R E D L I S T O F EGYPTIAN CULTURAL OBJECTS AT RISK

Similar documents
RED LIST OF AFGHANISTAN ANTIQUITIES AT RISK

RED LIST OF SYRIAN CULTURAL OBJECTS AT RISK. Introduction. Purpose

Cosmetic palette Fish. Cosmetic palette Turtle

DEPARTMENT OF HOMELAND SECURITY. U.S. Customs and Border Protection DEPARTMENT OF THE TREASURY. 19 CFR Part 12. CBP Dec RIN 1515-AE19

FEDERAL REGISTER NOTICE

The early Kushite kings adopted all Egyptian customs and beliefs. kings were buried on beds placed on stone platforms within their pyramids.

IRAQI CULTURAL OBJECTS AT RISK

Islamic Silver Art. The Saad Al-Jadir Collection

Concluded on May 15, 2007 Entered into force on April 13, 2011

LEADERS INSPIRING A KINGDOM IN THE BUSINESS WORLD PIONEER OF CHANGE THE FORGOTTEN CASUALTY OF WAR 8 SIGNS YOU RE AN ENTREPRENEUR

Agreement. of Cultural Property

School and Teacher Programs Teacher Professional Development Workshop Mesopotamia to the Mediterranean December 12, 2012

New Kingdom tombs. Tomb of Ken-amun. This tomb was also located on the west bank of Thebes. Ken-amen was the mayor of the Southern City

Cultural Corner HOW MUMMIES WERE MADE

In this pioneer edition we bring you only a small sample of the hundreds of available handicrafts, designs and color combinations.

An archery set from Dra Abu el-naga

Paul and Veronika Bucherer

Durham, North Carolina

FOUR CYLINDER SEALS FROM KITION

Nubia. Sphinx of Taharqo Kawa, Sudan 680 BC. Visit resource for teachers Key Stage 2

BOSTON MUSEUM BULLETIN VOL. LXX 1972 NO. 359

The ancient Egyptians believed that mummification would guarantee the soul passage into the next life. In no other civilization have such elaborate

Corroboree: 25 Years of Cooperation between Egyptians and Australians in the Field of Egyptology

ISLAMIC GLASS EAST AND WEST

Furniture. Type of object:

Indus-Saraswati Valley Civilization Arts and Culture

Children s Self-Guided Tour Of The Egyptian Museum In Cairo, Egypt. By Mona A. El-Bayoumi

Naukratis: Greeks in Egypt

The origin of man is believed to have started some 3 million years ago in southern Africa.

What Scientists Just Found Deep In The Ocean Is Seriously Unbelievable.

Touring Highlights from The Courtauld Gallery s Collection of Islamic Metalwork

For more than 2,000 years the area between the Carpathian Mountains, the Lower Danube and the Black Sea witnessed the use of ancient coins.

IRAN. Bowl Northern Iran, Ismailabad Chalcolithic, mid-5th millennium B.C. Pottery (65.1) Published: Handbook, no. 10

From Saqqara to St. Louis to Philadelphia

Case 1:18-cv Document 1 Filed 06/05/18 Page 1 of 11

TRAVELLING EXHIBITIONS BY THE ISLAMIC ARTS MUSEUM MALAYSIA (IAMM)

Age. Hallmarking Comes Of. Forevermark Drives Sales With Compelling Stories. India s Gems & Jewellery Net Exports Slip 12% VOD Gets Bigger And Better

Writer susan moore Photographs claudio bader

ADORNING THE KINGS- A PRIVATE COLLECTION OF ARCHAIC JADE ORNAMENTS THE PERFECT COUNTENANCE- FINE BUDDHIST WORKS OF ART

BULLETIN OF THE MUSEUM OF FINE ARTS VOLUME XXXVII BOSTON, JUNE, 1939 NUMBER 221. Harvard University-Museum of Fine Arts Egyptian Expedition

Exporting Egypt: Where? Why? Whose?

Museums in a Box Teacher s Notes The Egyptians

Newsletter 114 June/July 2018

Trade Wars and China Tariffs the Latest on the Threats to Brands and Retailers + Strategies for the Future

Control system for worked ivory in Namibia

MUSEUM OF FINE ARTS BULLETIN OF THE VOLUME LII BOSTON, DECEMBER, 1954 NO. 290

Where is Egypt? Egypt is in the North of Africa. It is in the middle of the Sahara Desert where nothing can grow but sand. ..but Egypt has the Nile

Palette of King Narmer

NUBIAN EXPEDITION. oi.uchicago.edu. Keith C. Seele, Field Director

The History of Jewelry-making: Throughout the Timeline

5,000 Year Old Ancient Mediterranean Artifacts Come to Calgary

Designer(s): Emily Potts. Show-Me Standards

The shabtis of the Lady TENT- IPET By Niek de Haan Second edition 2008

1 A good Antique enamelled sign. 2 A pottery dessert set etc. 3 Old photographs, miniatures etc. 4 A chest of three drawers on bracket feet.

(2): Holy Land silver cross with glass beads s AD

We wish all of our readers a Merry Christmas and a Happy New Year.

CHINESE ART ESTABLISHED 1910

Tomb Raider: A Mantle of the Expert for ancient Egypt Prepare your area as well as you can to look like the inside of a tomb. Make it as dark as

Mummify an orange! This activity is reproduced with the permission of the Young Archaeologists Club (

1 An oak shield back chair with a pair of cane bedroom chairs. 2 Three brass warming plates. 3 A small cast iron and brass club fender.

h i s t om b an d h i s t r e a su r e s Worksheet CArter ArChAeoLoGY

Galal Ali Hassaan Emeritus Professor, Department of Mechanical Design & Production, Faculty of Engineering, Cairo University, Giza, Egypt

SSN Islamic Art and Material Culture Specialist Support Scheme Year 2 Overview

1 A collection of Goebel and other figures. 2 A brass companion set, etc. 3 A good hardwood rectangular top table.

Global Prehistory. 30, BCE The Origins of Images

PRESS RELEASE Auction 243: Ancient Art, December 14, 2016, Preliminary Report. Comprehensive collections of ancient jewelry, glass and aegyptiaca

Mechanical Engineering in Ancient Egypt, Part XXXVII: Human Stone Statues Industry (Third Intermediate and Late Periods)

Mechanical Engineering in Ancient Egypt: Part VI: Jewellery Industry (Royal crowns and Headdresses from 19 th to 30 th. Dynasties) Galal Ali Hassaan

ENGLISH. A Wealth of Treasures MASTER PIECES. Antiquity Celts Kunstkammer. in Stuttgart s Old Castle LEGENDARY

MOTION FOR A RESOLUTION

INGRAM GALLERY FEBRUARY 23 MAY 28, 2018

Niema s Treasures Catalog. Jewelry, Art, Accessories and Home Furnishings

Mechanical Engineering in Ancient Egypt: Part XVII: Ladies Headdress in the Old, Middle Kingdoms, Third Intermediate and Late Periods

Rela International.

MINUSMA Personnel Training PROTECTING. THE CULTURAL HERITAGE OF MALI Protéger. Ministiry of Culture DNPC

WORKSHEET MUMMIES TOMB

SECTION XIV CHAPTER 71

ACT. From September 4, 2001

DRAFT MOTION FOR A RESOLUTION

Mechanical Engineering in Ancient Egypt, Part VII: Jewellery (Finger-rings up to the 18 th Dynasty)

AHIS170 Lecture 1 Egyptian Archaeology: An Introduction. Module 1: Introduction to Egyptian Archaeology: Geography, Chronology and Society (Weeks 1-2)

The lab Do not wash metal gently Never, ever, mix finds from different layers

We hope that you have a Super Christmas time and a happy, healthy and prosperous New Year

PALESTINIAN SCARABS AT ANDREWS UNIVERSITY SIEGFRIED H. HORN. Andrews University

Early Medieval. This PowerPoint includes information on the following images: 53 and 55

WALTERS ART MUSEUM WILLIAM AND HENRY WALTERS: Pioneer Collectors and Promoters of the Arts of Asia ASIAN ART IN THE WILLIAM R.

British Museum's Afghan exhibition extended due to popular demand

1 A Bentwood hat stand together with a jardiniere. 2 An advertising mirror, barometer, etc.

AUCTION CATALOGUE. Lot No. Description. Green Glass Bowl x Sony Radios. 2 x Ammo Boxes. Accessory Stands. 127 Lot of Assorted.

WORLD PRODUCTION AND CONSUMPTION OF CERAMIC TILES

BLACK HISTORY MONTH - Week 1 #BlackHistoryMatters

AUTUMN SERIES OF IMPORTANT CHINESE CERMAMICS & WORKS OF ART Including the Raymond Hung Collection of Chinese Classical Furniture

Shobrook Auctions Ltd Incorporating Fieldens

Tiny Treasures. mfa.org/travelingexhibitions. Curator

INTRODUCTION Design develop the home decor articles inspired by the Royal Rajasthani jewelry. jewelry

AN UNDISCOVERED REPRESENTATION OF EGYPTIAN KINGSHIP? THE DIAMOND MOTIF ON THE KINGS' BELTS

IN THE EARLIEST CITIES

Life and Death at Beth Shean

GETTY VILLA UNVEILS A BEHIND-THE-SCENES LOOK AT OBJECT COLLECTION AND CONSERVATION IN THREE SIMULTANEOUS EXHIBITIONS

Report. Ancients Egyptian

Transcription:

R E D L I S T O F EGYPTIAN CULTURAL OBJECTS AT RISK

RED LIST OF EGYPTIAN CULTURAL OBJECTS AT RISK Introduction Egypt is home to a world-renowned and diverse cultural heritage. Preventing the smuggling and illicit trafficking of the country s cultural objects is a constant preoccupation. Now, faced with an extraordinary situation, Egyptian heritage requires increased protection. Vulnerable Egyptian artefacts range from those relating to daily life to those of a religious or ceremonial nature. They may be taken from archaeological sites and museums, or similar institutions. Artefacts originating from any of the nation s historical periods are highly sought-after, most common amongst them are those from the Pharaonic and Nubian era, as well as Graeco-Roman, Coptic and Islamic periods. Egypt recognises that the illicit excavation of archaeological sites destroys an object s context and diminishes its cultural and historical significance. The resulting gaps in knowledge impoverish the understanding of Egypt s rich past and, consequently, important chapters in the development of mankind. Since 1869, Egypt has created and further enhanced the legal framework protecting its cultural heritage. The Egyptian government has multiplied efforts aimed at countering illicit trafficking, thus demonstrating its long-term commitment to the protection of the nation s heritage. Despite these efforts, theft, looting and illegal export remain constant threats. Fighting the illicit trade in cultural goods is a global responsibility to protect and preserve Egypt s rich heritage, one that provides insight into the cultural, artistic, scientific and historical evolution of all mankind. Purpose The fight against illicit traffic in cultural goods requires the enhancement of both legal instruments and practical tools disseminating information and raising public awareness. The Emergency Red List of Egyptian Cultural Objects at Risk aims to help art and heritage professionals and law enforcement officials identify Egyptian objects that are protected by national and international legislations. In order to facilitate identification, the Emergency Red List describes the categories or types of cultural items that are most likely to be illegally bought and sold. Museums, auction houses, art dealers and collectors are encouraged not to acquire these objects without having carefully and thoroughly researched their origin and all the relevant legal documentation. Due to the great diversity of objects, styles and periods, the Emergency Red List of Egyptian Cultural Objects at Risk is far from exhaustive. Any cultural good that could have originated in Egypt should be subjected to detailed scrutiny and precautionary measures. Eleven ICOM Red Lists published to date: Red List of African Archaeological Objects, 2000 Red List of Latin American Cultural Objects at Risk, 2003 Emergency Red List of Iraqi Antiquities at Risk, 2003 Red List of Afghanistan Antiquities at Risk, 2006 Red List of Peruvian Antiquities at Risk, 2007 Red List of Cambodian Antiquities at Risk, 2009 Red List of Endangered Cultural Objects of Central America and Mexico, 2009 Emergency Red List of Haitian Cultural Objects at Risk, 2010 Red List of Chinese Cultural Objects at Risk, 2010 Red List of Colombian Cultural Objects at Risk, 2010 Emergency Red List of Egyptian Cultural Objects at Risk, 2011

The cultural heritage of Egypt is protected by the following national and international laws and bilateral agreements: NATIONAL LEGISLATION By-law of March 1869 on Antiquities items, including Regulatory dispositions for excavations to prevent the smuggling of antiquities. By-law of March 1874 on Undiscovered antiquities irrespective of their location are property of the government. Decree of 1835 Banning the unauthorized removal of antiquities from the country (15 August 1835). Decree of 1897 Concerning the Punishment for illegal excavation (12 August 1897). Law No. 14 of 1912 on Antiquities, 12 June 1912. Ministerial Decree No. 50 of 8 December 1912 on Antiquities trade and authorisation. Ministerial Decree No. 52 of 8 December 1912 on the Ruling on excavations. Ministerial Decree of 10 February 1921 on the Export of antiquities. Law No. 14 of 29 January 1931 on the Protection of cultural objects found near and around Al Moallaka. Rule No. 10613 of 6 March 1952 on Regulations for the commerce in antiquities. Law No. 215 of 31 October 1951 on the Protection of antiquities, as amended by Rule No. 10614 of 6 March 1952 on the Export of antiquities. Law No. 215 of 31 October 1951 on the Protection of antiquities, as amended by Rule No. 10614 of 6 March 1952 on the Protection of antiquities. Rule No. 10827 of 17 August 1952 on the Ruling regarding excavations. Law No. 117 of the year 1983 Concerning the issuance of antiquities protection law (11 August 1983). Article 12 of the Constitution, revised on 25 May 2005. Law No. 117 of 1983, as amended by Law No. 3 of 2010 (14 February 2010), Promulgating the antiquities protection law (6 August 1983). INTERNATIONAL INSTRUMENTS The Hague Convention of 14 May 1954 for the Protection of Cultural Property in the Event of Armed Conflict with Regulations for the Execution of the Convention (Ratified, 17 August 1955), the First Protocol (Ratified, 17 August 1955) and the Second Protocol (Ratified, 3 August 2005). UNESCO Convention of 14 November 1970 on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property (Accepted, 5 April 1973). UNESCO Convention of 16 November 1972 Concerning the Protection of the World Cultural and Natural Heritage (Ratified, 7 February 1974). BILATERAL AGREEMENTS Austria China Comoros Cuba Ecuador El Salvador Greece India Ireland Italy Jordan Kazakhstan Maldives Peru South Korea Switzerland Should you suspect that a cultural object originating from Egypt may be stolen, looted or illegally exported, please contact: Ministry of Antiquities 3 El-Adel Abu Bakr St., Zamalek, Cairo, Egypt Minister s Office Tel: +20 2 27 36 56 45 / +20 2 27 35 87 61 Fax: +20 2 27 35 72 39 The Egyptian Museum Midan al-tahrir, Downtown Cairo, Cairo, Egypt Tel: +20 2 25 79 69 48 Fax: +20 2 25 79 69 74 E-mail: egyptianmuseum@hotmail.com Department for Repatriation of Antiquities Tel/Fax: +20 2 27 35 45 33 Cell phone: +20 1 03 12 83 48 E-mail: redlistegypt@gmail.com schloss04@yahoo.com

RED LIST OF EGYPTIAN CULTURAL OBJECTS AT RISK IMPORTANT NOTE: A Red List is NOT a list of actual stolen objects. The cultural goods depicted are of inventoried objects within the collections of recognised institutions. They serve to illustrate the categories of cultural goods protected by legislation and most vulnerable to illicit traffic. ICOM wishes to thank all of the institutions and people who so generously provided the photographs presented in the Emergency Red List for Egypt. PREDYNASTIC, PROTODYNASTIC, PHARAONIC AND NUBIAN ERA (5200-332 BC) Statues Ceramics: Glazed or painted shabtis (funerary figurines) in faience and/or pottery. [illus. 1] Metal: Bronze statues representing gods, goddesses, animals or animal hybrids. [illus. 2] 1. Gilded faience shabti of Heqareshu, Dynasty 18 (ca. 1550-1295 BC), 17.5 x 5.5 cm. Egyptian Museum, Cairo \ Sameh Abdel Mohsen 2. Bronze striding statue of the goddess Neith, Dynasty 26 (ca. 688-525 BC), 14 cm. Egyptian Museum, Cairo \ Sameh Abdel Mohsen 1 Stone: Human figures in quartz, limestone and granite. Painted and/or inscribed. Representing members of the royal family, scribes, people and gods. [illus. 3 4 5 6] 2 3 4 5 6 3. Quartzite head of an Amarna princess, Dynasty 18 (ca. 1353-1336 BC), 7 x 9 cm. 4. Painted limestone group statue of Kaemheset with his Wife and Son, Dynasty 6 (ca. 2323-2200 BC), 54 x 36 x 43 cm. 5. Painted limestone shabti (funerary figurine) of Sennedjem, Dynasty 19 (ca. 1279-1213 BC), 28.8 x 9 cm. 6. Granite block statue of Khnumibre, Karnak, Ptolemaic Period (332-330 BC), 55 x 24 cm. Egyptian Museum, Cairo

R E D L I S T O F E G Y P T I Vessels and containers Ceramics: Bowls and jars, may be painted and/or incised with figural or geometric designs. [illus. 7 8] Stone: Canopic jars, vases, bowls and flasks, made from calcite, siltstone, limestone, greywacke and hydrite. [illus. 9] 7 7. Pottery bowl with incised geometric decoration, Lower Nubia (Aniba), ca. 2300-1500 BC, 9.4 x 19.5 cm. 8. Black-topped jar, Naqada I/Amratian (ca. 3850-3650 BC), 38 x 15 cm. Egyptian Museum, Cairo 8 9. Painted limestone canopic jars, 900-800 BC, Duamutef: 36 x 14.4 x 13.5 cm; Hapi: 34 x 12.3 x 13.5 cm; Qebehsenuef: 32 x 11.7 x 13 cm; Imsety: 34.5 x 12 x 13.2 cm. Walters Art Museum, Baltimore 9 Daily life Mixed materials: Nets or necklaces with beads or amulets of faience (glazed ceramic), semi-precious stones, silver and gold, with cloisonné inlay. [illus. 10 11] 10 11 10. Bead net composed of faience plaques and beads, Saqqara, Late Period Dynasty 26 (ca. 688-525 BC), 21 x 21 cm. 11. Gold, faience and stone bead necklaces, New Kingdom Dynasty 18 (ca. 1550-1295 BC), 15-38 cm. Wood and stone: Objects for daily use, including headrests, tables, chairs, stools, cupboards, lamps, etc. [illus. 12] 12 12. Inscribed wooden headrest of Khenu, Saqqara, First Intermediate Period (ca. 2100-2030 BC), 20 x 27 x 7 cm. Egyptian Museum, Cairo \ Susanna Thomas

A N C U L T U R A L O B J E C T S A T R I S K Funerary elements Wood: Wooden objects for religious or ceremonial use representing models of boats and depicting people at work (millers, butchers, musicians), offering bearers, workshops and other daily scenes. [illus. 13] 13. Painted wooden model of a boat with twelve crew members, Beni Hassan, Middle Kingdom (2066-1781 BC), 64 cm. Human remains and associated objects: Human mummies or mummy parts wrapped in bandages, sometimes with a cartonnage (papier mâché) decoration and masks, and a wooden or cartonnage coffin. [illus. 14] 13 Animal mummies: Ibis, cats, dogs, crocodiles, etc., wrapped in linen bandages. [illus. 15] 15 14 14. Mummy of Duamuthotep, daughter of Iriheru, with gilded mask, Akhmim, Ptolemaic Period (304-30 BC), 155 cm. 15. Ibis mummy, Saqqara, Late Period (525-332 BC), 40 x 13 cm. Mummification Museum, Luxor Papyrus: Religious or ceremonial texts, usually illustrated. [illus. 16] 16 16. Section of a Book of the Dead of a Songstress of Amun, Thebes, New Kingdom (ca. 1550-1069 BC), 70 x 30 cm. Architectural elements Painted and/or carved stone stelae or blocks of wall decoration representing moments from daily life or special occasions. [illus. 17 18] 18 17 17. Limestone wall relief, Saqqara, Old Kingdom Dynasty 5-6 (2471-2195 BC), 47 x 86 cm. Salima Ikram 18. Painted limestone round-topped Stela of Paheripedjet, Abydos, Dynasty 19 (1295-1186 BC), 66 x 36 cm.

R E D L I S T O F E G Y P T I EGYPTIAN GRAECO-ROMAN AND MEROITIC ERA (332 BC - AD 395) Statues Stone: Representations of gods, people and animal hybrids made from marble, limestone, granite, greywacke or sandstone. [illus. 19 20] Terracotta: Representations of humans or body parts. [illus. 21 22] 20 19 21 22 19. Alabaster (calcite) bust of Sarapis, Roman Period (2 nd century AD), 21.2 x 15.8 x 5.8 cm. Roemer- und Pelizaeus-Museum, Hildesheim 20. Sandstone Ba-statue of the Viceroy Maloton, Karanog, Meroitic era (2 nd - 3 rd century AD), 74.1 x 22 x 56.7 cm. Nubia Museum, Aswan 21. Statue of Harpocrates, Fayoum, Roman Period (ca. 1 st - 2 nd century AD), 15.5 cm. Graeco-Roman Museum, Alexandria 22. Tanagra, Hadra (Alexandria), Ptolemaic Period (ca. 275-200 BC), 21.5 x 6.9 cm. Graeco-Roman Museum, Alexandria Vessels and containers Ceramic, faience, calcite, other flasks and vessels, decorated and/or inscribed. [illus. 23 24 25] 23. Pilgrim flask decorated with an African couple, Alexandria, Graeco-Roman Period (ca. 2 nd - 1 st century BC), 9.6 x Ø 7.6 cm. Gayer Anderson Museum, Cairo 24. Spherical pottery vessel with floral, animal and bird decoration, Meroitic era (270 BC - AD 320), 14.7 x Ø 15.7 cm. 25. Glazed faience vase, Mit Rahina or Memphis, Roman Period (ca. 2 nd century AD), 16.6 x 17 x Ø 14.5 cm. Roemer- und Pelizaeus-Museum, Hildesheim Religious or ceremonial portraits Plaster funerary masks or painted wooden portraits, showing the head or the upper part of the body of the deceased with the hands placed on the chest. On the masks: jewels, crowns and garlands are employed as decorative motifs; eyes may be inlaid. [illus. 26 27] 23 24 25 26. Painted plaster mask, Tuna El-Gabal, Severus Alexander (AD 222-235), 26 x 17 cm. Royal Museums of Art and History, Brussels 27. Wooden mummy portrait of a bearded man, Roman Period (ca. AD 170-180), 40.5 x 20 cm. Walters Art Museum, Baltimore 26 27

A N C U L T U R A L O B J E C T S A T R I S K Coins In copper, bronze, silver or gold. Roman Egyptian coins usually depict in the obverse busts of the emperor or a family member, with Greek writing. The reverse varies and can represent gods or personifications of the virtues. [illus. 28 29] 28. Bronze coin, Alexandria, Ptolemy III Euergetes I (246-222 BC), Ø 3.5 cm. Museu Nacional de Arqueologia, Lisbon 29. Silver coin, Alexandria, Ptolemy I Soter I (ca. 367-283 BC), Ø 2.8 cm. Museo Arqueológico Nacional, Madrid 28 29 COPTIC ERA Coptic era (4 th - 7 th century AD) and Coptic art of later periods Reliefs and icons Stone: Raised and sunk reliefs (friezes and stelae) with floral motifs, crosses, grapes, animals, human figures and/or inscriptions. [illus. 30] 30. Limestone frieze in high relief with vegetal motif, Behnasa or Baouît, ca. AD 390, 35 x 90 cm. Royal Museums of Art and History, Brussels Wooden panels: Reliefs decorated with carved human and animal figures, floral designs and/or scenery. [illus. 31] Icons painted with mainly biblical scenes and saints. [illus. 32] 30 31 31. Lion attacking an antelope wooden relief, Aphroditopolis (Kom Ishqaw), 6 th - 7 th century AD, 35.2 x 26.3 cm. Coptic Museum, Cairo 32 32. Tempera icon, 19 th century AD, 84 x 55.5 x 1 cm. Coptic Museum, Cairo \ Sandro Vannini

R E D L I S T O F E G Y P T I Daily life Ceramics and stone: Ostraca (fragments of pottery or stone with text). The writings are often short notes, accounts or literary excerpts. [illus. 33] Textiles: Hangings and clothes decorated with human, animal and/or floral figures, geometric motifs, crosses and/or inscriptions. [illus. 34] 33. Ceramic ostracon with Coptic text (tax receipt), Thebes, first half of the 8 th century AD, 7.7 x 5.6 x 0.9 cm. Royal Museums of Art and History, Brussels 34. Woven wool and flax textile fragment, 3 rd - 9 th century AD, 96 x 102 cm. Musée Royal de Mariemont, Morlanwelz 33 34 Manuscripts Paper, parchment or papyrus with Coptic or Arabic text, decorated with geometric designs, biblical scenes or Christian symbols. [illus. 35 36] 35 36 35. Parchment double-leaf with text from the Old Testament (Book of Exodus), probably from Sohag, 7 th century AD, 32.8 x 53.8 cm. Walters Art Museum, Baltimore 36. Parchment prayer book, Qasr Elwiz (Nubia), 4 th - 6 th century AD, 11.6 x 16.5 cm. Nubia Museum, Aswan ISLAMIC ERA (AD 640-1805) Vessels and containers Ceramics: Bowls and other vessels in lustre painted celadon or porcelain, with inscriptions or decorations. [illus. 37] Metal: Bottles and pitchers made from copper and bronze, with silver and gold floral ornaments. Sprinklers may be inlaid with gold and silver and carry the owner s monogram. [illus. 38] Glass: Glass and enamel lamps, vases, bottles, flasks, etc., decorated and/or coloured. [illus. 39] 37. Lustre painted large dish, Fatimid era (5 th century AH / 11 th century AD), 15 x Ø 40 cm. 38. Copper perfume sprinkler inlaid with gold and silver, Mamluk Period (AH 698-708 / AD 1299-1309 or AH 709-741 / AD 1309-1340), 23.5 x 11 cm. 39. Gilded and enamelled glass mosque lamp, complex of Sultan Hussan, Mamluk Period (AH 622-894 / AD 1250-1516), 35.5 x Ø 26 cm. 37 38 39

A N C U L T U R A L O B J E C T S A T R I S K Daily life Bronze, brass, copper, iron, silver or gold candlesticks, lamps, knives, amulets and jewellery. May be inlaid with silver, gold or colours. [illus. 40] Copper furniture decorated with geometric and floral elements and bearing cursive writing. Inlaid with silver and gold. [illus. 41] Weapons made from steel, may be inlaid with gold inscriptions. [illus. 42] Coins and medals in gold, silver and other metals, with texts in Arabic. [illus. 43] 40 42 40. Incised brass candlestick, Mamluk Period (AH 265-860 / AD 887-1482), 48 x Ø of base 40 cm. 41. Copper table inlaid with silver and gold, 3 rd - 13 th century AH / 9 th - 19 th century AD, 81 x 40 cm. 41 42. Gilded steel sword and blade with gilt silver crosspiece and ivory hilt, Mamluk Period (AH 907 / AD 1501), 95 cm. 43. Gold coin (dinar), Fatimid era (AH 403 / AD 1012), Ø 2.5 cm. 43 Architectural elements Wood: Inlaid or encrusted wood panel fragments from doors, pulpits and ceilings with geometric and/or vegetal motifs. [illus. 44] Ceramics: Decorative tiles with geometric, architectural and/or vegetal patterns. [illus. 45] 44 44. Ivory inlaid wooden panel with geometrical decoration and plants, Mamluk Period (8 th century AH / 14 th century AD), 27 x 27 x 3 cm. 45 45. Ceramic tile panel with painted underglaze decoration and transparent glaze overall, Ottoman era (AH 1087 / AD 1676), 240 x 144 cm.

RED LIST OF EGYPTIAN CULTURAL OBJECTS AT RISK Textile (fragments) and accessories ISLAMIC ERA (continued) (AD 640-1805) Textiles: Cotton, linen, silk or wool, often dyed with a variety of colours. Designs may include a band inscribed with the names and title of the ruler, geometric forms and/or vegetal motifs. [illus. 46] Jewellery: Necklaces, bracelets, earrings and rings, in gold, silver and other metals, sometimes with precious stones. [illus. 47 48] 46 47 46. Block-printed linen fragment, Mamluk Period (8 th century AH / 14 th century AD), 33 x 21 cm. 47. Gold necklace, Ayyubid Dynasty (AH 549-628 / AD 1171-1250), 24 cm. 48. Two gold bracelets decorated with filigree and superimposed coils, Fatimid era (5 th century AH / 11 th century AD), Ø 6.7-7.2 cm. 48 Books, documents, and manuscripts Papyrus, parchment or paper (usually made from linen) manuscripts written in ink. Books or leafs bound in leather, with calligraphy and illuminations. [illus. 49 50] 49 50 49. Medical prescription by Ibn El Afeif, Fostat, Mamluk Period (9 th century AH / 15 th century AD), 16 x 10 cm. 50. Qur an kareem in thuluth script in black and red ink with gold illuminated paper and stamped leather binding, Mamluk Period (AH 842-857 / AD 1438-1453), 8 x 11 cm.

The International Council of Museums (ICOM) is the main international organisation of museums and museum professionals committed to promoting and protecting the world s natural and cultural heritage, present and future, tangible and intangible. With almost 30,000 members in 137 countries, ICOM is an international network of museums and museum professionals specialised in a wide range of museological and heritage-related disciplines. Created in 1946, ICOM is a non-profit non-governmental organisation (NGO) maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. The fight against the illicit trafficking in cultural objects is among ICOM s highest priorities. The Emergency Red List of Egyptian Cultural Objects at Risk has been designed to raise awareness on the smuggling and illicit trade of cultural goods from Egypt, thus aiding in protecting the country s cultural and historical heritage. ICOM wishes to thank the members of ICOM s International Committee for Egyptology (CIPEG) and Egypt s national museums, as well as the Ministry of Antiquities of the Arab Republic of Egypt, for their unwavering commitment towards the success of this project. The Emergency Red List of Egyptian Cultural Objects at Risk is the eleventh publication in ICOM s Red Lists series, following those for Africa, Latin America, Iraq, Afghanistan, Peru, Cambodia, Central America and Mexico, Haiti, China and Colombia. The Emergency Red List of Egyptian Cultural Objects at Risk is ICOM s third Emergency Red List publication, with Iraq and Haiti being the first two. http://icom.museum With the generous support of: U.S. Department of State Bureau of Educational and Cultural Affairs Maison de l UNESCO 1, rue Miollis - 75732 Paris Cedex 15 - France Tel: +33 (0)1 47 34 05 00 - Fax: +33 (0)1 43 06 78 62 E-mail: secretariat@icom.museum - Website: http://icom.museum 2011, ICOM, all rights reserved. - Graphic design: TAM TAM TEAM. Cover: Grey granite statue of Amenardis, the Divine wife of Amon and princess of Thebes, Luxor, Dynasty 25 (8 th - 7 th century BC), 109 cm. Nubia Museum, Aswan