London Tattoos. Alex MacNaughton. PRESTEL Munich London New York

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Transcription:

London Tattoos

London Tattoos Alex MacNaughton PRESTEL Munich London New York

Contents 8 36 Introduction Grace Neutral 10 44 Alice Temple Dylan Ross 16 50 Arnö Vön Detritus Bee Nguyen 22 Nicola Redford 54 Professor Richard Sawdon Smith 26 60 Angelica Araujo Edyta 32 Terry Stephen 66 Mr Ducktail Rock n Roll MotherKutter

72 110 Ness Thomas 80 Snake Girl 114 Joanne Danielle Squires 86 Simon Henry aka Mr Tarquim 122 Pinnetto from Elephant 12 90 126 Liberty Smith Koshil 96 132 Ashley Jagdeo Luki Goddi 104 138 Emma Gates Simon Phinith

142 182 Dani P Amber 148 188 Andrew Shirley Pablo Rodriguez 154 194 Claire Ruocco Hayley Hayes 160 204 Lucrezia Testa Iannilli VJ Von Art 164 208 Kiria Adam J. Evans 168 214 Amanda Burzio Rafe G 174 220 Dr Matthew Lodder Steph Wayne

224 266 Coral Davies Laylay 230 270 Justin O Grady Kat Williams 238 276 Alex Harvey Stewart O Callaghan 246 280 Lod Heather Holyoak 252 288 Graham Long Scott Pollard 256 292 Cara Fielder Louise Elizabeth Fury 262 298 Miss Belinda Mistress Jezabel

Foreword by Dr Matt Lodder, University of Reading The history of tattooing in London is long, and proud. The first tattoo shop in London was opened near Holloway prison in 1870 by a tattooer called David W. Purdy, and from the very beginning London served as a cradle for the brightest and best that the art form could offer, the rich tapestry of the vibrant city feeding an innovative, skilful and ornate craft. As if to repay the city some small amount of all it had given him, Purdy suggested to his clients in a pamphlet he published towards the end of the 19 th century designs which included Tower Bridge the Great Wheel, at Earl s Court, or the Imperial Institute, or one of Her Majesty s Battleships, and the Houses of Parliament, all making good pictures, which could easily be printed neatly on flesh. By the 1880s, driven by a trend led by the dandyish Prince Bertie (later to become King Edward VI), tattooing was all the rage amongst the most fashionable of London s high society. On the refined and rarefied Jermyn Street in the West End, the famous Victorian tattooist Sutherland Macdonald ran a luxurious and lushly appointed studio, replete with cushions and gilded divans. In Waterloo his contemporary, George Burchett, was making a handsome living tattooing aristocrats and officers, and decorating the ankles and shoulders of the most elegant of ladies. Stories abound of wealthy barons at the end of the 19 th century spending dozens of guineas on acquiring tattoos from the most in-demand of artists, and of trends in motif and style emanating from London s tattoo scene causing admiring chatter around the world. 8

Not much has changed in the intervening century or so. The people, stories and tattoos Alex MacNaughton has documented for this book are part of this unbroken tradition of fine tattooing in this most eclectic of cities. From professionals to punks and from pharmacists to photographers, the tattoo collectors shown here represent the vast diversity that has always been present amongst London s tattooed. Some of the tattoos his subjects bear are large, intricate and complex collaborative creations which will have taken dozens of hours and hundreds of pounds to complete. Others are smaller, whimsical, spontaneous. Some may be regretted, most are warmly cherished. Several of those whose images fill these pages are heavily tattooed, steeped in the culture, history and mystery of tattooing. Others have only a few tattoos, discrete and subtle. Yet all are united by the decision they have taken to donate their own skin to an artist for the creation of an image. As in the Victorian era, London s tattoo scene today is looked upon admiringly from all over the world as a hotbed of talent and innovation. Whether their tattoos are decorative, demonstrative or decadent, every single person featured in this compendium of tattooing in 21 st -century London has given their skin to this art form. In a city famed for being a bubbling cultural cauldron, it is hardly surprising that the simple process of marking the skin with ink produces such great variety, quality and sheer boldness of work. 9

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Alice Temple Age: 43 I have a few home-made tattoos. One was done by Rachel Williams: it s an arrow going down my butt-crack. I have scat written on my right forearm: this was done by Tony Ward. My tattoos don t mean any thing to me other than I like being covered in tattoos. It s purely a visual thing. I like the look of almost anyone who is covered, and knew I wanted the same. What I have on me is almost irrelevant. What is important is the artist who works on me. I m very lucky and privileged to have Nikole Lowe as my tattooist. I basically let her do what she wants. Who knows what my next tattoo will be. I ve got my legs and stomach to start on. I m pretty sure I want Nikole to do her beautiful flowers all over my legs, but there are other bits and pieces I want. It kind of depends on how rich I am at the time. Nikole is going to do my left-hand knuckles with wood instead of needles, Japanese style probably the four suits of a pack of cards. Head, left and right neck, left and right biceps, left and right forearms, chest, upper and lower back Nikole Lowe Left hand Mr X Left calf Self-tattooed 11

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Arnö Vön Detritus Age: 31 Tattoos are for me a way of expression, a constant reminder of good and bad times I went through. I see my body as a book where the tattoos are there to document different times and stories of my life. That s why I don t think I will ever get anything covered, as even if the older tatts look pretty cheap and badly done by my standards nowadays, at some point in my life they meant a lot and represented something for me. I also use tattoos as a reminder of not making the same mistake again. And finally I see them as a way of distancing me from the rest, an immediate identification to another part of society, making clear to people that I am not like them, even if this sounds like a cliché. They are something you have suffered for, and earned, something that doesn t come cheap, and something that can t be taken from you. In the future I m planning loads! The more the better. The next few projects are NOMADIC above my belly button, as I don t feel attached to any part of any country, and feel like where I lay my head is home. No strings attached. The skull of an ARIES, as my star sign is Aries, and I think it defines pretty much my character creative, stubborn and impulsive. And, of course, finishing my sleeves and second hand with more skulls and demons. Left bicep, left hand Greg Bilko Right bicep and forearm, chest Alexandre Mansuy 17

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Nicola Redford Age: 35 To me tattoos are a wonderful part of self-expression. I love the idea that I can decorate my body with what I see as art in tattoo form. Unlike many people my tattoos don t signify or commemorate any specific people, or incidents in my life, but are basically bits of imagery or wording that I find beautiful or have resonance. They are, however, intrinsically a part of me; they are part of who I am, an outward expression of an inner sentiment. They are a political/social statement of sorts as much as a whimsical penchant for the aesthetically pleasing. I could absolutely tell you exactly where and when I was when each one was etched on, so in many ways they form a timeline whereby I can plot my journey through life in all senses of the word. I have another session coming up in August to work on my arm piece. Not planning to add a huge amount more to it at the moment, but just tweaking few bits and having some more detail put in. After that, who knows? I think the arm piece will get extended a bit more so it becomes a ¾ sleeve, but haven t decided what I want to continue it with image-wise as yet, so it s still a work in progress. Left bicep Remis at Tattoo Prime Stomach David at Barry Louvaine 23

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Angelica Araujo Age: 32 Some of my tattoos mean different stages and important moments of my life. (It s more like memories: some people take photos, make videos, I do tattoos.) It s very difficult to explain because it doesn t mean anything to anyone like my red stripes mean London because it was the time I moved here. I just want to remember that when I get older. I haven t decided on the next design yet, but I know it will be something very feminine and will be on my legs. But I need to wait for the right time. Most of my tattoos are from Brazil. The red stripes I did in London. I remember one guy named Eduardo from Brazil did the big tattoo on my right arm. The others I don t remember their names anymore. 27

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UNVERKÄUFLICHE LESEPROBE Alex MacNaughton London Tattoos Paperback, Broschur, 304 Seiten, 13x19 527 farbige Abbildungen ISBN: 978-3-7913-4584-0 Prestel Erscheinungstermin: September 2011 Ein Blick unter die Haut: Menschen und ihre Tattoos Tattoos sind ein Phänomen des Zeitgeists, Teil der modernen Urban Culture, ein Kultthema, über alle sozialen Milieus hinweg. Alex MacNaughton zeigt Tätowierungen aus einer neuen Sicht. Im Mittelpunkt stehen für ihn die Menschen, ihre Persönlichkeit und ihre Motive: warum haben sie sich für ein Tattoo entschieden, welches Bildmotiv haben sie gewählt, wer sind ihre bevorzugten Künstler. Nach den erfolgreichen Büchern zu Street Art legt Alex MacNaughton einen neuen Titel vor, der den Nerv der Zeit trifft.