1 LACE PRICK PAPER DESIGNS, 18th C Unbound sample book of lace designs in sepia ink, approximately 150 designs on double-sided pages. Designs excellent. FIT 2 THREE FRENCH FABRIC SAMPLE BOOKS, 1888, 1898 and 1899. All printed cottons, canvas covered. Mostly 100+ pages. 16 x 12. Very good-excellent. FIT - 3 FIVE FRENCH FABRIC SAMPLE BOOKS, 1889-1896 All printed silks, mostly 100+ pages. 16 x 12. Very good-excellent. FIT - 4 FOUR FRENCH FABRIC SAMPLE BOOKS, 1893-1894. All printed cottons. Mostly 100+ pages. 16 x 12. Very good-excellent. FIT - 5 FIVE FRENCH FABRIC SAMPLE BOOKS, 1889-1896 Woven cottons and silks, white goods, mostly 100+ pages. 16 x 12. Very good-excellent.fit - 6 TEN FRENCH FABRIC SAMPLE BOOKS, LATE 19th C Mostly all woolens, including plaids, novelties, textures and solids. All Paul Honig Collection in custom slipcases. Good-excellent. FIT - 7 THREE FRENCH FABRIC SAMPLE BOOKS, 1890s - 1900s Printed and woven silks, ribbons and dress fabrics. Bindings and pages fair, samples good-excellent. FIT - 8 A FRENCH FABRIC SAMPLE BOOK, 1895 All printed cottons, mostly 100+ pages. 16 x 12. Very good-excellent. FIT - 9 THREE FRENCH FABRIC SAMPLE BOOKS, 1881, 1883 and 1900 Woven dress silks, brocades and velvets, mostly 100+ pages. Good-very good. FIT - 10 TWO FRENCH FABRIC SAMPLE BOOKS, 1889 and 1904 Silk ribbons and trim. All Paul Honig Collection in custom slipcases. Good-excellent. FIT - 11 TWO FRENCH FABRIC SAMPLE BOOKS, 1901 and 1889 Larger size samples, one printed silk scarf borders, one woven silks. Good-very good. FIT - 12 THREE FRENCH FABRIC SAMPLE BOOKS, 1897-1903 Printed cottons, very complete, canvas covered, mostly 100+ pages. 16 x 12. Very good-excellent. FIT - 13 THREE UNBOUND FRENCH FABRIC SAMPLE BOOKS, 19th - 20th C One miscellaneous fabrics in prints brocades, embroideries. One wovens and shirtings. One mostly silk toneon-tones and plaids. Covers gone, pages shattering, samples excellent. FIT - 14 LOT of SMALL SAMPLE BOOKS, EARLY 20th C Including tickings, mosquito nettings, fancy whites, etc. 23 booklets. FIT - 15 SIX FRENCH FABRIC SAMPLE BOOKS, 1903-1907 All printed cottons, Edwin V. Goldberg Collection. Good-excellent. FIT - 16 SIX FRENCH FABRIC SAMPLE BOOKS, 1900-1906 All printed cottons, Aaron J. Levy Collection in custom slip cases. Good-excellent. FIT - 17 THREE UNUSUAL FRENCH FABRIC SAMPLE BOOKS, 1903-1905 Unusual woven straw samples, lace and woven cotton stripes, plaids and novelties. All Paul Honig Collection in custom slipcases. Good-excellent. FIT -
18 FIVE FRENCH FABRIC SAMPLE BOOKS, 1900-1914 All printed silks, mostly 100+ pages. 16 x 12. Very good-excellent. FIT - 19 SIX FRENCH FABRIC SAMPLE BOOKS, 1908-1914 All printed cottons, Levy and Goldberg Collections. Good-excellent. FIT - 20 EIGHT FRENCH FABRIC SAMPLE BOOKS, LATE 19th - EARLY 20th C Mostly wool and silk jacquards and warp prints. Good-excellent. FIT - 21 NINE FRENCH FABRIC SAMPLE BOOKS, EARLY 20th C Mostly all woolens, including plaids, novelties, textures and solids. All Paul Honig Collection in custom slipcases. Good-excellent. FIT - 22 THREE FRENCH FABRIC SAMPLE BOOKS, 1894-1896, 1900 Silk jacquards, all Paul Honig Collection in custom slipcases. Good-excellent. FIT - 23 NINE FRENCH FABRIC SAMPLE BOOKS, EARLY 20th C Mostly all woolens, including plaids, novelties, textures and solids. All Paul Honig Collection in custom slipcases. Good-excellent. FIT - 24 TWO FRENCH FABRIC SAMPLE BOOKS, 1903 and 1906 All printed cottons, mostly 100+ pages, very complete. 16 x 12. Very good-excellent. FIT - 25 TWO FRENCH FABRIC SAMPLE BOOKS, c. 1906 All silk ribbons and brocades. (No bindings, paper leaves shattering) samples good-very good. Together with a small American book of printed silk scarf and scarf border designs. Very good. FIT - 26 LOT of FIVE MISCELLANEOUS SAMPLE BOOKS, EARLY 20th C Including French schoolgirl lace samples, dress silks, threads, winter fabrics, and dotted and embroidered voiles. Good-excellent. FIT - 27 FOUR FRENCH FABRIC SAMPLE BOOKS, 1904-1911 All printed cottons. 16 x 12. Mostly 100+ pages. Very good-excellent. FIT - 28 TWO FRENCH FABRIC SAMPLE BOOKS, c. 1914 Woven ribbons and tapes in cotton, silk and metallics. Mostly 100+ pages. 16 x 12. Very good-excellent. FIT - 29 JOHN WANAMAKER SAMPLE BOOK, 1914 Displaying "Goods in Stock at New York City Store" including fabric samples, prices and other notations, approximately 25 pages. Pages fair, samples good. FIT - 30 THREE FRENCH FABRIC SAMPLE BOOKS, 1916-1920s Bilbille, Baudre & Co. All printed silks together with B, B & Co. correspondence to American companies. Good-very good. FIT - 31 FIVE FRENCH FABRIC SAMPLE BOOKS, 1917-1931 Four all printed cottons, one large with woven shirtings, Levy and Goldberg Collections. Good-excellent. FIT - 32 AN UNUSUAL FRENCH FABRIC SAMPLE BOOK, 1930s Pleated trim designs in cotton, silk and lamé. Good-very good. FIT - 33 ELEVEN FRENCH FABRIC SAMPLE BOOKS, 1935-1937 All printed cottons, Edwin V. Goldberg Collection in custom slip cases. Good-excellent.FIT - 34 LOT of FRENCH SAMPLE BOOKS, 1936-1937 Unbound partial books with exclusive French dress fabrics. Fair-excellent. FIT -
35 LOT of ORIGINAL NECKTIE DESIGNS Hexfold pamphlets with mounted hand-painted designs, mostly conversationals for Greenhut Fabrics. Together with British regimental tie patterns in easeled stand. Good-excellent. FIT - 36 FIVE BOXES ORIGINAL ARTWORK for NECKTIE DESIGNS, 1930s Mostly gouache conversationals and traditional designs on paper or stock by Greenhut or Greenhut/Goodman, hundreds of designs. Very good-excellent. FIT - 37 THREE BOXES ORIGINAL ARTWORK for FABRIC DESIGNS, 1930s - 1950s Mostly gouache on paper or stock, necktie and yardage designs. Good-excellent. FIT - 38 FOUR FABRIC SAMPLE BOOKS, 1940-1950s Mostly silk prints. Good-excellent. FIT - 39 FOUR AMERICAN FABRIC SAMPLE BOOKS, 1949-1952 Various woven and printed shirtings in cottons and rayons. Very good-excellent. FIT - 40 THREE FABRIC SWATCH BOOKS, 1950s - 1960s Mostly small cotton floral prints, one interesting Wamsutta Mills book with plates of models wearing dresses matching the swatches. Good-excellent. FIT - 41 FOUR AUTOMOTIVE UPHOLSTERY TRIM and SAMPLE BOOKS, 1950s & 1960s Together with loose pages. Good-excellent. FIT - 42 TWO BOXES MISCELLANEOUS FABRIC SAMPLES, 19th - 20th C Varied lot, mostly carded printed silks. Ex. Brooklyn Museum design lab. Good-very good. FIT - 43 LOT of MARIMEKKO-RELATED EPHEMERA, 1970s Including swatchbook, scrap books, corporate research, etc. Good-excellent. FIT - 44 THREE BOXES LOOSE FABRIC SAMPLES, 1960s - 1970s Mostly printed silks and cottons. Good-excellent. FIT - 45 TWO BOXES MISCELLANEOUS LOOSE TEXTILE SAMPLES, 1950-1980. Some carded with mill tags including "Happily Married Fabrics". Excellent. FIT - 46 TWO BOXES ITALIAN FABRIC SAMPLES, 1990s FIT Zibetti Fratelli and Clerici Tessuto open weaves and brocades. Good-excellent. FIT - 47 PRINTED HOME FURNISHING SAMPLES, 1930-1969 Cotton, linen and rayon blend fabrics, including salmon striped bark cloth, American student design on linen in orange and earth tones, three small samples of Barbara Brown for Heals. Together with a panel of rayon bark cloth by Trevor Bates for Edinburgh Weavers. Very good- Excellent. 100-200 48 TWO COTTON CABANA CUSHION COVERS, 1930s Heavy ticking with colorful stripes for rectangular cushions. Together with glazed cotton yardage. Goodexcellent. - 49 CHINE SILK DRESS YARDAGE, LATE 19th - EARLY 20th C Black vertical stripe on ivory silk, two rolls 22 inches wide, one 6 yards and one 4 yards. Together with a similar roll of 7-inch wide ribbon. Very good-excellent. - 50 GLAZED COTTON YARDAGE, EARLY 20th C Black glazed cotton printed with purple and white roses and foliage. 30 7/8 inches x 7 1/4 yards. Excellent. 50-100
51 GLAZED COTTON CHINTZ YARDAGE, MID 20th C Roll of Kandell Design chintz in large-scale floral pattern. Together with miscellaneous fabric samples including silk brocades and toile. Good-excellent. - 52 DON WIGHT PRINTED VELOUR FABRIC, 1960 Primavera print in yellow, gold, pink and white, large bedcover (stains) and smaller pieced panel. Excellent. - 53 SILK BROCADE COPE, 18th C Pieced floral brocade silk (shattering) trimmed with gold galloon. For study or salvage. 100-200 54 WOOL NEEDLEPOINT PILLOW, 1831 Chamfered rectangle with polychrome floral around central reserve with initials "DLM" and "1831", later velvet backing, (small split to canvas and 1-inch tear). Together with a velvet pillow having colorful hand embroidered design to both sides pieced from a paisley shawl with fancy braided trim, (section of braid unraveled). Good. - 55 THREE FRENCH SILK EMBROIDERED VALANCES, c. 1900 Pink faille decorated with white floral swags, two with scalloped border, one with straight hem, all having short fringe. Fair-good. FIT - 56 MISCELLANEOUS TEXTILES and FABRICS, 19th - 20th C Laces, drawnwork and embroidered samples. Together with three velvet samples. Good-Excellent 100-150 57 BLACK on BLACK EMBROIDERED DRESS YARDAGE, EARLY 20th C Deep floral embroidery on voile. (Few large holes along top selvedge) usable lengths, good. - 58 METALLIC EMBROIDERED YARDAGE and FRAGMENTS, 1920s One net embroidered with fruits and flowers, one chiffon decorated with gold foliage. Both very good. Together with a floral lamé panel, excellent, and a lamé coat in poor condition. - 59 WOOL BLANKET and YARDAGE, 19th - 20th C Red and tan striped wool blanket/bedcover in two joined 34-inch widths, very good. Red and black buffalo check wool broadcloth yardage. Excellent - 60 LOT of TRIM, 19th and 20th C Including beaded, metallic, appliqués, ruffles, lamé, feathers, etc. Fair-excellent. - 61 LOT of SEQUINED and METALLIC TRIM, 1920-1950 Including deadstock yardage, some salvage, some shaped sequins. Fair-excellent. FIT - 62 LOT of ASSORTED TEXTILES, 20th C Consisting of a silk brocade obi, lace collar, an Egyptian two-piece silk ensemble with polychrome silk and metallic embroidery, a large piece of wide black floral printed yardage, and a round lace table cover. Fairexcellent. - 63 HANDMADE ITALIAN NEEDLE LACE FLOUNCE FRAGMENT, 19th C Finely worked in cream cotton with cordonnets and tiny rings. Excellent. - 64 LARGE LOT of FILET LACE PANELS, c. 1900 Mostly linen with lace borders, many with figural elements. Good-excellent. - 65 LACE on NET FLOUNCE, EARLY 20th C Cream net machine embroidered in a serpentine floral with scalloped edge, 8+ yards in two pieces. (Few small holes) excellent. -
66 LOT of LACE, EARLY 20th C Including a Normandy runner, a cream bertha, trim fragments, a chantilly triangular shawl, a black and white embroidered net stole, and a black lace tabard. Good-excellent. - 67 LOT of NORMANDY TYPE LACE LINENS, MID 20th C Comprised of a set of eleven oval placemats, four dresser scarves/runners including a matching pair, and five small mats. (Few pieces have minor holes or spots) very good-excellent. - 68 LOT of EMBROIDERED BED LINENS, 1910-1930s One large sheet hand-embroidered with flowers and scrolls having cutwork and inserts of filet lace, (some spots and stains); one large pillow sham or table cover decorated with a hand-embroidered circular floral with drawn threadwork; one set of machine-embroidered bed linens comprised of two top sheets and two pillow cases with a pale grey basket, swags and flowers. Good-excellent. - 69 LOT of FIVE LACE-TRIMMED LINENS, EARLY 20th C Comprised of two round tablecloths, one having cutwork and embroidery; one small rectangle with fine embroidery, cutwork with lace insertions and a filet border, (few tiny spots); one pillow in linen cover with bands of drawn threadwork decorated with raised crochet and cordwork; one pillow covered in linen with with ruffle and inserts of Tenerife lace. Excellent. - 70 LARGE LOT of DOILIES, PLATE LINERS and MATS, EARLY-MID 20th C Including sets, all lace, appliquéd, lace trimmed, and embroidered. Good-excellent. - 71 LARGE LOT of HOMESPUN LINEN, c. 1900 Towels and table covers, some patterned. Together with modern cotton, linen and damask linens. Two boxes, good-excellent. - 72 LARGE LOT of HOMESPUN LINEN SHEETS c. 1900 All cream, some having initial or monogram. Very good. - 73 LOT of COLORFUL LINENS, MAINLY MID 20th C Including printed felt dresser scarves, embroidered and appliquéd table covers, conversationals, etc. Goodexcellent. - 74 THREE AMERICAN COVERLETS, EARLY-MID 19th C All jacquard double cloth coverlets in cotton or wool and cotton: One red, white and blue geometric; one blue and white "Fourth of July" design by A. Olmstead, dated 1833; one blue and white geometric. All with significant losses and damage. Poor. MFAB - 75 FOUR COVERLETS, EARLY-MID 19th C Two blue and white double cloth in geometric designs; two all white looped cotton with star centers. (Refringed, missing fringe, stains and wear). Together with coverlet fragments. Poor-fair. MFAB. - 76 THREE AMERICAN PIECED QUILTS, 1800-1850. All pieced cotton, one Rose of Sharon pattern, one sawtooth, and one Grandmother's Flower Garden design. (Soiling, stains to all) fair. MFAB. - 77 LOT of SIX WOOL PAISLEY SHAWLS, EARLY 19th C All remade or for salvage including one moon shawl. Poor-fair. MFAB - 78 SEVEN WOOL PAISLEY SCARVES, 19th C Four green, two black, one red, all with polychrome decoration. Poor-excellent. MFAB - 79 WOOL PAISLEY SHAWL, LATE 19th C Long machine loomed shawl in an orange palette with small dark center. Excellent. -
80 WOOL PAISLEY LONG SHAWL and TWO COVERLETS, 19th C Shawl having royal blue field (field replaced and fringe added). Two hand-woven coverlets with allover boteh pattern, one backed in wool, one backed in silk (wear to backing). Good-very good. MFAB - 81 FOUR WOOL PAISLEY LONG SHAWLS, 19th C One green center, one ivory, two black. (One center replaced, scattered holes and tears, fringe losses) good. MFAB - 82 THREE WOOL PAISLEY SHAWLS with HAND EMBROIDERED ELEMENTS, 19th C Two having large black center, hand embroidered borders. One allover paisley with hand embroidered polychrome tabbed border. Fair-good. MFAB - 83 FIVE WOOL PAISLEY SQUARE SHAWLS, 19th C Two with large red field, one large black field, two with small black center. Fair-good. MFAB - 84 THREE WOOL PAISLEY LONG SHAWLS, 19th C All having black center field, one bright orange palette, two with predominantly red palette. (Some small holes) good-excellent. MFAB - 85 THREE WOOL PAISLEY LONG SHAWLS, 19th C One red and purple allover boteh design, two orange palette with black centers. Very good. MFAB - 86 THREE KASHMIRI WOOL SHAWLS, EARLY 19th - EARLY 20th C All having embroidered borders and corners on solid field: One red, one blue and one black, Together with cream wool shawl with patterned red, black and white woven stripes. Fair-good. MFAB - 86.1 WOOL PAISLEY SQUARE SHAWL, 19th C Red-orange palette with black star center. Very good. MFAB - 87 FOUR WOOL PAISLEY SHAWLS, 19th C One square with large orange field, three long with black center. (Holes, stains) fair. MFAB - 88 FIVE SQUARE WOOL PAISLEY SHAWLS, MID 19th C Two with black center, two white and one red. (Four having replaced fields, some small holes) fair-good. MFAB - 89 FIVE SQUARE WOOL PAISLEY SHAWLS, 19th C Two Roman stripe, one orange palette with allover design, two with black center. (Holes, wear) fair-good. MFAB - 90 THREE WOOL PAISLEY SQUARE SHAWLS and a LONG SHAWL, 19th C One square and one long orange palette with black centers, one blue palette with red center, one with allover boteh pattern in reds and golds. (Some holes) good-very good. MFAB - 91 TWO WOOL PAISLEY LONG SHAWLS, 19th C Both having small black star center. (Some holes to one) good-excellent. MFAB - 92 THREE PERSIAN MATS, 20th C Two Dergazine red field, one ivory field. Two each 2 feet x 3 feet, and one 2 feet x 4 feet. Fair. - 93 KASHAN CARPET, MODERN Red center medallion field, 4 1/2 feet x 7 feet. (Moth damage and color migration) fair. - 94 BAKHTIARI CARPET, MODERN Lattice garden design. 5 x 8 1/2 feet. Excellent. -
96 SILK IKAT BEDCOVER, CENTRAL ASIA, 20th C Purple and white ikat in four quilted and filled panels, having a design of plants with pendulous flowers, scattered paisleys, and large-scale stylized bee motifs, pink cotton lining with scattered floral design. (Minor wear at corners) very good. 200-400 97 TWO ETHNIC SHELL-DECORATED TEXTILES, 20th C African black cotton cloth decorated with small red squares and white stripes, the border having 20 circles of applied cowrie shells, (stains and fading). Indian Banjara mirrored bag trimmed with cowrie shells. Goodexcellent. - 98 LOT of PLANT FIBER TEXTILES, 20th C Comprised of an African mulberry bark (tapa cloth) floor covering, and two rolls of glazed fiber yardage: one black, one brick color. Good-excellent. - 99 SILK BROCADE SARI FABRIC in THREE DESIGNS, 1960s - 1970s One vertical floral stripes in salmon, white and blue; one platinum with overall floral design and reserves with birds; one red and green lattice design. Very good-excellent. - 99.1 LUZON WOMAN S KAIN WRAP SKIRT, EARLY 20th C. Kalinga people, Northern Luzon, Philippines. Woven and embroidered silk in pumpkin and indigo stripe with hanging bead and mother of pearl charms. Excellent. - 100 THREE MIDDLE EASTERN KAFTANS, 20th C All sheer with gold embroidery and sequins: One periwinkle thwab; one blue dancing dress; one black dress with gold windowpane. Excellent. MFAB - 101 LOT of MIDDLE EASTERN GARMENTS, 20th C Including two tunics, two embroidered thwabs, a white thwab, a satin wrap with gold embroidery, a sash with gold sequins and braid, a burqa, and a headscarf. Together with two lengths of fabric and some beaded trim fragments. Fair-excellent. MFAB - 102 LARGE LOT of MIDDLE EASTERN HEADPIECES, 20th C Including head scarves, cap, face scarves, masks, beaded agal and fancy rope ornaments, together with a henna hand tattoo. Fair-excellent. MFAB - 103 LOT of SMALL CHINESE EMBROIDERIES, EARLY 20th C Including purses and wallets. Together with small ethnic cross stitch samples, Swiss appliquéd felt trim and a sample of silk brocade with deer and birds. Good-excellent. - 104 THREE CHINESE SILK EMBROIDERED GARMENTS, EARLY 20th C Two skirts: One blue shaded embroidery panels on gold brocade, very good; one red with polychrome embroidery trimmed in rabbit fur, (fur shedding but easily removed without altering design) good. One cream coat polychrome decoration and rabbit lining, (stains, small hole in shoulder) fur is sound, fair. Together with a fringed tone on tone export shawl, good. - 105 TWO CHINESE SILK and FUR COATS, EARLY 20th C One pink embroidered with flowers, lined in white rabbit fur, (fur shedding) silk very good. One yellow with brocaded roundels, shearling lined (fur deteriorating) silk very good. FIT - 106 FOUR ETHNIC GARMENTS, EARLY 20th C One yellow silk brocade robe, (lining removed), one brown silk kimono, one ikat robe, one jute vest with appliqué and embroidery. Good-excellent. - 107 JAPANESE PRINTED SILK KIMONO, 1930s Turquoise with woven stripe, printed with mauve and white clusters of irises. (Lacking original sash) very good. -
108 MIDDLE EASTERN STRIPED SILK ROBE, MID 20th C Cream and goldenrod stripes having braided silk trim and fancy silk buttons to the hem, lined in cream cotton with blue silk facings. (Dark stain on front) good. - 109 GENTS WOOL SUIT, LATE 18th C Black broadcloth with high stand collar, faux self buttons, deep extended cuff and shaped pocket flap with button details, vented back having tail pockets, slightly-padded silk twill lining, pocketless fall-front breeches, suspender buttons and fly, self buttons above narrow knee band, cotton facings. (Top edge of collar worn, large holes in breeches, several spots and seam separation), jacket very good, breeches poor. 300-500 110 QUILTED COTTON PETTICOAT, 18th C White with an overall scalloped pattern and a wide hemband with scrolling plumes on diagonal stitching, setin wide waistband with 1" pleats. W-24, L-39. (Lacking closure, scattered spots and stains, small tears, hem edge worn) good. - 111 REGENCY GOWN with PROVENANCE, c. 1805 Brown silk having high waist, long sleeve with shoulder puff, square neckline with drawstring, hand-written note sewn to dress inked "This dress owned by Mrs. Turner Lorrey who was born 1778 and died 1860". (Underarm stains, fade mark at hem, scattered small holes) good. - 112 GENTLEMANS SILK COAT, 1830s - 1840s Ivory raw silk with long collar, curved lapel, welt pockets and self buttons, sleeve having curved notch at the wrist, cotton pockets, unlined. (Some spots, soil, scattered small holes in hem area) good. - 113 SILK and VELVET THREE-PIECE BUSTLE DRESS, c. 1867 Brown velvet peplum bodice trimmed with brown silk bengaline and fringe, velvet underskirt having cotton top with pocket, bengaline overskirt with velvet trim and fringe. (Holes, tears, missing closures) fair. - 114 WOOL DOLMAN with FANCY CORDWORK, 1870s Dark beige with black plush collar, decorated with fancy rosettes of silk cord with crystal beads and chenille tassels, having wide silk fringe over narrow crimped fringe. (Tassel losses, wear to the collar, scattered moth holes, some tearing to lining) good. - 115 FRENCH VELVET BUSTLE COAT with CORDWORK, 1880s Black velvet with band collar and dolman sleeve, the sides decorated in a heavy corded lattice with baubles and knotted fringe, sleeve having satin ruffle and cord, back is pleated and slit to the waist, deep red silk lining, inside ties and front tab closure with fringe, label "Sara Mayer & A. Morhange Paris". (Velvet worn at shoulders and front edge, some wear and losses to decoration, seam separation under arms and at lining) good. - 116 TWO STRIPED SILK DRESSES, 1880s & 1900s One pale gold silk with woven gold stripe having lace trim, pleated skirt with self ruffle at hem, (trim removed from bodice). One white cotton voile with woven lavender satin stripe, the bodice having cream lace collar, yoke, cuffs and jabot, skirt with deep hem ruffle with wide lace band, moire ribbon bodice trim and separate sash with bows, (few large stains on skirt). Fair-good. - 117 TWO LACE BUSTLE DRESSES, c. 1880 and 1900 Both cream two-piece from the Bridgeton, New Jersey area: One net with high-neck bodice having tucks and inserts of embroidered net lace, (silk bodice lining torn and stained, few spots on bodice). One voile having collared peplum bodice with vertical bands of embroidered net, 3/4 sleeve, skirt with asymmetrical draped front panels, hemmed with rows of ruffled lace, non-conforming silk cummerbund, (some age-toning and brown spots, skirt has L-shaped tear, some light brown stains). Lacking underdresses, fair-good. -
118 TWO LACE-TRIMMED COTTON GOWNS, 1880s & 1900s One cream figured with tiny red abstract devices having peplum bodice with lace trim, bustle skirt with cutaway front over red cotton with lace bands at hem, (browning, some alteration to bodice). One lavender with printed white foliate pattern, high-neck bodice with bands and ruffles of lace, trained skirt has crossed bands of lace and ruffles, (browning of lace and some large stains to skirt). Fair. - 119 SATIN GOWN with ELABORATE EMBROIDERED TRIM, 1890s Black silk with openwork inserts of black velvet over ruched cream chiffon high-neck lace collar, yoke and deep cuff with silk-and-wool yarn embroidery, trained skirt with tucks at the waist, lavish embroidered decoration. (Some tears to chiffon, minor browning) good. - 120 RESTYLED PARIS LABEL SHOT-SILK GOWN, 19th C Celadon/yellow taffeta having open front and train, short pleated sleeve, large collar of fine figural Italian needle lace, front skirt panel and undersleeves of a later date having lace appliqués, petersham label "Franck 7 Rue de la Paix Paris". (Snaps and dress shields added, possibly a theatrical costume, tears in hem area, lacking underskirt, some fading) fair. - 121 FRENCH BEADED RECEPTION GOWN, c. 1890 Trained black silk having a pink high-neck insert and skirt panel covered in black net decorated with black and gold beads and silver sequins, bodice with wide lapels and black lace trim, skirts lined in pink taffeta, petersham label "Maison Bares, Nice". (Top edge of collar worn, black net has large holes, pink silk is starting to shatter) fair. - 122 PRINTED WOOL DAY DRESS, 1890s Cream wool having a polychrome stylized leaf and dot print, peplum bodice with long sleeve with upper puff, pleated cape collar beneath stiffened band, front buttons, A-line skirt pleated at the back for fullness, brown braided wool trim. (Holes and tears to trim, repairs, some worn areas of fabric) Bodice fair, skirt good. - 123 VELVET COAT with BEADING and CORDWORK, 1890s Royal purple silk having gigot sleeve and pockets with shaped flap, decorated with black cordwork and bugle beads, black cotton lining, sleeves lined in printed cotton, (Collar worn in neck area, bead losses, fading and losses to cord, missing button) good. - 124 CHENILLE EMBROIDERED WAISTCOAT FRONT, c. 1750 Ivory silk decorated with a meandering blue foliate pattern, slightly-shaped pocket flaps, eleven working buttonholes. (Silk destroyed in underarm area, soil, overall wear) fair. - 125 SUMMER GAUZE CALASH BONNET, 1787 Emerald green silk with bavolet, satin ribbon ties, cane ribs. Together with a note written in the 1930s "Mr. Bayhaw's great grandmother's wedding bonnet. Married Aug. 25 1787". Stained and faded mainly on bavolet, broken canes, hole) fair. - 126 INFANTS and CHILDS COTTON BONNETS, c. 1800 & 19th C Cream infant bonnet embroidered with a floral repeat and having bands of net with foliate embroidery, drawstring ties, 4 x 4 1/2, (few tiny spots). White child's bonnet having bands of Valenciennes lace and embroidered cotton, circular crown with cutwork and embroidery having sawtooth border, front trimmed with three lace ruffles, 6 x 7 1/2. Excellent. - 127 CREWEL-EMBROIDERED BODICE, 1820s Short sleeve boatneck with front point in sheer cream mull having polychrome wool floral embroidery, trimmed with red piping, embroidery possibly 18th C. (Mends and repairs) fair. - 128 THREE BONNETS, 19th C One fine natural straw decorated with silk ribbons and a corsage of straw flowers, (few dark spots, brim wire and lining tearing away from hat, some breaks to straw). Two drawn bonnets: One black with lace edging having silk and net bavolet, (fading, bavolet shattering); one green silk and lace, (silk discolored). Fair. -
129 EIGHT MICRO-BEADED BAGS with BANDED PATTERNS, 1840s - 1880s Five drawstring pouches including one with landscape and hunter with deer; one miser's purse; two with hinged frame. Poor-fair. DAR - 130 LADYS CHAMELEON SHOES, 1870s Dark brown kid having square toe and low leather-covered heel, decorated with cream tambour embroidery, cutouts backed in coral silk, kid lining and insole, 2 1/4 x 9 with 1 1/4" heel. (Significant losses to silk binding, some wear, mainly in toe area, 1/2" tear to front side of one heel) fair. - 131 GENTS NEEDLEWORK BRACES, MID 19th C Floral cross-stitch in red, yellow, white and shades of green on ivory canvas, backed in moire silk. (Some agetoning) otherwise excellent. - 132 FOUR WHITE COTTON GARMENTS including NURSING CHEMISE, 1840s - 1900 One tea gown having fancy front panel with tucks and lace; one long sleeve nightgown with yoke and cuff decorated with eyelet and padded satin-stitch embroidery; one short sleeve gown with floral embroidery, monogram and channels for ribbon trim (lacking ribbons); one short sleeve chemise having a yoke of filet lace, two lace-edged breast openings (mends and small tears to flaps, snaps added). Good-excellent. - 133 LOT of EIGHT LADIES PANTALETTES, 1835-1920 All white cotton, some split, some with cutwork, some lace-trimmed. Together with a pair of man's white cotton long underwear. Good-excellent. - 134 LACE-TRIMED PANTALETTES and SATIN SKIRT PANELS, 1820s One cream cotton split pantalettes inset with a band of lace above scalloped lace hem, (scattered spots). One pair of ivory skirt panels having tone-on-tone silk appliquéd bands of stylized fan palms, (soil and spots). Good-very good. - 135 CENTENNIAL BALL GOWN, RE-STYLED from 18th C, c. 1876 Pale peach taffeta with fine tambour embroidery and cream silk embroidered self appliqués, boned frontlacing bodice with elbow-length sleeve having ruched chiffon cuff with silk tabs, front and back points, slightly-trained bustle skirt, embroidered silk underskirt having a polished cotton upper front and bustle back with hoops and tapes. (Some holes and tears) good. - 136 BLACK LACE JACKET with PAGODA SLEEVE, c. 1860 Cotton net dotted with small circles and appliquéd with vertical bands of lace, the band collar and sleeve hem decorated with white silk pointed tabs, sleeve having a ruffle of floral lace behind the tabs, small silk buttons. B-34, W-24, L-17. (Net is splitting, fragile) fair. - 137 TWO TRAINED SILK WEDDING GOWNS, 1870s and 1890s One ivory taffeta with 3/4 sleeve with curved cuff, lace trim, skirt back with center gathers. (Hole in train, seam separation). One two-piece with cuffed gigot sleeve, boned bodice, trimmed in embroidered chiffon, trained skirt hemmed with self ruffle. (Tears to chiffon) good. - 138 SILK and METALLIC BROCADE BALLGOWN, c. 1900, 18th C FABRIC Oyster silk bodice and trained overskirt having polychrome floral, short tulle sleeve, metallic gold lace. (Lining shattered, tears to tulle, some splits to silk) fair. - 139 OLIVIA BARNARD FIRTH 18th C STYLE COSTUME and ACCESSORIES, 20th C Open robe of ivory and dusty rose striped taffeta with ivory lace trim and self buttons, matching taffeta covered hat with feathers, lace-trimmed parasol and reticule, cotton underskirt and hip panniers. Label "The Wicked Lady". Excellent. - 140 18th C STYLE SACQUE and MEDIEVAL DOUBLET COSTUMES, 20th C Green/black changeable taffeta gown, petticoat and lacing stomacher, the sleeves decorated with rhinestone ornaments and metallic lace cuffs, (L-shaped tear at hem). Black figured velvet skirted doublet, long sleeve puffed at the top, trimmed with black and silver beads, brocade neck insert with faceted jewels. Very good. -
141 ITALIAN GOLD SILK DAMASK GOWN, c. 1896 Back-lacing bodice with deep point and short puffed sleeve, slightly-trained skirt with stiffened box pleats at back, Florence label. (Bodice lining destroyed, laces replaced, snaps added at waist, skirt lining beginning to shatter, soiled at hem) good. FIT - 142 TWO LADIES INTERESTING NET GARMENTS, c. 1900 One black trained skirt heavily decorated with black sequins, gold lamé floral appliqués, and pearls, (lacking waistband and underdress). One trained cream dress with short bell sleeve, trimmed with shirred net circles and narrow rows of shirred net bands (lacking lining, few small holes). Good. - 143 WORTH SEQUINED SILK BODICE, 1880s Platinum satin woven with bands of moire faille having 3/4 sleeve, V-neck and back, tiny peplum, decorated with metallic gold cord and sequins, petersham label. (Cord is tarnished, sequin losses, splits to lining, scattered tiny spots) fair. - 144 FOUR PAIR LADIES LEATHER SHOES, MID - LATE 19th C One pair cream slippers having blue and black silk bow with tiny silver buckle. Two pair cream with Louis heel: One having leather bow (one detached); one having button strap (missing one button). One pair red leather with silk ribbon ties and Louis heel, label "Gimbel Bros." Together with a pair of quilted cream silk slippers with blue ribbon trim and small flower having Louis heel. Fair-excellent. - 145 LOT of ELEVEN FOLDING FANS, MID 19th - EARLY 20th C Including bone, ivory and wood sticks, some hand-painted, some with spangles, two having carved frame with flirting mirror, one brisé fan with laquered box, etc. Poor-good. - 146 A PAIR of BRASS MILITARY EPAULETS, 19th C Coiled gilded fringe with heavy brass crescents. (Losses to silk backing, some tarnish) good. FIT - 147 FOUR SILK JACQUARD WAISTCOATS, 19th - EARLY 20th C One cream with tone-on-tone Chinese birds, insects, deer, etc., (dark spot on lapel); one burgundy floral on navy ground; one green and silver foliate pattern; one black double-breasted with abstract pattern weave. Together with a white cotton waistcoat in dobby weave with tiny black dashes, (small spots). Good-excellent. - 148 FIVE GENTS BEAVER HIGH HATS, 19th C One blonde, (crown edge damaged, small holes); one brown; three black, (some wear, fur losses). Fair-good. - 149 TWO WOOL CARPET BAGS, 1880s Both having floral design with small flap and carpet handle: One plush with striped lining inked, "Georgianna Souther Fryeburg Maine". One with looped pile, blue lining with pocket, (moth damage, wear to handles). Fair-good. - 150 ELEVEN PAIR LADYS STOCKINGS, 19th - EARLY 20th C Wool, cotton or silk including embroidered, lace, printed, 2-tone, etc. Fair-excellent. - 151 LOT of LADIES GLOVES and MITTS, 19th and 20th C Including knit mitts, gloves with embroidered cuffs, opera gloves, silk mesh and children's. Together with two pair doll gloves (one unfinished) and four glove stretchers. Fair-excellent. - 152 TWO BLACK SILK RUFFLED SCARVES, LATE 19th C Both with long pleated chiffon ties: One having pleated ruffles with white edging, (few holes); one covered in gingko leaf shapes, (some losses). Good. - 153 FIVE PAIR SILK MITTS, MID 19th - EARLY 20th C One pair unusual ivory shoulder-length having elbow puff and lace upper arm with tie, (small spot, both having tears to lace). Three pair lace knit: one black, one cream (few spots), one ivory. One pair beige ribbed knit with tassels. Fair-excellent. -
154 SIX PAIR LADIES SHOES, 1880s - 1920s One pair brown pumps with grosgrain ribbon trim and bow; one pair black and tan pumps with cutouts; one pair white canvas and navy leather spectators with button strap; one pair brown oxfords with perforated details and wide silk laces; one pair black hard-toe leather ballet slippers; one pair black high-lacing boots with bronze silk uppers. Fair-excellent. Together with a single wooden shoemakers foot form. - 155 SEVEN PARASOLS with WOOD HANDLES, 19th - EARLY 20th C All cream with printed, embroidered, eyelet or soutache decorated canopies. Fair. - 156 EIGHT PARASOLS with WOOD HANDLES, 19th - EARLY 20th C Mostly larger sizes having cream silk or linen canopies. Fair-good. - 157 FOUR CARRIAGE PARASOLS with FANCY FRINGED CANOPY, 19th C Two with carved bone handles, one folding; two with painted wood handles. Fair-good. - 158 SIX CARRIAGE PARASOLS, 19th C Including one folding, (one broken). Poor-good. - 159 FOUR WOOD HANDLED PARASOLS, 19th - EARLY 20th C Four black, one burgundy embroidered. Poor-fair. - 160 4 UMBRELLAS with GOLD PLATED HANDLES, 19th - EARLY 20th C One with shagreen, two with mother of pearl, one with horn. Together with an uncovered frame. Fair-good. - 161 TWO PRINTED SILK DRESSES, c. 1900 Both two-piece with trained skirt and long sleeve: One blue with white abstract print, ruched at the neck, upper sleeve and cuff, having a ruffled hem below a band of fancy woven cord, (few holes and light stains in underarm area); one purple with white abstract floral and dotted ground, high-neck bodice with tucks and topstitching, skirt having a series of inverted pleats below the knees. Good-excellent. - 162 MIDNIGHT BLUE VELVET AFTERNOON GOWN, c. 1900 2-piece having boned bodice with elbow-length sleeve cut on an angle with two black pleated chiffon ruffles, pleated chiffon front panel and shoulder puffs, tiny peplum back decorated with silk cord and tassels, trained skirt having front panel edged in curved tabs over double chiffon ruffle. (Waistband torn, some edge wear, minor seam separations) good. - 163 JEANNE HALLEE LACE and LAME HIGH-NECK BODICE, c. 1900 Long sleeve boned bodice of ivory bobbin lace over gold lamé, trimmed with black chiffon and rhinestone buttons at neck and waist, labeled. (Bodice lining is beginning to shatter, some splits and tarnish to lamé, majority of rhinestones missing from buttons, tears and losses to chiffon) fair. - 164 TWO SILK DRESSES c. 1900 Both two-piece: one steel blue having bodice trimmed with brocaded ombré ribbon and braid, (wear to collar and cuff edges), one sage green faille with self ruffle and crocheted buttons, (spots on bodice back). Fair-good. - 165 PARIS LABEL SILK HIGH-NECK GOWN with VELVET TRIM, EARLY 20th C Pale green with repeating stylized flower, having a dark green wired velvet collar and deep cuff, embroidered net high-neck insert, boned velvet waistband, slightly-trained skirt with a series of hem tucks. (Some seam separation, few tiny holes) good - 166 THREE SILK DRESSES, EARLY 20th C Two having high neck net insert and soutache decoration: One pink with black trim, tucks and gold soutache, (trim losses, several small holes in skirt, age-toning to lace); one green faille with pleats and black decoration. One black chiffon and satin decorated with heavy black embroidery and velvet trim, (quarter-sized hole in chiffon at skirt back, armhole repair). Fair-excellent. -
167 LADYS STERN BROTHERS WOOL COAT, c. 1900 Black broadcloth having an interesting triple-caplet top with silk tassels at the back and cuff, shaped sleeve, black silk lining with white facings edged in fancy braid, labeled.(wear to neckline and edges, facings shredded, tiny moth hole) fair. - 168 THREE-PIECE WOOL ENSEMBLE, EARLY 20th C Coarsely-woven grey wool bodice, overdress with self sash, having cream lace high collar, yoke, cuff and sash trim, silk taffeta lining, trained skirt with two deep hem ruffles, Boston label. (Some browning to lace, few pulls) good. - 169 TWO GENTLEMENS ROBES, 1890-1920 One printed wool paisley, one brown and gold Art Deco silk brocade. Both good. - 170 GENT S THREE-PIECE WOOL SUIT, 1912 Black broadcloth long jacket, four-pocket waistcoat and button-fly trousers, label "J. L. Taylor New York Chicago". Together with a double-breasted black waistcoat with extended lapel and four pockets. Excellent. - 171 APPLIQUED WOOL COAT with FEATHER TRIM, c. 1916 Burgundy wide A-line having black marabou collar and cuff, the bodice appliquéd in a black silk scrolling floral edged in black chenille cord. (Feather losses, scattered moth holes, wear to trim, lining shredded, mainly in neck and underarm area) fair. - 172 LADYS WOOL CAPE with BRAIDED DECORATION, EARLY 20th C Black with a triple cape collar having a scrolling floral in black and heavy braided decoration at the front closure. (Inside collar worn, losses to heavy braid, small hole near shoulder) good. - 173 CHENILLE-DECORATED COAT, EARLY 20th C Black silk crepe decorated with wide bands of aubergine chenille having dolman sleeve, wide collar and attached self sash. Lot includes a matching dress in marginal condition(tears at shoulder seams, pulls and repairs under arms, mildewed, two small holes near hem) fair, coat (missing eye on collar) excellent. - 174 ENGLISH WOOL DAY DRESS with SOUTACHE, EARLY 20th C Navy felt with black soutache decoration, front and back black silk buttons, having 3/4 sleeve, tiny breast pocket, shaped yoke, A-line skirt with tucks to one side, label "Debenham & Freebody London", (shortened but uncut, sleeve lining torn, stain hidden under back buttons, small repairs, few small holes). Fair. - 175 ROGERS PEET LINEN DUSTER, EARLY 20th C Cream with double breast and six button-flap pockets, vertical pair between upper and lower patch pockets, belted cuff, labeled. (Collar has tears around neck fold, some stains) good. - 176 LADYS BROWN LINEN MOTORING COAT, EARLY 20th C Collarless princess line duster with large curved flaps concealing welt pockets, overlapping curved cuff, back vent, shell buttons. (Two missing buttons, scattered small spots) good. - 177 THREE LADIES LINEN DUSTERS, EARLY 20th C One brown, one ecru, one white. Good-excellent. - 178 TWO LONG SLEEVE WHITE COTTON GOWNS, EARLY 20th C One high-neck 1-piece with cutwork, floral embroidery and bands of lace insertion, skirt gathered below the hip and ruffled at hem (spot on collar, clusters of brown spots on lower skirt back and front). One 2-piece having button-front bodice with tucks, lace collar and ruffled skirt, decorated with bands of eyelet and embroidery, (2-inch tear on bodice front). Both good. - 179 TWO COTTON HIGH-NECK GOWNS, EARLY 20th C Both white with long sleeve: One having tucks and bands of Val lace and a white cotton petticoat; one having tucks and pale gold embroidered wavy bands and foliate devices. Very good. -
180 GARDEN GOWN with CUTWORK and EMBROIDERY, EARLY 20th C Long sleeve white linen lavishly decorated with botehs and floral forms, V-shaped needle lace insert at waist, sleeves having bands of filet lace, skirt pleated on the sides.. (Few broken brides to needle lace) otherwise excellent. - 181 TWO SUMMER DRESSES with LATTICE DECORATION, EARLY 20th C One natural linen having a lattice of cream tapes on the bodice front and sawtooth bands at the hem, one pale blue cotton with an openwork windowpane weave. Good. Together with a black cotton dress printed with a repeat of tiny cream floral devices. Excellent. - 182 SILK METALLIC BROCADE COCOON, c. 1912 Mauve floral with metallic gold brocade on green ground having large self rosettes and floating triangular black panel with large black-and-gold tassel, L-44. (Lining removed, flannel interlining remains, few worn spots in hem area, floating panel unstitched on one side, unfinished in neck area, lacking closures, minor tarnish) fair. - 183 ETHNIC-STYLE SILK ROBE, 20th C Copper silk jacquard with cream and pale green floral, trimmed with purple, fuchsia and white striped silk, stand collar, U-shaped pockets and deep side slits, cotton lining, collared buttons inset with rhinestones. (Splits to shoulders) fair. - 184 CHINESE EXPORT SILK EMBROIDERED DAY DRESS, EARLY 20th C Cream silk having tone-on-tone satin-stitch embroidery, long shaped sleeve with silk buttons, rounded collar, attached cummerbund over floating side panels with point and tassel. (Scattered small spots and stains, slight stress mark along back seam, snaps added, small hole where streamer was tacked to skirt) good. - 185 THREE OVERDRESSES, EARLY 20th C One sheer paisley-print silk having short sleeve tucked bodice, the waistband and hem decorated with pewter lamé ribbon flowers, lined in blue silk, (some tears). One black net with short sleeve, lavishly decorated in crystal bugles and seed beads in a floral pattern with swags, (tears in the shoulders, few holes in net). One cream cotton voile with lace trim and insertions, (several stains). Fair-good. - 186 BEADED SATIN DINNER DRESS, c. 1918 Black silk decorated with bands of blue iridill beads having 3/4 sleeve, floating front and back panels with beaded floral medallion near the hem, attached sash with knotted silk fringe. (Bead losses) good. - 187 JOSEPH COUTURE EVENING DRESS, WINTER 1919-20 Sleeveless champagne silk satin with a large-scale pattern of Deco roses on an abstract ground worked in gold lamé, pearl-beaded strap, bodice-top edged in nude lace with gold threads, floating back panel having an overlay of lace, bodice sides with triangular drape and tasseled points, corset waistband, labeled. (Straps very frayed beneath beadwork, net torn along bodice back, tarnish, missing one side tassel, loose metallic threads) fair. - 188 LOT of LADIES WHITES, LATE 19th - EARLY 20th C Including a bustle petticoat, corset covers, corset, padded camisole, brassiere, etc, thirteen pieces. Goodexcellent. - 189 LACE and VELVET GOWN, c. 1900 Pale yellow velvet heavily decorated in ivory tape lace, short lace bell sleeve over white chiffon sleeve gathered with self bands and black bows, trained skirt with lace lower half over pleated chiffon underskirt. (Tears to chiffon, underskirt top and lining replaced with rayon) fair. FIT - 190 TRAINED SILK and LACE WEDDING GOWN, c. 1900 Ivory silk bodice with sheer net long sleeve and top, decorated with appliqué lace and fancy ribbons, skirt covered in vertical chiffon panels with openwork lace bands, pleated hem ruffles, (tears to chiffon). Together with a pair of satin pumps with button strap and Louis heel. Good. -
191 TRAINED SATIN WEDDING GOWN with PEARLS, c. 1908 Attributed to the Commodore Barry estate, ivory silk with cap sleeve bodice trimmed with embroidered net ruffles, pearl appliqués and swags, princess seams, bell-shaped skirt with long train backed with four lace hem ruffles. (Lining destroyed, some age-toning to lace, small faint stain on skirt front, bodice back stained beneath lace, hidden stain on back, scattered tiny marks and snags to satin, splits in train) good. 150-250 192 FRENCH BEADED SILK EVENING DRESS, c. 1910 Ivory with bronze beads decorating the square neck, short sleeve, and hem, the sleeve and skirt sides slit and joined with self lattice, underskirt and square padded train in changeable maize silk, beaded maize waistband and narrow weighted streamer at back. Separate small asymmetrical piece of matching silk with beadwork. (Train is soiled, some bead losses, streamer waistband poorly finished) good. - 193 DECONSTRUCTED TAPE LACE COAT, EARLY 20th C Cream cotton fashioned from mixed tapes with inserts of embroidered net, separate body, sleeves, cuffs and collar. (Minor breaks, stain on back) good. FIT - 194 LOT of EIGHT CORSETS, MID 19th - EARLY 20th C One brown cotton with busk; four silk including one green brocaded with floral sprigs; three white cotton: one with embroidery, one with lace trim, one two-piece with garters in original American Beauty box. Together with a set of 14 metal busks, and three corset clasps in original paper packages and Silver Queen box. Poorexcellent. - 195 LOT of ADULT and YOUTH CORSETS and WAISTS, LATE 19th - EARLY 20th C All cotton with steel stays, some having steel busk, lace trim or embroidery. Eight pieces. (Some with soil, stains or wear) good-excellent. - 196 LOT of ACCESSORIES, 19th - EARLY 20th C Plain cream wool bonnet with silk facings and ties, liquor store advertising fan, a painted wood hand-held firescreen with turned handle, three large hair combs, a pair of red garters with black bows, a pair of garter buckles, salesman's sample or doll parasol, a hand-painted paper fan with celluloid sticks attributed to Jenny Lind (paper leaf in poor condition), a pair of mother-of-pearl opera glasses and two pince nez. Poor-excellent. - 197 LOT of WOOD DRAFTING TRIANGLES and FRENCH CURVES, 19th - EARLY 20th C Stamped "Izard-Warren Co. Phila." or "Warren-Knight Phila." 14 pieces. Fair-excellent. - 198 LOT of FASHION ILLUSTRATIONS, EARLY 20th C Nine matted illustrations from various publications including Gazette du Bon Ton, McCall's, Costumes Parisiens, etc. Very good-excellent. 100-150 199 LOT of EMBROIDERED BEACH BAGS, EARLY 20th C Six bags in various designs together with a back of door hanging bag, an embroidered frame, a small table cover and a printed sewing bag. Good-excellent. - 200 TWO PAIR GENTS FLORAL-EMBROIDERED BRACES, EARLY 20th C One pair cream silk having metal buckles with leather button-loops (some spots). One pair red wool Austrian style with horn buttons, (minor fraying). Good. - 201 LOT of ACCESSORIES, 19th - EARLY 20th C Including bowler hat, stockings, cummerbund, undersleeves, small purses, mittens, case with mirror, watch fob, etc. Together with two dress patterns, 1878 and 1920s, and a cream satin vest. Fair - excellent. - 202 LOT of NINE HAND FANS, 19th - EARLY 20th C Most having wood sticks with paper leaf, including advertising, sandalwood, and an unusual folding fan. Fairexcellent. -
202.1 SEVEN GLASS VANITY JARS with STERLING and ENAMEL TOPS, EARLY 20th C Assembled set in various forms having blue enameled lids in several patterns. (Two lids have losses to enamel) good. - 203 TWO PAIR LADIES WHITE and BLACK GAUNTLETS, EARLY 20th C Both white kid leather with black topstitching and decorated gusset: One having black suede inserts, one with black leather chevrons. Very good-excellent. - 204 THREE PAIR WOMEN S SHOES, EARLY 20th C Black beaded, emerald green with silver lame bow (oxidized), and red satin. Together with three beaded slipper-form wall pockets: a pair of Native American beadwork and single silk beaded. Good. - 205 LOT of WALKING STICKS and a CANE, EARLY 20th C Three wooden walking sticks: One leather-wrapped, two having mother of pearl inlay; sterling silver handled twig cane (splits to silver). Together with an umbrella with collapsable wooden case. Good-excellent. - 206 LOT of ACCESSORIES, EARLY - MID 20th C Including rhinestone belt, eyeglasses and pince-nez, compacts, match safe, pins, clips and plastic ornaments. Fair-excellent. - 207 VELVET and GOLD LAME COCOON, 1920s Lamé cape with floating horizontal bands of red velvet attached along the top edges, having fur shawl collar. Partial label "Stecker Philadelphia". (Collar very torn) lot includes a replacement collar, lamé and velvet very good. - 208 THREE SILK VELVET COATS, 1920s One black with lamé panel, one blue having gold embroidery (fur collar and cuffs removed), one purple. Together with a velvet tabard in Renaissance design. Fair-very good. - 209 THREE PIECES FANCY LINGERIE, EARLY 20th C Two Edwardian white cotton: One split drawers with bands of lace, cutwork and floral embroidery, ruffled hem with tucks, (missing ribbons); one short sleeve camisole with bands of lace and tiny tucks, (neckline drawstring replaced). 1920s pink silk nightgown decorated with filet lace and polychrome embroidery and silk ribbon flowers, (some dye transfer, small holes). Good-excellent. - 210 SILK LACE DRESS with VELVET STREAMERS, 1920s Black lace over chiffon having short, sheer sleeve, the waist backed in a wide band of polychrome floralprinted silk above knotted velvet ribbon streamers, scalloped hem, silk underskirt. (Tears to lace at shoulders and along back neckline) good. - 211 LACE TRIMMED SILK CAMISOLE and CHEMISE, 1920s Pale pink camisole with ecru embroidered net, tucks and ribbon roses. Mint green chemise with bands of cream lace, ribbon flower and pleated hem ruffle. Together with a crochet lace lingerie yoke with ribbon straps and sash. Very good-excellent. - 212 THREE BEADED DRESSES for SALVAGE, 1920s. One blue tulle with iridescent sequins, blue beads and metallic threads. One ivory with silver beads and rhinestones. One black having crystal beads and silver bugles. As-is. - 213 2-TONE SILK SCARF with BEADED DECORATION, 1920s Copper with light brown end borders, decorated with black and red beads, having five rows of ruching in the neck area. (Minor holes, faint stain) good. - 213.1 TULLE SCARF with METALLIC BROCADE, possibly LIBERTY, 1920s Pink tulle with a band of having a printed band of floral chiffon in shades of pink and blue with gold brocade at either end, edged all around with silk and metallic threads, unlabeled. Together with a Liberty scarf envelope with gold printing and a large square fragment of silver metallic lace. Good-excellent. -