the christopher tower poetry prizes 2018 SECRETS Judged by John Fuller Christopher Reid Peter McDonald oxford tower poetry 2018

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the christopher tower poetry prizes 2018 SECRETS Judged by John Fuller Christopher Reid Peter McDonald oxford tower poetry 2018

Tower Poetry is an organization based at Christ Church, University of Oxford, which offers opportunities and resources for young British poets. We aim to develop the role of poetry in education and enable new poets to develop their talents through a series of exciting initiatives ranging from courses, competitions, and workshops to readings and publications. Tower Poetry Christ Church Oxford OX1 1DP 01865 276156 info@towerpoetry.org.uk www.towerpoetry.org.uk Facebook page Tower Poetry Twitter @TowerPoetry You Tube Christophertower1 itunes: https://itunes.apple.com/gb/itunes-u/id381705764 the christopher tower poetry prizes 2018 First prize Richard taraneh peryie Bristol Grammar School Second prize untold secret to my mother lucy thynne Lady Margaret School, London Third prize A Secret No Longer robbi sher Highgate School, London Commended How to Invert a Hyperbolic Function annie fan Rugby High School, Warwickshire Corner table at Tom s Cafe miranda green Wells Cathedral School, Somerset The Mermaid ziqi yan Westminster School, London

taraneh peryie Richard I used to think all men were slaves to me, but with the keen flick of your eye, faster than a serpent s tongue, you swept through Jerusalem and called me to the foot of your bed. You smirk; some strong aphorism has played on your lips. Sweet, cool ablution; confessions to men in red; hermits fasting. All answer to you. The smooth lines of your neck, the arch of your back. I wake sweated over, filthy with want, full of threat and fallacy. first prize I want to scream, to sing about the whiteness of your throat, your cool nakedness. Ungodly red infection of the mind. Like the black-faced eremite on his pilgrimage from Edessa to the Holy Land, my feet will blister on stone. You know me by an unspoken name. Like the hailing chorus of Gabriel s wings, sounds that roll off your tongue, prickle against my skin. I ll never see fire or hear the sea again. From fertile sin, out shall spring an apple tree, share its fruit with me. I will stand by you. King of England dead, a sexless bedfellow. I gave you my soul. I damned the sweet rivers of wine and the protection of the archangel s wing seized hell as my home. And you gave me your sister. A marriage of starched sheets. Her sweet eyes aping your own, a reflection so dear it made me weep. 5

And is this how you ll keep me? A dog on a chain? A mocking ghost of the memory I kept of you. The faint likeness of blue irises? I will not ask. Two crowns cannot kiss. I want to rip out your tongue with my teeth. I want to ask why your face is so calm, as if you don t remember the embrace we shared, heat that passed between our bodies like ghosts. I could tear the hair from my head, watch it scatter like leaves, the hours burning on their own funeral pyre. If only god had reached down from Elysium and scorched my tongue to blistered snakeskin. You will forget, and history will never know, like water slipping through cracks in the sky into the ocean petrified into pillars of salt useless to a parched beggar s throat. We will disappear, but even now I will collect each moment, each sound, each soft sighing whisper like precious stones. I will etch into rock Once, I loved the king of France and keep it as a pebble in my palm, quietly turning its smooth sides around in my hands. Offish waters give their colour to you. The Seine. Now, we can say nothing at all. lucy thynne untold secret to my mother breastbone of water, hold me between the thin and the gap. ask me, soft, why i had wanted to sew absence into my skin. tell me that your body too had once learnt to translate hunger into another kind of emptiness; how you had used lack to chisel your flesh to glass. grip my thinning wrists like the white handles of kitchen knives, brush my hair out over your lap in a gleaming fan. like you used to do, when i ran about your feet and my thoughts had not yet contorted. foetal, i now curl and become a question mark at your toes. you say i m sorry, as if to apologise for all mothers who have watched daughters twin with bathroom mirrors, watched them cry into self-made carcasses. we gaze at the moon outside, an opal wound, second prize 6 7

but somehow we know it will heal itself in the morning. what is left to say about this night? shy, the sky begins to fold in on itself; presents the darkness we know only behind eyelids. i don t know who to tell so i shout it, huge, down my own throat while you are kissing my forehead, cool, the sheet so thin it leaves a bruise. robbi sher A Secret No Longer Now, a canvas of skin, lathered in orange foam. They bend her back in a wide arc: this to spread out your ribs and I think of moth wings, eyelids, legs things that open as though to reveal us but cannot. See how easy it is to push that first needle into her, swallowed then out third prize to be replaced by larger tubes: puncture, reflush, aspirate a stomach slit, easy as tongues through freshwater. Soon they will haul out the body. It will be grey-blue, and alive. 8 9

commended annie fan How to Invert a Hyperbolic Function After Chen Chen / After Cathy Linh Che Take the cone away from the cone and don t applaud it. I like to say that the body is a feat of engineering how God himself plotted the range of arcsinh, these bright mountains and light pollutions. Even if God has never spoken of anything like the night sky, cityscape to cityscape. In my sister s long decade of a kitchen, we shell boiled peanuts and she says learning the area is all there is; that Kepler himself used the constant for his calculations of Hyperion, hamburger moon. She fries mu er with steak and laughs and runs about her kitchen, a place that she bought before I was born. My sister, who predates the Internet. What is it like to know a quasar without accretion, to spin before the vast imagined planes of her cooking in 3D? I like to say every hand that s touched my body is modern maths, German: the word for dream, traüm; the fusions I thought holomorphic and holographic were the same word. Do you know? Does she care? I can add the number one to the number one. New York is the meat of our distance, fashioned brilliant in its false orbits, the large kitchen. A dream of every post-racialism and damn kind of flesh. So, what am I eating?: A partial differential of my mother, stranger Gods and their hypersurface domains. She does not know about the night I ran and threw myself onto a bridge, another feat of engineering. The steel was not New York, a cityscape, a microlocal analysis, a girl left unlocked and slipped right inside; this is the least remarkable thing: I am my sister s sister. I don t know how to solve the years, a construct connecting us. It took more than a decade of planning to find the God particle; its science and differentials, a pulling force; to bind Earth to light and her to me. 10 11

commended miranda green Corner Table at Tom s Cafe He had only just sat down, She s late, she was doing her hair And couldn t decide what to wear. He says he has to leave town. He doesn t have time to stick around, She just feels a chill in the air. She got those falling down the stairs. He ll stay for half an hour. She already ate, He s doing great, She gets a text, from No-one. This has been... fun. She s sorry she made him wait. He s going to be late. ziqi yan The Mermaid Enter a wanton dreamer of wrinkled and tarnished water. Who s this strange fish rising, shivering, shrivelling, gliding, thirsty eyes thirsting for shore? She could be any woman at all, and yet better mad with the crowd than sane all alone. Legless nymph of sleepless sorrow. Since fear is cracked and shame misshapen, the water torture of her secret pours into the evacuated channels of her spine, This scar, racing down the insides of her thighs, left / right : both her protection and her mutilation: in cutting her tail, she carves out a home. Of course, the children point and cry, not incurious, nor nocent yet: why she smells of blight, white froggy webbed fingers and a need to have her brittle bones near the great opulent water. commended They know there is something they do not yet know, better mad with the crowd than sane all alone. 12 13