Insight Insight HORACE MANN SCHOOL 231 West 246th Street Riverdale, NY 10471

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Insight 2009 Insight 2009 HORACE MANN SCHOOL 231 West 246th Street Riverdale, NY 10471

Phil London, Leonard & Sondra Nones Insight 2009 Issue Thirty-Seven HORACE MANN SCHOOL 231 West 246th Street Riverdale, NY 10471

Insight 2009 Issue Thirty-Seven Staff Plates Cara Annunziata Marisa Annunziata Antonia Antonova Sara Chernus Steven Henick Tyler Holden Frances Ikwuazom Hannah Jun Billie Kanfer Sami Kreisler Megan Lu Sinclaire Marber Jacob Salzman Lily Sands Kim Sarnoff Miranda Shapiro Jessica Skoczylas Lauren Tomasulo Rachel Weiner Antonia Woodford Editor-In-Chief Anna Salzman Associate Editor Phil London Layout Editors Ashley Feldman Aylin Gucalp Faculty Advisor Karen E. Johnson 1. Miranda Shapiro 2. Sara Chernus 3. Phil London 4. Kim Sarnoff 5. Marisa Annunziata 6. John Myhal 7. Ashley Feldman 8. Ashley Feldman 9. Tyler Holden 10. Aylin Gucalp 11. Spencer Penn 12. Tyler Holden 13. Spencer Penn 14. Spencer Penn 16. Arlinda Hasandjekaj 17. Alexandra Jakimowicz 18. Hee Soo Kim 19. Alexander Hildick-Smith 20. Mark Choi 21. Rachel Weiner 22. Sara Chernus 23. Mark Choi 24. Aylin Gucalp 25. Marisa Annunziata 26. John Myhal 27. Aylin Gucalp 28. Anna Salzman 29. Andrew Demas 31. Rachel Weiner 32. Kim Sarnoff 33. Akeyla Todd 34. Antonia Woodford 35. Mark Choi 36. Anna Salzman 37. Megan Lu 38. Xueli Wang 39. Grace Merriman 40. Anna Salzman 41. Tyler Holden 42. Miguel Alonso- Lubell 43. Sami Kreisler 44. Aylin Gucalp 46. Ashley Feldman 47. Antonia Woodford 48. Phil London 49. Dana Covo 50. Miranda Shapiro 51. Sara Chernus 52. Jacob Salzman 53. Leslie Crosdale 54. Sinclaire Marber 55. Antonia Woodford 56. Andrew Demas 57. Phil London 58. Sara Chernus 59. Rachel Weiner 15. Andrew Catomeris 30. Anna Salzman 45. Jessica Skoczylas 60. Spencer Penn

1 Miranda Shapiro, On the Fence Sara Chernus, Tunnel Vision 2

3 Phil London, Size 11 Kim Sarnoff, Paraty, Brazil 4

5 Marisa Annunziata, Self Portrait John Myhal, When Clowns Attack 6

7 Ashley Feldman, Goverment Official, Vietnam 2007 Ashley Feldman, Halong Bay, Vietnam 2007 8

9 Tyler Holden, Anna in Wonderland Aylin Gucalp, Follow the Rabbits 10

11 Spencer Penn, Delusional in Oxford Tyler Holden, German, Botswana 12

13 Spencer Penn, Aunt Leah s Fudge - Nantucket Spencer Penn, Gypsy in Italy 14

15 Andrew Catomeris, Forest Contrast Arlinda Hasandjekaj, The Halfmoon 16

17 Alexandra Jakimowicz, Seize the Day Hee Soo Kim 18

19 Alexander Hildick-Smith, Wet Dog on Ice Mark Choi, The Dog Days of Summer, Arusha, Tanzania 20

21 Rachel Weiner, Steering the Stone Canoe Sara Chernus, August 67 22

23 Mark Choi, Above a Sea of Clouds, Mt. Kilimanjaro (19330 ft) Aylin Gucalp, Orchids 24

25 Marisa Annunziata John Myhal, We Put the Hip in Hipster 26

27 Aylin Gucalp, To Mondrian, From Jeff Walls Anna Salzman, Peter with Coat 2009, Blue Series 28

29 Andrew Demas, Room with a View Anna Salzman, Seascape: Lisbon, Portugal 30

31 Rachel Weiner Kim Sarnoff, Nicholas 32

33 Akeyla Todd, Season of Love Antonia Woodford, Memories 34

35 Mark Choi, Masai Woman, Tanzania Anna Salzman, Man with Balloons, Lisbon, Portugal 36

37 Megan Lu, Shadows of Soldiers Xueli Wang, Somnia 38

39 Grace Merriman, The Prosthetic Leg Anna Salzman, Orientation 40

41 Tyler Holden, Mokor, The Okavango Delta, Botswana Miguel Alonso-Lubell, At 114th Street 42

43 Sami Kreisler Aylin Gucalp, LOOK 44

45 Jessica Skoczylas, Ferris Wheel Ashley Feldman, Preah Khan, Angkor, Cambodia 2008 46

47 Antonia Woodford, West 57th Street Phil London, The Louvre 48

49 Dana Covo, Supermarket Crates Miranda Shapiro, United Fleet 50

51 Sara Chernus, The River Cam Jacob Salzman, Palatial Views 52

53 Leslie Crosdale, Allan a Julia Sinclaire Marber, Untitled 54

55 Antonia Woodford, Public Phone, Antigua Andrew Demas, Rendez-Vous 56

57 Phil London, Antelope Canyon Sara Chernus, Rush Hour 58

59 Rachel Weiner, Late Afternoon Light Spencer Penn, Untitled 60

To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis. Henri Cartier-Bresson Special Thanks: MZI Global, www.mziglobal.com Dr. David Schiller