1 conditioning followers infiltration expectation museum s display framing audience as subject fake viewers unnoticeable devices bodies reality duration in/visibilities Jérôme Leuba Living sculptures by
2 battlefield #135 Living sculpture, 2018 «Living Room» Pro-Helvetia Platform, Basel One day long (10 am to 6 pm) during Art Basel, 2 persons are playing sports all around the curatorial platform, making noise and small disturbing moments.
3 battlefield #133 Living sculpture, 2018 Kunstmuseum Zug Two exhibition gards don t do their usual work of surveillance and public services. They are focused on their own display and disturb passages.
4 battlefield #130 Living sculpture, 2018 Kunsthalle Basel, Switzerland «New Swiss Performance Now» 30 fake viewers look ans stare at each new spectator coming into the room (from 10 am to 17 pm)
5 On Vernissage TV battlefield #132 Living sculpture, 2018 Kunsthalle Basel, Switzerland «New Swiss Performance Now» One person is focused on its Laptop, working ans sitting on stairs. Each day during one Month from 11 am to 18 pm.
6 battlefield #122 / missing Living sculpture, 2017 Swiss performance award, Gessnerhalle Zürich Several unoticeable devices are installed all along the day adressed to the audience waiting in between others performances. Into the queue line 15 fake viewers were chosen to entry before the others, or to go to a closed room, or to clap together in a strange moment.
7 battlefield #118 / working Living sculpture, 2017 All through the opening of this exhibition (2:00 to 5:00 pm on Sunday 27 August) a person has been installing his video work. Kunsthaus Baselland, Switzerland
8 battlefield #131 / where Living sculpture, 2017 During the opening of «Jérôme Leuba, Sebastian Stumpf» exhibition at annex14 gallery Zürich, a man is looking for something everywhere, coming back to the gallery, every 10 minutes.
9 battlefield #114 / live Living sculpture, installation, Athens, 2016 During the opening of «Twisting C(r)ash» exhibition in Romantso at Athens, a set of a TV report is installed in front of the Contemporary art Center, and just below of the Economics Department building of the State. During 3 hours, they apparently wait for something, testing the technical equipment, ready for a potential broadcast.
10 battlefield #115 Living sculpture, 2017 During the opening of «No walk-no work» exhibition in Centre d art contemporain d Yverdon, real fake spectators are coming late. During 3 hours, every 20 minutes someone is running, coming and entering into the exhibition. He left rooms by a backdoor in the museum.
11 battlefield #120 Living sculpture, perf festival, Geneva A woman walk in shopping streets with a caddy full of different types of bags: from shopping bags to cheap stuff. Between overconsumption and poverty (photo E.Bayart)
12 battlefield #120 Living sculpture, Tanz Tage Zug A woman walk in shopping streets with a caddy full of different types of bags: from shopping bags to cheap stuff. Between overconsumption and poverty
13 battlefield #95 / gaze Living sculpture, persons stare at the pedestrians, staying at the same place 5 hours a day during several days. In the frame of «Test-run: art in public», Modern Art Oxford
14 battlefield #95 / gaze Living sculpture, persons standing on a walkside, stare at the pedestrians. The stay at the same place 6 hours a day during the 4 days of the exhibition «Performed the city», 12th edition of the Swiss Sculpture Exhibition Biel/Bienne
15 battlefield #111 / sightseeing Living sculpture, person stare at the museum s window, staying at the same place outside 7 hours a day in the street, during the 3 weeks of the exhibition «Twisting C(r)ash», Bâtiment d Art Contemporain, Geneva. Inside the viewer of the exhibition looks trough the window and is directly observed by the person outside (actor).
16 battlefield #107 Living sculpture, 2015 Ongoing during the exhibition s opening hours. One person is posted along the road at the entrance of the museum. He looks and stares at car drivers, as well as people entering to the Foundation, during three weeks on opening hours of the museum (from 10:00 to 7:00 p.m.).
17 battlefield #84 / american carnation Living scuplture, 2012 Ongoing during the exhibition s opening hours. Swiss Art Award, Basel A man sells flowers such as «American carnation» grown in the Gaza Strip and exported to Europe despite the embargo. During the opening some people present in the exhibition called the basel police. The flowers sellers have been kicked out by the police and they erased pictures i did on my camera.
18 battlefield #79 / jogger Living sculpture, Joggers are runing each day and night during into the MS Dockville Festival, Hamburg, Germany, among the real audience.
19 battlefield #77 Living sculpture, 2011 Centre d art de Neuchâtel During the time of my own exhibition (battlefield #82, installation) and the one of DAAR (Decolonizing Architecture art Residency/Palestine-Eyal Weizman) woman is visiting the exhibition with stones on her hands.
20 battlefield #83 / light check Light programming, 2012 Unannonced light programming between the groups Metronomy and James Blake at MS Dockville Festival, Hamburg, Germany. Each lights turn on untill all they are all lit. Then they all set off suddenly. Repetition of this programming.
21 battlefield #72 / break Living scuplture, 2011 Women in work clothes take a break. They are always visible and present in the Park. Ongoing during the 3 months of exhibition s opening hours. in «Territoire», Bex Art Switzerland
22 battlefield #71 / mona lisa Video , loop. In front of the Mona Lisa in Louvre Paris, the audience always hides the famous painting (documentation). No stage device.
23 battlefield #37 / focus Living sculpture, persons as fake viewer/audience are engaged to stand up from 12-20:00 during all the art fair, looking at something. The real viewer join the group and belong to the sculpture. Open Space Art Cologne, Köln, Germany, madonna#fust galerie. Ongoing during the exhibition s opening hours.
24 battlefield #37 / focus Living sculpture, persons as fake viewer/audience are engaged to stand up from 12-20:00 during all the art fair, looking at something. The real viewer join the group and belong to the sculpture. Open Space Art Cologne, Köln, Germany, madonna#fust galerie
25 This living sculpture is made by 25 natural redhead viewer. They belong to the real audience of a peformance evening and they are visible but not noticed as an art work. Little by little they come closer all together and become more noticeable. battlefield #70 Living sculpture, 2010 in «Sicht auf ds Original» at Museum für Gegenwarstkunst, Basel Swiss Performance Award nominated.
27 battlefield #54 / lovers, Living sculpture, An active young couple is going to kiss during my own openings. They are mixed with the reality of the real audience and completely infiltrated into the audience. Subsitut, Berlin / Recyclart, Bruxelles / 8 St-Bon, Paris / Rotor, Graz / Profile Fondation, Warsaw / Casal Solleric, Palma Mallorca / Kunsthaus Zug
28 battlefield #92 / connected Living sculpture, All along an opening one person, infiltrate as a fake viewer, is completely separate from others, checking and playing with screens and electronic devices.
29 battlefield #50 Living sculpture, 2009 A queue line cross the Credit Suisse bank, from the entrance to the way out. 50 fake spectators were engaged to slow down the line which crossed the bank hall (people expected to see an art work). Schalterhalle, Credit Suisse Bank
31 battlefield #49 / bystander Living sculpture, motionless bodies stand in the grass from 12:30 until 18:30 during 3 days. Parc des Bastions Geneva «Points d impact» performance festival, Piano Nobile, Geneva
32 battlefield #47 Living sculpture, «Utopics», 11th swiss public art exhibition, Biel/Bienne A man sits on a balcony from noon to 18:h00, 6/7 days a week, during two months. He stares at the people of the shop street below. A swiss army rifle was placed next to him, barely invisible. Ongoing during the exhibition s opening hours.
33 battlefield #19 / if you see something, say something Installation, 2008 «Shifting identities», Kunsthaus, Zürich The legend «if you see something, say something,» printed on the back of New York Metro Cards, gives the title to this «battlefield» constituted of pieces of lost luggages and other tote bags simply scattered into the exhibition space and gates.
34 battlefield #57/ cleaning Living sculpture, A man is cleaning windows during the opening.
35 battlefield #40 Living sculpture, 2008 Someone is sleeping in the exhibition space, staying motion less. Ongoing during the exhibition s opening hours. «Blank light», Ausstellungsraum Kligental. Basel
NATALIA ZAŁUSKA GALERIE JOCHEN HEMPEL Lindenstrasse 35 D - 10969 Berlin CV Natalia Załuska 1984, born in Cracow lives and works in Vienna 2008-2013 Academy of Fine Arts Vienna with Daniel Richter and Lisa
at, Paris Räume espaces spaces october 14, 2005 until january 29, 2006 Opening reception on Friday, october 14, from 6 pm until midnight Closing on Sunday, january 29, 2006, from 11 am until 6 pm paris
Sara Masüger Exhibition view, Don`t worry i`ll organize your memory, 2017 Galerie Barbara Seiler, Zürich, CH Untitled, 2016 Tin 78cm x 49cm x 5cm Longterm Translation IV, 2017 Acrystal, tin 40cm x 39cm
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2014: The Year According to Shahryar Nashat BY MISA JEFFEREIS To commemorate the year that was, we invited artists, designers, and thinkers across disciplines to share a list of their most noteworthy ideas,
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STREETWALKER Open air ready-made gallery Working hours: 00:00 24:00 Admission: 0 eur (children, students and pensioners have 50% discount) Smoking is permitted in the gallery. ready-made object: A manufactured
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STREETWALKER Open air ready-made gallery Working hours: 00:00 24:00 Admission: 0 eur (children, students and pensioners have 50% discount) Smoking is permitted in the gallery. ready-made object: A manufactured
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Media Release Aarau, April 2018 Pictures for Everyone Prints and Multiples by Thomas Huber 1980 2018 4 May 11 November 2018 Aargauer Kunsthaus, Aarau The exhibition Pictures for All. Prints and Multiples
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Bjoern Thomas, born 1971 in Cologne, Germany. His work has been presented e.g. in MIAMI, BASEL, NEW YORK, SHANGHAI, Museum of Contemporary Art in Beijing or SAATCHI MUSEUM in London and has been sold to
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Portfolio Peter Reischl 2018 +43 (0) 699 11 22 84 25 / firstname.lastname@example.org www.peterreischl.com Statement Use the existing in order to build stairs to other perspectives and realities. Create interventions
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Hello, My name is and I am passionate about design. Here is a small sample of some selected work to date. I love what I do and I hope you do too. If so please contact me by phone or e-mail. Enjoy. m: 0449