Ruskin School of Fine Art, University of Oxford Central Saint Martins, University of the Arts, London

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HELEN MARTEN Born in 1985 in Macclesfield, UK. Lives and works in London, UK. EDUCATION 2005 2008 Ruskin School of Fine Art, University of Oxford 2004 2005 Central Saint Martins, University of the Arts, London SCHOLARSHIPS AND AWARDS 2016 Turner Prize, winner Hepworth Prize for Sculpture, winner 2012 Luma Prize, winner 2011 Prix Lafayette 2009 The Boise Travel Scholarship SOLO EXHIBITIONS 2019 Fixed Sky Situation, König Galerie, Berlin 2016 Drunk Brown House, Serpentine Sackler Gallery, London Eucalyptus, Let us in, Greene Naftali, New York 2014 Orchids, or a hemispherical bottom, Johann König, Berlin Parrot Problems, Fridericianum, Kassel Oreo St. James, Sadie Coles HQ, London 2013 No borders in a wok that can t be crossed, CCS Bard Hessel Museum, Annandale-on-Hudson, New York (catalogue) 2012 Almost the exact shape of Florida, Kunsthalle Zürich, Zürich (catalogue) Evian Disease, Palais de Tokyo, Paris Plank Salad, Chisenhale Gallery, London 2011 Dust and Piranhas, Park Night Project, Serpentine Gallery, London Take a stick and make it sharp, Johann König, Berlin

2010 All the single ladies, Coltorti, Miami, USA I like my heroes marble chested, presented by Carl Kostyal and T293 for Frieze week, London Wicked patterns, T293, Naples GROUP EXHIBITIONS 2019 The Body Electric, The Walker Art Centre, Minneapolis 2018 Good Grief, Charlie Brown!, Somerset House, London Painting: Now and Forever, Part III, Greene Naftali, New York and Matthew Marks, New York A TIME CAPSULE: Works Made by Women for Parkett, 1984-2017, Parkett Exhibition Space, Zurich Faithless Pictures, The National Museum of Art, Architecture and Design, Oslo 2017 made on the table, Sadie Coles HQ, London Suspended Animation, Les Abattoirs, Toulouse, France EuroVisions: Contemporary Art from the Goldberg Collection, NAS gallery, Sydney The Trick Brain, curated by Massimiliano Gioni, Aïshti Foundation, Beirut All These Beautiful Ladies, curated by Francesca Ferrarini, ArtVilnius and Lewben Art Foundation, Vilnius, Lithuania (cat.) 2016 Turner Prize, Tate Britain, London Hepworth Prize for Sculpture, The Hepworth Wakenfield, Wakefield Invisible Adversaries, curated by Lauren Cornell and Tom Eccles, Hessel Museum of Art, Bard College, Annandale-On-Hudson, NY WELT AM DRAHT, Julia Stoschek Collection, Berlin From Minimalism Into Algorithm, The Kitchen, New York Suspended Animations, Hirshhorn Museum, Washington, D.C. Artists Clothes, in conjunction with Condo, Carlos/Ishikawa, London The future is already here It s just not evenly distributed, 20 th Biennale of Sydney, Sydney, Australia 2015 NO MAN S LAND, Rubell Family Collection, Miami, Florida (catalogue) Life itself, curated by Jo Widoff, Daniel Birnbaum, and Carsten Höller, Moderna Museet, Stockholm Screen Play: Life in an Animated World, Albright-Knox Art Gallery, Buffalo, New York (Electronic cat.) This Sentence, curated by Public Fiction, China Art Objects, Los Angeles Works on Paper, Greene Naftali, New York All the World s Futures, curated by Okwui Enwezor, 56 th Venice Biennale, Venice (cat.) Works from the Astrup Fearnley Collection, Astrup Fearnley Museum, Oslo, Norway Turn on: Time-based works from the Julia Stoschek Collection, Tel Aviv Museum of Art, Israel For Real, curated by Anne Pontégnie, Galerie Kamel Mennour, Paris

Printmaking by ECAL, Musée Jenisch Vevey, Vevey, Switzerland The New Human: You and I in Global Wonderland, curated by Joa Ljungberg, Moderna Museet, Malmö THINGS: A Century of Works Purchased with the Contemporary Art Society, Grundy Art Gallery, Blackpool, UK Collecting Lines: Drawings from the Ringier Collection, Chapter II, curated by Arthur Funk and Beatrix Ruf, Villa Flora, Winterthur, Switzerland 2014 Theater Objects A Stage for Architecture and Art, LUMA Westbau, Zurich, Curated by Fredi Fischli and Niels Olsen (cat.) Mirrorcity, Hayward Gallery, London Europe, Europe, Astrup Fearnley Museet, Oslo, Norway Urs Fischer curated show, Sadie Coles HQ, London On the Devolution of Culture, Rob Tufnell, London The Go-Between, Sprovieri Gallery, London QUIZ, Galerie Poirel, Nancy, France, curated by Robert Stadler Infinite Jest, Schirn Kunsthalle, Frankfurt am Main New Generation, FRAC Nord-pas de Calais, Dunkirk, France Superficial Hygiene, Museum De Hallen, Haarlem, Netherlands 2013 Entropy of a City: Julia Stoschek Collection, Mücsarnok Kunsthalle, Budapest Abstract-Nature: Selected Parkett Artists' Editions, 1984-2013, Parkett Space, Zürich The Encyclopedic Palace, 55 th Venice Biennale, curated by Massimiliano Gioni, Venice, Italy Meanwhile... Suddenly and Then, Lyon Biennale, 2013, curated by Gunnar B. Kvaran, Lyon, France Flatness: Cinema after the Internet, 59 th Oberhausen International Film Festival, Oberhausen, Germany do it 20 13: A group art show, Manchester International Festival, Manchester Art Gallery, UK 2012 New Pictures of Common Objects, curated by Christopher Y. Lew, MoMA PS1, New York CARA Domani: Opere dalla collezione Ernesto Esposito Glaze, curated by George Henry Longly, Chez Valentin, Paris Inside the Banana, Algus Greenspon, New York The New Public: From a new public dimension to new users, curated by Rein Wolfs, Museion, Bolzano, Italy Standard Operating Procedures, curated by Piper Marshall, Blum and Poe, Los Angeles MARCH, Sadie Coles HQ, London 2011 Beyond Gestaltung, curated by Thomas Thiel, Bielefelder Kunstverein, Bielefeld Germany Hasta Mañana, Greene Naftali, New York Mirages, Fountains & Dissociative Composition Galerie Catherine Bastide, Brussels Fruits, Flowers, and Clouds, Museum of Contemporary Art (MAK), Vienna

2010 WUFF, COCO Kunstverein, Vienna, (travelling project through Austria, Ukraine + Lithuania) Untitled, curated by Am Nuden Da, Four Boxes Gallery, Krabbesholm, Denmark Fake Modern, Camden Arts Centre, London Mexican Blanket, Museum 52, London 2009 Session_7_WORDS, curated by Am Nuden Da and Material, Am Nuden Da, London Boule to Braid, curated by Richard Wentworth, Lisson Gallery, London 2008 BOX LADDER, Modern Art Oxford, Oxford MONOGRAPHS AND CATALOGUES 2016 Marten, Helen. Parrot Problems. exh. cat. London: Koenig. 2015 All the World s Futures. exh. cat. Venice: Fondazione La Biennale di Venezia. Katz-Freiman, Tami. No Man s Land: Women Artists from the Rubell Family Collection. exh. cat. Miami: Rubell Family Collection. Screen Play: Life in an Animated World, Buffalo: Albright-Knox Art Gallery (Electronic cat.) 2014 High Performance. exh. cat. Berlin: Distanz. 2013 Entre-temps, brusquement, et ensuite: 12e Biennale de Lyon. Dijon: Les presses du reel. Marten, Helen, Beatrix Ruf, Tom Eccles, and Polly Staple. Helen Marten. exh. cat. Zurich: JRP/Ringier SELECTED ARTICLES 2017 Dixon, Joyce. The Hepworth Prize for Sculpture. Art Review. January/February 111. Marten, Helen. How Important is Art as a Form of Protest? Frieze. April: 91; 100. Marten, Helen. Though It Weeps (in the style of a new and brilliant murder). Frieze. 15 October: Web. 2016 Helen Marten Wins 2016 Turner Prize. Artforum 5 December: Web. Brown, Mark. Helen Marten wins Turner Prize securing second big award in a month. The Guardian 6 December: Web. Chu, Christie. 10 Millennial Artists to Watch in 2016. Artnet 6 June: Web. Collings, Matthew. Eva Hesse on assholes and existentialists. ArtReview November: 72-74. Cumming, Laura. Best Art of 2016. The Guardian 4 December: Web. Halle, Howard. Helen Marten. Time Out New York 17 February: 62.

Hettie, Judah. The 50 Most Exciting Artists in Europe Right Now, Part II. Artnet News 24 November: Web. Higgins, Charlotte. Helen Marten: from a Macclesfield garage to artist of the year. The Guardian 22 November: Web. Searle, Adrian. Turner prize 2016 exhibition review bleak and baffling, but no bum deal. The Guardian 26 September: Web. Shea, Christopher D. Artist Known for Whimsical Installations Wins the Turner Prize. The New York Times 6 December: C22. Sulcas, Roslyn. 4Turner Prize Nominees Are Announced. The New York Times 13 May: C2. Wullschlager, Jackie. Review: Helen Marten, Serpentine Sackler, London. Financial Times 4 October: Web. 2015 All the world s futures: Helen Marten. Vogue Italia 5 June: Web. 2014 Helen Marten // (Http://crackmagazine.net/art/}. Crack Magazine January: Web. Barnes, Freire and Martin Coomer. Women Artists on the Cutting Edge. Time Out London. 6 Mar: Web. Coomer, Martin. Helen Marten: Oreo St. James. Time Out London. 6 March: Web. Gavin, Francesca. Ten Girls Ruling the Exhibition World. Dazed 22 January: Web. Sherwin, Skye and Robert Clark. Helen Marten, John Skoog, Diagrams: the week s art shows in pictures. Guardian.co.uk. 24 January: Web. Sherwin, Skye. Object Lessons. W Magazine. September: 250 253. 2013 Basciano, Oliver. Helen Marten: Plank Salad. ArtReview, March: Web. Burckhardt, Jaqueline, Nikki Columbus, Bice Curriger and Mark Wezel eds. Briony Fer, Pictorial Lamination ; Helen Marten. Interview with Jordan Wolfson and Uri Aran. Problem Cookies ; and Rein Wolfs, Autonomous Realms Parkett. No. 92, 2013: 62-99. Charlesworth, J.J., Helen Marten. ArtReview, March: 132-133. Dillon, Brian. All That is Solid. Artforum, March: 240-241. Higgins, Charlotte. Venice Biennale to showcase new generation of young British artists. The Guardian, March 18: Web. Marten, Helen. Highlights 2013-Helen Marten. Frieze blog 17 December: Web. Marten, Helen. My Influences. Frieze, May: 192-197. Peyton-Jones, Julia. Best of 2013. Artforum. Dec: 216-7. Smith, Roberta. Assmebled in Planned Jumbles of Found Creation. The New York Times, 2 August: C23, C27. Smith, Roberta. "Last Chance, Helen Marten: 'No Borders in a Wok That Can't Be Crossed'" The New York Times. 20 September. 2012 Bollen, Christopher. Helen Marten. Interview, 18 December: Web. Doubal, Rosalie. "Helen Marten: Plank Salad." TimeOut London. 3 December: Web. Himelfarb, Ellen. "Kunsthalle Zurich Refurbishmen by Gigon/Guyer Architects and Atelier WW." Wallpaper*. 31 August: Web. Johnson, Ken. "Inside the Banana." The New York Times. 3 August. Herbert, Martin. "Now See This." Art Review. September: 26. Marten, Helen. Interview with Maurizio Cattelan. "A Little Big Naked." Flash Art. March-April: 52-55.

Marten, Helen. "500 Words." Artforum. 23 November: Web. Rosenmeye, Aoife. "Helen Marten." Art in America. 27 December: Web. 2010 Camblin, Victoria. "Special Comission for 032c by Helen Marten." 032c. Summer: 93-105. Heiser, Jörg. "Helen Marten: A digital approach to sculpture and installation; physical comedy and the very recent past." Frieze. November-December: 113-14. Ruf, Beatrix. "Helen Marten." Art Review. March: 98. Marten, Helen. Interview with Matias Faldbakken. "Show Hidden Characters." Mousse. April, May: 192-95. Marten, Helen. Interview with Hans Ulrich Obrist. "More and More Megabytes." Kaleidoscope. Summer: 172-75. Völzke, Daniel. "Watchlist Helen Marten." Monopol. June 26-27. 2009 Harrison, Rachel. "Artist's Favourites." Spike Magazine. 24-26. PUBLIC COLLECTIONS Arts Council Collection, London Astrup Fearnley Museet, Oslo Grundy Art Gallery, Blackpool, UK Julia Stoschek Collection, Düsseldorf K11 Art Foundation, Hong Kong Manchester City Galleries, UK Museion, Bolzano, Italy Museum of Modern Art, New York Moderna Museet Stockholm, Stockholm Solomon R. Guggenheim Museum, New York Stedelijk Museum, Amsterdam Tate Britain, London Victoria Gallery & Museum, University of Liverpool, UK Walker Art Gallery, National Museums Liverpool, UK Whitworth Art Gallery, The University of Manchester, UK