FACT SHEET June 15 September 26, 2004, at the Getty Center WHAT: WHO: This new exhibition is the first comprehensive retrospective of Teske s work, surveying the entire range of his 60-year career. Drawn chiefly from the Getty s collection, many of the 128 works on view have never been published or exhibited, including a large body of prints recently acquired from Teske s heirs. Edmund Teske (1911 1996), one of the unheralded alchemists of 20 th -century American photography, created photographs that transformed our perception and understanding of the visual world. He often experimented with chemical processes and combined images in his quest to create new realities and shape spirit into matter. WHEN: June 15 September 26, 2004 WHERE: The Getty Center PUBLICATION: By Julian Cox This exhibition catalogue should become the standard monograph on Edmund Teske. Cox, associate curator of photographs at the J. Paul Getty Museum and curator of the exhibition, offers an extensive biocritical essay on the photographer, tracing his 60- year career. The book includes a chronology, exhibition history, selected bibliography, and an edited transcript of a conversation with artist George Herms, who was a close friend of Teske's for 30 years. -more-
Page 2 Getty Publications 180 pages, 9x12 inches 127 illustrations cloth $70.00; paper $40.00 Available at the Getty Bookstore, by calling 800-223-3431 or 310-440-7059, or online at www.getty.edu. RELATED EVENTS: All events are free and take place in the Harold M. Williams Auditorium, unless otherwise noted. Seating reservations are required. For reservations and information, please call 310-440-7300 or visit www.getty.edu. READING/DISCUSSION Edmund Teske s Los Angeles: An Evening of Spoken Word and Conversation Wednesday, June 23, 7:30 p.m. Presented by the Getty Research Institute Photographer Edmund Teske's life and work are intimately connected to the fabric of the city of Los Angeles. During the 1950s and 1960s, Teske was active in the L.A. avant-garde film, theater, and visual art scenes. This event features readings from Teske s poetry and letters and a discussion among his friends and associates. Scheduled to appear are assemblage artist George Herms, actor Russ Tamblyn, photographer and collector Leland Rice, and Teske heirs Nils Vidstrand and Laurence Bump. The discussion is moderated by Julian Cox, associate curator of photographs at the J. Paul Getty Museum and curator of the exhibition. May 25 at 9:00 a.m. FILM Edmund Teske s Los Angeles: Reflections on Film Friday, June 25, 7:30 p.m. Presented by the Getty Research Institute and the J. Paul Getty Museum Teske s intensely personal and highly imaginative photography had a significant impact on the film community, and film had an equally important effect on him. This interchange will be examined through a screening of short films by James and John Whitney and Terry Sanders, and newly restored and seldom seen films by actor Russ Tamblyn and assemblage artist George Herms. A discussion follows with figures from both Hollywood and avant- -more-
Page 3 -moregarde circles, including Herms, Sanders, Tamblyn, and actor John Saxon, moderated by Rani Singh, research associate at the Getty Research Institute. May 25 at 9:00 a.m. CURATOR S GALLERY TALK Friday, July 23, 7:00 p.m. Julian Cox, associate curator of photographs at the J. Paul Getty Museum and curator of Spirit into Matter, talks about the exhibition. Held in the Museum galleries, meet under the stairs in the Museum Entrance Hall. GALLERY COURSE Thursdays, August 12 and August 19, 1:00-3:00 p.m. Julian Cox, associate curator of photographs at the J. Paul Getty Museum and curator of the exhibition, and Amy Kesselhaut, gallery teacher at the J. Paul Getty Museum, conduct a twosession course related to the exhibition. No experience necessary. Limited to 25 participants; course fee $20. Held in the Museum galleries. Reservations available beginning July 23 at 9:00 a.m. FRIDAY NIGHTS AT THE GETTY John Hammond Friday, September 10, 7:30 p.m. John Hammond makes a special solo appearance at the Getty Center, performing songs from his latest album Ready for Love. Edmund Teske was a keen follower of blues and folk music, and he photographed John Hammond on a few occasions in the early 1970s after seeing him perform at a number of L.A. venues. The portraits he made of Hammond are in keeping with the spirit of his pictures of Ramblin' Jack Elliott from the 1950s. August 25 at 9:00 a.m. LECTURE The Brightness Beckons: Aging and Mortality as Themes in the Work of Edmund Teske, Wallace Berman and Jay De Feo Sunday, September 12, 4:00 p.m. Lecture by Richard Cándida Smith, professor of history at the University of California, Berkeley.
Page 4 POINT-OF-VIEW TALKS Talks are held at 6:00 p.m. and 7:30 p.m. in the Museum galleries. Sign up at the Museum Information Desk beginning at 4:30 p.m. Friday, July 9 Nils Vidstrand is a fine art and commercial photographer and the co-owner of the Edmund Teske archive. As Teske s photographic assistant, model, and apprentice for 20 years, he will provide personal insights into Teske s personality and creative process in his talk. Friday, August 20 James Fee is a fine-art photographer who produces evocative and poetic work through subject and dark room manipulation, such as Teske uses in many of his works. UPCOMING PHOTOGRAPHS EXHIBITION Close to Home: An American Album October 12, 2004 January 16, 2005 Family activities are often commemorated by spontaneous photography. This exhibition looks at the family snapshot, featuring works made between about 1930 and 1970 by photographers untrained in the art of photography who focused on home, family, and community. The exhibition is divided into three sections: one devoted to the historical antecedents of family photographs, another to black-and-white snapshots created between 1930 and 1970, and a third to color images from the 1940s to the 1960s. An ode to the family album, this exhibition aims to elevate the general understanding of the value and importance of family photographs by establishing a variety of cultural and historic contexts for them. A catalogue will accompany the exhibition. # # # Note to editors: Images available on request. MEDIA CONTACT: Tracy Gilbert Getty Communications Dept. 310-440-7282 tgilbert@getty.edu The J. Paul Getty Trust is an international cultural and philanthropic institution devoted to the visual arts that features the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Grant Program. The J. Paul Getty Trust and Getty programs are based at the Getty Center in Los Angeles.
Page 5 Visiting the Getty Center: The Getty Center is open Tuesday through Thursday and Sunday from 10 a.m. to 6 p.m., and Friday and Saturday from 10 a.m. to 9 p.m. It is closed Mondays and major holidays. Admission to the Getty Center is always free. Parking is $5 per car. Reservations are required for event seating and groups of 15 or more. Please call 310-440-7300 (English or Spanish) for reservations and information. The TTY line for callers who are deaf or hearing impaired is 310-440-7305. Additional information is available on the Getty Web site at www.getty.edu.