PRACTICAL INFORMATION

PRACTICAL INFORMATION Opening: 2 November 2017 Press preview, starting at 12pm Collectors preview, starting at 12pm (by invitation) Vernissage, 6-9pm (by invitation) PRESS CONTACTS Pickles PR Maria Cristina Giusti cristina@picklespr.com M. +44(0)7925810607 M. +39 339 8090604 Opening to the public: 3-4-5 November 2017 12-8pm Tickets: Full price: 15.00 Reduced: 10.00 * Three-day pass: 30.00 * Children aged 12 18. Over 65s. University students, upon presentation of a university ID. Soldiers in uniform. Discount with Torino Musei membership card and the Torino+Piemonte Card from November 3 to 5. Free entry for disabled people with assistance. For further reductions info: http://www.artissima.it/site/info/?lang=en ARTISSIMA SRL www.artissima.it info@artissima.it Artissima Digital: www.artissima.art Facebook: Artissima Fair Twitter: @ArtissimaFair Instagram: ARTISSIMAFAIR Pinterest: Artissima YouTube: Artissima Fair #artissima #artissima2017 #followthepink

ARTISSIMA 2017 24th EDITION 2 November: press, preview, opening 3-4-5 November: open to the public Once again, Artissima confirms its role as a unique platform capable of supporting curatorial research with a dynamic, constantly evolving vision. The fair is managed by Artissima srl, a company affiliated with Fondazione Torino Musei. Artissima 2017 opens on Thursday November 2nd, welcoming the public from Friday 3 th to Sunday 5 th of November at the OVAL Pavilion in Torino, for the first time under the direction of Ilaria Bonacossa, appointed director in December 2016. Artissima confirms its position as a unique event on the European cultural scene, capable of attracting galleries, artists, collectors and art professionals from all over the world. Known internationally for its focus on experimental practices and its capacity to renew its vision with each edition, in 2017 the fair introduces a series of new developments that have an across-the-board impact on its programme and structure. The innovations for 2017 underline the fair s role in the discovery and encouragement of talent, reasserting its position as an authoritative platform of research for the future of art. The vitality of Artissima and its innovative thrust resonate throughout the city, through collaborations with the many museums and institutions, and the development of special projects. The fair has always been considered a fundamental event for Torino, thanks to its ability to attract a wide-ranging international audience and to activate effective, inclusive economic and cultural processes. During the 2017 edition, the financial impact on the city and on the Region will be analysed through a specific study project commissioned to Torino s Department of Management of the University by the Chamber of Commerce of Torino as a confirmation of its support to the fair. The results will be presented in 2018.

NEW DEVELOPMENTS FOR 2017 Disegni: the new section of Artissima curated by Luís Silva and João Mourão captures the immediacy of this creative process as well as its capacity to convey thought processes through artistic gesture. Disegni stimulates and explores the birth of a new generation of collectors. A new team of curators: the various sections by invitation only have been curated by a new team of Italian and international engaging personalities who have an active role in the transformations impacting the world of contemporary art. The Deposito d Arte Italiana Presente: Artissima s new exhibition project on Italian art from 1994 to the present curated by Ilaria Bonacossa and Vittoria Martini. The Deposito will host prestigious loans from Piedmont-based institutions together with works from the galleries taking part in the fair. Piper. Learning at the discotheque : the new experimental programme of talks coordinated by the classroom, conceived to narrate contemporary art in an unconventional way, inside a space based on the historic Piper Club discotheque in Torino. Seven prizes will be assigned to artists and galleries participating in the fair among which four launched at this edition: the OGR Award is the new prize of Fondazione per l Arte Moderna e Contemporanea CRT, involving the acquisition of a work for its collection, housed at the new OGR Officine Grandi Riparazioni space of Torino. Refresh Irinox Prize, supported by Irinox and focusing in 2017 on the new Disegni section, honours an artist who reinvents by preserving, and bringing out the expressive immediacy of drawing in a contemporary fashion. The Campari Art Prize, in collaboration with Gruppo Campari, is assigned to an artist under 35 years of age who focuses on the evocative power of storytelling in its multiple interpretations. The CARIOCA KIDS Prize, created in collaboration with the Department of Education of Città di Torino, sponsored by CARIOCA and coordinated by ZonArte, is assigned to an artist presented in the New Entries section with the goal of activating new pedagogical projects in Torino s elementary schools. A digital platform: Artissima has trasformed its catalogue into a digital platform, constantly updated, to offer galleries a space that is not only physical but also virtual, where they can independently organise content and involve a much larger audience of art connoisseurs. #SocialRoom: a space in which visitors can recharge their digital devices in an atmosphere full of stimuli, ideas and digital inspirations. The new visual project: the graphic image of the fair, curated by Studio Sonnoli evokes contemporary art s transformative spirit that Artissima promotes and presents. The fair design: architecture studio Vudafieri Saverino Partners of Milan has conceived the new fair s architectural design to enhance the spaces of the pavilion and the different projects of the fair. New focus on food, wine and culinary research. The inventive vigour of the award-winning chef Mariangela Susigan, of Gardenia in Caluso, will host the fair s guests at the restaurant on the balcony of the VIP Lounge, furnished with amazing chairs designed for Edra by Jacopo Foggini, original tapestries by Dedar, lights by Nemo Lighting, and with kitchens by Marrone, offers an intense and imaginative experience. The bistrot, designed by Lago Design, will be coordinated by Piaceri d Italia, a gastronomy company with a focus on quality and authenticity, thanks to contacts with Slow Food affiliates. After Artissima: the historic rowing-club Società Canottieri Esperia will organise After Artissima, a chill, drink and dance lounge, from Thursday 2 to Saturday 4 November, from 22.30 to 03.00. (Open to guests with exhibitor badges, VIP cards and press passes).

Ilaria Bonacossa explains: 2017 marks an important anniversary, not just for Torino but for the entire art world: 50 years have passed since the first Arte Povera exhibition (in 1967), the most revolutionary, thrilling and poetic avant-garde movement of the postwar era, was born in Torino reflecting the city s avantgarde spirit. To celebrate that same creative energy today, in the spaces of the Oval, Artissima evokes two unexpected and still unknown experiences of those years: the Piper Club of Torino (1966 69), and the Deposito dell Arte Presente (1967 68). The story of the Piper discotheque, home to a vivacious subculture, is reinvented in the programme of lectures and talks Piper. Learning at the discotheque, in which the fair hosts an unconventional temporary school. On the other hand, the revolutionary experience of the Deposito, an industrial space rented and refurbished by young Arte Povera artists to present their works outside of bourgeois spaces, becomes the cue for the project Deposito d Arte Italiana Presente, in which a temporary warehouse is transformed in an exhibition space that presents a selection of works made from 1994 to today by Italian artists of different generations. For a curator, directing Artissima is an opportunity not only to rediscover the past, but also to catch a glimpse of the future of art, challenging its status quo. Contemporary art fairs stand out for the lack of hierarchy of the works presented, in which the multiplicity of themes and artistic practices redefines the global art system. The fair spreads horizontally like a rhizome, juxtaposing the works of 700 artists presented by over 200 galleries in a diffused, reticular, acentric structure. Just as the rhizome is an anti-tree, an anti-root, so the fair is an anti-structure capable in its multiplicity of opening vantage points on the future transformations of contemporary society. While art alone may not be able to change the world, we hope that the encounter with surprising and thrilling art-works can change the way each of us looks at reality. NUMBERS 206 galleries from 32 countries 62% foreign exhibitors 20.000 square meters of exhibition space Over 700 artists Over 2000 works on view Over 46 curators and museum directors in the juries and special initiatives Over 40.000 of prizes for artists and galleries 400.000 of institutional acquisitions (2016) 50.000 visitors (2016) PARTNERS Main Partner UniCredit Partners Art Defender, Edit, Gruppo Campari, illycaffè, Irinox, K-Way, Lancia, Lauretana, Montblanc, Nino Franco Prosecco, QC Termetorino, Fondazione Sardi per l Arte, Torino Outlet Village, Tosetti Value In-kind partners Artek, Cappellini, Carioca, Cassina, Dedar, Driade, Edra, F/ART, Gebrüder Thonet Vienna, GL Events Italia - Lingotto Fiere, Golran, Gufram, Guido Gobino, Lago Design, Magis, Marrone, Metalsistem, Moroso, Nemo Lighting, Pastiglie Leone, Torino Airport Sagat, Trenitalia, Vitra Official Carrier Arterìa Official Insurance Art Defender Insurance Media Partners La Stampa, Artsy Media Coverage Sky Arte HD

THE SECTIONS Artissima has seven sections. Four sections are selected by the fair s committee: Main Section, presenting the most representative galleries on the international scene. This year 95 galleries have been selected, including 46 foreign ones. New Entries, section dedicated to emerging international players, with 13 galleries this year, of which 8 from abroad. Main Section, New Entries, Dialogue, Editions & Publishing Selection Committee Isabella Bortolozzi, Isabella Bortolozzi gallery, Berlin Paola Capata, Monitor gallery, Roma Guido Costa, Guido Costa Projects gallery, Torino Martin McGeown, Cabinet gallery, London Gregor Podnar, Gregor Podnar gallery, Berlin Jocelyn Wolff, Jocelyn Wolff gallery, Paris Dialogue, a new project born in 2016 edition, focuses on specific projects in which the works of two or three artists are shown in close dialogue with each other, presenting 33 galleries of which 26 from other countries. Editions & Publishing, launched in 2012, features editions, prints and multiples by contemporary artists, from 10 galleries and bookstores. Three of the sections are curated by three teams of international curators and directors: Present Future Back to the Future Disegni

CURATED SECTIONS PRESENT FUTURE Present Future is the section of Artissima dedicated to emerging talent. The new team of young international curators for 2017 is coordinated by Cloé Perrone. The artists, presented by their galleries of reference, are selected and presented by the curatorial team. The works of the invited artists include pieces made specifically for the fair and projects being shown for the first time in a European or Italian context. In 2017 Present Future features projects by 20 artists presented by 23 galleries (17 foreign and 6 Italian). The Present Future galleries welcome visitors at the entrance of the fair, opening up on a plaza that recalls a Baroque square, that becomes a relax area whose space design is by Magis. The illy Present Future Prize, supported by illycaffè since 2001, will be assigned to the artist whose work is deemed most innovative by an international jury. Since 2012, in collaboration with Castello di Rivoli Museo d Arte Contemporanea, the prize offers the winner the exceptional opportunity of a show in the Museum s spaces. Thanks to the contemporary vision of illycaffè and the active partnership with Castello di Rivoli, Premio illy Present Future makes an important contribution to the careers of emerging artists, confirming Artissima s innovative role. In 2016 the prize was assigned to the American artist Cécile B. Evans (Cleveland, 1983) with the work What the Heart Wants (2016). Her solo show will be presented at Castello di Rivoli Museo d Arte Contemporanea during Artissima 2017 (opening Friday 3 November at 11am). Present Future committee Cloé Perrone (coordinator), independent curator, Roma, New York Samuel Gross, head curator, Istituto Svizzero di Roma João Laia, independent curator and writer, Lisbon Charlotte Laubard, curator, Dean of the Visual Arts Department, HEAD, Geneva Premio illy Present Future jury Mary Ceruti, executive director and curator, SculptureCenter, New York Carolyn Christov-Bakargiev, director, Castello di Rivoli Museo d'arte Contemporanea and GAM, Torino Luigi Fassi, visual arts curator, Steirischer Herbst Festival, Graz Award Ceremony Friday 3 November 2.30pm illy Café Winners of the previous editions: 2016: Cécile B. Evans, Galerie Barbara Seiler, Zurich 2015: Alina Chaiderov, Galerie Antoine Levi, Paris 2014: Rachel Rose, Galerie High Art, Paris 2013: Caroline Achaintre, Arcade Gallery, London and Fatma Bucak, Galleria Alberto Peola, Torino 2012: Vanessa Safavi, Chert Gallery, Berlin; Santo Tolone, Limoncello Gallery, London and Naufus Ramírez-Figueroa, Proyectos Ultravioleta, Guatemala City Castello di Rivoli Museo d Arte Contemporanea illy Present Future 2016 Prize Exhibition Piazzale Mafalda di Savoia, Rivoli, Torino Cécile B. Evans solo show

BACK TO THE FUTURE Back to the Future is the special section of Artissima focusing on the rediscovery of pioneers of contemporary art, through solo shows. The 2017 edition looks at contemporary talents active in the 1980s and is curated by a board coordinated by Anna Daneri. The section, now at its 8th iteration, sets out to reinsert, in the history of international art, talents who have played a fundamental role in the transformation of formal languages, producing work that has been influential for contemporary art practices. For the general public, Back to the Future offers a unique opportunity to discover important works from the 1980s and to evaluate their impact on today s experimentation. In 2017 Back to the Future will include 27 artists, presented by 29 galleries (12 Italian, 17 foreign). During Artissima, an international jury will assign the Sardi per l Arte Back to the Future Prize, based on the partnership with Fondazione Sardi per l Arte, to the gallery with the most interesting project in terms of historical stature and presentation. The award will be presented in the Back to the Future plaza designed by Cassina. Back to the Future committee Anna Daneri (coordinator), independent curator, Genova and founder Peep-Hole, Milano Zasha Colah, co-founder Clark Hause, Mumbai and co-curator Pune Biennale 2017 Dora García, artist and professor, Oslo National Academy of Arts, Oslo and HEAD, Geneva Chus Martinez, curator, director FHNW Art Institute, Basel, and member of the Castello di Rivoli advisory board, Torino Sardi per l Arte Back to the Future Prize Eva Fabbris, curator, art historian, curator Fondazione Prada, Milano Francesco Manacorda, director, V-A-C Foundation, Moscow Andrea Viliani, director, MADRE, Napoli Lisa Parola, curator, Fondazione Sardi per l Arte, Torino Award Ceremony Friday 3 November 1.30pm Back to the Future Plaza Winners of previous editions: 2016: Galerie in situ - Fabienne Leclerc of Paris, presenting works by the artist Lars Fredrikson. 2015: Ellen de Bruijne Projects, Amsterdam and Dan Gunn Gallery, Berlin, presenting works by the artist Michael Smith. 2014: François Ghebaly Gallery, Los Angeles, presenting works by the artist Channa Horwitz.

DISEGNI Artissima 2017 features a new section, Disegni, focusing on the specifics of a classical yet still timely form of expression: drawing. This section addresses an artistic practice capable of capturing the immediacy of the creative process and the way in which thoughts materialize, suspended between preliminary idea and finished art-work. Disegni promotes the advent of a new generation of collectors. For its first edition, Disegni includes works by 26 artists, presented by 26 galleries (10 Italian, 16 foreign) and curated by Luís Silva and João Mourão, directors of Kunsthalle Lissabon, Lisbon. The central area of this section is designed by Magis. One of the artists exhibiting in Disegni will be awarded the new Irinox Refresh Prize organised by Irinox, a leading company in the field of blast chillers. The interaction between Artissima and a company that has always stood out for its ability to specialise, innovate and anticipate the market has led to a three-year partnership that makes its concrete debut with an art award. The prize awarded to an artist who has been able to reinvent the expressive immediacy of drawing, an ancient yet contemporary practice, granting visual form to thought. Disegni committee Luís Silva and João Mourão, co-directors, Kunsthalle Lissabon, Lisbon Refresh Irinnox Prize Claire Gilman, curator, The Drawing Center, New York Katharine Stout, vice-director, ICA, London Irina Zucca Alessandrelli, curator, Ramo Collection, Milano Award Ceremony Saturday 4 November 5pm VIP Lounge

ALL THE PRIZES OF ARTISSIMA In collaboration with sponsors and institutions Artissima organises 7 prizes for artists and gallerists, assigned by international juries: besides the illy Present Future Prize, Sardi per l Arte Back to the Future Prize, the historic Fondazione Ettore Fico Prize, the fair launches the new OGR Award, the Campari Art Prize, the Refresh Irinox Prize and the CARIOCA KIDS Prize. The OGR Award is a new prize of Fondazione per l Arte Moderna e Contemporanea CRT leading to the acquisition of a work as part of the foundation s collection, for the new OGR Officine Grandi Riparazioni in Torino. Centre of visual and performing arts, OGR is the sole case in Europe of industrial conversion aimed at making artistic research, in all its forms, coexist with technological research, combining the ideas and values of creativity with the tools and languages of the new digital technologies. OGR Award Jury Fawz Kabra, independent curator and writer, New York Abaseh Mirvali, independent contemporary art and architecture curator and project producer, Mexico City, Berlin Nicola Ricciardi, artistic director, OGR, Torino Award Ceremony Sunday 5 November 5.30pm Meeting Point The Campari Art Prize, at its first edition, marks the beginning of a three-year partnership between Artissima and Campari. In 2017 the prize will be assigned to an artist under 35 selected from those featured in the various sections of the Fair, who focuses on the evocative power of storytelling in all its interpretations, and on the communicative dimension of art. The prize confirms the brand s long-term interest to new and original languages, born from the fusion between avant-garde entrepreneurial spirit and the most experimental forms of artistic research. Campari Art Prize Jury Adam Budak, chief curator, National Gallery, Prague Carina Plath, deputy director, Sprengel Museum Hannover Francesco Stocchi, curator for modern and contemporary art, Museum Boijmans Van Beuningen, Rotterdam Award Ceremony Saturday 4 November 6pm Piper Refresh Irinox Prize, for the new section Disegni, will be assigned to the artist whose work stands out for its ability to reinvent while conserving, in the contemporary interpretation of the immediacy of a medium that has always represented the shortest path for the transformation of thought into visual content. Refresh Irinox Prize Jury Claire Gilman, curator, The Drawing Center, New York Katharine Stout, deputy director, ICA, London Irina Zucca Alessandrelli, curator, Ramo Collection, Milano Award Ceremony Saturday 4 November 5pm VIP Lounge The new CARIOCA KIDS Prize, devoted to the New Entries section, is created in collaboration with the Department of Education of Città di Torino, sponsored by CARIOCA and coordinated by ZonArte. The award is assigned to an artist whose research and production stimulates augmented creativity to be explored and shared with future generations with the aim of activating new pedagogical developments in the elementary schools of Torino.

CARIOCA KIDS Prize Jury Flavia Barbaro, head of the Education Department of GAM - Galleria Civica d Arte Moderna e Contemporanea, Torino Orietta Brombin, curator AEF PAV Parco Arte Vivente, Torino Mario Petriccione, head of the Education Department of Fondazione Merz, Torino Anna Pironti, head of the Education Department of Castello di Rivoli Museum of Contemporary Art, Torino Paola Zanini, project manager of the Education Department of Castello di Rivoli Museum of Contemporary Art, Torino Award Ceremony Sunday 5 November 3pm VIP Lounge Fondazione Ettore Fico Prize has been promoted to encourage the work of an emerging artist. Alongside the prize, the foundation will move forward with its major series of acquisitions of works at Artissima to augment the collection of the MEF - Museo Ettore Fico in Torino. Fondazione Ettore Fico Prize Jury Renato Alpegiani, collector, advisor, Fondazione Ettore Fico, Torino Andrea Busto, director, MEF - Museo Ettore Fico, Torino Simone Menegoi, independent curator, Verona and Milano Letizia Ragaglia, director, Museion, Bolzano Award Ceremony Saturday 4 November 4pm I Salotti illy Present Future Prize, supported by illycaffè since 2001, is assigned to the artist whose research is seen as the most innovative by an international jury. Since 2012, in collaboration with Castello di Rivoli Museo d Arte Contemporanea, the prize offers the winner the exceptional opportunity to have a show in the spaces of the museum. illy Present Future Prize Jury Mary Ceruti, executive director and chief curator, Sculpture Center, New York Carolyn Christov-Bakargiev, director, Castello di Rivoli Museo d'arte Contemporanea and GAM, Torino Luigi Fassi, visual arts curator, Steirischer Herbst festival, Graz Award Ceremony Friday 3 November 2.30pm illy Café Sardi per l Arte Back to the Future Prize, based on the partnership with Fondazione Sardi per l Arte, honours the gallery showing in Back to the Future with the most interesting project in terms of historical importance and presentation. Sardi per l Arte Back to the Future Prize Jury Eva Fabbris, curator, art historian, curator Fondazione Prada, Milano Francesco Manacorda, director, V-A-C Foundation, Moscow Andrea Viliani, director, MADRE, Napoli Lisa Parola, curator, Fondazione Sardi per l Arte, Torino Award Ceremony Friday 3 November 1.30pm Back to the Future Plaza

SPECIAL PROJECTS DEPOSITO D ARTE ITALIANA PRESENTE Curated by Ilaria Bonacossa and Vittoria Martini, Deposito d Arte Italiana Presente is the new cultural exhibition at Artissima focusing on Italian art. The Deposito will host prestigious loans from Piedmontbased institutions alongside works from the galleries taking part in the fair, reflecting their outstanding contributions to the production of contemporary Italian art history. For this new project Artissima looks back at one of the most innovative initiatives of Torino in the 1960s, when the city was considered one of the international capitals of artistic research: the Deposito d Arte Presente (1967 68). A place of production and display of the works of emerging artists conceived by Arte Povera artists with Gian Enzo Sperone and a group of collectors, the Deposito, in the words of the historian Robert Lumley, was an extemporaneous, non-permanent collection a space for the present, for a type of art connected to the hic et nunc and stripped of any sacred character. With the Deposito d Arte Italiana Presente, Artissima retrieves that experimental format, shifting it into the present and transforming it in a conceptual framework for a project that absorbs the operative modes of the original. The Deposito is not an ordinary exhibition, but a space that triggers a narration on the last 20 years of Italian art, to capture it today and understand its future developments. The Deposito becomes a place of study and discovery for curators, collectors and art lovers. The Deposito d Arte Italiana Presente is made possible thanks to the support of Camera di commercio di Torino. Partners: Art Defender and Metalsistem Piemonte. Media partner: Flash Art. The complete list of artists, institutions and galleries is available at the end of the press kit. PIPER. Learning at the discotheque Learning at the discotheque is the title of the programme of talks at Artissima coordinated by the classroom, a centre of art and education directed by Paola Nicolin born in order to reinvent the relations between exhibition practices and pedagogy. The content of the project develops from the unique story of Piper club in Torino, a discotheque designed by Pietro Derossi with Giorgio Ceretti, which became a popular venue from 1966 to 1969. Transforming the provincial atmosphere of a dance hall into a self-managed cultural centre, the Piper set a precedent on an international level for non-institutional spaces focusing on contemporary art. Many eclectic and creative personalities met at the Piper in Torino, including Michelangelo Pistoletto, Alighiero Boetti, Piero Gilardi, Mario and Marisa Merz, Gianni Piacentino, Carlo Colnaghi, Carlo Quartucci, Patty Pravo, the Living Theater, Carmelo Bene, Massimo Pellegrini, Pietro Gallina, meeting and working together across disciplines, identities, codes, languages and behaviours. Artissima, thanks to the precious support of Archivio Pietro Derossi, the special participation of Gufram and F/ART, and the collaboration with Superbudda, presents an evocative recreation of the Piper inside the fair, for the 50th anniversary of this extroardinary disco. The programme opens with a course taught by the artist Seb Patane, and continues with lectures and talks on contemporary artistic production. The commission of an experimental docu-film by Italian artist Rä di Martino on the history of this club completes the programme. PIPER. Learning at the discotheque is made possible thanks to the support of Fondazione per l Arte Moderna e Contemporanea CRT. Artissima thanks Centro di Restauro e Conservazione La Venaria Reale for the work of digitalisation of Archivio Pietro Derossi and the restoration of the club s historic furnishings. Special thanks to Pietro Derossi and Rodrigo Rodriquez. Partners: F/ART, Gruppo Campari, Gufram. Media Partner ZERO The complete programme is available at the end of the press kit.

ARTISSIMA GOES DIGITAL The digital catalogue and the online agenda on wwww.artissima.art Important new digital developments enhance the 2017 edition of the fair: the fair catalogue goes digital offering visitors the possibility of virtually experiencing the fair, enjoying its artworks. Registered visitors can activate their personal area in which they can save their preferred contents creating a personal virtual experience and collection. This new ecosystem is enhanced by an online agenda that interacts with the user s wishlist, allowing registered visitors to store their favourite events: talks, guided tours, prize ceremonies and artworks. Offering visitors a detailed programme for their visit to the Oval Pavillion, as well as exploring the fair in a fast and easy way, during and after the week of contemporary art in Torino. The complete digital ecosystem will be publicly available in two dedicated info-points at the fair entrance, in order to surf the online catalogue for last-minute info and updated events. With the support of Compagnia di San Paolo #ArtissimaLive In 2017 the fair relaunches #ArtissimaLive, a live editorial staff composed of online magazines, bloggers and sector websites that collaborate on the creation of content produced inside the fair. The project is coordinated by Elena Bordignon, founder of ATP Diary, Milano. The participants with ATP Diary: - Art Dependence, Antwerp - Aujourd hui Magazine, Lisbon - Fruit of the Forest, Miami / Milano - Kabul Magazine, Milano - The Exhibitionist, New York ArtissimaLive is designed by Cappellini. #SocialRoom Adjacent and contiguous with the area devoted to bloggers, Artissima launches the #SocialRoom, a physical space in which the online audience of the fair can recharge its devices and find an environment full of stimuli, suggestions and digital inspirations, making each visitor an active player on the fair s social networking channels. The Social Room is designed by Artek. OTHER INITIATIVES AT THE FAIR Walkie Talkies by Lauretana Among the most popular initiatives for the public at Artissima, the Walkie Talkies, coordinated by Abaseh Mirvali, return with a series of informal conversations that freely cross the spaces of the fair. Pairs of exceptional guides lead visitors on explorations through the gallery booths, to discover particular installations, artists or formal languages. Walkie Talkies are short dialogues, intermissions, between pairs of curators and collectors: an opportunity to learn about and question the best of Artissima. These dialogues depart from Lauretana stand in the fair furnished by Vitra. The complete programme is available at the end of the press kit. Ypsilon St Art Tour by Lancia In 2017 Artissima reconfirms the programme of guided tours, promoted by Lancia Ypsilon for the general public as a way of discovering the fair through an engaging perspective. The 2017 edition of Lancia Ypsilon St Art Tour, Inquadrare il contemporaneo-framing contemporary times evokes Lancia Ypsilon s desire to address phoography both as a theme and as a means of communicating this brand, reaffirming the link between art and current affairs as a way of framing contemporary art and our daily lives. Each day six visits, open to the public, will guide a maximum of 15 people on a Tour starting from Lancia s booth. The complete programme is available at the end of the press kit.

Meeting Point by La Stampa A special area within the fair dedicated to the presentation of projects, events, conversations and debates relating to the fundamental topics of contemporary art. The talks are promoted and curated by museums, institutions and art professionals and provide a unique opportunity for encountering and exchanging ideas with some of the leading figures on the contemporary art scene. Meeting Point is furnished with design products by Moroso. I Salotti I Salotti (Livingrooms) are dedicated to the presentation of books, catalogues and special projects by institutions, galleries and publishing houses. Edra design products will welcome visitors in this lounge on the fair s balcony hosting the exclusive presentation of the new publication Our Story-A Journey through Beauty, published by Skira to celebrate Edra s 30th anniversary. Edicola For the first time at Artissima, Edicola (News Kosk) will feature a selection of art magazines and international newspapers available for exhibitors and the public. Furthermore, the fair s Bookshop is once again managed by Librerie Corraini. The space and the relax area is designed by Driade. UniCredit Art Advisory For the third consecutive year, UniCredit presents the Art Advisory service, a free, independent consulting service aimed at those who already collect art, but also and above all at people who are fascinated by art but are not always able to get their bearings at the fair, and also seek guidance regarding the legal, taxation and insurance aspects of collecting. Expert consultants will be available by appointment in the special UniCredit space inside the fair. Gebrüder Thonet Vienna GmbH highlights this exquisite atmosphere through its iconic contemporary design pieces. The lounge space is enhanced by Dedar s precious tapestries and wallpapers mounted over large poster photographs of the city by Silvia Pastore, and presented together with a series of handmade carpets by Golran, with lamps from Nemo Lighting s Master Collection. Excellent Torino Developed as a way of accompanying the visitor s approach to the fair, Excellent Torino is a project sustained and promoted by Camera di commercio of Torino, as a visionary narration of Torino s excellence, evoked by the creative illustrations of Alvvino. Suspended between advertising and street art, these large panels narrate the layered areas of excellence of the city, on a surface of 150 meters, through forms, colours, drawings and collages. This dynamic and democratic narrative curated by Massimo Borio and Marco Sammicheli flows as a visual wave in which images and textures merge into each other in a continuum between photographic reality and dream-like landscape. Fossil of Experience Artissima presents Fossil Of Experience, an original action halfway between a musical performance and an aural archive of the fair, by Nico Vascellari (Thursday 2 November, 8pm, @ #SocialRoom). A thanks for their support also to GL Events Italia Lingotto Fiere, Guido Gobino, K-way, Montblanc, Nino Franco Prosecco, Pastiglie Leone, Qc Termetorino, Torino Airport Sagat, Torino Outlet Village. THONETIANA In 2017 the fair s VIP Lounge is designed by Studio Vudafieri-Saverino in collaboration with Gebrüder Thonet Vienna GmbH as a metaphorical walk along Torino s cafes and 19th-century riverside parks and palaces.

PARTNERS EVENTS EDIT à Aldo Mondino. Food for thought curated by Archivio Aldo Mondino Edit Kitchens Via Cigna 104/a, Torino 31 October - 7 November by appointment giorgia.zerboni@edit-to.com FONDAZIONE SARDI PER L ARTE Fatma Bucak. Remains of what has not been said Biblioteca Arturo Graf, Rettorato dell Università degli Studi di Torino Via Po 17, Torino 2 3 November, 7 11 November, 9am 7pm; 4 November, 12pm 12am; 5 November, 12pm 8pm; 6 November, 12pm 7pm TOSETTI VALUE Walter Niedermayr. Iran: Ancient Persia and Industrialisation Corso Marconi 10, Torino November February by appointment ilfamilyoffice@tosettivalue.it

Ilaria Bonacossa The Director of Artissima International Fair of Contemporary Art starting in 2017, Ilaria Bonacossa is an art critic and curator. With a degree in Contemporary Art History from the State University of Milano, after taking a master in curatorial studies at Bard College (USA) she worked in New York at the Whitney Museum. After seven years as curator of Fondazione Sandretto Re Rebaudengo in Torino, from 2012 to 2017 she was Artistic Director of Museo Villa Croce, Genova. In 2013 she curated the project of Katrin Sigurdardottir at the Iceland Pavilion of the Venice Biennale. She has been a member of the Technical Committee for acquisitions of FRAC Provence-AlpesCôte d Azur in Marseille, of the Steering Committee of PAC in Milano, and director for Italy of the Artist Pension Trust international programme. In 2007 she was a member of the Jury for the Leone d Oro of the 52nd Venice Art Biennale, and in 2013 of the Jury for the Inamori Foundation Prize in Kyoto. With Art@Work, the group she has contributed to create, she develops projects in non-profit contexts and for private collections. Since 2016 she has been the artistic director of Fondazione La Raia. Ilaria Bonacossa will dress, during the fair days, unique pieces by Autrian fashion designer Arthur Arbesser (Vienna, 1982). Cloé Perrone Coordinator Present Future Cloé Perrone is an independent curator (Roma, 1987). Since 2011, she has curated shows at Fondazione Memmo Arte Contemporanea, Roma: Camille Henrot Monday (2016), Shannon Ebner Auto Body Collision (2014), Sterling Ruby Chron II (2013) and Sara VanDerBeek (2012). She curated Camille Henrot s solo show Luna di Latte at MADRE, Museo d Arte Contemporanea Donnaregina, Napoli (2016). She also co-curated the 5th edition of Volcano Extravaganza organised by Fiorucci Art Trust, London, titled I Will Go Where I Don t Belong, in Stromboli, Sicily (2016). Perrone was a Research Scholar at The Metropolitan Museum of Art, New York, in the department of Modern and Contemporary Art, where she focused on Arte Povera and Post- Minimalism. She wrote the chronology for Marisa Merz The Sky is a Great Space, the artist s first international retrospective. Previously she worked at MAXXI Museo delle Arti del XXI Secolo, Roma, where she organised Doris Salcedo Plegaria Muda (2012) and The Otolith Group Thoughtform (2011). At the Musée d Art Moderne de la Ville de Paris she assisted on a large group survey titled Dynasty (2010). She received her B.A. from Bocconi University, Milano (2008) and her M.A. from CCS Center for Curatorial Studies, Bard College, Annandale-On- Hudson (2014). Anna Daneri Coordinator Back to the Future Anna Daneri (1966) is one of the founders of Peep-Hole and initiator of the Meru Art*Science Award, organised by Meru-Medolago Ruggeri Foundation for Biomedical Research, GAMeC-Bergamo and BergamoScienza. An independent curator, she is a contributor to magazines such as Mousse, Domus, and L'Officiel Art Italia, and has worked on several international exhibitions: In Cantiere. 60. Premio Termoli (Termoli, 2016), Suite Rivolta. Carla Lonzi s radical feminism and the art of revolt (with Giovanna Zapperi; Lisbon, 2015), Food (Geneva, 2012), The Mediterranean Approach (Venice, Marseille, 2011), The Inadequate (project by Dora Garcìa for the 54th Venice Biennale), Long Play (Gallarate, 2011), Culiarsi (project by Invernomuto, 2011), Collateral (Milano/ Sao Paulo, 2008), Joan Jonas - My Theatre (Trento, 2007), My Private (Milano/Torino/Vassivière, 2003 07). She has collaborated with Art for the World (1996 2013) and Fondazione Antonio Ratti (1995 2010), and she was professor of Phenomenology of Contemporary Art at the Accademia Carrara di Belle Arti in Bergamo (2003 07). She was curator of the Genova maxter Program organized in 2013-2014 by the Villa Croce contemporary art museum. In 2015 she was Production Manager of They Come to Us without a Word, an exhibition and performance by Joan Jonas for the US Pavilion at the 56th Venice Biennale. In 2016 she was NTU CCA Singapore Curator-in-Residence.

João Mourão and Luís Silva Curators Disegni João Mourão (Alegrete, 1975) and Luís Silva (Lisbon, 1978) are a curatorial duo based in Lisbon, Portugal, where they currently serve as co-directors of Kunsthalle Lissabon, a contemporary art institution they founded in 2009. A selection of recent shows they curated includes solos by Nathalie Du Pasquier, Céline Condorelli, Jacopo Miliani, Iman Issa, Katja Novitskova and Marwa Arsanios, as well as group shows in institutions such as Extra City, Antwerp or David Roberts Art Foundation, London. Besides their curatorial practice, João Mourão and Luís Silva are also contributing editors of CURA.magazine and coeditors of the ongoing book series Performing the Institution(al), addressing recent developments in institutional practice. They were the curators of ZONA MACO SUR (2015-17), the solo projects section of Mexico City's contemporary art fair. Vittoria Martini Co-curator Deposito d Arte Italiana Presente An independent art historian (Ph.D), since 2013 Martini has been a tutor at Campo, the course for curators of Fondazione Sandretto Re Rebaudengo in Torino, where she teaches History of Exhibitions and Curatorial Practices. In 2009 she was invited by Thomas Hirschhorn to fill the role of Ambassador of the Bijlmer Spinoza Festival, Amsterdam. In 2005 she curated historical and archival research for the site-specific project by Antoni Muntadas On Translation: I Giardini (Spanish Pavilion, 51st Venice Biennale). Her most important publications include: Thomas Hirschhorn. The Bijlmer Spinoza Festival (in preparation for Humboldt Books); 1948 1968 The Venice Biennale at its turning, in AA.VV. Making Art History in Europe after 1945, (Routledge/Ashgate, 2018 with S. Collicelli Cagol); 1970: A Biennale in Search of Itself ( The Exhibitionist, no. 11, 2015); The Multi-Cellular Structure of the Venice Biennale, in AA.VV., Pavilions. Art in Architecture (ECAV - La Muette, Brussels, 2013); Just Another Exhibition: storie e politiche delle biennali, with F. Martini, (Postmediabooks, 2011); Questions of Authorship in Biennial Curating, in AA.VV. The Biennial Reader. An Anthology on Large-Scale Perennial Exhibitions of Contemporary Art (Bergen Kunsthalle-Hatje Cantz 2010); A brief history of I Giardini, in AA.VV. Muntadas/ON Translation: I Giardini, Spanish Pavilion (Actar, 2005). Paola Nicolin Curator of the Talks programme A historian of contemporary art and curator, she is the founding director of the art and education centre the classroom (theclassroom.it). With a PhD in Theory and History of the Arts, she has taught History of Modern and Contemporary Art since 2008 at Bocconi University in Milano. Since 2009 she has been a contributor of Artforum; she was the art editor of Abitare (2006 11) and was in charge of the programme of exhibitions of the City of Milano Department of Culture (2011 13). In 2014 she worked at the Italian Pavilion of the Venice Architecture Biennale, and she has co-curated solo shows by Markus Schinwald (Milano Triennale) and Susan Philipsz (Villa Croce, 2015). She has written many texts and publications, including: Diario Psichico. Analisi di una mostra d arte contemporanea (with Masbedo, Quodlibet, 2016), Susan Philipsz: Follow Me (Humboldtbooks, 2015), She: La figura femminile nel lavoro di Adrian Paci (Johan&Levi, 2014), Alberto Garutti: Didascalia (Mousse/Koenig, 2012), Addio Anni 70: Arte a Milano 1969-1980 (Mousse, 2012), Castelli di Carte: La XIV Triennale di Milano (Quodlibet, 2011), Being Cattelan (Abitare-RSC, 2011), Palais de Tokyo: Sito di creazione contemporanea (Postmediabooks, 2006). She is a member of the Committee of Experts of Fondazione Carriero. She lives and works in Milano. Abaseh Mirvali Curator Walkie Talkies programme An independent curator of contemporary art and architecture and project producer, Mirvali has recently curated the project of the Iranian artist Abbas Akhavan, a permanent installation on the roof of FLORA ars

+ natura in Bogotá, Colombia. In 2015 she curated the first exhibition in Latin America of the English artist and Turner Prize winner Simon Starling, at the Luis Barragán House and Studio and Museo Experimental El Eco in Mexico City. In 2013 she worked on the concept and programme of the Biennial of the Americas, as executive director and commissioner. Previously (2005-09) she was the executive director of the Colección Jumex and Fundación Jumex Arte Contemporáneo, where she organised and developed one of the most important collections of contemporary art in Latin America. Presently Mirvali is on the Board of Women s Weekend México and the Selection Committee of Bellagio Creative Art Fellowship for Visual Artists of the Rockefeller Foundation. She lives and works in Berlin and Mexico City.

Oval Created in 2006 as the ice stadium for the Torino Winter Olympics, the Oval is a glass pavilion in the heart of Lingotto neighbourhood, the historic industrial district reconverted for the city by Renzo Piano. The Oval, with its naturally illuminated 20,000 square metres of space, has hosted Artissima since 2010. Artissima srl Artissima is a brand of Regione Piemonte, Città Metropolitana di Torino and Città di Torino. On behalf of these three authorities, it is promoted by Fondazione Torino Musei. The 24th edition of Artissima is being held with the support of the three brand-owning authorities, jointly with Fondazione per l Arte Moderna e Contemporanea CRT, Compagnia di San Paolo and Camera di Commercio di Torino. The organisation of Artissima is overseen by Artissima srl, a company formed in 2008 to manage the fair s artistic and commercial relations. Fondazione Torino Musei 150,000 art works, 2000 years of history, four museums, a great heritage. Fondazione Torino Musei was created in 2002, the first example of its kind in Italy. It includes GAM Galleria Civica d'arte Moderna e Contemporanea, Palazzo Madama-Museo Civico d'arte Antica and MAO Museo d'arte Orientale. The outstanding heritage both of collections and buildings, as well as the programme of major annual events such as Artissima, make the cultural offering of Torino one of the most outstanding in Italy, thanks also to active partnerships with leading national and international museums and foundations. The key words for Fondazione Torino Musei are: INNOVATION research and development of standards of excellence in research, management and socialisation of cultural heritage; CREATIVITY participation in cultural life and visits to museums can contribute actively to the development of society, well-being and fulfilment of individuals, enriching, in a reciprocal exchange, the life experience of human beings of all ages; ACCESSIBILITY commitment to make our heritage available to all citizens of the world, of different languages, physical and social backgrounds, developing digitisation programmes and accessibility to our heritage on a global scale; NETWORKS building networks of relationships and exchanges with institutions and public and private entities in Italy and in the world to enrich the cultural offering and expand the frontiers of research, also in an interdisciplinary perspective.

GALLERIES Main Section 401CONTEMPORARY, Berlin; AB/ANBAR, Tehran; LUIS ADELANTADO, Valencia, Mexico City; ADN, Barcelona; SABRINA AMRANI, Madrid; APALAZZO, Brescia; ARTERICAMBI, Verona; ALFONSO ARTIACO, Napoli; ENRICO ASTUNI, Bologna; PIERO ATCHUGARRY, Pueblo Garzón; AURAL, Alicante; BALICE HERTLING, Paris; :BARIL, Cluj-Napoca; BENDANA PINEL, Paris; ISABELLA BORTOLOZZI, Berlin; THOMAS BRAMBILLA, Bergamo; BRAVERMAN, Tel Aviv; CABINET, London; CARDELLI & FONTANA, Sarzana, S. Stefano di Magra; GALLERIA DEL CEMBALO, Roma; CHARIM, Vienna; CHERTLÜDDE, Berlin; ANTONIO COLOMBO, Milano; CONTINUA, San Gimignano, Beijing, Les Moulins, Havana; RAFFAELLA CORTESE, Milano; GUIDO COSTA PROJECTS, Torino; RICCARDO CRESPI, Milano; CURRO, Guadalajara; MONICA DE CARDENAS, Milano, Zouz, Lugano; DE' FOSCHERARI, Bologna; UMBERTO DI MARINO, Napoli; ERMES-ERMES, Vienna; RENATA FABBRI, Milano; FRITTELLI, Firenze; FUORICAMPO, Siena; CHRISTOPHE GAILLARD, Paris; HÄUSLER, Zurich, Munich; ANTONIA JANNONE, Milano; GEORG KARGL, Vienna; KOW, Berlin; LAVERONICA, Modica; LOOM, Milano; LUCE, Torino; MADRAGOA, Lisbon; MAGAZZINO, Roma; NORMA MANGIONE, Torino; PRIMO MARELLA, Milano; MARSO, Mexico City; MASSIMODELUCA, Mestre-Venezia; MAZZOLENI, Torino, London; MAZZOLI, Berlin; GRETA MEERT, Brussels; FRANCESCA MININI, Milano; MASSIMO MININI, Brescia; VICTORIA MIRO, London, Venezia; MONITOR, Roma, Lisbon; FRANCO NOERO, Torino; LORCAN O'NEILL, Roma; OSART, Milano; OTTO, Bologna; P420, Bologna; PACI, Brescia, Porto Cervo; PAPILLON, Paris; ALBERTO PEOLA, Torino; RAFAEL PÉREZ HERNANDO, Madrid; GIORGIO PERSANO, Torino; PHOTO&CONTEMPORARY, Torino; PODBIELSKI, Berlin; GREGOR PODNAR, Berlin; PROFILE, Warsaw; PROGETTOARTE ELM, Milano; PROMETEOGALLERY, Milano, Lucca; PROYECTOS MONCLOVA, Mexico City; REPETTO, London; RIBOT, Milano; MICHELA RIZZO, Venezia; RODEO, London; ROSSI & ROSSI, London, Hong Kong; LIA RUMMA, Milano, Napoli; RICHARD SALTOUN, London; ROSA SANTOS, Valencia; SMAC, Cape Town, Johannesburg, Stellenbosch; SOMMER, Tel Aviv; SPAZIOA, Pistoia; SPROVIERI, London; TAIK PERSONS, Berlin, Helsinki; TEGA, Milano; TUCCI RUSSO, Torre Pellice; UNTILTHEN, Paris; UNTTLD, Vienna; VARTAI, Vilnius; VISTAMARE, Pescara; HUBERT WINTER, Vienna; JOCELYN WOLFF, Paris; ZAK BRANICKA, Berlin Dialogue SAMY ABRAHAM, Paris; AIKE DELLARCO, Shanghai; ANNEX14, Zurich; ROLANDO ANSELMI, Berlin, Roma; THOMAS BERNARD - CORTEX ATHLETICO, Paris; JACOB BJØRN, Aarhus; BOCCANERA, Trento; BWA WARSZAWA, Warsaw; CAR DRDE, Bologna; CARBON 12, Dubai; COLLICALIGREGGI, Catania; COPPERFIELD, London; EX ELETTROFONICA, Roma; FOLD, London; MARIANE IBRAHIM, Seattle; IRAGUI, Moscow; JOSH LILLEY, London; EVA MEYER, Paris; ANI MOLNÁR, Budapest; OPERATIVA, Roma; ALBERTA PANE, Paris, Venezia; PM8, Vigo; ANCA POTERASU, Bucharest; PSM, Berlin; REVOLVER, Lima; RIZZUTOGALLERY, Palermo; SERVANDO, Havana; STEINEK, Vienna; THE ROOSTER, Vilnius; RITA URSO, Milano; VITRINE, London, Basel; WALDEN, Buenos Aires; WORKPLACE, Gateshead

New Entries A-LOUNGE(A-L), Seoul; ACAPPELLA, Napoli; ART+TEXT BUDAPEST, Budapest; BAD REPUTATION, Los Angeles; CLIMA, Milano; ESPACIO EL DORADO, Bogotá; FRANCISCO FINO, Lisbon; KASIA MICHALSKI, Warsaw; PLACENTIA ARTE, Piacenza; ROEHRS & BOETSCH, Zurich; EDUARDO SECCI, Firenze; VIASATERNA, Milano; MAXIMILLIAN WILLIAM, London Present Future SALVATORE ARANCIO, FEDERICA SCHIAVO, Milano, Roma; OMAR BA, TEMPLON, Paris, Bruxelles; BERTILLE BAK, THE GALLERY APART, Roma + XIPPAS, Paris, Geneva, Montevideo, Punta del Este; TODD BIENVENU, SÉBASTIEN BERTRAND, Geneva; TINA BRAEGGER, WEISS FALK, Basel; VON CALHAU!, PEDRO ALFACINHA, Lisbon; COCO CRAMPTON, BELMACZ, London; DAVID DOUARD, CHANTAL CROUSEL, Paris; ELIZA DOUGLAS, AIR DE PARIS, Paris; GENUARDI/RUTA, FRANCESCO PANTALEONE, Palermo, Milano; PAKUI HARDWARE, EXILE, Berlin; INVERNOMUTO, PINKSUMMER, Genova; NICOLÁS LAMAS, SABOT, Cluj-Napoca; MIRIAM LAURA LEONARDI, MARIA BERNHEIM, Zurich; NIKLAS LICHTI, EMANUEL LAYR, Vienna, Roma; CAROLINE MESQUITA, CARLIER GEBAUER, Berlin + T293, Roma; CATHERINE PARSONAGE, HOUSE OF EGORN, Berlin; JOANNA PIOTROWSKA, MADRAGOA, Lisbon; MARTA RINIKER-RADICH, FRANCESCA PIA, Zurich; CALLY SPOONER, GB AGENCY, Paris + ZERO..., Milano Back to the Future SANTI ALLERUZZO, SPAZIOA, Pistoia; RASHEED ARAEEN, ROSSI & ROSSI, London, Hong Kong; LUCIANO BARTOLINI, STUDIO DABBENI, Lugano; MARION BARUCH, ANNE-SARAH BÉNICHOU, Paris + LAURENCE BERNARD, Geneva; JUDY BLUM REDDY, TWELVE GATES ARTS, Philadelphia; ANNA VALERIA BORSARI, STUDIO G7, Bologna; PHILIP CORNER, UNIMEDIAMODERN, Genova; JACQUELINE DE JONG, DÜRST BRITT & MAYHEW, Den Haag; AMALIA DEL PONTE, GALLERIA MILANO, Milano; NATHALIE DU PASQUIER, APALAZZO, Brescia; JEAN DUPUY, LOEVENBRUCK, Paris; MARIANNE EIGENHEER, VON BARTHA, Basel, S-chanf; JORGE FERRÉ, SENDA, Barcelona; ESTHER FERRER, ÀNGELS BARCELONA, Barcelona; VERA ISLER, BALZER PROJECTS, Basel; VIVIENNE KOORLAND, RICHARD SALTOUN, London; CORRADO LEVI, RIBOT, Milano; SERGIO LOMBARDO, 1/9UNOSUNOVE, Roma; ELISA MONTESSORI, MONITOR, Roma, Lisbon; BEVERLY PEPPER, KAYNE GRIFFIN CORCORAN, Los Angeles; NICOLA PONZIO, RICCARDO COSTANTINI, Torino; MARILENA PREDA-SÂNC, EASTWARDS PROSPECTUS, Bucharest; ÀNGELS RIBÉ, ANA MAS PROJECTS, Barcelona, San Juan; DIET SAYLER, 418GALLERY, Cetate, Munich, Bucharest; JOACHIM SCHMID, P420, Bologna; ROBERTO TURNBULL, TIRO AL BLANCO, Guadalajara; JAN VERCRUYSSE, TUCCI RUSSO, Torre Pellice + VISTAMARE, Pescara Disegni CHARLES AVERY + CLAUDIA WIESER, STUDIO SALES DI NORBERTO RUGGERI, Roma; VANESSA BEECROFT, LIA RUMMA, Milano, Napoli; ULLA VON BRANDENBURG, PRODUZENTENGALERIE HAMBURG, Hamburg; GUGLIELMO CASTELLI, FRANCESCA ANTONINI, Roma; MARIANA CASTILLO DEBALL, PINKSUMMER, Genova; CÉLINE CONDORELLI, VERA CORTÊS, Lisbon; TOMASO DE LUCA, MONITOR, Roma, Lisbon; PATRIZIO DI MASSIMO, T293, Roma; MARK DION, IN SITU - FABIENNE LECLERC, Paris; JAN FABRE, MARIO MAURONER, Vienna, Salzburg;