Cía. Daniel Abreu Direction: Daniel Abreu. Equilibrio

Similar documents
Cía. Daniel Abreu "ANIMAL"

Río de luna Dance and flows like a river while the moon observe you...

To view an excerpt of the performance please visit: and click on videos

MARIO GARCÍA TORRES AN ARRIVAL TALE

New Dance Horizons A Look Back and Forth

CARAVANE PORTO 28 > Festival DDD Dias da Dança

PERIS COSTUMES. Thus, the tailor shop became a company specialised in the making and renting of costumes for large productions.

ART HK 11 ( MAY )

CAL PERFORMANCES PRESENTS THE MULTIFACETED SHEN WEI DANCE ARTS

Spanish National Youth and Children s Theater Award 2010

Covering letter from Jennifer Paterson. 20th June Dear LUTSF

The 11th Golden Age Drama Festival

PRODUCTION PORTFOLIO 2012/13

SPAIN PORTUGAL POLAND HUNGARY GERMANY FRANCE

Tim Crouch s original work. my arm, an oak tree and now this. play for galleries begins to suggest. that he is not really a theatre-maker

Girona, 26th August of First meeting event of Festival de Festivals in the 15 th edition of FITAG in Girona, Catalonia.

SPAIN PORTUGAL POLAND HUNGARY GERMANY FRANCE

PerformAzioni INTERNATIONAL WORKSHOP FESTIVAL

STICHTING MEDEA73 LORENA BRISCOE. BUENOS AIRES ARGENTINA 02/03/1973 Cremerstraat 9, VOORBURG NEDERLAND DIRECTOR AND PERFORMER

YOUR LECTURERS: JEAN MARIE ARDU, CESARE MARIA CUNACCIA, DAVIDE DALLOMO, RODOLFO DEL CHIARO, ANDREA DILETTO, MICHEL LUND, MARCO PANCONESI, CHRISTIAN

The junk ensemble Papers

STANDING IN INK A WORK FOR TWO DANCERS CHOREOGRAPHY BY MICHAEL KLIËN

Simplicity is the highest form of sophistication. Beauty perishes in life but is immortal in art.

SUPA 2006 Summer University of Performing Arts 06 Theatre Studies, Mediterranean Institute, University of Malta

Guide to the Vassili Sulich Papers

NARCISO MAISTERRA: PASSING THROUGH THE BODY WITHOUT STAYING

Notification to participate in the selection of the E45 Napoli Fringe Festival 2014/2015 and relevant Regulations.

PRESS CONFERENCE PRESENTATION OF THE NEW DIRECTOR OF THE VIENNALE. January 11, 2018 Metro Kinokulturhaus

Gorizia/ Nova Gorica/ Miren/ Trieste/ 3-7 giugno 2015 IN\VISIBLE CITIES / URBAN MULTIMEDIA FESTIVAL OPEN CALL / ARTISTS IN RESIDENCE THE FESTIVAL

Women dancers in India and UK at a glance

Puig Revenues reached 1,790 Million with 9% Growth in 2016

cover image: Folhas Avulsas [Loose Leaves], photo jennifer glass courtesy of the artist

ACCADEMIA VERDIANA Specialist Course in Verdian Repertoire

EFE Agency ACME photographic collections photojournalistic vision

Guide to the Karl Carsony Papers

Nir Arieli Captures Top Contemporary Dance Companies as They Collapse Together

Actors Theatre of Louisville Posted February 2018 COSTUME DESIGN ASSISTANT

Tempe Inditex Group. Constantly evolving model

Program and Cooperations 2019

Research Paper No.2. Representation of Female Artists in Britain in 2016

APERTURA MADRID GALLERY WEEKEND SEPT 2015

yasuko yokoshi tyler tyler Produced by MAPP International Productions

p r e s e n t s Mexican director and 2 Oscar winner Alfonso Cuarón at the Auditorium Caruso with Teatro Rumore in June

Best Practice of Social Media within the exhibition industry

DIAS & RIEDWEG. Rien presque rien. October 21st > November 25th 2017 PRESS RELEASE

SCENOGRAPHY EXPANDING SYMPOSIA 1 3

University of Huddersfield Repository

Master Fashion Studies. Programme. Academic Year Perchè studiare i media? 06/10/2018. Pagina 1

Pontius Carle. a d a m. e: 24 CORK STREET London W1S 3NJ t:

Eulalia Valldosera Dependences

2O19. Call for Applications: SITE SPECIFIC PERFORMANCE FESTIVAL

Lluis Ribas. Palm Beach, July 2014

XXIInd INTERNATIONAL BIENNIAL OF ARTISTIC CERAMICS CONTEMPORARY CREATION AND CERAMIC Vallauris July November 2012

PALAZZO CA ZANARDI VENICE

DAVID KORDANSKY GALLERY

país GRAVEDAD de Shantí Vera

What is it? Where is it? Why? What is it saying? How is it used? For whom was it created? For whom does it exist? Who is represented?

side.kicks July 3 to 5, 2014 Les Nouveaux Repérages: guests & friends

Cristóbal Balenciaga Museoa

PRESS RELEASE To be included in your publication

E N R I C M E S T R E

Table A1. Number of observations by country and year Baseline model: participation in a demonstration

E N R I C M E S T R E

SHOW DETAILS DATES FEB 2018

FULL PROGRAM OUTLINE

Master's Research/Creative Project Four Elective credits 4

Fiction and Confession

ACCADEMIA VERDIANA Technique and style of the Verdian Repertoire

The Devil is in the detail...

Esther Ferrer: Intertwined Spaces

A CONSULTANCY DEDICATED TO THE RISING CREATIVE CLASS

EXPO RIVA SCHUH Expo Riva Schuh is the key international trade event dedicated to the volume footwear sector. For over forty years now, supply and

Josephine Meckseper 11 July 23 September West 19th Street, New York, NY T timothytaylor.

Maja Bajevic / Marcelle Marcel curated by Ami Barak

The scrutinized soul by Samuel Labadie

It is a great pleasure to see so many of you here today. I will talk about last year, but also tell you a little bit about our plans ahead.

FEBRUARY 2018: A NEW ORGANISATION OF THE FASHION INFORMATION AT PREMIÈRE VISION PARIS

XXX SIMON TANGUY ROGER SALA REYNER XXX AND ALOUN MARCHAL. xxx

OUR MOB and OUR YOUNG MOB 2017 ENTRY FORM 2017

Cindy Sherman: Retrospective By Amelia Jones, Amanda Cruz

Life They met the first time in He studied Advertising, she studied Public Relations, but they preferred Art instead of Communications.

Fashion Footwear and accessories Beauty Lifestyle

M E M B E R S G U I D E

Portrait of William Shakespeare, Museum of Fine Arts of La Plata, Argentina, Oil, 30.7 x 24.4 in.

Danielle Parish. Summary. Experience

Hunger: The Sean Kelly Autobiography By Sean Kelly

Siobhan Davies Artistic Director. Katye Coe in Velvet Fools Meadow of Archives (Stefan Jovanovic, 2018), photo by Camilla Greenwell

Manifesta 12 Palermo reveals 5x5x5 programme projects list

Joan Brossa and Rosemarie Castoro, protagonists of the autumn season at MACBA

BETWEEN DREAMS AND FLOWERS

PHOTO Małgorzata Klemens

Mauricio Esquivel C.U.J.S.C. Edif. 397, Apto. 31 Mejicanos, San Salvador, El Salvador, C.A.

Artist Interview アーティスト インタビュー

TRANSFORMATIONS A GRAPHIC AND CHOREGRAPHIC WORKSHOP

Up and Coming: Sol Calero Turns Studio Voltaire into a Kitsch-ified Caribbean Classroom

D i e g o G a r c í a

Who are we? We now encourage you to get to know the Portuguese Footwear Cluster and some of its most impressive Facts and Numbers.

To Have & To Lose. Three projects by Mireia Sallarès. Curator: Moritz Neumüller

frieze new york 2016 galeria nara roesler new york preview, 4 th of may open to the public 5 th - 8 th may booth C53 spotlight: abraham palatnik

van den vos the photographs

Transcription:

Cía. Daniel Abreu Direction: Daniel Abreu Equilibrio

Equilibrio The story evolves like a series of postcards or pictures of a reality situated between excess and shortages. As if it were about a tourist, the selected postcards are those that defend or point at concrete facts of life. Moving from the whims to the most precarious necessities, just like clippings of a television news bulletin. In a toing and froing between the choreographic and the theatrical discourse, people present themselves, speaking of the need of affection, of the need to be important, of what it means to them to be alone or in company, to be confused in specific places, and to never stop seeing them all, those who laugh and those who live in horror The piece evolves in a completely aesthetical frame and is narrated by women. It shows photos of what we are capable of doing in order to feel at peace, calm and in balance. The piece begins in the external world, a world that responds directly to the eye. From there, it travels to a slow, restful and calm place of dreams. Daniel Abreu

Artistic and Technical Credits Idea and direction: Daniel Abreu Interpretation: Anuska Alonso, Dácil González and Teresa Lorenzo Texts: Anuska Alonso, Dácil González, Teresa Lorenzo and Daniel Abreu Set desing: Daniel Abreu Lighting design: Sergio García y Daniel Abreu Photos: Piti Prieto Technical Coordination: Sergio García Lenght: 50 minutos Premiere: 12 January 2010, Museo Nacional Centro de Artes Reina Sofía Equilibrio is supported the Comunidad de Madrid Collaborators: Teatro Cuarta Pared and Centro Cultural Paco Rabal

DANIEL ABREU Daniel Abreu is originally from Tenerife. He is a dancer and choreographer, with a degree in psychology, and is based in Madrid. He directs his own company, the Daniel Abreu Company, since 2004. He developed his career as a dance and theatre performer in important contemporary dance groups in Spain, such as Provisional Danza, directed by Carmen Werner, Lanónima Imperial directed by Juan Carlos García, Matarile Teatro directed by Ana Vallés and the Marina Wainer Theatre Company. He began his own creative trajectory in 2003 with the solo Espera. Since then he has been a prolific and diverse choreographer, creating over 20 choreographies, including solos, collective creations, and commissions for other companies and festivals. He was given the Outstanding Dancer Award in the XVIII Certamen Coreográfico de Madrid (2004), along with a grant to take part in the American Dance Festival. He also received the Most Outstanding Dancer Award in the IV Certamen Coreográfico de Maspalomas (1999), along with a grant for Espacio Madrid. Jointly with Mónica García, he won a Choreography Award for the Y eso que no me dejaban ver Dallas in the XVIII Certamen Coreográfico de Madrid (2004), as well as a residency creation in O Espaço do Tempo (Portugal). Recognition that he was searching for a personal language in his work, enabled him to present his pieces in a number of different Theatres, Contests and Festivals (Denmark, Germany, Poland, Brazil, Venezuela, Portugal, Croatia, the UK, Guatemala, El Salvador, Nicaragua, Spain ). Among his latest creations that particularly stand out are: Ojos de Pez, Perro and Los Zuecos van Hacia sus Buenos Hábitos. These pieces were selected for the Circuito de la Red de Salas Alternativas in 2007, 2008 and 2009. Perro was also selected to be part of AEROWAVES 2009. In 2008, he premiered Negro, created in co-production with the Centro Coreográfico Galego and the Auditorio de Tenerife. In October 2009, the theatre La Cuarta Pared in Madrid, offered a panoramic of Daniel Abreu s trajectory by presenting six pieces of the company s repertory.

Daniel Abreu combines his activity as a director of the Daniel Abreu Company with collaborations as a creator and performer for other companies and festivals. He also gives lessons and workshops in a variety of Theatres, Festivals and Institutions, such as the Conservatorio Superior María de Ávila in Madrid. ANUSKA ALONSO Originally from Galicia, she worked for companies such as Losdedae and 10 & 10 Danza. She presently works for the Daniel Abreu Company since 2006. She has created several dance works, which have been showed in Spanish important dance Festivals. Her work A dos Centímetros del Suelo, created with Mar López has been selected for the Circuito de la Red de Salas Alternativas in 2009, and was also selected to be part of AEROWAVES 2010 DÁCIL GONZÁLEZ Originally from Las Palmas de Gran Canaria, Dácil González has trained in higher dance studies and specialized in Choreography and Perfomance Tecniques in Dance. She has worked with the company 10 &10 Danza directed by Mónica Runde and Pedro Berdäyes, the Staatstheater Darmstadt directed by Mei Hong Lin (Darmstadt Alemania), La Piel Danza (José Reches, Madrid), la Compañía de Teatro Els Visitants (Castellón), and the Company Arrieritos (Madrid), to name just a few. After creating the solo A mi no me gusta hablar and the duo Cuando digo una palabra jointly Gustavo Martín, She founded the company LA. otra Compañía Danza with Jesús Caramés and Gustavo Martín. She is a member of the Cía. Daniel Abreu since 2009 in the piece Equilibrio. TERESA LORENZO Originally from La Palma, Teresa Lorenzo worked for companies such as the Cía. de Danza Nómadas directed by Roberto Torres, and was part of the Tenerife Danza- Lab del Auditorio de Tenerife. She presently works for the Daniel Abreu Company in the pieces Invierno and Equilibrio. She has created a number of solo works, in particular Llámalo como quieras winner of the Third Prize of the Festival Internacional Masdanza in 2009. It is in that same Festival that she was given the Prize of the Most Outstanding Canarian Dancer of the Concert.

THE COMPANY In 2004, Daniel Abreu created his own dance company, the Daniel Abreu Company, as an instrument for his creativity and a vehicle to express his choreographic style. The company s repertoire includes more than 20 pieces, created by Daniel Abreu, starting with a series of solos, such as A cal or Se me Escapa entre los Dedos, which attracted the public s attention as well as praise from the critics. The company s work has been enriched and strengthened by group pieces such as Ojos de Pez and Negro, which clearly brought out a personal creative identity as well as a recognizable individual style in the interpretation and staging of the pieces. The interest shown by the public and specialists enabled the company to perform in a number of Events, Festivals and Theatres in Spain such as Festival Internacional Madrid en Danza, Museo Guggenheim, ARTIUM..., and from there on to countries such as Denmark, Germany, Brazil, Venezuela, Portugal, Poland, Croatia, the UK, Nicaragua, Guatemala and El Salvador. In October 2009, the theatre La Cuarta Pared in Madrid organized a retrospective of Daniel Abreu s trajectory by presenting six works of the company s repertory. The Company, based in Madrid distinguishes itself on the contemporary art scene by the singularity of its projects and creations; by its constant quest and developing of new languages of contemporary expression through dance; and by engaging in a fertile

dialogue with other artistic disciplines such as theatre and photography. The projects involve participation by the artistic team. The dancers and actors thereby have an indisputable influence on the final results of each work. Press and critics The choreographer Daniel Abreu has made himself a good reputation as an author with proposals that, as well as being provocative, show the possibilities that exist in dance when it comes to research into movement, the existence of a dramaturgy of the bodies, and the use of spaces as elements to occupy in order to convert them into significant territories. Carlos Gil, Artez, February 2010