signed and dated Ken Howard (b.1932), The Campanile and the Doges palace from the lagoon, Venice, oil on canvas, signed, 19.5cm x 24cm. Illustrated (+26.4% BP ) Lot 1568 Lot Ken Howard (b.1932), Basilica San Marco, oil on canvas, signed, 31cm x 40cm. Illustrated (+26.4% BP ) Bob Marchant (b.1938), Waiting for the school bus Hanali, Kawaii, oil on canvas, signed and inscribed, 108cm x 138cm. Illustrated (+26.4% BP ) Bob Marchant (b.1938), A Time to Dream, oil on canvas, signed, 122cm x 198cm. Illustrated (+26.4% BP ) Lot 1571 Lot 1572 Lot 1573 Lot 1575 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

100 Lot 1576 Lot Kevin Pro Hart ( ), Sheep shearing, oil on board, signed and dated 84, 30cm x 29cm. Illustrated (+26.4% BP ) Nemesio Antunez Zanartu ( ) Chilean Landscape, oil on canvas, signed and dated 53, 65cm x 100cm. Illustrated (+26.4% BP ) Danakan Adashkanova (b.1951), A group of nineteen studies of figure groups and portraits, mostly oil on card, mostly signed/inscribed on reverse, all unframed, various sizes. (19) (+26.4% BP ) John Christopherson ( ), Sailing to Byzantium, oil on board, signed and inscribed on reverse, 25cm x 29cm Kharis Khatisovich Khaidarov (20th century), A group of seven, including, A sailing boat, A man seated at a desk, Figures working on a hay rick, A woman on the telephone, Children seated on the grass, A man seated by a hut, and a view of buildings, seven, mostly oil on board, mostly inscribed on reverse, all unframed, various sizes. (7) (+26.4% BP ) John Bratby ( ), Fly Away Peter, Fly Away Paul, oil on board, 181cm x 121cm Illustrated (+26.4% BP ) John Bratby ( ), Small House, Kings Langley, oil on board, signed, 89cm x 120cm. Illustrated (+26.4% BP ) Bessie Davidson ( ), La fontaine d Argent, Aix en Provence, oil on canvas laid on board, signed and indistinctly inscribed, 23cm x 30cm (+26.4% BP ) Lot 1581 Lot

101 Lot 1584 Lot Bessie Davidson ( ), One of the Three Gates, Tangiers, Morocco, oil on canvas, 26cm x 20.5cm. Illustrated (+26.4% BP ) Attributed to Emilio Grau-Sala ( ), Village scene, oil on canvas, bears a signature, 45cm x 54.5cm (+26.4% BP ) Francis Wynne Thomas ( ), Zugspitze from Lermoss, Austria, oil on canvas, signed, 39cm x 49cm Provenance: With Frost and Reed Jules Rene Herve ( ), Scenes in the Tuileries gardens, a pair, oil on canvas, both signed, both furthered signed on reverse, each 21cm x 25cm (2) Illustrated (+26.4% BP ) Gabriel Deschamps (b.1919), Mediterranean coastal landscape, oil on canvas, signed, 46cm x 53cm. Illustrated (+26.4% BP ) Gregoire Michonze ( ), Landscape; Landscape with figures climbing on rocks, a pair, oil on canvas, both signed and dated 63, each 14.5cm x 20cm (2) (+26.4% BP ) Gennaro Befanio ( ), La Bonne Adventure, oil on canvas, signed, 113cm x 128cm. Illustrated (+26.4% BP ) Joseph Rheinhardt (20th century), Still life of summer flowers, oil on board, signed, 59cm x 48cm (+26.4% BP ) Paolo Sala ( ), Market scene, Mountain scene, a pair, oil on board, both signed, each 9.5cm x 16cm (2) (+26.4% BP ) Paolo Sala ( ), The flower girl, oil on canvasboard, signed, 33cm x 23cm (+26.4% BP ) Paolo Sala ( ), The interior of St Marks Basilica, Venice, oil on board, signed, 10cm x 16cm (+26.4% BP ) Attributed to George Russell ( ), Donegal landscape, oil on canvas, bears a monogram, 40cm x 52cm Lot 1587 Lot 1590 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

102 Lot 1597 Lot Arthur A. Friedenson ( ), Poole Harbour, oil on canvas, signed, 41cm x 59cm (+26.4% BP ) Alfred Schwarzs Child ( ) Reclining female nude, oil on board, signed and dated 1934, 62cm x 86cm. Illustrated (+26.4% BP ) Lot Douglas Percy Bliss ( ), Granny s Garden, oil on board, signed, with a study of a marble head verso, 50cm x 60cm. Illustrated (+26.4% BP ) Fritz Muller ( ), A good drink, oil on board, signed and inscribed Munchen, 23.5cm x 17cm (+26.4% BP ) W. Purschke (20th century), A drink and a smoke, oil on panel, signed, 30cm x 23cm M. Zeller (19th century), Bashful, oil on panel, signed, 27cm x 21cm (+26.4% BP ) Edward Steel Harper ( ), Spring s gay call, oil on board, signed with monogram, and dated 1935, 29cm x 38.5cm Emil Godchaux ( ), Floral still lives: Sumnmer; Autumn, a pair, oil on canvas, both signed, each 63cm x 53cm (2). Illustrated (+26.4% BP ) C. Stackl (19th century), The disputed bill, oil on board, signed and dated 1860, 30cm x 23cm Emil Kuhlmann - Reher ( ), A drink for the Jester, oil on canvas, signed and inscribed Munchen, 55cm x 46cm Edmund John Niemann ( ), Richmond Bridge, Yorkshire, oil on canvas, signed, 74cm x 125cm. Illustrated (+26.4% BP ) C** Kogl (19th/20th century) A smoke and a drink, oil on canvas, indistinctly signed, 48.5cm x 40.5cm (+26.4% BP ) Continental School (20th century), Le Desir une rev du Georges: Reclining female nude, oil on canvas laid on board, 121cm x 181cm (+26.4% BP ) Albert Schroder ( ), Three men with mandolin player, oil on canvas, signed and inscribed Mn, 38cm x 48cm (+26.4% BP ) After Edward Grutzner, Monks reading, oil on canvas, bears a signature, 22.5cm x 27cm Arthur Spooner ( ) Horse and foal near the coast, oil on canvas, signed, 60cm x 90cm. Illustrated (+26.4% BP ) Attributed to Hermann Kern ( ), A dandy drinking, oil on panel, bears a signature, 44cm x 28.5cm (+26.4% BP ) Robert Edward Morrison ( ), View of a bridge before a hillside town, oil on canvas, signed, 30cm x 40cm. Illustrated (+26.4% BP ) Lot

103 Lot 1613 Lot 1611 Lot 1617 Lot 1618 Lot 1615 Lot William A. Breakspeare ( ), A fruitful offer, oil on canvas, signed and dated 1879, 45cm x 34.5cm (+26.4% BP ) Paul Antoine de la Boulaye ( ), Still life of fruit and vegetables, oil on canvas, signed and dated 85, 81cm x 130cm. Illustrated (+26.4% BP ) John Noble Barlow ( ), Autumnal landscape, oil on canvas, signed, 30cm x 40cm (+26.4% BP ) After Samuel Joseph Clark, Farmyard scene, oil on canvas, bears a signature and date, 98cm x 124cm. Illustrated (+26.4% BP ) R. G. Demain (early 20th century), San Giorgio Maggiore, Venice, oil on canvas, signed, 48cm x 78cm. Illustrated (+26.4% BP ) Attributed to Gideon Fidler ( ), On the river Test, oil on canvas, signed, unframed, 28cm x 54.5cm (+26.4% BP ) Leon Richet ( ), Sunset over the river, oil on canvas, signed, 54cm x 81cm. Illustrated (+26.4% BP ) J** E** Jaiper (late 19th century) A merry gathering, oil on panel, signed, 34cm x 44cm (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

104 1629. John Sargent (late 19th century), Nancy, oil on canvas, signed and inscribed on reverse, 98cm x 61cm (+26.4% BP ) George Appert ( ), Soldiers drinking, oil on panel, signed, 61cm x 44cm Lot Circle of Alfred Vickers, Ely Cathedral from the river, oil on canvas, indistinctly signed, 50cm x 75cm. Illustrated (+26.4% BP ) Lot Johann Adalbert Heine (19th century), Flirting with the serving girl, oil on panel, signed and inscribed Munchen, 30cm x 36cm (+26.4% BP ) English School (19th century), Portrait of a seated child, oil on canvas, 75cm x 62cm. Illustrated (+26.4% BP ) Lot Henrich Engelbert Reyntjens ( ), Would you like an apple, Sir?, oil on panel, signed, 31cm x 22cm (+26.4% BP ) Wright Barker ( ), Waiting for Master, oil on canvas, signed, 90cm x 125cm (+26.4% BP ) R** Q** (19th century), A dog reclining on a chaise longue, oil on canvas, signed with initials and dated 79, 34cm x 44cm. Illustrated (+26.4% BP ) Lot 1636 Lot Ernst Stierhof (early 20th century), Peasants drinking in a tavern, oil on panel, signed and inscribed Mchn, 49cm x 39cm J. Sedlicky (19th century), The palm reader, oil on canvas, signed and dated 98, 38cm x 48cm (+26.4% BP ) Attributed to Heywood Hardy ( ), Before the duel, oil on canvas, bears a signature and date, 67cm x 87cm. Illustrated (+26.4% BP ) A** G** Pasel (19th century), Drunken revels in a wine cellar, oil on canvas, indistinctly signed, 51cm x 40cm (+26.4% BP ) William Langley ( ), Loch scene with highland cattle watering; river scene at sunset, a pair oil on canvas, both signed, each 40cm x 60cm (+26.4% BP ) G. Moretti (20th century), after Sir John Everett Millais, Portrait of Benjamin DIsraeli, Earl of Beaconsfield, oil on canvas, signed, 98cm x 73cm William J. Webb (19th century), Jays in a cherry tree, oil on canvas, signed, 60cm x 45cm. Illustrated (+26.4% BP ) George Vicat Cole ( ), Tewkesbury, oil on canvas, signed and dated 93, bears inscription on reverse, 30cm x 19cm (+26.4% BP ) Charles Leslie ( ), Snowdon and Levin, oil on canvas, signed and dated 1885, 74cm x 125cm (+26.4% BP ) Continental School (19th century), A raucous company, oil on canvas, bears a signature Friedlander, 51cm x 64cm (+26.4% BP ) Jean Baptiste Fauvelet ( ), A pause in the conversation, oil on panel, signed, 26cm x 20cm (+26.4% BP ) 102

105 Lot 1641 Lot Samuel Barry Godbold (fl ), The Peat gatherer, oil on canvas, signed, 125cm x 100cm. Illustrated. Exhibited: R.B.S.A no. 15. Provenance: Sotheby s Belgravia, 9th March 1976, lot (+26.4% BP ) Edward H. Niemann (fl ), Cattle watering near a bridge, oil on canvas, signed and dated 87, 24cm x 18cm John Burr ( ), Waiting for the boats, oil on canvas, signed, 38.5cm x 59cm. Illustrated (+26.4% BP ) Circle of Charles Martin Powell, Vessels in a squall, oil on canvas, bears a signature and date, 62cm x 75cm. Illustrated (+26.4% BP ) Lot English School (19th century), The Brig Theresa, Mitchesond off Sunderland, oil on canvas, inscribed and dated Sep 1852, 44cm x 62cm. Illustrated (+26.4% BP ) Continental School (19th century), Profile head study of a man in a turban, oil on canvas, 58cm x 47cm. Illustrated (+26.4% BP ) F** Tut** (late 19th century), Old woman, oil on panel, indistinctly signed and dated, 23cm x 18cm Lot 1645 Lot 1644 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

106 Lot 1648 Lot Joseph Horlor ( ), Landscape with cattle watering, oil on canvas, signed, 75cm x 125cm. Illustrated (+26.4% BP ) English School (19th century), A setter in a landscape, oil on canvas, 48cm x 58cm. Illustrated (+26.4% BP ) Thomas Faed ( ), From hand to mouth, oil on canvas, indistinctly signed, 44.5cm x 58cm (+26.4% BP ) English School (early 19th century), Portrait of a gentleman seated in his study, oil on canvas, 74cm x 61.5cm (+26.4% BP ) English School (c.1800), A family of lions, oil on canvas, 62cm x 75cm. Illustrated (+26.4% BP ) ** van Spibbeck (19th century), The Marriage Broker, oil on canvas, signed, 53.5cm x 44cm English School (c.1830), Portrait of an officer, oil on canvas, 79cm x 64cm; in a carved Carlo Maratta frame. Illustrated (+26.4% BP ) Follower of John Wootton, A stag hunt, oil on canvas, 57cm x 50cm. Illustrated (+26.4% BP ) Jean Alphonse Roehn ( ), A family welcoming for the returning traveller, oil on panel, unframed, 38cm x 35cm. Illustrated (+26.4% BP ) Attributed to Sawrey Gilpin ( ), Horses and cattle in a landscape, oil on canvas, 51cm x 71cm. Illustrated (+26.4% BP ) Circle of George Cuitt, A Capriccio landscape of a riverside castle, oil on canvas, 36cm x 46cm (+26.4% BP ) Circle of George Smith of Chichester, Two fishermen in a wooded lake landscape, oil on canvas, 42cm x 62cm. Illustrated English school (18th century), Head study of a gentleman, oil on panel, 41cm x 30cm (+26.4% BP ) English School (18th century), Portrait of a gentleman, in Turkish dress, a view of Constantinople beyond, oil on canvas, 180cm x 138cm. Illustrated (+26.4% BP ) Lot 1652 Lot

107 Lot 1655 Lot 1656 Lot 1660 Lot 1657 Lot 1659 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

108 Lot 1665 Lot 1666 Lot Swiss School (18th century), Portrait of a lady; Portrait of a gentleman, a pair, oil on panel, oval, each 39cm x 29cm (2). Illustrated (+26.4% BP ) English School (18th century), Portrait of a gentleman, oil on canvas, 73cm x 61cm. Illustrated (+26.4% BP ) French Provincial School (18th century), Portrait of a lady with her pet dog, oil on canvas, 80cm x 65cm. Illustrated (+26.4% BP ) Lot A. Manner of Sir Godfrey Kneller, Portrait of a gentleman, oil on canvas, 126cm x 100cm. Illustrated (+26.4% BP ) Circle of John F Tennant, At the turnpike, oil on panel, unframed, 35cm x 50cm (+26.4% BP ) French School (19th century), Fete Champêtre, oil on canvas, 33cm x 27cm (+26.4% BP ) English School (18th century), Portrait of the earl of Sandwich, oil on canvas, (+26.4% BP ) Manner of Francesco Guardi, Figures before an Italianate building, oil on canvas, 24cm x 17cm (+26.4% BP ) English School (early 19th century), Portrait of a lady, oil on canvas, 71cm x 57cm. Illustrated (+26.4% BP ) After Sir Joshua Reynolds, Simplicity - Portrait of Miss Theophilia Gwatkin, oil on canvas, 75cm x 61cm. Illustrated (+26.4% BP ) After Sir Anthony van Dyck, Portrait of King Charles I, oil on canvas, 57cm x 46cm. Illustrated (+26.4% BP ) Italian School (circa 1800), Still life studies of flowers in vases, a pair, oil on canvas, each 73cm x 60cm (2) (+26.4% BP ) 106

109 Lot 1669 Lot 1669A Lot Dutch school (18th/19th century), A drink with the fish wife, oil on canvas laid on panel, 32cm x 23.5cm (+26.4% BP ) After Cornelis Bega, Figures in an interior, oil on canvas, 40cm x 32cm. Illustrated (+26.4% BP ) After Jan Steen, An unwanted flirtation, oil on panel, 30cm x 24cm After Francesco Guardi, Four Capriccios, oil on canvas, each 13cm x 18cm (4) (+26.4% BP ) Mannor of van Dyck, Portrait of two Gentlemen, en grisaille, oil on canvas, 46cm x 30cm Lot 1670 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

110 Furniture & Garden Statuary Lot 1770

111 Thursday 9th November 2017 at 10am Boxes & Tea Caddies A late 17th/early 18th century Chinese hardwood and engraved paktong mounted writing box, possibly Huanghuali, of the style and form that were made for the Dutch East India Company (VOC), of rectangular shape with serpentine edged shaped mounts and escutcheon finely engraved with floral motifs, the interior with long brass coloured hinge-mounts, the sides with bracket handles attached to similar mounts, interior formerly with fitted section, 47cm wide x 15cm high x 31cm deep. Illustrated (+26.4% BP ) A late 19th century Chinese jardiniere stand, the marble inset square top on a pierced and carved hardwood base, 34cm wide x 48cm high (+26.4% BP ) David Linley, 20th century;a square walnut table top plinth, on semi-elliptic bun feet, 47cm wide x 2.5cm high (+26.4% BP ) A Regency inlaid mahogany rectangular tea caddy, with twin lidded interior, 31cm wide x 15cm high x 15cm deep (+26.4% BP ) Lot A mid-19th century mahogany apothecary cabinet, the pair of doors and drawer enclosing a fitted interior, with slide front compartment to the verso for poisons, on a plinth base, 30cm wide x 35cm high x 19cm deep. Illustrated. Footnote; includes a hand inscribed small book listing contents and medicinal prescriptions and titles Contents of medicine chest fitted by Randall & Son Southampton July 16th bottles labelled accordingly (+26.4% BP ) A George III galleried circular mahogany serving tray, with conch shell inlay and brass loop handles, 46cm diameter x 8cm high (+26.4% BP ) A 19th century brass bound lap desk, with fitted interior, 51cm wide x 17cm high x 26cm deep, together with another similar (2) (+26.4% BP ) An early Victorian inlaid rosewood dome top jewellery box, with fitted interior, 24cm wide x 15cm high x 20cm deep, together with a 19th century gilt gesso tabletop pole screen, 23cm wide x 47cm high (2) (+26.4% BP ) A 19th century diminutive mahogany sideboard, with metal galleried back over five frieze drawers, on spiral fluted supports, 37cm wide x 26cm high x 10cm deep, together with a miniature cheval mirror, 13cm wide x 22cm high (2) (+26.4% BP ) A Napoleon III gilt metal mounted feather banded Kingwood jewellery box, the rectangular top enclosing a silk lined tray interior over one long drawer, 55cm wide x 27cm high x 27cm deep. Illustrated (+26.4% BP ) Lot 1701 Lot 1710 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

112 Lot 1711 Lot 1714 Lot A mid-19th century mahogany apothecary box, the lift top and lower drawer enclosing a fitted interior, 23cm wide x 20cm high x 17cm deep. Illustrated (+26.4% BP ) A 19th century Regency style miniature tradesman/apprentice mahogany child s chair and stand, on turned supports, 29cm wide x 78cm high x 26cm deep (+26.4% BP ) A 19th century brass inlaid amboyna glove box, 31cm wide, a similar mother-of-pearl inlaid glove box, 26cm wide, and a rosewood twin division tea caddy, 19cm wide (3) (+26.4% BP ) A Victorian brass mounted figured walnut decanter box/games compendium, with a trio of decanters over pair of lift-up tops and fitted lower drawer, enclosed with Bramah lock, 38cm wide x 34cm high x 27cm deep. Illustrated (+26.4% BP ) An 18th century carved oak figure of a sejeant lion, 24cm wide x 61cm high. Illustrated (+26.4% BP ) Mappin Webb & Co, 77 & 78 Oxford St, 71 & 72 Cornhill London; a Victorian brass mounted figured walnut and coromandel lap desk, with fitted interior, 37cm wide x 12cm high x 27cm deep (+26.4% BP ) A pair of William IV style miniature satinwood circular breakfast tables, each on baluster column and triform platform, 17cm diameter x 13cm high (2). Illustrated (+26.4% BP ) A 19th century tulipwood banded walnut sewing box, of bloated sarcophagus form, with fitted interior, 33cm wide x 18cm high x 25cm deep. Illustrated (+26.4% BP ) A Victorian oak table top lap desk, with fold out fitted interior, 41cm wide x 29cm high x 24cm deep (+26.4% BP ) An early 19th century mahogany diminutive chest on chest, the dentil cornice over two short and six long graduated drawers, on bun feet, 48cm wide x 94cm high x 29cm deep. Illustrated (+26.4% BP ) 110 Lot 1717 Lot 1718 Lot 1720

113 1721. A Victorian brass mounted oak decanter/games compendium box with lift top and fall front, enclosing a fitted interior, 36cm wide x 37cm high x 29cm deep (+26.4% BP ) A 19th century Continental birch shallow sarcophagus jewellery box, transfer printed with a gambling scene after Caravaggio The cardsharps, 30cm wide x 11cm high x 22cm deep (+26.4% BP ) A Victorian mother-of-pearl inlaid amboyna lap desk, with fitted interior, 41cm wide x 20cm high x 30cm deep (+26.4% BP ) Lot A Victorian figured walnut table cabinet, the pair of panel doors enclosing three drawers, 27cm wide x 32cm high x 18cm deep (+26.4% BP ) A Victorian brass mounted coromandel toilet box, the rectangular lift top enclosing a fitted interior over single drawer, both fitted with Bramah locks, 33cm wide x 18cm high x 24cm deep (+26.4% BP ) Furniture & Garden Statuary After Giuseppe Maggiolini; a pair of Italian marquetry inlaid walnut commodes, 19th century, each with three long graduated drawers, on tapering square supports, 124cm wide x 88cm high x 50cm deep (2). Illustrated (+26.4% BP ) A mid-20th century oak artist s easel, with crank wind height adjustment, on trestle supports, 68cm wide (+26.4% BP ) A 20th century concave fronted sideboard, with an arrangement of three short drawers flanked by three long drawers, on splayed channelled supports, 187cm wide x 104cm high x 50cm deep A 19th century French console table, the shaped serpentine Breche d Alep top over a green painted wrought iron base, with pair of scrolling supports, 145cm wide x 46cm deep x 95cm high (+26.4% BP ) A pair of reconstituted stone figures of recumbent lions, on square bases, 72cm wide x 50cm high (2). Illustrated (+26.4% BP ) An early 20th century tan button back leather upholstered Chesterfield sofa, on turned supports, 170cm wide x 70cm high x 80cm deep (+26.4% BP ) A reconstituted stone jardiniere with leaf moulded body and fluted socle on stepped square base, 54cm wide x 95cm high (+26.4% BP ) A Louis XVI style ormolu mounted mahogany armchair, with downswept arms and bow seat, on tapering fluted supports, 72cm wide x 102cm high x 57cm deep (+26.4% BP ) A pair of late 19th century French Louis XVI style gilt framed open armchairs, with ribbon tied floral crest and bow seat, on tapering fluted supports, each 69cm wide x 105cm high x 58cm deep (2) (+26.4% BP ) A brown leather upholstered Chesterfield sofa, with brass studded decoration, 220cm wide x 75cm high x 90cm deep. Illustrated (+26.4% BP ) Lot 1730 Lot 1735 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

114 Lot 1740 Lot David Linley, 20th century; a satinwood office work station, the open shelf back over three frieze drawers, on square supports, 181cm wide x 102cm high x 54cm deep (+26.4% BP ) A mid-18th century style Gainsborough armchair frame, with hump back, carved open arms and serpentine seat, on cluster column supports, 67cm wide x 101cm high x 82cm deep (+26.4% BP ) After the Antique, a reconstituted stone figure group of a discus thrower, on a fluted circular pedestal, 150cm high (+26.4% BP ) Lot A 19th century Italian ivory inlaid ebonised centre table, possibly Milanese, with single frieze drawer on tapering octagonal supports united by shaped stretcher, 124cm wide x 82cm high x 68cm deep (+26.4% BP ) An 18th century weathered carved white marble bust of a woman in classical draped clothing, hollowed back, 60cm wide x 76cm high. Illustrated (+26.4% BP ) A set of eight George III style mahogany framed shield back dining chairs, each with serpentine seat and tapering square supports, to include a pair of carvers (8) (+26.4% BP ) A pair of reconstituted stone jardinieres with grotesque mask mounted semi-fluted bodes, on circular bases, 50cm wide x 40cm high (+26.4% BP ) T. Wilson, 68 Great Queen Street, London ; an 18th century walnut toilet mirror, with shaped bevelled mirror plate over single cushion frieze drawer, retailer s label, 50cm wide x 76cm high x 30cm deep (+26.4% BP ) A late 18th century Baltic brass inlaid mahogany writing table, the leather inset rectangular top over three frieze drawers, on tapering fluted supports, 166cm wide x 74cm high x 67cm deep (+26.4% BP ) After Ludwig Mies Van Der Rohe, a pair of 20th century Barcelona chairs, 75cm wide x 76cm high x 90cm deep (2). Illustrated (+26.4% BP ) An early 19th century gilt framed pier glass, with acanthus scroll frieze and fluted columns, 62cm wide x 124cm high A pair of 18th century style console tables, each with breakfront marble tops over carved frieze, on six downswept tapering square supports, 152cm wide x 87cm high x 53cm deep (2) (+26.4% BP ) A 19th century Continental gilt framed wall mirror, with rounded re-entrant corners and blue glass marginal border, 93cm wide x 96cm high (+26.4% BP ) A mid-18th century mahogany kneehole writing desk, with seven drawers about the cupboard, on bracket feet, 91cm wide x 77cm high x 50cm deep (+26.4% BP ) David Linley, 20th century; a satinwood rectangular side table, with single frieze drawer, on tapering square supports, 50cm wide x 61cm high x 40cm deep. Illustrated (+26.4% BP ) 112

115 Lot 1755 Lot A 19th century Gothic Revival oak coffer, the four panel lid over a Gothic tracery four panel front, the corners relief carved with religious figures, 134cm wide x 71cm high x 52cm deep After Goldscheider, a reconstituted stone statue of a young fisher boy, wearing a wide brim hat, sat on rocks, 45cm wide x 134cm high (+26.4% BP ) A Victorian mahogany bookcase cupboard, with three open shelves over single drawer and panelled cupboard, on plinth base, 86cm wide x 223cm high x 44cm deep (+26.4% BP ) A Regency style rosewood banded mahogany bowfront side cabinet, with central grille door flanked by rounded doors, on turned feet, 117cm wide x 85cm high x 38cm deep (+26.4% BP ) A Victorian gilt metal mounted marquetry inlaid figured walnut serpentine credenza, with central door flanked by glazed sides and split turned columns, 121cm wide x 121cm high x 43cm deep. Illustrated (+26.4% BP ) An 18th century North Italian gilt framed wall mirror, with floral carved crest over segmented rectangular frieze, 54cm wide x 90cm high (+26.4% BP ) An 18th century style mahogany framed three piece suite, comprising; a sofa 198cm wide x 83cm high x 92cm deep, and a pair of armchairs 95cm wide x 83cm high x 94cm deep, each with shaped back rail and roll over arms, on carved mahogany frames and hairy paw feet (3) (+26.4% BP ) A pair of reconstituted stone garden benches, each with a rectangular slab top on shaped square bases with lion face masks, 153cm wide x 36cm deep x 41cm high (2) (+26.4% BP ) Probably Thonet; a nest of four early 20th century beech bentwood occasional tables, the largest 65cm wide x 75cm high x 42cm deep (+26.4% BP ) A rectangular slate table top inset with a pietra dura panel of a tiger, 80cm wide x 200cm long x 5cm deep (+26.4% BP ) A set of six William IV rosewood dining chairs, each with opposing tulip carved waist rail and straight front seat, on tapering reeded supports, 46cm wide x 85cm high x 55cm deep (6) (+26.4% BP ) A reconstituted stone jardiniere with shallow lobed bowl and fluted socle, on stepped square base, 80cm wide x 123cm high (+26.4% BP ) A Victorian birch chest of two short and three long graduated drawers, on plinth base, 112cm wide x 99cm high x 55cm deep (+26.4% BP ) A set of six late 19th century Louis XVI style oval back open armchairs, on tapering square supports, 56cm wide x 95cm high x 50cm deep (6) (+26.4% BP ) An 18th century French walnut and burr ash serpentine three drawer commode, with shell carved lower frieze, 127cm wide x 85cm high x 68cm deep. Illustrated (+26.4% BP ) A Victorian figured walnut centre table, the circular snap top on carved tripod base, 120cm diameter x 76cm high A late 17th century Dutch colonial rosewood table cabinet, the fall front revealing a fitted nine drawer interior, on later stand, the cabinet, 64cm wide x 38cm high x 37cm deep (+26.4% BP ) A late 19th century French ormolu mounted mahogany display cabinet, the caddy top over a pair of glazed doors, on tapering square supports, 136cm wide x 190cm high x 44cm deep (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

116 Lot 1770 Lot A set of eight Chippendale Revival style mahogany framed dining chairs, with interlaced pierced splat, and claw and ball feet, to include a pair of carvers (8) (+26.4% BP ) A pair of Napoleon III gilt metal mounted premier and contra partie Boulle work side cabinets, each with raised oval panel door flanked by canted corners, on plinth base, 80cm wide x 108cm high x 41cm deep (2). Illustrated (+26.4% BP ) An 18th century and later oak dresser, the enclosed two tier plate rack over pair of drawers and cupboards, 146cm wide x 189cm high x 44cm deep (+26.4% BP ) A reconstituted stone column with circular fluted body and square base, 38cm wide x 92cm high (+26.4% BP ) A Victorian figured walnut Davenport, the slope top enclosing a fitted interior above lockable swing out ink drawer, above panel cupboard enclosing four drawers, 57cm wide x 85cm high x 63cm deep (+26.4% BP ) A William IV rosewood sewing/games table, with fold over fitted drawer and wool basket below, on baluster column and quatrefoil platform, 51cm wide x 77cm high x 37cm deep (+26.4% BP ) A massive 17th century and later North Italian walnut centre table, the rectangular top on four scroll supports, 99cm wide x 314cm long x 84cm high (+26.4% BP ) Distinctive Chesterfields Hand Made in England ; a massive 20th century brown leather button upholstered Chesterfield sofa, on ten turned supports, 410cm wide x 78cm high x 120cm high (+26.4% BP ) A late George III mahogany architect s table, the angle adjustable top over a pair of frieze drawers, on turned supports, 112cm wide x 72cm high x 76cm deep (+26.4% BP ) A George III inlaid mahogany serving table, the rectangular top on four tapering square supports, 182cm wide x 86cm high x 69cm deep (+26.4% BP ) A pair of 19th century floral painted ebonised shield back side chairs, each with bow seat on tapering square supports, 57cm wide x 95cm high x 50cm deep (2) (+26.4% BP ) A pair of 19th century specimen wood floral marquetry inlaid bowfront corner cabinets, with scroll carved mounts 70cm x 93cm high x 52cm deep (2). Illustrated (+26.4% BP ) A late George III mahogany secretaire bookcase, the pair of glazed doors over fitted drawer and two short and two long drawers, on turned feet, 100cm wide x 221cm high x 53cm deep (+26.4% BP ) Two 19th century carved sandstone staddle stones, with conical bodies, 48cm wide x 81cm high (2) (+26.4% BP ) A George III style satinwood banded mahogany oval centre table, the snap top on turned column and four downswept supports, 167cm wide x 73cm high x 117cm deep (+26.4% BP ) A pair of Louis XV style gilt framed wing back armchairs, with arched crest rail and bow seat, on squat cabriole supports, each 71cm wide x 113cm high x 80cm deep (2) (+26.4% BP ) A reconstituted figure of Pomona on shaped circular base, 35cm wide x 128cm high. Illustrated (+26.4% BP ) A 19th century Italian gilt framed bed head, with bold relief acanthus carving, 153cm wide x 152cm high (+26.4% BP ) A mid-victorian oak framed tub back easy armchair, with serpentine seat on scroll supports, 68cm wide x 98cm high x 72cm deep (+26.4% BP ) 114

117 Lot An 18th century French gilt bronze mounted Kingwood side table, the shaped top over a pair of frieze drawers on slender cabriole supports, 40cm wide x 70cm high x 31cm deep (+26.4% BP ) An early 19th century satinwood banded inlaid mahogany bowfront sideboard with central drawer flanked by further drawers and cupboard, on tapering square supports, 153cm wide x 94cm high x 68cm deep (+26.4% BP ) A small 18th century pier table, the serpentine marble top on a parcel gilt cream painted base with opposing C scroll supports, 52cm wide x 107cm high x 52cm deep. Illustrated (+26.4% BP ) An 18th century oak linen press, with pair of double panel doors over three long graduated drawers on turned feet, 124cm wide x 210cm high x 64cm deep (+26.4% BP ) A Regency ormolu mounted rosewood centre table, the coromandel banded circular snap top on a turned column and trefoil platform, 120cm diameter x 73cm high (+26.4% BP ) A Victorian figured walnut and ebonised card table, the rectangular fold out top on fluted supports and scroll feet, 92cm wide x 77cm high x 46cm deep (+26.4% BP ) A mid-18th century style wing back armchair, with bow seat on tapering square supports, 75cm wide x 105cm high x 85cm deep, together with a matching footstool (2) (+26.4% BP ) A 19th century French style ormolu mounted figured walnut ebony and ebonised floor standing open bookcase in the Louis XIV style, with bombe sides and winding mechanism for retractable silk cover, 169cm wide x 142cm high x 46cm deep. Illustrated (+26.4% BP ) David Linley, 20th century; a large rectangular macassar picture/photograph frame, with glazed front and swept slip, 137cm wide x 79cm high x 9cm deep (+26.4% BP ) A mid-victorian mahogany framed tub back easy armchair, with serpentine seat on scroll supports, 70cm wide x 89cm high x 79cm deep A Victorian rosewood centre writing table, the leather inset rounded rectangular top with two pairs of opposing frieze drawers, raised on a faux rosewood X frame base, 148cm wide x 72cm high x 76cm deep (+26.4% BP ) A Victorian oak buffet, the pair of open tiers united by panel back, over three cupboards enclosing linen trays, 154cm wide x 100cm high x 54cm deep (+26.4% BP ) Lot 1785 Lot 1790 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

118 1805. An 18th century weathered carved white marble portrait bust of a woman wearing classical draped clothing, on an integral socle base, 56cm wide x 64cm high. Illustrated (+26.4% BP ) A 17th century and later Italian walnut console table, the single plank rectangular top on a pair of shaped trestle end supports, united by stretcher, 60cm wide x 247cm long x 78cm high (+26.4% BP ) Glyn Peter Machin; a 20th century maple and burr wood inlaid rectangular extending dining table on a pair of U supports, two extra leaves, 115cm wide x 350cm long x 450cm long extended x 75cm high (+26.4% BP ) Lot A pair of black and gold painted reconstituted stone figures of Egyptian style dogs, each in seated pose, 186cm high (2) (+26.4% BP ) Poltrona Frau, Made In Italy ; a set of six red leatherette upholstered dining chairs, on ebonised tapering square supports, each 45cm wide x 90cm high x 60cm deep (6) (+26.4% BP ) An 18th century gilt framed rectangular wall mirror, with moulded frame, the bevelled mercury plate centred with a gilt initialled cartouche, flanked by corner spandrels, 80cm wide x 49cm high. Illustrated (+26.4% BP ) David Linley, 20th century; an oval coffee table, the polished steel halo rim with inset glass panel, united by walnut platform undertier, 100cm wide x 48cm high x 70cm deep. Illustrated (+26.4% BP ) An early 19th century Kingwood banded mahogany bowfront sideboard, the brass galleried back over five frieze drawers on tapering square supports, 168cm wide x 91cm high x 72cm deep (+26.4% BP ) Lot After Michelangelo; a reconstituted stone figure of David, 48cm wide x 130cm high (+26.4% BP ) A George III mahogany drop flap Pembroke table, the oval top above single frieze drawer and dummy verso, on tapering reeded supports, 52cm wide, 110cm wide opened x 88cm long x 72cm high (+26.4% BP ) A Victorian stained beech piano stool, with circular height adjustable top on a carved tripod base, the top 34cm diameter th century design; a floor standing robing mirror, formed as a red lipstick, 164cm high x 34cm diameter (+26.4% BP ) A black painted wrought iron stile of A frame form, 120cm wide x 266cm high An early 20th century Chinese hongmu urn stand, with pierced frieze, on inverted turned supports united by perimeter stretcher, 35cm wide x 68cm high (+26.4% BP ) A George I style walnut framed wing back armchair, on baluster turned supports united by shaped X frame stretcher, 95cm wide x 137cm high x 85cm deep. 116

119 Lot 1805 Lot 1815 Lot A George III elm seated comb back Windsor chair, on turned supports, retaining old traces of paint, 58cm wide x 97cm high x 55cm deep. Illustrated (+26.4% BP ) A late George III mahogany drop flap work table, with pair of frieze drawers, one fitted, on a pair of trestle end standards, 43cm wide x 76cm wide opened, 68cm high x 51cm deep (+26.4% BP ) A Regency mahogany hump back sofa, with bow seat and reeded supports, 186cm wide x 86cm high x 80cm deep (+26.4% BP ) A Regency rosewood chiffonier, the brass galleried ledge back over pair of brass grille doors, on melon carved feet, 122cm wide x 128cm high x 38cm deep (+26.4% BP ) A Regency satinwood banded mahogany sofa table, with pair of frieze drawers and dummy opposing, on four downswept supports, 92cm across, 148cm across open, 73cm high x 71cm deep (+26.4% BP ) A late 19th century marquetry inlaid mahogany cylinder bureau, the galleried brass top over three short drawers and pull out fitted interior, over five further drawers, on tapering square supports, 91cm wide x 117cm high x 56cm deep (+26.4% BP ) A William IV side cabinet, the rectangular marble top over a rosewood base with pair of brass grille doors, on plinth base, 93cm wide x 90cm high x 42cm deep A pair of Victorian polychrome and gilt painted papier mâché pole screens, on flared circular bases and gilt metal lions paw feet, 44cm wide x 150cm high (2). Illustrated De Sede; a pair of 20th century brown leather upholstered easy armchairs, on ebonised sleigh supports, 117cm wide x 75cm high (2) (+26.4% BP ) A late 18th century Dutch floral marquetry inlaid chest, the shaped top over a bombe base of four long graduated drawers, on bun feet, 91cm wide x 81cm high x 52cm deep. Illustrated (+26.4% BP ) A 19th century Dutch carved oak bookcase cabinet, with three coloured leaded glass doors over three drawers and cupboards, on a plinth base, 191cm wide x 236cm high x 55cm deep (+26.4% BP ) Lot 1820 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

120 1838. A George III rosewood banded satinwood card table, the fold out rectangular top on square supports, 92cm wide x 73cm high x 43cm deep (+26.4% BP ) A 20th century Syrian bone, mother-of-pearl and specimen wood inlaid octagonal occasional table, on four downswept supports, 52cm wide x 53cm high (+26.4% BP ) A Napoleon III gilt metal mounted Boulle work card table, with serpentine foldover top, on cabriole supports, 88cm wide x 78cm high x 45cm deep. Illustrated (+26.4% BP ) A large 20th century green painted apothecary cabinet, with three open shelves flanked by four rows of four drawers over eight pigeonholes, 308cm wide x 131cm high x 32cm deep (+26.4% BP ) David Linley, 20th century; a walnut corner television/audio unit, with polished steel banded staging for a plasma flat-screen, above a triangular platform with double recess, 200cm wide x 137cm high x 80cm deep (+26.4% BP ) A late 19th century French gilt metal mounted writing desk, the serpentine leather inset top over single frieze drawer, on cabriole supports, 75cm wide x 75cm high x 52cm deep (+26.4% BP ) A late Regency gilt metal mounted floor standing breakfront open bookcase, with architectural back and plinth base, 190cm x 117cm high x 43cm deep (+26.4% BP ) A 19th century French wrought iron stick stand, with gilt leaf decoration, 120cm x 72cm high x 20cm deep (+26.4% BP ) An 18th century Sicilian polychrome painted and scarlet lacquered serpentine three drawer commode, on tall hoof feet, 141cm wide x 104cm high x 60cm deep (a.f.). Illustrated (+26.4% BP ) A brass studded tan leather upholstered club sofa, with roll over arms and block feet 190cm wide x 93cm high x 69cm deep. Lot A set of twelve late George III mahogany dining chairs, with pierced splat on tapering square supports, to include a pair of carvers (12) (+26.4% BP ) A near pair of late 19th century marquetry inlaid mahogany corner cabinets, each with swan neck cornice over astragal door and panel cupboard, on bracket feet, 70cm wide x 201cm high (2) (+26.4% BP ) A George IV rosewood card table, the rounded rectangular top on turned column and quatrefoil platform, 88cm wide x 74cm high x 43cm deep (+26.4% BP ) William Birch; a Victorian scroll back easy armchair, on squat sabre supports, stamped to back leg WB 81(?), 75cm wide x 78cm high x 110cm deep. Illustrated (+26.4% BP ) A French Empire gilt metal mounted mahogany height adjustable fire screen, on four downswept supports, 55cm wide x 92cm high x 148cm high extended (+26.4% BP ) A 19th century French gilt metal mounted silk veneered rectangular box, on four slender mahogany supports, 45cm wide x 91cm high x 34cm deep (+26.4% BP ) A Victorian blue painted iron garden bench cast with peacocks and acanthus, with slatted wood seat, 147cm wide x 80cm high A Victorian marquetry inlaid walnut Canterbury whatnot, with galleried upper tier over three division Canterbury and single drawer, on turned feet, 68cm wide x 87cm high x 40cm deep (+26.4% BP ) An early 19th century French ebonised parcel gilt open armchair, with concave seat on tapering fluted supports, 59cm wide x 88cm high x 55cm deep (+26.4% BP ) A pair of early 20th century brass studded brown leather upholstered easy armchairs, with roll over backs and arms, on tapering square supports, 86cm wide x 94cm high (2). Illustrated (+26.4% BP ) A louis XVI style gilt metal mounted faded rosewood bureau plat, the galleried rectangular top over four frieze drawers, on tapering square supports, 131cm wide x 80cm high x 76cm deep (+26.4% BP ) A George II style figured walnut serpentine writing desk with five frieze drawers on acanthus capped cabriole supports and paw feet, 110cm wide x 77cm high x 65cm deep (+26.4% BP ) 118

121 Lot 1835 Lot A Regency black lacquer Chinoiserie decorated rectangular lift top box, on a carved and shaped X-frame stand, 59cm wide x 65cm high x 41cm deep (+26.4% BP ) A late 19th century walnut show frame sofa, with ribbon carved crest and bow seat, on turned supports, 137cm wide x 108cm high x 70cm deep (+26.4% BP ) A set of four reconstituted figures of the four seasons, modelled as cherubs sat on a C scroll and shaped foliate cast base, 99cm wide x 35cm deep x 131cm high. Illustrated (+26.4% BP ) A pair of Senufo West African teak framed open armchairs, with solid seats and turned supports, 79cm wide x 89cm high x 58cm deep (2) (+26.4% BP ) A George III mahogany centre table with rounded rectangular top over pair of end frieze drawers, on club supports, 76cm wide x 72cm high x 51cm deep (+26.4% BP ) A Victorian rosewood rectangular single drawer centre table, with shaped stretcher, 97cm wide x 78cm high x 51cm deep (+26.4% BP ) A pair of Louis XV style cream upholstered and painted tub back chairs, each with serpentine seat and scroll supports, 69cm wide x 83cm high x 65cm deep (2) (+26.4% BP ) A late 19th century polychrome painted figure of a kneeling Blackamoor, on stepped square base, 42cm wide x 85cm high. Illustrated (+26.4% BP ) A large 20th century square coffee table, the inset silk panel on parcel gilt painted block supports with pierced corner brackets, 128cm wide x 41cm high (+26.4% BP ) A large 19th century stripped oak farmhouse table, on six turned supports, 105cm wide x 305cm long x 77cm high (+26.4% BP ) A massive pair of reconstituted stone garden urns, with shallow lobed bowls, on stepped square pedestals, 138cm diameter x 144cm high (2) (+26.4% BP ) An 18th century oak mule chest, with lift top and triple panel front over a pair of drawers, 116cm wide x 84cm high x 53cm deep (+26.4% BP ) Lot 1840 Lot 1850 Lot 1855 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

122 Lot 1860 Lot A Victorian triple chair back sofa with carved mahogany show frame and serpentine seat, on scroll supports, 172cm wide x 94cm high x 85cm deep. Illustrated (+26.4% BP ) A late George III beech and elm comb back Windsor chair, with solid seat and turned supports, 70cm wide x 116cm high x 48cm deep (+26.4% BP ) A George III satinwood banded mahogany secretaire cabinet, the pair of astragal glazed doors over a fitted drawer and three further long drawers, on bracket feet, 119cm wide x 230cm high x 54cm deep (+26.4% BP ) A Victorian marquetry inlaid gilt metal mounted walnut pier cabinet, with single glazed door and shaped plinth base, 99cm wide x 110cm high x 36cm deep (+26.4% BP ) A Victorian satin birch X frame footstool, with square tapestry top, 50cm wide x 43cm high, together with another square footstool on turned mahogany supports, 48cm wide x 46cm high (2) (+26.4% BP ) A George III mahogany Canterbury, with a concave six division top over single frieze drawer on turned supports, 52cm wide x 52cm high x 48cm deep. Illustrated (+26.4% BP ) A Victorian carved mahogany open armchair, the crest rail centred by a shield flanked by griffins, above acanthus carved open arms, on turned supports, 70cm wide x 97cm high (+26.4% BP ) A late 18th century French oak bookcase, the deep carved cornice over a pair of semi-glazed astral doors, with panelled lowers, flanked by a egg and dart border, 140cm wide x 22cm high, 51cm deep (+26.4% BP ) After Etienne Maurice Falconet; a reconstituted stone figure group of the bathing Venus, 30cm wide x 106cm high (+26.4% BP ) A William and Mary style marquetry inlaid cushion framed rectangular wall mirror, 19th century, 67cm wide x 117cm high (+26.4% BP ) A 19th century French gilt bronze mounted mahogany writing table, the galleried rectangular marble top over pair of opposing end frieze drawers on tapering fluted supports 74cm wide x 75cm high x 47cm deep. Illustrated (+26.4% BP ) A Victorian mahogany Wellington chest, the side locking bar enclosing seven graduated drawers, on plinth base, 48cm wide x 103cm high x 33cm deep (+26.4% BP ) A late Victorian inlaid mahogany occasional table of 18th century design, the shaped oval top on an open baluster column and three downswept supports, 51cm wide x 46cm deep x 71cm high Downey ; a pair of William IV mahogany dining chairs, with concave seats on tapering reeded supports, stamped, each 45cm wide x 84cm high x 53cm deep (2) (+26.4% BP ) Lot 1865 Lot

123 Lot 1880 Lot A Regency style gilt framed circular convex wall mirror, with ebonised slip and gadrooned carved lower frieze, 58cm wide x 90cm high A pair of North European stools, each with leather circular tops raised on naturalistic tree branch supports, with brass floral studded decoration, tops 46cm diameter, 55cm high (2). Illustrated (+26.4% BP ) A set of twelve French 19th century stained beech dining chairs with studded leather upholstery on carved scroll supports united by X stretcher (12) (+26.4% BP ) David Linley, 20th century; a macassar audio-visual unit, with leather inset rectangular top above an open shelf, on polished steel plinth, 52cm wide x 80cm high x 43cm deep, with a matching remote control stand, 22cm wide x 6cm high (2) A pair of reconstituted stone pineapple gate pier finials on square bases, 30cm wide x 55cm high (2) (+26.4% BP ) A pair of George III mahogany D-end console tables, on square supports, each 120cm wide x 72cm high x 60cm deep (2) (+26.4% BP ) A 19th century French marquetry inlaid gilt metal mounted rosewood bonheur du jour, with pair of serpentine cupboards over two short and one long drawer, on cabriole supports, 88cm wide x 133cm high x 52cm deep. Illustrated (+26.4% BP ) An 18th century style mahogany pedestal desk, with nine drawers about the knee, on bracket feet, 153cm wide x 78cm high x 92cm deep (+26.4% BP ) A late 19th century French sideboard, the breakfront D shaped top over a gilt metal mounted satinwood banded mahogany base of four drawers over pair of cupboards, flanked by rounded grille cupboards, 181cm wide x 54cm deep x 101cm high (+26.4% BP ) A set of four Edwardian inlaid satinwood side chairs, each with lattice back and straight front seat, on tapering turned supports, 42cm wide x 92cm high x 47cm deep (4) Skovby SM32 Kirseber, Denmark; a 20th century teak extending dining table, the segmenting circular top receiving three spring loaded extra leaves, 120cm diameter x 74cm high (+26.4% BP ) A pair of 18th century French corner cupboards, each with shaped Breche d Alep marble top over a gilt metal mounted crossbanded kingwood bowfront single door base, 83cm wide x 87cm high x 58cm deep (2). Illustrated (+26.4% BP ) An 18th century style pollard oak pedestal desk, with nine drawers about the knee, 152cm wide x 76cm high x 91cm deep (+26.4% BP ) An 18th century style pollard oak two drawer pedestal with leather inset top, 55cm wide x 77cm high x 62cm deep (+26.4% BP ) An early 20th century French walnut cartonnier, with three rows of twelve cartons, on plinth base, 135cm wide x 37cm deep x 218cm high A set of George III style mahogany folding library/bed steps, 69cm wide x 72cm high max x 41cm deep (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

124 Lot 1890 Lot 1895 Lot Attributed to William Trotter; a near pair of Regency rosewood framed footstools, each with over stuffed rectangular top on lyre supports united by bobbin turned stretchers, 49cm wide x 48cm high x 48cm deep (2). Illustrated (+26.4% BP ) A 19th century French mahogany card table, with rectangular top on tapering square supports, 85cm wide x 74cm deep x 74cm high (+26.4% BP ) A rectangular marble coffee table, raised on a pair of Ionic capitals, 110cm deep x 150cm wide (+26.4% BP ) A late 19th century satinwood octagonal occasional table, on four fluted supports united by urn carved stretcher, 99cm wide x 74cm high A pair of Victorian oval three light girandole wall mirrors, with cartouche carved crest, 48cm wide x 80cm high (2) (+26.4% BP ) Sir Alan Peters; a 20th century figured ash coffee table, the rectangular one piece top on a pair of slab end supports, united by slatted undertier, with visible wedged mortise and tenon joints, 138cm wide x 46cm high x 46cm deep. Illustrated (+26.4% BP ) A 20th century square back sofa, with button crushed silver velvet upholstery, on tapering reeded supports, 217cm wide x 87cm high x 102cm deep (+26.4% BP ) A 20th century square back sofa, with button crushed silver velvet upholstery, on tapering reeded supports, 217cm wide x 87cm high x 102cm deep (+26.4% BP ) A reformed stone circular column on stepped base, 37cm wide x 113cm high (+26.4% BP ) A late 17th century geometric moulded oak chest of four long graduated drawers, on bracket feet, 97cm wide x 91cm high (+26.4% BP ) A Louis XIV style gilt metal mounted cartonnier bookcase, the rectangular marble top over three leather fronted folio boxes and open shelves, on squat cabriole supports, 141cm wide x 95cm high x 44cm wide. Illustrated (+26.4% BP ) A set of George III mahogany three rung bed steps, with built-in cupboards, 78cm wide x 76cm high x 47cm deep (+26.4% BP ) A 19th century carved sandstone fire surround, with canted jambs, 234cm wide x 119cm high (+26.4% BP ) An early 20th century walnut hanging cupboard with pair of arch hanging doors, 47cm wide x 65cm high (+26.4% BP ) A late 19th century gilt framed rectangular wall mirror, with leaf and floral moulded frame, 140cm wide x 171cm high (+26.4% BP ) A massive Italian Baroque gilt framed wall mirror, 19th century, the pierced and carved upper frieze with floral baskets and cornucopia amongst acanthus sprays, flanked by opposing winged beasts above the shaped mirror plate and relief carved floral frame, mounted with beast head masks, 184cm wide x 327cm high. Illustrated. Provenance: Fisherton House, Salisbury. Formerly the property of Cecil Chubb, the one-time owner of Stone Henge, who gifted the monument to the nation. Please note that this lot is offered with the option of the successful bidder purchasing the next lot at the same hammer price (+26.4% BP ) A massive Italian Baroque gilt framed wall mirror, 19th century, the pierced and carved upper frieze with floral baskets and cornucopia amongst acanthus sprays, flanked by opposing winged beasts above the shaped mirror plate and relief carved floral frame, mounted with beast head masks, 204cm wide x 368cm high. Illustrated. Provenance: Fisherton House, Salisbury. Formerly the property of Cecil Chubb, the one-time owner of Stone Henge, who gifted the monument to the nation. Please note that this lot is offered with the option of the successful bidder of the previous lot purchasing it at the same hammer price (+26.4% BP ) An 18th century French gilt metal mounted mahogany writing table with leather inset top over single frieze drawer on cabriole supports, 81cm wide x 72cm high x 51cm deep (+26.4% BP ) A set of five reconstituted stone jardinieres, with leaf moulded bodies and turned socle on square base, 56cm wide x 70cm high (5) (+26.4% BP ) An early 18th century chevron banded cherry wood rectangular lift-top trunk on stand, 113cm wide x 80cm high (+26.4% BP ) David Linley, 20th century; a kidney shaped coffee table, the walnut halo ring with inset glass panel, on a polished steel base, 120cm wide x 40cm high x 72cm maximum depth. Illustrated (+26.4% BP ) A campaign style brass bound mahogany three drawer pedestal, on bracket feet, 58cm wide x 85cm high x 47cm deep (+26.4% BP ) 122

125 Lot 1905 Lot 1906 Lot 1910 Lot 1910 (detail) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

126 1922. A pair of reconstituted stone figures of cherubs riding dolphins, holding scallop shaped bowls, 35cm wide x 100cm high (2) (+26.4% BP ) A late George III rosewood sofa table, the drop flap top over pair of frieze drawers, on carved and reeded columns and acanthus scroll feet, 112cm wide, 162cm wide opened x 69cm deep x 73cm high (+26.4% BP ) A made-up 19th century mahogany breakfront bookcase, with four glazed upper doors over two short and two long drawers, flanked by cupboards, 242cm wide x 221cm high x 53cm deep (+26.4% BP ) Lot 1915 Lot After Canova, a reconstituted stone figure of Venus, on a shaped circular base, 33cm wide x 29cm high (+26.4% BP ) A Victorian figured walnut Davenport, the slope top enclosing a fitted interior, with five side drawers enclosed by locking bar, 59cm wide x 85cm high x 58cm deep (+26.4% BP ) Erard, London; a rosewood cased grand piano, stamped M23122, on tapering hexagonal supports, 137cm wide x 214cm long (+26.4% BP ) A William IV walnut games table, the rectangular specimen marble chessboard top on a pair of carved and pierced trestle end standards, united by turned stretcher, 72cm wide x 75cm high x 55cm deep. Illustrated (+26.4% BP ) A Regency brass inlaid rosewood chiffonier, the brass galleried ledge back above mirror plate and marble top, over a glazed two door base, on gilt paw feet, 123cm wide x 134cm high, 35cm deep (+26.4% BP ) A late 19th century lamp modelled as a figure of a standing Blackamoor holding a torch, on stepped octagonal base, 204cm high. Illustrated (+26.4% BP ) David Linley, 20th century; a walnut side cabinet, with recess over push-operated single door, on polished steel plinth, 40cm wide x 66cm high x 36cm deep A late 18th century French commode, the shaped marble top over a mahogany three drawer base flanked by fluted columns, 114cm wide x 90cm high x 56cm deep (+26.4% BP ) A set of eight Regency mahogany dining chairs with interlaced X frame splat back on sabre supports, to include a pair of carvers (8) (+26.4% BP ) A set of five black leather upholstered steel framed bar stools, with perimeter foot rests, each 71cm high (5) (+26.4% BP ) A George III brass bound mahogany octagonal cellarette on four tapering square supports, 50cm wide x 72cm high. Illustrated (+26.4% BP ) A grey painted Louis XV style writing desk, the serpentine top over three frieze drawers, on cabriole supports, 137cm wide x 77cm high x 76cm deep A large gilt framed rectangular wall mirror, late 19th century with applied shell and shield mounted decoration, 160cm wide x 236cm high (+26.4% BP ) A pair of reconstituted stone figures of sejeant lions, on circular bases, 103cm high (2) (+26.4% BP ) A late 17th century oak geometric moulded four drawer chest, on stile feet, 99cm wide x 88cm high (+26.4% BP ) In the manner of Giuseppe Maggiolini; an 18th century Italian neo-classical marquetry inlaid walnut three drawer commode, on tapering square supports, 125cm wide x 85cm high x 57cm deep. Illustrated (+26.4% BP ) A William IV mahogany writing table, the rectangular top with a pair of frieze drawers, on an octagonal column, 92cm wide x 76cm high x 46cm deep (+26.4% BP ) Lot

127 1939. A 17th century and later oak centre table, with shaped frieze and barleytwist supports, united by perimeter stretcher, 120cm wide x 86cm deep x 75cm high (+26.4% BP ) Lot Two 19th century carved sandstone staddle stones, with conical bodies, each 48cm wide x 81cm high (2) (+26.4% BP ) A Victorian figured walnut Canterbury whatnot, with fret carved decoration and two open tiers over a three division base, 65cm wide x 100cm high x 40cm deep (+26.4% BP ) A pair of Louis XV style parcel gilt walnut framed two seat sofas, with serpentine seats, on scroll feet, 140cm wide x 97cm high x 85cm deep (2) (+26.4% BP ) A 19th century console table, the serpentine marble top over a grey painted carved wood base with opposing C scroll supports, 111cm wide x 76cm high x 56cm deep. Illustrated (+26.4% BP ) G Plan; a 20th century teak oval extending dining table on concave trestle supports, 117cm wide x 230cm long, 300cm long extended G Plan; a set of ten 20th century teak framed dining chairs on tapering square supports, to include two carvers (10) (+26.4% BP ) A pair of reconstituted stone benches, each with rectangular slab top with shaped scroll bases, 122cm wide x 43cm deep x 44cm high, 92) (+26.4% BP ) A late 18th century Dutch floral marquetry inlaid walnut cylinder writing bureau, with one long drawer over fitted interior and three further long drawers, on block feet, 108cm wide x 131cm high x 54cm deep. Illustrated (+26.4% BP ) A Victorian mahogany pedestal sideboard, with three frieze drawers over pedestal cupboards, 186cm wide x 128cm high x 61cm deep (+26.4% BP ) A reconstituted stone figure of Venus de Milo, on stepped square base, the figure 30cm wide x 107cm high (+26.4% BP ) A Victorian satinwood circular tripod table, on barleytwist column and three downswept supports, 51cm wide x 73cm high A George III style mahogany occasional table, the carved and shaped top on birdcage support, tripod base and ball and claw feet, 71cm wide x 73cm high (+26.4% BP ) David Linley, 20th century; an occasional table, the square top with inset glass panel, on a polished steel base, 50cm wide x 50cm high. Illustrated (+26.4% BP ) A set of eight William IV rosewood dining chairs, with carved waist rail on tapering reeded supports, 85cm high x 47cm wide x 52cm deep (8) (+26.4% BP ) Lot 1935 Lot 1940 Lot 1945 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

128 Lot A Victorian figured walnut hanging cupboard, with two open tiers above cupboards, flanked by fluted supports, 53cm wide x 77cm high x 21cm deep (+26.4% BP ) A set of four reconstituted stone jardinieres, with opposing rams head finials and leaf moulded bodies, on square bases, 52cm wide x 45cm high (4) (+26.4% BP ) A late 19th century Anglo Indian brass inlaid teak triple section linen press, with a pair of arched mirror doors over four long drawers on stylized paw feet, 133cm wide x 220cm high x 65cm deep (+26.4% BP ) An Exhibition quality Victorian figured walnut centre table, the oval snap top on four downswept supports, relief carved with floral sprays, 150cm wide x 115cm deep x 74cm high. Illustrated (+26.4% BP ) A 20th century button back tan leather upholstered three piece suite, to comprise; a sofa 198cm wide x 89cm high x 100cm deep and a pair of armchairs each 95cm wide x 82cm high x 75cm deep (3) (+26.4% BP ) A pair of early 20th century French kidney shaped side tables, each with marble top over gilt metal mounted inlaid mahogany two drawer base united by platform undertier, 57cm wide x 77cm high x 31cm deep (2) (+26.4% BP ) A late Victorian marquetry inlaid rosewood tub back sofa, with serpentine seat on squat cabriole supports, 153cm wide x 90cm high x 70cm deep (+26.4% BP ) A George II figured walnut bureau bookcase, the double domed top over a pair of bevelled glazed arch top doors, the fall with fitted interior over one long, two short and two further long drawers, on bracket feet, 104cm wide x 236cm high x 57cm deep (+26.4% BP ) Lot 1950 Lot

129 1955. A late Victorian coromandel banded polychrome painted satinwood writing desk, the slope top with fitted interior over fold-out writing surface, two side sprung drawers and one long drawer, on tapering square supports united by concave platform, 63cm wide x 115cm high x 50cm deep. Illustrated (+26.4% BP ) A Victorian marquetry inlaid figured walnut centre table, the oval top with egg and dart rim on carved and pierced base and four downswept supports chased with clover leaf decoration, 145cm wide x 73cm high x 106cm deep (+26.4% BP ) A 19th century Chinese Chinoiserie decorated gilt and black lacquer eight-fold draught screen, 456cm wide x 197cm high (+26.4% BP ) A George III mahogany concave fronted writing table with pair of frieze drawers on turned supports, 109cm wide x 81cm high x 63cm deep (+26.4% BP ) A miniature Victorian gilt metal mounted figured walnut pier cabinet, 52cm wide x 68cm high x 26cm deep An 18th century Dutch feather banded figured walnut bureau cabinet, the shaped bonnet top over pair of arch mirror panel doors and candle slides, the fall enclosing a stepped and welled interior, over a bombe base of four short and two long graduated drawers, on bracket feet, 113cm wide x 235cm high x 70cm deep. Illustrated (+26.4% BP ) A pair of early 19th century faux rosewood side chairs, with carved crest and waist rail, on reeded supports, 47cm wide x 85cm high x 45cm deep (2) (+26.4% BP ) Lot A 19th century Continental carved mahogany framed sofa, with shaped crest rail and opposing eagle arm supports, raised on cornucopia feet, 220cm wide x 103cm high x 68cm deep (+26.4% BP ) A mid-18th century Italian gilt framed wall mirror with foliate mounted C scroll shaped frame, 77cm wide x 107cm high (+26.4% BP ) A George III inlaid mahogany secretaire cabinet, with pair of astragal glazed doors over two short drawers one with fitted interior and a further pair of cupboards, on plinth base, 151cm wide x 250cm high x 55cm deep A Victorian gilt metal mounted marquetry inlaid figured walnut credenza, with central panel door flanked by glazed serpentine doors, 151cm wide x 110cm high x 43cm deep. Illustrated (+26.4% BP ) An early 20th century figured walnut Anglo-Dutch octagonal wine cooler/jardiniere, on four claw and ball feet, 36cm wide x 41cm high (+26.4% BP ) A George I style parcel gilt walnut carver chair, with scroll vase back and bow seat, on ball and claw feet, 67cm wide x 100cm high x 60cm deep A set of twelve George I style mahogany dining chairs with pierced splat back and straight front seat, on pad feet united by turned stretcher, to include a pair of carvers. (12) (+26.4% BP ) Robert Mouseman Thompson of Kilburn; a pair of 20th century oak side tables, each with adzed octagonal top, on four baluster supports united by stretcher, 81cm wide x 48cm high (2). Illustrated (+26.4% BP ) A Victorian mahogany extending dining table, the rounded rectangular top on a pair of tulip carved baluster supports, to include three extra leaves, 141cm wide x 176cm long x 345cm fully extended (+26.4% BP ) Lot 1970 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

130 Silver & Plate Lot 2100

131 Thursday 9th November 2017 at 1.30pm Silver & Plate Important Notice All weights and dimensions are approximate. Purchasers are advised to carefully inspect lots and make their opinion as to the condition Ten Irish silver dessert spoons, Dublin 1792 and one further Irish silver dessert spoon, Dublin 1806, all crest engraved, combined weight 351gms (+26.4% BP ) A pair of Victorian silver (formerly gilt) dessert serving spoons, decorated with birds and floral sprays in The Aesthetic Movement taste, each having a shaped bowl, spiral stem and with a bird finial engraved to the oval terminal, London 1882, weight 114gms, with a fitted case (+26.4% BP ) Two Scottish silver dessert spoons, Glasgow 1841 and four further silver dessert spoons, all engraved with the initial W, possibly provincial or colonial mid 19th century, combined weight 177gms (6) (+26.4% BP ) A Birks Sterling silver dish formed as a waterlily leaf, diameter 15cm and silver, comprising; a mustard pot with a blue glass liner and a matching pepperette, Birmingham 1946 and 1947, a pair of napkin rings in a slanting oval design, Sheffield 1912, a pair of octagonal napkin rings with engine turned decoration, Birmingham 1936 and three further silver napkin rings, combined weight 411gms, also a plated mustard spoon (11). Lot A European model of a standing cockerel, the head opening to reveal a grille pierced with hearts (the hinge broken), height 20cm. Illustrated (+26.4% BP ) A pair of silver table candlesticks, each of tapering form, raised on a circular base and decorated with reeded bands, height 28cm (loaded), Birmingham Mostly silver, comprising; a set of four berry fruit serving spoons, crest engraved, London 1823, a rectangular photograph frame, Birmingham possibly 1917, a pepperette, a butter knife, six Scottish teaspoons, having bright cut engraved decoration and with scallop shell shaped bowls, five coffee spoons, Birmingham 1922, three foreign teaspoons, the handles with differing standing angel finials, indistinctly marked J.B & Co, a mustard spoon and two plated decanter labels, both detailed Madeira, combined weight of weighable silver 415gms (+26.4% BP ) A George II silver small side dish, of circular form, decorated with a gadrooned rim, engraved with an armorial, detailed underneath No = 9, by Paul de Lamerie, London 1737, diameter 24cm, weight 622gms. Illustrated (+26.4% BP ) An 18th century silver mounted oval hinge lidded snuff box, gilt within, the tortoiseshell lid decorated with a wirework bird motif to the centre and otherwise with four scrolled motifs at intervals, maker s mark within NE, length 8cm Lot 1975 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

132 Lot A silver mounted faceted glass hinge lidded claret jug, of vase shaped form, the mount with floral, foliate and scroll embossed decoration within beaded edges, with a scrolling handle, the faceted glass body raised on a star cut circular foot, by Goldsmiths & Silversmiths Company, London Illustrated (+26.4% BP ) A pair of silver table candlesticks, each designed as a Classical column, raised on a swept square base, loaded, London 1912, height 23.5cm A pair of faceted glass scent bottles, with stoppers, with a Victorian silver twin compartment stand, embossed with shaped oval panels, depicting cherubs faces, raised on four feet, by William Comyns, London 1898, three similar silver topped faceted glass scent bottles, two of the tops Birmingham 1906, the third top Birmingham 1907, with a circular stand, having embossed swags, Birmingham 1907 and a pair of silver mounted faceted glass scent bottles, of swept form, the mounts with scroll embossed decoration, London 1902 (4) (+26.4% BP ) A silver lidded faceted glass toilet jar, London 1920, a silver lidded faceted glass hair tidy jar, Birmingham 1924, a silver topped faceted glass scent bottle and stopper, Birmingham 1911, three silver lidded faceted glass toilet bottles and a plated claret jug, having an antler handle (7) (+26.4% BP ) Silver, comprising; a sauceboat, with a shaped rim, scrolling handle and raised on three pad feet, Birmingham 1925 and a Victorian twin handled bowl, of shaped circular form, with embossed decoration, London 1894, combined weight 387gms (2) (+26.4% BP ) A George III silver souffle dish, with a drop in liner, the twin handled circular dish with a bold gadrooned rim, engraved with the coat of arms and crest of Sir William Domville, First Baronet, Lord Mayor of London 1813/14, by Robert Garrard, London 1817, diameter 22.5cm (excluding handles), the drop-in liner unmarked, combined weight 1330gms. Illustrated (+26.4% BP ) Silver and silver mounted wares, comprising; a Victorian hinge lidded scent bottle, of tapering form, with spiral embossed decoration, probably Birmingham 1888, a heart shaped hinge lidded trinket box, the lid mounted with a circular pale blue and white panel, Birmingham 1905, a pair of salts, having embossed decoration, each raised on four spherical feet, Sheffield 1891 and two lidded faceted glass rectangular hairpin boxes, Birmingham 1902 (6) (+26.4% BP ) Mostly silver, foreign and silver mounted wares, comprising; a lady s fob watch with a key, a Waltham pocket watch, a Victorian spectacles case fitted with chains and a pocket clip, Birmingham 1896, two button hooks, an urn shaped pepperette, having a base metal loaded base, a salt, two dip pens, one larger and four smaller spoons, having spiral stems and with figure terminals, a mustard spoon, a decanter label detailed Whisky and a pair of plated grape scissors (17) (+26.4% BP ) Silver, comprising; a bread or fruit basket of shaped oval form, having scroll pierced decoration, raised on four spherical feet, Birmingham 1928, length 30cm and a pair of vases, each with pierced decoration within a shaped scrolling rim and with a similarly decorated foot, by Goldsmiths and Silversmiths Company Ltd, London 1916, height 14cm, combined weight 795gms (3) A Chinese tea strainer, the border pierced and embossed with leaves, berries and animals and with a carved jade handle, with the original box and a silver square cigarette case, the exterior engine turned, Birmingham 1936, gross weight 108gms (2) (+26.4% BP ) A late Victorian silver rectangular twin bottle inkstand, the centre with an oval hinge lidded box compartment, with two recesses for pens, with beaded decoration to the border, raised on four ball and claw feet and with two detachable silver hinge lidded faceted glass ink bottles, all London 1899, weight of the stand excluding the bottles 916gms. Illustrated (+26.4% BP ) Lot 1985 Lot

133 1991. Six pairs of silver sugar tongs, various designs, a Sterling crumb tray, a silver mounted curved brush, Birmingham 1939, a silver handled tortoiseshell bladed paper knife and a Scottish silver gilt and enamel shield shaped plaque, Edinburgh 1956, combined weight of weighable silver and Sterling wares (to include the shield) 402gms (10) (+26.4% BP ) Silver, comprising; a slide action vesta box of curved rectangular form, detailed The Times 1926, by Goldsmiths and Silversmiths Company Ltd, London 1926, a George IV rectangular hinge lidded snuff box, gilt within, the exterior faintly engine turned within a floral and scroll moulded border and engraved S. Scott, by Joseph Willmore, Birmingham 1822, length 6.5cm and a sovereign case (the suspension ring lacking), otherwise plain, Birmingham 1901, combined gross weight 138gms (3) (+26.4% BP ) Foreign wares, comprising; a serving slice, detailed Castro, with a case, a milk jug with a matching twin handled sugar bowl, detailed Sterling Weighted, four glass small pepperettes, four coffee spoons having spiral stems and with lapis lazuli bead finials, detailed Made in Chile 900 and a set of six coffee spoons with differing cast finials, with a case (6) (+26.4% BP ) A Russian teaspoon, the back of the bowl niello decorated with a view of a church, the stem with spiral decoration, probably Moscow 1895, length 13.5cm, a model of a mandolin with embossed decoration, with figures and scrolls, in the Dutch taste (the strings lacking) and an Art Nouveau small ladle, the handle cast and pierced with a floral motif, indistinctly marked Silver JAL, length 11.5cm (3) A Charles I silver slip top spoon, apparently no maker s mark, London 1632, length 11.3cm, weight 48gms. Illustrated (+26.4% BP ) Silver, comprising; a George III twin handled strainer of circular form, with a beaded rim, London possibly 1774, length (including handles) 14.5cm, a pair of Victorian fiddle and thread pattern sugar tongs, London 1877, a Dutch spoon, the bowl decorated with a windmill and cows, the cast handle with a sailing ship finial, import mark Chester 1909, length 21cm, combined weight 161gms and a pair of plated sugar tongs (4) A late Victorian silver inkstand of shaped circular form, having a gadrooned rim, with a silver mounted faceted glass ink bottle of tapering design, London 1898, a silver sauce boat, Sheffield 1939, a Russian tot, probably Moscow 1761 and plated wares, comprising; a hinge lidded case and a pair of scissor action candle snuffers (5) A silver spirit flask of curved rectangular plain form, with a milled edged circular top, Birmingham 1937, height 13.5cm, gross weight 180gms (+26.4% BP ) A foreign three piece tea set, comprising; a teapot, a hinge lidded sugar box and a milk jug, each piece of tapering square form and with gadrooned rims, with ivory fittings, circa 1910, detailed 900, combined gross weight 1340gms; also a plated oval twin handled tray (4) (+26.4% BP ) A silver gilt fruit basket, with pierced foliate and scrolling decoration, within a shaped rim cast with fruiting vine and on a similarly decorated shaped circular foot, by Walker & Hall, Birmingham 1930, with a frosted colourless glass liner, diameter 21cm, weight 508gms. Illustrated (+26.4% BP ) A large early Victorian silver gilt cup and cover, by Robert Garrard, London 1846, boldly decorated in the Renaissance style, with tapered embossed panels, vacant cartouches enclosed by scrolled borders and with mythological masks, raised on an openwork shaped stem, with a shaped circular base, detailed R & S. Garrard, Panton St, London, maker s mark for Robert Garrard II, London 1846, height excluding stand 67cm, weight 3720gms, with a later wooden stand. Illustrated (+26.4% BP ) A silver trophy cup, embossed with fruiting vine, raised on a circular foot, decorated with a beaded rim, presentation inscribed, Sheffield 1906, height 26cm, weight 471gms (+26.4% BP ) Lot 1995 Lot 2000 Lot 2001 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

134 2008. Silver, comprising; a shaped hexagonal bonbon dish, having scroll pierced decoration, Birmingham 1972, four condiment spoons and two similar oval salts, each raised on four feet, Birmingham 1903 and 1909, with blue glass liners and foreign wares, comprising; a square powder compact, fitted with a mirror within, a rectangular cigarette case, a circular ashtray and a lighter (11) (+26.4% BP ) Silver, comprising; a seven bar toast rack, having a loop shaped handle, raised on four spherical feet, Sheffield 1912 and a christening mug raised on a circular foot, London 1919, combined weight 296gms (2) (+26.4% BP ) A late Victorian silver mounted heart shaped strut backed mirror, the front with a cherub s face motif, otherwise with scroll pierced and embossed decoration, London A pair of silver and gilt shallow dishes, each of shaped circular form, decorated with a cast and pierced gilt border of fruiting vine, by C.J. Vander Limited, London 1979, 31cm diameter, combined weight 2110gms (2) (+26.4% BP ) Lot An Oriental four piece tea and coffee set, comprising; a teapot, a coffee pot, a twin handled sugar bowl and cover and a milk jug, each piece decorated with bamboo and with bamboo finials to the lids and with bamboo effect handles and spouts, detailed Wai Kee Sterling silver, Made in Hong Kong, combined gross weight 1565gms. Illustrated (+26.4% BP ) An Austrian snuff box, of bombe rectangular form, gilt within, the exterior engraved Eliza Walker to Samuel Walker, otherwise with scroll engraved and engine turned decoration, mid 19th century, weight 87gms (+26.4% BP ) Silver and silver mounted wares, comprising; a shaped circular large bon bon dish, decorated with a wide border of oval piercings and raised on a triform base, Birmingham 1909, a heart shaped trinket dish, with embossed floral and scrolling decoration, raised on three feet, Birmingham 1894, combined weight 273gms and a circular glass teapot stand, with fretted decoration to the applied silver mount, Birmingham 1933, diameter 15cm (3) A silver twin handled table centrepiece tazza, of shaped circular form, having serpentine handles, in the Greek Revival style, raised on a partly fluted circular foot, with four paw handles, height 23.5cm, Sheffield 1933, maker James Dixon & Sons, weight 2025gms. Illustrated (+26.4% BP ) A silver twin handled hinge-lidded tea caddy, of bombe form, raised on four feet, the hinged lid with a loop shaped handle, London 1903, weight 258gms (+26.4% BP ) Silver, comprising; a circular salt, London 1978, a pepperette, London 1973 and a mustard pot, London 1978, by Mappin & Webb, with two blue glass liners, two condiment spoons, London 1977, a napkin ring decorated with daffodils and another napkin ring, having a decorated central band, combined weight 391gms (7) (+26.4% BP ) A silver sugar caster, of tapered cylindrical stylized lighthouse form, Sheffield 1979, by Mappin & Webb and a silver sauceboat, with a scrolling handle and decorated rims, Sheffield 1975, by Mappin & Webb, combined weight 382gms (+26.4% BP ) A pair of silver bottle coasters, each with pierced decoration within a wavy gadrooned rim and having a turned wooden base, with a silver disc to the centre, diameter 10cm 132 Lot 2010

135 Lot A Portuguese part table service, comprising; twelve dessert forks, nine tablespoons, seven steel bladed table knives, eight fish forks, one stuffing spoon, eight fish knives, twelve steel bladed cheese knives, seven dessert spoons, seven table forks, twelve teaspoons and nine pastry forks, indistinctly detailed 835, each piece with cast decoration, combined weight excluding the knives, 4655gms, with two wooden cutlery trays (qty). Illustrated (+26.4% BP ) A silver and mother of pearl baby s rattle, designed as the standing figure of a girl holding an alphabet book, fitted with two bells, a suspension loop and with a mother of pearl handle, Birmingham (+26.4% BP ) Silver, comprising; a sauce boat, having a scrolling handle, a gadrooned rim and raised on three feet, Sheffield 1971 and a twin handled boat shaped bon bon dish, having ivory cylindrical handles in an Art Deco design, London 1931, combined gross weight 396gms (2) Silver and silver mounted wares, comprising; a rectangular pill box, with engine turned decoration, Birmingham 1966, a Victorian vesta case, with banded decoration, Sheffield 1897, a toothbrush, Chester 1922, a thimble, Chester 1899 and a set of six buttons, decorated with putto within scrolling borders, Birmingham 1900, diameter 2.5cm, also a base metal mounted agate rectangular vesta box (11) (+26.4% BP ) Lot Silver, comprising; a sugar caster with embossed decoration, Birmingham 1908, three salts, each raised on three feet, with three blue glass liners, a small salt, a salt spoon and a pepperette raised on three feet, combined weight 211gms (7) (+26.4% BP ) A Victorian composite four piece coffee and tea set, each piece of bombe form, with engraved panelled decoration, the coffee pot, the twin handled sugar bowl and the milk jug London 1857, maker John Samuel Hunt, each piece further detailed Hunt & Roskell, late Storr & Mortimer, the later teapot London 1891, maker John Aldwinckle & Thomas Slater, combined gross weight 2225gms (4). Illustrated (+26.4% BP ) Silver and silver mounted wares, comprising; an oval hinge lidded box detailed The Hon The Irish Society A.D. 1613, Chester 1907, two cigarette cases, a hand mirror and a hairbrush, combined gross weight of the first three items 252gms (5) (+26.4% BP ) A George III silver marrow scoop, London 1793 and a baby s rattle, fitted with four bells and with a coral handle (2) (+26.4% BP ) Silver and silver mounted wares, comprising; a pair of candlesticks, each on a circular base, loaded, Birmingham 1912, height 12.5cm, two napkin rings, a circular trinket box raised on three feet, Birmingham 1918, a circular box and cover having embossed decoration, a pair of sugar tongs, a tea caddy spoon, London 1822, a pickle fork, a salt spoon and a faceted glass pepperette, also foreign wares, comprising; a bodkin case and a cream ladle detailed 90 SIL (12) (+26.4% BP ) Silver, comprising; a pair of scissor action sugar nips, initial engraved A.P, circa 1800, a pair of sugar tongs, having bright cut engraved decoration, probably London 1802 and eight further pairs of silver sugar tongs, in a variety of designs, weight 340gms (10). BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

136 2031. A set of twelve pairs of silver dessert or fruit knives and forks, having loaded silver handles, Sheffield 1929, with a fitted wooden case, having a key (+26.4% BP ) Lot 2025 Lot Three Victorian double struck Old English and thread pattern teaspoons, London 1858 and twenty-three further teaspoon, mostly fiddle and Old English patterns, combined weight 508gms (26) (+26.4% BP ) Silver and silver mounted wares, comprising; a pair of scissor action sugar tongs, crest engraved, circa 1800, three dessert or fruit knives and three dessert or fruit forks, having mother of pearl handles, Sheffield 1900, another larger fork and a pickle fork, both having mother of pearl handles, a pair of plated spoons, decorated with birds and two plated pickle forks (13) (+26.4% BP ) A silver twin-handled trophy bowl, of shaped oval form, with semi-spiral fluted, floral and scroll embossed decoration, within a shaped rim, the cast handles formed as swans, raised on an oval foot, presentation inscribed Electrical Wholesalers Federation, Golf Trophy Presented to E.I B.A, London probably 1905, weight 1350gms, with an oval stand. Illustrated (+26.4% BP ) Silver and silver mounted wares, comprising; a rectangular cigarette case, the mount from a hand mirror, a small cream boat, a hunting cased pocket watch, with a key, an openfaced pocket watch, two butter knives, including one having a mother of pearl handle and eight further items of flatware, also a German circular trinket dish, detailed 800, mounted with a Maltese coin (16) (+26.4% BP ) A pair of plated on copper bottle coasters, each of octagonal form with pierced and engraved decoration, with a turned mahogany base, first half of the 19th century, diameter 12cm and another pair of plated on copper bottle coasters, each of circular form, with a turned wooden base, diameter 15cm (2 pairs) (+26.4% BP ) Lot Silver tablespoons, comprising; a pair of Old English pattern, London 1813, four Old English pattern Exeter various dates, three possibly 1807 and one 1799 and a pair London 1814, combined weight 467gms (8) (+26.4% BP ) Plated wares, comprising; a Victorian coffee pot, of tapered shaped oval form, a pair of Elkington & Co table candlesticks, with bold foliate decoration, height 31cm and a shaped rectangular bread board stand, decorated with corn, by Walker & Hall, fitted with a wooden bread board (4) (+26.4% BP ) A Russian Faberge silver gilt and enamelled, hinge lidded cigarette box, of oval section form, gilt within and engraved L.C.O March 1st 1936, the exterior with pastel shaded pale blue guilloche enamelled decoration and with a rose diamond set thumbpiece, detailed 88, workmaster A*H for Albert Holmström ( ) and Faberge in cyrilic lettering, length 7.6cm, gross weight 92gms, with a Cartier case (the enamel damaged). Illustrated (+26.4% BP ) A Chinese bowl, of circular form, the body decorated with floral sprays and raised on three spherical feet, by Luenwo, diameter 14cm, height 8.5cm, weight 430gms (+26.4% BP ) A Chinese bowl, of circular form, the body engraved with character texts beneath a top band of blossom by Yoksang, diameter 22cm, height 13cm, weight 750gms. Illustrated (+26.4% BP ) A group of silver spoons, comprising; an Old English pattern table spoon, Exeter possibly 1798, four fiddle pattern dessert spoons, a pair of fiddle and shell pattern salt spoons, Newcastle 1852 and five further spoons, also a single struck stylized King s pattern teaspoon, possibly Scottish, combined weight 331gms (13) A silver shallow pedestal dish, decorated with a pierced border, diameter 24,5cm, Sheffield 1911, weight 347gms (+26.4% BP ) A silver twin handled trophy bowl, having scrolling handles, raised on a circular foot, diameter 16cm, Birmingham 1936 and another silver twin handled trophy bowl, Sheffield 1928, combined weight 639gms, with two black stands (2) (+26.4% BP ) 134

137 Lot A pair of Victorian silver grape scissors, each with cast decoration, London 1886, weight 113gms and a pair of plated grape scissors (2) (+26.4% BP ) A Victorian Scottish silver four piece tea set, comprising; a teapot, a hot water jug, a sugar bowl and a milk jug, each piece decorated with Far Eastern figures amidst surrounds of floral scrolls, in the Indian/Burmese taste, Glasgow 1889, gross weight 1435gms, maker George Edward & Sons. Illustrated (+26.4% BP ) Silver and silver mounted wares, comprising; a three handled bowl, of lobed circular form, Sheffield 1912, a sauceboat, raised on three feet, Sheffield 1940, a milk jug with a matching twin handled sugar bowl, Birmingham 1933, a five bar toastrack, Sheffield 1939, three spoons, a pair of sugar tongs, combined weight 543gms and a butter knife (10) (+26.4% BP ) A silver twin handled trophy cup, with scrolling handles, raised on a circular base, Birmingham 1907 and a silver twin handled smaller trophy cup, having decorated rims and with beaded handles, Birmingham 1936, combined weight 466gms (2) (+26.4% BP ) A silver plated metal mounted hinge lidded faceted glass claret jug, having engraved decoration and another silver plated metal mounted hinge lidded faceted glass claret jug, with a spiral fluted finial to the lid (2) (+26.4% BP ) A silver and enamel rectangular hinge lidded box, the cover enamelled with a coaching scene, the coach drawn by four chestnut coloured horses and with numerous passengers aboard, Birmingham 1931, size 5.5cm x 3cm, gross weight 59gms. Illustrated (+26.4% BP ) Silver and silver mounted wares, comprising; a small heart shaped trinket dish, decorated with cherub s faces, Birmingham 1904, a napkin ring, a pair of Victorian twin handled boat shaped salts, with partly fluted decoration, a three piece condiment set, a small trophy cup, with a black stand, a model of a standing horse, detailed 925, a baby s pusher, also an unmarked circular wine funnel stand, crest engraved and a pair of mother of pearl folding lorgnettes, fitted with circular lenses, 172gms of weighable silver (12) (+26.4% BP ) Silver and silver mounted wares, comprising; three late Victorian King s pattern tablespoons, London 1897, another tablespoon, three dessert spoons and four further spoons, three vesta cases, two napkin rings, combined gross weight 656gms and a loaded candlestick, also foreign wares, comprising; three vesta cases, a pair of condiment spoons and five further spoons (27) (+26.4% BP ) Silver fiddle pattern table flatware, comprising; nine table forks, five tablespoons, ten dessert forks and ten dessert spoons, mixed Victorian Exeter dates, combined weight 1835gms (34) (+26.4% BP ) Four similar decanter labels, each of shaped oval form, with a cartouche shaped border, comprising; Madeira, probably London 1810, Port and Claret, probably London 1811 and Sherry, later cast to match (4) (+26.4% BP ) A pair of Danish fish servers, with pierced and engraved decoration, detailed Clement and a set of six French spirit tots, monogram engraved with a leather case (+26.4% BP ) Lot 2045 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

138 2050. A George III silver Monteith punch bowl, having a cast and shaped rim, decorated with masks and scrolls, the body with wrythen fluted decoration, with foliate sprays at intervals, raised on a circular foot, London 1815, maker Benjamin Smith, later presentation inscribed Principal Donaldson with True Affection from Rosebery and Hannah Rosebery, June 1890, diameter 30cm, height 20cm, weight 1930gms. Illustrated (+26.4% BP ) A French twin handled bowl with a detachable cover, the circular bowl decorated with foliate scrolls to the handles, the rims and also to the detachable handle of the lid, diameter 20.5cm (excluding handles), weight 1230gms. Illustrated (+26.4% BP ) Lot A Victorian silver Old English pattern part table service, comprising; six table forks, London 1861, six table spoons, London 1863, six dessert forks, London 1862, six dessert spoons, London 1863, a sauce ladle, London 1862, seven teaspoons, London 1862 and an egg spoon, London 1862, combined weight 1555gms (33) (+26.4% BP ) Silver and silver mounted wares, comprising; three pairs of sugar tongs, a butter knife, a fork, two dessert spoons, two condiment spoons, eight further spoons, five napkin rings, another napkin ring detailed Sterling and a silver lidded glass toilet jar, combined weight 447gms (24) (+26.4% BP ) A Victorian silver tea caddy, of bun form, embossed with birds, floral and foliate scrolls, the pull-off lid with a China man motif, London 1890, weight 244gms. Lot 2051 Lot A pair of Omar Ramsden silver spoons, each with the handle cast as an ear of corn and with a fig shaped bowl, with foliate decoration to the back, length 17cm, London 1930, combined weight 128gms. Illustrated (+26.4% BP ) Silver and silver mounted wares, comprising; a pair of circular salts, each with a decorated rim and raised on three hoof shaped feet, London 1913, a sauceboat, with a scrolling handle, Birmingham 1926, a pair of bottom marked spoons, London probably 1755, a shaped rectangular photograph frame and a lady s purse, with a carrying chain, combined gross weight excluding the photograph frame 443gms (7) (+26.4% BP ) Silver Old English pattern table flatware, comprising; three dessert forks, London 1887, three dessert spoons, mixed dates, a pair of sauce ladles, probably London 1812, another sauce ladle, London 1887, a sugar sifting spoon (hallmarks indistinct) and a salt spoon, probably London 1798, combined weight 528gms (11) (+26.4% BP ) Silver and silver mounted wares, comprising; a set of six teaspoons, having spiral stems and with figure terminals, Birmingham 1905, cased, a fiddle pattern fish slice, a pair of sugar nips, London 1886, two cigarette cases, two small circular inkwells, a candlestick (loaded), a pair of salts, Birmingham 1897 and a plated salt spoon, cased, combined weight of weighable silver 473gms (10) (+26.4% BP ) An Indian Sterling silver two piece cafe au lait set, in the 18th century taste, each piece of baluster form with fluted decoration to the spout, spiral turned finial, on a circular base and with an ebonised handle, by Hamilton & Co, Calcutta, detailed Sterling Silver, height 24.5cm, combined gross weight 1565gms (2) (+26.4% BP ) Lot

139 Lot A French tortoiseshell travelling part toilet set, with a blue leather case, comprising; fifteen pieces to include a pair of silver gilt mounted large glass toilet bottles, a pair of large cylindrical boxes, a rectangular box, an oval box, a small circular box, a hand mirror, a rectangular trinket tray and six various brushes, all mounted with glazed watercolour paintings of differing flowers by Blanche Odin, within gilt borders, also a comb, with a blue stained leather travelling case, having a brown canvas case cover. Illustrated An Eastern niello decorated curved rectangular hinge lidded case, the centre of the lid decorated with an Eastern monogram, possibly Turkish, within a floral and foliate decorated surround, otherwise on a hatched ground, length 9.5cm Silver and silver mounted wares, comprising; a rectangular table cigarette box, presentation inscribed to the hinged lid, wooden lined within, London 1902, a rectangular table cigarette box, the lid glazed with a view of two dogs, wooden lined within, London 1900, six silver bladed tea knives with loaded silver handles, a pair of napkin rings with a case and two further silver napkin rings, also a pair of foreign candlesticks, detailed Gorham Sterling, on circular bases, an Oriental cigarette case and a brass mounted square glass ink stand, with crossed club and ball motifs (14) (+26.4% BP ) A George III silver cut cornered rectangular twin bottle inkstand, the centre with an oval hinge lidded box and with a pen recess at each side, raised on four swept fluted legs, London 1788, length 23cm, weight 516gms, with two associated faceted glass bottles (+26.4% BP ) Lot George III silver double-struck fiddle and thread pattern table flatware, comprising; a pair of basting spoons, London 1787 and four matching table spoons, London 1787, combined weight 527gms (6) (+26.4% BP ) A silver twin handled large trophy bowl, presentation inscribed To Thomas Oates Esq by the Butcher s Charitable Institution, raised on a circular foot, Sheffield 1916, height 20cm, diameter 25cm, weight 1475gms. Illustrated (+26.4% BP ) A pair of silver fish servers with ivory handles, Sheffield 1901, with a case, a set of six silver teaspoons with a matching pair of sugar tongs, Sheffield 1903, with a case and two similar silver urn shaped pepperettes, having lead weighted bases, London 1903 and 1911 (4) (+26.4% BP ) Birks Sterling silver table flatware, comprising; fourteen table forks, two dessert spoons and six dessert forks, combined weight 1165gms, also seven table knives having Birks Sterling handles and steel blades, and seven cheese knives having Birks Sterling handles and steel blades (36) (+26.4% BP ) A silver Old English pattern part table service, comprising; eight table forks, six dessert forks, London 1928, six further dessert forks, Sheffield 1937, eight table spoons, London 1928, six dessert spoons, London 1928, two further dessert spoons, six coffee spoons, Sheffield 1927, seven further coffee spoons and three tea spoons, London 1922, the other pieces of mixed dates, combined weight 2425gms (52) (+26.4% BP ) Silver table flatware, comprising; twelve similar Old English pattern teaspoons, Sheffield mostly 1895, six fiddle pattern teaspoons, London 1869, nine rat tail pattern teaspoons, Sheffield 1920, two further part sets of spoons, a pickle fork Birmingham 1932 and a caddy spoon, decorated in the Dutch taste, with a boy fishing, combined weight 701gms (+26.4% BP ) A Chinese composite four piece tea and coffee set, comprising; a teapot, a coffee pot, a twin handled lidded sugar bowl and a milk jug, variously decorated with figures, figures on horseback and landscape scenes by Tuckchang, early 20th century, combined gross weight 2180gms (4). Illustrated (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

140 2078. A Sterling silver and enamelled octagonal hinge lidded box, decorated with two birds and a spray, detailed Sterling, an enamelled square hinge lidded box decorated with a floral spray, a silver oval hinge lidded box decorated with a kingfisher and seven further small boxes (10) (+26.4% BP ) Lot A Chinese rectangular twin handled tray, engraved with a central rectangular panel to hold an inscription, the wide rim decorated with standing figures, shrubs and Chinese characters, within a border of bamboo, the handles of simulated bamboo design, raised on four foliate feet by Woshing, Shanghai, length including handles 51cm, width 30.5cm, gross weight 1737gms. Illustrated (+26.4% BP ) A set of six Danish silver gilt and vary coloured enamelled coffee spoons, detailed Ela Denmark Sterling and a set of six Danish silver gilt and vary coloured enamelled small pastry forks, detailed Ela Denmark Sterling 925S, with the two original cases (2) (+26.4% BP ) Silver and silver mounted wares, comprising; a tea wares set of flatware, comprising; six teaspoons, a pair of preserve spoons, a butter knife and a pair of sugar tongs, Sheffield 1904, cased, a rectangular purse, with floral and scroll embossed decoration, a small jar and cover, a napkin ring and a thimble, Chester 1888, combined weight of weighable silver 236gms (5). Lot 2080 Lot A silver shaped circular hexafoil form salver, raised on three feet, diameter 20cm, Sheffield 1938, weight 342gms (+26.4% BP ) A silver circular box and cover, the cover decorated with two game birds amidst reeds, by Richard Jarvis, 7.3cm diameter, weight 151gms. Illustrated A filigree egg shaped folding case, opening to reveal a Russian lacquered panel depicting the seated figure of a lady of nobility, two heart shaped boxes, a circular filigree box detailed 925 and six further Eastern and other boxes (10) (+26.4% BP ) An Egyptian hexagonal hinge lidded pill box, decorated with Ancient Egyptian hieroglyphs, a cut cornered rectangular pill box detailed 800 and eight further mostly Eastern boxes in a variety of designs (10) (+26.4% BP ) A model of a Venetian gondola, detailed 800, a silver circular box and cover decorated with two mice and a wedge of cheese, an oval hinge lidded box decorated with a basket of flowers, a model of a globe with a stand and six further items, with a glazed wooden display box (11) (+26.4% BP ) A pair of silver models of ducks, one standing, the other seated, maker s mark BSEP of B S E Products ( ), modern, size of standing duck length 15cm, height 12cm, combined gross weight 870gms. Illustrated (+26.4% BP ) An Aurum Limited Edition silver goblet, made to commemorate The Hugenot Tercentenary 1985, weight 350gms An Aurum Limited Edition silver goblet, made to commemorate The Quincentenary in 1984 of The College of Arms, weight 298gms (+26.4% BP ) An Aurum Limited Edition silver goblet, made to commemorate The Ninth Centenary of The Foundation of Chichester Cathedral in 1075, weight 320gms An Aurum Limited Edition silver goblet, made to commemorate The 750 Anniversary in 1988 of The Completion of Peterborough Cathedral, weight 382gms (+26.4% BP ) An Aurum Limited Edition silver goblet, made to commemorate The Thirteenth Centenary of The Foundation of Ely Cathedral in 673 AD, weight 518gms. Illustrated (+26.4% BP ) An Aurum Limited Edition silver goblet, made to commemorate The Foundation of The Diocese of Ripon in 1836, weight 397gms (+26.4% BP ) 138

141 2087. An Aurum Limited Edition silver goblet, made to commemorate The wedding of HRH The Prince of Wales and The Lady Diana Spencer, on 29th July weight 377gms (+26.4% BP ) An Aurum Limited Edition silver goblet, made to commemorate The Wedding of HRH The Prince Andrew and Miss Sarah Ferguson, on 23 July 1986, weight 410gms (+26.4% BP ) An Aurum Limited Edition silver goblet, made to commemorate The 900th Anniversary in 1989 of The Death of Archbishop Lanfranc of Canterbury Cathedral, weight 388gms (+26.4% BP ) An early George III silver coffee pot, of baluster form, with embossed floral, foliate and vase decoration, the front with a shaped oval cartouche in the Rococo style, the hinged lid with a bun finial, by Thomas Wallis I, London 1767, fitted with a wooden handle, gross weight 904gms. Illustrated (+26.4% BP ) A pair of silver sauceboats, each having a shaped rim, scrolling handle and raised on three hoof shaped feet, Birmingham 1931, weight 237gms (+26.4% BP ) A silver mounted glass and partly leather covered glass rectangular spirit flask, the bottom with a pull-off silver beaker base, the silver top (detached) all Sheffield (+26.4% BP ) A George III silver skewer, with a loop shaped handle, London 1802, length 33cm, weight 121gms (+26.4% BP ) Silver, comprising; a Victorian milk jug, of baluster form, having a scrolling handle and raised on three feet, London 1869, two similar shaped oval bonbon dishes, with embossed and pierced decoration, Sheffield 1904 and 1905 and a sovereign cum vesta case, Chester 1896, gross combined weight 279gms (4) (+26.4% BP ) Lot Silver table flatware, comprising; a Scottish fiddle and shell pattern sauce ladle, Edinburgh 1820, a set of six Old English pattern teaspoons, London 1894, five further spoons and a butter knife, Birmingham 1930, combined weight 153gms; six French fiddle and thread pattern teaspoons and three further plated spoons (23) (+26.4% BP ) Silver, comprising; a hot milk jug, of tapered octagonal form, with a simulated ivory handle, London 1895 and a crumb scoop, with an ivory handle, London 1902, combined gross weight 461gms (2) (+26.4% BP ) Lot Silver, comprising; a pair of Victorian salts, each of circular form, with floral embossed decoration, raised on three paw feet, London 1865, with two blue glass liners, another pair of salts, each raised on three spherical feet, Chester 1908, with two blue glass liners, two similar five bar toastracks, each of angular form, with a loop shaped handle, Sheffield 1933 and 1939, a pedestal sweetmeat bowl, decorated with a reeded rim, London 1914, a salt spoon and a tabasco spoon, with a devil head finial, combined weight 342gms, also a plated salt spoon (10) (+26.4% BP ) A late Victorian silver twin handled trophy cup, with embossed decoration, presentation inscribed, height 15cm, Sheffield 1897, weight 287gms A silver rectangular twin bottle ink stand, having a floral and scroll pierced shaped gallery to three sides and to the bottle stands, with a pen recess to the front, the stand raised on four feet, 429gms, with two silver mounted faceted glass ink bottles, Sheffield Illustrated (+26.4% BP ) Lot 2095 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

142 2103. Silver, comprising; a christening mug, of tapering cylindrical form, presentation inscribed, Chester 1900 and a late Victorian lidded Jersey milk jug, Birmingham probably 1895, combined weight 322gms (+26.4% BP ) A silver spirit kettle and stand, the kettle with slanted fluted decoration, within a gadrooned rim, with a composition handle and finial to the hinged lid, raised on a stand with four fluted legs and otherwise with pierced decoration, by Mappin & Webb, Sheffield 1905, with a plated spirit burner, gross weight (excluding the spirit burner) 1130gms (+26.4% BP ) Lot THE INTERNATIONAL EXHIBITION, A VICTORIAN SILVER-GILT, ENAMEL AND GLASS THREE-PIECE TABLE GARNITURE. By Elkington & Co, Birmingham, 1862, Designed by W. Albert Willms. Comprising: the principal stand and a pair of smaller stands, each piece of Graeco-Pompeian style with swept triform central openwork design, raised on a circular base, with three paw feet, the openwork tops raised on vase shaped supports, the principal stand, Birmingham 1862, maker s mark Elkington & Co, height 40.5cm, the pair of smaller stands each with an applied oval plaque to the underside, detailed Published by Elkington & Co 645, Birmingham 1861, maker s mark Elkington & Co, height 19.5cm, the principal stand with a later applied panel to the bottom, combined gross weight 4660gms, with three later faceted glass dishes (3). Illustrated. LITERATURE: J. B. Waring, Masterpieces of Industrial Art and sculpture at the International Exhibition 1862, vol. 3, pl The Graeco-Pompeian service was created for the 1862 International Exhibition in London. Composing of thireteen pieces and designed by W. Albert Willms (d. 1899), who was awarded a medal of artistic merit for it (Elkington was specifically excluded from a medal award as members of the firm formed part of the jury). The Juries report specifically referred to the dessert service, noting the effect is very beautiful and in excellent taste. Willms trained as a modeller and engraver at Klagman, Dieterle and Constant in Paris. Although mainly a sculptor, Klagmann also commanded high prices for his silver designs. It was to one of Klagmann s clients, the French emigre silversmiths Morel & Co, newly established in London, that Willms moved to at the onset of the 1848 Paris revolution. He worked along Morel in his preparations for the Great Exhibition in Following this he returned to Paris, collaborating with Christophle, Paillard and Froment-Meurice at the 1855 Exhibition. Elkington hired Willms to create a service for the Duke of Brabant and from 1857 he was head of their design studio (+26.4% BP ) A George III silver trophy goblet, detailed The Agricultural Society of The Hundred of West Derby, to Mr John Rimmer, height 17.5cm, London 1809, weight 238gms (+26.4% BP ) A Chinese shaped rectangular strut backed photograph frame, the surround cast and pierced with blossom, the strut formed as simulated bamboo, the top fitted with a suspension ring, detailed OG HM and with a further character mark, size of frame (excluding suspension loop) 21cm x 15cm (+26.4% BP ) A Victorian silver trophy goblet, modelled as a sheaf of corn, on a circular foot, detailed Presented by The West Suffolk Agricultural Associated to Mr Chas Groom probably London 1840, height 13cm, weight 173gms. Illustrated (+26.4% BP ) A silver twin handled large oval tray, decorated with a curved fluted border within a reeded rim and with fluted handles ending as scrolled motifs, monogram and date engraved to the centre, by Mappin & Webb, Sheffield 1912, length (including handles) 73cm, weight 4195gms (+26.4% BP ) Silver, comprising; a trophy goblet, presentation inscribed, raised on a circular foot, height 21cm, London 1930 and a silver twin handled trophy cup, presentation inscribed, raised on a circular foot, height 14.5cm, Birmingham 1927, combined weight 700gms (2) (+26.4% BP ) Silver, comprising; a George III milk jug of helmet shaped form, with engraved decoration, London 1806 and a late Victorian vase of tapered cylindrical form, with floral and foliate embossed decoration, London 1899, height 15cm, combined weight 349gms (2) (+26.4% BP ) A Victorian silver mounted faceted glass claret jug, of ovoid form, the mount with scrolled decoration, London 1879 and another Victorian silver mounted faceted glass claret jug, Birmingham 1892 (the glass body severely cracked) (2) (+26.4% BP ) A Victorian silver mounted faceted green glass claret jug, the mount, the handle and the hinged lid with fruiting vine motifs, in the naturalistic taste, by The Barnard Family, London Illustrated (+26.4% BP ) 140

143 2111. A silver and silver gilt limited edition ornamental model of spherical form, decorated with The Royal Coat of Arms, opening to reveal The Prince of Wales s plumes, within a floral and foliate surround and having the initial C above and with a cruciform surmount, raised on a square marble base, London 1981, maker C.N. Lawrence, height 27.5cm (+26.4% BP ) Foreign and plated wares, comprising; two beakers, a tasse de vin, an ashtray, two napkin rings, three miniature filigree spoons, an oval box, a small circular dish, a pair of miniature sugar tongs, a matchbox slide, a fork and two faceted glass casters (16) (+26.4% BP ) Silver, comprising; two Scottish long handled spoons, having fig shaped bowls, a shell pattern caddy spoon, Sheffield 1916, an octagonal napkin ring, two further napkin rings, an Indian curved rectangular visiting card case, six models of insects and animals, comprising; an articulated fish, a scorpion, a frog, a crab, a locust and two further insects and an Indian mug, detailed 1/8 BOTTLE (14) (+26.4% BP ) Lot 2105 Lot A late 19th century silver cow creamer, the standing cow wearing a collar and a cow bell, the hinged oval lid with a winged insect motif, import mark London 1897, length 14cm, weight 197gms. Illustrated (+26.4% BP ) A George IV silver cake or fruit basket, of shaped oval form, decorated with a bold floral and scrolling pierced rim and with a swingover handle, raised on a shaped oval foot, length 35.5cm, London 1828, maker Robert Eames and Edward Barnard, weight 1175gms. Illustrated (+26.4% BP ) Silver flatware, comprising; two King s pattern dessert forks, London 1835, two Old English pattern dessert spoons, London 1831, two pairs of salt spoons, probably London 1815 and London 1858 and four further spoons, combined weight 323gms and foreign and plated wares, comprising; three napkin rings detailed 800, two small square dishes, four small boxes, an oval photograph frame, a thimble and eleven items of flatware (34) (+26.4% BP ) Lot An Indian rectangular hinge lidded cigarette box, crest and motto engraved, detailed Madras Silver, a rectangular table cigarette box, crest and motto engraved, wooden lined within, Birmingham 1963 and a silver curved rectangular cigarette case, having engine turned decoration, Birmingham 1924 (3) (+26.4% BP ) A Scottish silver milk jug of helmet shaped form, with floral and foliate engraved decoration, raised on a loaded foot, Edinburgh, possibly 1782 and an Indian fiddle pattern sauce ladle, crest engraved, by Hamilton & Co, Calcutta (2) (+26.4% BP ) Silver and silver mounted wares, comprising; a shaped circular waiter, having a Chippendale style border, raised on three scrolled feet, diameter 15cm, Chester 1930, weight 217gms and a silver hinge lidded glass whisky flagon of tapered cylindrical. form, star cut to the base, Birmingham 1909 and having a decanter label detailed Whisky, Birmingham 1911 (3) (+26.4% BP ) Lot 2115 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

144 Lot 2120 Lot 2121 Lot 2122 Lot A silver and silver gilt limited edition ornamental mushroom, Jack and The Bean Stalk theme, raised on a stone base, London 1980, maker C.N. Lawrence, height 27cm. Illustrated (+26.4% BP ) A silver and silver gilt limited edition mushroom, The Sleeping Princess theme, raised on a stone base, maker C.N. Lawrence, London 1981, height 35cm. Illustrated (+26.4% BP ) A silver and silver gilt limited edition ornamental mushroom, The Three Blind Mice theme, raised on a stone base, London 1985, maker C.N. Lawrence, height 33cm. Illustrated (+26.4% BP ) A silver and silver gilt limited edition ornamental mushroom, The Wishing Well theme, raised on a stone base, London 1976, maker C.N. Lawrence, height 25.5cm. Illustrated (+26.4% BP ) A silver and silver gilt limited edition ornamental mushroom, board game with figure of Chinaman theme, raised on a stone base, London 1976, maker C.N. Lawrence, height 36cm. Illustrated (+26.4% BP ) A silver and silver gilt limited edition ornamental mushroom, a goose amongst leaves and flowers, decorated with semi-precious stones theme, raised on a stone base, London 1982, maker C.N. Lawrence, height 33cm. Illustrated (+26.4% BP ) A silver and silver gilt limited edition ornamental mushroom, The Egg Builders theme, raised on a slate base, London 1982, maker C.N. Lawrence, height 9.5cm A silver and silver gilt limited edition ornamental mushroom, blue stone egg carvers theme, raised on a slate base, London 1980, maker C.N. Lawrence, height 12.5cm A silver and silver gilt limited edition ornamental mushroom, Egg Transporters theme, raised on a slate base, London 1983, maker C.N. Lawrence, height 12.5cm A silver and silver gilt limited edition ornamental mushroom, Christmas theme, raised on a slate base, London 1983, maker C.N. Lawrence, height 13cm A silver and silver gilt limited edition ornamental mushroom, Carol Singers theme, raised on a slate base, London 1982, maker C.N. Lawrence, height 15cm Lot 2124 Lot

145 Lot A silver and silver gilt limited edition ornamental mushroom, Christmas Feast theme, raised on a slate base, London 1979, maker C.N. Lawrence, height 11cm A silver and silver gilt limited edition ornamental mushroom, Wind in the Willows theme, raised on a slate base, London 1983, maker C.N. Lawrence, height 8.5cm A silver and silver gilt limited edition ornamental mushroom, Sawing down the egg theme, raised on a slate base, London 1984, maker C.N. Lawrence, height 14cm A silver and silver gilt limited edition ornamental mushroom, Making a snowman theme, raised on a slate base, London 1984, maker C.N. Lawrence, height 12cm Twelve Victorian silver double struck, fiddle thread and shell pattern tablespoons, including four London 1851, four London 1843, two London 1875 and other mixed dates, combined weight 1178gms (12) (+26.4% BP ) Twelve Victorian silver double struck, fiddle, thread and shell pattern table forks, mixed dates, combined weight 1152 (12) (+26.4% BP ) Twelve Victorian silver double struck, fiddle, thread and shell pattern table forks, mixed dates, combined weight 1170gms (+26.4% BP ) Twelve silver handled, double struck, fiddle, thread and shell pattern table knives, having steel blades, modern hallmarks (12) (+26.4% BP ) Twelve silver handled, double struck, fiddle, thread and shell pattern dessert knives, having steel blades, modern hallmarks (12) (+26.4% BP ) Twelve Victorian silver, double struck, fiddle, thread and shell pattern dessert forks, mixed dates, combined weight 703gms (12) (+26.4% BP ) Twelve Victorian silver double struck, fiddle, thread and shell pattern teaspoons, mixed dates, combined weight 398gms (12) Twelve silver double struck, fiddle, thread and shell pattern coffee spoons, modern hallmarks, combined weight 245gms (+26.4% BP ) Silver, comprising; a pair of double struck fiddle, thread and shell pattern sauce ladles, London 1852, three spoons with cast handles, decorated with fruiting vine, six double struck, fiddle, thread and shell pattern salt spoons, various dates, a Victorian double struck, fiddle, thread and shell pattern mustard spoon, London 1843, combined weight 509gms and two pairs of foreign sugar tongs (14) (+26.4% BP ) A pair of Victorian silver double struck, fiddle, thread and shell pattern basting spoons, London 1843 and a pair of large silver double struck, fiddle, thread and shell pattern serving forks, modern mixed dates, combined weight 870gms (4). Illustrated (+26.4% BP ) A silver five piece condiment set, comprising; a mustard pot, a pair of salts, having blue glass liners and a pair of pepperettes, London 1927, with a fitted case (the spoons lacking), combined weight 338gms (+26.4% BP ) A silver sugar basin, with a matching milk jug, each having decorated borders, otherwise with martele decoration, London 1928, combined weight 172gms (2) (+26.4% BP ) A George III silver milk jug, of helmet shaped form, decorated with a Greek key pattern band and with an angular handle, London 1808, weight 99gms (+26.4% BP ) A silver sauceboat, with a scrolling handle, raised on three shell capped hoof shaped feet, Sheffield 1930 and another silver sauceboat (the hallmark rubbed), combined weight 340gms (2) A Liberty & Co silver seven bar toastrack, having a loop shaped handle, decorated border to the base and raised on four bun feet, Birmingham 1913, weight 215gms. Illustrated Twelve Victorian silver double struck, fiddle, thread and shell pattern dessert spoons. mixed dates, combined weight 716gms (12) (+26.4% BP ) Lot 2150 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

146 Jewellery & Watches Lot 2260

147 Thursday 9th November 2017 at approximately 3.30pm Jewellery & Watches Important Notice All weights and dimensions are approximate. Purchasers are advised to carefully inspect lots and make their opinion as to the condition A gold and diamond solitaire ring, collet set with the principal cushion shaped diamond between diamond set V shaped shoulders, ring size N, the principal diamond weighs approx 4.10cts, gross weight of ring 2.8gms. Illustrated (+26.4% BP ) Lot A modern yellow diamond ring, the emerald cut yellow diamond weighing approximately 1.25cts, four claw set in white metal, with six stone brilliant cut diamond shoulders, stamped 750, ring size N, gross weight 4.2gms Illustrated (+26.4% BP ) A gold, synthetic ruby and diamond set three stone ring, claw set with the circular cut synthetic ruby at the centre, between two circular cut diamonds, detailed 18 CT, ring size K A gold and seed pearl set brooch, designed as a starburst, a shaped rectangular mourning brooch, glazed with a hair locket compartment at the centre and with a border of seed pearls, a flat cut garnet set pendant brooch, glazed with a central locket compartment and a gold, opal and green gem set brooch, with a central cinquefoil motif, in an Art Nouveau design, detailed 15 CT (4). Lot A pair of gold and diamond set single stone ear studs, each claw set with a circular cut diamond, the diamonds weight approximately 1.05cts each, in a yellow gold mount, with a pair of white gold associated butterfly clip fittings, detailed 750 Buchwald. 64. Illustrated (+26.4% BP ) An 18ct white gold, diamond and tanzanite ring, the central oval cut claw set tanzanite flanked on each side with two round brilliant and one baguette cut diamonds, the shank stamped Iliana, STS and 18K, ring size N and a half, gross weight 2.6gms (+26.4% BP ) Lot 2155 Lot A pair of platinum and diamond single stone ear studs, each claw set with an emerald cut diamond, the diamonds weigh approximately 0.75cts each, the backs with platinum post and associated white gold butterfly clip fittings, detailed 750, 67. Illustrated (+26.4% BP ) An aquamarine and diamond ring, the central step cut aquamarine claw set in yellow metal between split four stone diamond set shoulders (one diamond lacking), ring size N, gross weight 2.9gms. A24. Illustrated (+26.4% BP ) A gold, ruby and diamond set nine stone oval cluster ring, claw set with the oval cut ruby at the centre, in a surround of eight circular cut diamonds, detailed 18 CT, ring size J (+26.4% BP ) Lot 2157 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

148 Lot 2160 Lot 2165 Lot An 18ct white gold, cultured pearl and diamond pendant, mounted with the single cultured pearl at the bottom, the principle circular cut diamond (approximately 0.60cts) to the middle and with two smaller circular cut diamonds mounted above, diameter of the cultured pearl 15mm, on a white gold neckchain having a sprung hook shaped clasp, detailed 750. Illustrated (+26.4% BP ) A gold and platinum, diamond set three stone ring, mounted with cushion shaped diamonds, in a crossover design, detailed 18 CT PLAT, a 9ct gold and cornelian set oval signet ring and a 9ct gold and bloodstone set oval signet ring (3) (+26.4% BP ) A pair of colourless paste set pendant earrings, mounted with foil backed colourless pastes, a pair of colourless paste set cluster tops (detached), probably mid 19th century and a pair of later post and butterfly clip fittings (detached ) (3 pairs) A 22ct gold decorated wedding ring, a 22ct gold plain wedding ring, combined weight 7.5gms and a 9ct gold signet ring, monogram engraved, weight 4.6gms (3) (+26.4% BP ) An eleven stone diamond half hoop eternity ring, claw set in white metal, stamped 18ct, ring size O, gross weight 2.3gms A Rolex 9ct gold circular cased gentleman s wristwatch, with a signed jewelled lever movement, numbered within the case back and detailed Dennison Made in England for Rolex A.L.D, the signed circular silvered dial with gilt baton numerals, Rolex crown at 12 o clock, gilt hands and with blued steel centre seconds, on a leather strap, having a gilt metal buckle, Birmingham 1960, with a Rolex green case. Illustrated (+26.4% BP ) A solitaire diamond ring, the round brilliant cut diamond weighing approximately 0.33cts, claw set in white metal, indistinctly stamped PLAT, ring size M and a half, gross weight 2gms A 9ct gold bar and oval link bracelet, fitted with fifteen mostly 9ct gold charms, including a pixie, an elephant, a cow and a harp, gross weight 19.4gms (+26.4% BP ) A colourless paste set brooch, designed as a crescent enclosing a star, a colourless paste set brooch, designed as a crescent, a gilt metal and black enamelled oval pendant locket and eighteen further items, mostly jewellery (21) (+26.4% BP ) A Verity 9ct gold square cased gentleman s wristwatch, the signed square silvered dial with black Arabic numerals and with subsidiary seconds, on a gilt metal fronted expanding metal bracelet, an Onsa Automatic gilt metal fronted and steel backed gentleman s wristwatch, a Mu Du Doublematic lady s wristwatch, on an expanding metal bracelet and an Oris gilt metal fronted and steel backed lady s wristwatch (4) (+26.4% BP ) A late Victorian diamond and cultured pearl pendant necklace, the front of tapered form, in a scroll pierced design, centred by a cultured pearl and otherwise further set with cushion shaped and rose cut diamonds, the front with two drops, one with the principal cushion shaped diamond to the terminal (this detached, but present), the other drop with a cultured pearl to the terminal and with a smaller diamond set pierced scrolling motif above, with a fitted case, detailed Savage, 41 High Street, Kensington W. Illustrated (+26.4% BP ) A step cut diamond solitaire ring, on a white metal split section shank, with diamond set sides to the four claw settings, ring size I and a half, gross weight 2.8gms A pair of 9ct gold and oval shell cameo earstuds, designed as the portraits of girls, a pair of lapis lazuli earstuds, formed as beads, a pair of gold pendant earrings, designed as coffee beans and ten further pairs of earrings in a variety of designs (13) A diamond five stone ring, the principle round brilliant cut diamond weighting approximately 0.35cts, claw set in white metal between diamond two stone shoulders, ring size L and a half, gross weight 3.1gms (+26.4% BP ) 146

149 Lot 2175 Lot A gold, ruby and diamond set five stone bar brooch, claw set with three cushion shaped rubies alternating with two cushion shaped diamonds, a diamond set bar brooch, with a crescent and trefoil motif, mounted with cushion shaped and rose cut diamonds (with a colourless gem replacement), a seed pearl set oval brooch, with applied bead and wirework decoration, an amethyst single stone pendant, claw set with an oval cut amethyst, a 9ct gold mounted fob seal and a gold pendant locket, with engraved decoration (6) (+26.4% BP ) A pair of Tiffany & Co platinum and diamond set single stone ear studs, each claw set with a circular cut diamond, the posts with Tiffany & Co platinum sprung detachable fittings at the back, with two Tiffany & Co diamond certificates stating the diamonds to weigh 0.71cts each, to be clarity grade VVS1 and VVS2 and both diamonds to be colour grade E. 76. Illustrated (+26.4% BP ) A carbuncle garnet and rose diamond set pendant, the principal oval carbuncle garnet drop fitted with a rose diamond set fly motif, with a smaller oval carbuncle garnet surmount, a pair of gold earrings, designed as horseshoes, having wire fittings, a pair of gilt metal drop shaped earrings, having screw fittings and a pair of earring drops, mounted with scarab beetles, the top fittings lacking(4) (+26.4% BP ) An 18ct gold and diamond ring, the marquise cut diamond weighing approximately 0.25cts, with Millenium hallmark, ring size N and a half, gross weight 2.5gms. Lot A Bohemian garnet set necklace, the front in a pierced openwork design, the chain with flowerhead shaped motifs, alternating with oval cut garnets, on a later boltring clasp (some garnets deficient), also further additional garnet set fittings and a case (+26.4% BP ) A sapphire and diamond square pendant, set with sixteen calibre cut sapphires, the suspension loop set with ten brilliant cut diamonds, stamped 18K, on a fancy link neckchain stamped 750, gross combined weight 10.7gms, and a pair of matching ear studs set with nine sapphires to the centre and two baguette cut diamonds at opposing points, the backs with post and butterfly clip fittings, the butterflies stamped 750 (3) Illustrated (+26.4% BP ) Rolex; a gentleman s stainless steel, circular cased Oyster Perpetual Datejust bracelet wristwatch, Ref: 1603, circa 1972, the signed circular silvered dial with black Roman hour numerals, Rolex crown at 12 o clock, with black centre seconds, hour and minute hands, date of the month aperture, on a steel Oyster bracelet, with a Rolex green service pouch. Illustrated (+26.4% BP ) A pink sapphire and diamond set five stone ring, the central round brilliant cut pink sapphire claw set with two graduated marquise cut diamonds at either side, on a fluted white metal shank, ring size Q and a half, gross weight 4.2gms. A69. Illustrated (+26.4% BP ) An 18ct gold, garnet and diamond set cluster ring, a platinum wedding ring detailed PLAT, a 9ct gold and diamond set three stone band ring and two gold and colourless gem set solitaire rings (5) A pair of 9ct gold cut cornered rectangular cufflinks, with engine turned decoration, Birmingham 1945, a pair of gold, blue and black enamelled cut cornered rectangular cufflinks, with engine turned decoration, detailed 9 CT, a gold plain bar brooch, detailed 9 CT, combined gross weight 10 5gms, three paste set brooches, three colourless paste set buttons, a filigree butterfly brooch and a pendant (11) (+26.4% BP ) A Seiko 5 Automatic gentleman s steel bracelet wristwatch, a Seiko Automatic gentleman s bracelet wristwatch, three further mostly gentleman s wristwatches, comprising; Oris, Roamer Popular and Helvetia, a silver cased keyless wind half hunting cased gentleman s pocket watch, Birmingham 1907 and a M.O.D issue Recta openfaced pocket watch, the case back detailed G.S.T.P. F Bravingtons London (7) (+26.4% BP ) Lot 2180 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

150 Lot A gold, opal and half pearl set heart shaped pendant, mounted with a heart shaped opal at the centre, within a surround of half pearls, detailed 15 CT 15112, with a fitted case. Illustrated (+26.4% BP ) A Georg Jensen Torun silver collar necklace, detailed Georg Jensen Denmark Torun 925S 169, import mark London 1970, the front with a rock crystal pendant drop with rutile needle inclusions, the drop detailed 925S Denmark Torun 131, import mark London 1969, a silver bangle by Hans Hansen, detailed 925S Denmark, import mark London 1969 and a pair of silver pendant earrings, detailed 925S Denmark 442, the tops with screw fittings (3) An 18ct gold and diamond solitaire ring, the Millennium cut diamond weighing approximately 0.30cts, ring size O and a half, gross weight 3.2gms A gold curb link charm bracelet, fitted with eight mostly 9ct gold pendants and charms, including a folding button hook, a baby s pram and a teapot, gross weight 16.4gms, three agate set studs, a garnet set drop shaped pendant, a gilt metal fob seal, a black moire ribbon fob with buckle, boltring and swivel fittings, a Victorian oval agate set brooch, an oval shell cameo brooch and a bone brooch carved as a spray (10) (+26.4% BP ) A Victorian 18ct gold and diamond set ring, in a rectangular design, mounted with six cushion shaped diamonds, Chester 1885, ring size P and a half (+26.4% BP ) A gold, amethyst and seed pearl pendant brooch, in a scroll pierced openwork design, in the Art Nouveau taste, claw set with the large circular amethyst at the centre, with a half pearl mounted above and below and otherwise mounted with seed pearls, detailed 15 CT 14438, with a case. Illustrated (+26.4% BP ) A 9ct gold pendant designed as a standing pig, with a 9ct gold circular link neckchain, on a boltring clasp, combined weight 14.4gms (+26.4% BP ) A gold and platinum, garnet and diamond set oval cluster ring, claw set with the oval cut garnet at the centre, in a surround of circular cut diamonds, detailed 18ct PLAT, a 9ct gold, sapphire and diamond set three stone ring, a 9ct gold mounted oval intaglio paste set ring, a 9ct gold and diamond set three stone ring, a gold and synthetic red gem set solitaire ring and a 9ct gold and diamond set seven stone ring (6) (+26.4% BP ) A Victorian gold oval pendant locket, the front with floral engraved decoration, a Victorian gilt metal mounted oval shell cameo brooch carved as a Classical portrait and a Victorian 9ct gold and rose diamond set oval brooch with applied bead and scrolling decoration, Birmingham 1898 (3) Silver and other jewellery, comprising; an opal and green gem set pendant necklace, a moonstone and red gem set pendant with a neckchain, six pendants and lockets, a mother-of-pearl necklace, nine brooches, two rings, a pair of earrings, four bangles, five bracelets, three necklaces and chains, a chain with a pendant fob and sundry (qty) (+26.4% BP ) A cased rock crystal and amethyst parasol/sunshade or entoutcas handle, with gold and enamel mounts, retailed by Vickery London, probably Viennese, circa 1900, in the manner of Anton Wildhack, the knop carved with irises with amethyst centres, the collar enamelled in purple over engine turning between gold floral bands, the shaft with simulated wood decoration and silver gilt terminal band hallmarked A A and indistinct maker s mark, in a fitted case marked J. C. Vickery 179, 181 & 183 Regent St. W, the handle 34cm long (lacking 10 original rib end tips). Illustrated. Footnote: A rock crystal handle by the same retailer and possibly by the same maker was sold by Sotheby s Olympia, lot 153, 19th April The firm of J. C. Vickery was founded around 1890 by John Collard Vickery in a short-lived partnership with Arthur Thomas Hobbs at 183 Regent Street. Continuing alone after 1891, Vickery extended his premises in 1900 to 179, 181 and 183 Regent Street, with showrooms to the rear at 1 New Burlington Place, where in 1913 he is listed as a goldsmith, silversmith, jeweller, dressing case and fitted travelling bag manufacturer, watch and clock importer, etc, with Royal Warrants from the King and Queen, the King of Spain, the King and Queen of Denmark, the Queen of Norway and the King of Sweden. A very similar handle is in the Victorian and Albert museum collection: the gift of Mrs Acton, it is currently on show in the Bollinger jewellery gallery (+26.4% BP ) A gold, sapphire and diamond set brooch, designed as a crescent, fitted with a safety chain and a gold and amethyst set oval brooch front, glazed with a hair locket compartment at the centre, within a surround of ten oval cut amethysts, within a beaded border, the back with an inscription (the brooch fittings lacking) (2) (+26.4% BP ) Lot

151 Lot A pair of 18ct white gold and diamond two stone pendant earrings, each mounted with a pear shaped diamond to the drop and collet set with a circular cut diamond to the top, the pear shaped diamonds with faceted girdles weigh approximately 0.85cts each, the backs with post and white gold butterfly clip fittings, detailed Illustrated (+26.4% BP ) Mostly silver jewellery, comprising; a charm bracelet, two further bracelets, a bangle, a curb link watch Albert chain, with two silver and enamelled fob medallions, another curb link watch Albert chain, three rings, various necklaces and neckchains, pendants and drops, twelve pairs of earrings and sundry (qty) (+26.4% BP ) An 18ct gold, ruby and diamond set seven stone cluster ring, with bark textured decoration to the shoulders, a 9ct gold and diamond set single stone ring, claw set with a circular cut diamond and a 9ct gold and diamond set four stone ring, mounted with circular cut diamonds (3) Rolex; an Oyster Perpetual Superlative Chronometer Cosmograph Daytona gentleman s steel bracelet wristwatch, the signed circular black dial with three subsidiary dials and with baton shaped numerals and with centre seconds, the outer bezel with Arabic numerals and detailed UNITS PER HOUR, the oyster bracelet with a foldover clasp, registration number V below 6 o clock stamped to interior of movement C Illustrated (+26.4% BP ) A Victoria old head sovereign, 1896 M, in a pendant mount having a ribbon twist border (+26.4% BP ) A diamond set half hoop ring, mounted with two rows of cushion shaped diamonds (one diamond lacking), a gold and platinum, diamond set three stone ring, detailed 18 CT PLAT, a rose diamond set solitaire ring, detailed 18 CT GOLD, a 9ct gold and diamond set band ring, in a slanting design, a 9ct gold, blue and colourless gem set cluster ring and two further gem set rings (7) (+26.4% BP ) A gold hollow curb link bracelet on a snap clasp, length 21cm and a 9ct gold faceted curb link neckchain, on a boltring clasp, combined weight 37.7gms (2) (+26.4% BP ) Lot 2197 Lot 2200 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

152 2204. A 9ct gold and diamond set ring, in a pierced heart shaped design, a gold and diamond set five stone ring, a 9ct gold, emerald and diamond set half hoop ring, a 9ct gold and colourless gem set signet style ring, two further 9ct gold and gem set rings, gross combined weight 18.8gms and another ring (7) (+26.4% BP ) A gold, carved agate, green enamel and rose diamond set oval cameo brooch, carved as the classical portrait of Ceres, within a border of rose diamonds and with a green enamelled surround, the outer border to the setting lacking, fitted with a safety chain, last quarter of the 19th century. Illustrated (+26.4% BP ) A Kenwell 9ct gold circular cased gentleman s wristwatch, Edinburgh 1960, a Jaeger-LeCoultre steel circular cased gentleman s wristwatch, a Seiko Automatic gentleman s wristwatch, with a Seiko case, an Omega 9ct gold circular cased lady s wristwatch, Birmingham 1962, on an expanding metal bracelet, a silver cased, key wind hunting cased gentleman s pocket watch, London 1872 and a silver cased openfaced gentleman s pocket watch (the caseback lacking) (6) A 9ct gold and rectangular cut amethyst single stone ring, London 1966, ring size O, gross weight 7.5gms. A7. Illustrated A gold mounted circular hinge lidded case, detailed 9 CT, a 9ct gold and diamond set line bracelet, a gold mounted bloodstone and cornelian set three sided rotating fob, a Victorian ruby and gem set circular pendant locket, glazed with a hairwork spray at the back, a gold mounted pale blue and colourless gem set oval pendant, detailed to the suspension loop KT 18 and two further pendants (7) (+26.4% BP ) Lot A Cyma Cymaflex lady s gold bracelet wristwatch, the signed circular silvered dial with gilt baton shaped numerals, on a five row link bracelet with a foldover clasp, detailed indistinctly 750, gross weight 35gms and a Longines gilt metal circular cased lady s wristwatch, on a gilt metal bracelet (2) (+26.4% BP ) A white gold and diamond pendant, collet set with the principle circular cut diamond in a surround of smaller cut diamonds, the principle diamond weighs approximately 1.20cts, the mount with a further rim of circular cut diamonds, detailed 750, on a white gold oval link neckchain having a sprung hook shaped clasp. 72. Illustrated (+26.4% BP ) An 18ct gold signet ring, ring size L and a half, weight 6gms, a gold pendant cross and a gold pendant designed as a fertility symbol (3) (+26.4% BP ) A 9ct gold and diamond set ring, in a buckle design, a 9ct gold ring, mounted with an oval opal, a 9ct gold ring, claw set with an oval cut smoky quartz, a 9ct gold and oval shell cameo ring, a gald and pale green gem set ring, detailed 9 CT and a go, d and amethyst set single stone bar brooch, detailed 15 CT, combined gross weight 17.7gms (6) (+26.4% BP ) A lady s platinum wristwatch bracelet, in a finely woven mesh link design, detailed to the back of the clasp P, weight 17gms (+26.4% BP ) A gentleman s 9ct gold and diamond set oval signet style ring, star gypsy set, with a circular cut diamond, ring size S and a gentleman s 9ct gold Masonic style signet ring, the oval rotating bezel with blue enamelled Masonic symbols (detached, but present), ring size M and a half, combined gross weight 11.8gms (2) An 18ct white gold and diamond single stone ring, claw set with a circular cut diamond, ring size M, with an AnchorCert report certificate stating the diamond to weigh 1.40cts, to be clarity SI2 and to be colour E, with a case. Illustrated (+26.4% BP ) A gold, diamond and half pearl set brooch, designed as a crescent enclosing a star, detailed 15 CT, a 9ct gold mounted bloodstone and cornelain rotating fob seal, a 9ct gold rectangular pendant locket, a pair of gilt metal oval cufflinks, an opal pendant, a cornelian pendant, designed as a claw, four pairs of earrings and sundry (qty) A gold, blue zircon and diamond set cluster ring, mounted with the principle circular cut diamond in a surround of four circular cut blue zircons and with an outer surround of circular cut diamonds, detailed 18ct, ring size Q and a half (+26.4% BP ) Lot 2205 Lot 2207 Lot

153 2229. An 18ct gold diamond set solitaire ring, the claw set Millennium cut diamond weighing approximately 0.55cts, the shank stamped 62, ring size N, gross weight 4.4gms (+26.4% BP ) Lot A pair of gold, ruby and diamond cluster earstuds, each claw set with five circular cut rubies and mounted with four circular cut diamonds within drop shaped settings at intervals, the backs with post and butterfly clip fittings as converted from sprung clips. Illustrated (+26.4% BP ) A gold and diamond nine stone cluster ring, detailed 18 CT, an 18ct gold and diamond three stone ring, in a crossover design, an 18ct gold, sapphire and diamond three stone ring and a gold ring, collet set with an oval cut amethyst (4) (+26.4% BP ) A gentleman s white gold, mother of pearl and seed pearl set dress set, comprising; a pair of cufflinks, a set of four buttons and a pair of studs, each of circular form, centred by a seed pearl, on an engine turned, mother of pearl ground, detailed to the backs 9 CT, with a case (+26.4% BP ) A gold, coloured gemstone and half pearl set necklace, the front in an undulating design, the variously cut coloured gemstones including; pink sapphire, ruby, peridot, citrine, andalusite, aquamarine and blue spinel, on an oval link chain, with a cylindrical clasp, early 20th century, gross weight 16.7gms. Illustrated (+26.4% BP ) A treated(?) yellow diamond solitaire ring, the princess cut yellow diamond weighing approximately 0.30cts, claw set in yellow metal to a white metal shank, ring size K and a half, gross weight 2.6gms Illustrated A 9ct gold and aquamarine single stone ring, claw set with a cut cornered rectangular step cut aquamarine (note arthritic bobbles within the shank), ring size J and a half, with a case. Illustrated (+26.4% BP ) A gold and cabochon chrysoberyl cluster ring, in a bombe design (one cabochon chrysoberyl lacking) detailed 14 K, ring size O and a half (+26.4% BP ) A gold and diamond single stone ring, mounted with a circular cut diamond, a gold and diamond two stone ring, mounted with variously cut diamonds, in a twistover design, detailed Pt 18 CT and a gold and colourless gem set five stone ring (3) An Italian gold, ruby and diamond brooch, designed as a spray, mounted to the centre with two rows of circular cut rubies and with three rows of small circular cut diamonds to the leaves, detailed Italy K 18, gross weight 24gms. Illustrated (+26.4% BP ) A Tudor Royal 9ct gold lady s bracelet wristwatch, the signed circular dial with gilt Arabic and arrow shaped numerals, the 9ct gold clasp with a Rolex crown motif and detailed ROLEX, Birmingham 1960, a lady s 9ct gold cased Avia wristwatch, Birmingham 1953, on a gilt metal bracelet and four gentlemen s wristwatches, including; Services Calendar and Avia Daytime Automatic, having a date of the month and a day of the week aperture to the dial (6) (+26.4% BP ) A gold and diamond three stone ring, mounted with a row of circular cut diamonds and with the principle diamond mounted at the centre, in square shaped settings, in a crossover design, detailed 18ct, ring size R and a half (+26.4% BP ) An amethyst, half pearl and turquoise set oval brooch, mounted with the oval cut amethyst to the centre, within a half pearl and turquoise set two row surround, fitted with a safety chain, with a case, a gold, peridot and half pearl set bar brooch, a gold and gem set bar brooch and a Scandinavian gilt and enamelled brooch, designed as a spray, detailed 925 S (4) (+26.4% BP ) Lot 2221 Lot 2222 Lot 2225 Lot 2230 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

154 Lot 2235 Lot 2239 Lot A gold and turquoise matrix three stone bar brooch, mounted with the principal turquoise to the centre and a gold and turquoise matrix single stone lace pin (2) An Omega Seamaster Automatic, gilt metal fronted and steel backed gentleman s wristwatch, a Seiko 5 Automatic steel gentleman s bracelet wristwatch, another wristwatch, a Goliath watch and two gilt metal cased, keyless wind hunting cased gentlemen s pocket watches (6) (+26.4% BP ) A George III gold and black enamelled mourning ring, the oval bezel glazed with a woven hair locket compartment and with the gilt script initials M C, engraved to the back Matthew Cook Ob 17 Mar 1798 Aet 67 and to the black enamelled shank ESTHER. BROWN. OB: 5. JAN 1775: AE: 26, ring size N and a half. Illustrated (+26.4% BP ) A gold and platinum, diamond set three stone ring, mounted with circular cut diamonds in a crossover design, detailed 18 CT & PLAT, six opal pendants, a silver mounted button hook, designed as a golf club, Birmingham 1909, an oval pendant locket with an Eastern deity figure, three brooches, a silver and gold bracelet, a pair of silver and gold earrings, two further pairs of earrings, a thimble and further items, mostly jewellery (qty) (+26.4% BP ) Lot A pair of 18ct gold, emerald and diamond cluster earstuds, each designed as a flowerhead, mounted with six circular cut diamonds at the centre, in a surround of five oval cut emeralds, the backs with post and butterfly clip fittings, with a case and a certificate card. Illustrated (+26.4% BP ) A white gold and platinum, diamond set single stone ring, claw set with a circular cut diamond, detailed 18 CT PLAT, ring size K and a half (+26.4% BP ) A white gold and diamond bracelet, collet set with a row of circular cut diamonds, on a snap clasp with a foldover safety catch, detailed 14 K, length 20.5cm 34C (+26.4% BP ) A gold, lapis lazuli and half pearl set brooch, a gold, amethyst, demantoid garnet and seed pearl set brooch and a gold brooch, claw set with an oval cut citrine, within an openwork surround mounted with seed pearls, detailed 15 CT (3) (+26.4% BP ) An 18ct gold and diamond ring, mounted with a row of seventeen cushion shaped diamonds graduating in size to the centre stone, ring size P. Illustrated (+26.4% BP ) Lot A platinum and diamond single stone ring, claw set with an oval cut diamond, ring size K, with a GIA Certificate stating the diamond to weigh 1.01ct, colour grade E and clarity grade VS2. Illustrated (+26.4% BP ) A 9ct gold and colourless gem set pendant, designed as an articulated pig, a 9ct gold pendant, designed as a twin barrelled shot gun, a 9ct gold child s ring, in a cast and beaded design and a 9ct gold circular link neckchain, on a sprung hook shaped clasp, combined gross weight 37gms (4) (+26.4% BP ) A gold mounted oval shell cameo brooch, designed as a classical chariot scene, detailed 9 CT, a silver shaped rectangular vinaigrette, three silver and enamelled buttons, three pendants and fobs, a pair of garnet set earrings and four further pairs of earrings (13) (+26.4% BP ) A platinum ring mounted with a cultured pearl, a 9ct gold stick pin mounted with a cultured pearl, a single row necklace of graduated cultured pearls on a rose diamond set and cultured pearl clasp designed as a flowerhead, a black glass bead necklace, a colourless gem set pendant necklace and one silver cufflink (6) A 9ct gold and gem set pendant, designed as an articulated clown, two opal single stone pendants, three further pendants, a pair of 9ct gold and opal single stone earstuds, a pair of 9ct gold and smoky quartz single stone earstuds and four further pairs of gold earrings (12) (+26.4% BP ) A diamond and sapphire intaglio cluster ring, mounted with the cushion shaped sapphire intaglio to the centre, carved as the Swedish Uggla crest with a crown above, within a surround of cushion shaped diamonds, the shank fitted with an interior band, ring size I and a half. Illustrated (+26.4% BP ) 152

155 Lot 2247 Lot A gold, sapphire and diamond ring, claw set with three oval cut sapphires, within a surround of circular cut diamonds, detailed 18 CT, a 9ct gold, opal and garnet set oval cluster ring, a 9ct gold ring, mounted with a marquise shaped tiger s eye, a 9ct gold and smoky quartz single stone ring and two further 9ct gold and gem set rings (6) (+26.4% BP ) An 18ct white gold and diamond bracelet, claw set with a row of forty two circular brilliant cut diamonds, approximately 0.08cts each, on a snap clasp, with a foldover safety catch and with a safety chain. 73b. Illustrated (+26.4% BP ) An 18ct gold, sapphire and diamond set oval cluster ring, a gold and platinum, diamond set three stone ring, in a crossover design, a 9ct gold ring, claw set with an oval cut amethyst, a 9ct gold and amethyst set three stone ring and a 9ct gold ring, mounted with an oval cabochon amethyst (5) (+26.4% BP ) A pair of 18ct white gold, ruby and diamond set square cluster earstuds, each mounted with a square ruby to the centre within a surround of circular cut diamonds, the backs with post and butterfly clip fittings, with a case (+26.4% BP ) A pair of diamond and South Sea cultured pearl earrings, each diamond cluster top mounted with the principal cushion shaped diamond at the centre, in a surround of nine cushion shaped diamonds and with nine small circular cut diamonds mounted at intervals, later fitted with South Sea cultured pearl drops, the backs with post and butterfly clip fittings, with an associated Tiffany & Co case. Illustrated (+26.4% BP ) An 18ct gold three stone diamond ring, the central oval cut diamond between two smaller oval cut diamonds, the shank stamped 052, ring size M and a half, gross weight 2.8gms A Victorian two colour gold slide action pencil, with a foil backed citrine seal terminal, decorated with fruiting vine, a Victorian slide action pencil, with a turquoise set bloodstone seal terminal, a peridot and seed pearl pendant, a shaped oval pendant locket with a neckchain, a pair of garnet set pendant earrings, a ring, a pair of gold and platinum studs, detailed 9 CT & PT and two further items (11) (+26.4% BP ) A gold and colourless gem set gentleman s ring, with a boxing glove motif, detailed 14 K, ring size R, gross weight 21.2gms (+26.4% BP ) A Hamilton G.S. steel circular cased gentleman s wristwatch, the signed black dial with Arabic numerals and with centre seconds, the case back detailed Tropicalized , on an expanding metal bracelet, a lady s steel circular cased Omega wristwatch, with a signed jewelled movement, four further wristwatches, including Seiko 5 Automatic, Tissot Seastar Automatic and B Jobin, with a case, also a gilt metal cased, keyless wind, openfaced dress watch (7) (+26.4% BP ) A lady s platinum cased and diamond set dress wristwatch, with a jewelled lever movement, the rectangular silvered dial with black Arabic numerals, the case mounted with circular cut diamonds in a geometric design, on a black cord strap. Illustrated (+26.4% BP ) Silver and other jewellery, comprising; a reconstituted amber necklace, another necklace, two pendants with neckchains, two oval hinged bangles, eight rings, three pairs of cufflinks, five brooches, an Oriental turquoise set bracelet, with a case, three further bracelets, a circular pendant locket, eight pendants and charms, a cameo pendant, with a chain and a matching pair of earrings, with a box, a pair of colourless paste set pendant earrings, three further pairs of earrings and drops, two lady s powder compacts and sundry (qty) (+26.4% BP ) Lot 2255 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

156 Lot 2257 Lot 2265 Lot A pair of gold and dyed green chalcedony earclips, each of circular form, mounted with the principal dyed green chalcedony to the centre, within a surround of three smaller dyed green chalcedonies, the associated back clips detailed 750. Illustrated (+26.4% BP ) An 18ct gold mourning ring, London 1837, two 9ct gold and diamond set rings, a gold, garnet and colourless gem set five stone ring and a gold and colourless gem set eternity ring, detailed 9 CT (5) (+26.4% BP ) An Omega De Ville 18ct white gold and diamond set lady s dress bracelet wristwatch, the signed oval grey dial with baton numerals at 3, 6, 9 and 12, the curved rectangular surround mounted with circular cut diamonds, on a tapering woven mesh link bracelet, with an Omega foldover clasp, gross weight 37.6gms (+26.4% BP ) A Victorian diamond brooch, designed as a crescent, mounted with a row of graduated cushion shaped diamonds to the centre, in a raised design, with an outer border of graduated smaller cushion shaped and rose cut diamonds and with an inner border of rose cut diamonds, circa 1880, width 4.4cm. Illustrated (+26.4% BP ) Lot A gentleman s 15ct gold open and closed curb link watch Albert chain, fitted with a 15ct gold T bar, a 15ct gold swivel and with a boltring detailed 15, also fitted with a gilt metal and mauve paste set seal, a turquoise matrix drop, a farthing 1918, two ring fittings and a spherical pendant locket, gross combined weight 83gms (+26.4% BP ) A gold and platinum, diamond and opal doublet oval cluster ring, detailed 18 CT PLAT, a gold, diamond and synthetic sapphire panel shaped ring, detailed 585, a gold and platinum, demantoid garnet and rose diamond set five stone ring, a gold and platinum ring, claw set with a cushion shaped diamond, detailed 18 CT PLAT and a gold and colourless gem set five stone ring, detailed 9 CT (5) (+26.4% BP ) A gold cased, slide action dip pen cum pencil by S. Mordan & Co, with a bloodstone seal terminal (uncut) A single row necklace of faceted coral beads, a single row necklace of graduated coral beads and a single row necklace of graduated branch corals (3) (+26.4% BP ) A Chaumet 18ct gold, sapphire, diamond and malachite brooch, designed as a winged insect, claw set with a row of five circular cut sapphires and two circular cut diamonds to the body, malachite wings and with cabochon sapphire set eyes, detailed Chaumet, London 1973, length 3.8cm gross weight 13.5gms. Illustrated (+26.4% BP ) A gold and rose diamond set cluster ring, mounted with the principal pear shaped diamond at the centre, in a surround of smaller rose cut diamonds, detailed indistinctly 18 CT PT, ring size K and a half, with a case (+26.4% BP ) A gold and diamond three stone ring, claw set with a row of cushion shaped diamonds and with the principal diamond mounted at the centre, detailed 18 CT, ring size Q, with a case. Illustrated (+26.4% BP ) A 9ct gold and diamond set half hoop ring, a 9ct gold ring, mounted with three oval cut peridots, in a slanting design, a 9ct gold and amethyst set three stone ring, a 9ct gold and pale blue gem set solitaire ring and a 9ct gold and green gem set ring, Birmingham 1905 (5) (+26.4% BP ) A 9ct gold curved rectangular vesta case, with engine turned decoration, Birmingham 1919, gross weight 29gms (+26.4% BP ) A three colour gold bracelet, in a wide textured curved link design, on a snap clasp, detailed 750, circa 1950, length 19cm, with two foldover safety catches, gross weight 99gms. Illustrated (+26.4% BP ) An 18ct gold, emerald and diamond ring, mounted with three rows of three circular cut diamonds alternating with four rows of circular cut emeralds, in a slanting design, gross weight 6gms, ring size M and a half, with a case (+26.4% BP ) 154

157 Lot 2270 Lot An 18ct gold and diamond set three stone ring, star gypsy set with cushion shaped diamonds, Birmingham 1910, ring size O and a gold and diamond single stone ring, claw set with a cushion shaped diamond, ring size M and a half (2) (+26.4% BP ) A diamond and black onyx Art Deco bar brooch, mounted with the principal oval black onyx to the centre, in a star shaped black onyx surround, in a geometric border mounted with circular cut diamonds, the central bar further set with calibre cut black onyx, length 9cm. Illustrated (+26.4% BP ) Silver and marcasite set jewellery, comprising; two necklaces, a lady s Rotary bracelet wristwatch, two brooches, a bracelet and a pair of earstuds, further silver jewellery, comprising; two rings, two bangles, a pair of cufflinks, designed as propellers, with a case, a gem set brooch, three necklaces and chains and a ropetwist link bracelet, a single row necklace of graduated cultured pearls, three further necklaces, a gilt metal watch Albert chain, a pair of earstuds, two pendants, a carved cigarette holder and sundry (qty) (+26.4% BP ) A lady s diamond set dress bracelet wristwatch, with a circular unsigned jewelled Swiss movement, the unsigned silvered dial with black Arabic numerals, the bezel mounted with a surround of sixteen circular cut diamonds, on a Brazil link bracelet, with a sprung snap clasp, detailed 9 CT. Illustrated (+26.4% BP ) A 15ct gold and ruby single stone bar brooch, having foliate spray motifs, a gold, citrine and seed pearl bar brooch, detailed 15 CT, a gold and seed pearl bar brooch, with a spray motif, a pair of 9ct gold and pale blue gem set cluster earclips and a gold mounted oval shell cameo pendant, with a gold neckchain, detailed 10 K (6) (+26.4% BP ) A pair of diamond and blue zircon set circular cluster earstuds, each claw set with a circular cut blue zircon at the centre, within a surround of circular cut diamonds, the backs with post and butterfly clip fittings. Illustrated (+26.4% BP ) A Smiths De Luxe 9ct gold circular cased lady s bracelet wristwatch, on a Brazil link bracelet, with a foldover clasp, a base metal cased digital wristwatch, a gilt metal fronted Tissot Seastar wristwatch, three further wristwatches, a silver cased, keyless wind, hunting cased pocket watch, import mark London 1919 and a gentleman s gilt metal cased, keyless wind, hunting cased pocket watch, with a Swiss jewelled lever movement (8) (+26.4% BP ) A white gold and diamond ring, mounted with three rows of five circular cut diamonds, detailed 750, ring size O. Lot 2275 Lot 2277 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

158 Lot A West End Watch Co gold cased, keyless wind, openfaced minute repeating pocket watch, with an unsigned jewelled lever movement, repeating on a coiled spring, the gold inner and outer cases detailed 18 K, the signed enamelled dial with black Roman numerals, subsidiary seconds and with blued steel hands, the signed dial detailed A EXTRA QUALITY, SWISS MADE, repeat slide to the band, the case back with a shield and garter cartouche. Illustrated (+26.4% BP ) A gold oval link bracelet, with a gold heart shaped padlock clasp, detailed 9 CT, fitted with sixteen mostly 9ct gold and other charms, including; a gaming machine, a carriage and a kettle, gross combined weight 40gms (+26.4% BP ) Lot A gold and diamond set five stone ring, a 9ct gold, ruby and diamond set nine stone half hoop ring, a 9ct gold and rectangular bloodstone set ring, a 9ct gold ring, mounted with an oval cameo and three further rings (7) (+26.4% BP ) An aquamarine and diamond set pendant, in an openwork rectangular design, claw set with the rectangular cut aquamarine at the centre, in a surround of circular cut diamonds and with a diamond set three stone surmount, on a platinum neckchain, with a boltring clasp, with a case. Illustrated (+26.4% BP ) A 9ct gold and diamond set eleven stone half hoop eternity ring, mounted with a row of circular cut diamonds, detailed 9 K, ring size N and a half, with a certificate card and a case (+26.4% BP ) An International Watch Co 18ct gold cased, keyless wind, hunting cased dress watch, with a signed jewelled lever movement, 18ct gold inner snap case back, the signed enamelled dial with black Roman numerals, subsidiary seconds and with gilt hands, plain case exterior, import mark London 1974, with a leather slip case. Illustrated (+26.4% BP ) A Chanel white gold, diamond and haematite effect ceramic band ring, of articulated form, having three rows of small circular cut diamonds, alternating with two rows of haematite effect ceramic links, detailed Chanel 750, ring size L, gross weight 16.7gms (+26.4% BP ) A white gold, jade and diamond brooch, designed as a spray, mounted with pear shaped jades and with small circular cut diamonds, detailed 18 K, two jade circular bis and a pair of stained green agate dress cufflinks, with circular backs and fronts (3) (+26.4% BP ) A gentleman s 9ct gold and diamond set ring, designed as the initials J F mounted with circular cut diamonds, ring size larger than Z, gross weight 77.7gms (+26.4% BP ) A white gold oval pendant brooch, the centre glazed with the portrait of a lady wearing a hat with flowers, the mount decorated with a pierced border, detailed 750, gross weight 8.3gms (+26.4% BP ) Lot 2280 Lot

159 2290. A sapphire and diamond pendant, in an openwork lozenge shaped cluster design, claw set with the circular cut sapphire at the centre, in a surround of circular cut and cushion shaped diamonds and with a single sapphire drop, on an 18ct white gold neckchain, with a boltring clasp, with a case. Illustrated (+26.4% BP ) A 9ct gold curb link bracelet, with a sprung hook shaped clasp, fitted with six mostly 9ct gold charms, including a boot and a kettle, gross weight 11.5gms and another charm bracelet, fitted with a variety of silver and other charms, including a few coins, with a boltring clasp (2) (+26.4% BP ) A pair of gold and cultured pearl earstuds, with post and butterfly clip fittings, detailed 750, another pair of gold and cultured pearl earstuds, with post and butterfly clip fittings and a French gilt 800 standard circular wide bangle, decorated with three bosses, having beaded surrounds (3) (+26.4% BP ) A gold filigree box of rectangular form, with a folding hook and eye clasp, 4cm x 3.2cm, weight 29gms. Illustrated (+26.4% BP ) A gentleman s Seiko Kinetic perpetual calendar steel bracelet wristwatch, numbered to the caseback , with a date aperture, a month dial, a twenty four hour dial and with a leap year aperture to the silvered dial (+26.4% BP ) Lot 2293 Lot An 18ct two colour gold, sapphire and diamond brooch, designed as a foliate and floral spray, claw set with twelve circular cut sapphires and otherwise mounted with circular cut diamonds, Birmingham probably 1972, gross weight 11.1gms. Illustrated (+26.4% BP ) A silver cased, key wind, openfaced gentleman s pocket watch, with a gilt lever movement, detailed to the backplate Fattorini & Sons, Bradford, , Reversing Pinion, gilt dust cover, the signed enamelled dial with black Roman numerals and with subsidiary seconds, Chester (+26.4% BP ) A Victorian gold, ruby and half pearl set hairwork band ring, mounted with the cushion shaped ruby at the centre, between two half pearls, otherwise with interwoven hairwork, viewable through oval panels, mid 19th century, ring size M and a half (+26.4% BP ) A late Victorian 15ct gold rectangular vesta case, engraved with two crests, two mottos, a date and also with initials, O.E.R, Chester 1897, gross weight 20.6gms (+26.4% BP ) A Diesel 5 Bar diver s chronograph wristwatch, an Oniss Paris gentleman s day/date rose gold plated wristwatch, on a black ceramic strap, an Emporio Armani gentleman s chronograph gold plated bracelet wristwatch, the signed black dial with three subsidiary dials and with a date of the month aperture, an Armani Exchange gentleman s steel bracelet wristwatch and a quartz pocket watch, the case exterior decorated with images of a Victorian penny (5) (+26.4% BP ) A Rolex Submariner Oyster Perpetual Date steel bracelet wristwatch, Ref. 1680, the signed black dial, with luminous dot, baton and triangular numerals at 12 o clock, date of the month aperture, mercedes hour hand and detailed Superlative Chronometer Officially Certified and beneath 6 o clock SWISS-T>25, outer rotating black bezel, the screw down winder with a Rolex crown motif, the movement detailed D415156, Montres Rolex S.A. Geneva Swiss, 1570 and within the case back 1680, on a steel oyster bracelet, the Rolex foldover clasp detailed EO and further detailed to the back of the bracelet, by the watch head on either side , with a Rolex repair acknowledgement document from The Bexley Service Centre, dated 20/01/10, detailed Model No; 1680/0 and Case No Illustrated (+26.4% BP ) A pair of gold and diamond set single stone earstuds, each claw set with a circular cut diamond, the backs with post fittings and another pair of gold and diamond set single stone earstuds, each collet set with a circular cut diamond, the backs with post fittings (2 pairs) (+26.4% BP ) Lot 2300 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

160 Lot 2302 Lot A pair of gold, diamond, sapphire and vary coloured blue gem set earstuds, of circular form, the backs with post and butterfly clip fittings, detailed 750, gross weight 7.2gms and a pair of 9ct gold cufflinks, with initial B fronts and with folding bar fittings at the backs, gross weight 5.7gms, with two Cassandra Goad, London cases (2). Illustrated (+26.4% BP ) A pair of banded agate dress studs and twenty-one unmounted oval and circular agates, to include some banded agates (23) (+26.4% BP ) A gold and diamond set seven stone half hoop ring, mounted with a row of circular cut diamonds, ring size O and a half, with a case (+26.4% BP ) A three row necklace of graduated cultured pearls, on a rose diamond set cluster clasp, with an International Gemological Laboratories Report, stating the pearls to be cultured (+26.4% BP ) A British Horological Institute 150 Tourbillon steel cased gentleman s wristwatch, the textured dial detailed with a coat of arms and BHI 150, with black numerals, the tourbillon escapement visible at 6 o clock, the movement glazed to the case back, with a steel bracelet and with a black leather strap for alternative wear, with the accompanying delivery note, dated Sep A gold, sapphire and diamond ring, mounted with the oval cut sapphire to the centre, between cushion shaped diamond set three stone sides, between scrolling shoulders, ring size Q (+26.4% BP ) Lot A gold, emerald and diamond set three stone ring, mounted with the cut cornered rectangular cut emerald at the centre between two cushion shaped diamonds, otherwise in a pierced scrolling design, first half of 19th century with later restoration, ring size O and a half, with an associated box (+26.4% BP ) A white gold and diamond set single stone ring, claw set with a circular cut diamond in a raised design, ring size O, with a Gemological Institute of Europe certificate, stating the diamond to weigh 0.96cts, colour grade E-F, clarity grade VS 2-SI I, with a case. Illustrated (+26.4% BP ) A pair of ruby and diamond set triple cluster earrings, each with a millegrain set solitaire ruby surmount above two rows of three baguette cut rubies, interspersed with individual diamonds, suspending three conjoined clusters with diamond eight stone surrounds and millegrain set ruby centres, each triple cluster section centred with a single larger claw set diamond (diameter 3.6mm), with post and butterfly clip fittings, the metal unmarked, height 5.2cm, gross combined weight 11gms. Illustrated (+26.4% BP ) A pair of diamond set square cluster earstuds, mounted with baguette and circular cut diamonds, the backs with post fittings, a pair of 9ct gold and diamond set hinged hoop shaped earrings, mounted with circular cut diamonds and two further gold and diamond set odd earrings, each in a hoop shaped design, mounted with circular cut diamonds, combined gross weight 12.7gms (+26.4% BP ) A pair of white gold, diamond and cultured pearl earclips, each of geometric design, the top mounted with circular cut diamonds and with a single cultured pearl drop, bears indistinct marks, with a box (+26.4% BP ) A Victorian gold back and front oval pendant locket, with floral and scroll engraved decoration, glazed with photographic portraits within, with a two row oval link neckchain, on a cylindrical clasp and an oval pendant locket, decorated with Oriental figures and a horse (3) (+26.4% BP ) A Tudor Oyster steel circular cased gentleman s wristwatch, the signed circular dial with gilt Arabic and arrow shaped numerals and with centre seconds, Rolex crown to the winding button, the caseback numbered , on a sprung bar link bracelet, an Omega Automatic steel cased gentleman s wristwatch, with an Omega case, two Tissot wristwatches, with cases, a lady s Sekonda Quartz wristwatch, a lady s Rotary wristwatch and a base metal cased gentleman s centre stop seconds, 30 minute recording pocket watch (7) (+26.4% BP ) A gentleman s gold cased, keyless wind, half hunting cased pocket watch, the gilt three quarter plate lever movement detailed to the backplate Wm Gabriel, 24 & 25 Bishopsgate Street within, London, No 54292, 18ct gold inner case, the enamelled dial with black Roman numerals, subsidiary seconds and with blued steel hands, the replacement case back detailed 18 CT. Illustrated (+26.4% BP ) A single row necklace of graduated untested cultured pearls, on a gold clasp, detailed 750, length excluding clasp 63cm, gross weight 12.7gms (+26.4% BP ) A 9ct gold ring, mounted with five rows of small circular cut diamonds, in a bombe shaped design, two pairs of colourless gem set earstuds and four further odd earstuds, with two cases (7) (+26.4% BP ) 158

161 2318. An 18ct gold and diamond set five stone ring, claw set with a row of circular cut diamonds, ring size O, with a case (+26.4% BP ) A 9ct gold and colourless gem set bangle, with a loop and hook clasp, a 9ct gold bangle, in a cable design, with a loop and hook shaped clasp, a 9ct gold baby s bangle, in a cable design, with a loop and hook shaped clasp, combined weight 31.2gms and a pair of diamond set square cluster earstuds, with two cases (4) (+26.4% BP ) A Bulova lady s white gold and diamond set bracelet wristwatch, the signed circular silvered dial with baton shaped numerals, with a surround of circular cut diamonds to the dial, on a tapering textured woven link bracelet, with a foldover clasp, detailed 750, length 16cm, gross weight 28.5gms, with the original guarantee certificate, dated 20 Dec 1969, with a textile case and a pouch. Illustrated (+26.4% BP ) A gold multiple link bracelet, on a boltring clasp, fitted with eleven mostly gold charms, including; a lady s shoe, a coffee bean, a vase and an acorn, gross weight 17gms A gold, emerald and diamond set marquise shaped cluster ring, claw set with a circular cut emerald at the centre in a surround of eight circular cut diamonds and with an outer border of twelve circular cut emeralds, between tapering ridged shoulder, detailed 14 K CEI, ring size M and a half, with a case (+26.4% BP ) A white gold, tanzanite and diamond ring, claw set with the oval cut tanzanite between diamond set six stone two tier shoulders, mounted with baguette diamonds, detailed 18 K, ring size O. Illustrated A lady s 18ct gold circular cased wristwatch, with an unsigned jewelled movement, the silvered dial with Arabic numerals, import mark London 1919, on an expanding associated bracelet, with a snap clasp and a gold topped and diamond set stick pin, in a ropetwist design, detailed 15, with a case (+26.4% BP ) A pair of sapphire and diamond oval cluster ear studs, each collet set with the oval cut sapphire at the centre, within a surround of circular cut diamonds, the backs with unmarked post fittings and butterfly clips detailed 750. Illustrated (+26.4% BP ) A Theo Fennell 18ct two colour gold, yellow sapphire and diamond set heart shaped pendant, the heart pave set with yellow sapphires, the suspension loop mounted with a row of five circular cut diamonds, gross weight 6gms. Illustrated An 18ct gold ring, mounted with a large cultured pearl, ring size P An 18ct gold and diamond set half hoop ring, mounted with three rows of circular cut diamonds, ring size N and a half, with a case (+26.4% BP ) Lot 2315 Lot 2320 Lot 2323 Lot 2325 Lot 2326 BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

162 Lot An amethyst and amber pendant and matching earrings, each piece designed as a dreamcatcher, centred with an amber bead and suspending drops hung with circular and curved marquise shaped links and further amber and amethyst beads, the suspension loop to the pendant stamped 750, gross combined weight 26.4gms (a.f.) (2) (+26.4% BP ) A gold, ruby and diamond oval cluster ring, claw set with the oval cut ruby at the centre, within a surround of thirteen cushion shaped diamonds, between diamond set three stone shoulders, ring size L, with a David Morris, London case. Illustrated (+26.4% BP ) A gold and grey tinted cultured pearl ring, with a circular and calibre cut diamond set bow surmount, together with a matching pendant, combined gross weight 12.7gms (2) (+26.4% BP ) A 9ct gold, ruby and diamond ring, in a spiral cluster design, claw set with the principal oval cut ruby at the centre and with rows of eight circular cut rubies to the sides, ring size J and a half, with a case (+26.4% BP ) A single row necklace of graduated oval dark red amber beads, on a boltring clasp, length of necklace 45cm, gross weight 45.5gms (+26.4% BP ) A gold and diamond set bracelet, in a beaded link design, the clasp bar mounted with a row of six graduated circular cut diamonds and a pair of 18ct gold earrings, in a hoop shaped beaded design, the tops with folding bar fittings by Annouskha (2) (+26.4% BP ) Lot Two Tiffany & Co silver cased ball point pens, with a pink leather slip case, detailed Aspinal of London, a Sterling silver cased propelling pencil and a lady s stainless steel Versace bracelet wristwatch (4) (+26.4% BP ) A pair of 18ct gold, ruby and diamond earrings, each heart shaped drop centred by a carved ruby, within a surround of circular cut diamonds, the tops mounted with a row of small diamonds, with post and folding fittings, by Annouskha. Illustrated A gold mounted, oval shell cameo link bracelet, the links carved alternately as standing female figures and bust portraits of ladies, on a snap clasp, detailed K 14, with a case (+26.4% BP ) A pair of gold and lapis lazuli earrings, each with a gold hoop to the top and with an oval lapis lazuli hoop to the drop, the tops with folding bar fittings, detailed 18 KT Italy, with a pouch detailed Faraone Mennella A gold and half pearl set oval brooch, glazed with a woven hair locket compartment, in a surround of seed pearls, a single row necklace of coral beads and seed pearls, an amethyst and diamond set brooch, a gold and seed pearl set brooch, in a open heart shaped design, centred by a spray, detailed 585, a gold and agate cameo ring, carved as a portrait, a single row of graduated cultured pearls, on a gold clasp, detailed 9 CT and a lady s 9ct gold rectangular cased J.W Benson Ltd wristwatch, Birmingham 1947 (7) A Baume & Mercier gold rectangular cased gentleman s wristwatch, the signed white dial with black Roman numerals, black hands and with a date of the month aperture, the case back detailed 18 K and numbered , on a black leather strap, with a Baume & Mercier gilt metal buckle. Illustrated (+26.4% BP ) A single row necklace of uniform cultured pearls, on a snap clasp, detailed 925, a single row necklace of vary coloured hardstone beads, an oval shell cameo pendant, carved as the portrait of a lady, a silver oval hinged bangle, on a snap clasp and a silver necklace, with a matching bracelet, each in an oval link design, on a sprung hook shaped clasp (6) (+26.4% BP ) A German silver hunting cased travelling watch, with a jewelled Swiss lever movement, the unsigned silvered dial with black Arabic numerals, subsidiary seconds and with blued steel hands, the case detailed 0, , the case exterior with martele decoration, import mark London (+26.4% BP ) A base metal cased, keyless wind, openfaced pocket watch, with a jewelled movement, detailed Octava Watch Co, Switzerland, the black dial with Arabic numerals, subsidiary seconds and detailed Non-luminous Admiralty Mark IV A No 3092 A.G, an Omega gun metal cased, keyless wind, openfaced gentleman s pocket watch, with an unsigned jewelled lever movement, detailed Omega within the caseback, a silver cased, keyless wind, openfaced pocket watch, import mark London 1919 and a Venus pocket watch movement (4) (+26.4% BP ) A J.W. Benson, London 9ct gold circular cased gentleman s wristwatch, with a gilt jewelled signed movement, the signed silvered dial with gilt arrow shaped and dot numerals, subsidiary seconds and with gilt hands, Edinburgh 1955, on a gilt metal fronted expanding metal bracelet. 160

163 Lot 2340 Lot 2345 Lot An Omega steel circular cased gentleman s wristwatch, with a signed jewelled movement, the signed silvered dial with black Arabic numerals, centre seconds and with blued steel hands, numbered within the Dennison case back , on a brown leather strap. Illustrated (+26.4% BP ) A Cyma 9ct gold circular cased lady s wristwatch, Chester 1933, a silver circular cased wristwatch, with a jewelled Swiss lever movement, numbered 65057, the enamelled dial with Arabic numerals and with centre seconds, the Dennison screw-off case back numbered , Birmingham 1915, on a leather strap and a lady s gilt metal and enamelled dress wristwatch, with a gilt jewelled cylinder movement, the case front pink and green enamelled as a flowerhead (+26.4% BP ) A gold and platinum, diamond set three stone ring, a silver ring, a gold neckchain, detailed 9 CT, on a sprung hook shaped clasp, weight 6.2gms, a 9ct gold and synthetic red gem set heart shaped pendant, with a neckchain, a gold back and front heart shaped pendant locket, with a base metal neckchain, a Rotary Super-Sports 9ct gold cushion shape cased gentleman s wristwatch, Birmingham 1956 and a Rotary 9ct gold cushion shape cased lady s wristwatch, Birmingham 1948, on a gilt metal Brazil link bracelet (9) (+26.4% BP ) A collection of Eastern and other jewellery, comprising; two turquoise matrix bracelets, a circular green stone bangle, a single row necklace of green agate beads, three further necklaces, a Connemara marble ring, another ring, four brooches, three pairs of earrings, minor fittings and loose gems, including opals (qty) (+26.4% BP ) A Tag Heuer Pilot steel gentleman s chronograph bracelet wristwatch, with an automatic movement, the signed white dial with three subsidiary dials, date of the month aperture, outer scales and rotating bezel, detailed to the dial Chronograph 200 metres, the steel bracelet with a foldover clasp (+26.4% BP ) An Omega Speedmaster Professional steel gentleman s bracelet wristwatch, Re: 861, the signed black dial with three subsidiary dials, white hands, centre stop seconds and outer black tachymetre scale, the caseback detailed First watch worn on the moon, flight-qualify by Nasa, for all manned space missions the bracelet with a foldover clasp, with an associated case and box. Illustrated (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

164 Coins & Medals Lot 2360 Lot 2365 Lot An Edward VII sovereign Illustrated (+26.4% BP ) A George V sovereign 1914, an Elizabeth II sovereign 1966 (both probably jeweller s copies), twelve Elizabeth II commemorative crowns, two U.S.A dollars 1974 and a copy of a Roman coin, in a presentation folder (17) (+26.4% BP ) British and Vatican coins, comprising; three 1977 Silver Jubilee silver proof crowns, with cases, a 1951 Festival of Britain crown, with a case, eighteen further Elizabeth II crowns, a Britain s First Decimal Coins set, a one pound note D. Somerset chief cashier, a 1939 half crown, three 1967 pennies, four medallions commemorating Pope John Paul II and a Vatican set of five medallions (qty) (+26.4% BP ) British pre-decimal coinage, comprising; pre 1920 issues, including; a Victoria old head crown 1900 and a Victoria Jubilee head double florin 1889, total weight 251gms, pre 1947 issues, including half crowns, total weight 360gms and a few further coins, also a set of twelve circular medallions, depicting British banknotes, with a display box, detailed British Banknotes (qty) (+26.4% BP ) A George V John Bradbury first issue black and white one pound note and a George V John Bradbury second issue red and white ten shillings note (2) (+26.4% BP ) A Byzantine Empire Phocas AD , gold solidus, Constantinople Mint. Illustrated (+26.4% BP ) The India General Service Medal, George V issue with bar, North West Frontier 1935 to PTE G ROY HLI R (for replacement issue) (+26.4% BP ) A Russian silver rouble 1854 and two re-struck Maria Theresia dollars 1780 (3) (+26.4% BP ) A Byzantine Empire Phocas AD , gold solidus, Constantinople Mint (+26.4% BP ) A Charles IV Mexico City mint eight reales, the obverse with an oval countermark of the head of George III, mounted to the base of a tumbler cup, engraved L. Dyos, 1797, weight 90gms (+26.4% BP ) Five Second World War and later medals to D.C. Goodacre, comprising; The Star, The Africa Star, with bar 8th Army, The Italy Star, The War Medal and The Efficiency Medal, George VI issue, with bar Territorial to PTE.D.C. Goodacre. R.A.P.C, mounted on a bar, with an Army Council Forwarding slip confirming five awards, paper slip confirming The Efficiency Medal, two related groups of dress miniature medals (one additionally including The Defence Medal), The Soldiers Service and Pay Book and a quantity of related paperwork and photographs, including views of the war in the North African desert, also associated later connected family paperwork, contained in a small brown suitcase (qty). Illustrated (+26.4% BP ) A 9ct gold part of a watch Albert chain, converted for wear as a bracelet, fitted with three 9ct gold mounted half sovereigns, comprising; 1893, 1900 and 1908 S, with a 9ct gold heart shaped padlock clasp, combined weight 39.5gms (+26.4% BP ) A Victoria Jubilee head sovereign 1892 M, in a 9ct gold pendant mount, combined weight 9.4gms (+26.4% BP ) 162

165 Lot Three gold and enamelled sporting fob medals, as awarded to L.J. Sowden, one 9ct gold example Birmingham 1935, the other two detailed 9 CT GOLD, combined gross weight 24.2gms, twenty-three mostly silver sporting fob medals, including some enamelled examples, many named to L.J Sowden, four bronze sporting fob medals and four badges and pins, including one pin detailed 9. Olympiade Amsterdam 1928 (36) The 1914 Star to CH PTE.F.W. PENFOLD, R.M. BRIGADE, The British War Medal and The Victory Medal to CH.9659 F.W. PENFOLD. SGT. R.M. and a War Medal (4) (+26.4% BP ) A George V sovereign, Illustrated (+26.4% BP ) A platinum medallion, detailed British Olympic Association Montreal 1976, weight of platinum 7.96gms, with a certificate and case (+26.4% BP ) A Czechoslovakia gold dukat 1923, in a gold pendant mount, detailed 585, combined weight 6.3gms (+26.4% BP ) A silver gilt circular medal, detailed to J.G. Beale Esqr Lieut H, M 16th Regt Foot 24th May 1810 and to the reverse; Presented (with a sword) by the Non-Commissioned Officers, Drummers and Privates of The Depo 16th Regt as a testimonial of their grateful estimation for his paternal bearing solicitude for their welfare and advocacy of their interests during ten months they have served under his command, London (+26.4% BP ) The British War Medal and The Victory Medal to 2920 PTE.E.S. SAUNDERS. ESSEX R. another British War Medal and a Victory Medal to 2521 PTE.W. SAUNDERS. ESSEX R, a Diamond Jubilee 1897 base metal commemorative medallion and two coins (7) (+26.4% BP ) BP - Buyer s Premium of 26.4% inclusive of 20%. Lots marked will be subject to an additional fee - see information on page

166 November Timed Auction Commencing Commencing Tuesday 14th November, Finishing Tuesday 21st November To include a collection of forty eight postcards created for the Royal College of Art s fundraising exhibition and auction. Internationally acclaimed artists, illustrators and designers, as well as up-and-coming graduates and students from the college anonymously submitted original artwork postcards: bidders purchased without knowing the identity of the artist, with all proceeds of the event going to the RCA Fund. Damien Hirst postcard. Estimate 800-1,200

167 December Antiques & Interiors Auction 5th 7th December On View: 1st December 9am 4pm 2nd December 9am 1pm 4th December 9am 4pm 5th December 9am 12noon To include A quantity of Deans 20th century children s book publisher s original artwork.

168 Terms of sale by auction and conditions of business (Mainly Concerning Buyers) INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer s Premium. The Buyer agrees to pay a buyer s premium on the hammer price of each lot purchased. The buyer s premium is 22% (26.4% including VAT) of the hammer price on each lot. VAT at the prevailing rate of 20% is added to all of these premiums and additional charges as defined below. 5. VAT. (*) indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the hammer price as well as being an element in the buyer s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer s premium).lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. Descriptions and Conditions. Condition reports are provided upon request. The absence of a report does not imply that a lot is without imperfections. The detail in a report will reflect the estimated value of the lot, and large numbers of such requests received shortly before the sale may not receive a response to all lots. Members of staff are not trained restorers or conservators and, particularly for higher value lots, you should obtain an opinion from such a professional. We recommend that you always view a lot in person. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are deliberate forgeries may be returned and repayment made. There is a 3 week time limit. (The expression deliberate forgery is defined in our Conditions of Sale). 7. Electrical goods. These are sold as antiques only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, for example, they may contain prohibited materials such as ivory. Ask us if you need help. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. The following methods of payment are acceptable: Debit Card drawn on a UK bank and registered to a UK billing address. There is no additional charge for purchases made with these cards. Bank transfer direct into our bank account, all transfers must state the relevant sale number, lot number and your bid / paddle number. If transferring from a foreign currency, the amount we receive must be the total due in pounds sterling (after currency conversion and the deduction of any bank charges). Our bank details can be found on the front or your invoice. Sterling cash payments of up to 12,000 (subject to money laundering regulations). All major UK issued credit cards registered to a UK billing address with the exception of American Express and Diners Club. You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. A surcharge of 2% is payable on all payments made by credit cards. Sterling personal cheques drawn on a UK bank account and made payable to Bellmans. It will be necessary to allow at least six working days for the cheque to clear before collecting your purchases. 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying a storage charge of 5 plus VAT per lot per day. 13. Droit de suite royalty charges. From 1st January 2012 all UK art market professionals (which includes but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by qualifying artists each time a work is re-sold during the artist s lifetime and for a period up to 70 years following the artists death. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to UK Sterling exchange rate on the day of the sale in this regard, and the auctioneer accepts no responsibility whatsoever if the qualifying rate is different to the rate indicated. All items in this catalogue that are marked with are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant buyers invoices, and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society ( DACS ), no handling costs or additional fees with respect to these charges will be retained by the auctioneers. The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4%. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply for a complete list of the royalty charges and threshold levels, please see www. dacs.org.uk.there is no VAT payable on this royalty charge.

169 CONDITIONS OF SALE John Bellman Limited trading as Bellmans carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. Definitions In these Conditions: (a) auctioneer means the firm of Bellmans or its authorised auctioneer, as appropriate; (b) deliberate forgery means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) hammer price means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) terms of consignment means the stipulated terms and rates of commission on which Bellmans accepts instructions from sellers or their agents; (e) total amount due means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) sale proceeds means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) You, Your, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. Bidding procedures and the Buyer. (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. Increments. Bidding increments shall be at the auctioneer s sole discretion. 4. The purchase price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law. The buyer will also be liable for any royalties payable under Droit de Suite as set out under Information for Buyers. 5. Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to Information for Buyers for a brief explanation of the VAT position). 6. Payment. (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (3) Buyers who utilise the services of ATG Live Auctions or any other live internet services are hereby informed that the payment method details that are provided to ATG Live Auctions or any other live internet services as part of the process of registration will, in the absence of compliance with paragraph (1) of this clause, be utilised by us to settle any amounts owing by such buyers to us. 7. Title and collection of purchases. (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. (4) Bellmans is unable to arrange packaging or shipping of items. Successful buyers must make these arrangements independently, though the saleroom may be able to suggest specialist shipping companies who can advise buyers, this advice is not a recommendation and the saleroom is not liable for any aspect of the packaging and shipping process. Please note that the cost of packaging and shipping depends on the size/weight of the item(s) purchased, insurance requirements, and the shipping destination, not on the value of the item(s) purchased. Please note that any items not collected within one week of the sale date may be automatically removed to commercial storage and subject to a storage charge. 8. Remedies for non-payment or failure to collect purchases. (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 5 working days after the sale; (g) to retain that or any other Lot sold to you until you pay the total amount due; (h) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (i) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. Third party liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. Commission bids. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. Warranty of title and availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. Terms of sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. Descriptions and condition. (1) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of

170 opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 information to buyers. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. General 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/ or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/ or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail, or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. Lot 2235 Lot 2245 Lot 2265 Lot 2325

171 2018 AUCTION CALENDAR 6th, 9th, 10th, 11th January Interiors, also including European Ceramics & Glass 3rd, 6th, 7th, 8th February Interiors, also including Antiquarian & Modern Books, Maps & Prints, Wines & Spirits, Asian Art & Ceramics 3rd, 6th, 7th, 8th March Interiors, also including Toys & Collectables, European Ceramics & Glass 7th, 10th, 11th, 12th April Interiors, also including Antiquarian & Modern Books, Maps & Prints, Wines & Spirits, Asian Art & Ceramics 12th, 15th, 16th, 17th May Spring Fine Auction, also including Clocks & Scientific Instruments, European Ceramics & Glass, Silver, Jewellery & Watches 16th, 19th, 20th, 21st June Interiors, also including Wines & Spirits, Asian Art & Ceramics Please note our new Order of Sale Tuesday 10am Wine & Spirits (bimonthly) 12 noon Books, Maps & Ephemera (quarterly) 2pm Pictures & Prints Wednesday 10am 1.30pm Clocks & Scientific Instruments Toys, Works of Art & Collectables Textiles, Carpets & Rugs Furniture Thursday 10am 12.30pm 2.30pm European Ceramics, Asian Art (bimonthly, alternate) Silver Jewellery & Watches Lot 1140

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