Christopher Wool Bibliography Selected Books and Catalogues: 2018 Wool, Christopher. Yard. Berlin: Holzwarth Publications. 2017 Siegel, Katy and Christopher Wool. Painting Paintings (David Reed) 1975. New York: Gagosian. Wool, Christopher. Westtexaspsychosculpture. Berlin: Holzwarth Publications. 2013 Brinson, Katherine et al. Christopher Wool. New York: Guggenheim Museum Publications. 2012 Cherix, Christophe. Print/Out: 20 Years in Print. New York: The Museum of Modern Art. Corbett, John and Fabrice Hergott. Christopher Wool. Berlin: Holzwarth Publications. ----------. The Painting Factory: Abstraction After Warhol. Los Angeles: The Museum of Contemporary Art. 2011 ----------. Art in the Streets. New York: Skira Rizzoli Publications, Inc. in association with the Museum of Contemporary Art, Los Angeles. Barrett, Terry. Making Art: Form and Meaning. New York: McGraw Hill Companies, Inc. ----------. Defining Contemporary Art 25 Years in 200 Pivitol Artworks. London: Phaidon Press Limited. Doring, Jurgen. Power to the Imagination: Artists, Posters and Politics. Munich: Hirmer Verlag GmbH. Holzwarth, Hans Werner, and Laszlo Taschen, eds. Modern Art Volume 2: 1945-2000. Cologne: Taschen, 2011. Molesworth, Helen. This Will Have Been: Art, Love & Politics in the 1980s. New Haven and London: Museum of Contemporary Art Chicago and Yale University Press. Pincio, Tommaso. Christopher Wool: Roma Termini. New York: Gagosian Gallery. ----------. Peace Press Graphics: Art in the Pursuit of Social Change. Long Beach: University Art Museum, California State University. 2010 Bondaroff, Aaron, Glenn O Brien, and James Jebbia. Supreme. New York: Rizzoli International Publications. Cooke, Lynne, Douglas Crimp, and Kristin Poor. Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present. Madrid: Museo Nacional Centro de Arte Reina Sofia. McDaniel, Craig, and Jean Robertson. Themes of Contemporary Art: Visual Art after 1980. New York: Oxford University Press, 2010. Schellmann, Jorg. Forty are Better Than One. New York: Schellman Art Production; Ostfildern: Hatje Cantz. 2009 ----------. Christopher Wool: Editions. Graz: Artelier Contemporary. Holzwarth, Hans Werner. 100 Contemporary Artists. Cologne: Taschen. Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. New York: Phaidon Press Limited. 2008 Holzwarth, Hans Werner. Art Now Vol. 3. Köln: Taschen. Momin, Shamim M., and Adam D. Weinberg, et al. Whitney Museum of American Art at Altria. New York: Whitney Museum of American Art.
Thompson, Don. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses. London: Aurum Press Ltd. 2007 De Corral, Marìa and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. New Haven: Yale University Press. Hiromoto, Nobuyuki. Pop Art: 1960s-2000s: From Misumi Collecction. Tokyo: The Yomiuri Shimbun, The Japan Association of Art Museums. ----------. Christopher Wool: Pattern Paintings 1987-2000. New York: Luhring Augustine. Patt, Lise and Christel Dillbohner. Searching for Sebald: Photography After W. G. Sebald. Los Angeles: The Institute of Cultural Inquiry. 2006 Hell, Richard. Christopher Wool. Los Angeles: Gagosian Gallery. Ortiz, Francisco Camps, Consuelo Císar Casabán et al. Christopher Wool. Institut Valencià d Art Modern. 2005 Wool, Christopher. Artists Books, revisited. Toronto: Art Metropole. 2004 ----------. Artist sbuilders: 25 Years of MOCA 1979-2004. Los Angeles: The Museum of Contemporary Art. ----------. Christopher Wool. New York: Luhring Augustine. ----------. Christopher Wool 2004. London: Camden Arts Center. Deitch, Jeffrey. Monument to Now. Athens: DESTE Foundation for Contemporary Art. Wool, Christopher. 2004 Drawings of Beer On The Wall. New York: Self-Published. 2003 Waters, John & Bruce Hainley. Art: A Sex Book. New York: Thames & Hudson. Pontegnie, Anne. Christopher Wool: Crosstown Crosstown. Dundee: Dundee Contemporary Arts. Wool, Christopher. East Broadway Breakdown. Berlin: Holzwarth Publications. 2002 ----------. Ahead of the 21 st Century: The Pisces Collection. Ostfildern-Ruit, Germany: Hatje Cantz. Wool, Christopher and Harmony Korine. Pass the Bitch Chicken. Berlin: Holzwarth Publications. 2001 Grosenick, Uta. Art Now: Icons Series. Cologne: Taschen. Wool, Christopher. Maybe, Maybe Not. Kusnacht: Inktree Editions. ----------. Christopher Wool: 9 th Street Run Down. Berlin: Holzwarth Publications. Wool, Christopher. Vienna: Secession. Vienna: Secession. 1999 ----------. The American Art Book. Phaidon Press Limited. London. Phillips, Lisa. The American Century: Art & Culture 1950-2000. New York: Whitney Museum of American Art. Riemschneider, Burkhard & Uta Grosenick. Art At The Turn Of The Millennium. Cologne: Taschen. Romano, Gianni. Bloom: Contemporary Art Garden. Milan. Wool, Christopher. Focus. Geneva: Centre d'art Contemporain. 1998 ----------. Christopher Wool: Ophiuchus Collection. Hydra: The Hydra Workshop. Crow, Thomas, Ann Goldstein, et al. Christopher Wool. Los Angeles: Museum of Contemporary Art. Janus, Elizabeth. Veronica's Revenge: Contemporary Perspectives on Photography. LAC Switzerland. Perez, Pilar. Double Trouble: The Patchett Collection. San Diego: The Museum of Contemporary Art. Walther, Ingo F. Art of the 20 th Century. Cologne: Taschen. 1997 Brighton, Andrew & Peter Wollen. American Realities, Views from Abroad, European Perspectives on American Art 3. New York: Whitney Museum of American Art. Curiger, Bice, Felix Zdenek et al. Birth of the Cool: American Painting From Georgia O'Keeffe to Christopher Wool. Zurich: Kunsthaus Zürich.
----------. Ideal Standard Life. Tokyo: Spiral Garden. 1996 Wye, Deborah. Thinking Print. New York: The Museum of Modern Art. ----------. The Hirshhorn Collects: Recent Acquisitions. Washington, D.C.: Hirshhorn Museum. ----------. The Rome Studio artist's project & exhibition catalogue. Providence: Brown University/New York: Barbara Gladstone and Thea Westreich. ----------. Incident on 9th Street: Fama & Fortune Bulletin 18. Vienna: Wien: P&S. 1995 ----------. A Collection Made In The U.S.A. Rotterdam: Caldic Collection. ----------. Ross Bleckner, Peter Cain, Christopher Wool. Oslo: Galleri K. ----------. Pittura Immedia. Graz: Neue Galerie am Landesmuseum Joanneum und Kunstlerhaus Graz. Smith, Stephanie. Wallpaper Works. Houston: Contemporary Arts Museum. ----------. The Painewebber Art Collection. New York: Rizzoli. ----------. 25 Americans: Painting In The 90's. Milwaukee: Milwaukee Art Museum. Wool, Christopher. Shut Up Stupid I'm Working-The Complete Letters and Poems. New York: Self-Published. 1994 Brandl, Herbert & Albert Oehlen. Christopher Wool. Prague: National Gallery. ----------. Collection Modern Art. Museum Boymans-van Beuningen: Rotterdam. ----------. Gewalt/Geschäfte Neue Gesellschaft fur Bildende Kunst. Berlin. ----------. New York Painters, Munich: Sammlung Goetz. 1993 ----------. Absent Without Leave. Berlin: DAAD. Cirincione, Janine. Dark Décor. New York: Independent Curators Incorporated. ----------. Die Sprache Der Kunst Kunsthalle Wien. Frankfurter: Kunstverein. Wool, Christopher. Absent Without Leave. Berlin: DAAD. Wool, Christopher. Low and Slow. Rome (Artist s book of color laser prints. Artist's Proofs). ----------. Zeitsprunge: Collection of Rudolf & Ute Scharpff, Ludwigshafen am Rhein: Wilhelm-Hack-Museum. 1992 Ammann, Jean-Christophe & Jerry Saltz. Robert Gober, On Kawara, Christopher Wool. Cologne: Max Hetzler/Thomas Borgmann. ----------. Drawing In The Nineties. New York: Independent Curators Incorporated. Dunning, Jeanne, Hirsch Perlman et al. Dirty Data. Aachen: Collection of Wilhelm Schurmann Ludwig Forum fur Internationale Kunst. ----------. Oh! Cet Echo. Paris: Centre Culturel Suisse. Rose, Bernice. Allegories of Modernism: Contemporary Drawing. New York: Museum of Modern Art. 1991 Cooke, Lynn, Mark Francis et al. Carnegie International. Pittsburgh: Carnegie Institute of Art. Loock, Ulrich. Jahresbericht des Vereins Kunsthalle Bern, Kunsthalle Bern. Switzerland. Wool, Christopher. Low and Slow. Rome: Self Published. Wool, Christopher. Cats in Bag Bags in River. Text by Glenn O Brien. Rotterdam: Boymans-van Beuningen. 1990 ----------. Christopher Wool: Works on Paper. New York: Luhring Augustine Gallery. Cooke, Lynn. Michael Craig-Martin, Gary Hume, Christopher Wool: A Paintings Show. London: Karsten Schubert Ltd. ----------. New Work: A New Generation San Francisco MOMA. San Francisco: San Francisco MOMA. 1989 Caldwell, John. Christopher Wool: New Work.San Francisco: Museum of Modern Art. Ferguson, Bruce, Joan Simon & Roberta Smith. Abstraction in Question. Sarasota: John and Mable Ringling Museum of Art.
----------. Gober, Halley, Kessler, Wool; Four Artists From New York. Munich: Kunstverein München. ----------. Herold, Oehlen, Wool. Chicago: University of Chicago, The Renaissance Society. ----------. Horn of Plenty. Amsterdam: Stedelijk Museum. ----------. On Kawara: Again and Against Portikus. Frankfurt am Main. ----------. Prospect 89. Frankfurt: Kunstverein. ----------. Repetition. New York: Hirschl & Adler Modern. ----------. Whitney Biennial. New York: Whitney Museum of American Art. 1988 Indiana, Gary. A Project: Robert Gober, Christopher Wool. New York: 303 Gallery. ----------. The Light from the Other Side. Cologne: Monika Spruth Galerie. Ross, David & Jurgen Harten. American Art of the Late 80's:The Bi-national.Boston: ICA & MFA. Wool, Christopher. Untitled. Cologne: Galerie Gisela Capitain. 1986 Halley, Peter, Jerry Saltz & Roberta Smith. Beyond Boundaries: New York s New Art, New York: Alfred van der Marck Editions. 1985 Wool, Christopher. Empire of the Goat (Edition of 33, self published). 1984 Wool, Christopher. 99 Drawings of Beer On The Wall, New York: Self-Published. 1983 Belag, Andrea. Selected Drawings. Jersey City, New Jersey: Jersey City Museum. Selected Articles and Reviews: 2012 Bankowsky, Jack. Best of 2012. Artforum, Dec. Barnes, Brooks. Giant Steps. The New York Times, Oct 21. Müller, Sabine Elsa. Christopher Wool: Gisela Capitain Cologne. Flash Art, Jan Feb. Sausset, Damien. Les improvisations contrôlées de Christopher Wool. Le Quotidien de l Art, Mar 30. 2011 Bishop, Claire. Safety in Numbers. Artforum, Sep. ----------. Christopher Wool. Art Economist, Jan. Cooper, Harry. Spatter and Daub. Artforum, Summer. Godfrey, Mark. Stain Resistance. On Christopher Wool s New Works. Artforum, Summer. Grabner, Michelle. Reviews: Christopher Wool. Artforum, Feb. ----------. Profiles: 33 Artists. The Art Economist, Jan. 2010 Baker, Kenneth. Christopher Wool at SFMOMA a worthy adversary. The San Francisco Chronicle, Jul 18. Lindemann, Adam. Why the Art Market is Rising: When art acts like gold. The New York Observer, Dec 20. 2009 Gaertner, Flo. Christopher Wool, Slanted, Winter. Hochdörfer, Achim. A Hidden Reserve: Painting from 1958 to 1965. Artforum, Feb. Nelson, Maggie. Review, Oranges and Sardines. Artforum, Feb. Rubinstein, Raphael. Provisional Painting. Art in America, May. Sharp, Chris. Christopher Wool: Museu Serralves, Porto, 22 November 15 March. Art Review, Jan-Feb. 2008 Leffingwell, Edward. Review: Christopher Wool at Luhring Ausgustine. Art in America, Oct. O Brien, Glenn. Chirstopher Wool. Interview, May, pp. 112-115. 2007 Saltz, Jerry. Theory of the Market. Flash Art, Mar-Apr, pp. 90-93. 2006 Charlesworth, J.J. Crossfader: Christopher Wool. Art Review, Oct, p. 20.
Cutajar, Mario. Fresh Paint. ArtScene, May, pp. 29-31. Pagel, David. Making a big deal of a minor work. The Los Angeles Times, Mar 17, Siegal, Nina. Market File. Art + Auction, Nov, pp. 183-184. 2005 Altman-Siegel, Claudi. Review: Christopher Wool. Apn Quarterly, #1. pp. 35-41 Goodbody, Bridget. Review: Christopher Wool at Luhring Augustine. Art on Paper, Jan-Feb, p. 80. O'Brien, Glenn. "Art is a Joke." Black Book, spring, pp. 82-86. Pollack, Lindsay. "A More Democratic Cast." ARTnews, May/Jun, p. 88. Samet, Jennifer Sachs. "Many Styles, Drawn Together." The New York Sun, Feb 17. Satterthwaite, Julian. Wool s quiet Art Slips Into Tokyo. The Daily Yomiuri. Dec, p. 20. 2004 ----------. "The Artists' Artists." Artforum, Dec, p.76. Conti, Andrew. "Artist Christopher Wool Brings a Vision of New York City's Streets to Taka Ishii Gallery." Metropolis Tokyo, Dec. Dannatt, Adrian. "Benedikt Taschen Reveals his Contemporary Art." The Art Newspaper, No. 151, Oct, p.32. Ebony, David. "Auction Houses in Full Boom." Art in America, Sep 8 pp.37-39. ----------. "Goings on About Town." The New Yorker, Dec 6, p.33. ----------. "I am The Walrus." The New York Times, Jun 25, p. E33. Johnson, Ken. "Wandering the Night Away Along Baleful City Streets." The New York Times, Jul 2, p. E31. Pollack, Barbara. "I am the Walrus." Time Out New York, no. 457, Jul 1-8, p.54. Searle, Adrian. "Northern Lights." The Guardian, Feb 5. Staltz, Jerry. "Hard Attack". The Village Voice, Dec 8-14, p. 78. ----------. "What's so Funny About Contemporary Art?" ARTnews, Sep, vol. 103, no. 8: pp.114-117. 2003 Allen, Dave & Raimer Stange. "Christopher Wool." Frieze, issue 74, Apr, p.94. Bird, Nicky "Christopher Wool." Art Monthly, no. 266, May, pp. 35-36. Brown M., Katrina. "Christopher Wool." Contemporary, winter, issue 58, pp.118-121. Conti, Samantha. "G Spot," W, May, p. 198. 2002 Adler, Dan. Review: Christopher Wool at Luhring Augustine. Art in America, no. 1, Jan, p.107. Galanternick, Mery. "Brazil's Power Buyer." ARTnews, Oct, p.78. Griffin, Tim. "Time Warp Again: MoMA Queens Location Makes the Past Seem Futuristic." Time Out New York, July 18-25, p.77. Hirsch, Arthur. "Drawing a Reaction: A Word's Power Is Revealed When It, Alone, ----------. "Hot Shots." Tate Arts and Culture, Sep-Oct, issue 7, pp.31-32. Jeffrey, Moira. "Visions of mean streets." The Herald, Apr 4. ----------. Review: Christopher Wool at Galerie Max Hetzler, Berlin. Texte Zur Kunst, Mar, pp.168-171. Sartwell, Emma. "Museum Shouldn't Apologize For its Provocative Artwork." The Baltimore Sun, Mar 29. Williams, Gregory. "The Happy End of Kippenberger's America." Artforum, Feb, p.101. Becomes Art." The Baltimore Sun, Jan 28. 2001 ----------. "BMA Pulls Art Bearing word Terrorist.'" The Baltimore Sun, Sep 19, sec. B:1-14. ---------. "Christopher Wool." The New York Times, May 18, p. E29. Lehner, Adam. "Moving Pictures: Adam Lehner on the Art in the Aftermath." Artforum, Nov, pp.35-39. McNatt, Glenn. "In a Word, Painting Proves Controversial." The Baltimore Sun, Oct 22. Moreno, Gean. "Mythic Proportions," Flash Art, May/Jun, p.146. Scott, Andrea K. Review, Christopher Wool. Time Out New York, Jun 14 21, p. 55.
Scarcella, Michael. "Sensitivity Led to Removal of Terrorist' Art, BMA Says." The Baltimore Sun, Sep 18. ----------. "Snapshots of Grieving Nation." The Associated Press, Sep 17. ----------. "The Mood Across the Arts Spectrum." Chicago Tribune, Nov 4. Thomas Devine, Kelly. " Aftershocks." ARTnews, Nov, p.150-155. Wortech, Edward. "BMA Mistaken in Removing Artwork." The Baltimore Sun, Oct 1. Yablonsky, Linda. "Luhring Augustine Gathers New Wools." Art and Auction, May, p.217. 2000 ----------. "Marketplace." Art & Auction, Apr 15, p.49. ----------. "Working Proof." Art on Paper, Jul/ Aug, p.55. 1999 ----------. "Christopher Wool." Flash Art, Jan-Feb, p.111. Hogrefe, Jeffrey. "Who Played the Fool? Young, Art-Thirsty Storm Christie's." The New York Observer, Jun 7, p.25. Mack, Gerhard. "Hommage an Dada und Pop Art." Art Das Kunstmagazin, Apr, pp.98-99. ----------. "Marvelous diversity on display in local art scene." Pittsburgh Post-Gazette, Jan 23, sec. C7. Paparoni, Demetrio. "Matissiana." Tema Celeste, May/Jul, p.56-71. Perrella, Christina. "Istanbul, sull'onda dell passioni." Alias, Sep. ----------. Review: Christopher Wool. The New York Times, Mar 17, sec. E 37. ----------. Review: Christopher Wool at Luhring Augustine Gallery. Contemporanea 21, Oct, p.101. ----------. "Sunday Brunch with Friends and Sweets." Pittsburgh Post-Gazette, Jan 3, p.14. Vogel, Carol. "Records Set for 11 Artists in Contemporary Sale." The New York Times, May 20, sec. B7. 1998 ----------. "Christopher Wool." The Contemporary, Summer, pp.4-6. ----------. "Exploiting the Abstract." Flash Art, Summer, p.63. Harvey, Doug. "Christopher Wool." Art Issues, Sep/Oct, p.42. Hickey, Dave. "Christopher Wool." Artforum, Oct, pp.114-116. ----------. "Misstep in Mid-Career MOCA Show." Los Angeles Times, Jul 23, p. 54-56. Neuhoff, Tony. "Christopher Wool." New Art Examiner, Nov. ----------. "Real Stories." The New York Times, Feb 13. Rubin, Marilyn McDevitt. "Didn't Take Long to Become His Died-in-the-Wool Fan." Pittsburgh Post-Gazette, Dec 13. Shearing, Graham. "Drop Dead." Pittsburgh Tribune- Review, Nov 29. Silva, Arturo. "Bless this mess of interconnections." The Japan Times, Jan 11, p.15. ----------. "Summer Preview." Artforum, May, p.51. Thomas, Mary. "Christopher Wool gives texture, meaning to writing on the wall." Pittsburgh Post-Gazette, Nov 28, sec. D: 10. ----------. "Wool exhibit protest unravels." Pittsburgh Post-Gazette, Nov 28, sec.d: 10. ----------. "The Hawk and the Dove." LA Weekly, Aug 21-27, p.59. ----------. "Traveling Exhibitions." Artforum, Sep. Lewis, Jim. "Wool Power." Harper's Bazaar, Aug, p. 98. Wilson, Ellen S. "Christopher Wool: Painting about Painting." Carnegie Magazine, Nov-Dec, pp. 38-39. 1997 Liebman, Lisa. "And Cool Off Here." Interview, Jun, p. 68. Schwendener, Martha. "Christopher Wool." Time Out New York, Dec 18, p. 46. Testino, Mario. "Chic." Visionaire, no. 22, Sep. 1996 Temin, Christine. "Thank you, PaineWebber." The Boston Globe, Mar 14. Westerbeck, Colin. "Christopher Wool at Robbin Lockett Gallery." Artforum, Sep, p. 139.
1995 Guequierre, Nathan. "Slavishly Hip, Strangely Satisfying." Shepherd Express, Oct 12. Heartney, Eleanor. Review: Christopher Wool at Luhring Augustine Gallery. Art in America, Dec, p. 90. Relyea, Lane. "967-Wool." Frieze, no. 20, Jan/Feb, pp. 41-43. Decter, Joshua. Review: Christopher Wool at Luhring Augustine Gallery. Artforum, Sep, p. 89. Vannucci, Delfina. "Wallpaper As Wall Hanging." Public News, Nov 29, pp. 12-13. 1994 ----------. "Christopher Wool." Kunstforum International, Jan-Feb, p. 350. Princenthal, Nancy. "Artist's Book Beat." The Print Collector's Newsletter, vol. XXV, no. 4, Sep-Oct, pp. 151-152. 1993 Avgikos, Jan. Review: Christopher Wool at Luhring Augustine Gallery. Artforum, Jan p. 83. Bass, Ruth. Review: Christopher Wool at Luhring Augustine Gallery. ARTnews, Jan, pp. 140, 143. Myles, Eileen. "Prints of Woods." The Print Collector's Newsletter, vol. XXIV, no. 4, Sep-Oct, pp. 132-135. ----------. "New of the Print World: People & Places." The Print Collector's Newsletter, no. 2, vol. XXIV, May-June, p. 58. 1992 Diederichsen, Diedrich. "Here Is Something You Can't Understand." Parkett, no. 33, Fall, pp. 108-115. Fleck, Robert. "Spielholle: Asthetik und Gewalt." Rogue Magazine, no.16, Dec/Jan, pp. 17-32. Graw, Isabelle. Review: Christopher Wool at Gisela Capitain. Flash Art, no. 25, Oct, pp. 106-107. Hixson, Kathryn. "Dirty Data: Irrevererent Wunderkammer." Flash Art, vol. XXV, no. 166, Oct, p. 95. 1992 Kunz, Martin. "USA - Blickpunkt Eastcoast. Neue Leitsterne - neue Wertungen." Kunstforum International, no. 119: p. 170-171. ----------. "Voice Choices: Christopher Wool." The Village Voice, Nov 3, p.79. Lewis, Jim. "Cave Canem." Parkett, no. 33, fall, p. 78-85. ----------. "Lufthansa Was Half The Fun." Galeries, no. 50, Aug-Sep, pp.77-79, 88. Marcus, Griel. "Wool's Word Paintings." Parkett, no. 33, fall, p. 86-99. Morgan, Stuart. "Documenta IX:Three Perspectives Body Language." Frieze, issue 6, Sep-Oct, p. 28-34. ----------. New Art Examiner, Jan, cover. Perrone, Jeff. "In the Shadow of Painting." Parkett, no. 33, fall, p. 100-107. Politi, Giancarlo. "Bonito Oliva, Documenta, and the Biennial." Flash Art, vol. XXV, no.166, Oct, p.87-89. ----------. "Prints & Photographs Published." Print Collector's Newsletter, no. 6, Jan/Feb, p.215. Tully, Judd. "Impressionist, Modern and Contemporary Sales." Art & Auction, Nov, p. 125. 1991 ----------. Review: Christopher Wool at Luhring Augustine. Art in America, Oct, p. 143. ----------. "Christopher Wool." NOEMA, Apr, p. 78. Dubrow, Norman. "The Neo Tendencies of the Late 1980s." Drawing, Mar/Apr, p.124. Ermen, Reinhard. "Christopher Wool." Kunstforum International, Jul/Aug, pp. 357-358. Ferguson, Bruce W. "Patterns of Intent." Artforum, Sep, p. 95-98. Johnson, Ken. "Vogue Arts." Vogue, Aug, p. 142-150, 222. Larson, Kay. "The Subplot Thickens." New York, May 27, pp. 67-68. Levin, Kim. "Voice Choices: Christopher Wool." The Village Voice, May 15, pp. 104-105.
Myers, Terry R. "New York Review: Christopher Wool." Arts Magazine, Sep, p. 76. Van der Ploeg, Kees. "Christopher Wool: The Complexity of Form and Meaning." Flash Art, no. 157, Mar/Apr, p. 94-96. Wagemans, Fred. "Christopher Wool...different voices in a room." Metropolis M, no. 2, Apr, p. 28-30. 1990 Borum, Jenifer P. Review: Christopher Wool at Luhring Augustine Gallery. Artforum, Nov, pp. 166-167. Caldwell, John. "Christopher Wool, New York." NOEMA, May/Jun, pp. 35-38. Cameron, Dan. "Unfixed States: Notes on Christopher Wool's New Editions." Print Collector's Newsletter, no.21, Mar/Apr, pp. 13-15. Faust, Wolfgang Max. "Wenn Woerter sich zu Bildern fuegen." Art, Nov, pp. 80-95. Jan, Alferd. "Audience Response to New Work: A New Generation'." Visions, Summer, pp. 24-26. Marta, Karen. "A Conversation with Jutta Koether, Karen Marta and Christopher Wool." NOEMA, May/Jun, pp. 35-38. Raynor, Vivien. "Medium and Message Blend in Language and Art' Aldrich." The New York Times, Nov 4, p. C 26. 1989 ----------. "Renaissance show a challenging trilogy." Chicago Tribune, Apr 7, sec. 7, p. 48. Baker, Kenneth. "S.F. Museum Show Toys with Art'." San Francisco Chronicle, Feb 22, sec. C3. Cotter, Holland. "A Bland Biennial." Art In America, Sep, p. 87. Decter, Joshua. "Christopher Wool." Arts Magazine, Feb, p. 104. Koether, Jutta. Review: Christopher Wool at Galerie Max Hetzler, Cologne. Flash Art, no. 149, Nov/De, p. 147. Liu, Catherine. "Christopher Wool: At the Limits of Image Making and Meaning Production." Flash Art, no. 145, Mar/Apr, p. 106. 1989 Messler, Norbert. Review: Christopher Wool at Gisela Capitain. Artscribe International, no. 74, Mar-Apr, p. 87. ----------. "More Women and Unknowns in the Whitney Biennial." The New York Times, Apr 28, sec. C 32. ----------. (insert), Parkett, no. 22, Dec, p. 112-128. Solnit, Rebecca. "One-Liner Invitations to Theory." Artweek, Aug 20, 26, p. 7. Van Nieuwenhuyzen, Martijn. "Horn of Plenty." Flash Art, Mar-Apr, p. 102. Von Kunstadt, Theodor. "The 1989 Whitney Biennial." Flash Art, Summer, p. 139. 1988 Evans, Steven. "Robert Gober and Christopher Wool." Artscribe International, no. 72 Nov-Dec, p. 80. Saltz, Jerry. "This is the End: Christopher Wool's Apocalypse Now." Arts Magazine, Sep, p. 19-20. 1987 ----------. "Chronicle in Black and White." Village Voice, Mar 31, p. 89. Gardner, Colin. "The Art Galleries." Los Angeles Times, Aug 7, part VI, p. 16. Knight, Christopher. "Caricaturist Expresses a 'Bone' to Pick," Los Angeles Herald, Jul 31, p. 4. ----------. "Where to see the Newest of the New American Art." The New York Times, May 1. 1986 ----------. "Art: Christopher Wool." The Village Voice, Feb 25, p. 68. Artner, Alan G. "New Antiques: Christopher Wool." Chicago Tribune, May 23, sec. 7, p. 45. Bulka, Michael. "Christopher Wool at Robbin Lockett Gallery." New Art Examiner, Summer, p. 46. Lurie, David. Review: Christopher Wool. Arts Magazine, Apr, p. 133. 1985 Indiana, Gary. "The Age of Silver." The Village Voice, Dec 17, p. 107.
1984 Smith, Roberta. "Around Town." The Village Voice, Sep 4. 1983 Cohen, Ronnie. "Group Show: Delahunty." ARTnews, Sep. Glueck, Grace. Review: Big American Figure Drawings. The New York Times, Mar 18.