1 A pair of famille verte vases, each one with a ribbed body decorated with standing Manchu/Chinese beauties, both approx. 26 cm high, with underglaze blue Qianlong four-character mark, but not of the period (2) 2 Four items of famille rose, comprising a circular Canton dish, 26 cm diameter, a Canton bowl, 26 cm diameter; a Canton vase, 26 cm high and another vase decorated with panels of figures, 21 cm high (4) 3 Two Chinese Export blue and white tureens, each one with associated domed cover; one decorated on both body and cover with a farmer leading a water buffalo, 33 cm long; the other similar but designed with buildings and river craft in a lakeside landscape, 31 cm long. Both 18th/19th Century (2) 4 An associated pair of Chinese Export, blue and white dishes; each one of octagonal form, decorated with the Daoist theme of a recumbent stag beneath a pine tree, 31 cm wide, Qianlong (2) 5 An octagonal, Chinese Export blue and white dish, similar to the preceding lot, decorated with the Daoist theme of stag and pine, about 34 cm wide, Qianlong; together with three associated, graduated dishes, all similarly decorated, the largest about 31cm wide (4) 6 A famille rose tureen cover of domed form with knop finial, 20 cm diameter, Yongzheng/Qianlong; together with three Chinese Export blue and white dishes and a number of other Chinese Ceramics including a bowl decorated with the linear combinations of the I Ching (Classic of Changes) (10) 7 Four objects of Japanese metalwork including a koro with karashishi finial; together with a number of other items, including: three Kobe okimono; a Chinese snuff bottle; a Chinese metal lined wood cup; a soapstone dish carved as a leaf; and a white metal box and cover (lot) 8 A famille rose teapot with associated domed cover, decorated with a Manchu/Chinese family beside Scholar's implements, 19cm long, Qianlong 9 A wucai oviform vase, decorated in underglaze blue, aubergine, yellow, orange and green with a dragon and a long-tailed bird beside sacred symbols or other designs; metal mounted for electrical use. The porcelain Chongzhen or later. Overall height about 69 cm 10 A wucai oviform vase, decorated in aubergine, black, underglaze blue, green and orange with a pair of Buddhistic Lions jumping through bold floral designs; metal mounted for electrical use; overall height about 44cm 11 Two Canton famille rose vases, a famille rose vase with four-character mark; an imperial yellow ground baluster vase with domed cover; and a circular lacquer box and cover containing an hors d'oevres set of seven dishes, the last 32 cm diameter (5) 12 A famille rose Chinese snuff bottle, decorated with two European beauties; the base with Qianlong four-character mark but not of the period and post Qing Dynasty 13 A pair of Chinese pictures; each one depicting a narrative scene, possibly relevant to the use of opium. Qing Dynasty or later; both framed and glazed. Overall dimensions of each one 47 x 46 cm (2) 30-50 250-300 250-300 50-60 300-500
14 Ong Kim Seng, watercolour on paper, a street scene, 73.5 x 53 cm, signed at bottom right with the date '79' For a similar composition, dated 1991 and entitled 'Chinatown' compare Bonhams and Goodman (Lot 198/13-7-2015). The artist is also known for acrylic on canvas; see Sotheby's Modern and Contemporary Southeast Asian Art sale of 3-4-2017 (lot 309) for his work entitled 'Nepal'. 15 A Japanese picture of two Sennin, possibly once mounted as a kakejiku; both figures seated beside a Karashishi or other Buddhist Lion; one Sennin holding a libation cup containing an elixir. Overall dimensions approximately 117 x 69 cm; single line inscription with eight characters and two seals at bottom left 16 A small famille rose oviform vase with Tongzhi six-character mark, 6cm high; a small blue and white cup with loop handle, 9 cm high; a famille rose vase decorated with lotus, 10 cm high; and a blue and white dish, decorated with birds, 27 cm wide (4) 17 An elegant famille rose tureen cover of circular form with knop finial, decorated with an elegant design of birds and flowers; 20 cm diameter, Yongzheng/Qianlong 18 A blue and white dish of circular form with reticulated rim; decorated with a fisherman in a mountainous river landscape; 28 cm diameter; the base with old label stating: 'Kieng Lung/1736-1795' 19 A Chinese blue and white dish, decorated with a central panel of a flower arrangement, 20.5 cm diameter, Kangxi Provenance: The Property of a Lady, from a Private English Collection. The base of the plate with Christie's label for the Parham Park (Pulborough, West Sussex) sale/13th and 14th May, 1996/Lot 639-3. 20 A famille rose vase, decorated with a narrative scene of scholars in a landscape, possibly from The Romance of the Three Kingdoms; 59 cm high, the base with Qianlong six-character mark, but not of the period 21 A clair-de-lune (yueh-pai style) monochrome bowl, with curvilinear design on the exterior; 21 cm diameter, the base with underglaze blue six-character Yongzheng mark, but not of the period 22 A Guanyao or ge yao style oviform vase decorated on both interior and exterior with various lines of crackle; 27cm wide and 17 cm high, post Qing Dynasty 23 A Chinese blue and white bowl, decorated with four panels of narrative scenes; 20 cm diameter, the base with Kangxi six-character mark, and of the period Provenance: The Property of a Lady. From a Private English Collection. 24 A famille rose Chinese snuff bottle decorated with a pair of birds and other animals in flight beside a weeping willow (or other tree); about 5.5 cm high; the base with four-character Daoguang mark, and possibly of the period 500-800 20-30 250-300 20-40 300-400
25 A Doucai bowl, decorated with underglaze blue cloud scrolls dividing four shaped panels of various fruit in flower, about 9.5 cm diameter; the base with underglaze blue Chenghua six-character mark but not of the period and post Qing Dynasty 26 A gilt metal incense burner of tripod and circular form, 6.5 cm diameter; the base with Xuande six-character mark but not of the period; together with a seal of square form surmounted by a mythological animal, 3.5cm square (2) 27 A mottled green jade carving of a coiled cat, curled up on a leaf, 5.5 cm long; post Qing Dynasty 28 A mottled green stone figure of a standing elephant looking to the left and wearing a long howdah cloth; 4 cm long, post Qing Dynasty 29 A green jade pendant of shaped, rectangular form decorated with archaic style motifs, 5cm long and 3.5 cm wide; post Qing Dynasty 30 A jade or glass necklace with about 74 spherical beads and a pendant designed as a recumbent mythological animal, 38 cm long when worn; post Qing Dynasty 31 A small green jade figure, carved as a recumbent Buddhist Lion with a pup on its back, 4.5 cm long, post Qing Dynasty 32 Five Chinese snuff bottles, including: a cloisonne enamel bottle decorated with floral designs; an imitation white jade bottle; and an glass bottle decorated on both obverse and reverse with a scholar (5) 33 A small green jade designed as a mythological animal with a long tail, standing on a gourd, 5.5 cm high; post Qing Dynasty 34 A Chinese, green jade circular applique decorated with a reticulated design of four mythological animals, nearly 6cm diameter, mounted on a white metal sprung clip; together with a small soapstone carving of a lady standing beside a seated man, 6.5 cm high (2) 35 A mottled cream/grey jade bangle of circular form, carved on the exterior with a continuous inscription written in archaistic bronze, or other, script; exterior diameter about 7.5 cm and interior diameter about 6 cm Some dark grey or black inclusions to the stone 36 A green jade pendant of whitish hue, decorated with a boy on the obverse and a four-line inscription on the reverse; 5.5 cm long and 3.5 cm wide; post Qing Dynasty 37 A mottled jade belt hook with mythological animal head and oval boss; 8.5 cm long, Qing Dynasty or later 38 A blue and white porcelain archer's ring of typical cylindrical form, decorated with a scholar playing a stringed instrument beside a pine tree; a blue and white Chinese snuff bottle with Kangxi four-character mark; a blue and white snuff bottle of cylindrical form decorated with a five-clawed dragon; a green glazed Chinese snuff bottle; a small blue and white vase and cover; and a snuff bottle decorated en-cameau with a mountainous landscape (6) 39 An agate Chinese snuff bottle, decorated with a scholar kneeling beneath a bat, 5.5 cm high 500-700 400-500 100-120 200-250
40 A Cantonese ivory fan with 19 sticks; decorated with typical designs of figures, gardens and trees; 19 cm high, Qing Dynasty Provenance: The Property of a Gentleman. 41 A Cantonese ivory fan with twenty sticks; decorated with typical designs of figures, gardens and trees; 19 cm high, Qing Dynasty Provenance: The Property of a Gentleman. 42 Six small cabinet or scholar's objects, comprising: a wood netsuke of a karashishi; a mottled green dish, 5.5 cm diameter; an oval seal; a green stone or jade figure, 8 cm high; a mottled stone carving designed as a squirrel and a gourd, 5.5 cm high; a small figure of Budai, 4 cm high (6) 43 Two Burmese or other South East Asian ivory figures; each one carved as a dancer, the taller 18 cm high and the smaller 12 cm high, 19th Century; both fixed with a wood stand (2) 44 An ivory netsuke of three karako, standing beside one another and studying two makemono, unsigned, 4 cm high, Meiji Period 45 A small ivory okimono, carved as two artisans working together on a large sculpture of a karashishi; 4.5 cm long, inscribed (Masamitsu?), Meiji Period 46 An ivory netsuke carved as three blind masseurs (amma) fighting with each other, 4cm high, unsigned, 19th Century 47 Seven ivory netsuke, including: one of Jurojin holding a makemono; and one of Gama Sennin holding his magic toad; the tallest 9.5 cm high. All 19th/20th Century (7) 48 A stained ivory okimono, carved as a standing festival entertainer (or other character), wearing waraji and with his hair cut in sakayaki; the base with kanji inscription, 18 cm high, Meiji Period 49 A stag antler netsuke of a standing Sennin, holding a staff and with different sized holes for the himotoshi; 8.5 cm high, Edo Period 50 Two Satsuma vases: one of tapering hexagonal form decorated with Samurai, 14 cm high; the other decorated with a floral design beside a gagaku curtain, 17.5 cm high; Meiji Period or later (2) 51 A Satsuma koro with pierced domed cover and karashishi finial; decorated in gilt and colours with groups of Yamato Nadeshko, standing in a garden landscape, 20 cm high; two kanji, post Meiji Period 52 A pair of Chinese famille rose, millefiori vases; each one decorated with typical dense floral designs and trumpet necks, 20 cm high, 20th Century (2) 30-50 20-30
53 An Ottoman style, hanging ornament of spherical form, decorated with blue, orange and black motifs, 16 cm high 40-50 This style of ceramic ornament seems to date from at least the 16th Century. Compare for instance a similar, but larger, example of about 32cm in the Brooklyn Museum (Accession Number 43.24.8). Attributed to Iznik, the Brooklyn example is dated to circa 1575-1585, and therefore may have been manufactured within a decade of Suleyman The Magnificent's reign which ended in 1566. 54 A small Northern Sumatran Kris and scabbard, overall length 27 cm; together with a circular cash (possibly Chinese or Vietnamese), decorated with four characters, 10.5 cm diameter; and a Japanese alloy or antimony dish decorated with a kacho-ga of birds and flowers, about 12 cm square (3) Provenance: The Property of a Gentleman. The Kris was presented to him in about 1979 by His Excellency, Mussakar Walad, Governor of Aceh (North Sumatra). 55 A set of eleven blue and white saucer dishes, each one decorated with the Sanxing as a metaphor for Fuxing, Luxing and Shouxing; 14 cm diameter, Qing Dynasty or later (11) 56 A Chinese, powder-blue ground planter or small fish bowl; decorated with shaped panels of floral arrangements and scholar's implements; 26.5 cm diameter; post Qing Dynasty 57 A cream-grey bottle vase of square section; decorated on each rectangular panel with carved floral designs; 23 cm high; the base with an oval seal mark and old label stating: 'Rectangular Bottle/Blanc-de- Chine/Te Hua porcelain/decorated with lotus leaves. Height 9 ins x 3 1/2 ins broad' ' 58 A reticulated wood panel or applique, probably Indian, decorated with arches, floral and other motifs; dated 1891. Dimensions approximately 112 x 57 cm 59 A Chinese yellow-ground, famille rose teapot and domed cover with gilt peach finial; decorated with panels depicting birds and flowers; 16 cm long, Qing Dynasty (2) 60 An Asian rectangular box with hinged cover and metal fittings, decorated on the cover with two Chinese, or other, characters within an overlapping circle motif; 42 x 30 x 37 cm, 19th or 20th Century 61 A blanc-de-chine style figure of Guanyin, the Bodhisattva of Mercy; seated in dhyanasana on a lotus base, and wearing a typical cowl, 19cm high 62 A Japanese textile picture of a lakeside landscape, post Meiji Period, framed and glazed. Overall dimensions about 135 x 42.5 cm 63 A bronze, or other metal, tripod incense burner with two pierced handles and fitted stand; 18 cm diameter and 17cm high; the base with Xuande six-character mark but not of the period. 80-100 150-180 30-50 40-50 200-250 20-40
64 A Japanese metal and enamel dish by Ando of square form, decorated with floral designs on a green ground, 23.5 cm square, Showa or Heisei Period; together with a similar metal and enamel dish of rectangular form, 24 x 18 cm; six white metal and enamel dishes of rectangular form, each one 14 x 10 cm; and a Japanese bamboo wall hanging, 41 x 38 cm (9) 65 A pair of blue-ground Satsuma vases; together with a Japanese Imari dish of kikugata form; and a Japanese cloisonne enamel dish. The last decorated with a kacho-ga of natural history and 24 cm diameter (4) 66 A teadust monochrome (Ch'a yeh mo style) vase of mallet form with trumpet neck; 20 cm high, the base with Qianlong six-character mark, but not of the period 67 Six Asian pictures, comprising: a textile picture of a Heian lady courtier; a Himalayan Tantric Mandala; a picture of two horsemen hunting wild boar; and three Japanese pictures of Temple grounds by Gihachiro Okuyama (1907-1981). Each of the last three about 27 x 20 cm including framing (6) 68 Attributed to Agnes Cripps, pigment on paper, a mother and child in a mountainous region, possibly near Cherat now in the Province of Khyber-Pakhtunahwa (Nowshera District, Pakistan); 43 x 30.5cm; inscribed at bottom right 'A Cripps 1873'; the reverse of the paper inscribed: 'This picture was dated (on the back of the mount) 1874, & entitled Himalayan Hillwomen. Signature AS (?) Cripps-1873 (see bottom R corner)' 20-50 80-100 300-500 20-40 Provenance: The Property of a Lady, and once owned by her Mother, M.M. Kaye, Authoress of 'The Far Pavilions'. Compare a watercolour of 1872 by Agnes Grace Cripps, also depicting a mountainous landscape, said to be Cherat in the Peshawar Valley, and listed by Christie's King Street. This mountainous region, centred on Peshawar, in north western Pakistan is one of the country's four administrative locations. 69 Sakamoto Koichi (Born 1932); a Japanese print of a thatched dwelling in a mountainous landscape; signed at bottom right and numbered 4/100; framed and glazed; overall dimensions including the frame about 55 x 44 cm 70 Tetsuro Sawada (Born Hokkaido, 1933-1998), serigraph on paper of an abstract and tiered landscape; signed at bottom right and numbered 25/60; framed and glazed. Overall dimensions including the frame 71 x 56 cm See 'The Japanese Print Since 1900' by Lawrence Smith (British Museum Publications/1983/No.134) for other details of Tetsuro Sawada's work. 71 An oban tate-e of two Kabuki protagonists, probably Onoe Kikugoro and Nakamura Fukusuke; together with three other oban tate-e, comprising: one of an Onnagata with a Katana, signed Toyokuni; one of a Samurai wearing geta and holding a katana, signed Kunisada; and one signed Kuniyoshi (4)
72 A presentation box of Ando Hiroshige facsimile images; each one taken from an original in the Tokaido Road series; together with a related, Japanese language, booklet and map, giving notes on each of the Tokaido stations from Nihonbashi in Edo to the Great Bridge at Sanjo in Kyoto. Each image oban yoko-e (lot) 73 An oban yoko-e of Taira Shigemori and Kiyomori from Chikanobu's Tale of The Heike; framed and glazed 74 Utagawa Kuninao, 1795-1854, an oban yoko-e of Act VI (Rokudanme) from the Series Shinhan Uki-e Chushingura (The Tale of The 47 Ronin), framed and glazed For a similar example of this print, compare Museum of Fine Arts, Boston (Accession Number RES.49.128). Kuninao's work is also represented in The Met (see Accession Number JP1936). Compare also Bonhams, San Francisco (Lot 443/28-9-2005) which includes four prints also from the Shinhan Uki-e Chushingura. 75 A Japanese shibui metal tetsubin with looped handle, cover and finial; 12 cm high, probably Taisho/Showa Jidei 76 A famille rose punch bowl, decorated with floral designs, 27 cm diameter; two small famille rose cylindrical vessels, decorated with Heroes from The Wu Shuang Pu of 1694, the taller with a cover and 5 cm high; and a blue and white ginger jar with four-character Kangxi mark, but not of the period (4) 77 A celadon ground, underglaze blue and underglaze red vase, decorated with the Daoist theme of a stag and a crane beside pine, 24 cm high; the base with Kangxi six-character mark but not of the period 78 A Doucai planter with unglazed base, decorated in underglaze blue and colours depicting floral and scrolling designs; 27 cm diameter and 17.5 cm high; post Qing Dynasty 79 An interesting Chinese doll of a standing scholar or high ranking official; with a painted ceramic face, arms wrists and head dress; wearing a long blue gown and painted ceramic Manchu black boots, 35 cm high, late Qing Dynasty or later Provenance: The Property of a Lady who was given the doll by her Aunt, Mrs Evelyn Roberts, perhaps about 40 years ago. By repute that the doll had been collected by a former Ambassador to Peking, but this tradition has not been proved (however, see the handwritten note attached to the doll). 80 A Mughal or Gurjarati style ceremonial mace or chob with wood handle and knop finial, decorated with a mother-of-pearl design held with pins, overall length 43 cm For another example of this design, compare V&A No IM.228-1927 bequested by The Marquess Curzon of Kedleston, 1859-1925. 81 A group lot including: ten small, blue enamel ground applique; a small sculpture of a Buddhist deity seated on a lotus base, 5 cm high; a small sculpture of a mythological animal, 4 cm long; and a small translucent seal (18) 30-40 20-30 30-50 20-40 20-30 20-30 400-500 2,000-3,000
82 An Ottoman-style pen case or Kubur of cylindrical form with three sections; decorated with gilt cartouche containing floral designs, 25.5 cm high 83 A Canton famille rose vase with trumpet neck; decorated with a narrative scene of Emperors, or other high ranking officials, and their attendants, 63 cm high, Qing Dynasty 84 A Deccan style, metal dervish crutch (Zadar Takiyah Gupti), decorated with a gilt design of floral and other motifs, 52 cm. long For a similar crutch, compare the British Museum example, thought to possibly be Mughal (British Museum Number 1995, 0726.1). 85 A pair of Ottoman style calligraphy scissors, decorated with a gilt damascened design, overall length 27.5 cm Compare another pair in The British Museum calligraphy set (Museum Number 2002, 0819.10). 86 A Turkish bow of typical Hilal Kuram (Crescent Moon Curve) form, decorated on both front and back with floral motifs, unstrung, 82 cm wide Compare a similar bow in the British Museum (Museum Number As 1954, 07.6) that may also be Turkish, although said to be acquired in Sri Lanka. 87 A Gujarati or Indo-Portuguese style circular dish, decorated on both the obverse and reverse with carved and pinned mother-of-pearl, nearly 20 cm diameter 800-1,200 700-1,000 1,200-1,800 800-1,200 800-1,200 1,200-1,800 Compare a large mother-of-pearl basin of circular form, made in Gujarat in The British Museum (Museum Number OA.2644). See also the mother-of-pearl circular salver from Gujarat, acquired by the Victoria and Albert Museum in 1857 (4282-1857). 88 A carved wood calligraphy stand or other applique, 56 cm high 600-800 89 A Kutahya pottery circular ink pot with two detachable ink wells, decorated in yellow, green, blue and turquoise with floral motifs, 13 cm diameter. 90 Two Persian turquoise ground vases; each one decorated with floral designs, the smaller 28 cm high, 19th or 20th Century (2) 91 A tall Ottoman style glass ewer with curved spout and looped handle on a cylindrical base, 40 cm high 92 A gilt metal figure of an Androgynous Hindu Deity, possibly Ardhanarishvara; standing on a circular domed base with eight arms, 23 cm high 93 An Armenian Russian or Turkish white metal linked belt 80 cm long, each of the 17 links designed with floral or architectural motifs, 20th Century 94 A Mazarin, or other, blue monochrome bottle vase with tall cylindrical neck, 23 cm high, post Qing Dynasty 80-100 600-800 60-80 300-400 40-80
95 A sang-de-boeuf (langyao style) vase with cylindrical neck and oviform body, 29 cm high, post Qing Dynasty 96 A blue and white dish, decorated with a formal lotus design; 20 cm diameter, the base with Qianlong six-character mark but not of the period and post Qing Dynasty 97 A Sino-Tibetan or Himalayan gilt bronze figure of Tara, the Bodhisattva of Compassion in Mahayana Buddhism, seated on a lotus base in typical lalitasana with her right foot on the padma stem, and with her hands expressed in vitarkamudra, 19th century, 23 cm high Provenance: The Property of a Gentleman. 98 A bronze or other alloy figure of Guandi, Hero of Three Kingdoms and protagonist of Sanguo Yanyi, seated on a dragon decorated armchair with his right arm raised in salutation; 21 cm high 99 A famille rose, cylindrical jar and cover decorated with long-tailed birds and large flowers, Tongzhi four-character mark but not of the period, 14.5 cm high 100 A pair of bronzed style Asian elephants, looking to the left and right, each one designed with a howdah cloth and a two-tiered pagoda with a dragon on the roof; both about 38 cm high, 19th Century (2) 101 A Chinese antimony, or other metal alloy tea caddy of square section with cylindrical top; decorated with panels depicting landscapes and pagodas; nearly 12 cm; post Qing Dynasty 102 A Chinese cloisonne enamel box and cover, designed as three scrolls mounted beside one another. The top scroll with a sliding drawer, 19.5 cm long, post Qing Dynasty 103 Three Middle Eastern or North African circular dishes: the largest 70 cm diameter with inscriptions, possibly from The Holy Quran (3) 104 An ivory or bone inlaid ink blotter, possibly Anglo-Indian, 15.5 cm long; together with a tray, 37 cm long; and a pair of hinged book-ends, 38 cm long (3) 105 A turquoise ground, famille rose bowl decorated with invertebrates and flowers, about 17.5 cm square, Jiaqing six-character mark but not of the period 106 A Chinese blue and white vase of cylindrical form, decorated with a design of birds and flowers, 29.5 cm high; post Qing Dynasty 107 A small collection of Kashmiri lacquer, comprising: a circular box, 20 cm diameter; six small bowls; a single bowl, 24 cm diameter; together with four Mughal-style wood figures; a candlestick on circular base; a teapot and cover; and a glazed ceramic bowl, 15 cm diameter (15) 108 A famille verte bitong of typical, cylindrical form; decorated with a scholar seated in a retreat overlooking a mountainous, river landscape; 13 cm high, post Qing Dynasty 109 An Armenian glazed tile, decorated with Christ in Majesty with the symbols of the Four Evangelists at each corner, comprising the Winged Man for St. Matthew, the Eagle for St. John, the Winged Lion for St. Mark and The Winged Ox for St. Luke; 25 x 20 cm 800-1,200 20-30 200-400 20-30 500-600 30-60 30-60 300-400 120-150
110 A Chinese pink-ground textile tunic with cream sleeves and turquoise silk facings, diameter for neck 10 cm when three top buttons fastened; length of sleeves about 36 cm; Qing Dynasty or later Provenance: The Property of a Lady. 111 A mottled agate, or other, model of a seated dog, 10 cm high; together with: a green stone figure of a dog; a Chinese soapstone seal, 7cm high; a ceramic chopstick rest designed as a boy; a small Chinese white metal model of a sailing vessel; a white metal figure of a standing fisherman; and two small pieces of Japanese cloisonne enamel (8) 112 A green jade of whitish hue, carved as a recumbent Buddhist Lion, looking over its shoulder, 7.5 cm long, post Qing Dynasty 113 A Mughal-style spinach green jade, or other stone, handle; designed with a Ram's head at the apex; 35 cm high; possibly intended as a Crutch handle 114 A small white monochrome dish of circular form; 9 cm diameter, underglaze blue Qianlong six-character mark, but not of the period and post Qing Dynasty. 115 A large Chinese blue and white vase with trumpet neck, decorated with a bold design of confronting dragons beside a flaming pearl, Qing Dynasty, 63 cm high 116 A pair of Chinese blue and white vases; each one of double gourd form decorated with two Manchu/Chinese beauties alternating with panels depicting birds-of-prey, 25 cm high, Kangxi four-character marks but not of the period (2) 117 Seventeen Chinese mother-of-pearl gaming counters, including three designed as fish; all Qing Dynasty (17) 118 A pair of famille rose candle holders of hookah base form for the Indian or Rajasthani market, each decorated with floral and other designs; 12.5 cm diameter and 18 cm high, Qianlong six-character marks but not of the period (2) For the background to this genre and export market, see Mary Greenstead and Peter Hardie's book 'The Indian Connection/City of Bristol Museum and Art Gallery' produced in conjunction with the October to November 1982 exhibition. 119 Two underglaze blue decorated Chinese vases, one decorated with confronting dragons and one depicting Buddhist Lions beside clouds, both with a four-character Chenghua mark but not of the period, the taller vase 26 cm high (2) 120 A small blue and white vase of rouleau form decorated with three fishermen in a mountainous river landscape, about 20 cm high, post Qing Dynasty 30-50 500-700 600-800 300-500 300-500 500-800 150-180
121 An elegant Chinese Export white metal tea service, comprising: an oviform teapot with hinged cover by Wang Hing & Co. decorated in high relief with a design of a dragon and a phoenix, 24 cm long, hallmarks WH 90, together with a sugar bowl decorated with botanical designs, about 15 cm diameter and a cream jug decorated with birds, pine and fruit, 13 cm diameter, the last two also hallmarked. Qing Dynasty (3) 122 Four Chinese Export porcelain bowls comprising: one in famille rose, 15 cm diameter, one in Chinese Imari, 20 cm diameter, one in verte-imari, 23.5 cm diameter and one in rose-imari about 24 cm diameter. All 18th/19th Century (4) 123 A famille rose vegetable tureen with domed cover and two en-suite stands, each piece decorated with flower sprays, the tureen itself with orange rabbit-head handles, about 20 cm long (4) 124 An unusual famille rose punch bowl, decorated with three rams or goats in a garden landscape, 26 cm diameter, late 18th/19th Century 125 A famille rose tankard of typical cylindrical form, decorated with four Manchu/Chinese figures on a garden verandah, 12.5 cm high, Qianlong, together with four famille rose saucers and four teabowls (9) 126 A famille rose bowl of foliate form with turquoise interior, decorated on the exterior with formal lotus; 19 cm diameter; the base with Daoguang six-character mark, but not of the period Provenance: The Property of a Lady. 127 A Canton famille rose teapot of cylindrical form, decorated with typical panels of Natural History designs and narrative scenes with Manchu/Chinese figures; 16 cm high, Qing Dynasty 128 A Japanese Imari deep bowl, decorated in underglaze blue, orange and other enamels with panels depicting lakeside landscapes and floral designs, 28 cm wide and 19.5 cm high; Edo Period or later 129 A small famille verte saucer dish, decorated in blue, green, orange, aubergine, yellow and underglaze blue with a design of birds, flowers and invertebrates, 13.5 cm diam., Kangxi 130 An Ottoman style gilded metal Hamam, or other, bowl of circular form, 20.5 cm diameter; decorated with bands of lozenge designs divided by lines of text; the base with a circular mark and the rim with a circular hole 131 A small bamboo carving of the Daoist, Shoulao riding a stag and holding a handscroll with the right hand, about 10 cm high, Qing Dynasty; together with a kuro-nuri Bezique counter with ivory and shibayama hinges, decorated with animals or invertebrates, 9.5 cm long, Meiji Period (2) 132 Tay Bak Koi (Singaporean 1939-2005), an ethereal landscape with figues, gouache on paper, signed Bak Koi at lower left; 76cm x 71cm, framed and glazed 500-800 300-500 20-30 30-50 250-350 80-150 800-1,200 Provenance: The Property of a Gentleman.
133 A Kuthaya style pottery ewer and cover with domed cover and knop finial, decorated with floral designs in spiralling panels, about 35 cm high, possibly Western Anatolia This type is also known with a Turkish inscription around the neck, stating 'Icilmez mi elinden su, geturmi-i bir keman abru' which roughly translates as 'who would turn away drinking water when served by an eyebrow with such an arch?' 134 An Isnik glazed pottery tile of rectangular form, decorated in red, green, blue and black enamel with saz leaves and floral designs, 39 x 23 cm 135 A small Chinese blue and white vase, decorated with birds and flowers, the base with Kangxi four-character mark but not of the period, 15 cm high 136 A small celadon vase of oviform design, presumably after a Northern Song original, decorated with petal and lozenge motifs, about 10 cm high, post Qing Dynasty 137 A Chinese Export teapot with domed cover and knop finial; decorated in rouge-de-fer and underglaze blue with floral and garden designs, 18th Century. 138 A Chinese white metal cup and saucer; the cup with eight sides and decorated with floral designs and Chinese characters; the saucer, similarly decorated, about 11 cm square, both cup and saucer marked, Qing Dynasty or later (2) 139 A Chinese cloisonne enamel vase and cover with knop finial, 38 cm high, post Qing Dynasty 140 A Chinese, or other Asian, cosmetics box of rectangular form with integral, hinged cover, decorated with an iridescent shell design incorporating three figures (possibly The Three Vinegar Tasters of Confucianism, Buddhism and Daoism), 35 x 26 x 21 cm; metal fittings, 19th or 20th Century 141 A Japanese lacquered wood writing slope of rectangular form, decorated with a kacho-ga design beside Fujiyama; 45 x 32 x 23 cm, Meiji/Taisho Period 142 A green jade carved as Budai, seated on a large lotus leaf with two children, 7cm high, post Qing Dynasty 143 A set of six Chinese pewter tankards; each one with looped handle, giltmetal interior and glass bottom. All about 12 cm high, and marked 'Kut Hing, Swatow' (6) 144 A Japanese cloisonne enamel, tapering oviform vase decorated with three red-capped Manchurian Tsuru in flight, un-marked, 22 cm high, Showa Period 145 A Japanese, red basse-taille enamel vase with trumpet neck and circular base; 9.5 cm high, Meiji Period or later with an associated stand (2) 350-450 500-700 30-50 30-50 30-50 150-200 150-180
146 Two pieces of Chinese blue and white porcelain, comprising: a pilgrim flask with typical, cylindrical body decorated with Manchu/Chinese musicians, 26.5 cm high; and a vase of hexagonal form, decorated with confronting, four-clawed dragons, 18 cm high. Both late Qing Dynasty (2) 147 A Canton famille rose vase, decorated with typical designs of Manchu/Chinese figures; 41 cm high, late Qing Dynasty 148 Two panoramic textile pictures, comprising: one of the waterfront in Shanghai; and one of a pagoda beside a river (possibly the pagoda and anchorage at Mawei near Foochow; compare Royal Museums Greenwich/No. PAJ 2079). Each one about 83 x 19.5 cm and framed and glazed (2) 149 A pair of Chinese blue and white vases; each one with a domed cover and knop finial, decorated with sacred and scholar's objects. Both with a Kangxi six-character mark on the base, but not of the period (2) 150 A large underglaze blue decorated Chinese vase with cylindrical cover; decorated with a Scholar and Accolyte beside floral designs on a crackled ground, 26 cm high; the base with Chenghua four-character mark but not of the period 151 A Japanese Gyokuro (shaded green tea) set comprising: a hohin teapot, 10 cm long; a water cooler 9 cm wide; and a set of teacups, each one 5 cm high. All contained in its original, kanji inscribed, fitted wood box. 152 Seven pieces of Chinese Export blue and white porcelain, comprising: a bowl, 14 cm diameter; four teabowls and three saucers, all 18th/19th Century; together with a provincial blue and white vase, 23.5 cm high (9) 153 A pair of Canton famille rose vases; each one decorated with panels depicting Manchu/Chinese families, 25 cm high, Qing Dynasty (2) 154 An Ottoman Ruznamah (portable calendar or almanac) of typical scroll form with ivory rollers, written in Naskh (Nesih) or other script; length about 92 cm and width about 8.5 cm, signed Mehmet Amin, undated but probably 19th Century For a similar calendar, dated AH 1224/1810 AD, signed by Katib Muhammed Ma'ruf Na'ili, see the Metropolitan Museum of New York (Accession Number 1990.265). 155 A powder-blue ground oviform vase, decorated with panels depicting Kylin or other mythological animals, 23 cm high, Qing Dynasty with an associated wood cover (2) Provenance: The Property of a Lady. From a Private English Collection. 156 A blue and white oviform vase, decorated with Manchu/Chinese boys dancing with their mothers; 21.5 cm high, Qing Dynasty, with an associated, circular cover (2) 200-400 1,000-2,000 500-600 20-30 20-30 500-800 300-500 400-500 Provenance: The Property of a Lady. From a Private English Collection.
157 A blue and white oviform vase, decorated with two panels depicting scholar's implements on a cracked-ice ground; 17 cm high, Qing Dynasty 158 A small famille rose vase of approximately Zhadou form with turquoise interior, decorated on the exterior with lappet motifs and formal lotus, 8 cm high, Qing Dynasty Provenance: The Property of a Lady. From a Private English Collection. The base with 'Artemesia/Alresford/Hants' circular label. 159 A cafe-au-lait ground famille rose bowl, decorated with leaf and fan shaped panels depicting floral sprays, 17 cm diameter; together with another bowl, decorated in underglaze blue, iron-red, green and black with four fish and a variety of other motifs, 14 cm diameter (2) Provenance: The famille rose bowl with torn Artemesia Antiques label. Both bowls the Property of a Lady. From a Private English Collection. 160 A blue and white, Dragon decorated bowl, 9.5cm high, the base with Kangxi six-character mark but not of the period 161 Five bowls, comprising: one with Nagel Auctions/Tek Sing Treasures label, 17.5 cm diameter; one in blue and white decorated with leaf shaped panels and boys, 19.5 cm diameter; one in famille rose, 13.5 cm diameter; and two blue and white bowls (5) Provenance: The Property of a Lady. From a Private English Collection. 162 A Chinese blue and white plate decorated with floral and plant designs, 22 cm diameter, Kangxi; together with two Japanese sometsuke dishes, including one decorated with Hotei, 22 cm diameter (3) Provenance: The Property of a Lady. The Kangxi dish with label stating: 'Christie's Lot No. 639/3 Parham Park/13 and 14 May 1996' 163 A group lot of ceramics, comprising: a Blanc-de-Chine figure; a cafe-aulait ground cup and saucer for the Batavian Market; two blue and white vases; three Battle of Britain Flight Commemorative dishes; a Japanese sometsuke incense holder or other vessel; six small pieces of blue and white; two famille rose cups; two green glazed cups; three wood stands and a wood cover (lot) 164 Eight various items, comprising: a blue and white oviform vase and cover, decorated with confronting dragons, 16 cm high; a beaker vase with foliate rim, six-character mark; a small blue and white ginger jar with four-character Kangxi mark; a blue monochrome vase and cover; a cup with four-character Kangxi mark; a small famille rose dish with Guangxu mark, 7 cm diameter; and two famille rose dishes with foliate rim and underglaze blue six-character mark (8) 165 A Chinese blue and white oviform vase, decorated with two confronting dragons and floral designs, 19.5 cm high, together with an associated wood cover (2) 250-350 120-200
166 A large Chinese Export blue and white ewer with loop handle, decorated with a landscape containing pine trees and pagoda buildings, 38 cm high, Qianlong/Jiaqing 167 A Chinese picture of a scholar in a mountainous landscape; two line inscription beside two red seals; framed and glazed with overall dimensions 138 x 37 cm 168 A cylindrical bamboo bitong, decorated with three Daoist scholars in a pine covered retreat, Qing Dynasty 169 Two Japanese works of art, comprising: an ivory card case decorated on both front and back with a kacho--ga, 9 cm high; and a circular cloisonne enamel dish decorated with a kacho-ga of a bird and flowers, 30 cm diameter; both Meiji Period (2) 170 A pair of famille rose vases, 36 cm high; and a pair of celadon ground famille rose dishes, 21.5 cm diameter. All late Qing Dynasty (4) 171 A Japanese Imari vase of gourd form, decorated in underglaze blue and typical colours with shaped panels of ho-o birds, 35.5 cm high, Meiji Period 172 An underglaze blue decorated, Chinese vase with domed cover and Buddhist Lion finial, decorated with a narrative scene of warriors and horsemen; about 48 cm high; Chenghua four-character mark but not of the period (2) 173 A Chinese Export 'Mandarin Palette' vase of hexagonal form, decorated with trapezoid panels depicting Manchu/Chinese figures and floral designs, 31 cm high, Qianlong. Provenance: The Property of a Lady. Compare a pair of similar vases, dated to circa 1775, offered by Sotheby's in their 'Kentshire: A Legendary Collection', New York 18-10- 2014 (Lot 46). 174 A small pair of Chinese, or other, bronze vases; each one with trumpet neck and animal handles, decorated with a band of lappet-shaped motifs. Both about 12 cm high (2) 175 A Japanese textile decorated with a kacho-ga of two red-capped Manchurian Cranes beside flowers; framed and glazed overall dimensions 123 x 61 cm 176 An associated pair of Canton famille rose vases; each one with trumpet neck and decorated with narrative scenes; about 60 cm, Qing Dynasty 177 An old Chinese green silk dragon robe, finely decorated with bold designs of dragons, cloud scrolls waves and other motifs; the wrist length about 40 cm and the collar diameter about 21 cm 178 A famille rose bitong of cylindrical form, decorated with flowers in a garden, gilt rim, 12.5 cm high, post Qing Dynasty 179 A tomato-red ground bowl with foliate rim, decorated in famille rose and other enamels with a number of Manchu/Chinese boys in the interior and on the exterior, Qianlong six-character mark but not of the period 300-400 200-250 20-30 150-200 300-400 30-50 30-40 1,200-1,500 300-350
180 A Chinese yueh pai style (clair-de-lune) monochrome vase with pierced handles and trumpet neck; 13 cm high; the base with underglaze blue Yongzheng six-character mark, but not of the period 181 A small Chinese green jade pendant of whitish hue, designed with a key -fret pattern and reticulated motifs; about 4.5 x 3 cm, post Qing Dynasty 182 A Chinese bamboo bitong of typical cylindrical form, decorated on the exterior with five scholars and their two accolytes, using two small river craft in a mountainous, river landscape, 13 cm high, Qing Dynasty or later 183 A group of fourteen Chinese soapstone or other carvings, including: a pair of Buddhistic Lions, each one 7 cm long; a green stone monkey; a soapstone vase, decorated with vines, 13 cm high; two green horses (possibly from the set of Mu Wang's Eight Horses); and a soapstone seal surmounted by a Buddhistic Lion, 10 cm high (14) 183A A Chinese picture of three scholars beside a tree; red seal and three characters at top left. Framed and glazed, overall dimensions 27 x 18.5 cm 184 A gilt metal figure of the Mahayana Buddhist Deity, Amitabha, seated on a lotus base in dhyanasana and holding an alms bowl with his left hand; 17 cm high 185 Two Chinese, carved wood stands, including: one with underglaze blue porcelain plaque decorated with two confronting dragons, 92 cm high; 19th/20th Century 186 A large Indian painting, pigment on paper, depicting Blue Krishna and a Tiger above four other scenes comprising images of river craft and Maharajah (or other figures); framed and glazed, overall dimensions about 240 x 40 cm 187 An ersatz Japanese Daisho for Kenjutsu training; both the Katana and Wakizashi in buke-zukuri style koshirae; overall length of Katana about 104 cm (2) 188 A Chinese hardwood stand with inlaid mottled stone plaque of hexagonal form, and with a typical reticulated design; about 81 cm high, 19th or 20th Century 188A A Chinese hardwood stand on four flaring feet with circular marble, or other stone, inlaid top; the reticulated body designed as bamboo; 62 cm high, 19th/20th Century 189 Two green stone carvings, comprising: one of Budai with a monkey, 6 cm high; and one of two curled up felines, 3.5 cm long (2) 189A A pair of Chinese hardwood stands with circular marble, or other stone, inlaid tops; 42 cm diameter, 19th/20th Century (2) 190 An electroplated three-piece tea service, pair of open salts, cream and sugar pair on stand, various flatware, etc. (box) 191 A Victorian engine-turned card-case, Hilliard & Thomason, Birmingham 1865, to/w an Art Deco style, engine-turned cigarette case, S M Levi Ltd., Birmingham 1936 (2) 800-1,200 30-50 30-50 300-500 30-50 80-150 150-200 30-50 60-80
192 A pair of cut glass specimen flutes on loaded silver bases, Levi & Salaman, Birmingham 1905, 15 cm 193 A Victorian glass 'dimple' claret jug with star-cut base and silver collar, cover and handle, John Aldwinckle & Thomas Slater, London 1894 194 A pair of Victorian silver serving spoons with pierced MC monogram finials, twist stems and engraved foliate bowls, Jehoiada Alsop Rhodes & Barber, Sheffield 1873, 4 oz 30-50 180-220 40-50 195 A pair of loaded silver short baluster candlesticks, Chester 1910. 8cm 30-40 196 A late Victorian ebony walking stick with silver band, Birmingham 1900, to/w four silver napkin rings, four mustard/salt spoons, a pair of Indian low-grade baluster pepperettes chased with temple dancers and a Continental gilt metal snuff box with filigree overlaid decoration (12) 197 A silver and tortoiseshell ring-box, Birmingham 1925, to/w a Victorian electroplated three-piece tea service with gourd finial and rococo engraving, on scroll feet, Phoenix maker's stamp, an Old Sheffield Plate snuffers tray with gadrooned rim, an electroplated sugar basket, a caddy spoon, toast rack, and cigarette lighter (box) 198 A heavy quality cut glass jug with electroplated collar, cover and patent lift-out ice-holder, to/w a writhen-moulded 'glug-glug' decanter with embossed silver-mounted stopper, Sheffield 1898 (2) 199 A set of four hunting quadrant glass spirit bottles with electroplated stoppers, in stitched cylindrical leather case, to/w various kings pattern and other flatware, plated on copper cigarette box, etc. (box) 200 A small quantity of silver and plated flatware including a Victorian pair of salad servers of Secessionist design with ivory handles, to/w a Victorian engraved electroplated salver 201 A Victorian plated on copper meat dome, to/w a heavy quality cut glass biscuit barrel in electroplated stand, a pair of entrée dishes and covers, Victorian teapot, flatware and other tableware (box) 202 Four electroplated tea caddies with screw covers, engraved for Fortnum & Mason 203 An electroplated half reeded 'Aladdin' three-piece tea service on stemmed foot rims 204 Two engine-turned silver cigarette boxes and a capstan inkwell, to/w various electroplated wares, including a hot-water jug, entrée dish and cover, bread-dish, taste-vin, flatware, etc. (box) 60-90 50-70 50-70 50-70 205 A set of six individual electroplated coffee pots 206 A quantity of electroplated ware, including plates, cocktail shaker, place mats, flatware, etc. (box) 207 A large electroplated table lamp with reeded column and square base, 60 cm high overall 208 A quantity of good quality electroplated ware to include; asparagus dish with tongs and sauce-boat, oil and vinegar bottles on stand, claret jug, candelabrum, biscuit barrel, stemmed bowl, flatware, etc. (box)
209 A small Old Sheffield Plate tureen and cover with gadrooned rim and lion-pad feet, to/w a pair of electroplated baluster candlesticks in the Georgian manner, 25 cm high (3) 210 A Victorian electroplated tankard by Elkington, Mason & Co. (1842-64), to/w a wine funnel, brandy warmer, Danish design desk-tidy by E. Dragsted and a pair of knife rests cast as lurchers joined by riding crops (7) (box) 211 A pair of late Victorian loaded silver short candlesticks with palmate sconces and cluster columns, on stepped square bases, Hawksworth Eyre & Co. Ltd., Sheffield 1895, 14 cm high 212 A pair of Georgian bead-edge table spoons, a pair of table forks and two dessert spoons - various makers and dates George III - William IV, 9.8 oz (6) 213 A matched set of Victorian silver fiddle pattern flatware, including four tablespoons and six each table forks, dessert forks and spoons and seven teaspoons 48.5 oz 214 An engine-turned cigarette case, Birmingham 1930, to/w a pair of pin dishes inscribed 'Lilac Time', London 1937, a Christening mug, London 1933, two 1887 crowns and other silver coins, an Edwardian engraved silver pill-box, a small quantity of flatware and two napkin rings, 18.2 oz total 215 A silver and enamel powder compact set with a naval crown, a somewhat similar rouge-pot and a pocket comb-case, to/w a similar base-metal powder compact (4) 216 Various oddments of silver, including Albert watch-chain, matchbook case, stamp-case, penknife, propelling pencils, 1817 halfcrown F, 1826 shilling VF, etc., to/w a Charles Horner base metal thimble, etc. 217 Three cased Danbury Mint silver commemorative ingots with related first day covers - Silver Jubilee (2) and Tower of London 900th anniversary 218 A Danebury Mint cased set of twelve silver ingots - The Royal Arms Collection, Birmingham 1976, 18 oz, with documents 219 Eleven various cut glass scent bottles and flasks - mostly with silver collars (box) 220 A circular silver ring-box, Birmingham 1911, to/w two American Sterlingoverlaid scent bottles and stoppers (1 a/f), an 1889 Crown set in a brooch and a bracelet and pendant fashioned from silver coins 50-70 70-100 450-500 170-200 50-70 150-200 221 A silver photograph frame on oak back, Birmingham 1923, 29 x 18 cm 30-50 222 A William IV fiddle, thread and shell butter knife, London 1833, to/w various other flatware, a mustard pot and an ashtray 223 A silver and parcel gilt champagne flute on textured stem, Mappin & Webb, London 1975, 7.2 oz, 16 cm high 224 A George III silver small stemmed bowl with reeded rim, fluted sides, moulded stem and domed foot, Henry Chawner, London 1790, 2.3 oz, 8.3 cm diameter 50-70 60-90
225 A silver-cased boudoir clock with Swiss movement and shield-shaped body (marks rubbed), 13 cm high 226 A Jack Spencer design silver pin-dish of oblong form with textured rim, no.148, Sheffield 1978, 10.7 x 7.4 cm 227 Four Egyptian white metal pill boxes, to/w an imitation amber pendant (5) 228 A late Victorian silver 'pebble' snuff box, George Unite, Birmingham 1899, to/w a US Sterling bonbon dish with pierced rim, by J. E. Cauldwell & Co. (2) 229 A silver two-handled trophy cup, London 1922, with ebonised plinth, to/w an oval capstan inkwell on weighted foot, six various silver napkin rings, a small scent flask and an electroplated wafer-box with turned handle 230 A silver and tortoiseshell ring-box, to/w a matching cut glass trinket bowl and cover, Albert Carter, Birmingham 1928/29 and a pierced bonbon dish on scroll feet, Sheffield 1929 (3) 231 A heavy quality silver matched cream and sugar pair of lobed form with reeded rims, Edward Barnard & Sons Ltd., London 1903/10, 9.2 oz 232 A heavy quality silver sugar basin, James Dixon & Son, Sheffield 1944, to/w two Edwardian cream jugs in the Georgian style, Birmingham 1901 and Chester 1908 (3), 10.5 oz 233 An Edwardian pair of floral-embossed silver pepperettes, Birmingham 1903, to/w a mustard pot and two open salts with blue glass liners, Chester 1915/16 and two Scottish Georgian salt spoons (7), 8.2 oz 234 An Edwardian silver boudoir clock with platform escapement and enamel dial, the case with top swing handle and bracket feet, Henry Matthews, Birmingham 1903, 11 cm high overall 235 A small silver boudoir clock with French movement and gilt-decorated enamel dial, the case with top swing handle and compressed bun feet, London 1912, 8.5 cm high 236 An Edwardian chamber candlestick in the 18th century manner c/w associated snuffer, Birmingham/London 1906 to/w two cased pairs of Christening spoons and forks, a cased miniature condiment set, Coronation marked London 1952, a pair of loaded silver flute vases, Birmingham 1907 and a cased Meerschaum pipe with amber stem (box) 237 A George III Adam-style silver sweetmeat basket of navette form with swing handle and bright-cut and wriggle-work engraving on oval stemmed foot, William Adby II, London 1800, 8.6 oz, 15.5 cm wide 238 A late Victorian embossed silver bachelor tea pot with matching milk jug, Elkington & Co., Birmingham 1897, 10.2 oz, to/w an Edwardian mustard (as found) and a plated on copper oval dish 239 A Sheraton revival pierced silver bonbon dish of navette form with stemmed foot, Henry Matthews, Birmingham 1913, 4.7 oz, 15 cm wide 50-70 70-100 60-90 100-120 300-350 280-320 70-100 150-200 50-70