Photo by John O Nolan

Similar documents
Balanced Assessment Elementary Grades Package 1 Dale Seymour Publications Correlated To I Get It! Math Grades 3-5 Modern Curriculum Press

Balanced Assessment Elementary Grades Package 1 Dale Seymour Publications Correlated To I Get It! Math Grades 3-5 Modern Curriculum Press

In this lesson, students will create a duct tape wallet that they can use to hold or store currency and other financial items. Visual Arts.

FASHION DRAWING AND ILLUSTRATION LEVEL 2 GRADES THE EWING PUBLIC SCHOOLS 2099 Pennington Road Ewing, NJ 08618

COSMETOLOGY. ELIGIBILITY Open to active SkillsUSA members enrolled in programs with cosmetology as the occupational objective.

Common Core Correlations Grade 8

Sinners in the Hands of an Angry God by Jonathan Edwards (Pg. 152) English 11 Honors

Art of the Marquesas Islands. Gauguin

EL DORADO UNION HIGH SCHOOL DISTRICT EDUCATIONAL SERVICES Course of Study Information Page. History English

Using Graphics in the Math Classroom GRADE DRAFT 1

Lesson Plan Guide 1. STUDENTPATHS connecting students to their future ASSESSMENT: GOALS: ASCA STANDARDS ADDRESSED: COMMON CORE STANDARDS ADDRESSED:

Apparel, Textiles & Merchandising. Business of Fashion. Bachelor of Science

Eyeliner Cosmetology I

Bindi! by Milan Sandhu

2019 Regional and State Cosmetology Contest Guidelines

SAULT COLLEGE 443 NORTHERN AVENUE SAULT STE. MARIE, ON P6B 4J3, CANADA

HONORS FASHION DESIGN IV

Tahiti Tattoos By Gian Paolo Barbieri, Raymond Graffe

Department of Industrial Engieering. Chapter : Predetermined Time Systems (PTS)

Fire & Life Safety Education

Focus on activity: reported speech

Logical-Mathematical Reasoning Mathematics Verbal reasoning Spanish Information and Communication Technologies

Chapter 2 Relationships between Categorical Variables

Integrating Magnetic Field Mapping Crack Detection and Coordinate Measurement

2018 Regional and State Cosmetology Contest Guidelines

Observing Moss and Cheek Cells

Jarabeck Family Crest

YR7 Textiles Ugly Dolls

This unit is suitable for those who have no previous qualifications or experience.

TEACHING UNIT BEAUTY AND CREATIVITY

H Fashion Revue

SWBAT: Describe and Apply the Rule and the standard Normal Distribution. Lesson 2-2 The Rule Although there are many Normal

Level 1 - Principal Learning Hair and Beauty Studies (2762) Unit 3: Introducing hair styling Controlled assessment material

The EMC Masterpiece Series,

Personal Effectiveness Competencies. Time Management

Accessories. LD 101 Accessories Design 2 credits; 1 lecture and 2 lab hours

names 1 inch + Black Vis-à-Vis Black Sharpie

TEXTILES AND DESIGN 3 UNIT (ADDITIONAL) HIGHER SCHOOL CERTIFICATE EXAMINATION. Time allowed One hour and a half (Plus 5 minutes reading time)

There s a woman having her hair cut.

Body Art. UNI ScholarWorks. University of Northern Iowa. Geographic Alliance of Iowa. Copyright [2012?] Geographic Alliance of Iowa

The SLO Loop Diploma in Cosmetology COS-210 :Hair Coloring (2010SP )

Course Bachelor of Fashion Design. Course Code BFD16. Location City Campus, St Kilda Road

Common Core Correlations Grade 11

Virginia Cooperative Extension A partnership of Virginia Tech and Virginia State University College of Agriculture and Life Sciences

Common Core Correlations Grade 12 (Senior English)

Designer(s): Emily Potts. Show-Me Standards

FIJIT. Frankston International Junior Investigation Team. Agent s Handbook

FREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION FAMILY & CONSUMER SCIENCES DEPARTMENT FASHION DESIGN 2. Grade Level: 10-12

Improvement in Wear Characteristics of Electric Hair Clipper Blade Using High Hardness Material

2018 Florida Folk Festival Participant Guidelines

303 SERIES COMPRESSION SLIDER DOOR

45 Symbols Technological Growth

Image courtesy of istockphoto.com/hadel Productions

TRANSFORMATIONS A GRAPHIC AND CHOREGRAPHIC WORKSHOP

ARTS PROJECT. Fri. 8 th October 50 words explaining inspiration for choice & materials used Draft 2 of design. Draft 1 of design

District WRITING post-test ASSESSMENT SENIOR HIGH SCHOOL

VTCT Level 2 NVQ Award in Providing Pedicure Services

SHORT ADVANCED CONCAVE

Integrating the Concept of Modular Design and Dart Manipulation Technique for the Innovation of Fashion Design for Women

HND DESIGN AND PRODUCTION OF FASHION AND TEXTILE

Names of Places, Special Things, Organizations (including. Names & Titles of People, incl. Languages, Nationalities

Cosmetology. CAREER OPPORTUNITIES: Stylist, Manicurist/Pedicurist, Esthetician, Cosmetologist

Carry out ear piercing

Welcome to the team! TOGETHER, WE WILL TURN MOTIVATED GIRLS INTO UNSTOPPABLE WOMEN.

LONG UNIFORM LAYER. by Stacey Broughton. Overview. Skill Level. Technical Skills

Welcome to the WORLD'S MAKE-UP SCHOOL

Indigenous Australia's diverse memorialisation of the dead

Minister Application of Tiffany M. LeClair

VTCT Level 3 NVQ Award in Airbrush Make-Up

Hy Density: Archimedes Revisited. Teacher Information Page Activity 3B Part 4

SPOT REMOVER EXPERIMENT! Cornerstone Task 1 By Mrs. Cecil & Mr. Hall

Sampling Process in garment industry

Paul Mitchell Schools Esthetics Theory Extra Credit Activities

NEXT GENERATION ASSESSMENT PRACTICE

END-POINT ASSESSMENT GUIDE

How Upfront Labor Costing can affect your Bottom Line. John Stern, Pres, Methods Workshop

Female haircuts Parallel layers

Core French 7. La Nourriture

Extension of Fashion Policy at Purchase of Garment on e-shopping Site

END-POINT ASSESSMENT GUIDE

Image courtesy of Clipso

FASHION DESIGN AND MERCHANDISING

/502 Level 2 Technical Award in Hair and Beauty Studies Theory Exam June 2018

FOR IMMEDIATE RELEASE

COMPETENCIES IN CLOTHING AND TEXTILES NEEDED BY BEGINNING FAMILY AND CONSUMER SCIENCES TEACHERS

Leprechaun. 1 st. Math Goofy Glyph. Common Core aligned Yvonne Crawford. If your answers are wrong, you might make an alien leprechaun!

PERSONAL. Exhibition PROJECT

Lesson Plan: A VIsit To

9AM 4PM, Beijing time. Dandong, Liaoning, China

Framingham State University. Program Assessment Plan for (Fashion Design and Retailing)

A Letter to the Editor of Christian School Education. A Letter to the Editor of Christian School Education Brenda McCullers University of Florida

Her facial analysis revealed that she has a strong chin and jaw line, scoring just below that of Kim Kardashian.

UNIQLO UNIQLO, FUELING CLOTHING INNOVATION

English for Fashion Design Syllabus

SAC S RESPONSE TO THE OECD ALIGNMENT ASSESSMENT

RACQUEL TAYLO R REMNA NT S O N MA IN

Provide UV tanning Unit 312 1

Year 7 Technology Mandatory Textiles Technology Assessment Task 2018

SKANSN11 Plan and provide airbrush designs for nails

Credit value: 10 Guided learning hours: 60

Transcription:

Photo by John O Nolan Standard Benchmarks and Values Cluster: Understand congruence and similarity using physical models, transparencies, or geometry software. 8.G.1: Verify experimentally the properties of rotations, reflections, and translations: a. Lines are taken to lines, and line segments to line segments of the same length. b. Angles are taken to angles of the same measure. c. Parallel lines are taken to parallel lines. 8.G.2: Understand that a two dimensional figure is congruent to another if the second can be obtained from the first by a sequence of rotations, reflections, and translations, given two congruent figures, describe a sequence that exhibits the congruence between them. 8. G.3: Describe the effect of dilations, translations, rotations and reflections on two dimensional figures using coordinates. 8.G.4: Understand that a two dimensional figure is similar to another if the second can be obtained from the first by a sequence of rotations, reflections, translations, and dilations; given two similar two dimensional figures, describe a sequence that exhibits the similarity between them.

TRIBAL TATTOO TRANSFORMATIONS Laura Farris 8th Grade (Adapted for Special Education Students) 1 Week (Three 90 minute periods) Why is it important to learn more about the world around you? How could knowing about measuring tools and techniques help people to learn about cultural diversity? Are there ways that understanding tribal tattooing might help us learn and appreciate more about the world around us? Enduring Understandings Tribal tattoo designs represent deep cultural and religious meaning from around the globe. The designs are often drawn in black and involve certain symbols and characters from different continents. Most tribal Are there ways that understanding tribal tattooing might help students become more introspective about their own heritage and culture? tattoo designs have represented tribal affiliations with specific meanings and beliefs. An excellent website explaining the significance of Hawaiian Tribal Tattoos is http://www.mythichawaii.com/tribal-tattoos.htm. Critical Skills and Concepts Flipping a figure into a mirror image creates a reflection. Sliding a figure without turning or flipping creates a translation. Turning a figure a certain number of degrees creates a rotation. Enlarging or shrinking a figure creates dilation. Ethnomathematics 2

LESSON Authentic Performance Task Create a personalized tribal tattoo using Hawaiian or Polynesian symbols. The student must be able to show and explain reflection, rotation, translation, symmetry and/or dilation in his/her pattern. Authentic Audience School community including other students, parents, teachers, and administration. Other Evidence Precursor skills: Arithmetic Student must be able to: be able to identify basic two-dimensional regular and irregular shapes have knowledge about the Cartesian coordinate system have instruction on transformation movement (slides, turns, flips, and enlarging and reducing Learning Plan Background: For centuries, various arts of tattooing have graced the bodies and satisfied the souls of the aboriginal peoples of Oceania. The vast majority of what we know today about these ancient arts has been passed down through legends, songs, and ritual ceremonies. The roles, techniques and motifs of the arts of tatau, moko, and uhi have continued to exist for over 2,000 years. The oldest of these traditions is in Samoa, and the youngest is in Aotearoa/Te Waipounamu. Hawaiian tattoos are colorful and vibrant, yet they are symbolic and full of meaning. Some design elements that were common throughout Polynesia were linear geometric motifs, petroglyphs, and very basic pictographic representations of men, animals, birds or other man-made objects. Each of the geometric designs, including lines; triangles; circles and other polygonal symbols had multiple meanings based on placement on the body, incorporation with other designs, and the person being tattooed. It was usually up to the master to determine what was appropriate for each person and to then explain the story to that person. In the olden days, you had to deserve tattoos of Hawaiian tradition on your body. While they were sported by most male warriors, some women were given the privilege of possessing Hawaiian tattoos because of their pivotal roles in the community. Apart from tribal designs, environmental and natural styles became synonymous with Hawaiian tattoos. Examples of colorful tattoos of Hawaiian imageries include depictions of exotic flowers, turtles, arrows, sharks, lizards and dolphins. (As referenced by numerous authors at www.pbs.org/skinstories/culture/) 3 Tribal Tattoo Traditions

Preparation 1. Introduce Tribal Tattoo culture with http://www.mythichawaii.com/tribal-tattoos.htm or the above aforementioned website. (There are other good websites also). Have student discussion concerning the information and importance of symbols in their own culture. 2. Have students reflect and fill out Tribal Tattoos Survey: How Would I Represent Myself? worksheet. Plan 1. Students design, construct, share, and explain movements of their chosen tattoo (uhi) designs using the terms rotation, transformation, reflection and dilation. 2. Have students choose two or three Hawaiian or Polynesian designs to combine to make a tattoo design. Encourage students to find the meaning of the tattoo designs and relate it to their own life or experiences. 3. Give students overhead film sheets. Using black permanent markers have students explore how designs may be transformed with above actions and trace the symbols on the overhead projector sheet. As shapes are moved have students explain to partner or adult what type of move (rotation, transformation, reflection and dilation) has been performed. (Note: a copier could be used to create dilations). 4. When student are pleased with their tattoo creation put on the copier (with white paper behind) to make a permanent black/white product. Have students perform for others and explain design and movement of shapes to others. 5. Review rubrics for papers and presentations. Draft, revise and finalize to make more accurate. LESSON Extension After students have created their design have them superimpose the design on an X/Y coordinate graph and record rotation, transformation, reflection and dilation movements using approximate ordered pairs to track a certain point in the design as movements are made. Examples: See the Power Point slides to reference 8th grade student illustrations. Appendices A, B, and C show Tattoo Patterns, Assessment for Critical Skills and Concepts and Scoring Rubric. Ethnomathematics 4

Name: Date: Tribal Tattoos Survey: How Would I Represent Myself? What are some important places for you? What symbols represent these places? What are your favorite hobbies / activities? What symbols represent these activities? What is an animal that represents you? Why? What else is important to you and should be represented in your personal tattoo? What color best represents you? Ideas for a Personal Motto. 5 Tribal Tattoo Traditions

Tattoo Designs APPENDIX A Ethnomathematics 6

APPENDIX A 7 Tribal Tattoo Traditions

Assessment for Critical Skills and Concepts Standard Benchmarks Skills Concepts Assessment 8.G.1 Geometry -Verify experimentally the properties of rotations, reflections, and translations: a. Lines are taken to lines, and line segments to line segments of the same length. b. Angles are taken to angles of the same measure. c. Parallel lines are taken to parallel lines. 8.G.2: Geometry - Understand that a two dimensional figure is congruent to another if the second can be obtained from the first by a sequence of rotations, reflections, and translations, given two congruent figures, describe a sequence that exhibits the congruence between them. 8.G.3 Geometry - Describe the effect of dilations, translations, rotations and reflections on two dimensional figures using coordinates. 8.G.4 Geometry - Understand that a two dimensional figure is similar to another if the second can be obtained from the first by a sequence of rotations, reflections, translations, and dilations; given two similar two dimensional figures, describe a sequence that exhibits the similarity between them. Determining reasonable accuracy of translation, rotation, reflection, and dilation Be able to explain Visual / spatial development Appropriate use of technology Fine motor skills Oral presentation Listening to others transformations Generalizing results into sentences Inferencing results and being able to compare to others results Oral presentation Listening to others transformations Generalizing results into sentences Inferencing results and being able to compare to others results Revising to create quality products that accurately display information Attention to detail Accuracy of calculations of history and tattoo culture Attention to detail Neatness of geometric transformations Collaborative discussion of geometric transformations Attention to detail Neatness Formative feedback from peers and teachers during transformations Formative feedback Accuracy of drawing Transformation drawing project rubric Formative feedback during discussion of all projects Communication skills Formative feedback during discussion of all projects Accuracy of drawing Transformation drawing project rubric Communication skills APPENDIX B Ethnomathematics 8

Rubric for Tattoo Transformations APPENDIX C Demonstrates a thorough understanding of translation, reflection, rotation, and dilation. 4 3 2 1 Well organized with authentic designs and there is acute attention to neatness. Mathematical terms and symbols are used appropriately and are often elaborated upon. Thorough analysis and creativity of the problem with accurate solutions. Demonstrates an understanding of translation, reflection, rotation, and dilation. Organized and most designs are authentic and there is attention to neatness. Mathematical terms and symbols are used appropriately. Analysis of the problem and creativity is evident, considerable accuracy. Demonstrates a partial understanding of translation, reflection, rotation, and dilation. Organization and neatness needs to improve and there are some authentic designs. Some mathematical terms and symbols are used correctly. Analyzes the problem with some success and creativity, accuracy needs to improve. Demonstrates little understanding of translation, reflection, rotation, and dilation. Very weak evidence of organization, authentic designs, and neatness. Mathematical terms and symbol use are weak, not enough references to mathematical terms are used. Very little evidence of analysis. Some educated guesses. Accuracy and creativity is weak. 9 Tribal Tattoo Traditions