ORIENTAL & EUROPEAN GLASS. WEDNESDAY 15th July 2015

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1 second DAY S SALE WEDNESDAY 15th July 2015 ORIENTAL & EUROPEAN CERAMICS and GLASS Commencing at 10.00am Silver, Watches and Jewellery will be on view on: Friday 10th July 9.00am to 5.15pm Saturday 11th July 9.00am to 1.00pm Sunday 12th July 2.00pm to 4.00pm Monday 13th July 9.00am to 5.15pm Tuesday 14th July 9.00am to 5.15pm Limited viewing on sale day Measurements are approximate guidelines only unless stated to the contrary Enquiries: Andrew Thomas Tel: thomasa@bhandl.co.uk Enquiries: Nic Saintey Tel: sainteyn@bhandl.co.uk

2 A pair of English clear glass tazze each of circular galleried form on hollow vertical ribbed and annulated stem set on a domed fold over foot, mid 18th century, 23.5 and 26 cm diameter Two opaque twist wine glasses one with ogee shaped bowl with wrythen basal flutes on a straight double series opaque twist stem consisting a white sixteen ply ribbon around a central gauze, set on a conical foot, 17 cm high, [tiny chip to foot]; together with a cordial glass with ogee shaped bowl on a straight single series opaque twist stem on a conical foot, 15 cm high, both circa Ten champagne flutes each with slice cut trumpet shaped bowls with basal annular ring on a short inverted baluster stem and conical foot, 19th century, 17.5 cm high, [minor chips to two foot rims] A pair of ruby flashed table lustres of typical coronet form with slice cut and annulated stem and spreading foot, cut with bands of printies and star motifs and hung with cut glass pendants and prisms, 25.5 cm high An unusual glass closepack paperweight, possibly Clichy with central white and green cabbage cane surrounded by four concentric rings, two containing pink and white starburst canes and two blue and red and pink and white rows of quatrefoils in crimped tubes set on a clear ground and a hexagonal knopped and facet cut pedestal, 14.5 cm high

3 Peter Layton (born.1937), a studio glass vase Dune of flattened and tapering oval profile with asymmetric rim with toffee coloured interior and blue and yellow swirled exterior, diamond point etched twice P.Layton, 36.5 cm high A French glass punch set comprising a pedestal bowl and cover and ten cups en suite each with engraved monogram flanked by a floral and foliate band and slice cutting with some gold embellishment, 44 cm high A cut glass celery vase and a cut glass vase the former of flaring form, the rim with fan cut panels, above a broad band of fret cut diamond panels and a hobnail band set on a facet cut stem on square base, 21 cm high, the latter of thistle shaped form with diamond and slice cut decoration, 35.5 cm high No Lots A Chinese blanc de chine figure modelled as a bearded and bald headed monk in flowing robes reading a volume, indistinct impressed seal marks to base, 19 cm high A Chinese blue and white spirit flask of barrel form with slender spout, painted with three panels of flowering plants, rockwork and insects between ruyi and trellis borders, lingzhi mark, Kangxi, 13 cm high [minor firing crack to rim]

4 A Chinese famille verte jar painted with shaped panels of court ladies on terraces and auspicious objects within foliate diaper borders, underglaze blue double circle mark, Kangxi, 27 cm high [badly damaged, rim with lamp fitting] A pair of Chinese famille verte bowls each painted in green, aubergine, yellow and iron-red with four sprays of peony flowers and foliage within underglaze blue line borders, underglaze blue marks of a pair of books within a double circle, Kangxi, 11.5 cm diameter [one with chip to rim and frits, the other with frits and hair crack to rim] with wood stands A Chinese porcelain tea canister of lobed oviform with applied scroll moulded base, painted in blue with pierced rocks and peony, beneath a lappet band, Qianlong, 10 cm high A matched set of four Chinese blue and white plates each painted in the centre with a building, a pine tree and distant mountains within a lake landscape, the rims with trellis and foliate panels, late 18th century, 22 cm diameter [some fritting to rims, one with slightly different landscape design] A Chinese porcelain teapot and cover of cannonball form painted in underglaze blue and enamelled in the famille rose palette with peony, scattered blooms and insects, below a cell border, Qianlong, 15 cm high A Chinese Yixing teapot and cover of compressed globular form with chilong spout, finial and loop handle, seal marks, 20 cm wide [chip to spout]

5 419 A Chinese white glazed porcelain bowl of ovoid form, a raised band to the rim and foot rim incised with scrollwork, relief decorated with a large phoenix and a smaller bird amongst a knarled fruiting and flowering tree and peony, apocryphal incised Qianlong seal mark, 15 cm wide A pair of Chinese faux bamboo vases of cylindrical form, the yellow ground applied and incised with a baluster vase and stand containing flowering lotus and three halberds, late 19th/early 20th century, 27 cm high * A similar pair were sold as lot 52, Christies South Kensington, 10th December A pair of Canton porcelain vases of oviform with raised and pan topped necks and elephant mask handles enamelled in the typical palette front and verso with multiple panels containing figures, birds, blooms and butterflies reserved on a profuse and gilt embellished ground, 45 cm high, 19th century A Chinese Yixing teapot of melon shaped form with pierced liner, the cover with melon knop and rope edging, impressed seal to base 11 cm high

6 A Chinese Hundred Cranes charger decorated overall with cranes in flight on a prunus blossom green ground, apocryphal underglaze blue Qianlong seal mark, 46.5 cm diameter No Lot. 425 A Sceaux Penthièvre faience mug and cover of mildly tapering form with rustic foliate handle, the domed cover with pear knop, painted in colours with a couple and a dancing dog in a landscape, flanked with floral sprays and insects, painted S.P. to base, 13 cm high, [minor chips] A Dutch delft barber s bowl of fluted helmet form, the ribbed border with small well, painted in blue with a squirrel, birds and a vase of flowers with a foliate scroll and lappet border, painted J.G. 40, possibly for Johannes Gal, 18th century, 27 cm wide A Dutch polychrome Delft jug modelled in the form of a seated woman wearing a red, blue and white floral jacket, yellow skirt, brown spotted apron and a cap, B.P. monogram to base, 32 cm high

7 A pair of Dutch polychrome Delft jars and covers of inverted pear shaped form, the domed covers with seated animal knops, the vases painted in blue, yellow, green and aubergine with a panel containing figures in a landscape flanked by flowers and foliage, bears AP monogram, 21 cm high, [minor losses] A pair of Dutch Delft tea canisters of canted rectangular form, the upper section of each painted in blue with a quatrelobed panel containing a young lover seated with a letter in a landscape and verso with a shepherd seated in a similar landscape, the flanks with smaller landscape panels reserved on a foliate scroll ground, with pressed gilt metal mounts and covers, painted AR monogram to bases, 18th century, 12.5 cm high, overall A Dutch Delft fish bowl, cover and stand of circular foliate moulded form, the cover modelled with a coiled fish with a smaller fish in its jaws, painted in blue and with foliate and floral scrolling, V.K. monogram to bases, 18th century, dish 19 cm wide, [repair to small fish s tail and some points of the stand] A pair of English polychrome delft plates each painted with a long tailed bird amongst flowering plants, probably Lambeth, circa , 23 cm diameter [rim chips]

8 An English dated delftware plate painted in blue with a Chinese vase of flowers and a flower table by a trellis fence and inscribed Ann Pearson Born 17th May 1732, within a blue ground floral and scrollwork border reserved with three panels depicting Chinese river landscapes, probably London, 23 cm diameter *See Louis Lipski and Michael Archer Dated English Delftware page 86 plate 362 for a plate from the same series dated A pair of creamware plates of Whieldon type and one other the former of silver shape with arbitrary yellow and green tortoiseshell decoration on a brown sponged ground within a green rim, circa , 25 cm diameter, the later of circular form with similar decoration, 25 cm diameter. (3)

9 A salt glazed stoneware Bellarmine or Bartmann Krug of typical bellied form with grooved strap handle, applied with a bearded mask and the body with a simple device, possibly symbolising Charitas, 17th century, 27 cm high * This vessel was recovered by the crew of the Admiral Grenville out of Plymouth from a fishing net 60 miles south west of the Lizard Peninsula in April A Staffordshire polychrome salt glazed teapot and cover of lobed form with serpent spout and scroll handle, moulded with pecten shells, acorns and foliage, painted in famille rose enamels with flowers, foliage and rockwork, circa 1750/60, 13.5 cm high [some damage and firing flaws] A pair of Bristol creamware spirit barrels decorated in the manner of William Fifield with floral bouquets and inscribed RSF 1833 between pink and blue concentric ribbed bands, 11 cm high A Staffordshire portrait group of the Alphington Ponies the Durnford sisters modelled arm in arm, wearing yellow bonnets and orange coats, each holding an umbrella, on an oval base with gilt caption A Present from Torquay, circa 1840, 12 cm high A late 18th century pearlware blue and white tankard with double scroll handle, transfer printed with two pagoda landscape vignettes with a bridge, figures and pine trees, possibly Cambrian Pottery, 15 cm high

10 Four Liverpool pearlware plates of circular form with moulded overlapping shell edge painted in blue with an Oriental landscape with candy stripe bridge within a fretted border, circa , 24.5 cm diameter, [minor rim chips]. * Similar examples are illustrated as plate 134, Painted in Blue, Lois Roberts Four Three Dot Group pearlware plates of circular form, three with moulded overlapping shell edge with double swags painted in blue in the Long Eliza pattern within a fretted border, late 18th century, 24 cm diameter, the remaining plate with overlapping shell edge painted in blue in the Pagoda and Fence pattern, late 18th century, 24.5 cm diameter * Similar examples are illustrated as plates , Painted in Blue, Lois Roberts 441 Two pairs of blue painted pearlware plates comprising two of circular form with moulded overlapping shell edge and two of silver shape with Chinese Lantern border, both crisply painted with variations on the Pagoda and Fence pattern, late 18th century, 25.5 and 24.5 cm diameter, [the latter pair with minor rim chips] Six blue painted pearlware and creamware plates comprising four of circular form with moulded overlapping shell edge and two of silver shape decorated variously with the Pagoda and Fence, Long Eliza, Floral Spray and other patterns, late 18th century, cm diameter Two Staffordshire pottery potato flasks and one other one under pale puce glazes with blue detailing, another under treacle glazes and the smaller with blue foliate designs with stylised ochre blooms, 19th century, 18, 19 and 15 cm long respectively, [the former with restored neck]. (3)

11 444 A pearl glazed figure of Ralph Wood type modelled as a classical figure flanked by a dolphin and cupid on a shell and foliate moulded platform base, under translucent yellow, green, blue and brown glazes, circa 1780, 27 cm high A Pratt-type figure of Charity modelled as a barefoot lady in cape and spotted dress sheltering three children on a canted square base moulded with stiff leaves, under mustard, brown and green glazes, circa 1810, 24 cm high, [one child devoid a hand] A pearl glazed tithe pig group of Walton type modelled in the typical fashion with three figures before a leafy bocage on a polychrome scroll moulded base, circa , 20 cm high, [restoration to bocage and the wife s hands] Three blue and white transfer decorated plates of circular form decorated in the Summer House on a Rock pattern, with a central pagoda-like building, flanked by a group of three Oriental figures beneath a parasol and a coconut palm, within a fluted and scroll border, circa , 25 cm diameter. * Although currently from an unidentified maker, this pattern was illustrated in the Friends of Blue Bulletin, No. 20, Spring A late 18 th /early 19 th Century pearlware teapot and cover of silver shape with widow finial, printed and enamelled with floral garlands and female figures in a cemetery, 22 cm wide [tiny chip to rim and spout] No Lot

12 A Robert Hanke majolica box and cover the stepped and canted rectangular base embossed with greyhounds and lion masks, the cover modelled as a pug seated on a tasselled cushion, impressed R.H.116, late 19th century, 15.5 cm high, [small flake chip under cover] A late 19th century porcelain circular plaque, probably Copeland, painted by Charles Ferdinand Hurten with a bouquet of full blown pink and white roses, signed Hurten, circa 1880, 11.5 cm diameter in ebonised frame with gilt slip *Biography. Hurten joined the Copeland factory in 1858 and exhibited his superb flower painting at the International Exhibition in London in He remained at Copeland until the late 1890 s. *Provenance. From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead) A C. H. Brannam (Barnstaple) pottery vase of tear drop form with flaring neck and dragon handles, the body incised and applied with coloured slips on a textured ground with fish amongst weeds, 29 cm high, incised C.H. Brannam, Barum, 1903 with monogram for Fred Braddon Alphonse Cytère (Rambervillers) a stoneware cat modelled in seated posture licking one paw, with inset glass eyes, under blue green glazes, on an oval base, impressed marks including Unis France, early 20th century, 18 cm high

13 454 A pair of Royal Doulton stoneware vases by Hannah Barlow each of footed oviform with raised neck, incised with a broad continuous band of grazing sheep and a sheep dog beside a wood, flanked by bands of scrolls and circles under green and brown glaze, impressed lion, crown and circle mark and incised model no. 531 with monogram for Hannah Barlow assisted by Florence Roberts, 28.5 cm high, [some glaze flaws] A Rosenthal Studio-Line tea service in the Flash One pattern designed by Dorothy Hafner and comprising teapot and cover, hot water pot and cover, milk jug and stand, cream jug, six cups, six saucers, six side plates and six plates, blue backstamps Jules Vieillard (Bordeaux) a faience cloisonne bowl of generous proportions and of squat globular form decorated in colours with carnations and peony scroll between lappet bands, impressed mark and J.V. Cie with pattern no. 264, circa , 56 cm diameter, [cracked], with ebonised stand A Royal Doulton Flambe Sung tobacco jar and cover with elephant finial, decorated overall with shades of red, blue, purple, green and yellow, printed factory mark, painted Sung and initials for Fred Moore, circa 1930/40, 15.5 cm high

14 Gustavsberg Argenta Ware, a stoneware vase and bowl the former of cylindrical form inlaid in silver on a mottled green ground with a rampant gryphon between narrow bands, impressed marks, model no and inlaid Argenta and Calle B., 20 cm high; the latter of circular form with ribbed exterior, the interior inlaid in silver with a fish within a feathered band, impressed marks and inlaid Gustavsberg with an anchor, Argenta with model no with a monogram, 15.5 cm diameter, [slight chip] A Keith Murray for Wedgwood annular vase the black basalt body of ribbed oviform, printed and impressed Wedgwood Made in England with facsimile signature, 13.5 cm high A Keith Murray for Wedgwood annular vase the lemon glazed body of ribbed oviform, printed circular mark and KM, 14.5 cm high A Moorcroft Florian Ware vase of slender baluster form finely tubelined with irises in white and blue, brown backstamp and painted in green W.M. des., circa 1900, 17 cm high Marrianne DeTrey (b. 1913) a stoneware vase of generous proportions of mildly tapering oval profile the unglazed body with impressed linear decoration below oatmeal glazed shoulders and neck, impressed personal seal near base, 48 cm high No Lots

15 A pair of Worcester First Period porcelain sauceboats of press moulded form with panelled fluted exteriors painted in blue in the Little Fisherman pattern below a foliate and diaper border pattern, the interior with a floral spray, open crescent marks, circa 1765, 16 cm long, [some bleed on one border] A Richard Champion (Bristol) dish of circular fluted form, painted in green camaieu with floral sprays and festoons hung from gilt rings, blue cross mark, circa 1775, 21 cm diameter A Liverpool [James Pennington] blue and white bowl and a similar Worcester bowl both decorated in the Cannonball pattern, the Worcester bowl with open crescent mark, both circa 1770, 15.5 cm diameter [2] A Derby botanical plate finely painted with Scorzonera Tingitana, the fluted rim with gilt foliate and line borders, named in blue to the reverse with crowned crossed batons and pattern number 141, circa 1790/1800, 23 cm diameter [tiny chip to inside of foot rim] * Provenance paper label for Field Collection no A Richard Champion (Bristol) porcelain mug of bell shaped form with double scroll handle and thumb rest enamelled in colours with a simple bouquet and scattered sprigs below a wreath border and brown line rim, blue painted cross to underside, circa 1780, 10 cm high, [flake chip to edge of handle]

16 A Royal Crown Derby porcelain dessert service comprising a tall comport, two shell shaped dishes, two octagonal dishes and twelve plates each decorated in red, blue and gold with blooms and foliage, blue backstamps, circa A garniture of three Derby vases of campana form with gilt serpent handles, painted in imari colours with panels of stylised flowers and scrolling foliage, iron-red crossed batons & D marks, circa 1820/30, 16.5 and 20.5 cm [some restoration] A small group of Royal Worcester porcelain each painted with fruit on a mossy ground and with a powder blue exterior, comprising a shallow two handled bowl painted by William Ricketts, puce marks and datecode for 1919, 16 cm wide and two graduating silver mounted pill boxes painted by William Bee, puce marks, 6.5 and 3.5 cm diameter, datecodes for 1930 and (3)

17 473 A pair of Royal Worcester porcelain vases by James Stinton of tear drop form each enamelled with a cock pheasant in a landscape, green backstamp and datecodes for 1904 and 1905 with model no. 702/G, signed lower left Jas Stinton, 13 cm high, [significant loss to one rim] No Lot. 475 A Royal Doulton figure Proposal Lady, HN716 seated on a chair, painted in colours with factory marks to base and inscribed Proposal Lady Potted by Doulton & Co, 15.5cm high A Meissen porcelain oval dressing table mirror frame surmounted with two cherubs and decorated with jewelled beads, flowerheads and ribboned foliage, crossed swords mark, late 19th century, wood back with easel support, 25 x 34 cm [minor damage] A Meissen turquoise-ground saucer painted with panoramic harbour scenes within two gilt framed quatrefoil panels on a turquoise ground, the rim with gilt foliate border, underglaze blue crossed swords mark and gilder s marks, 14.5 cm diameter

18 A Nymphenburg porcelain figure after a Meissen original modelled with an elegant figure in broad crinoline dress with a pug under one arm and another peering from beneath her petticoats, on flat oval base, underglaze blue marks verso, circa 1920, 26 cm high, together with a painted wood stand A Herend porcelain coffee service comprising a coffee pot and cover, milk jug, ten cups and ten saucers, each with rustic handle and moulded with an osier band enamelled with songbirds on branches with scattered butterflies and insects, blue backstamps, [one cup cracked, minor loss to cover] No Lot A Meissen porcelain allegorical group of two cherubs emblematic of Geography one holding a globe, the other a measuring instrument, on gilt scrolled mound base with tree stump support, underglaze blue crossed swords mark and impressed numeral 3, late 19th century, 11.5 cm high [minor damage] A Meissen porcelain group emblematic of Autumn modelled after the original by J.J. Kaendler with four scantily clad putti holding grapes aloft seated on and around a recumbent goat, on a rustic scroll moulded base, painted blue crossed swords and incised 2499, 17 cm long, [minor loss of foliage and one basket handle]

19 483 A Marcolini Meissen porcelain figure group Broken Eggs modelled after the original by Michael Victor Acier with a pair of female figures, one with a garland and a cherub beneath her skirts with a kneeling cherub before them offering a broken egg from an upturned basket, on a rustic oval base, blue crossed swords with star and dots, early 19th century, 25 cm high, [restoration to cherub wings and basket handles]

20 484 A Meissen porcelain group of a shepherd and shepherdess modelled after the original by Michael Victor Acier with a seated barefooted couple flanking a lamb, she with a basket of grapes on one arm passing fruit to her companion, on a rustic base, blue crossed swords to reverse and incised to the underside C.41a with press number 1370, 20th century, 16 cm wide, [slight loss of foliage] No Lots 134

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