with Mark Crilley Cincinnati, Ohio impact-books.com
Characters and Styles Shojo Elegance Just because people speak of a shojo style doesn t mean that all shojo illustrations look exactly the same. Every shojo artist brings his or her own unique flair to it. For this lesson I want you to try out one more version of the shojo style. By choosing to use different facial proportions and line work, we can create a character that is miles away from the cute and innocent girl we drew earlier. He has an air of mystery and perhaps comes from a world very different from our own. Mark the Head Guidelines 1 Start with the basic head shape. This time the head is significantly taller than it is wide, tapering quite a lot toward the chin. Again we need two lines for placing the eyes, but this time they are less widely spaced, and both are a bit lower on the head. Add a curving vertical line for placing the nose and mouth. Draw the Basic Features 2 Draw the basic lines of the eyes, eyebrows, nose, mouth and ear. Note that the nostril is just a simple little dash this is often the best way to do it. The ear is placed higher on the head than in our previous lesson. Add Details to the Features 3 Add details to the ear and to the eyes including an eyelid fold above each eye as we did before. This time there is just one small highlight in each iris since we re not going for a sparkly, shiny look. The structure of the ear is conveyed with three interlocking lines. Take your time to get each of them in just the right place. 14
Draw the Hair and Eyelashes 4 Add the basic lines of the hair. Be creative and try altering the hairstyle to suit your own tastes. In shojo comics even the male characters have fairly feminine-looking eyes, so I ve darkened the eyelashes here and put shading into the tops of both irises. Draw the Neck and Shoulders 5 I dressed my character in period clothing, giving him an old-world look. You may choose more contemporary clothing. Either way, pay attention to the width of the neck, noting that the two lines connect at the base of the chin and at the earlobe. Add Hair Details 6 Add more detail to the basic hair structure. My character s hair is loosely parted to one side, so most of the lines emanate from an area on one side of his forehead. Curving some strands in slightly different directions can liven up both the hairstyle and the drawing. Add More Details to the Hair 7 and Clothes Time to add further details to the hair and to the clothing. I consulted photos of old formal wear for ideas on how to add ruffles and other bits of trim. But again, make the drawing your own. If you think he d look better in a hoodie, then go for it! 8 Ink the Drawing Now get your pen, and ink all the lines. Shojo inking tends to be delicate and graceful, so take your time and don t rush it. Once you re done, let the ink dry, then erase all the pencil lines. Between this drawing and the last one, you ve taken on two noticeably different styles already. But just you wait; many more styles lie ahead. 15
Changing Hairstyles Nothing defines your character s look more than his or her hairstyle. In fact, you could almost say that changing the hairstyle will change the character s perceived personality. I decided to redraw three of the characters from the preceding lessons, giving each of them a drastically different hairstyle. Compare them to their earlier versions to see if you agree with me that they nearly look like different people altogether. Short and Spiky Here we see what happens when gentle, soft-looking hair is made to appear more spiked and punkish. In the earlier version he seemed quite elegant and dolled up, like he had just spent quite a while in front of the mirror. Now he seems more of a maverick to me. A rebellious artist perhaps? Changing the hair truly does change the man, it would seem! Lightening Up the Goth Girl This little makeover results in a change even more dramatic. In the earlier version the character s long straight hair made her seem very severe and almost a little threatening. Now, without altering her facial expression in the slightest, she seems more approachable and relaxed. Why? It s all in the hair, surely. Something about those curving lines has caused her to loosen up a little. From Tough to Tougher Let s face it: Even in the earlier version this fellow did not come across as a very nice guy. But this new version takes things to a different level. A man with his hair slicked back from his forehead always looks like he means business, so that s part of it. But make his head shaved on the sides and you ve got somebody you definitely don t want to have as an enemy. 20
Characters and Styles Inventing a Hairstyle Many of these lessons include hair as part of what s being taught, so you ll get a lot of practice drawing various hairstyles as you work your way through this book. But here I want to show you how an artist thinks of the fundamental structure of a hairstyle. By understanding the big basic building blocks underneath all those flowing lines, you can get a better idea of how to invent a new hairstyle on your own. Visualizing the Waves 1 To follow along with this lesson, begin with the basic guidelines of the Shojo Cuteness demo character minus the hair. Now try to visualize the construction of a new hairstyle starting with two waves of hair parted in the middle of the forehead. Both of these structures will extend in length later on, but for now let s move on to the next part of the hairstyle. Flowing Like a Waterfall 2 Imagine the rest of the hair flowing down off the top of the head, down past the base of the neck. Don t think of individual strands of hair. Just try to get the big picture. Pulled Back From the Temples 3 Envision two separate sections of hair pulled back from the temples and clasped together at the back of the head. This will give our character an elegant look. Waves and Curls 4 Now extend the parted strands down on either side. If you like, make them curl a bit at the tips. Feel free to play around with many versions at this stage: long, short, straight, curly and so on. Surface Details 5 Once you know the underlying structure of a hairstyle, begin to visualize each of the subsections into individual strands. Finalize details and ink your lines to finish. 21