Guggenheim Museum Presents Recent Additions to the Collection in Lasting Images A Selection of Newly Acquired Contemporary Works Never Before Exhibited in the U.S. Exhibition: Lasting Images Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York Location: Annex Level 5 Dates: October 14, 2013 January 10, 2014 (NEW YORK, NY January 7, 2014) From October 14, 2013, through January 10, 2014, the Solomon R. Guggenheim Museum presents Lasting Images, a focused selection of recent acquisitions from the museum s growing collection of global contemporary art that will be on view at the museum for the first time. The works, which range in media from film to sculpture to installation, have never been exhibited in the United States and were acquired over the last three years, including two works acquired through the Guggenheim UBS MAP Purchase Fund. Lasting Images features work by Simryn Gill, Sheela Gowda, Joana Hadjithomas and Khalil Joreige, Mona Hatoum, and Doris Salcedo. The artists included in the exhibition use subtle, often ephemeral forms to suggest nuanced personal or historical narratives. Many of these artists are originally from countries that have witnessed violence and conflict in recent decades, and yet none of the works can be reduced to simple biographical accounts. Each piece functions as a vehicle for individual expression while resonating with universal themes. Lasting Images presents evocative works such as Salcedo s delicately rendered A Flor de Piel (2011 13), which balances the poetic and the political in a resolutely minimal form. Composed of hundreds of rose petals that have been painstakingly sewn together by hand, the sculpture has been described by the artist as a response to victims of torture during the civil war in her native Colombia. Hatoum s Impenetrable (2009) is a suspended cube made of hundreds of taut barbed-wire rods that appears to float in the gallery; its ethereal form belies a foreboding presence. Other artists in the exhibition including Hadjithomas and Joreige, Gowda, and Gill use found images and materials to interweave private and public experience. Hadjithomas and Joreige s Lasting Images (2003) is a 3-minute video based on Super 8 mm footage that was originally shot in 1985 by Joreige s uncle, who was kidnapped during the Lebanese Civil War and disappeared. Some fifteen years after its
creation the artists developed the film, which by that point had survived a fire and the ravages of war. The resulting short cinematic sequence reveals a series of images that emerge through the whiteness of the damaged film stock, refusing to disappear, as the artists explain. With Loss (2008), Gowda attempts to reconcile the separation between the complexities of Kashmir, an area fraught with violence and uncertainty, and her own mediated experience of the region. For the work, Gowda selected six photographs that were taken by a Kashmiri man who conscientiously recorded the burials of every youth in his village killed in the conflict, documenting the paths along which the bodies were carried to their graves. These images of ordinary streets and paths reveal the deaths as tragically commonplace; the photographs are as much meditations on absence and illegibility as they are documents of life in Kashmir. In Full Moon (2012), Gill disassembles and re-sequences books from her grandfather s library, using the pages which range from technical explanations, economic analyses, and sociopolitical commentaries to fictional narratives and spiritual meditations as the foundation for circular drawings in various mediums, including ink, gouache, grass pigment, laundry detergent, and correction fluid. Full Moon exemplifies Gill s practice, defined by her modest interventions into encyclopedic series comprised of dozens of components, in which the smallest gestures, repeated or expanded, become agents of universal meaning. What links the diverse sculptures, installations, videos, and works on paper in Lasting Images is neither a shared vocabulary of images nor a common set of themes, but a set of strategies that the artists have employed to give material form to ineffable experiences. These works suggest that truly lasting images those that are most affecting rarely convey direct messages. Instead, the pieces in this exhibition use ephemeral materials to define spaces for the viewer that invite open-ended contemplation. Lasting Images is organized by Lauren Hinkson, Assistant Curator, Collections. Education and Public Programs For complete information about the range of public programs presented in conjunction with Lasting Images, please visit guggenheim.org/calendar. Highlights include the following: Guided Tours Free with museum admission Curator s Eye Friday, December 13, 2 pm Led by Lauren Hinkson Public Programs The Elaine Terner Cooper Education Fund: Conversations with Contemporary Artists Joana Hadjithomas and Khalil Joreige Monday, December 2, 6:30 pm As both filmmakers and artists, Hadjithomas and Joreige explore latency and power in absent or delayed images to demonstrate the complexities of documenting history. An exhibition viewing and a reception follow. Support for this program is provided by Dr. Lamees Hamdan. $12, $8 members.
About the Solomon R. Guggenheim Foundation Founded in 1937, the Solomon R. Guggenheim Foundation is dedicated to promoting the understanding and appreciation of art, primarily of the modern and contemporary periods, through exhibitions, education programs, research initiatives, and publications. The Guggenheim network that began in the 1970s when the Solomon R. Guggenheim Museum, New York, was joined by the Peggy Guggenheim Collection, Venice, has since expanded to include the Guggenheim Museum Bilbao (opened 1997) and the Guggenheim Abu Dhabi (currently in development). Looking to the future, the Guggenheim Foundation continues to forge international collaborations that take contemporary art, architecture, and design beyond the walls of the museum. More information about the foundation can be found at guggenheim.org. VISITOR INFORMATION Admission: Adults $22, students/seniors (65+) $18, members and children under 12 free. Available with admission or by download to personal devices, the Guggenheim s new, free app offers an enhanced visitor experience. The app features content on special exhibitions, access to more than 1,200 works in the Guggenheim s permanent collection, and information about the museum s landmark building. Verbal Imaging guides for select exhibitions are also included for visitors who are blind or have low vision. The Guggenheim app is sponsored by Bloomberg. Museum Hours: Sunday Wednesday, 10 am 5:45 pm; Friday, 10 am 5:45 pm; Saturday, 10 am 7:45 pm; closed Thursday. On Saturdays, beginning at 5:45 pm, the museum hosts Pay What You Wish. For general information, call 212 423 3500 or visit the museum online at: guggenheim.org guggenheim.org/connect For publicity images visit guggenheim.org/pressimages. User ID: photoservice Password: presspass #1317 October 10, 2013 (updated January 7, 2014) FOR ADDITIONAL INFORMATION CONTACT Keri Murawski, Senior Publicist Solomon R. Guggenheim Museum 212 423 3840 pressoffice@guggenheim.org
Press Images Lasting Images October 14, 2013 January 12, 2014 Solomon R. Guggenheim Museum Online Photo Service for Press Images Images for current exhibitions may be downloaded free of charge through our website. Visit guggenheim.org/pressimages Enter the following username and password: Username: photoservice Password: presspass Select the desired exhibition All images cleared for press are available in either jpeg or tiff format. All images are accompanied by full caption and copyright information. The publication of images is permitted only for press purposes and with the corresponding credit lines. Images may not be cropped, detailed, overprinted, or altered. E-mail pressoffice@guggenheim.org with any questions. Joana Hadjithomas and Khalil Joreige Lasting Images, 2003 Color video, transferred from Super 8 mn film, silent, 3 min., edition 3/5 Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by The Guild Art Gallery 2010.30 Joana Hadjithomas and Khalil Joreige Sheela Gowda Loss, 2008 Inkjet print with watercolor additions from a series of six inkjet prints, dimensions variable Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund 2013.5.1 6 Sheela Gowda 1 Lasting Images
Mona Hatoum Impenetrable, 2009 Steel and nylon monofilament, edition 3/3, 300 x 300 x 330 cm Solomon R. Guggenheim Musuem, New York, Purchased with funds contributed by the Collections Council; International Director s Council; with additional funds from Anne Ames, Tiqui Atencio Demirdjian, and Marcio Fainzilber 2012.10 Mona Hatoum Installation view: Interior Landscape, Fondazione Querini Stampalia, Venice, June 4 September 20, 2009 Photo: Agostino Osio, Courtesy White Cube and Fondazione Querini Stampalia, Venice Doris Salcedo A Flor de Piel, 2011 13 Rose petals and thread, 380 x 230 cm Solomon R. Guggeneheim Museum, New York, Gift of D. Daskalopoulos Collection and the artist 2012.121 Doris Salcedo Installation view: Doris Salcedo, White Cube Mason s Yard, London, May 25 June 30, 2012 Photo: Ben Westoby, courtesy White Cube Simryn Gill Full Moon, 2012 Mixed media on sixty book pages, dimensions variable Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund 2013.1 Simryn Gill Installation view: Full Moon, Anna Elle Gallery, Stockholm, September 1 October 5, 2012 Photo: Courtesy Tracy Williams, Ltd., New York, and Anna Elle Gallery, Stockholm 2 Lasting Images