Antique & Vintage Costume, Textiles, Dolls & Teddy Bears

Transcription

1 Antique & Vintage Costume, Textiles, Dolls & Teddy Bears Saturday 10 February am Viewing: Thursday 8 February 10:00am-4:00pm, Friday 9 February 9.00am pm and morning of sale Buyer s Premium 20% + VAT (24% in total) Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first served basis and are subject to a minimum lot value of 500 in Fine Art Sales and 200 for all other sales. Live bidding is available at: 2001 Assorted Bisque and China Head Doll and Dolls House Dolls, including a bisque figure of a boy in Scottish black watch tartan outfit, moulded hair, painted face and hair, bisque lower arms and legs, 27cm; similar figure in a possibly Swiss costume, 23cm; miniature figure dressed in a flamenco outfit, bisque lower arms and legs and face, and blue glass eyes, long brown plait, 9cm; two other miniature bisque figures with jointed arms and legs, one with moulded hair, the other a blond wig, painted socks and shoes, both 9cm; china half doll, with moulded and painted hair, with china lower arms and legs, 18cm (6) Circa 1930 Schuco Yellow Plush Bear on Wheels, with jointed head, stitched nose and claws, boot button eyes, felt paw pads on an iron stand with four wheels, 36cm long by 32cm high Circa 1930s Possibly German Dual Plush Jointed Teddy Bear, in a natural and beige tipped colour plush, with glass eyes, stitched nose, slight hump to the reverse, felt paw pads, 51cm Circa Schuco Dual Plush Jointed Teddy Bear, in striking pink/orange plush, glass eyes, stitched nose and claws, felt pads, 50cm Late 19th Century Dolls Domed Hinged Trunk, covered with blue canvas, brass mounts, American Eagle locks, wooden baton mounts, two carrying handles, enclosing a white and dark cream striped fabric interior, with lift out tray, and a small quantity of assorted dolls costume, 30cm by 22cm by 20cm 2005 Circa 1920s Yellow Plush Jointed Teddy Bear Handbag, with stitched nose, amber and black eyes, felt paw pads, metal clasp to the purse with leather lining and possibly later grey leather strap, 25cm

2 2006 A Rare 1925 Gebruder Sussenguth "Peter" Teddy Bear, with jointed body, brown tipped mohair body, felt paw pads, composition head, moving eyes and tongue, painted open mouth with teeth, growler, original fabric tag to the arm, and wearing his original card tag, printed with 'Peter" Ges. gesch. Nr ', 38cm, in his original card box. Unfortunately during the 1920s Peter was not a success in sales, due to his 'scary' looking face. However in 1974 a couple of hundred bears were discovered in East Germany within a former factory. This accounts for the bear's superb condition th Century Embroidered and Quilted Bed Cover, worked on two fabrics which alternate in stripes, three sides finished in scallops, the last side straight, decoratively embroidered with carnations, other flowers and foliage in silk and metal threads, on a regular quilted design, the backing is pieced from various fabrics, mainly linens, 160cm by 200cm 2008 Pair of Silk Embroidered Panels/Pelmets of Floral Design, with roses, daisies, chrysanthemums in pink hues, worked on cream silk, with a brown trim border and woven cream trim to the edge, 170cm by 90cm 2009 Pair of Late 19th Century French Cornelli Work Lace Appliqué Curtains, with large bold stump work flowers worked over the lace, 300cm long by 135cm wide 2010 Assorted White Linen and Cotton Table Cloths, napkins, bed linen and other similar items, including damask, embroidered and crochet edged examples (five boxes) 2011 Late 19th Century Patchwork Quilt, incorporating cotton square patches of varying sizes, with a striped rosebud pattern to the reverse, 222cm by 240cm 2012 Early 20th Century Double Sided Patchwork Quilt, incorporating floral and geometric patterned cottons, 245cm by 210cm th Century Patchwork Quilt, comprising square patches in coloured printed cottons, within two floral sprigged frames, with cream reverse, 226cm by 210cm Assorted White Linen and Textiles, including white cotton baby gown and under dress with hand worked lace trims, crochet edged towels and cloths, acorn and leaf patterned damask table cloth, embroidered cloth, two single bed valances with a lace trim, linen and cotton sheets and other items (two boxes) 2016 A Late 19th Century Tumbling Blocks Pattern Patchwork Quilt, incorporated coloured cottons, turkey red border, red paisley and striped reverse, 220cm by 240cm 2017 Mid 19th Century Patchwork Quilt, worked in frames with a central square, patched with pink and white squares and triangle edging, incorporating Cummersdale printed cotton fabrics, 245cm by 230cm 2018 Large 19th Century Reversible Whole Cloth Quilt, with printed cotton design of aubergine coloured flowers against a trellis style pattern, the reverse has rust red flower heads on a green printed floral and decorative background, and diamond quilting, 225cm by 235cm

3 th Century Pieced 'Chinoserie' Quilt, comprising broad vertical stripes of cottons with printed designs depicting figures and foliage, in reds, creams and duck egg blue, cream to the reverse, 248cm by 215cm 2020 Provencal Quilted Coverlet, comprising of pieced printed cottons, with a central panel of pink sprigged cotton, brightly coloured floral borders, including one of the type printed in Alsace, reverse pieced from various striped cottons, 148cm by 124cm Late 19th Century Double Sided Quilt, with coloured woollen blocks within a teal border, embroidered in coloured silks with flowers and butterflies, to the reverse large patches of floral furnishing fabrics, 210cm by 205cm 2022 Late 19th Century Double Sided Farm Quilt, one side is a patchwork of woollen scraps in various colours, early shirting and possibly Linsey Woolsey, the opposite side is a colourful printed cotton panel of tumbling blocks and stars, with diamond quilting, 212cm by 175cm The quilt would sit on the bed with the woollen samples facing up, and when special guests arrived it would be turned over to impress them th Century Mosaic Patchwork Quilt, with central blue square interspersed overall with small turkey red patches, incorporating printed cottons from shirting, printed cottons and linen, cream to the reverse, 182cm by 210cm th Century North Country Strippy Quilt, red and white to one side and pink and white to the reverse, quilted with plaits, feathers and diamonds, 210cm by 215cm th Century Large Reversible Patchwork Quilt, incorporating early 20th century printed cotton designs, central mosaic detail to the centre, framed with pink checked cotton, outer border of triangles, with purple striped and floral sprigged fabric to the reverse, quilted in the shell pattern, bound with a red cotton trim to the edges, 255cm by 240cm th Century Reversible Linen Patchwork Quilt, with large 8 pointed stars to one side, and the reverse with blue and white stepped rectangles and diamond quilting, 170cm by 185cm; Another Linen Quilt, patched in very pale green concentric circles, called the wedding ring pattern, and wave quilting, 230cm by 207 (2) th Century Red and White Patchwork Cover, appliqued with tulips within red squares and red trim, cream to the reverse, 180cm by 185cm 2029 Assorted White Table Linen and Nightdress Cases, including three Irish Mountmellick embroidered doilies; a Mountmellick embroidered nightdress case with a hand knitted lace frill trim, another with hand painted decoration and soutache decoration; Ayrshire embroidered circular table cloth with scalloped edges, 72cm diameter; another circular cloth finely embroidered, with deep hem of Milanese lace, 80cm; early Ayrshire embroidered batiste collar (unfinished) (one box) 2024 Whole Cloth Quilt in Gold and Blue, showing some quilting similar to the Welsh designs, with leaves, traditional roses, swirls and diamond patterns, and the original blue chalk tracing is visible, 245cm by 210cm 2030 Assorted White Linen and Textiles, including white linen bed sheets, Marcella bed spread, coloured bed linen (in original packaging), embroidered textiles, quantity of assorted circa 1930s and later embroidery patterns printed onto linen etc (five boxes)

4 2031 Assorted White Linen and Textiles, Crochet Edged Table Linen, Irish linen sheets in original boxes etc (three boxes) th Century Rosewood Tapestry Frame, on stretcher base with turned supports, height adjustable and hinged, together with an unfinished tapestry panel, 108cm high, 112cm wide and 42cm depth 2032 An Unfinished Silk Patchwork Top, incorporating silk ribbons and dress fabrics, many are woven with flowers or other designs, 230cm by 180cm (at the widest points) Unfinished Early/Mid 19th Century Patchwork Top, comprising a central medallion pieced from very small squares of printed cotton fabrics, within concentric ever-enlarging frames, with a deep floral sprigged border, 242cm by 248cm Assorted Embroidery and Haberdashery, including an ecclesiastical panel, worked on green silk brocade with gold and silk threads, in a foliate style, labelled 'E J Groves & Co, Church Furnishers, 52 Dorset Street, London', 70cm by 200cm (a.f.); circa 1930s framed band sampler of decorative motifs, ecclesiastical style fabric; Chinese purple silk cushion cover, woven in gold and silk threads of two swimming ducks, two later Chinese embroideries with machine woven mounts; assorted haberdashery including ecclesiastical style gold trims and tassels, similar examples in silver etc (one box) 2035 Assorted Wool Work and Haberdashery, including a crewel work pelmet, and two printed cotton examples; other panels of machine woven fabrics; four rectangular cushions with wool work mounts of floral design, 45cm by 25cm; haberdashery including yellow silk trimmings purchased from the Aske Hall Sale 1994, pair of woollen tie backs, tassels, braid etc (in a brown leatherette suitcase and box) 2037 A Mid 19th Century Brown Leather Mounted Sewing Box, of sarcophagus form, with gilt tooled decoration impressed to the cover, and bearing an inscribed brass plaque 'E Barugh', on fancy gilt metal feet, two ring handles to each side, another to the lower drawer, enclosing pink silk lined interior, with a hinged mount to the underside of the cover, which hides a red leather purse. Accessories include three pretty shoe pin cushions, some bone bobbins and various lidded compartments, underneath this is a pull out drawer, 30cm wide, 16cm high and 22cm depth Assorted 19th Century and Later White Cotton Dolls and Children's Costume and Undergarments, mourning pinafore dress, cotton embroidered baby caps, lace cuffs etc Assorted 19th Century and Later Lace Collars, lace trimmed sleeves and other items etc Assorted Machine and Handmade Lace, including rolls of trims, handkerchiefs with lace mounts, rolls of cotton crochet edgings, lady's long sleeve machine lace shirt, decorative cloths etc (two boxes) th Century Black Velvet Shoulder Capelet, appliqued overall with lace daisies, with a wire framed collar embellished with black beads, edged overall with a row of black and white beads, trimmed with lace; Two Black Lace Bonnet Face Veils, and another of semi-circular shape; Triangular Black Lace Shawl, 290cm long (5)

5 2042 Four Late 19th Century Turkish Embroidered Hand Towels, embroidered in coloured silks in foliate designs with metallic thread details; Similar Panel, woven overall with coloured flower heads in yellow, white, red, pink, green and silver, with central floral medallion, 95cm by 108cm; Another Panel, woven overall with white and pale blue flower heads, with a central roundel with pale pink embroidered flower, 92cm by 98cm; Pair of Similar Scarves, embroidered to each end with decorative flowers with silver thread detailing, 19cm by 230cm (8) 2043 Early 20th Century Mother of Pearl Fan, with a silk leaf hand painted with a garland of flowers in white and pale blue, 23cm, in an A Barrett & Sons card fan box; small Bone Fan, with pierced decoration and inlaid with cut steel, cream silk taffeta leaf appliqued with sequins overall, with a garland to the centre, 17.5cm; Pierced Bone Brisé Fan, 19cm, in green card fan box; Chinese Fan with bone guards inlaid with tortoiseshell, red lacquer type painted gorges, paper leaf mount hand painted with blossom, 26cm (4) 2044 Seven Assorted 19th Century and Later Lace Trimmed Handkerchiefs, on white cotton, of varying sizes and designs 2045 A Filigree Hair Adornment, formed of linked leaves to two pins with woven tops, length 19cm (a.f. in two parts), cut steel buckles and paste set buckles Cream Maltese Lace Circular Cloth, worked overall within a scalloped hem, 86cm diameter: Late 19th Century Lace Applique Shawl, of triangular shape, on net base, decorated with floral motifs, with a floral scalloped edge, 130cm by 260cm (2) th Century Mother of Pearl Mounted Fan, with carved and pierced sticks and guards, decorated with gilt, with a paper leaf mount hand coloured with figures in 18th century dress dancing and conversing beside a river with cherubs, with in a gold and pink floral border, a garland of pink flowers to the reverse, 27cm, in a blue velvet mounted card fan box, inscribed 'Mrs Ingilby, Ripley Castle, Ripley, Yorks, Dec '64' 2048 Late 19th Century Ivorine Fan, in the 18th century style, with pierced and carved sticks, showing a Chinoserie style group of two young women seated beneath pagodas, and flautist's and floral motifs carved to the guards, paper leaf is hand painted to both sides with figures in 18th century costume eating in a woodland, and an amorous couple to the reverse seated by a river, 29cm, in a fabric mounted card fan box labelled 'Coup Palais-Royal' 2049 Early 20th Century Carved Gilt Wood Fan, with pierced sticks and guards, cream silk leaf mount hand painted with posies and bouquets of flowers, reverse is cream silk, 27cm, in a green card fan box; Late 19th Century Wooden Fan, with pierced and steel spot inlaid decoration to the sticks and guards, with paper leaf lithographed with designs of 18th century figures in pastoral landscapes, hand coloured within gilt decorated borders, 27cm, in a printed card fan box (2) 2050 Early 20th Century Machine Lace Shawl, of triangular shape, printed with posies of purple flowers to the centre, with in a deep edging of foliate design, 144cm by 300cm 2051 Late 19th Century/Early 20th Century Lace Shawl possibly Cluny, worked with daisy style flower heads within larger flower heads, scallop edge, 300cm

6 2052 Mixed 19th Century and Later Lace, including three lace bonnet head veils, rectangular stole with scallop edging, pair of cuffs, edgings and trims, lace flounce embroidered on machine net, approx 400cm, and other items th Century Lace including Venetian Point de Venise collar (a.f.), Italian/Milanese Tape Lace short sleeves(a.f.), a similar rectangular panel with finished edges, 24cm by 120cm, later edgings and other lace etc th Century Venetian Point de Venise Needlelace, including a collar of raised foliate and leaf design, 109cm by 10cm (at centre); a plastron of similar design, 29cm by 19cm (at widest point); two stitched cuffs, each 52cm by 10cm (4) 2055 Two 17/18th Century Venetian Point de Venise Needle Lace Trims, of raised floral design, 95cm by 9cm th Century Cotton Muslin Shawl, with lappets decorated to the edges with cut work and embroidered designs, edged with Cluny lace cotton trims, 300cm by 34cm at widest point; Another in Brussels Applique Lace, worked on machine net, decorated all over with foliate motifs, 23cm by 360cm; Tambour Lace Embroidered Stole, embroidered and edged to three sides on machine net, 40cm by 130cm; Embroidered and Needle Point Bonnet Face Veil, decorated with flowers and foliage overall, 85cm by 42cm; 19th Century Tambour Lace Flounce Possibly Irish, woven in chain stitch with foliate designs, scalloped worked edge, 420cm by 39cm (5) th Century and Later Lace, including two similar lappets of foliate design, two trims and a later collar (5) 2059 Late 19th Century Brussels Lace Applique Shawl, of triangular shape, on net base, decorated with floral motifs, with a floral scalloped edge, 122cm by 300cm Assorted Lace, including two 19th century Carrickmacross lace trims, each 119cm by 4cm; cotton baby bonnet with lace trim, cotton handkerchiefs with lace trims; lace and embroidered collars, trimmings and edgings etc th Centruy Carrickmacross Guipure Lace Trims, incorporating decorative flower heads and leaves, 188cm by 13cm and 378cm by 13cm, a third piece with two trims joined to a net centre, 130cm by 9cm (3) 2062 Two Late 19th Century Carrickmacross Lace Applique Flounces, worked on machine net, decorated with stylised floral motifs, 40cm by 580cm and 22cm by 604cm th Century Honiton Lace Applique Shawl, of triangular shape, worked on machine net, decorated with ribbons, thistles and stylised flower heads within a floral border, 150cm by 293cm th Century Possibly Carrickmacross Guipure Lace Shawl, incorporating decorative flower heads and leaves, 100cm by 210cm 2064 Two 19th Century Brussels Lace Applique Flounces, worked on machine net, decorated with swags of flowers within a scalloped edge, 36cm by 590cm and 36cm by 441cm

7 th Century Ivory Parasol, carved with a greyhounds head with inset eyes and red collar, with lavender silk mount, topped with a lace mount, cream silk lining, tassel trims, 60cm Early 20th Century Baby Dresses and Textiles, including a peach 1930s silk crepe de chine scallop yoke baby dress, soft corduroy baby coat, fine knitted baby silk shawl, various cot covers and a Farnell Alpha Toy hand puppet etc Assorted Early 20th Century Children's Costume, including a fine Ayrshire voile baby dress with Irish scallop hem, and a cotton baby nightdress and a baby bonnet; another long Batiste machine embroidered christening dress, finely knitted silk baby's shawl, child's silk dress with handmade lace collar, tambour lace bonnet, pair of French white leather baby shoes; child's silk fur trimmed cape; cot drape with delicate Swiss floral embroidered border and a soft silk and linen mix lining; tambour lace bonnet, pair of French white leather baby shoes; Six Victorian and Later White Cotton Baby Gowns, including two hand worked cotton pique boys gowns with broderie anglaise inserts, pin tucked baby dress, two others with hand embroidered broderie anglaise, and a long christening robe (qty) 2068 Assorted 19th Century and Later Mainly White Cotton Baby Gowns, with lace insertions, embroidery, pleats etc; cotton underskirt, Edwardian cream silk and lace dress labelled, 'Miss Moffatt, St Andrews' (a.f.), and two lace mounted camisoles etc (two boxes) th Century Costume Accessories, including a black silk shawl embroidered with fruits to each corner and tassel fringing, 115cm by 120cm (excluding trim), pale pink/peach silk shawl, embroidered with roses in coloured silks to one corner, 110cm by 115cm (excluding trim); four pairs of circa 1960s evening shoes in silver, turquoise brocade and gold, size 65, all boxed; cream satin type evening jacket with black applique and set with glass beads (one box) 2070 Assorted Circa 1950s and Later Accessories, including a Bourne and Hollingsworth Ltd London pink floral encrusted hat, dark green feather hat, stylish black felt hat with feather trim, two others and feather and net hat appliques; fur muff; three black leather handbags, two black grosgrain evening bags, wool work evening bag, lace and paste set purse, clutch bags; silk, wool and other scarves (one box) Assorted Late 19th Century and Later Costume and Textiles, including white cotton baby gown, cotton underskirt with lace insertions and others, Victorian black silk jacket, cotton muslin blouse embroidered with spots and trimmed with silk ruffles, white cotton long sleeved dress with pleated bodice and skirt, lime green cut velvet stole with tassel trim etc (one box) 2072 An Early 20th Century Crocodile Leather Suitcase, with chrome coloured locks, with a brown washed silk lining to the interior and gathered pockets, 50cm by 15cm by 30cm Assorted Early 20th Century Floral Embroidered and Appliqued Accessories, including a cream silk reticule with a rose flock velvet design, five others of embroidered silk and lace; embroidered cream silk book cover, and two others; two hand painted Edwardian silk nightdress cases and an embroidered example; embroidered silk fringed stole; roll of rose printed silk taffeta etc (one box) Floral Printed Silk Taffeta Cushion Cover, with handwritten note from Henley Hall, Ludlow proposing the silk was part of Queen Victoria's dress for the opening of the 1851 Great Exhibition, 62cm by 63cm; together with a Circa 1860 Embroidered Dress Panel, worked in silver threads (2)

8 2075 Assorted 19th Century and Later Embroideries, including two Ottoman towels and a linen panel all heavily embroidered with metallic thread; a Victorian black silk floral embroidered apron, two cream silk embroidered mats, cream satin panel embroidered with pink flowers (one box) th Century Costume and Accessories, including an eau de nil silk cape with an art nouveau style embroidered border; pale grey silk embroidered stole; circa 1920s child's ruffle front romper suit; Edwardian black silk dress with black jet beaded trim; pair of eau de nil silk velvet Edwardian hand made shoes, pair of black silk square toed pumps of a similar period, beaded silk padded glove box (7) Assorted Late 19th/Early 20th Century Costume and Accessories, including a brown silk taffeta flocked shawl decorated with leaves, and tassel fringing; Raudnitz & Co Paris cream silk pique bodice, embroidered with net; Edwardian cream silk and lace beaded bodice; cotton bodice lining, a green cotton bodice with velvet trim; brown/black ruffle collar capelet; cream silk shawl, hand painted panel, silk mourning hat veil, other millinery items; pair of gents brown suede spats etc 2078 Assorted Mainly Silk and Rayon 1940s and Later Scarves, and two 1950s vanity cases Circa 1940s J F Bauman, New York Adjustable Mannequin with Wire Cage Skirt, with a brown card torso, tin arm inserts and neck, on a cast iron base with four feet on castors, 165cm high 2080 Circa 1930/40 Jacoll Hats Rubberised Head and Shoulder Mannequin, with painted eyes and lips, 43cm high; Another for Marten Hats, 40cm; and Another of Similar Date, unnamed, 35cm (3) 2081 Lincoln Bennett & Co Black Silk Top Hat, in a card hat box A Six Victorian and Later White Cotton Baby Gowns, including two hand worked cotton pique boys gowns with broderie anglaise inserts, pin tucked baby dress, two others with hand embroidered broderie anglaise, and a long christening robe 2082 An Early 20th Century Louis Vuitton Suitcase, mounted with black canvas and black painted trim, brass locks impressed LV, brown leather handle, canvas lining with two straps, paper Louis Vuitton label printed with the no: and the address 70 Champs Elysees, Paris, bearing some travel labels including Peninsular and Oriental Steam Navigation Company, 60cm by 22cm by 39cm The property of Wing Commander V.A. Gittins. He first joined the Royal Air Force in February 1921 and served in China in 1927, and H.M.S. Glorious at Malta in 1931 and Gittins was appointed Chief Technical Officer of the Royal Air Force Hurricane Wing sent to Russia in He was awarded the Russian Order of the Red Star, one of several Soviet awards to 151 Wing. It is probable that his M.B.E. was awarded for similar services. In 1944 he was C.T.O. with No. 51 O.T.U. at Cranfield, and in 1945 he went to Burma. After V.J. Day he was posted to Java as Command Engineer Officer, Netherlands East Indies. He returned to the UK in 1946 where he remained until 1953 when he retired from the R.A.F. In 1959 he was commissioned into the Royal Air Force Volunteer Reserve as Wing Commander, Commanding Sussex Wing, Air Training Corps Assorted White Cotton Edwardian Costume and Underwear, including seven cotton and lace camisoles and bodices, (three with short sleeves), three pairs of frilled bloomers, small boys sailor suit with a second jacket, two girls matching fine lawn skirts, blouses, shawls, two bonnets and two pairs of gloves (one box)

9 2084 Collection of 19th Century and Later Costume Accessories, including a black silk folding parasol with carved ivory handle; various baby bonnets, cuffs, collars; embroidered christening gown, night shirt, bloomers and chemise; embroidered textiles; crochet trims, lace patterns etc (in a suitcase) 2085 A Hardback Volume of La Collection Besselievre Etoffes et Broderies du XVe au XVIIIe Siecles, preface by M Paul Cornu, 1912 Paris, consisting normally of 116 black and white plates (only 79 present) in French, reproductions of the 193 most remarkable textiles and embroidery samples from the collection of Count Besselievre of Paris. Four further plates including two from the Exposition Universalle de Paris 1900, and another two unattributed th Century Chinese Silk Embroidered Wall Hanging, woven with exotic fruits, flowers and acanthus leaves in pastel colours, 180cm by 122cm; Cream Linen Table Cloth, with cutwork and floral embroidery, within a filet lace trim, 220cm by 180cm (2) 2087 Silk Woven Paisley Shawl, of striped design incorporating blue and green, 180cm by 180cm; Large Wool Paisley Shawl, of foliate design with green and red to the centre, 158cm by 324cm (2) 2088 Assorted Eastern Costume and Textiles, including an Indian cream silk panel embroidered with metallic threads; gents waistcoat embroidered overall to the front panels in yellow silk; two other silk embroidered panels; Chinese early 20th century pleated skirt with appliques applied to two panels, red silk lining, blue silk jacket, with large embroidery to the neck trim of birds and fruit; three panels embroidered on linen with silk and metallic threads, then mounted onto blue silk mount, 118cm by 43cm; two modern silk embroidered cushion mounts (one box) th Century Chinese Embroidered Cloth, in aubergine coloured silk decorated with colourful flowers, butterflies, with a central design including a cream and brown floral circular garland, enclosing six butterflies, outer edge trimmed with purple fringing, grey/silver self woven silk to the reverse, 140cm by 140cm (excluding trim); Chinese Embroidered Panel of Swimming Minogame, depicting a mother and her six youngsters, woven in gold metallic threads and silks, worked on a pale blue silk ground and mounted, 85cm by 72cm (2) Minogame is a Japanese mythological animal with a life span of 10,000 years, it is part turtle, part dragon and symbolizes longevity and good luck Assorted Mainly 19th and Later Chinese Silk Embroideries, including circular panels in two sizes, two embroidered skirt panels, cushion covers etc (one box) 2091 Possibly Indian Early 20th Century Turquoise Silk Robe, woven with gilt threads in a stylish design, pink trims to the inside, button fastening; Lime Green Silk and Silver Brocade Two Piece, comprising a short sleeved long line top and long straight skirt; Dark Turquoise Brocade Robe, with pink silk lining, with fur trimmed cuffs; Chafil London Yellow Brocade Cocktail Dress, (labelled size 40); Green Silk Two Piece, comprising tunic and gathered trousers (5) 2092 Indigo Blue Striped Asian Length of Fabric, 318cm by 94cm, Another Similar, 318cm by 94cm, Another Similar in red and indigo blue stripes, 163cm by 89cm (3) 2093 Early 20th Century Ghanian Kente Cloth, incorporating strips of dark blue cotton woven with yellow, red and grey in geometric designs, 194cm by 260cm; Smaller Kente Cloth, in strips of red squares with yellow, black white and green striped squares, 120cm by 192cm (2)

10 2094 Early 20th Century Ghanian Kente Cloth, incorporating strips of striped and geometric designs in colours including yellow, red, green, blue, white, some of the striped pieces are woven with various shapes, 150cm by 270cm 2099 Circa Brussels Lace Fan, on pink mother of pearl sticks and guards, lace leaf is mainly bobbin appliqué on machine net, pendulant flower heads featuring needle lace, 32.5cm 2095 A Cotton Cushion Cover, printed with a medieval/tudor figure on his horse, under a banner of Latin script amongst foliage, edgings worked in cross stitched metallic thread, 61cm by 49cm; Indian/Eastern Silk Panel, embroidered with metallic threads in a variety of stitches, with central circular motif, 70cm by 33cm; 19th Century Turkish Type Panel, woven on an open weave base with central stitched seam, embroidered with flowers and fruits in peach, cream and blue silk threads, with gold and silver metallic thread detailing, in a later mirrored frame, 73cm by 32cm (3) 2096 Mid 19th Century Brussels Lace Fan, on mother of pearl intricately carved sticks and guards, lace mount incorporates unusual floral sprays and foliage in Point de Gaze needlelace, surrounded by fine bobbin lace, with raised veins in the leaves, backed with a light cream gauze, 27cm 2097 An Early 20th Century Brussels Point de Gaze Needlelace Fan, on gilded mother of pearl sticks and guards, leaf finely worked with some unusual flowers, bone leaf supports, 25cm; together with a J Duvelleroy London silk covered fan box 2098 A 1920s Fontange Shape Bone Fan, with orange silk leaf trimmed with gold metallic lace, and applied with small gold and cerise sequins throughout, the sticks carved and decorated in gold, 34cm; Paper Advertising Fan for Galleries Lafayette, signed Gabriel Ferro, show a stylised 1920s lady looking into a hand mirror, the verso depicting a fashionable lady in evening wear and publicity for the store, 25cm (2) 2100 Mid 19th Century Marriage Fan, on slender late 18th century carved and gilded ivory sticks and guards, with diamanté rivet; double paper leaf printed with a lithograph depicting four young women seated by a tree with two suitors awaiting their attentions, 28cm Provenance: confirming a marriage fan by the attached handwritten note, written in Italian dated Circa Black Chantilly Lace Fan, backed with pale pink silk, mounted on carved black wooden sticks, the guards are under laid with pink mother of pearl, black stone to the rivet, 32cm, in a card fan box 2102 Circa 1860s Brussels Lace Fan, mounted on carved ivory sticks inlaid with steel, the bobbin lace applied to machine net and backed with cream gauze, 28cm; Mid 19th Century Telescopic Fan, pink silk leaf applied with unusually shaped silver sequins, mounted on wooden sticks clouté with steel, 19cm (2) Early 20th Century Mother of Pearl Fan, with gauze leaf hand decorated with rows of pastel coloured flowers, alternating with rows of sequins, 22cm, in a card box; A Court Presentation Fan, comprising three large cream ostrich feathers mounted onto an ivory handle, 65cm (2) Brussels Mixed Lace Fan, on mother of pearl sticks and guards, the leaf of mainly bobbin appliqué on machine net interspersed with needlelace roses, plain cream fabric to the reverse, 27cm

11 2105 Circa Brussels Point de Gaze Needle Lace Fan, on resin sticks and guards moulded with cherubs, acorns and leaves, 37cm, together with a cream silk mounted fan box for Ernest Kees, Fan Maker, 9 Boulevard des Capuchins, Paris Four 19th Century and Later Souvenir and Advertising Fans of Historical Interest, including a commemorative fan for the Paris Exposition Universelle 1889, of cockade form, with a drawing of the Eiffel Tower to the central support, 38cm; folding fan for the International Exhibition of 1937 in Paris, depicting a map of Paris and shops and services to the verso, 26cm; paper fan for the Louvre Paris, featuring two Japanese figures in kimonos, 28cm; a late 19th century fan painted with flowers, 38cm A 19th Century Ivory Fan, delicately carved with flower heads to the guards and Chinese figures to the guards, with a cream silk mount embroidered to both sides, one with exotic birds amongst bamboo, 29cm, in a card Asprey fan box A 19th Century Chinese Mother of Pearl Brisé Fan, with 19 sticks and two guards carved with scenes of daily life with figures, white metal handle and filigree rivets, 19.5cm, in a fitted lacquered case An Early 19th Century Sampler Worked by Matilda Shenstone, Aged 11 years, Dated 1832, finely worked in coloured silks with central verse and numerous decorative features including flowering trees, trees, baskets of flowers, peacocks, birds, stags, flock of sheep, dogs etc within a foliate border, framed, 48cm by 60cm 2110 Unframed and Unfinished Sampler Worked by Mary Ann Baker, Aged 12 Years, 1852, depicting Oxford Church and spire, it also includes decorative urns, bouquets of flowers and a short verse, within a foliate border, 32cm by 41cm Unframed Sampler Worked by Sarah Redburn, Dated 1857, worked in cross stitch depicting various forms of crowns and coronets worn by the nobility, attributing them to the King, Duke, Earl, Marquis, Baron and Viscount, 19cm by 36cm 2112 Early 19th Century Darning Sampler, worked on a fine linen ground, incorporating nine darns in different patterns, using fine silk thread, unframed, 20cm by 22cm; Late 19th Century Darning Sampler, worked on a coarser linen, using red and cream threads on four designs, unframed, 16cm by 16cm (2) Unframed Needlework Sampler Worked by Mary Hobson, 1820, in cross stitch with central verse, 'Happy the Child whose tender years receive instruction well...', within a double foliate border, 53cm by 56cm 2114 Possibly 17th Century Appliques, mounted on a later green velvet wall hanging, circular cherub appliques to each corner, with a central cherub within appliqued cartouche, framed in a scrollwork border, worked in metallic threads, with brass curtain pole, 160cm by 115cm Georgian Silkwork Picture, finely embroidered in cream and shades of green a floral arrangement within an openwork basket, the latter worked in gold metallic threads, framed, 29cm by 31cm; Early 20th Century Embroidered Picture of a Japanese Girl, carrying a basket of flowers, on a cream silk ground, framed, 20cm by 26cm (2)

12 2116 Early 19th Century Silk Embroidered Panel, decorated with flowers overall on a cream silk, with acanthus design border, 130cm by 110cm 2117 A Circa 1850s Floral Printed Silk and Cotton Two Piece, with a ribbon trimmed bodice; together with a Raffia Reticule; Assorted Victorian Costume and Accessories, including a cream silk embroidered shawl with silk fringing; an embroidered scarf; part of a bodice with Brussels lace insertions and silk tulle ruffle trim; cream Maltese lace camisole and a cream silk reticule 2118 Circa 1880 Rose Printed Taffeta Bodice, with fine flock spot chiffon mounts and silk bows; 19th Century French Sleeveless Bodice, labelled Achille Durand of Montpellier in floral cream silk brocade; Another Similar labelled Obes Auges Richr*ance (3) 2122 Early 19th Century Black Silk Waistcoat, embroidered with vine and leaves; Five Mid 18th Century Waistcoat Pieces, on black silk, embroidered with coloured silk embroidery, and edged with gold thread. The embroidered sections are from the waistcoat of Samuel Turner ( ), who became Lord Mayor of London in Victorian and Later Costume, including a purple grosgrain two piece comprising a fitted long sleeved bodice, with attached lace cuffs, floral embroidery to the bodice and black trim, with matching tiered skirt, and accompanying photograph of Ada Hannah Watson, of Allerston wearing the dress; black grosgrain skirt; white cotton underskirt with decorative lace hem, Victorian style pink cotton underskirt, pink silk underskirt; childs linen long sleeved smock; black silk kimono style robe with deep lace trims to the hem and sleeves; black velvet evening coat, with stylish twin button fastening (8) 2119 A Circa 1890 Silk Bodice, from a court gown and heavily encrusted with crystalline beads; Early 20th Century Linen Two Piece, decorated with crystalline beads (2) 2120 Edwardian Cream Tulle Two Piece, comprising fitted bodice with ribbon trims and full skirt; Edwardian Short Sleeve Cream Silk Gown, with a tambour lace mounted bodice, silver bead and pearl trim decoration to the bust (2) Victorian Green and Purple Shot Silk Dress, with long sleeves, green fringing, lace cuffs; Victorian Purple Shot Silk Striped Dress, with rust brown velvet bodice, and matching fitted long sleeved jacket (altered) (2) 2124 Early 1900s Sleeveless Shift Dress in silk georgette, woven with a floral design in gold and silvered threads, with handmade metallic trim to the hem; Edwardian Lame Brocade and Lace Gown, with metallic lace mounted bodice and trained skirt; Circa 1940s Lame Gown, sleeveless with frilled shoulder mount and panelled skirt (3) 2125 Circa 1918 Black Silk Georgette Gown, with silver bead decoration and flared hem 2126 Circa 1918 Silk Georgette Gown, with flared sleeves and heavily beaded hem 2127 Circa 1920s Purple Silk Chiffon Drop Waist Dress, decorated with metallic silver beads and bugle beads (a.f.)

13 2128 Circa 1920s Sheer Black Tabard Style Drop Waist Dress, decorated with beads 2129 Circa 1920s Silk Georgette Drop Waist Dress, with long sleeves, lined with peach, and a silk velvet trimmed hem; Unfinished Pewter Coloured Pleated Dress, with seven large early steel cut buttons (2) 2130 Circa 1920s Ivory Silk Chiffon Drop Waist Dress, with crystal and pearl bead decoration (af); together with a collection of early 20th century beading and early dress remnants with embellishment; and a 1920s style lame and beaded kokoshnik headdress th Century Marriage Robe and a Circa 1940s Silk Kimono, self striped of floral design (2) th Century Costume, including a cream silk and pink ribbon tulle trimmed gown with pink ribbon rosettes, and hand crochet bauble tassels; cream silk and tulle pearl beaded wedding dress (with photograph); 1960s wedding train, early Victorian embroidered silk long lined jacket and skirt, with self coloured embroidery and scallop detail hems and sleeves; fine chiffon tiered ruffled gown (5) 2133 Circa 1920s Cream Silk Wedding Dress, with short sleeves, lace mounts and embroidered bodice; cream silk shawl, self woven with foliate motifs, tassel fringing, 165cm by 155cm; black machine made lace stole; sage green wool shawl woven with flowers, 160cm by 150cm; girls white net dress, with tiered skirt and pewter coloured trims; kid leather gloves, lace mittens, silk stockings and pair of toddler black leather shoes etc (one box) 2134 Early 20th Century Theatrical Robes, including two similar long robes in aubergine coloured silk type fabric, silk embroidered to the collar, sleeves, down the front and around the hem with pink flowers, which is also visible to the inside, striped internal lining, labelled 'The C E Ward Co, New London, Ohio, Regalia, Costumes and Supplies' and stamped in ink 'Past Grand' and 'Noble Grand'; two similar velvet tunics in purple and red, with button fastening, long sleeves, striped cotton lining, labelled 'The Henderson Ames Co, Kalamazoo, Mich, Military and Society Goods' each bearing a printed label ' Jonathan' and 'Prince' (2) 2135 Circa 1920/30s Summer Lightweight Driving Coat, in brown glazed cotton with contrasting collar and fold back cuffs, one patch pocket, unlined; Copy of a Circa 1930s Driving Coat, in a grey/green cotton, lined with blue and green wool check, with press stud fastenings and belt; labelled Thread Needle & Co; RAF Blue Jacket and Trousers (3) 2136 Gents 20th Century Costume, including two black evening suits, morning suit, evening suit with tails; green tweed two piece shooting suit, brown tweed three piece shooting suit; accessories including gents formal dress shirts, collars, waistcoats, and lady's kid leather gloves etc (box and rail) 2137 Assorted Early 20th Century Baby Costume and Textiles, including a silk satin rose bud trimmed baby dress, two hand embroidered silk satin dresses, satin pin tucked baby dress with tulle frill; cream floral embroidered silk cot set, initialled EMH, another embroidered with spots; hand painted grey silk cape; Circa Assorted Girls Dresses, including an Edwardian-style fine rosebud printed voile dress with later trim, an aqua silk chiffon girls dress with rosette trim; a floral embroidered muslin girls dress; white pina linen broderie anglaise girl's dress; daisy print and broderie anglaise pinafore style dress (12)

14 2138 Edwardian Silk Lame Brocade Gown, with a long weighted train, and a bow to the hip embellished with rhinestones; an unusual hand made silver metallic lace and silk tulle veil/train, approx 640cm long (2) 2139 Circa 1960s Diorling by Christian Dior-London Two Piece Suit, comprising a navy blue grosgrain jacket with red and white large checks, collar and four large navy buttons, and a navy blue grosgrain knee length a-line skirt, printed with the number '13937' to the label; Hardy Amies Boutique, Saville Row, London Turquoise Quilted Suit, comprising a sleeveless a-line dress, with side pockets and button mounts, and long line jacket with large decorative buttons and collar (labelled size 12) (2) 2140 Assorted Circa 1970s Regamus London Evening Wear, including a full length dress, with black bodice and long sleeves, multi-coloured striped ruffle collar, multi buttons to the sleeves and bodice and silk striped tiered skirt; a similar dress with sweetheart neckline, multi coloured striped skirt and cummerband; green velvet full length medieval style dress, with silk chiffon cream sleeves, adorned with faux coins, and gilt trim cuffs, gilt trim also to the neckline and hem; turquoise silk dress with scoop neckline, capped sleeves and full skirt; similar style dress in black with sheer three quarter length sleeves, paisley style cotton trims to neckline, cuffs and hem, with pink and turquoise silk ruffles; three piece including blue skirt and jacket with red gingham silk mounts, and a cream camisole, (all size 12); and a Troubadour full length evening dress printed in green with flowers, with long sleeves with tie details (size 12) (7) A Rare Brioni for James Bond Black Dinner Jacket and Trousers, with silvered lining woven with Brioni and the 007 emblem with gun, single button fastening, with a pistol shaped 'holster' to the inside lining and 'knife' holder to the right sleeve Brioni is a bespoke Italian tailors. They produced suits for Pierce Brosnan in all of his Bond movies, and Daniel Craig in Casino Royale. Just before Casino Royale came out, Brioni launched a limited number of 3,000 Bond-theme tuxedos, which had "James Bond" stitched into the silver lining, and was sold in Harrods and other select stores Circa 1930s Sleeveless Floral Cotton Summer Dress, with tiered skirt and fabric belt; Black Crepe Dress, with three quarter length sleeves and applique trim, together with a photograph of the dress being worn at a wedding on 27 August 1938; Kayser Yellow and Floral Dress shawl collar (3) 2144 Mid 1970s Ossie Clark for Radley candy pink moss crepe maxi dress, labelled, button-fronted, long full sleeves, large curved collar, size Thirty Two Mens Designer Silk Ties, in flamboyant colours and designs, including brands such as Leonard, Paris; Turnbull & Asser; Lanvin, Paris; Gucci; Christian Dior; Pierre Balmain, Paris; René Lezard; 2141 Circa 1960s and Later Costume, including a Jean Varon cotton full length long sleeved dress, with red seersucker bodice, checked panels and seersucker to the gathered tiered hem (size 12); Jean Varon full length white cotton wedding dress, with three quarter length tiered sleeves and hem, lace trimmed overall; white rabbit fur jacket, with leather mounts to the pockets; green sleeveless evening dress, with beaded bodice; Catherine Walker wool mix eau de nil shift dress (5) 2146 Modern New Christy's London Black Melusine Top Hat, labelled size 7.5, 13cm high 2147 Gents Gucci Leather and Canvas Belt, with interlocking 'GG' silver tone buckle 60-90

15 2148 Thirty Men's Designer Silk Ties, in flamboyant colours and designs, including brands such as Leonard, Paris; Turnbull & Asser; Gucci; Christian Dior; Louis Feraud; Yves Saint Laurent 2149 Modern New Christy's London Black Melusine Top Hat, labelled size 7.5, 13cm high 2150 Ross Furriers Leeds Silver Fox Fur Jacket 2151 A Dark Brown Mink Coat, three quarter length Sakowitz Dark Brown Mink Coat 2158 A Black Mink Zipped Jacket, with long sleeves, ribbed cuffs and waist, with detachable hood 2159 Select Furs Brussels White Mink Textured Coat 2160 A Fox Fur Long Coat, of chevron design White Mink Jacket, with chevron design and white rabbit fur trim and side pockets 2162 Spenceley Furs Harrogate White Mink Evening Jacket, of boxy shape with collar and four large fur pom pom buttons; and A Light Grey Mink Stole, bearing the same label (2) 2153 A Grey Mink Ribbed Fur Jacket 2154 Dark Mink Fur Coat, with cuffed sleeves, side pockets, floral woven lining, and a modern Mannequin (2) A Cream Mink Jacket 2156 A White Fox Fur Stole, with cream crochet insert between pelts, woven cream reverse, 180cm by 20cm Gucci Monogram Canvas Shoulder Bag, with dark brown leather trim and handles, brass mounts and zip fastening, 38cm by 28cm by 10cm 2164 Pair of Gina Open Toe Heels, in pewter with beaded decoration (size 4), Gina Lizard Style Metallic Clutch Bag, with brown suede style lining, 28cm by 14cm, both with Gina protector bags, Gina Silver Jewelled Clutch Bag, 25cm by 10cm; Pair of Christian Louboutin Silver Heeled Evening Shoes, with buckle detail, (size 39) (4) 2157 A Pale Brown Mink Coat

16 2165 Pair of Kurt Geiger Black Sequin Evening Heels, with bow to the front, (size 39); Pair of Poletto Blue Suede Platform Heels, with sequin bow to the back of the shoe and metal heel, (size 38); Pair of Sergio Rossi Platform Pale Pink Satin Evening Shoes, with peep toe, slender heel, decorated overall with paste stones, (size 38), Pair of LK Bennet Black Leather Heels, with inscribed brass fob, (size 38.5), Another Pair in Pink Patent, (size 38); Pair of Dolce & Gabbana Black Patent Leather Heels, with peep toe, (size 39), with shoe bags (6) 2166 Navy Leather Christian Dior Shoulder Bag, bearing CD initial to the front, leather shoulder strap, internal pockets mounted with CD logo canvas, original paper label inside, 22cm by 17cm; Smaller Black Leather Christian Dior Evening Bag, with gilt metal mount to the front embossed with Dior, shoulder strap, printed to the inside 'Christian Dior' Made in France, 19cm by 14cm: Gucci Canvas Shoulder Bag, with navy leather trims, zip fastening and shoulder strap 21cm by 19cm, all with protector bags (3) 2167 Smythson of Bond Street Brown Leather Bound Notebook, with lockable clasp and keys, 15cm by 20cm (with dust bag) (as new); Smythson of Bond Street Brown Leather Travel Wallet, housing compartments for passport and boarding pass, 10cm by 14.5cm (with dust bag); Smythson of Bond Street Black Leather Bound Volume "Dog Poems" (with dust bag); and a Smythson of Bond Street Brown Leather Cylindrical Jewellery Case, with camel suede interior, 15cm dia. by 5.5cm (with dust bag) (4) Silver Mesh Evening Purse, with finger loop to the silver link chain, impressed Williams Ltd, Birmingham, 1910, and inscribed 'W Vaughan, 6 Cumberland Place', 15cm by 15cm; Dark Blue and Gold Silk Evening Purse, with embossed metal frame decorated with cherubs and flowers, 18cm by 25cm; Small Mesh Purse, in pinks, green and blue on a gilt metal frame, 13cm by 14cm; Another in Gold and Brown Stripes, with gilt metal frame decorated with enamels, 10cm by 13cm (4) 2170 Circa 1990 Baccarat Clear Glass Scent Bottle Holder, of cube form on square base, with hinged cover enclosing a removable 15ml glass scent bottle and stopper of Gianni Versace Extrait (used), limited edition scent bottle holder 90/250, bearing the signature of Gianni Versace and Baccarat near to the base, in original red card box, with paperwork of authenticity, 10cm by 10cm by 13.5cm high 2171 Baccarat for Annick Goutal, Paris Glass Scent Bottle and Stopper, Eau d' Hadrien eau de parfum, 90ml, limited edition 52/350, on a quatre lobed base, 10cm high by 10.5cm by 7.5cm; and Another, both full (2) 2172 Carlo Moretti for Bulgari Murano Glass Scent Bottle with Silver Top, limited edition 15/100, bearing the mark 925, cover inscribed with Bulgari, 6cm high by 6cm by 2.5cm, 20ml, in a fitted suede lined box, with Bulgari booklet; and A Bulgari Silver Funnel, inscribed with Bulgari, bearing mark 925, 4.5cm by 4cm high (2) 2168 A Boucher Paste Set Bracelet, a broad gilt metal mesh bracelet with bands of white and blue paste, length 18cm, width 3.5cm; together with costume jewellery, including a pair of paste set pendant clip earrings, seven other pairs of clip earrings, five brooches and a silver bracelet Amouage Silver Gilt Atomiser with Domed Cover, comprising a rectangular case with embossed decoration inspired by the Palace Ruwi Mosque, bearing the marks Asprey & Co, London 1991, internal removable 50ml scent bottle (empty), 6cm by 6cm by 12cm high, in green fitted case

17 2174 Amouage Homme Silver Gilt Flask and Stopper Modelled as a Persian Dagger, with embossed decoration, bearing the marks Asprey & Co, London 1990, internal removable 50ml scent bottle (empty), 6cm by 6cm by 12cm high, in green fitted case, 17cm by 6.5cm by 3cm, in original fitted case 2175 Carlo Moretti for Bulgari Murano Blue Glass Scent Bottle with Gold Speckles and Silver Top, limited edition 38/100, bearing the mark 925, cover inscribed with Bulgari, 6cm high by 6cm by 2.5cm, 20ml, in a fitted suede lined box, with Bulgari booklet; and A Bulgari Silver Funnel, inscribed with Bulgari, bearing mark 925, 4.5cm by 4cm high (2) 2176 Circa 1990s Large Lalique Masque de Femme Glass Scent Bottle and Stopper, with frosted and moulded masks to the front and back, depicting a mysterious woman with delicate features, surrounded by aquatic fauna, black silk tassel tie, signed Lalique France near to the base and B006 to the opposite side, holds 1760ml, unopened, 15cm by 15cm by 25cm, with an associated Lalique red and black box, and outer card box Rene Lalique originally created this design in 1935 to adorn a fountain. Would have originally retailed for over Group of Ladies Assorted Designer Clothing, comprising Armani Jean midnight blue faux fur biker jacket, with zip fastening and pockets (labelled size 42); Alexander McQueen moss green bandage halter-neck dress, with slightly dark green panels and deep pleated hem (labelled size S); pair of Gucci black leather trousers with zip pockets and zip detail to ankles (labelled size 42); Jean Paul Gaultier black and white striped double breasted short blazer, with check lining and striped knotted skinny scarf (labelled size 10); Prada black wool hooded cardigan, the hood trimmed with black faux fur and patch pockets with 'coin' buttons, with black suede waist belt decorated in a similar fashion, zip fastening (no size label - approximately size 8); Antonio Berardi nude/pink and black lace overlay sleeveless top, with cowl neck and decorative black faux pearl buttons to the reverse (labelled size 42); N Peel cream hooded cashmere cropped poncho, the hood trimmed with brown faux fur (no size label - S); and a Juicy Couture Grey cashmere two piece lounge set, consisting of jogging bottoms and a cold-shoulder jumper with metallic thread decorated bows (labelled size XS) (8) 2179 Group of Ladies Assorted Designer Clothing, comprising Giorgio Armani two piece suit, comprising grey striped jacket, the panels of stripes in alternating directions, with decorative leaf printed buttons and patch pockets (labelled size 38), with a brown finely ribbed pencil skirt (labelled size 40); Burberry Prorsum circa 2004/5 camel belted jacket, with ruched and 'twisted' detail to shoulders and lower (labelled size 42); Giorgio Armani cream/mink sleeveless bandage dress, zip fastening to the reverse (labelled size 40); Armani Collezioni taupe long sleeve wrap dress, with deep V-neckline, zip fastening to reverse (labelled size 40); and a Ralph Lauren circa 2002 pinstriped blue sleeveless dress, with gold tone buttons, the wrap and buttoned neckline trimmed and lined in red, slit to the thigh and zip fastening to size (labelled size 4) (5) The Giorgio Armani two piece suit was purchased in Milan, reputedly in the company of Giorgio Armani himself.