HOME ECONOMICS (DRESS AND DESIGN)

Similar documents
2009-CE-HE (DRESS) HOME ECONOMICS (DRESS AND DESIGN)

Creative Patterns. School Uniform Pattern Catalogue. Tuesday, 15 September 2009 NOTE: Information subject to change.

Level 3 Award / Certificate in Fashion ( /13) October 2017 Version 2.1

2014 Delivery Program - Part A

My Financial Future, Beginner

EC Guides to Buying Women's Ready Made Dresses

~========================~

Damián Márquez Tailoring & Alterations 91 Vivian Rd, Harborne B17 0DR Price Guide 2017

FACULTY OF SCIENCES SYLLABUS FOR. PG Diploma in Garment Construction & Fashion Designing (Semester I to II) Examinations:

MNPE In Collaboration with. Karnataka State Open University. Manasagangotri, Mysore-6. Syllabus Certificate in Fashion Designing

ES 838 June 1979 CREWE THE LOOK YOU. Like-WITH LINE. Oregon State University Extension Service

(HOME SCIENCE) VI - Semester HS6BO11U FASHION DESIGNING AND APPAREL PRODUCTION

The areas of a style that may be noticed right away by the customer. What is the 1st thing the customer sees?

Style Code: Y03900 LEGENDS DENIM

A few notes about PDF patterns from Designs by Jude...

DO YOU HAVE BLOUSON: CERTIFIED DAY SHIFT WEAR FOR FIREMEN HB PROTECTIVE WEAR

INVITATION TO BID BID FORM

THE CREATIVE SEWING WORKSHOPS

PatternMaker Outerwear Garment Macros

XS S M L XL 2XL 3XL 4XL 5XL Chest Collar

Making Perfect Pants

CHAPTER 12 Children's Clothing Analysis of the Sizing of Children's Clothing

A few notes about PDF patterns from Designs by Jude...

Level 2 Award/Certificate/Diploma in Fashion ( /12/22) September 2017 Version 3.1

EC Altering Women's Ready-Made Dresses

Pin your patterns to prevent them from moving and cut even with [the patterns ] edge, because the drawing includes the seams.

PRICE LIST Market Centre Bloxwich Walsall WS3 2JE. Tel: Mobile:

Corporate. 7O Years of INNOVATION

EC Altering Women's Ready Made Dresses

Faculty of Arts & Social Sciences

Tag #PatternOrchard on social media when sharing photos of items made from a Pattern Orchard pattern to spread the word about this free resource.

Clothing showcase INFORMATION ON. Clothing and Textile Showcase OBJECTIVES

Notes: Chest and waist measurement taken with the garment closed on the flat

FORM 4. and properties (physical and chemical) of the regenerated fibres. (viscose, acetate, modal, lyocell) 2

Fit and Cut Dictionary

Wardrobe Catalogue 2017

U.S. Navy Uniform Regulations Summary of Changes (April 2018)

Casual or Creative Choice Packet with Forms 4-H FASHION REVUE CONTESTS 2018 Casual Outfit and Creative Choice

EASY CARE OXFORD SHIRTS

PatternMaker Software Men s/women s Outerwear Collection Designer: Leena Lähteenmäki

Safety Award Program LOGO BROCHURE. Port & Company - Washed Twill Cap. CP78. Port & Company - Beanie Cap. CP91

SEWING *STATE FAIR PROJECT* THESE REQUIREMENTS SUPERSEDE YOUR PROJECT MANUAL.

How to Make a Basic Skirt

Fashion Curriculum Portfolio

Shirt Range. Trouser Range. High Vis Range. Denim Tops & Bottoms. Healthcare Range. Hospitality & Catering Range. Sweater Range.

HARD WORKING. HARDWEARING. SINCE 1871.

Payless Uniform Product Brochure

INDUSTRY AND TECHNOLOGY Institutional (ILO), Program (PLO), and Course (SLO) Alignment

Apparel Merchandising Study Guide Circle the correct answer for each question below

METHODS TO MASTER: Skirt Fitting

Organza This delicate fabric adds weightless support to your garments without increasing bulk

SECURITY. We confess, our security garments are a steal.

Mechanical Stretch Trouser. Corporate Blazer. Stylish fit. Traditional tailoring. 4NMT Adults, 4NMT1 Ladies 4MCJ

Class: XII Fashion Studies Marking Scheme Time: 3hours M.M 70. S. No. Section A Marks

DUBITEX TEXTILES GET DRESSED FOR WORK UNIFORM BED & BATH PROMOTIONS

Fashion Design & Merchandising Programs STUDENT INFORMATION & COURSE PARTICIPATION FORM

EC Easy Fashions for You

MAKING SURE YOU ARE COMPLETELY. COVERALL: HABETEX Micronplus

Wardrobe Planning CIP

CS-DUST - BARRON POLY COTTON DUST COAT

WRAP DRESS 340,00. woolen wrap dress with a small lapel collar, snap fastening and a full lining. 100% virgin wool dryclean

Knowing About Fashion

What are the Elements of Design?

COPYRIGHTED MATERIAL. Chapter index. Part one: Flat cutting babywear (birth 2 years) Part two: Flat cutting basic garments (1 14 years)

New Look Collection Pant Jacket Fabric-Style- Measurement Form

MANUAL for TEACHING SEWING CLASSES using

Judging will be as follows: JUDGING GUIDE FOR FASHION REVUE

Welcome to the Edwards Transfer Store!

The Weiss School 4176 Burns Rd Palm Beach Gardens, FL Preferred School Number:

Regency Gown Pattern Instructions

Apparel Catalog. Ordering Procedure

New Look Collection Pant Jacket Fabric-Style- Measurement Form

Men s Suit Measure your best fitting suit

News You Can Use. LivingSoft Subscriber Newsletter Volume 19

Where wardrobes become complete

Dropped Waistline. Waistline seam placed below the natural waistline

Cooperative Extension Service College of Agricultural, Consumer and Environmental Sciences

ART.: 42W Z 90%pl 10%pu TRENCH COAT PATENT ECO-LEATHER DOUBLE BUTTONNED CLOSURE

Chapter Objectives. Garment Styling. Garment Styling. Chapter Objectives 1/23/12. Beyond Design

02 Comfort Wool Stretch Suiting. 18 Cool Stretch Plain Suiting. 36 Cool Stretch Pinstripe Suiting. Issue 2 Stock Service

30 ZIP-FRONT HIGH NECK SKIVVY shown in cotton rugby $ SKIRT with belt loops and side zip shown in cotton corduroy $47 unlined $53 lined

Heritage Pocket Polo

Ladies Style Guide. PlatinumApparelGroup.com Platinum International Apparel Group

N O O S NEVER OUT OF STOCK SPRING/SUMMER 2018

COLOUR 540, 940, 941 SEE PAGE 9

Medical Scrubs Excel Accuflex Top Style #575. Medical Scrubs Excel Accuflex Pant Style #985 4:1

Issue 87 August issue 2016 MOTIFS & TEMPLATES. Use these guides to get started today. MAXI DRESS By Melissa Mora

A U T U M N / W I N T E R

The Makers Customized

CAPARA DROP 3 JAN 2017

SCRUBS. New Styles. Stitch Logo, Inc stitchlogo.com 2017 PRINTS FUN COLORS AND BEAUTIFUL DESIGNS 2-TONE COLOR BLOCK DESIGNS

VOCABULARY. Fashion Marketing

DRAFT UGANDA STANDARD

Winter jacket. New! Chest pocket with ID-card pouch. Reinforced with Cordura on yoke and hem. Durable polyester with smooth quilted lining

DUST-FREE. MAKING SURE YOU ARE COMPLETELY

Front Center Placket Description & Requirements. Buttonhole & Button Sewing Requirements BUTTON & BUTTONHOLE SIZES & STITCH SETTINGS

Notice is hereby given of the following change and Questions and Responses to the above referenced RFP:

^>-,1^ J^' ')iifi. p^ 14. m- VT i* I. !^ ^t# ^.l** jtr 1% I* 1*^ '^s^ i> *^ # ti^ 1^ ^. J^ '*/ I*; (t ^"!% i«1*, t- ;%; i# ill? ^?' f^!

Wild Ginger Software Presents Say Yes To The Fit Dress And Pants. Hosted by Karen Campbell

from the Weaving Room WEAVING ROOM PATTERNS ON STAGE

Transcription:

HOME ECONOMICS (DRESS AND DESIGN) AIMS The aims of the examination are to test whether candidates have acquired : 1. an understanding of the place of textiles in modern fashions and the effect of social, cultural and economic influences; 2. an awareness of the aesthetic and functional importance of garment making which changes throughout life according to circumstances; 3. scientific and technological knowledge and skills in organizing and managing textiles and clothing resources, in relation to the needs and life styles of family members; 4. application of skills by safely utilizing the appropriate equipment used in garment construction; 5. an understanding of consumer responsibilities and protection. ASSESSMENT OBJECTIVES The examination will assess a candidate's ability in the Dress and Design subject areas to : 1. recall, select, analyse and apply knowledge relevant to the needs of a given situation; 2. identify the varying material factors involved in solving design and construction problems; 3. establish the priorities needed and plan a course of action in a well reasoned and organized manner; 4. carry out the planned course of action with relevant technological and scientific knowledge and skills to achieve an effective result. THE EXAMINATION Only schools which have suitable facilities for practical tests may present candidates for this subject. All the materials for these tests must be made available at the schools.

The examination will consist of : Paper 1 Theory (2 hours) (50%) Section A (30%) is a compulsory area of study. Four questions will be set. Candidates will be required to answer THREE questions out of four. Section B (20%) consists of TWO areas. One of the two areas will be studied. Three questions on each area will be set. Candidates will be required to answer TWO questions out of three from the area of study. Candidates are expected to show abilities not only in factual recall, but also in displaying higher level skills in applying knowledge, in analyzing situations, in selecting relevant facts and principles to solve problems, and in organizing and presenting ideas in a logical sequence. [N.B. Candidates may bring miniature figures and basic blocks (bodice, sleeve, skirt and trouser) in 1/5 scale.] Paper 2 Design and Pattern Construction (1½ hours) (15%) Two assignments will be set, each candidate will be given an assignment. Candidates will be required to : 1. draw the design of an outfit according to the requirement specified in the assignment on a piece of A3 drawing paper; 2. label the design features on the drawing; 3. state the appropriate fabric and sewing notions required; 4. construct the pattern for the assigned garment by pattern adaptation from basic blocks; 5. mark pattern specifications on the pattern pieces; 6. cut out all pattern pieces and hand these in together with the design. N.B. Candidates may bring miniature figures and full-size basic blocks (bodice, sleeve, skirt and trouser) drafted according to the following body measurements : Horizontal Measurement Vertical Measurement Bust 84 cm Nape to waist 38 cm Waist 64 cm Waist to hips/hip depth 18 cm Hips 88 cm Neck point to bust point 24 cm Back width 35 cm Sleeve length 56 cm

Chest Width 33 cm Skirt length/waist to knee 56 cm Shoulder to shoulder 38 cm Crotch depth 26 cm Bust point to bust point 16 cm Side length of trousers 98 cm Upper arm girth 26 cm Armhole 38 cm Wrist girth 15 cm Paper 3 Garment Construction and Project (35%) 1. Garment Construction (2½ hours) (25%) Candidates will be required to complete the assigned processes on the garment planned at the Design and Pattern Construction Paper with chosen fabric and sewing notions. 2. Project (10%) Candidates will be required to submit two garments and a design folio for each. (a) The garments (i) one dress/nightdress, (ii) one pair of trousers/shorts/culottes, The above garments should include varied and appropriate sewing processes and techniques. (b) The design folios Each folio should consist of the following : (i) the purpose of the design; (ii) design presentation; (iii) quantity of fabric and sewing notions with reasons for choice; (iv) cost; (v) cutting layout; (vi) a brief order of work in sewing up. [N.B. SI units will be used in the examination. Sewing machine should be used whenever applicable.]

THE SYLLABUS Section A 1. Design and Pattern Construction 1.1 Design (a) Figure drawing (b) Silhouette (c) Colour (d) (e) (f) (g) Fabric Fashion trend Design presentation Accessories 1.2 Pattern Construction (a) Body measurements (b) Block patterns (c) Pattern specifications (d) Pattern styling d.1 Fullness Figure proportion and poses Shapes, style lines, details, balance and proportion for individual figures (i) Basic concept and colour combinations (ii) Effects of colour on individual figures (i) Properties of natural and man-made fibres and fabrics (ii) Effects of fabric pattern and texture on individual figures (i) Current fashion and its application (ii) Social, economic and technical influences on fashion Front and back views of the garment with style feature indications Purposes, types and choice Accuracy in taking measurements Drafting of bodice, sleeve, skirt and trouser blocks Fitting line, cutting line, balance mark, straight grain, place on fold, C.F. and C.B. lines, name of pattern pieces, number of pieces to be cut and other relevant specifications Techniques of developing patterns from basic blocks Darts and dart manipulation, pleats, tucks, gathers, shirring, easing and casing

d.2 d.3 d.4 d.5 d.6 d.7 d.8 Necklines Collars Sleeves Skirts Trousers Yokes Pockets Round, square, "V" shaped, "U" shaped and boat shaped Flat, straight and stand Fitted, puff and shirt A-line, flared and gored (i) Straight and flared (ii) Shorts and culottes Shoulder and hip Patch, pocket in a seam and pocket cut as part of a garment 2. Technology in Garment Construction 2.1 Basic sewing equipment (i) (ii) (iii) (iv) (v) (vi) 2.2 Stitches (i) (ii) Choice, use and care Measuring and marking : tape measure, rulers, metrestick, measuring gauge, tracing wheel, dressmaker's tracing paper and dressmaker's pencil Cutting : cutting-out shears, pinking shears, trimming scissors and seam ripper Sewing : needles, thread, dressmaker's pin, thimble and stiletto Sewing machine : straight stitch, zigzag, automatic and electronic Attachments : zipper foot, hemmer foot, gathering foot and seam guide Faults and remedies Pressing : dry iron, steam iron, ironing board, sleeve board and pressing cloth Temporary : tacking, diagonal tacking and tailor's tacking Permanent : running, back, oversewing, hemming, slip-hemming, blanket, chain, herringbone, buttonhole and machine-stitch

2.3 Seams and seam neatening Plain, French, double-stitched and overlaid 2.4 Hems Straight, curved, skirt and false 2.5 Disposal of fullness Darts, pleats, tucks, gathers, shirring, easing and casing 2.6 Facings Straight, crossway and shaped 2.7 Decorative edgings (i) Use of crossway materials : binding and piping (ii) Trimmings : frills, lace, braid and ric-rac 2.8 Openings Faced slit, continuous wrap, bound, zipped, overlapping hems and false hems 2.9 Fastenings Button, press fasteners, hook and eye, hook and bar, tapes, velcro, worked loop and machined buttonhole 2.10 Collars Flat, straight and stand 2.11 Sleeves Fitted, puffed and shirt 2.12 Cuffs Band, turned up and shirt 2.13 Waist finishes Facing, waistband, casing for drawstring and elastic 2.14 Pockets Patch, pocket in a seam and pocket cut as part of a garment

Section B 1. Textile Knowledge 1.1 Fibres (a) Natural (b) Man-made (i) Properties (ii) Identification : microscopic examination and burning test (i) Vegetable : cotton and linen (ii) Animal : silk and wool (i) Regenerated : viscose rayon and acetate (ii) Synthetic : polyamide, polyester and acrylic 1.2 Yarns Filament, staple, spun and textured 1.3 Fabric (i) Construction : Weaving plain, twill and satin Knitting warp and weft (ii) Bonding and felting (iii) Blended and mixture fabrics (iv) Characteristic of woven, knitted, bonded, felted, blended and mixture fabrics 1.4 Fabric finishes Crease resistance, permanent press, mercerization, shrink resistance, moth proofing, flame retardant, water repellent 1.5 Choice and care (i) In relation to style, purpose, hygiene, safety and aesthetic appreciation (ii) Direction for sewing (iii) Laundering and care labels

2. Development of Dress Sense and Consumer Studies 2.1 Dress sense (i) Different figure types (ii) Choice of fabrics, colours, lines and proportions in relation to individual figures and personalities (iii) Use of co-ordinates and accessories to produce a 'total image'. 2.2 Wardrobe planning 2.3 The Consumer 2.4 Consumer protection (i) Review one's clothing and accessories (ii) Plan replacement and additions (iii) Innovations in wardrobe planning (iv) Budgeting (v) Choice of garments for different seasons, activities, occasions and age (vi) Consideration of the place of home-made and ready-to-wear garments (vii) Planning clothing for family members according to their needs Rights and responsibilities : education, accurate information, safety, choice, complaints and claims, healthy environment Laws governing labelling and quality of clothing 2.5 Shopping for clothes (i) (ii) (iii) (iv) (v) Assessment of fabric quality and workmanship Types of shops : department stores, street hawkers, specialist shops, boutiques Modes of shopping : in person, mail-order Ways of paying : cash, cheque, credit Advertising and media influences