Vintage Costume, Textiles, Dolls & Teddy Bears Sale

Vintage Costume, Textiles, Dolls & Teddy Bears Sale Saturday 12 August 2017-10.30am Viewing: Thursday 10 August 9.00am - 5.00pm, Friday 11 August 9.00am - 6.00pm and morning of sale Please note: There is also a large selection of textiles and costume within our Antiques & Interiors Sale on the same day. Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first served basis and are subject to a minimum lot value of 500 in Fine Art Sales and 200 for all other sales. Live bidding is available at: 2000 Late 19th Century German Bisque Head Bride Doll, with fixed blue eyes, painted eyebrows, closed mouth and original blonde wig (a.f.), kid body with composition hands (one lacking), wearing a cream lace trimmed and crochet work dress and cape, with bonnet and attached veil, 35.5cm 50-80 2001 Late 19th Century French Glazed Bisque Shoulder Plate Doll, with fixed brown eyes, scrim body and legs, composition arms, wearing a sequin decorated dress, underclothes, stockings and shoes, 39cm; Another Similar China Doll, with painted features, scrim body and legs, china arms, wearing a black printed pleated bodice, skirt and under clothes, 39cm; Two Composition Dolls (both a.f.); and a Small Wax Head Doll (a.f.) (5) 60-100 2002 Group of Late 19th / Early 20th Century Doll's House Dolls, comprising a Bisque Shoulder Head Bearded Gentleman Doll, with bisque lower limbs, painted features, wearing a cream buttoned waistcoat and green coat, 20cm; Pair of Porcelain Shoulder Head Lady and Gentleman Dolls, bisque lower limbs, painted features, the lady wearing a floral velvet and silk dress and hat, the gentleman lacking legs, wearing a black felt coat and trousers, 16cm; Bisque Shoulder Head Doll, fixed brown eyes, brown fixed wig, soft body, bisque lower limbs (lacking one arm) impressed '10/o' to chest; a Single Bisque Shoulder Head Gentleman Doll Head, with painted features; together with Two Late 19th Century Miniature Bone Stanhope Viewers, one housing an image of country manor house and the other with an image of a gentleman 300-400 2003 A German Armand Marseille Bisque Head Doll, impressed '1894', on a kid leather jointed body with composition lower arms, with sleeping blue eyes and open mouth, wearing a marabou trimmed ruched bonnet over a blonde wig, and a cream lace trimmed cape over a white cotton Christening gown, 50cm 2004 20th Century Small Steiff Teddy Bear, circa 1970's, 23cm high, button behind left ear, embroidered nose; together with Miniature Porcelain Jointed Body Doll, remnants of wig, painted socks and shoes, Two Doll's Parasols; Unopened Rosebud Style Baby Doll; Three Various Needle Cased; Four Pairs of Doll/Baby Shoes, three of leather, one of handmade Irish crochet; and various other items

2005 Late 19th / Early 20th Century Bear on Metal Wheels, straw filled and with boot button eyes, small hump and felt pads to feet, 44cm high by 55cm long, together with a photograph of one of the previous owners, Cedric Elliot Wadsworth (1905-1914) with his bear 200-300 2006 Early 20th Century German Carousel Horse, Attributed to Friedrich Heyn, carved and grey painted wood with horse hair tail, painted red saddle, brass and leather stirrups and leather bridle, mounted on a sprung iron base with additional foot stands, 138cm high, 114cm long 1000-1500 2007 Early 20th Century Grey Painted and Carved Rocking Horse, in the manner of F H Ayres, on trestle base with turned baluster supports and chamfered rocker ends, with red leather and iron tack, the bridle mounted with brass and ribbon rosettes, with horsehair mane and tail, 140cm long, 121cm high 700-1000 2008 20th Century Large Bed Cover, in fine cream cotton lawn, appliquéd in a meandering design with swags inter-spaced with flower heads, the latter also embroidered and with needle lace fillings, deep border to three sides, an under layer attached in a plain fine cotton lawn, likely to be shadow appliqué work from Madeira, possibly for the retailer Marhab, 170cm by 220cm approx (excluding frill); together with an Early 20th Century Large Crochet Bed Cover, alternate panels of foliage and four cherubs, further crochet border to three sides, 308cm by 230cm approx; and a 20th Century Ecru Fine Linen Tablecloth, embellished with a central design and border of Bruges handmade bobbin lace, 270cm by 250cm approx (3) 200-300 2009 Small Machine Quilted Coverlet, shades of raspberry and yellow with raspberry fringed braid border; 19th Century Printed Bed Hanging, designed with birds and foliage, red on cream ground, edged in red braid, backed in cream cotton, probably French; and a 19th Century Printed Cotton Quilt, with central medallion, the reverse with a very faded turquoise, the top in subtle beiges and blues, 241cm by 200cm approx (a.f.) (3) 2010 19th Century Appliqué Cotton Shaped Bedcover, worked at three sides with broderie anglaise, plain hem at top edge, centrally seamed and appliquéd with large red and pale yellow flower sprays, 216cm by 200cm approx 150-250 2011 An Early 19th Century Patchwork and Appliqué Quilt TOP, with central printed medallion depicting Prince of Wales feathers, crowns and 'Honi Soit Qui Mal Y Pense Dieu Et Mon Droit' emblem, graduating borders appliquéd with hearts, flowers and other decorative shapes, most likely celebrating George IV's daughter's marriage to Prince Leopold, 230cm by 213cm approx 300-500 2012 Victorian Patchwork Quilt, with a few later added pieces, designed with vertical stripes at intervals in between which the quilt is pieced in squares on the diagonal, edged with pink floral cottons (a later addition by machine), backed in sturdy cream fabric, 190cm by 360cm approx 2013 Mid-19th Century Block Patchwork Quilt, featuring a central square with pieced triangles, bordered by chintz alternating towards the outer edges, with triangles, squares and chintz panels, backed in cream cotton, mixture of cotton fabrics with the occasional fine wool, edged in red floral cotton added by hand, 172cm by 170cm approx 200-300

2014 1920's Quilted Child's Quilt, Possibly American, with scalloped edging, the off-white ground appliquéd with an unusual design of ballerinas, ballet shoes, wands and crowns in pastel colours, within a pink border of swags and bows, padded, backed with pink and cream cotton and bordered with the same, 204cm by 164cm approx; together with a 19th Century Cream and Pink Quilt, one side with cream centre, cream corners around panels of pink elsewhere, the reverse with pink centre, 212cm by 228cm approx (2) 150-250 2015 Three Peach Bed Covers, Circa 1930's, comprising two matching examples in silk crepe de chine and another; a Matching Pair of Continental Square Pillowcases; Another Pair, with lace trim, probably French, most items embroidered with initials A M D; together with Two Items of 1930's Peach Lace Trimmed Underwear 2015A Circa 1930's Mainly Silk Patchwork Quilt, some later fabrics, diamond shapes, six-point stars, vibrant fabrics both plain and patterned, machine stitched throughout, backed with striped ruby red and cream cotton, 212cm by 136cm approx 2016 Early 20th Century Patchwork Quilt, with the addition of some later and some earlier fabrics, possibly due to alteration, a mixture of diamonds and squares, irregular sized patched throughout, bound with a cream cotton which in itself has been hand quilted in regular lines, however this quilting has not come through to join two layers, edged in turkey red cotton applied by hand, 194cm by 156cm approx 2017 Mid-19th Century Large Patchwork Quilt, large central block of white cotton spotted in red bordered with red and filled with red diamonds, surrounded by four blocks of triangles in pastel colours, mainly small motif Victorian dress fabrics, finished with a final deep border of an overall pink cotton, backed in fine cream cotton and quilted through both layers, 240cm by 212cm approx 300-500 2018 Early 19th Century Very Large Chintz Quilt, pieces together in stripes of varying widths and fabrics, alternating from deep purples to pastel shades, variously including flowers, birds, leaves, backed in cream linen, quilted all over, fans to corners, general waffle design with central circle, 240cm by 240cm approx; together with a tiny Pin Cushion in a Grandmother's flower garden shape, 6.5cm diameter (2) 400-600 2019 Circa 1857 'Crimean Hero' Banqueting Cloth, a linen damask cloth woven to commemorate victory in the Crimean War, edged with a band of portrait medallions depicting Royal Heads of State, Military Commanders, Politicians and others connected with the War, also bearing Royal coats of arms and Turkish Tugrahs, various insignia, emblems, reserves of martial honours and battle honours, manufactured and bearing woven signature of D Dewar & Sons, Dunfermline & London, signed Moffatt, 2/D (in pen), 225cm by 445cm 500-800 2020 Assorted Linen, including Victorian large double cotton Marcella bedspread, quantity of cotton sheets, Damask tablecloth and napkins, 20th century embroidered larger tablecloths, matching napkins etc; together with an Edwardian Large Tape Lace Bedspread; Edwardian Muslin Appliqué on Net Large Bedspread, with central design of flowers and swags in a deep border (in two boxes) 2021 1920's Shiny Thread Bed Cover with Egyptian Scenes and Motifs, a central stylised roundel surround by birds, phoenix, pyramids, figures and Pharaos, three sides with a border of macramé and fringing, in gold, purple, orange, cream, pink, 236cm by 253cm approx(inclusive of fringing) 2022 Late 19th Century Linen Tablecloth, bordered and cornered in crochet with an oak leaf and acorn design, 147cm by 150cm approx; together with Four Other Cloths; Various Mats; and Mid-20th Century Tapestry Evening Bag, with metal frame and chain, box stamped with RFC logo

2023 Circa 1920s Crepe Panel by Raymond Duncan, of rectangular shape, comprising a hand painted design to the central field of grid form in yellow ochre, of what appears to be mountains in green and white, interspersed with trees, within a classical style striped border of blues and pink, and darker pink/brown trim, signed in capitals, 98cm by 200cm 600-800 2027 William IV Sampler by Elizabeth Allen, Dated 1832, with central verse within a foliate border, amongst decorative trees and baskets of flowers, worked in silk threads in cross stitch mainly in green, browns and creams, in a later frame, 39cm by 45cm 2024 Early 19th Century Cream Silk Pin Cushion, "God blefs the Babe Jani 4 1809" (sic), the underside decorated with a central design of a flower basket bordered with foliage, 17cm by 13cm; together with a Later Cream Silk Pin Cushion, embroidered with flowers and edged in lace, 22cm by 7cm 2025 First Half 19th Century Cotton Baby Bonnet, the crown sporting a hollie point needle lace circular insertion, with a design of flower basket and flowers, the remainder of bonnet piped, three hand lace frills surrounding the face and one frill to back of neck, fine draw thread contained within three rows of piping; together with a Late 17th / Early 19th Century Cream Point de Venise Needle Point Collar, several areas of raised work and intricate needle lace fillings (2) 2026 Late 19th / Early 20th Century Padded Night Dress Case, the interior of quilted eau de Nil silk, the exterior of a fine white cotton lawn embroidered in white with a central seam of an Alpine chalet with a flower garden, tie ribbon fastening; together with Matching Draw String Vanity Bag; and a Similar Glove / Handkerchief Case, in eau de Nil silk, the cotton front panel finely embroidered with two flower baskets and swags of flowers, tie ribbon fastening (all three possibly from St. Gall, Switzerland); together with Three White Baby Bonnets, each with Ayrshire embroidered crowns, one with front frills and gathers over the head, a simplistic embroidered example and a third example with piping and white embroidery; Two 1920's Crochet Baby Bonnets; a Quantity of Lace, comprising a narrow Carrickmacross tie, muslin appliqué tie, tape lace Bertha, length of Bruges bobbin flower lace, deep bobbin lace collar, pair of Carrickmacross lace cuffs, two pairs of crochet cuffs and Edwardian crochet jabot 2028 Assorted School Sewing Samplers, showing various stitches, alphabets, needlework techniques, comprising seven similar examples from late 19th century up to 1914, including one example signed "H.A.B 4th Year 1894" 2029 Unframed Alphabet Sampler, Dated 1815, by Mary Lingard, worked with a verse, animal and tree; together with an Unfinished Unframed Alphabet Sampler, probably European, worked in red on wool tabby, featuring a bead work flower basket to bottom left hand corner; and a Cream Linen Panel, featuring sewing stitches and techniques, dated 1866 (3) 2030 Twenty Assorted Unframed Samplers and Embroidered Pictures, mainly worked in wool, some unfinished and undated, including an example by Martha Verdier, dated 1881; a further example by Elizabeth Whittaker, dated 1802; dated examples ranging from 1805-1933 180-250 2031 Seven Mid-Late 19th Century Unframed Mainly Woolwork Samplers, together with a Round Berlin Woolwork Stool Panel, depicting birds; a Nightie Case, embroidered with pixies; a Drawstring Reticule, embroidered with flowers; and a Mid-19th Century Cotton Bag, embroidered in turquoise and beige silks 2032 Quantity of Late 19th to Early 20th Century School Sewing and Embroidery Samples, including a French crochet sample book dated 1889; three further sewing sample books from 20th century; sample of darning and buttonhole work dated 1880; and eight other items

2033 Long Samplers Dating From 1888-1903, including a European white work and lace piece by A Wilder, dated 1888; two further examples likely to be slightly later; a sample of knitting and darning in red and cream wools, circa 1880's; a long knitted sampler piece; together with eleven other items 2034 A Victorian Sampler Picture Worked by Elizabeth Sarah Lambourn, Dated Dec 1848, with religious verse titled 'God in All', featuring a central image of a young girl in rural landscape, within a foliate border, worked in silk threads in cross stitch, in a burr walnut frame, 42cm by 48cm 2035 George III Needlework Map of Britain, dated 1807, worked on a heavy linen in black threads, showing counties in England, Wales, part of Scotland, the English Channel and coast of France, 47cm by 53cm, framed and glazed 2036 18th Century Fine Yellow Silk Open Robe and Matching Petticoat, Circa 1770-1780, woven with floral sprays, trimmed with pleated silk, three tiers of bobbin lace to each cuff and with matching lace around collar 800-1200 2037 18th Century à la Polonaise Floral Printed Silk Robe, Circa 1770-1780, printed in vibrant blues, greens and pinks upon a cream ground, the elbow length sleeves and hem fringed in similar colours, pleated silk panels decorating the front, bottom border and repeated on sleeves, with interior waist level ties and tapes 300-500 2038 18th Century Turquoise à la Polonaise Plain Silk Gown, Circa 1770-1780, lacks petticoat, bodice and sleeves lined in cream linen, tapes to waist attaching to centre rear skirt creating Polonaise form, elbow length sleeves 600-800 2039 18th Century Cream Silk Open Robe and Matching Petticoat FRONT, Circa 1780-1800, woven with red floral sprays, the petticoat with later added back panel, the elbow length sleeves edged in red silk, pointed front to bodice 800-1200 2040 Gentleman's 18th Century Long Embroidered Cream Silk Waistcoat FRONTS, embroidered with flowers and foliage, flap pockets, partial collar, front button fastening, lined in cream silk; together with a Gentleman's Waistcoat of Salmon and Brown Vertically Striped Silk, Circa 1790-1800, stand up collar, welted pockets and borders of a woven silk ribbon, front buttoning with two rows of twelve buttons, back panel double layers of coarse cream linen with draw cords at waist and lower levels, lining bears hand written label attributing ownership to P?. Papillon Esq. Crowhurst Park Sussex, hand sewn; a Gentleman's 19th Century Short Waistcoat, of purple woven silk with silver flowers and foliage, backed with brown cotton, lacing at waist level, interior lining of cream cotton throughout; and a Pair of Possibly 18th Century Gentleman's Cream Silk Satin Breeches, buttoning and small pocket to waistband, centre front drop down panel, draw cord to centre back, draw strings at knees, appliquéd with ruched silk ovals bordered with cerise pink silk velvet (4) 140-180 2041 18th Century Candy Pink Quilted Petticoat, lacking drawstring, quilted with mainly foliate designs including stars, cream linen interior 2042 18th Century Mid Blue Silk Quilted Petticoat, lacking drawstring, quilting of regular repeat nature pattern until bottom third of skirt quilted with tulips and undulating foliage, lined in cream linen; and another 18th Century eau de Nil Silk Quilted Petticoat, design of flowers and leaves, applied cream silk waistband (probably later), cream linen lining

2043 18th Century Fitted Silk Jacket, pale eau de Nil stripes alternating with woven floral stripes of cream and biscuit, front buttons present and with needlework coverings, small stand up collar, shaped sleeves with turned back cuffs, inside of the cuffs lines with cream silk and sleeves lines with light brown silk as is the body of the jacket, internal waistband of silk woven in gilt thread with the name "Madame S?imon **** Quay Masset ***", the rear skirt to jacket open at centre with pleats to each side, two further matching buttons 200-300 2044 Ladies Cream Silk Embroidered Waistcoat, Circa 1790, the embroidery decorating the pointed lapels, front of bodice and hemline, button front with six buttons to each side, inserted gussets to waist to follow the shape of the female form, the vibrant multicoloured embroidery mainly worked in silk thread with the addition of silk ribbon work, back panel and lining in heavy cream linen, centre back final two inches left open to allow for shaping 300-500 2045 Late 18th Century European Cerise Woven Silk Bonnet, adorned with metallic trimming, cotton ties to the back allowing a pleated shape, forming a closer fit to back of head, coarse linen interior (lacking original lining), bound in turquoise silk; together with another Late 18th Century European Woven Silk Bonnet, with gilt trimming, interior fabric with a coarse checkered linen in raspberry and cream, edged with pale pink silk, tapes to back of neck to gather into loose pleats 2046 Late 18th Century Aqua Silk Calash Bonnet, several tiers of ruching towards a flat rear panel, gathered at the neck with a silk ribbon, plain fabric to shield back of the neck, lined in dark cream silk throughout; and a Similar Black Silk Example, with shorter neck frill, ruching to rear panel, additional bobbin lace to front, lined in pink silk (2) 2047 Late 18th Century Silk Jacket, woven with stripes and floral sprays upon a salmon ground, long sleeves, pleated silk trim to front and hem with additional tiny silk floral detail, the fitted back with repeated deep pleats to lower section 250-350 2048 Late 18th Century Cream Silk Bodice, woven with alternating raspberry stripes, flowers and diamond shapes, lined in cream linen, centre front fastening with internal tape panel at each side with hand finished holes (presumably to allow for lacing); together with an 18th Century Damask Cream Silk Apron, pleated at waist, tie waist in cotton, lined in fine linen 2049 Late 18th Century Cream Fine Wool Hood, with black spots, plain cream lining, pleated trim to all edges with additional frill to front of crown, with central cording on frill; and a Late 18th Century Thin Brown Silk Calash Bonnet, with short neck frill, central back panel pleated trimmed with ribbon bow, pleated frill around front edge (2) 2050 Early 19th Century Dark Lavender Silk Bonnet, pleated around the neck, quilted elsewhere, head section lined in glazed brown cotton, remaining section lined in pale mustard silk with matching tied, with a pleated silk interior trim 2051 Printed Cotton Day Dress, Circa 1820's-1830's possibly maternity, the long straight sleeves with gathered puffs at shoulders, same fabric piping and detail to cuffs, hem of double scalloped edge frills and with identical frilling to neckline and front of bodice, printed cotton paisley design on a strong cerise background, boteh of cream, cerise and green 400-600 2052 Early 19th Century Small Folding Carriage Parasol, cream needle lace cover lined with turquoise blue silk and further lining of cream silk, with ivory handle and finial, and cream silk tassel Ex Castle Howard Sale, 2002

2053 Circa 1820's French Woven Wool Shawl, bearing fabric label stitched to reverse "15856.1820", possibly an old museum collection label 2054 Assorted 19th Century Bodice Tops, including a circa 1830's white cotton example; a circa 1850's bodice and flounce; a further similar bodice; together with a Child's Cotton Dress, Circa 1820-1830 2055 Pair of Early 19th Century Cream Silk Flat Slippers, together with a Pair of Mid-19th Century Black Silk Flat Slippers, with pleated ribbon trim and rosette to front (2) 2056 Early 19th Century Cream Gauze Evening Gown, with three rows of applied padded trim to match a slightly later bodice, lower part of gauze skirt embroidered in a leaf design with the addition of ruched net to very bottom, extensive gathering into cream silk satin bodice, partially lined in a fine white cotton, with puff sleeves and piped trim 2057 Pair of Ladies Cream Grosgrain Heeled Ankle Boots, Circa 1830-1850, with side lacing and fabric rosettes on the upper front, known as "Adelaides" (named after the Queen Consort of King William IV), glazed cream cotton lining, inner silk panel behind the lacing for wearer's comfort, unlabelled, heel height 2.5cm 2058 Pair of Ladies Glacé Kid Flat Slippers, Circa 1820's-1830's, finely embroidered with cornucopia and flowers upon chestnut ground, bound in red silk, unlabelled 180-250 2059 19th Century Pale Pink Silk Day Dress With Matching Shoulder Cape, Circa 1830-1835, woven with repeat pattern in cherry and yellow alternating with stripes, the upper sleeves gathered on shoulders to produce volume narrowing from elbow to cuff, pleats to the front bodice and piping to shoulders and sleeves, rear ties as waistline, hooks and eyes fastening on bodice; the cape lined in varying cream fabrics 250-350 2060 Girls Swiss Red Silk Poke Bonnet, Circa 1840's, interior bearing paper hand written label attributing origin to St. Gallen or Appunzell, Switzerland, with further woven silk label (probably the retailer) for Leopold Ykle?, interior lined with floral cotton, crown decorated with floral woven ribbon, the bonnet tied and decorated with red silk ribbon 2061 Four Pairs of 19th Century Shoes, comprising a pair of 19th century ladies side lacing cream silk boots, circa 1840's; a pair of ladies cream silk low heel shoes; a pair of girl's cream silk shoes and similar pair in a darker shade (all a.f.) (4) 2062 Pair of Ladies 19th Century Heeled Slippers in Black Glacé Kid, 1855-1865, possibly by Mayer Paris, cut work detail to the toes through which blue coloured silk is visible, outlined with machine embroidery, the heel 2.5cm high approx, interior part lined in cream leather kid 2063 Pair of Ladies 19th Century Heeled Slippers in Black Glacé Kid, 1855-1865, possibly by Mayer Paris, cut work detail to the toes through which pink coloured silk is visible, outlined with machine embroidery, the heel 2.5cm high approx, interior part lined in cream leather kid

2064 Pair of Mid-19th Century Ladies Berlin Woolwork Flat Fronted Slippers, lined and edged in dark green silk, pink, orange and white roses, pansies and other flowers upon cream ground 2068 Pair of Girl's 19th Century Black Leather Flat Slippers, one pair bearing 'Droit' and 'Gauche' to distinguish one from the other, lined in cream kid; and a Slightly Later Pair in Aubergine Leather, lined in cream kid, bearing an illegible printed label on inner sole 2065 Pair of Mid-19th Century Gentleman's Slippers, navy blue wool embroidered with multicoloured flowers and foliage, edged in dark green velvet 2066 Pair of Ladies Woven Silk Low Heeled Flat Fronted Shoes, Circa 1855-1870, brocade silk in cream, gold and blue, lined in cream kid, bearing printed retailers label to sole "Gundry & Sons Makers to the Queen, The Princess of Wales and The Royal Family, Soho Square, London", button fastening bar across instep with turquoise painted metal button, strap adorned with plain blue and patterns silk rosette with further rosette on the toes, heel height 2cm 2067 Girl's Mid-19th Century Cerise Short Sleeved Dress, with two frills to skirt, front gather to bodice, made with fine wool, some parts lined in cream glazed cotton; Mid-19th Century eau de Nil Silk Dress, front buttoning, trimmed with dark purple velvet, covered silk buttons, bobbin lace edging to neck and a different lace to sleeves; Girl's Sprigged Cream Cotton Short Sleeved Day Dress and Sun Bonnet, bearing hand written label attributing the date of 1858, broderie anglaise trim to neck and sleeves; a Child's Mid-19th Century Black Velvet Jacket, with long sleeves, edged in red silk, metal buttons and brown glazed cotton lining; together with Four Ladies 19th Century Reticules, of various sizes; Checked Beige and Lilac Silk Apron, with tassel tie cord and decoration to front pockets; Late 19th Century Cream and Beige Apron, with crochet borders (10) 2069 Mid-19th Century Lilac Quilted Heavy Weight Petticoat, cream and chocolate brown pattern interior, main quilting to bottom third of garment edged in a coarse dark cream tape matching the tape gathering at the waist; 19th Century Plain Dark Lavender Taffeta Silk Skirt, tape ties to each side, cream cotton waistband; and a Tiered White Cotton Summer Petticoat, printed with grey square designs, tie gathering for waist, fastening to centre back (3) 2070 Mid-19th Century French Square Woven Shawl, bearing the woven initials 'FM' in all four corners, Fortier & Maillard circa 1860's, woven in stripes of muted colours of olive, red, black, turquoise and cream 2071 Mid-19th Century Red Wool Square Delhi Fold-Over Shawl, embroidered in cream floss silk; together with a 20th Century Indian Embroidered Red Wool Shawl/Stole (2) 60-100 2072 Mid-19th Century Finely Woven Cashmere Cream Centred Wool Shawl, edged at two sides with multicoloured wool sections, each embroidered with a different design, the central panel of fine wool with four very finely detailed cream roundels at each corner, the outer pieced panels in strong orange, lilac, green and yellow and variously designed with roundels, boteh with a meandering outer border, 186cm by 200cm; together with a 19th Century Indian Wool Shawl, red ground embroidered throughout in green, yellow, cream and turquoise, the central square panel with decorative motif to centre, the four corners bearing large boteh, the deep outer border with a regular design of boteh interspersed with finely worked and floral forms, two ends with the addition of wool borders in various colours, 194cm by 176cm (2) 500-700

2073 19th Century Small Gentleman's Two Piece Harlequin Suit, fine wool with silk appliqué, the latter in shades of gold and bronze, embellished with sequins and gold coloured braid, concealed button back fastening, bearing label 'Academy of Dramatic Art', a hand stitched construction 2074 Silk Costume, Circa 1855-1865, comprising blue and white striped silk bodice and matching tiered skirt, frills to the short sleeves, rear fastening and pointed front; and a candy pink silk taffeta pelerine, with scallop edges to frills and borders 2078 19th Century Woven Long Shawl, two central panels with cream ground with foliate design 2079 Pair of Gentleman's 19th Century Red Mules, with metal thread embroidery on fronts; a Pair of Ladies 19th Century Low Heeled Velvet Shoes, with metal thread embroidery and metal brain; together with a Similar Pair for a Girl (3) 2080 19th Century Printed Paisley Long Shawl, in shades of cream, lilac and red, the central panel of regular design with deep border 2075 Mid-19th Century Folding Parasol, wooden handle, brown/black cover with design of paisley boteh and geometric shapes fringed in black, unlined; Smaller Black Folding Parasol, of similar period, with deep black fringes, tassels and closure loop to exterior, ivory simulated rootwood handle; together with a Female Ostrich Feather Fan, Circa 1890-1900; and a Child's Cream Feather Fan, with resin sticks (4) 2076 Circa 1860's Cream Fitted Wedding Dress, with long shaped over sleeves covering a fitted inner sleeve, edged with cream silk bobbled braid, plain front fastening bodice, silk ribbons to sides of skirt, some cream and green leafed additional trim from waist to hem centre front, the train of spectacular length, skirt fully lined with cream gauze, internal small lace up corset effect bodice; together with an Edwardian Silk Fitted Bodice, decorated with machine lace, chiffon to neckline, internal silk waist belt bearing the woven name G & E Spitzern, Vienne 12 Karnthnefrin (2) 2081 Quantity of Early to Late 19th Century Children's Garments, including bodices and undergarments, together with a pair of leather gloves and a pair of gold colour 1920's shoes 2082 Late 19th Century Swiss Costume Hat, of cotton, net and straw work of unusual shape, likely to be traditional costume; together with a Later Black Velvet Hat, bearing label of Rudolph Baur, Innsbruck; and with a Linen Hat, attached label attributing to Hope Hamilton, Sundrum Castle, circa 1890 (3) 2083 Coat fashioned from a 19th Century Woven Paisley Shawl, woven in shades of olive green, red and turquoise, lined with later printed cotton fabric of Arabian influence, side fastening with large painted wooden buttons, probably styled in 1920's 2077 Pair of Girls 19th Century Black Glacé Kid Flat Slippers, lined in cream kid and with a small rosette to the front, and a Pair of Girls Later Low Heeled Brown Suede Shoes, with ties to front and lined cream kid

2084 1880's Long Sleeved eau de Nil Grosgrain Trained Dress, trimmed with a dark purple velvet around the neck, cuffs and pockets, front buttoning to hem with large buttons covered in the same velvet, cream lining; Edwardian Grey Silk Bodice and Matching Skirt, the bodice with front lapels, inner panel with coloured buttons and lace jabot effect high neck, contrasting lighter silk trim, the skirt with applied deep frill and covered button detail, hook and eye fastening to waistband; and Alma Greiff of Malmo Ladies Heavyweight Black Coat and Skirt, with cream flannel petticoat trimmed with machine lace (4) 2085 Late 18th / Early 19th Century Childs Blue Silk Bonnet, embroidered in pink, cream, yellow and black; together with another Similar of Cream Silk, embroidered in shades of blue, lilac and bronze silks, both with cotton ties to back of neck 2086 19th Century Black Lace Folding Parasol, double lined in cream silk with honey silk, wooden upper handle, the lower part in deeply carved ivory, silk tassel to finial; together with Three 19th Century Enamel Shoe Buckles, in navy and turquoise on white metal, stamped "France" inside; a Circa 1860's Hand Sewn Wide Silk Sash, in purple and raspberry, lined in glazed cotton, silk fringe at each end, cotton ties at intervals for attachment, detail in applied ribbon at each end; Black Machine Lace Scarf/Lappet, and a Handmade Black Lace Flounce (7) 2087 Late 19th Century Soft Green Velvet Bag, decorated in the Art Nouveau style with silver and gold coloured metal beads, on a deep gilt metal frame with top depress opening and a long gilt metal chain; a Late 19th Century Loom Woven Bag, with floral design borne on an elegant metal frame with moulded beading and swags, twist to open and a link chain; Another Late 19th Century Bag, of vibrant design in many colours, on a gilt metal frame with depress opener and blue, red and white enamelling, two blue beads or stones embellishing the top and front, metal chain; together with a Small Quilted Silk Wallet/Letter Case, in blue and ivory silk; and a Mid-19th Century Handmade Drawstring Reticule, in red and yellow cotton, finished at the upper edge with crochet (5) 2088 Quantity of 19th Century and Later Assorted Knitted Items, including children's bonnets, socks etc, together with an earlier lace bonnet with pink ribbon trim 2089 Assorted Victorian Children's Clothing, including white dresses and underwear, together with a further later child's dress with coloured trim 2090 Dark Lavender Suede Heeled Shoes, Circa 1900, lined in cream kid, white metal buckle decorating the tongues, in period French shoebox 2091 Quantity of Late 19th / Early 20th Century Children's Garments, mainly knitted, including bonnets, socks, dresses

2092 Edwardian Cream Tape Lace and Net Skirt Panel, embellished within the net with pink roses and green foliage in silk ribbon work; further Edwardian Cream Tape Lace and Chiffon Skirt, trained to rear; Edwardian Tape Lace Part Skirt; Edwardian Cream Chiffon Skirt and Two Matching Fragments, decorated with a tape of tiny gold coloured sequins (also scattered on front) and florettes in pink, green and lemon embroidery silk, Point De Beauvais; together with a 19th Century Embroidered Net Ladies Cap, starched and pleated front detail and tied at neck; and two Girl's Blue Silk Cotton Dresses, probably 1920's front smocked in pink, lilac and green, small collar (all contained within cream suitcase) 2093 Edwardian Two Piece Pale Green Silk Costume, trimmed with black lace comprising a fitted high neck bodice and full skirt tiered at the hem, part lined in brown glazed cotton; an Edwardian Fitted Grosgrain Bodice, trimmed with lace and black beading, sash to waist; an Edwardian Bodice, black laced overlaid on a cream ground, with machine rose embroidery (a.f.); a Edwardian Powder Blue Bodice, embellished with blue and yellow silk embroidery to back and front, the high neck panel and ends of sleeves in cream crochet; another Edwardian Taupe Satin Bodice, with machine lace ruched sleeves; an Edwardian Cream Silk Lace Blouse, sleeves and shoulders with cream machine lace panels; Pair of Cream Leather Gloves; a Jet Bead Bracelet; and a Mid-19th Century Black Silk Folding Parasol, with long fringes and a wooden shaft 180-250 2094 Early 20th Century "A.R.C Canteen Red Cross Worker" Navy and White Striped Cotton Dress and Blue Cotton Hat, both bearing woven labels with the Red Cross; together with a Full Length Cream Cotton Pleated Apron, front panel with straps over shoulder and button to rear (2) 2095 1920's Cream Cotton Gauze Long Sleeved Coat, densely beaded with flowers in dull gold coloured metal beads which continue in a panel to verso and both sleeves, complimented by clear bugle beads and all other areas applied with longer and slightly darker bugle beads, the dull gold beads provide a narrow border to hems and body of sleeves, no lining 300-500 2096 1920's Tomato Red Silk Coat, the fabric woven in a floral design in various colours, likely much earlier the style of garment, long sleeves, plain neck, lined in thin patterned cotton of the 1920's period; together with a Child's Late 19th Century Chinese Silk Embroidered Jacket, purple damask silk, later bordered in machine stitched purple ribbon depicting butterflies and flowers, neck and sleeves trimmed with embroidered panels in blue silk on cream, depicting crabs, fish and figures, lined in cream cotton (2) 2097 Circa 1920's Crepe Tunic Top by Raymond Duncan, on a pink crepe with a notch neck and back, sleeveless, hand decorated with classical style friezes of floral motifs and birds, within two coloured borders, decoration repeated to the reverse, signed in capitals to the bottom corner, 55cm wide, 56cm shoulder to hem 400-600 2098 Ladies 1920's Cream Coat, made from one/two Azute shawls, silver on cream, upper bodice densely decorated with the metal, the waist downwards decorated in bands of geometric designs, sleeves are likely to have been made from a second shawl, lined in cream silk, small collar and wide sleeves Provenance: The Henning Thorsen Collection, 2014, Kerry Taylor Auctions 300-500

2099 1920's Chinese eau de Nil Embroidered Fringed Shawl, 234cm by 57cm; an Embroidered Wall Hanging, Circa 1900, of floral design in subtle yellows, pinks and green; together with a hat stand, belts, embroidered laundry bags, fur, 19th century fan leaf and 1920's fan (both a.f.), and some handmade Normandy and other lace mats 2100 1920's Full Length Evening Dress, the bodice to waist of black lamé with gold yellow, pink floral design, the skirt of black net appliquéd with flowers of the same fabric, the second layer scalloped at the hem, cap sleeves, side fastening, full length detachable lightweight silk petticoat; a 1920's Panne Velvet Long Sleeved Deep Shawl Collared Coat, the sleeves with ruching at the elbow, the coat lined in a eau de Nil silk; and a 1920's Deep Net Cape of Silver Coloured Sequins, graduating to gunmetal grey, points and front and rear to waist level (3) 2101 Pair of 1920's Gold Coloured Leather T-Bar Evening Shoes, with diamante buckle, cut out design to front and sides, retailed Daniel Neal, Portland Sq. London; together with Pair of 1920's Norvic Lame Fabric Heeled Shoes, style number N283045860, lined in cream kid, black background with hints of red, yellow and cream in a floral design (2) 2104 1920's Lamé Shawl, floral design in vibrant shades of graduating pinks, lilacs and gold on black ground, long black fringing to all four sides, 120cm by 85cm (excluding fringe) 180-250 2105 Early 20th Century Gold Lamé and Gold Lace Wedding / Court Presentation Train, Circa 1920's, large panels of lamé alternating with lace of a floral design, backed with a champagne chiffon, 75cm by 284cm 200-300 2106 1920's Black Sequin and French Jet Decorated Flapper Dress, with jet embellished tassel mounts to top of thigh slits and bead trimmed zig-zag hem 180-250 2107 1920's Black Net Skull Cap, embellished all over with silver coloured sequins; Another Silver Coloured Net Example, with larger silver coloured sequins; a Black Sequin Evening Bag with metal frame and chain, labelled "Made in France"; together with a Black and Silver Coloured Sequin Clutch Bag with button closure; Three French 1920's Silk and Felt Pictures, (unused, still wrapped and labelled A Reaumur, Paris) possibly cushion centres, depicting Harlequin and Colombine (7) 2102 Mid-1920's Royal Blue Chiffon Dress, with an under layer of silk to which is attached to chiffon skirt panel with a separate over tunic of the same blue chiffon, woven with a ribbon design of gold thread and printed with cream and yellow flowers 2103 1920's Black Velvet Evening Coat, with side fastening, long sleeves with turned back cuffs, the whole densely embroidered with a foliate design in gold and bronze threads, the back centrally adorned with an embroidered triangle and large flower heads, the deep border decorated with geometric embroidery 250-350 2108 1920's Cream Chiffon Long Sleeved Flapper Dress, with grey meandering stitching framing a pleated panel to the front and ruched shoulders (with dust cover); together with Another 1920's Cream Dress, with copper coloured bugle beads decorating the hem and split sleeves (2) 2109 1920's Vibrant Cherry Velvet Opera Cape, stand up ruched padded collar, further tie detail hanging down from behind shoulders, lined in a heavy cherry silk

2110 Assorted 1920's and Later Hats, comprising 1920's cerise straw and black sequinned cloche; 1930's strawberry straw hat; 1950's blue felt cap with diamante trim; and two others; together with a pair of 1960's mid pink court shoes (7) 2111 A 1920's/30's Black Beaded Net Long Jacket, embroidered with gun metal beads in paisley and spiral patterns around the trim, roundels of beads overall 100-200 2112 1920's Large Brussels Tape Lace Cathedral Length Wedding Veil, with tape lace floral edges, central panel from shoulders leading to larger flower spray on centre back, 170cm by 290cm approx; together with a Carven, Paris Cream Satin Wedding Dress, Circa 1960's; and a 20th Century Blue Silk Kimono, printed with foliage and berries, with deep sleeves and lined in pale blue silk (3) 2113 1920's Navy Blue Silk Crepe De Chine Sleeveless Day Dress with Matching Long Sleeved Jacket, embroidered around neck, small collar and hem in green, orange turquoise, and lilac, with two matching tassels, the jacket with similar embroidery to hem, front and sleeves; a Similar Shawl with different colour embroidery; together with a 1920's Blue Chiffon Long Sleeved Drop Waist Dress, tape lace work to neckline, attached cape to rear of dress, chiffon tie to rear neck and back of waist (4) 2114 1920's Assuit Shawl, white with silver coloured metal, geometric design, also known as an Azute shawl, a marriage shawl, an Egyptian shawl and a Money shawl, the latter in respect of the value of the silver metal contained in the design; together with Two Blue Mid-1920's Straw Cloche Hats (unused), bearing the French, (Paris) shop labels; a 1940's Navy Blue Straw Hat with unusual crown; and a Black Straw and Nylon Net Hat, bound in black velvet, probably 1950's (5) 2115 Assorted 1920's and Later Hats, comprising a 1920's straw light brown cloche; grey straw cloche; French lilac and green straw hat with lilac net; and five others 2116 1930's Plumb Chiffon Long Sleeved Dress and Matching Chiffon Coat, narrow pleated detail to front, skirt and sleeves of dress, detail to back of neck, the jacket with matching pleating to bottom third, with a separate chiffon tie belt and a plumb silk underskirt and a further tomato red full silk petticoat trimmed with metallic ribbon, likely 1920's (4) 2117 1930's Black Silk Shoulder Cape, with attractive cut work on shoulders, front of garment and back panel exposing a lilac silk lining, pussy bow attached to a small collar; together with a 1940's Full Length Black Crepe and Taffeta Elbow Length Sleeve Dress, front buttoning, the shawl collar and upper skirt in black taffeta, the black buttons with diamante detail, skirt ruched to one side and trimmed with a red velvet corsage (2) 2118 Bourne & Hollingsworth Long Black Panne Velvet Coat, Circa 1930's, long sleeves, covered buttons to front, small collar, gather to shoulders, lined in black silk; together with a 1920's Black Velvet Padded Shawl Collared Opera Coat, lined in lilac fabric with a geometric self colour design; an Early 20th Century Black Silk Long Sleeved Dress, with small pink and turquoise printed motifs, small scalloped collar, overlapping front fastening, lined in black cotton; Pair of Nalla Blue Velvet Trousers and Matching Waistcoat, Circa 1920's and later; Nalla Bouclé Wool Hat, lined in candy pink together with a sash of the same pink material; 1920's Pale Pink Silk Chiffon Long Sleeved Dress, chemical cream lace collar and matching cuffs, the skirt elaborately pleated and ruched with a deep chiffon belt to waistline; Black Sequin on Net Dress Trimming, and a Jean Muir Black Long Sleeved Dress, viscose and rayon, shaped over skirt attached at waist (9)

2119 Assorted Lightweight Straw Hats, mainly 1930's and 1940's, some embellished with flowers or feathers (9) 2120 1930's Full Length Black Evening Dress and Matching Bolero Jacket, of a silk like fabric embroidered with small pastel flowers, the dress with cap sleeves, hook and eye fastening to side, a deep frill to last third of skirt in plain fabric, the jacket with embroidered collar; 1940's Handa Black Long Jacket, slightly longer at rear, with lapel front, metal and diamante decorated waist fastening, ruched shoulders, lined in pink cotton; and a 1940's/1950's Taupe Crepe Dress, with elbow length sleeves, satin silk trim to waist in different shade and covered buttons, lined in coffee coloured fabric (3) 2121 1940's John Selby Full Length Evening Dress, floral design of eau de Nil background printed with large flowers in shades of blue, lilac, purple with green foliage, peplum to waist, drape fabric to centre front, side zip fastening; 1950's Harrods Ltd London Dress, in iridescent mauve fabric, the skirt with additional fabric attached to waistband forming drapes, shawl collar with large bow to neckline, side zip fastening; and a 1950's Black Beaver Lamb Sleeveless Shoulder Shrug, lined in black silk and fastened with a taupe mink covered button (3) 2122 Quantity of Assorted Shawls, comprising mid-19th century square striped woven wool shawl (a.f.); mid-19th century square olive green centred woven wool shawl (a.f.); Indian cream centred long shawl with embroidered details to border and corners (a.f.); fine cream wool printed square shawl with shades of pink and blue (a.f.); plain black rectangular fringed wool shawl; together with an Early 20th Century Panel of Silks Depicting Various Subjects including flags, sport, ceramics, historical person edges, heraldry etc, joined with feather stitched embroidery; and Four Velvet Scrolls, painted with floral designs (10) 2123 Ladies Assorted 20th Century and Later Costume; comprising a Louis Féraud grey wool two piece skirt and jacket; an Edna Lloyd Smith brown wool blazer; a Riggane cream blazer; a Ellen Marbella light blue suede double breasted jacket; a Samuels blue two piece skirt and jacket; a Margaret Crosby olive green silk chiffon dress with frill to sleeve and neckline; a Sutin peach brocade A-line dress with bow to waist; a Sutin blue overlay dress with pink trimmed bodice beneath; a Jean Varon brown check and floral pattern two piece, a multi pleated skirt and jacket with multi pleated collar; a Clisoda black A-line skirt; a Louis Féraud yellow pencil skirt with side button detail; an Andre Peters blue jacket with peach trim and waist belt; a light pink, three quarter sleeved coat embroidered with paisley boteh; a teal strapless evening gown with metallic thread floral embroidery to the lower skirt; a pink ruched and pleated evening gown; together with a 1930's peach satin full length nightgown with fine lace and floral embroidery to the neckline, a 1930's white satin night dress with button fastening to gusset and a appliqué floral design to chest; and a pair of white ladies gloves (17) 150-250 2124 Black Mink Long Coat, with decorative ribbon cord and beaded buttons, the lining embroidered Herbert Duncan, London, 36'' bust, 40'' shoulder to hem, 12.5'' underarm to cuff 2125 Cream French Lop Rabbit Fur Long Coat, with light brown markings, attached fur band to verso and turn-back cuffs, 32'' bust, 35'' shoulder to hem, 15'' underarm to cuff; together with a White Angora Rabbit Fur Stole (2) 60-100 2126 Brown Ranch Mink Coat, with fur belt and decorative buckle, side pockets 150-250 2127 Dysons Furriers Ltd Leeds Short Mink Jacket 100-200

2128 Beulah, London Pale Duck Egg Silk Dress, long sleeves with multi pleat and buttoned cuffs, the same multi pleats to shoulders, zip fastening to back and button detail to front with waist tie; a Silk Street For Susan Small Navy Blue Silk Two Piece, the skirt with quilted effect to the waistband and black cord trim and hip ties, the quilted bolero jacket with black cord trim and fastening; together with a 1940's and Later Grey Iridescent Striped and Checked Sleeveless Dress, with red velvet trim to neckline, waist tie and frill at hem (3) 60-100 2131 Ladies Assorted 20th/21st Century Designer Clothing, comprising an Alexander McQueen black, white and silver woven pencil skirt; a Gucci beige cotton blazer jacket; a Moschino Cheap and Chic black evening dress with bow detail to waist; a pair of Dolce and Gabbana black wool trousers; an Emporio Armani purple A-line skirt; a Jaeger black silk V-neck evening dress with pockets and cross back; A Karl Lagerfeld green and cream dog-tooth wool two piece pencil skirt and jacket; and a Gucci black two piece skirt and blazer (8) 2129 Assorted 1950's and Later Ladies Dresses, comprising a Gay Deb brown and white floral cotton tea dress with matching waist belt; a Horrockses white A-line dress printed with stripes of flowers; another Horrockses cream cotton dress printed with poppies; a Horrockses black and white button down dress with puffed sleeves and side pockets, with a striped and geometric design; a Strohbach, London purple floral A-line dress with matching waist belt; an Elizabeth Ann brown check three quarter length sleeve dress; a pink and grey floral printed dress; and a blue and white block pattern strapless dress with matching bolero jacket (8) 2130 Group of Ladies 20th Century Jaeger Clothing, comprising of a full length blue wool coat; a teal and brown wool double breasted coat with a structured brown velvet fastening (size 14); a pink and cream, woven wool two piece skirt and jacket (size 12); a camel coloured wool and camelhair two piece skirt and jacket (size 12); a black velvet jacket with decorative trim and buttons (size 12); a dark purple velvet jacket with gilt metal buttons and cord lace trim (size 12); a pair of black and white spotted high-waisted trousers; and a pale green/cream wool and mohair two piece skirt and jacket (size 12) (8) 2132 Ladies Assorted 20th/21st Century Designer Clothing, comprising a Biba "Deco Delaunay" black quilted coat with rose gold coloured buttons, lined in the Biba logo patterned fabric (size 18); a Louis Féraud fuchsia pink wool coat with decorative buttons; a Frank Usher purple evening dress embellished with multiple rows of iridescent beads (size 10); a Bottega Veneta cream silk A-line skirt printed with a black geometric design; a Frank Usher brown, bronze and gold floral brocade blazer (size 12); a Louis Féraud teal and black speckled pleated dress with button down fastening and waist belt (size 14); a Caroline Charles cream wool and embroidered spot pattern jacket; and a Diane Furstenberg cotton and silk orange and fuchsia jacket with peplum and waist tie (8)