ZWANZIG. anniversary exhibition 20 years Galerie Barbara Thumm Galerie Barbara Thumm. Galerie Barbara Thumm

Transcription

1 ZWANZIG anniversary exhibition 20 years Galerie Barbara Thumm Galerie Barbara Thumm Markgrafenstrasse 68 D Berlin Fon Fax info@bthumm.de

2 Bettina Allamoda Bettina Allamoda Bubble #2, 2017 Plexiglas, polyester fabric Height approx. 290 cm, diameter 1 m

3 Bettina Allamoda CV 1964 born in Chicago, USA lives and works in Berlin Education Hochschule der Künste - Berlin & Central/St. Martins s School of Art & Design, London Awards/Grants 2017 Villa Massimo Award, German Academy Rome 2016 Artist Scholarship Berlin Cultural Senate & Schloss Wiepersdorf Residency 2014 Künstlerhaus Schöppingen Residency 2012 Berlin Artist in Residence, Art Center College of Design, Pasadena Solo Exhibitions (selected) 2016 Highway-Furniture, with Alona Harpaz, C1 Circle Gallery, Berlin 2015 NEWBUILD, Verein für Kunst und Kultur Rosa Luxemburg Platz, Berlin 2014 expo, with Manfred Pernice, Brandenburgischer Kunstverein Potsdam Rockette To Die For, Bureau Mueller, Berlin Universaldekorationsständer, Vitrines, Jewish Life on Kurfürsten damm Berlin 2013 Hybrid Naples, Fondazione Morra Greco, Naples No Go - The Exorcist revisited/brick Security, Kunsthaus Erfurt, Erfurt 2010 No Go - The Exorcist revisited, September, Berlin 2013 Winter Show, September, Berlin Bettina Allamoda / Geoffrey Farmer, Fondazione Morra Greco, Naples Come In. Interior Design as a Medium of Contemporary Art in Germany, Kumu Art Museum, Tallinn 2012 Tender Buttons, September, Berlin Come-in: Interior Design as a Contemporary Art Medium in Germany, Rezan Has Museum, Istanbul dress/id - the language of the self/le langage du Moi, Centre d Art Passarelle, Brest, France 2011 Laura Mars Grp , Laura Mars Grp., Berlin Einrichten, Zwinger Galerie, Berlin 2010 Thema Frau, September, Berlin Are you Coming, Too?, Knoth & Krüger, Berlin Are You Coming Too?: Diskurshexe I, September, Berlin Come in - Design de interiores como meio de arte contemporânea na Alemanha, Museu Oscar Niemeyer, Curitiba, Brasil Casting, Visite ma tente, Berlin Collections n.b.k (Neuer Berliner Kunstverein) Berlin The David Roberts Art Foundation London Deutsche Bank Collection New York Sammlung Deutscher Bundestag Berlin IfA Sammlung Stuttgart & private collections Artist Pension Trust Global Group Exhibitions (selected) 2017 The Brutalism Appreciation Society, HMKV - Hartware Medien Kunst Verein, Dortmund Hours and Hours of Inactivity, Neuer Berliner Kunstverein (NBK), Berlin 2016 Come-in, National Gallery of Modern Art - Mumbai, Mumbai Sommerfest, Künstlerhaus Schloss Wiepersdorf, Wiepersdorf Group Exhibition, Zwinger Galerie, Berlin 2015 Die Gabe, Kunstverein Schwerin, Schwerin 2014 Hello Goodbye, Laura Mars Grp., Berlin My Uncle Sam, Zwinger Galerie, Berlin Bettina Allamoda and Manfred Pernice - expo, Luisenforum, Potsdam Far from limiting herself to her own art, which mixes performance, collage, sculpture and video, she alternately assumes the points of view of curator, writer or editor. The foundation of her work involves analysing and updating the visibility strategies at work in popular cultural phenomena such as fashion, art and architecture, challenging through discourse the social role and even the function of art today. She has exhibited in numerous galleries and museums, with solo exhibitions including: NEWBUILD, Verein für Kunst und Kultur Rosa Luxemburg Platz, Berlin; Expo 2014, with Manfred Pernice, Brandenburgischer Kunstverein, Potsdam; Hybrid Naples 2013, Fondazione Morra Greco, Naples; No Go The Exorcist Revisited/Brick Security, Kunsthaus Erfurt; Public Fabric 2009, with Rainer Kamlah, BM Suma Contemporary Art Center, Istanbul; Wall Wear/Nation Building, Hubert Bächler Gallery, Zurich; To Die For (with Nikolaus Utermöhlen), Berlin.

4 Maria José Arjona Maria José Arjona Untitled, 2016 Watercolor on paper framed 37 x 27 cm

5 Maria Josè Arjona CV 1973 born in Bogotá, Colombia works and lives in Bogotá, Colombia Education Master in Visual Arts Higher Academy of Art, Bogotá, Colombia Previously trained as a contemporary dancer Awards/Grants 2016 Lara Project (Artist in Residency Program and exhibition), Galapagos and Centro de Arte Contemporaneo de Quioto, Ecuador 2012 Irregular Hexagon (Performance), JCVA Jerusalem and Baad Gallery, Bezalel Academy,Tel Aviv, Israel 72-13, TheatreWorks, Singapore, Singapore Artist Is Residency Program, Location One, New York, USA 2009 A Line Of Thought, A Line Of Action, A Line (Performance), Artist in residency program at the Watermill Center, New York, USA 1999 Tact (Performance), Artist in Residency Program-Performative Space, Colombia, Colombia Exhibitions (selected) 2017/2018 LARA 2017 Latin American Roaming Art Museo de Arte Contemporaneo de Panama (S) 2017 Frasq #9 9ème rencontre de la performance Le Générateur, Gentilly / Paris, France (Performance) Thessaloniki Performance Festival, Contemporary Art Center of Thessaloniki, Greece (Performance) Construcciones simultáneas, Museo de Arte de Pereira, Colombia (G) 2016/2017 Right at the center there is silence, Videoinsight Foundation, Turin, Italy (S) 2016 You Are Splendid (Performance), Kunsthalle Osnabrück, Germany Life Line (Performance), LARA ART PROJECT - Latin American Roaming Art, Centro de Arte Contemporaneo de Quito; Quito, Ecuador (G) Political Bodies, performance of Birdcage at 16th Performance Festival Osijek, Museum of Fine Arts, Osijek, Croatia (G) 10Lies, durational interactive performance in the Militant Nostalgia program curated by Paco Barragan for Nuit Blanche Toronto, Artscape Sandbox, Toronto, Canada (G) In/Tangible (Performance/Video documentation)), Galerie Barbara Thumm, Berlin, Germany (G) 2015 Avistamiento (Performance cycle), Flora-Ars-Natura, Bogota, Colombia Like Fireflies (Video documentation of performance), Museum of Modern And Contemporary Art, Rijeka/Croatia (G) Auto-Body (Video documentation of performance), Faena Art Center, Buenos Aires/Argentina (G) Young Collections 02 (Von-Kelterborn Collection) (Video documentaion), Weserburg Museum, Bremen, Germany (G) What Kind of a Celebration (Re-enactment of the performance Karaoke ), Kunsthalle Osnabrück, Germany (G) 2014 Humanos - First installment emering from Avistamiento (Sound installation), Flora, Bogota, Colombia (S) Espiritu (Performance), Museo de Arte Contemporaneo de Lucca, Lucca, Italy (S) Four Legged Animal (Video documentation of performance), MFA Boston, USA (G) Pero Soy El Tigre (Performance), Mor-Charpentier, Bogota, Colombia & Paris, France 2012 The Kiss (Performance/Installation), Location One, New York, USA (S) New Acquisitions (Photo documentation of performance), Museo del Banco de la Republica, Bogota, Colombia All The Others In Me (Performance), Marrakech Bienniale, Marrakech, Morocco (S) 2011 Situation (Performance), The Ballroom Marfa, New York,USA (S) Alimetno (Performance), Tony and Heather Podesta Collection, Washington, USA Right At The Center, There Is Silence (Performance), Croatia Biennale, Museum of Modern and Contemporary Art, Rijeka, Croatia (G) Transcription-Infusion-Memory (Performance), The Festival of Ideas, The New Museum, New York, USA 2010 The Artist Is Present (Re-enactment), Luminosity, Imponderabilia and Nude with skeleton, Museum of Modern Art (MoMA), New York, USA (S) Vires (Performance cycle), MADRE Museum, Naples, Italy & Teatro Anatomico, Bologna, Italy On Luck, destiny and fate / On knowledge and liberation (Performance cycle), Abramovic Studio at Location One, New York, USA Retorno (Documentation emerging from the performance Retorno), Museum of Contemporary Art of Medellin, Medellin, Colombia (G) Vires /Exercise #3 (Performance), Hilger Contemporary & Brot Kunsthalle, Vienna, Austria (G) María José Arjona, a Colombian performance artist well-known throughout Latin America, was born in Bogotá in She now lives and works in New York and Miami. Her practice involves long durational performance characterized by near-monastic rigor, and designed as experiential studies in what she considers the biggest and most critical element in performance: time. Her tests of her own physical and psychological endurance confront the viewer, who is invited to acknowledge his or her choice between an active and passive response. Arjona was one of the performers chosen by Marina Abramovic for The Artist Is Present, her retrospective exhibition at MoMA in New York in As part of the preliminary work towards this exhibition, Abramovic and Arjona jointly presented the workshop Cleaning the House. In 2009, she was an artist-in-residence at the Robert Wilson s Watermill Arts Center, and has staged performances at major museums and venues in South America, the US and Europe before and since.

6 Jo Baer Jo Baer baboon soldiers?, 1990 Pencil and charcoal, oil and prints on collaged vellum paper framed 77,8 x 67 x 4 cm

7 Jo Baer Jo Baer Farmers, 2020?, 1990 Pencil and charcoal, oil and prints on collaged vellum paper framed 66,8 x 76,7 x 4 cm

8 CV 1929 born in Seattle, Washington, USA lives and works in Amsterdam, Netherlands Education 1949 University of Washington, Seattle, USA 1953 New School for Social Research, New York, USA Awards/Grants 2016 Jeanne Oosting Prijs, Jeanne Oosting Stichting, Arnhem 2012 Nelson A. Rockefeller Award (Art + Design), Purchase College, State University New York 2004 Women s Caucus for Art, Honor Awards for Outstanding Achievement in the Visual Arts, Seattle 1980 Second Prize, single, Dressage Irish Horse Board, Dublin, Regional Finals 1980 Third Prize, team, Dressage Irish Horse Board, Dublin, Regional Finals National Council on the Arts Award 2012 Mixed Minimalist and Image Works, Gagosian Gallery Geneva, Switzerland (S) 2012 Garden of Learing, Busan Biennale, Busan Museum of Art, Busan, Korea (G) Abstract: Works from the Collection in Dialogue, Museum Ludwig, Cologne, Germany (G) 2011 Jo Baer, The Art Institute (Hunter College), New York, USA (S) 20 Jahre Gegenwart, Museum fur Moderne Kunst Frankfurt, Germany Primary Light Group: Red, Green, Blue, , Alfred H. Barr Painting and Sculpture Galleries, MOMA, New York, USA (G) Der Raum der Linie. Amerikanische Zeichnungen & Skulpturen ab 1960 aus einer Privatsammlung, Pinakothek der Moderne, Staatliche Sammlung München, Munich, Germany (G) 2010 Galerie Barbara Thumm, Berlin, Germany (S) Compass at Hand. Selections From The Judith Rothschild Foundation Contemporary Drawings Collection, Institut Valencia d Art Modern, Valencia, Spain (G) Exhibitions (selected) 2017 The Absent Museum, WIELS, Brussels, Belgium (G) Whitney Biennal, Whitney Museum, New York (G) 2016/17 Jeanne Oosting Prize for Painting 2016, Museum Arnhem, Arnhem, Netherlands (S) From the Collection: , MOMA, New York, USA (S) My Abstract World, me collectors room, Berlin, Germany (G) 2015 Jo Baer In the Giclée-ed Lands of the Giants, Ellen de Bruijn Gallery, Amsterdam, Netherlands (S) Towards the Land of the Giants, Camden Arts Centre, London, UK (S) America is Hard to See, Whitney Museum of American Art, New York, USA (G) 2014 About Things that don t exist, 31st São Paulo Biennale, São Paulo, Brazil (G) 2013/14 highways and byways. Togehter again, Daimler Contemporary, Berlin, Germany (G) 2013 In The Land Of The Giants, Galerie Barbara Thumm, Berlin, Germany (S) In The Land Of The Giants, Stedelijk Museum, Amsterdam, Netherlands Jo Baer, Ludwig Museum, Cologne, Germany (S) Jo Baer was a key figure among the celebrated protagonists of Minimalist painting in New York in the 1960s and first half of the `70s. What has long been regarded as a radical transition from the earlier minimalist painting to the fluid and dreamlike pictorial mode that she famously came to term radical figuration, is [recently being] now perceived as a continuum rather than a paradigm shift. In the last decades Jo Baer has dramatically expanded the conceptual framework of her earliest minimalist paintings not so much replacing one ism with another, as reconciling and binding together her myriad and divergent concerns (ranging from the science of color perception to the workings of myth and collective memory.)

9 Fiona Banner Fiona Banner Cat, 2017 Provost plane, Jaguar tail section nose cone 69 x 143 x 70 cm

10 Fiona Banner CV 1966 born in Merseyside, UK lives and works in London, UK Education 1989 BA Fine Arts, Kingston Polytechnic London, UK 1993 MA Fine Arts, Goldsmiths College London, UK Commissions 2010 The Duveen Galleries Commission, Tate Britain, London, UK PE Gallery, Mexico 2003 More London, Full Stops for Tower Bridge, London, UK Exhibitions (selected) 2017 Runway (AW17), Museum De Pont, Netherlands (S) Artist Spaces, Weserburg Museum of Modern Art, Bremen, Germany (G) ISelf Collection: The End of Love, Whitechapel Gallery, London, UK (G) 2016 Buoys Boys (Talk and Performance at day of the opening), De La Warr Pavilion, Bexhill-on-Sea, East Sussex, UK 2016 (S) Fiona Banner, Galerie Barbara Thumm, Germany (S) Scroll Down and Keep Scrolling, Kunsthalle Nürnberg, Germany (S) Study #13. Every Word Unmade, Fiona Banner, David Roberts Art Foundation, London (S) und eine welt noch curated by Mirim Schoofs and Katja Schroeder Kunsthaus Hamburg, Germany (G) 2015/16 Scroll Down and Keep Scrolling, Ikon Gallery, Birmingham, UK (S) Walkers: Hollywood Afterlives in Art and Artifact, Museum of the Moving Image, New York, USA (G) Le Souffleur. Schürmann trifft Ludwig, from the Gaby and Wilhelm Schürmann collection, Sammlung Ludwig Forum, Aachen, Germany (G) 2014 Wp, Wp, Wp, Yorkshire Sculpture Park, Wakefield, UK (S) Mistah Kurtz He Not Dead, a collaboration with the Archive of Modern Conflict featuring images by Paolo Pellegrin, PEER, London, UK (S) 2013 Postscript: Writing After Conceptual Art, The Power Plant Contemporary Art Gallery, Toronto, Canada (G) I Think It Rains, Quandrilogy 2. Hong Kong, curated by Daniel Kurjakovic, Burger Collection at Cattle Depot Artist Village, Hong Kong, China (G) Words to be Spoken Aloud, Turner Contemporary, Margate, UK (G) 2013 Word.Image.Space, Gesellschaft für Kunst und Gestaltung, Bonn, Germany (G) Tracing the Century: Drawing as a Catalyst for Change, Middlesbrough, Institute of Modern Art, UK (G) Glassstress: White Light/White Heat, Collateral event of the 55th international art exhibition La Biennale die Venezia, Instituto Veneto die Scienze Lettere ed Arti, Venice Biennale, Italy (G) 2012 Alice in Wonderland, Museo di arte moderna e contemporanea, Rovereto; Hamburger Kunsthalle, Hamburg, Germany (G) Neon, Who s afraid of red, yellow and blue?, La Maison Rouge, Paris (G) Tracing the Century: Drawing as a Catalyst for Change, Tate Liverpool, Liverpool, UK (G) Catch Phrases and the Powers of Language, Kunsthaus Baselland, Muttenz, Switzerland (G) Postscript, Museum of Contemporary Art Denver, USA (G) 2012/11 Dance I Draw, ICA Boston, Boston, USA and The Tang Museum, Skimore College, New York, USA (G) 2011 Snoopy Vs. The Red Baron, Galerie Barbara Thumm, Berlin, Germany (S) Alice in Wonderland, Tate Liverpool, Liverpool, UK (G) September 11, MoMA PS1, New York, USA (G) I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, MoMA, New York, UK (G) Women War Artists, Imperial War Museum, London, UK (G) 2010/11 Harrier and Jaguar, Tate Britain Duveens Commission 2010, London, UK (S) 2010 Punctuation Marks, Tate Britain Duveens Commission 2010, London, UK (S) Fiona Banner s work centers on the problems and possibilities of language, both written and metaphorical. Her work encompasses text, sculpture, drawing and installation. She became known for her early written transcriptions of Hollywood war films such as Top Gun and Apocalypse Now. From these wordscapes to her use of found and transformed military aircraft, Banner juxtaposes the brutal and the sensual, performing a complete cycle of intimacy, attraction and alienation. Publishing, in the broadest sense, is at the heart of her practice. In 1997 she started working under the title of The Vanity Press. She has published books, objects and performances often deploying a playful attitude and bringing pseudo grandeur to the act of publishing.

11 Anna Barriball Anna Barriball Vent III (large), 2016 Ink, paper, acrylic paint, acrylic spray paint on board framed 40,8 x 71 x 4,5 cm

12 Anna Barriball CV 1972 Born in Plymouth, England lives and works in London, UK Education Chelsea College of Art, MA Fine Art Winchester School of Art, BA (Hons) Fine Art Falmouth School of Art, Foundation Studies Commissions 2013 Oasis Academy, Bristol 2010 Hey We re Closed!, Hayward Gallery 2008 About 60 miles of beautiful views commissioned by Art on the Underground Public Collections The Arts Council Collection, London The British Council Collection, London The Government Art Collection, UK Herning Museum, Herning, Denmark Hiscox Collection Kunstmuseum Basel Leeds Museums and Galleries RISD Museum, Rhode Island, USA Tate Collection Frederick R. Weisman Art Foundation UBS Art Collection Exhibitions (selected) 2017 Anna Barriball & Hannelore van Dijck, Be-Part, Waregem, Belgium FOKUS PAPIER Randgänge der Zeichnung, Kunstmuseum Basel, Basel (G) 2016 The Secret Life of Images, Kunstverein Freiburg, Germany (G) 2015 Drawing: The Bottom Line, S.M.A.K., Gent (G) 2015 Drawing Now, Albertina Museum, Vienna (G) 2015 Apparitions: Frottages and Rubbings from 1860 to Now, a traveling group exhibition at The Menil Collection, Houston and Hammer Museum, Los Angeles (G) 2013 Museum Villa Stuck, Munich (S) 2013 Drawing : Sculpture, Drawing Room, London (G) 2012 Slow Looking : Contemporary Drawing, Tate Britain, London (G) 2011/12 touring solo exhibition at MK Gallery, Milton Keynes; Fruitmarket Gallery, Edinburgh (S) 2010 Newspeak: British Art Now: Part Two, Saatchi Gallery, London (G) 2010 GAM, Galleria civica d arte moderna e contemporanea, Turin (G) 2008 Projection, Institut im Glaspavillon, Berlin Live Art Performance: More and More Performance of Reduction, Artist Studio Residency, Camden Arts Centre, London 2005/06 The New Art Gallery, Walsall; Newlyn Art Gallery, Cornwall (S) Anna Barriball s work hinges on minimal interactions with objects and often steps between the parallel languages of drawing and sculpture. Much of her practice explores and depicts the accretion of time from the length of time it takes for a candle to burn down to the repetitious activity of taking graphite rubbings from objects that bare the traces of their use or function. In her hands a map of the world is transformed into a strange expanse of shimmering substance, or the bounce of a rubber ball on a piece of paper creates the effect of a cosmic explosion. Her interventions produce objects that combine a minimalistic rigour and the seemingly endless endeavour to make sense of the world of objects by empirical study.

13 Bigert & Bergström Bigert & Bergström Rescue Blanket for Kebnekaise (Inverted Space Molecule), 2015 UV-printed photo on vinyl foil, Acrylic spheres, low energy lights 116 x 80 x 79 cm

14 Bigert & Bergström CV 1962 Lars Bergström born in Stockholm, Sweden 1965 Mats Bigert born in Stockholm, Sweden 1986 Collaboration Bigert & Bergström Education Royal Academy of Fine Arts, Stockholm, Sweden Grants/Awards 2000 IASPIS, Stockholm, Sweden 1999 ISPstudios, New York, USA Künstlerhaus Bethanien, Berlin, Germany Underground Exhibitions (selected) 2017/2018 Eye of the storm, Artipelag, Gustavsberg, Sweden (S) 2017 The Weather War, curated by Kaimei Olsson Wang Shanghai Minsheng Art Museum, China (S) 2016 The Air Castle, curated by Johanna Uddén, Norrköpings Konstmuseum, Norrköping, Sweden (G) In the Wake, Houston Center for Photography, Houston, TX, USA (G) 2015 Explosion of Speech (Performance), Goethe-Institut Thessaloniki, Greece The Weather War, Växjö Konsthall, Växjö, Sweden (S) 2014 The Weather War, Summerhall, Edinburgh, UK (S) Tipping Point, Artipelag, Stockholm, Sweden (S) The Weather War, Galerie Barbara Thumm, Berlin, Germany (S) The Drought, Varberg Konsthall, Sweden (S) Liebe / Love, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany (G) 2013 The Storm, Gallery Niklas Belenius, Stockholm, Sweden (S) CO2 Lock-In, public performance: Sergels Torg, Stureplan, Bonniers Konsthall, Stockholm, Sweden (S) 14th Videonale, Bonn Kunstmuseum, Bonn, Germany (G) 2010 Biennale für Internationale Lichtkunst, Kulturhauptstadt Europa RUHR.2010, Germany (G) Eattopia-2010, International Video Art Exhibition, Hung-Gah Museum, Taipei, Japan (G) Bigert & Bergström is an artist duo living and working in Stockholm. The duo met while at the art academy in Stockholm in 1986 and have collaborated ever since. Through their career B & B have produced and created art ranging from large-scale installations to public works, sculptures and film projects. Often with a conceptual edge, the core of their work is placed right in the junction between humanity, nature and technology. With energetic curiosity their art investigate scientific and social topics discussed in contemporary society.

15 Sebastiaan Bremer Sebastiaan Bremer Corridors - Versailles, 2007 Inks on Gelatin Silver Print framed 18,3 x 25,2 x 2,5 cm

16 Sebastiaan Bremer CV 1970 Born in Amsterdam, Netherlands Lives and works Brooklyn, New York Education 1998 Skowhegan School of Painting and Sculpture Vrije Academie, The Hague Awards/Grants 1998 Scholarship, Skowhegan School of Painting and Sculpture, Skowhegan, ME, USA Stipend Netherlands/America Foundation, New York 1997 Basisbeurs S.F.B.K, Amsterdam, Netherlands 1995 Basisbeurs S.F.B.K, Amsterdam, Netherlands 1992 Werkbeurs S.F.B.K, Amsterdam, Netherlands Solo Exhibitions (selected) 2017 Sanctuary, The San Damiano Mission, New York, USA 2016 Recording Studio A, Fort Worth Contemporary Arts, Fort Worth, Texas 2015 Street Called Strait, Galarie Ron Mandos, Amsterdam, Netherlands Spilaio, Hales Gallery, London, UK 2014 MOCA Bas-Relief (Mike-Papa-Bravo), MOCA Tucson, AZ, USA 2013 Sebastiaan Bremer, The Dikeou Collection, Denver, CO, USA Sebastiaan Bremer, Edwynn Houk Gallery, New York, USA Who s afraid of Red, Yellow and Blue, Galeria Leme, Brazil Sebastiaan Bremer, Edwynn Houk Gallery, New York, USA 2012 Eyes, Edwynn Houk Gallery, Zurich, CH Egmont Re-visited, Hales Gallery, London 2011 Sebastiaan Bremer-Nudes and Revolutions, Edwynn Houk Gallery, New York, NY, USA 2010 InvasoesHolandesas, Galeria Leme, Sao Paulo, BR Baruch In the Sky with Diamonds, mural at Kunsthal KAdE, Amersfoort, NL 2012 Photography is Magic!, Daegu Photo Biennale, Daegu Culture & Arts Centre, Daegu, South Korea 2011 September, Rabo Art Collection, Utrecht, NL Ultrasonic VI: Appropriate, Mark Moore Gallery, Culver City, CA, USA Intersection: Photography / Painting / Document, Marlborough Gallery, New York, NY, USA Outdoor Excursions, Burlington Fire House Gallery (curated by Gregory Volk),Burlington, VT, USA Contemporary Magic: A Tarot Deck Art Project, Warhol Museum, Pittsburgh, PA, USA Process, Edwyn Houk Gallery, New York, NY, USA Off Camera, Fleisher/Ollman Gallery, Philadephia, PA, USA What the Thunder said, Lu Magnus, New York, NY, USA 2010 Dirty Messy Painting, Roos Art, Rosendale, NY, USA Heads or Tails, Mary Ryan Gallery, New York, NY, USA The Pencil of Nature, Julie Saul Gallery, New York, NY, USA Anti-Trend, Lu Magnus (curated by Amelia Abdullahsani, Sarvia Jasso and Kathy Garcia), New York, NY, USA Contemporary Magic: A Tarot Deck Art Project, National Arts Club, New York, NY, USA A Touch of Dutch, DZ BANK Kunstsammlung, Frankfurt, DE In a Paperweight, Tony Wight Gallery, Chicago, IL, USA Phantoms, Stephan Stoyanov Gallery, New York, NY, USA Collections Victoria and Albert Museum, London MOMA, New York Los Angeles County Museum of Art Group Exhibitions (selected) Affinity Atlas, The Frances Young Tang Teaching Museum and Art Gallery, New York, USA 2015 The Transportation Business, Jane Lombard Gallery, New York, NY, USA BLUEPRINT, Storefront for Art and Architecture, New York, NY, USA 2014 ALTERED: Photography & Appropriation, Edwynn Houk Gallery, New York, USA BLUEPRINT, Kunsthal KAdE, Amersfoort, NL, travelled to MOCA Tuscon, AZ 2013 Wonderkamers, Gemeentemuseum, The Hague, NL VITALIC, Omar Ba, Sebastiaan Bremer, Hew Locke, Trenton Doyle Hancock, Hales Gallery, London

17 Fernando Bryce Fernando Bryce J Accuse, 2014 Ink on paper framed 72 x 52 cm

18 Fernando Bryce CV 1965 born in Lima, Peru lives and works in Lima, Peru Education École des Beaux-Arts, Paris, France, with Christian Boltanski Université Paris VIII Arts Plastiques, France Private Studios Leslie Lee, Lima, Peru Pontificia Universidad Católica del Perú, Lima, Peru Artes Plásticas Awards/Grants 2009 Scholarship at the Deutsche Akademie Rom Villa Massimo, Italy 2005 Arbeitsstipendium Bildende Kunst, Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany 2000 Prize of the Bienal Nacional de Lima, Peru Exhibitions (selected) 2017 Unvergessenes Land Kunsthalle Bremen, Germany (S) Parapolitics: Cultural Freedom and the Cold War, curated by Anselm Franke, Nida Ghouse, Paz Guevara and Antonia Majaca, Haus der Kulturen der Welt (HKW) Berlin, Germany (G) 2016 Paradoxurus adustus / Auf frischer Tat, Museum für Naturkunde Berlin, Germany (S) 2016/2015 Triennial: Latin American and the Caribbean 2015 THEOREM. You Simply Destroy the Image I Always Had of Myself curated by Octavio Zaya, Mana Contemporary, Jersey City, New Jersey, USA (G) 2014 To The Civilized World, Galerie Barbara Thumm, Berlin, Germany (S) Ravaged - Art and Culture in times of conflict, M - Museum Leuven, Belgium (S) 2013/14 LINIE, LINE, LINEA. Zeichnung der Gegenwart, curated by Volker Adolphs, Casa Republicana, Biblioteca Luis Ángel Arango, Bogotá, Colombia (G) 2013 California - Pacific Triennial, The Orange County Museum of Art, Newport Beach, California, USA (G) Yerbabuena Center for the Arts, curated by CAAC - Centro Andaluz de Arte Contemporáneo, San Francisco, USA (G) 2012/2013 Tracing the Century: Dawings as a Catalyst for Change, Tate Liverpool, UK Taipei Biennial 2012, curated by Anselm Franke, Taipei, Taiwan (G) 2012/2013 Tomorrow was already here, curated by Julieta Gonzales, Museo Rufino Tamayo, Mexico City, Mexico, (G) 2011/12 Drawing Modern History, MALI - Museo de Arte de Lima, Peru (touring exhibition: 2012, MUAC/Mexico City, Mexico and MALBA / Buenos Aires, Argentina) (S) 2011 A Terrible Beauty Is Born, 11th Biennale de Lyon, France (G) Contemporary Drawings Collection, Martin Gropius Bau, Berlin, Germany (G) 2010 Model Kits. Thinking Latin America from The MUSAC Collection, MUSAC - Museo de Arte Contemporáneo de Castilla y León, Spain (G) Artes Mundi 4 - Arts of the world, National Museum Cardiff, Cardiff, UK (G) Linie. Line. Linea. Zeichnung der Gegenwart, organised by Institut für Auslandsbeziehungen e.v. (ifa), Kunstmuseum Bonn, Germany (G) Die Nacht der Villa Massimo, February 25th, Martin-Gropius-Bau, Berlin, Germany (G) Collections ARCO Collection, Madrid, Spain Berezdivin Collection, Puerto Rico Burger Collection, Zürich / Hongkong Helga de Alvear Foundation, Caceres, Spain Kunsthalle Bremen Kunstmuseum St. Gallen, Switzerland Museo de Arte Contemporáneo de Castilla y León, Spain Museo de Arte Contemporáneo de Buenos Aires, Argentinia Museo de Arte de Lima, Peru Pablo and Tinta Henning Collection, Houston, USA PAMM Museum, Miami, USA Private Collections (Europe, USA, Latin America) The Carnegie Museum, Pittsburgh, USA The Museum of Modern Art, New York, USA The Tate Modern, London, UK The Tom Patchett Collection, Santa Monica, USA VAC Collection, Valencia, Spain Fernando Bryce is one of the most influential contemporary Peruvian artists. His epic and large-scale series of drawings create historical panoramas that depict geo-political themes, ideologies and utopias from the 20th century until today. His extensive historical and pictorial research results in series of ink drawings based on old newspaper cuttings, postcards, posters and other propaganda. The ideologically loaded terminology and imagery are the central focus of this work. The differences between these re-productions and the original documents reveal how we continuously rewrite history. In recent years Fernando Bryce has not only analysed the print media, but also looked more and more towards the film industry and the early beginnings of the medialisation of propaganda.

19 Teresa Burga Teresa Burga Untitled (Bar), 1966 Mixed media, collage and acrylic on Masonite 122,5 x 91,5 x 5 cm

20 Teresa Burga CV 1935 born in Iquitos, Peru works and lives in Lima, Peru Education 1970 MA Fine Arts, School of the Art Institut of Chicago, USA 1965 BA Fine Arts, School of Art Catholic University of Peru in Lima Awards/Grants Fulbright Scholarship at the School of Art Institute of Chicago Exhibitions (selected) 2018 Teresa Burga, Migros Museum, Zurich Switzerland (S) 2017/18 Memories of Underdevelopment, curated by Sharon Lerner, in collaboration with Museo Jumex, Mexico City and the Museo de Arte de Lima, MCA San Diego, USA (G) 2017 Mano Mal Dibujada, Sculpture Center, New York, USA (S) Conceptual Installations of the 70s, Galerie Barbara Thumm, Berlin, Germany (S) Radical Women: Latin American Art, , touring exhibition curated by Cecilia Fajardo-Hill and Andrea Giunta with Marcela Guerrero, Hammer Museum, Los Angeles, USA (G) 2016/17 Feminist Avant-Garde of the 1970s, touring exhibition curated by Gabriele Schor (Verbund Collection Vienna) and Anna Dannemann (The Photographers Gallery, London), The Photographers Gallery, London, UK / Mumok Museum Moderner Kunst Stiftung Ludwig, Viena, Austria / ZKM Zentrum für Kunst und Medientechnologie Karlsruhe, Germany / Stavanger Art Museum, Stavanger, Norway / Haus der Kunst, Brünn, Czech Republic / Kunstmuseum Bern, Switzerland (G) 2015/16 Ludwig Museum Köln, Germany The New Contemporary, Art Institute of Chicago, USA (G) 2015 Teresa Burga, Galerie Barbara Thumm, Berlin, Germany (S) Teresa Burga curated by Miguel López and Agustín Pérez Rubio, MALBA, Buenos Aires, Argentina (S) The World Goes Pop, Tate Modern London, England, UK (G) All the World s Futures, curated by Okwui Enwezor, 56th Venice Biennale, Venice, Italy (G) 2014 Profile of the Peruvian Woman ( ), curated by Tatiana Cuevas, Sala de Arte Público Siqueiros, Mexico City, Mexico (S) 2013 Teresa Burga, Kunstmuseum Trondheim, Norway (S) The Sixties, Galerie Barbara Thumm, Berlin, Germany (S) 12. Triennale Kleinplastik Fellbach, Germany (G) 2011 Die Chronologie der Teresa Burga. Berichte, Diagramme, Intervalle , curated by Dorota Biczel, Miguel A. López and Emilio Tarazona, Württembergischer Kunstverein, Stuttgart, Germany (S) Untitled, 12th Istanbul Biennial, curated by Jens Hoffman, Adriano Pedrosa, Istanbul, Turkey (G) 2010 Teresa Burga. Informes. Esquemas. Intervalos , curated by Miguel A. López and Emilio Tarazona, ICPNA (Instituto Cultural Peruano Norteamericano), Lima, Peru (S) With her conceptualist pieces Teresa Burga is a pioneer of media art, technology-based art and installation art in Peru. In the 1960s, Burga was a member of the group Arte Nuevo. The group is widely credited with the introduction of the new avant-garde tendencies in the Peruvian context, such as Pop art, Op art and happenings. The recent new reassessment of Burga s work is realized in the context of activities pursued by a broad network of Latin American art theorists and artists, who are presently embarking upon a rereading of the conceptualisms of the South (Southern Conceptualisms Network).

21 Jota Castro Jota Castro Schengen, 2012 Galvanised steel 220 x 70 x 70 cm Edition of AP

22 Jota Castro CV 1965 born in Lima, Perù lives and works in Brussels, Belgium Awards 2009 Winner of the European Festival of Visual Arts in Hospitals 2004 Gwandju Biennale Prize, Korea 1983 Young Peruvian Poet Prize Exhibitions (selected) 2016/2017 IDIOSYNCRASY. The Anchovies Dream of an Olive Mausoleum, curated by Chus Martínez, Fundación Helga de Alvear, Cáceres, Spain (G) 2016 THE SOUL OF MONEY, DOX, Prague, Czech Republic (G) 2015 SACROSANCTUM #8, curated by Adalberto Abbate, Oratorio di San Mercurio, Palermo, Italy (S) Fire and Forget. On Violence, curated by Ellen Blumenstein and Daniel Tyradellis, KW Institute for Contemporary Art, Berlin, Germany (G) Icon, Maison Particulière asbl, Brussels, Belgium (G) Schlaflos. Das Bett in Geschichte und Gegenwartskunst, curated by Mario Codognato, 21er Haus, Vienna, Austria (G) 2014 Zeichen gegen den Krieg. Antikriegsplastik von Lehmbruck bis heute, Lehmbruck Museum, Duisburg, Germany (G) 2013 Emergency Pavillion: Rebuilding Utopia, 55th international art exhibition La Biennale di Venezia, Teatro Fondamenta Nuove, Italy (G) Tell Me Wohm You Haunt. Marcel Duchamp And the Contemporary Readymade, Blain Southern, London, UK (G) Order, Chaos and the Space Betweein, Phoenix Art Museum, Pheonix, USA (G) Economics In Art, Museum of Contemporary Art, Krakau, Poland (G) 2012 Jota Castro, Museum Het Domein, Sittard,The Netherlands (S) AUSTERITY ÜBER ALLES!, Galerie Barbara Thumm, Berlin, Germany (S) 2011 Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary 2011 curated by Jota Castro and Christian Viveros-Fauné, Dublin, Ireland (G) West End?, Museum on the Seam, Jerusalem, Israel (G) 2010 Low Cost Tour - Second Stop, Y3K, Melbourne, Australia (S) Jota Castro is a Brussels-based Franco-Peruvian artist, curator and one of the most interesting and active artist today to propagate a political activism within his practice. Conjuring up trivial humor, politically incorrect sarcasm and a wide range of references, Castro s sculptures, installations and performances point up certain mechanisms at work in society, whose imbalances and weaknesses are skillfully highlighted by the artist.

23 Meg Cranston Meg Cranston 89, 2017 Acrylic on canvas 153,5 x 114 x 5,3 cm

24 Meg Cranston CV 1960 born in Baldwin, New York lives and works in Los Angeles, California Education / Teaching since 2009 Chair of the Fine Arts Department at Otis College of Art and Design, Los Angeles Professor at Otis College of Art and Design, Los Angeles Professor at Otis College of Art and Design, Los Angeles 1994 John Guggenheim Memorial Foundation Fellowship Lecturer at Department of Art, University of California, Los Angeles 1989 New School of Social Research Faculty Development, New York 1988 Postgraduate Study at Jan van Eyck Academie, Maastricht Senior Lecturer at Otis College of Art and Design, Los Angeles 1986 MFA California Institute of the Arts, Valencia 1982 BA Study in Anthropologie, Kenyon College, Ohio Exhibitions (selected) 2016 Pizza, Bagpipe, Carburetor, Meliksetian Briggs, Los Angeles, CA (S) 2015 The Afghan Carpet Project. Hammer Museum, Los Angelesn (G) I Suppose So. Kunstverein Heilbronn, Heilbronn, Germany (S) 2014 Made in L.A Los Angeles Biennial, Hammer Museum, Los Angeles (G) 2013 Meg Cranston. Hammer Museum, Los Angeles, CA (S) 2012 Made in L.A Los Angeles Biennial, Hammer Museum, Los Angeles (G) Jack Helgesen Family Collection / Archeology of the Image. Vestfossen Kunstlaboratorium, Vestfossen (G) 2011 On the Line. LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA (G) 2009 Meg Cranston. Aachener Kunstverein, Aachen (S) Das Gespinst - Die Sammlung Schürmann zu Gast im Museum Abteiberg. Städtisches Museum Abteiberg, Mönchengladbach (G) Conceptual artist Meg Cranston creates sculptures and installations with an air of whimsy that often belies the symbolism and deeper implications of the ideas she explores. Her works frequently seem lighthearted for The Complete Works of Jane Austen (1991), she filled a large weather balloon with all the air necessary to read Austen s entire oeuvre out loud while other pieces carry more serious references. Magical Death (2007), a display of piñatas fashioned to look like Cranston herself, fused a comical conceit with an implied portrayal of the artist as martyr to be bashed with sticks as the piñatas would be. Other installation pieces evoke similarly personal themes: for Keep Same Over (1989) she displayed all of her personal belongings in a gallery space, while for One of Each (1990) she exhibited 150 doll figures, catalogued in an inscrutable checklist.

25 Martin Dammann Martin Dammann Gelegen, 2017 Watercolor on hardboard 70 x 100 cm Martin Dammann Die Schatzsucher (Studie), 2017 Watercolor on paper 70 x 90 cm

26 Martin Dammann CV 1965 born in Friedrichshafen/Bodensee, Germany lives and works in Berlin, Germany Education Hochschule für Künste, Bremen with Prof. W. Schmitz and Prof. R. Thiele Hochschule der Künste, Berlin with Prof. K. H. Hödicke and Prof. K. Sieverding 1995 Meisterschüler with Prof. K. H. Hödicke Grants/Awards 2010 Else-Heiliger-Stipendium, Konrad-Adenauer-Stiftung, Germany 2002 Else-Heiliger-Stipendium, Konrad-Adenauer-Stiftung, Germany 1999 working grant of the Senate of Berlin, Germany 1997 DAAD - Jahrestipendium, London, UK 1995 NaFöG (Postgraduate Award of the City of Berlin), Germany Ghost Off The Self, curated by Thibault de Ruyter, Kunstraum Kreuzberg / Bethanien, Berlin, Germany (as part of transmediale 2012 in/compatible )(G) 2011 gegenüber, Galerie Barbara Thumm, Berlin, Germany (S) 10 Years Autocenter, Autocenter, Berlin, Germany (G) Rollenbilder - Rollenspiele, Museum der Moderne Mönchsberg, Salzburg, Austria (G) 2009 Martin Dammann Malerei - Zeichnung, Kunstverein Konstanz e.v., Konstanz, Germany (S) Fremde Freunde, Kunsthalle Recklinghausen, Recklinghausen, Germany (S) Exhibitions (selected) 2017 Kein schöner Land, Galerie Barbara Thumm, Berlin, Germany (S) 2015 Zum Resultat beruhigter Tumult, Kunsthalle Nürnberg, Germany (S) weiter weg, Galerie Barbara Thumm, Berlin, Germany (S) Fire and Forget. On Violence, curated by Ellen Blumenstein and Daniel Tyradellis, KW Institute for Contemporary Art, Berlin, Germany (G) The Beast and the Sovereign, MACBA - Museu d Art Contemporani de Barcelona, Spain (G) 2014/15 Mit dem Rücken zur Wand, Projekt , Kulturstiftung NRW, Märkisches Museum Witten, Germany (S) BER-DTM-HNL Fasten your seatbelts, curated by Thibaut de Ruyter and Dr. Inke Arns, HMKV, Dortmund, Germany (G) 2014 aus dem über heraus, Kunstsaele Berlin, Berlin, Germany (S) Nur hier, Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Ankäufe von 2007 bis 2011, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany (G) 2013/14 Donation Florence et Daniel Guerlain, Centre Pompidou, Paris, France (G) Goodbye Paradise - Landschaftsbilder gestern und heute, Kunsthalle Osnabrück, Germany (G) 2012 Liebe, Tod und Teufel, Sammlung J+C Mariet, Kunsthalle des von der Heydt-Museum, Wuppertal-Barmen, Germany (G) Martin Dammann is well known for his watercolors, drawings, photographies and video works. He lives and works in Berlin. The relationship of painting to photography is a fundamental theme in Martin Dammann s works. He draws on a vast collection of private photo albums. Memory images and their schematic visualization is a key theme within Dammann s oeuvre.

27 Sam Durant Sam Durant Knowledge is Power!, 2015 Electric sign with vinyl text 121,9 x 182,9 cm Edition of 3 + 2AP

28 Sam Durant CV 1961 born in Seattle, Washington lives and works in Los Angles, California Education MFA, California Institute of the Arts, Valencia, CA BFA, Massachusetts College of Art, Boston, MA Grants / Awards 2010 Else-Heiliger-Stipendium, Konrad-Adenauer-Stiftung, Germany 2002 Else-Heiliger-Stipendium, Konrad-Adenauer-Stiftung, Germany 1999 working grant of the Senate of Berlin, Germany 1997 DAAD - Jahrestipendium, London, UK 1995 NaFöG (Postgraduate Award of the City of Berlin), Germany Exhibitions (selected) 2017 Yokohoma Triennale 2017: Islands, Constellations & Galapagos, Yokohama, Japan (G) 2016 The Meeting House, curated by Pedro Alonzo and presented by The Trustees, The Old Manse, Concord, MA (S) What #isamuseum?, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (S) Dreaming Manta s, Fundación Alumnos47, Mexico City, Mexico (S) The Natural Order of Things, curated by Julieta González, José Esparza, and Ixel Rion, Museo Jumex, Mexico City, Mexico (G) Southern Accent: Seeking the American South in Contemporary Art, Nasher Museum of Art at Duke University, Durham, NC; travels to Speed Art Museum, Louisville, KY (G) 2015 Praz-Delavallade, Brussels, Belgium (S) Proposal for White and Indian Dead Monument Transpositions, Washington, D.C., Kemper Art Museum, St. Louis, MO (S) In the Lee of the In-Between, Kunstenfestival Watou, Watou, Belgium (G) 2014 Proposal for White and Indian Dead Monument Transpositions, Washington, D.C., Los Angeles County Museum of Art, Los Angeles, CA (S) Pigs and Gold, The Archer School for Girls, Los Angeles, CA (S) Selections from the Collection of Black Byrne, Patrick Painter, Santa Monica, CA (G) 2013 La stessa storia, Museo d Arte Contemporanea Roma, Rome, Italy (S) What #isamusuem, The Getty Center, Los Angeles, CA (S) 2013 Damage Control: Art and Destruction Since 1950, Hirshhorn Museum and Sculpture Garden, Washington D.C.; traveled to Mudam Luxembourg, Luxembourg, and Universalmuseum Joanneum / Kunsthaus Graz, Graz, Austria (G) The Hunter and the Factory, Fundación/Colección Jumex, Mexico City, Mexico (G) Turn off the Sun: Selections from la Colección Jumex, Arizona State University Art Museum, Tempe, AZ (G) Farbe Bekennen (Showing Its Colors), MARTa Herford Museum, Herford, Germany (G) 2012 documenta (13), Karlsaue Park, Kassel, Germany (G) The Living Years: Art after 1989, Walker Art Center, Minneapolis, MN (G) Da Cartografia do Poder aos Itineráros do Saber, National Museum of Brasilia, Rio de Janeiro, Brazil (G) Prospect 2012, Museum of Contemporary Art San Diego, San Diego, CA (G) 2010 Larger than Life, Stranger than Fiction: 11th Fellbach Triennial of Small Scale Sculpture, Fellbach, Germany (S) Collection Art Gallery of Western Australia, Perth, Western Australia Berkeley Art Museum, Berkeley, CA Fonds National d Art Contemporain, Paris, France Guggenheim Museum, New York, NY Hammer Museum, Los Angeles, CA Henry Art Gallery, Seattle, WA Institut d Art Contemporain Villeurbanne, Lyon, France Los Angeles County Museum of Art, Los Angeles, CA Museum of Contemporary Art, Chicago, IL Museum of Contemporary Art, Los Angeles, CA Museum of Contemporary Art, San Diego, CA Museum of Modern Art, New York, NY The Nasher Museum of Art at Duke University, Durham, NC Ottawa Art Gallery, Ottawa, Canada Project Row Houses, Houston, TX Rochester Memorial Art Gallery, Rochester, NY Stedelijk Museum voor Actuele Kunst, Ghent, Belgium Tate Modern, London, UK Vancouver Art Gallery, Vancouver, Canada Wadsworth Atheneum Museum of Art, Hartford, CT Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY

29 William Engelen William Engelen August g for violin and percussion, 2017 Pigment liner on paper 29,7 x 42 cm

30 William Engelen William Engelen for voice, 2017 Pigment liner on paper 29,7 x 42 cm

31 William Engelen CV 1964 born in Weert, The Netherlands Grants/Awards 2016 Schloß Balmoral, Bad Ems, Germany PAE, Le Fonds Belval, Luxembourg 2015 Mondriaan Stichting, Amsterdam, The Netherlands 2013 Hansa Wissenschaftskolleg, Delmenhorst, Germany 2012 Mondriaan Stichting, Amsterdam. The Netherlands 2010 AIT Tokyo, Fonds voor beeldende Kunsten Amsterdam, The Netherlands Gugak center for traditional Korean music, Seoul, South Korea Exhibitions (selected) 2016 Partitur Belval, PAE, Belval, Luxembourg Utopie Streichquartett, Akademie der Künste Berlin, Germany 2015 MDE15, Museo de Antioquia, Medellin, Colombia (S) Daily sounds all around, Weltkunstzimmer, Düsseldorf, Germany Extended composition, Kunstquartier Bethanien, Berlin, Germany Correspondents, Kunstraum Innsbruck, Innsbruck, Austria 2014 Unterwegs, Collection Hoffmann, Berlin, Germany Mobile after Calder, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany Netz. Vom Spinnen in der Kunst, Kunsthalle zu Kiel, Kiel, Germany Bienal de las Indas, Cartagena, Colombia Cosmic inflation, Flora ars et natura, Bogota, Colombia (S) 2013 Falten, The Drawing Center, New York, USA (S) Drawing a universe, Kai 10, Düsseldorf, Germany System und Sinnlichkeit, Kupferstichkabinett, Berlin, Germany 2012 Gaudeamus Muziekweek 2012, Utrecht, The Netherlands I wish this was a song, Nasjonalmuseet, Oslo, Norway Ultima, Oslo, Norway De ontplofte blik, Centraal Museum, Utrecht, The Netherlands A happy coincidence, Owens Gallery, Sackville, Canada(S) Jochen, Maerzmusik, Berlin, Germany (S) 2011 Faltenrock, Georg Kargl Box, Vienna, Austria (S) Music Box, Haus am Waldsee, Berlin, Germany (S) Lunchkonzert, ZDF Hauptstadtstudio, KNM Berlin, Germany (S) 2010 Yu-un, Yu-un house, Tokyo, Japan (S) Welt in der Hand, Kunst Haus Dresden, Dresden, Germany Instrumental works, first performance (P) 2016 Blast, 24:00 min. Electric guitar: Alex Carre, Claude Ewert, Angelo Mangini, Kevin Muhlen, (P) PAE, Belval, Luxembourg String quartet no. 3, 20:24 min. United Instruments of Lucillin, (P) PAE, Belval, Luxembourg 38 bpm, for 6 percussionist. 38:00 min. United Instruments of Lucillin, (P) PAE, Belval, Luxembourg Songs of wild birds and melodies of Alejandro Maura, for tuba and gramophone. variable length. Tuba: Ansis Nikolvskis,(P) PAE, Belval, Luxembourg 2015 Catch a falling star, 36:00 min. Nine percussionist of Son Bata and 20 street musicians, (P) MDE15, Museo de Antioquia, Medellin, Colombia 2014 Trio für einen Raum mit Mobiles, 28:00 min. Viola: Kirstin Maria Pientka, electric guitar: Seth Josel, percussion: Alexandre Babel, (P) Kunsthalle Wilhelmshaven, Germany 2013 Falten for percussion quarte t, 32:00 min. percussion: Talujon, (P) The Drawing Center, New York, USA Heimwerker, 10:00 min. oh-ton ensemble, (P) HWK Delmenhorst, Germany One beat a second, 10:00 min. oh-ton ensemble, (P) HWK, Delmehorst, Germany Verstrijken für Sonar Quartett, 44:48 min. Sonar Quartett, (P) Kai 10, Düsseldorf, Germany 2012 Falten for string quartet, 22:00 min. Sonar Quartett, (P) Gaudeamus Muziekweek, Utrecht, The Netherlands Jochen, 09:20 min. Double bass clarinet: Theo Nabicht, Maerzmusik, Berlin, Germany Verstrijken for family Bartenwerfer, 22:24 min. Viola, cello, clarinet, flute, percussion, (P) Haus am Waldsee, Berlin, Germany 2011 Faltenrock, 28:16 min. Accordeon: Christine Paté, electric guitar: Seth Josel, Berlin, Germany Verstrijken for Motion Ensemble, 33:36 min. (P) Voice: Helen Pridmore, violin: Nadia Francavilla, flute: Karen Aurell, percussion: D Arcy Philip Gray: bass clarinet: Richard Hornsby, double bass: Andrew R. Miller Can you tell me a joke about your profession?, 08:20 min. Motion Ensemble, Canada. Falten for Nadia Francavilla, 08:00 min. Violin: Nadia Francavilla, haegeum: William Engelen, (P) Fredericton, Canada Falten for Karin Aurell, 09:00 min. Flute: Karen Aurell, (P) Sackville, Canada 2010 Verstrijken for Ko Ishikawa, 22:24 min. Sho: Ko Ishikawa, (P) Yu-un house, Tokyo Japan Yu-un, 14:26 min. Shakuhachi: Christopher Yohmei Blasdel, (P) Yu-un house, Tokyo, Japan

32 Valérie Favre Valérie Favre Bubble #2, 2017 Plexiglas, polyester fabric Height approx. 290 cm, diameter 1 m

33 Valérie Favre Valérie Favre Der Maler (nach Chardin), 2015 Oil on canvas 170 x 130 cm

34 Valérie Favre CV 1959 born in Evilard, Switzerland lives and works in Berlin, Germany Exhibitions (selected) 2017 Valérie Favre. Une exposition monographique, Musée d art et d histoire Neuchâtel, Switzerland (S) La terre la plus contraire, Les artistes femmes du prix Marcel Duchamp, Fondation Fernet-Branca, Saint-Louis, Switzerland (G) Gutes Sterben Falscher Tod, Museum für Neue Kunst Freiburg, Germany (G) 2016 Valérie Favre, Von der Heydt-Kunsthalle, Wuppertal, Germany (S) Moving, Franz Gertsch Museum, Burgdorf, Switzerland (S) The Collector s Eye (Focus 1), Museum of Modern and Contemporary Art, Srasbourg, France (G) Sehgründe, Foundation and Collection G. & A. Gercken, Staatliche Kunstsammlungen Dresden, Germany(G) French Connection_Perspective on Support/Surface, curated by Heike Fuhlbrügge, Kunstsaele Berlin (G) 2015/16 La Première Nuit du Monde, Musee d art moderne et contemporain de Strasbourg, France (S) About Trees, Zentrum Paul Klee, Bern, Switzerland(G) 2015 Tier ohne Brille, Galerie Barbara Thumm, Berlin, Germany (S) 2014 le mur - la collection Antoine de Galbert, la maison rouge, Paris, France (G) 2013 Valérie Favre. Selbstmord. Suicide, curated by Marius Babias, n.b.k. Berlin, Germany (S) Moral - XIX. ROHKUNSTBAU, Schloss Roskow, Roskow, Germany (G) 2012/13 Liebe, Tod und Teufel, Sammlung J+C Mariet, Kunsthalle des Von der Heydt-Museum, Wuppertal-Barmen, Germany (G) Beyond Memory, Museum on the Seam, Jerusalem, Israel (G) Kalte Rinden - Seltene Erden. Die Landschaft in der Gegenwartskunst - 12 Positionen, Stadtgalerie Kiel, Kiel, Germany, travelling to Märkisches Museum Witten, Germany, Stadtmuseum Hattingen and Städtische Galerie Bietigheim-Bissingen, Germany (G) 2012 Marcel Duchamp Price, Chateau de Tours, Tours, France (G) Ghost Off The Self curated by Thibault de Ruyter, Haus der Kulturen der Welt, Berlin, Germany, im Rahmen der transmediale 2012 in/compatible 2011/12 (G) I am a Berliner curated by Marc Gisbourne, Gallery of Croatian Association of Artists, Zagreb, Croatia, travelling to Tel Aviv Museum of Art, Tel Aviv, Israel; Convento Carmelo, Sassari, Sardegna, Italy (G) 2012 My Paris, Collection Antoine de Galbert, me Collectors Room Berlin, Stiftung Olbricht, Berlin, Germany (G) 2011 The Art of Watching Birds, Galerie Barbara Thumm, Berlin, Germany (S) 2010 Let s dance, Musée d Art Contemporain du Val-de-Marne, Vitry-sur-Seine, France (G) Intensif Station Künstlerräume in K21, Ständehaus, K20K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (G) Referenz & Neigung. Kunst des 21. Jahrhunderts aus der Sammlung, Kunstmuseum Luzern, Luzern, Switzerland (G) Collections Artothek NBK, Berlin, Germany Caisse des Dépôts et Consignations, Paris, France Carré d Art Musée d art contemporain, Nîmes, France Centre National d art et de Culture Georges Pompidou, Paris, France Collections Les Uniques, faïences, Réunion des Musées Nationaux, France FDAC, Val de Marne, France Fond National Contemporain France Fonds Départemental du Val de Marne, France Fonds Municipal de le Ville de Paris, France Fonds Régional d Art Contemporain d Ile-de-France, France FNAC, Paris, France FRAC, Auvergne, France FRAC, Ile-de-France, France FRAC Poitou-Charentes, France Kunstmuseum Luzern, Switzerland Livre Bibliographique Ministère de la Culture, France MACVAL, Vitry-sur-Seine, France MAMAC, Nice, France Ministère de la Culture Fond national d art contemporain, France Musée de Picardie, Amiens, France Musée national d Art moderne, Centre Georges Pompidou, Paris, France SBS Schweiz, Switzerland Valérie Favres paintings open up fresh narratives and conceptual perspectives, moving between figuration and abstraction. Her works are dominated by a fictional world made up of contrasts, contradictions, resistance and restlessness. Valérie Favre paints scenes developed over the course of several years in large series and work cycles. She works in an openly experimental manner, using a repertory informed by art history. Her demands of the medium are extensive; she is always engaged in a radical interrogation both painting and artistic work processes.

35 Ute Fründt Ute Fründt Spirit, 2017 Oil on canvas 120 x 100 cm

36 Ute Fründt Ute Fründt Tannöd, 2017 Oil on canvas 110 x 95 cm

37 Ute Fründt CV 1959 born in Gifthorn, Germany lives and works in Berlin, Germany Education BfA Visual Arts, UdK Berlin MfA Visual Arts, UdK Berlin, Prof. Bernd Koberling Scholarships 2007 Arbeitsstipendium, Kunstfonds Bonn 1997 Arbeitsstipendium in London, DAAD 1996 NaFöG, Stipendium zur Förderung des künstlerischen Nachwuchses, Berlin 1996 Goldrausch Künstlerinnenprojekt, Berlin 1992 Arbeitsstipendium, Barcelona, in Zusammenarbeit mit dem Royal Collage of Art, London 1992 Förderung durch das Frauenprojekt der UdK Berlin Exhibitions (selected) 2017 Zwanzig, 20 Jahre Galerie Barbara Thumm, Berlin 2010 Herbert-Weisenburger-Stiftung, Rastatt 2005 Realism Reversed (G), Christian Dam Galleries, Kopenhagen Oslo 2001 Firemousegod cult and fame (G), Galerie Barbara Thumm, Berlin, kuratiert von Astrid Mania 1999 Guido Carbone, Turin (mit with Daniela Brahm) 1999 Galerie Barbara Thumm (G). Berlin 1997 Goldrausch VII (G), Kunstamt Kreuzberg, Berlin

38 Richard Hamilton Richard Hamilton Bathroom Fig. 2, undated Photography framed 62,5 x 57 x 2,5 cm Edition 12/20

39 Richard Hamilton CV Richard Hamilton was born on February 24, 1922, in London. When still a teenager, he attended evening art classes before he studied painting at the Royal Academy School from 1938 to 1940, earning his living with jobs in the advertising industry. From 1941 to 1945 Hamilton worked as an industrial designer. In 1946 Hamilton resumed his studies of painting at the Royal Academy School, but was expelled in July because he defied his teachers instructions. From 1948 to 1951 he continued to study at the Slade School of Art in London, where he mainly concentrated on etching. His study of James Joyce s novel Ulysses, which he first illustrated in 1948, formed Hamilton s understanding of images. In 1952 Richard Hamilton founded the Independet Group at the Institute of Contemporary Arts in London together with Eduardo Paolozzi, Lawrence Alloway and several other architects. This group turned out to be decisive for the development of English Pop Art. At that time he taught at the Central School of Arts and Crafts in London and at the Royal College of Art from 1957 to In 1956 he created his most famous work Just what is it that makes today s homes so different, so appealing?, which was initially intended as a poster for the now legendary exhibition This is tomorrow. This collage is said to be the beginning of English Pop Art. After a trip to New York in 1963, Richard Hamilton began to combine elements of photography and painting in his pictures. During the 1980s he intensively studied the opportunities provided by digital media and their effect on image perception and fine arts. In 1992 the Tate Gallery in London showed a retrospective. In 2003 Museum Ludwig in Cologne hosted a work show organized in co-operation with the artist himself, entitled Introspective. In 1993 Richard Hamilton represented Great Britan at the Venice Biennale.

40 Simon Cantemir Hausì Simon Cantemir Hausì Hunter, 2017 Oil on board 80 x 60 cm

41 Simon Cantemir Hausì Simon Cantemir Hausì Portret, 2014 / 2015 Oil on canvas 120 x 80 cm

42 Simon Cantemir Hausì CV 1976 born in Baia Mare, Maramures, Romania Lives and works in Cluj, Romania Education High School of Art, Baia Mare, Romania University of Art and Design, Cluj, Romania Exhibitions (selected) 2017 Art Encounters biennale 2017 curated by Ami Barak & Diana Marincu, Timisoara, Romania (G) 2014 Through the Collector s Eye, Works of the Generation 2000 from Cluj in Three Romanian Collections, The Office, Cluj, Romania (G) 2014/15 Galerie Barbara Thumm, Berlin, Germany (S) 2013/14 Scènes roumaines, Espace Culturel Louis Vuitton, Paris, France (G) Nightfall, Galerie Rudolfinum, Prague, Czech Republic (G) 2013 What Do You See?, Galerie Barbara Thumm, Berlin, Germany (S) 2012/13 Nightfall - New Tendencies of Figurative Painting, MODEM Centre for Modern and Contemporary Art, Debrecen, Hungary (G) 2012 European Travellers. Art from Cluj in the New Millenium, Mücsarnok / Kunsthalle, Budapest, Hungary (G) 2011 Waiting for the Perfect Days, Galerie Barbara Thumm, Berlin, Germany (S) MAN, MYTH AND THE MACHINE, curated by Jane Neal, Erika Deak Gallery, Budapest, Hungary (G) 2010 The Artist and his Suporters, Tajan, Paris, France (S) No new Thing under the Sun, Tenant Gallery and Royal Academy of Arts London, UK (G) 2009 Prague Biennale 4, Prague, Czech Republic (G) Cantemir Hausi s mystical works nearly always involve nature. However, his tender, visionary depictions of animals and the landscape of his childhood are never sentimental. Instead, an atmosphere of uncertainty and unease pervades his paintings. There is a sense that Hausi s subjects are being watched, perhaps surveyed; a feeling that continues to haunt the artist maybe a result of witnessing during communist rule.

43 Diango Hernández Diango Hernández Hombre casi dormido, 2017 Oil on canvas 200 x 150 cm

44 Diango Hernández CV 1970 born in Sancti Spiritus, Cuba lives and works in Duesseldorf, Germany Education 1994 Degree at Havana Superior Institute of Design, Havana, Cuba Awards/Grants 2014 Artist in residence, Salzamt, Linz, Austria 2013 Best special exhibition of the year AICA, Germany (International Association of Art Critics) lonelyfingers-konversationsstücke at Museum Abteiberg, Germany 2012 Premio Rotary Club, MIART, Milan, Italy Artist in residence, Fondazione Brodbeck, Catania, Italy 2010 Blood Mountain Foundation Residency, Budapest, Hungary 2009 Rubens-Young Art Award, Museum for Contemporary Art, Siegen, Germany 2008 Rubens-Förderpreis der Stadt Siegen, Germany 2007 Premio ICONA, Verona, Italy Artist in Residence, FRAC de la Loire, France 2005 Artist in Residence, Mönchengladbach, Germany 2001 ArtPace, Artist in Residence, San Antonio, Texas, USA 1998 Artist in Residence, Ludwig Forum für Internationale Kunst, Aachen, Germany 1997 Artist in Residence, Apocalypso, Banff Centre for the Arts, Alberta, Canada Exhibitions (selected) 2017 Sobre las olas (Über allen Wellen), curated by Meike Behm, Kunsthalle Lingen, Germany (S) Kunst X Kuba Zeitgenössische Positionen seit 1989, Ludwig Forum Aachen, Germany Aachen, Germany (G) TWO DESTINATIONS curated by Oriane Durand, Dortmunder Kunstverein, Germany (G) On the Horizon: Selections from the Jorge M. Pérez Cuban Art Collection, curated by Tobias Ostrander, Pérez Art Museum Miami (PAMM), USA (G) PRODUCTION. made in germany three, Kestnergesellschaft, Hannover, Germany (G) Luther und die Avantgarde, Altes Gefängnis, Wittenberg, Germany (G) 2017 Your Story! Geschichten von Flucht und Migration, Kunsthalle Emden, Germany (G) 2016/17 We Call It Ludwig, 40th anniversary of the Museum Ludwig, artistic director Yilmaz Dziewior, Museum Ludwig, Cologne, Germany (G) 2016 Marina, Galerie Barbara Thumm, Berlin, Germany (S) Theoretical Beach., curated by Stefanie Kreuzer, Museum Schloss Morsbroich, Leverkusen, Germany (S) Beach, a longing., curated by Susanne Meyer-Büser, Kunstsammlung Nordrhein Westfalen, K21, Düsseldorf, Germany (S) 2015/16 Time Islands and Space Islands, MOSTYN, Llandudno, Wales UK 2015 Eugene, Kunsthalle Münster, Germany (S) Trio Biennal, 1st Rio de Janeiro Biennial 2015, curated by Marcus de Lontra Costa, Rio de Janeiro, Brazil (G) The art of the Turks. Modernisation as Fiction, curated by Manuel Graf and Hans-Jürgen Hafner, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany (G) El péndulo de Foucault, curated by Alejandro Machado, 12 Bienal de la Habana, Havana, Cuba (G) 2014 In hazard, translated, curated by Simone Neuenschwander, Kunstverein Nürnberg, Germany (S) Socialist nature, curated by Gerhard Obermüller, Landesgalerie Linz, Austria (S) 2013 Triennale der Kleinplastik in Fellbach, curated by Yilmaz Dziewior, Fellbach, Germany 2012 Folded tiger, Philara, Sammlung zeitgenössischer Kunst, Duesseldorf, Germany (S) 2011 Diango Hernández, Living rooms, a survey, curated by Yilmaz Dziewior, MART, Rovereto, Italy (S) 2010/11 A kiss, a hat, a stamp, Blood Mountain Foundation, Budapest, Hungary (S) 2010 Touched, The 10th Liverpool Biennial, curated by Peter Gorschlüter, Tate Liverpool, UK (G) Goldene Zeiten, curated by Patrizia Dander and Julienne Lorz, Haus der Kunst, Munich, Germany (G) Languages and Experimentations, MART Rovereto, Italy 11th. Triennale der Kleinplastik Fellbach bei Stuttgart Collections Museum Abteiberg Moenchengladbach, Germany Kunstmuseum Liechtenstein, Vaduz, Liechtenstein Städtisches Museum Abteiberg, Moenchengladbach, Germany INHOTIM Centro de Arte Contemporânea, Belo Horizonte, Brasil Galleria d Arte Moderna Palazzo Forti, Verona, Italy MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy Museum für Gegenwartskunst, Siegen, Germany Rheingold Collection, Duesseldorf, Germany The Museum of Modern Art, New York, USA The Collection of Contemporary Art of the Federal Republic of Germany FRAC des Pays de la Loire, Carquefou, France Museo de Arte Contemporáneo de Castilla y Leon, (MUSAC), Spain Collectión Bergé, Madrid, Spain After studying Industrial Design in Havana in the early 1990s, Diango Hernández became one of the founders of Ordo Amoris Cabinet, a Cuban artists and designers collective. This group s particular focus was the provisional aesthetic of making do and getting by adopted by ordinary people during Cuba s years of acute economic crisis caused by the collapse of the Soviet Union. A decade later, Hernández left Cuba and moved to Europe. Since then, all of Hernández s work paintings, drawings, collages, installations and sculpture has constituted an investigation into the realities hidden beyond realities of revolutionary Cuba and its failed Utopia.

45 Teresa Hubbard / Alexander Birchler Teresa Hubbard / Alexander Birchler Stills from Eight (#8), Archival Digital C-Prints framed 60,5 x 72 cm Edition 15/ AP Teresa Hubbard / Alexander Birchler Stills from Eight (#7), Archival Digital C-Prints framed 60,5 x 72 cm Edition 15/ AP

46 Teresa Hubbard / Alexander Birchler CV Teresa Hubbard, 1965 Born in Dublin, Ireland (Swiss / American) M.F.A., Nova Scotia College of Art and Design, Halifax 1987 Skowhegan School of Painting and Sculpture, Skowhegan, Maine, USA 1988 Yale University School of Art, MFA Sculpture Program, New Haven, Connecticut, USA B.F.A., University of Texas at Austin, USA Professor, Department of Art & Art History, University of Texas at Austin, USA Core Faculty, Milton Avery Graduate School of the Arts, Bard College, New York, USA Alexander Birchler, 1962 born in Baden, Switzerland (Swiss) M.F.A., Nova Scotia College of Art and Design, Halifax, Canada 1985 University of Art and Design, Helsinki, Finland Schule für Gestaltung, Basel, Switzerland Lecturer, University of Zürich, Switzerland Core Faculty, Milton Avery Graduate School of the Arts, Bard College, New York, USA 2012/13 Hubbard and Birchler - Eight, Museum Brandhorst, Munich, Germany (S) Open Spaces / Secret Places: Werke aus der Sammlung Verbund, Museum der Moderne, Salzburg, Austria (G) 2012 Single Wide, New Media Exhibition Series, Saint Louis Art Museum, Missouri, USA(S) Eröffnung des Städel Erweiterungsbaus mit dem Sammlungbereich Gegenwartskunst, Städel-Museum, Frankfurt am Main, Germany (G) 2011 The Cinema Effect: Illusion, Reality, and the Moving Image, (Touring Exhibiton by the Hirshhorn Museum), Barcelona, Spain (G) 13th Videonale, Kunstmuseum Bonn, Germany (G) 2010/11 Manifesta 8, Murcia, Spain (G) 2010 Projections, Bonniers Konsthalle, Stockholm, Sweden (G) Grand Paris Texas, Museo Nacional Centro de Arte, Reina Sofia Museum, Madrid, Spain (G) Berger + Berger, A Prefabricated Movie Theater, Works from the Thyssen-Bornemisza Collection, Venice Biennial, 12th International Architecture Exhibition, Venice, Italy (G) Unsichtbare Schatten/Invisible Shadows, Museum Marta Herford, Herford, Germany (G) Selected Solo Exhibitions 2017 Woman of venice. Representing Switzerland in the Swiss Pavilion at 57th Venice Biennial (S) 2016/17 Telling Tales: Contemporary Narrative Photography, McNay Art Museum, San Antonio, TX, USA (G) 2016 Missing Truffaut - Public Sculpture at the Betty and Edward Marcus Sculpture Park at Laguna Gloria, Contemporary Austin in collaboration with Waller Creek Conservancy, Austin, TX, USA (S) No Place like Home. Works from the Goetz Collection, Haus der Kunst, Munich, Germnay (G) 2015/16 Single Wide - Opening of the new Margaret M. Walter Wing, Columbus Museum of Art, Ohio, USA (S) 12 Months / 12 Films - Explorations in Space, Museum Folkwang, Essen, Germany (G) 2015 Sound Speed Marker, Blaffer Art Museum, Houston, USA (S) Sound Speed Marker, Irish Museum of Modern Art, Dublin, Ireland, UK (S) 2014 Sound Speed Marker, Ballroom Marfa, Marfa Texas, USA (S) Trilogy, Ballroom Marfa, Marfa Texas, USA (S) 2013/14 forever young. Über den Mythos der Jugend, Kunsthalle Nürnberg, Nürnberg, Germany (G) 2013 Eight-Eighteen, Linda Pace Foundation, San Antonio, Texas, USA (S) Kino der Kunst, Pinakothek der Moderne/Schaustelle, Munich, Germany (G) Cut! - Video Art From the Collection, Aargauer Kunsthaus, Aarau, Switzerland (G)

47 Gary Hume Gary Hume Big Baby, 2005 Gloss paint on aluminium 208,3 x 116,8 cm

48 Gary Hume Gary Hume Keeping Mum, 2015 Gloss paint on aluminium 135 x 98 cm

49 Gary Hume CV 1962 born in Kent, England lives and works in London, England Education / Award 1988 Graduated, Goldsmith s College, London, England 1996 Recipient, Turner Prize nomination 1997 Recipient, Jerwood Prize Selected Exhibitions 2016 Front of a Snowman, Aspen Art Museum (S) At Home, Yorkshire Sculpture Park, West Bretton, United Kingdom (G) Terrain: Land into Art, Hestercombe Gallery, Somerset, UK (G) Seeing Around Corners, Turner Contemporary, Margate, UK (G) 2014 Lions and Unicorns, White Cube Gallery, São Paulo (S) 2013 Liberty Grip, White Cube, London (S) In Cloud Country, Harewood, Leeds, England (G) Hatfield House, Hertfordshire, England (G) 2012 Gary Hume: Flashback, Leeds Art Gallery; Wolverhampton Art Gallery; Jerwood (G) The Indifferent Owl, White Cube, London, England (S) A House of Leaves, Second Movement, DRAF, London, England (G) Freedom not Genius: Works from Damien Hirstʼs Murderme Collection, Pinacoteca Giovanni e Marella, Torino, Italy (G) RA Now, Royal Academy of Arts, London, England (G) AKA PEACE, ICA, London, England (G) Encounter: The Royal Academy Exhibition in Asia/Middle East, Lasalle College of Art, Singapore (G) Cool Britannia, Gallery Hyundai, Korea (G) 2011 Structure and Absence, White Cube, London, England (G) Snap, Aldeburgh Festival, Suffolk, England (G) 2010 New Work, New Art Centre, Salisbury, England (S) Gary Hume is known for figurative and abstract paintings on aluminum panels, which often feature startling color combinations made with paints purchased premixed from a hardware store. Hume's first one-person exhibition at Matthew Marks Gallery, in 1992, his first in the United States, included five of his signature Door paintings. His next exhibition at the gallery marked a decisive shift towards figuration and included such iconic works as Begging For It and The Polar Bear. Hume (born 1962) attended Goldsmith's College in London. He represented Britain at the Venice Biennale in 1999 and the Bienal de São Paulo in 1996, the same year he was nominated for the Turner Prize. His work was the subject of a one-person exhibition at Whitechapel Art Gallery, London, in 1999, and in 2001 he was elected to the Royal Academy. Monographic shows of Hume's work were organized at the Kestnergesellschaft, Hannover, and the Kunsthaus Bregenz, Austria, in 2004, and Modern Art Oxford mounted a survey show of his Door paintings in Most recently in 2013, Tate Britain presented a focused survey spanning Hume s career that explores the breadth and vitality of his work. Hume has been represented by Matthew Marks Gallery since Hume currently lives and works in London and Accord, New York.

50 Alex Katz Alex Katz Vivien, 2011 Oil on linen 167,6 x 121,9 cm

51 Alex Katz CV 1927 born in Brooklyn, New York lives and works in New York Education Studies at The Cooper Union, New York Studies at Skowhegan School of Painting and Sculpture, Skowhegan, Maine. Selected Exhibitions 2017 Brand-New & Terrific: Alex Katz in the 1950 s at the Cleveland Museum of Art (S) 2016 Alex Katz: Quick Light at the Serpentine Gallery, London (S) Alex Katz: Small Paintings at the Center for Maine Contemporary Art, Rockland, Maine (S) 2015 Alex Katz: This is Now, at the High Museum of Art, Atlanta and at the Guggenheim, Bilboa (S) Brand-New & Terrific: Alex Katz in the 1950 s at Colby College Museum of Art, Waterville, Maine (S) Alex Katz at the Met, at the Metropolitan Museum of Art, New York (S) 2014 ARTIST ROOMS Alex Katz at the Tate Modern, London (S) Alex Katz: Cartoons, Drawings, Paintings at the Albertina, Vienna (S) The Sea, Mu.ZEE, Ostende (G) 2013 Alex Katz: Landscapes at the Museum Haus Konstruktiv, Zurich (S) Alex Katz: New York/ Maine Museum der Moderne, Salzburg (S) Alex Katz / Felix Valloton Musée Cantonal des Beaux-Arts, Lausanne (S) 2012 Alex Katz: Give Me Tomorrow at the Tate St. Ives and at the Turner Contemporary, Margate (S) Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York(G) We The People, Robert Rauschenberg Foundation, New York (G) Foundation for Art and Preservation in Embassies Lee Kimche McGrath Original Print Collection Sperone Westwater, New York (G) 2011 Alex Katz at the Museum Ostwall, Dortmund, Germany (S) Alex Katz: Naked Beauty at the Kestnergesellschaft Hanover (S) 2010 Alex Katz Portraits at The National Portrait Gallery, London (S) Alex Katz Prints at the Albertina, Vienna (S) Alex Katz: New Works at the Farnsworth Museum, Rockland (S) Alex Katz: Prints, Paintings, Cutouts at the Kunsthalle Würth, Schwäbisch Hall, Germany (S) Luc Tuymans: A Vision of Central Europe in Bruge, Belgium (S) Alex Katz at the Philadelphia Museum of Art, Philadelphia, PA (S)

52 Anna K.E. Anna K.E. Untitled, 2010 Mixed media on paper 45,5 x 60,5 cm Anna K.E. Untitled, 2011 Mixed media on paper framed 48,2 x 64,5 x 3 cm

53 Anna K.E. Unfinished Smile (4), 2015 Injekt print framed 46,3 x 35,8 cm Edition of 5 Unfinished Smile (5), 2015 Injekt print framed 46,3 x 35,8 cm Edition of 5 Unfinished Smile (2), 2015 Injekt print framed 35,8 x 46,3 cm Edition of 5

54 Anna K.E. CV 1986 born in Tbilisi, Georgia lives and works in New York, USA Education 2002 Staatliche Akademie der Bildenden Künste Stuttgart, class of Prof. Alexander Roob 2004 Kunstakademie Duesseldorf, class of Prof. Hubert Kiecol since 05 class of Prof. Georg Herold and class of Prof. Christopher Williams 2010 Received Diploma and Meisterschülerin from Prof. Georg Herold and Prof. Christopher Williams Awards/Grants 2012 Herbert Zapp prize for young art, Mannheim, Germany 2011 Kunststiftung NRW, Germany Kunstpreis Junger Westen, Kunsthalle Recklinghausen, Germany 2010 DAAD Scholarship NRW travel scholarship 2009 ISCP artist residency, New York, USA 2008 Audi Art Award 2008 for progressive performance, GALLERY HASEN project (in collaboration with Florian Meisenberg), Duesseldorf, Germany Junge Kunst Förderpreis, Saar Ferngas AG, Saarbruecken, Germany 2007 Rotary Club Scholarship, Duesseldorf, Germany Selected Exhibitions 2017 Queens Museum, wall installation, New York, USA (S) 2016/17 Stosunki pracy / Labor Relations. From the International Contemporary Art Collection of Wroclaw Contemporary Museum, MWW Muzeum Wspólczesne Wroclaw, Wroclaw, Poland (G) 2016 Leaving the Rock Stage, curated by Niki Russell, PRIMARY, Nottingham, UK (S) Late Checkout (Electric Forest), in collaboration with Florian Meisenberg), Signal, New York, USA (S) Salon Kennedy, (in collaboration with Florian Meisenberg) Frankfurt, Germany (S) G2 #5 Sammlung Hildebrand, G2 Kunsthalle, Leipzig, Germany (G) Ways of Looking / Sichtweisen, E-Werk Freiburg, Freiburg, Germany (S) 2015 Teen Factory Berlin New York, Galerie Barbara Thumm, Berlin, Germany (S) 2014 Teen Paranormal Romance, curated by Hamza Walker, touring exhibition, Renaissance Society, Chicago, USA, Atlanta Contemporary Art Center, Atlanta, USA, Museum of Contemporary Art Santa Barbara, USA (G) ÜBER DAS MORGEN HINAUS, Quadriennale Düsseldorf, KAI 10, Duesseldorf, Germany 2013 Two Whores In The Same Dress, Galerie Barbara Thumm, Berlin, Germany (S) Queens International 2013, Queens Museum of Art, New York, USA Vom Zaudern: Motive des Aufschubs, Übergangs und Abschweifens, Württembergischer Kunstverein, Stuttgart, Germany (G) 1.pers.sing.-the artist s body in votemporary art, curated by Johannes Sperling, b-05 Montabaur, Germany (G) 2012 Dr. Herbert Zapp - Preis für Junge Kunst, Mannheimer Kunstverein (S) Qui Vive?, The III Moscow International Biennale for Young Art, Moscow, Russia (G) 2011 Without Jewel, Kunstverein Leverkusen, Germany (S) 2010 Profound Approach and Easy Outcome, off-space, Duesseldorf, Germany (S) Collections Vanhaerents Art Collection, Brussels, Germany Philara Collection, Duesseldorf, Germany Collection Lauffs-Wegner, Krefeld, Germany Collection Johannes Becker, Cologne, Germany Staatskanzlei NRW, Germany

55 Anne-Mie van Kerckhoven Anne-Mie van Kerckhoven The beauty of class and gender, 2007 Acrylic and mixed media on perspex 100 x 120 x 0,5 cm

56 Anne-Mie van Kerckhoven CV 1951 born in Antwerp, Belgium Education 1981 Graphic Design, Koninklijke Akademie voor Schone Kunsten, Antwerp, Belgium Grants/Awards 2006 Berlin Artists-in-Residence programme, DAAD, Berlin, Germany 2002 Studio Programme at Cité des Arts. Paris, France 1997 Part-time artist in residence in the Sony Computer Science Laboratory, Paris, France Participant in the Donna Project (Virtual Forum for Women), CSC Ploenzke AG Broadcast & Communication, Bonn, Germany Participant in Formule2, collaboration project artists-scientists, Universiteit van Amsterdam/ne Metropolis, The Netherlands 1990 Laureaat Provinciale Prijs Schilderkunst, Antwerp, Belgium 1981 Laureaat Perspektieven 81, Jeune Painture, Brussels, Belgium Artist in residence in the Laboratorium voor Artificiee Intelligentie, VUB, Brussels, Belgium Selected Exhibitions 2018 What Would I Do in Orbit?, M HKA, Antwerpen, Belgium (S) 2017/18 Proof of Life / Lebenszeichen, Weserburg Museum of Modern Art, Bremen, Germany (G) 2017 What Would I Do in Orbit?, Kunstverein Hannover, Hannover, Germany (S) Rechts / Averechts, Designmuseum Ghent, Belgium (G) Copy Construct curated by Kasper Andreasen, Cultuurcentrum Mechelen, Belgium (G) 2016/17 What Would I Do in Orbit?, Museum Abteiberg Mönchengladbach, Germany (S) 2016 Voor Alle Seizoenen (For All Seasons), 67 vlaggen voor Brabo zijn Grote Markt / 67 flags for Brabo s Town Square, Permanent installation in Middelheimmuseum, Antwerpen, Belgium (S) Biennale de Rennes, Rennes, France (G) The Eighties A Decade of Extremes, Museum van Hedendaagse Kunst Antwerp, Belgium (G) 2015 Love Shack, curated by Robert Snowden (Yale Union), castillo/corrales, Paris, France (S) Serving Compressed Energy with Vacuum, curated by Chris Fitzpatrick, Kunstverein München, Germany (S) Flower Power, Grote Markt, Antwerp, Belgium (S) 2014 Dialoog, together with Andrea Pichl, curated by Liliabe Dewachter M HKA (Museum van Hedendaagse Kunst Antwerpen), Antwerp, Belgium (S) 2013/14 Ruhe-Störung Streifzüge durch die Welten der Collage, MARTa Herford, Herford, Germany (G) 2013 The Second Sex - a visual footnote, La Galerie, Centre d art contemporain de Noisy-le-Sec, curated by Tobi Maier, Paris, France 2013 White Petals Surrond Your Yellow Heart, Institute of Contemporary Art, Philadelphia, USA (G) Disturbing the Piece - An exhibition through the world of collages, Martha Herford, Herford, Germany (G) 2012 LOVE AND INSIGHT IN TRENDY PLACES, Galerie Barbara Thumm, Berlin, Germany (S) De meesteres van de horizont, Mu.ZEE, Ostend, Belgium (S) Der Unbewachte Augenblick... Kontrolliertere Unkontrolliertheit beim Zeichnen, ikob, Museum für Zeitgenössische Kunst, Eupen, Belgium (G) 2011 In a Saturnian World, The Renaissance Society, Chicago, USA (S) Inzichten en Vergezichten, Museum Plantin-Moretus, Antwerp, Begium (S) Past Desire // Vergangenes Begehren, Galerie im Taxispalais, Innsbruck, Austria (G) Contour. 5th Biennal of Moving Image, Mechelen, Belgium (G) Jo Baer - Anne-Mie vankerckhoven, The Artist s Institute, New York, USA (G) Ten Oostem van 4 24, Muhka, Antwerpen, Belgium (G) 2010/11 The more I draw. Drawing as a concept for the world, Kunstmuseum für Gegenwartskunst, Siegen, Germany (G) 2010 ANIMISM, Museum van Hedendaages Kunst Antwerpen (MuHKA), Belgium travelling to Kunsthalle Bern, Generali Foundation Wien, Austria, und im Haus der Kulturen Berlin, Germany (G) Hareng Saur: Ensor and Contemporary Art, S.M.A.K., Ghent, Belgium (G) Parallellepipeda, M MUseum, Leuven, Belgium (G) Public Collections De Vleeshal, Middelburg, Netherlands FRAC Pays de la Loire, Carquefou, France Kunsthalle Bern, Switzerland Royal Museums of Fine Arts of Belgium, Brussels, Belgium MUHKA Museum van Hedendaagse Kunst, Antwerp, Belgium Mu.ZEE Kunstmuseum aan Zee, Oostend, Belgium S.M.AK. Stedelijk Museum voor Actuele Kunst, Ghent, Belgium University of Chicago, USA Working across historical boundaries and artistic disciplines, Anne-Mie van Kerckhoven explores different ways of describing the world, which she locates between the antitheses of eros and ratio. In terms of content, this is linked on the one hand to concepts of the sexualized female body, and on the other to a technoid algorithmic logic; formally, this tension manifests itself in both computer-generated and hand-drawn images. In van Kerckhoven s work, the interior is a place she has loaded with references, above all to philosophical constructs whose representatives get together and hold discursive seances.

57 Elke Silvia Krystufek Elke Silvia Krystufek David Bowie-London Boy, 2004 Acrylic on canvas 200 x 100 cm

58 Elke Silvia Krystufek Elke Silvia Krystufek Butterfly, 2016 Indian ink on canvas 30 x 26 cm

59 Elke Silvia Krystufek Elke Silvia Krystufek Each World, 2016 Indian ink on canvas 30 x 26 cm

60 CV 1970 Born in Viena, Austria lives and works in Vienna and Berlin Education Akademie der bildenden Künste Wien Grants/Awards 2003 Preis der Stadt Wien für Bildende Kunst Sven Daalsgaard Price Selected Exhibitions 2015 Mode, Combinat, Wien 2014 HARMONIE 19, Galerie Meyer Kainer, Wien HARMONIE 98, Büro Weltausstellung und One Gallery, Wien : HARMONIE 32, Galerie Nicola von Senger, Zürich 2013 HARMONIE 26, Salon Jirout, Berlin HARMONIE 20, Büro Weltausstellung und Kunst am Schauplatz, Wien HARMONIE 360, Hausmuseum Dr. Otmar Rychlik, Gainfarn 2012 HARMONIE 5, Galerie Nicola Von Senger, Zürich HARMONIE 8, Le Confort Moderne, Poitiers 2011 Locals and Immigrants, Susanne Vielmetter Los Angeles Projects HARMONIE 2, Vegas Gallery, London HARMONIE 3, The Box Gallery, Los Angeles 2010 Heb, Autocenter, Berlin. Galerie Susanne Vielmetter, Los Angeles. Galerie Akinci, Amsterdam. Galerie Barbara Thumm, Berlin. Group Exhibitions (selected) 2014 die andere sicht, ESSL MUSEUM, Klosterneuburg. Die Chic Boutique, Design_Raum_Kunst, Wohnen&Interieur Messe, Vienna. Die andere Seite, Orangerie Belvedere, Vienna Pseudo Ano, k48 Offensive für zeitgenössische Wahrnehmung, Vienna. Sammlung #3, 21er Haus, Vienna. Das schwache Geschlecht Neue Mannsbilder in der Kunst, Kunstmuseum, Bern. SEHNSUCHT ICH, Kunst der Gegenwart ESSL MUSEUM, Klosterneuburg. The Chic Boutique KUNST MIT FUNKTION, SWDZ, Vienna. Painting Forever!, KW Institute for Contemporary Art, Berlin. LANDPARTIE, Boltensternraum Galerie Meyer Kainer, Baden. MORAL, Internationales Kunstfestival XIX. Rohkunstbau Schloss Roskow, Berlin. Good Girls, Muzeul National De Arta Contemporana, Bukarest. The Chic Boutique Chic.Ago, ADDS DONNA, Chicago. Fotos österreichische Fotografien von den 1930ern bis heute, 21er Haus, Vienna. Das schwache Geschlecht Neue Mannsbilder in der Kunst, Kunstmuseum Bern. Der nackte Mann, Ludwig Museum, Budapest Der nackte Mann, Lentos Museum, Linz. Nackte Männer von 1800 bis heute, Leopold Museum, Vienna. Elke Silvia Krystufek Self-Portrait, Louisiana Museum of Modern Art, Louisiana, Denmark. Post Tenebrax Lux eine übersichtsausstellung, Galerie Nicola von Senger, Zurich. Science&Fiction A Laboratory of Drawing,Katz Contemporary, Zurich. Ghosts Off The Shelf, Kunstraum kreuzberg/bethanien, Berlin. Aufstellung der Sammlung zeitgenössischer Kunst, 21erHaus, Vienna. Desire, Bergen Kunstmuseum, Norwegen. Hestory Inventory: 100 feministische Zeichnungen von 100 KünstlerInnen, Kunsthaus Bregenz. Rohkunstbau XIX MORAL, Heinrich-Böll-Stiftung Brandenburg, Potsdam. Artists Merchandising Art, Wonderloch Kellerland, Berlin und Los Angeles Agitated Histories, Contemporary Museum, Baltimore. Elgiz 10 istanbul, Elgiz Museum of Contemporary Art, Istanbul. Melancholie und Provokation. Das Egon Schiele-Projekt, Leopoldmuseum, Vienna. Der Strich, Erika Mustermann collection, pavillon vor der Volksbühne, Rosa-Luxemburg Platz, Berlin. no poetry on the highway, SALTS, Basel. Melting Point, Galerie Akinci, Amsterdam. Normalzeit mit 12 Positionen rund um die Würfeluhr, Kunstprojekt lichterloh, Vienna. Wiener Innen Aussen, Wonderloch Kellerland, Berlin. EDITION/NON EDITION, Galerie Meyer Kainer, Vienna. VON ENGELN UND BENGELN, Kunsthalle Krems. Capitain Pamphile, Deichtorhallen Hamburg, Sammlung Falkenberg, Hamburg-Harburg. Röntgen 10, Temporary Dependence of KATZ CONTEMPORARY / Nicola von Senger/ Rotwand, Zurich. Hysteria, Laughter And A Sense Of Seriousness, Galerie Gregor Staiger, Zurich. THAT S ME. Fotografische Selbst-Bilder, MARTa Herford Fröhliche Gesellschaft, Parotta Contemporary Art, Stuttgart. Mentalität Zeichnung.Zeichnung in österreich , RLB Kunstbrücke Innsbruck. Lange nicht gesehen, Haus der Kunst, Brünn. Collection of Prints and Drawings-Photographs, statens museum for kunst, Kopenhagen. FRACTIONAL SYSTEMS: GARAGE PROJECT II, MAK Center, Los Angeles. Hareng Saur - Ensor and Contemporary Art, S.M.A.K., Gent. EAT ART, Vom Essen in der Kunst, Kunstmuseum Stuttgart. LA BELLE DAME SANS MERCI, Vegas Gallery, London. Körper Codes, Menschenbilder aus der Sammlung, Museum der Moderne, Salzburg. Ich ist ein anderer Die Kunst der Selbstdarstellung, Landesmuseum Niederösterreich, St.Pölten

61 Johnny Miller Johnny Miller Untitled (Spain1_ stick) 2006 Colour pencil on paper 18 x 29,5 cm framed Johnny Miller Untitled (Spain2_ parking) 2006 Colour pencil on paper 18 x 29,5 cm framed

62 Johnny Miller CV 1962 born in New Castle; UK lives and works in Tokyo, Japan Education 1991 Master of Printmaking, Royal College of Art, London, UK Worked as a cook from 15 in a big french kitchen. Run in the style of escoffier. Burnt out. Worked as a cook in St Nicholas Lunatic Asylum. Too frightening and weired cooking practices. Went to london. Cooked everywhere. Went to the Royal College of Art, London. Went to Japan. Opened a tapas bar, and started to learn the noble craft of flamenco dancing. Exhibitions 2016 Floating Between Worlds, Shin Gallery, New York, USA 2015 Johnny Miller, Galerie Barbara Thumm, Berlin, Germany 2014 Summerstage, Galerie Barbara Thumm, Berlin, Germany 2013 Summerhall Festival, curated by Paul Robertson, Edinburgh, UK 2011 Palets, Galerie Barbara Thumm, Berlin, Germany 2010/11 The more I draw. Drawing as a concept for the world, Museum für Gegenwartskunst, Siegen, Germany 2009 Shadows, Galerie Barbara Thumm, Berlin, Germany 2008 Mutti ist Böse, Galerie Barbara Thumm, Berlin, Germany 2007 DC, Düsseldorf, Germany Cabinet, Galerie Barbara Thumm, Berlin, Germany Galerie Thomas Rehbein, Cologne, Germany 2006 I Walk the Lines, Galerie Barbara Thumm, Berlin, Germany Osaka Film Festival, Osaka, Japan Johnny Miller bids us to enter an uncertain world that exists beyond the comforting illusion of intellectual meaning. Drawing on vivid childhood memories, historical and contemporary figurative imagery, he searches out hidden aspects of the human condition. Creating a poetic patchwork of disparate symbols, Johnny Miller invites us to draw on our lived experience to explore the puzzling islands of identity that we inhabit. A common theme is the culturally imposed and/or fragile nature of masculinity.through his art Johnny Miller shares a very personal artistic journey with us that feels timeless and, though he asks the viewer to step beyond the everyday, he always guides us with a generous and humorous spirit.

63 Mariele Neudecker Mariele Neudecker Still Life with Mirror Ball and Cloth [Single Object, AIBDC , CR, 102, Shelf 5 of 7, 1.3kg], 2015 From the series: Plastic Vanitas Giclée print on archive paper framed 46,6 x 58,8 x 3 cm Edition of AP Mariele Neudecker Stillleben mit Hockeyausrüstung [AIBDC 642, CR, 136, Shelf 8 of 8, 1.1kg], 2015 From the series: Plastic Vanitas Giclée print on archive paper framed 60,5 x 84 x 3,5 cm Edition of AP

64 Mariele Neudecker CV 1965 born in Duesseldorf, Germany lives and works in Bristol, UK Education Tower Hamlets College, London, UK (Digital Image Creation Manipu lation, (P/T) Chelsea College of Art and Design, London, UK (MA Sculpture) Goldsmiths College, London, UK (BA Hons Degree) Crawford College of Art and Design, Cork, Irland (Foundation, 1st year Diploma) 1985 Apprenticeship in architectural model making, Pfeiffer & Voss, Duesseldorf, Germany University Wuppertal, Germany (Art History, Philosophy and Sciences of Literature) Awards/Residencies 2012/13 Lead-artist, HOUSE, Brighton Festival (ACE funded), UK Sculpture for Norwich, public art commission, Norwich, UK 2012 ACE award for Unknown Landscapes project, funding Greenland research expedition and Deep Sea editing support 2010 Ludwig Gies-Preis für Kleinplastik der LETTER Stiftung (on the occasion of 11. Triennale Kleinplastik, Fellbach) Headlands Centre for the Arts, San Francisco, USA Selector-UKYA01 Derby, (with Akram Kahn)- for Biennale of Young Artists from Europe and the Mediterranean, (Morocco 2011) Exhibitions (selected) 2018 Mariele Neudecker, Limerick City Gallery of Art, Limerick, Ireland - led by Una McCarthy, director/curator. Limerick, Ireland (S) 2017 HULL, City of Culture 2017, lead artist: Mariele Neudecker. Venues: Ferens Art Gallery and Hull Maritime Museum - Subject of OCEANS. Hull, UK (S) Natural Philosophy, curated by Paul Nicholson, Muhlenberg College, Martin Art Gallery, Baker Center for the Arts, Pennsylvania, USA (S) 2016 Plastic Vanitas An exhibition of work by Mariele Neudecker, curated by Professor Susan Lambert, Lighthouse Poole s Centre For The Arts, Poole,UK Plastic Vanitas - Fotografien von Mariele Neudecker, HTW, Berlin, Germany (S) 2016 SOME THINGS HAPPEN ALL AT ONCE, Zeppelin Museum, Friedrichshafen, Germany / with Prof Alex Rogers, Oxford (S) Figure of 8, Poole Lighthouse, Poole, UK (S) PLASTICS VANITAS touring exhibition: AUB Gallery, Arts University Bournemouth, GB, UK Corsham Court, Bath Spa University, Bath, UK The Nunnery Gallery, Bow Arts, London, UK (S) 2015 MODEL, Galerie Rudolfinum, Prague, Czech Republic (G) 2014 For Now We See, curated by Alice Sharp, installation on Research Ship RV DANA, Invisible Dust, Copenhagen Science Forum, UK There Is Always Something More Important, Galerie Barbara Thumm, Berlin, Germany (S) THE ANTARCTIC PAVILION: ANTARCTOPIA, Venice Architecture Biennale, Antarctic Pavilion, Fondaco Marcello, Italy (G) 2013/14 Goodbye Paradise Landschaftsbilder Gestern und Heute, Kunsthalle Osnabrück, Germany (G) 2013 In the Collection: Mariele Neudecker - Hinterland, curated by Pontus Kyande MODEL r, Kunstmuseum Trondheim, Norway (S) ARTIC, Louisiana Museum of Modern Art, Humlebæk, Denmark (G) Goodbye Paradise - Landschaftsbilder Gestern und Heute, Kunsthalle Osnabrück, Germany (G) 2012/13 Im Schein des Unendlichen. Romantik und Gegenwart, curated by Dr. Martina Padberg, ALTANA Kulturstiftung im Sinclair-Haus, Bad Homburg, Germany (G) Kalte Rinden - Seltene Erden, curated by Maik Wolf, Stadtgalerie Kiel, Märkisches Museum Witten, Städtische Galerie Bietigheim- Bissingen, Stadtmuseum Hattingen, Germany (G) 2012 Fragilitaet des Schoenen Scheins Auf der Suche nach dem Vermeindlichen Paradies - The Fragility of Appearances Looking for the Alleged Paradise, curated by Gudrun Wallenböck, Hinterland, Vienna, Austria (G) 2011 MACHT, XVII. Rohkunstbau, Schloss Marquardt, Potsdam, Germany (G) Screaming From The Mountain. Landscapes and Viewpoints, curated by Pontus Kyander, Sörlandets Kunstmuseum, Norway (G) 2010 The Fourth Plinth, Maquette exhibition, St. Martins in the Field, London, UK (G) Larger than Life - Stranger than Fiction, 11. Triennale Kleinplastik 2010 in Fellbach, Stuttgart, Gemany (G) Realismus - Das Abenteuer der Wirklichkeit, Kunsthalle Emden and Kunsthalle der Hypo-Kulturstiftung München, Germany (G) 2009/10 Pittoresk - Neue Perspektiven auf das Landschatsbild, MARTa Herford, Herford, Germany (G) A landscape is far more than just a view. It is charged with history, with politics and ideas that cut deep into our consciousness. Mariele Neudecker s work keeps returning to the landscape tradition in art, but through this she deals with questions around technology and science, collective experience and time. Neudecker is interested in our perception of the world and how we hold on, re-create and memorize our experiences. Through the use of a broad range of media including sculpture, installation, film and photography, she examines what defines the line between nature and landscape, and reflects on how any definition of the contemporary sublime is continuously changing.

65 Julian Opie Julian Opie _OMP3161 (?), 2014 Inlaid and overlaid acrylic panel 100 x 72,2 x 3,5 cm

66 Julian Opie CV 1958 born in London, UK Lives and works in London, UK Education Attended Chelsea School of Art, London, England Attended Goldsmith s College of Art, London, England Exhibitions (selected) 2017 National Portrait Gallery, London, UK (forthcoming) (S) Suwon Ipark Museum of Art, Suwon, Korea (S) Fosun Foundation, Shanghai, China (S) (X) A Fantasy, David Roberts Art Foundation, London, UK (G) Undressed: A Brief History of Underwear, Victoria and Albert Museum, London, UK (G) 2016 First Light: A Decade of Collecting at the ICA, ICA Boston, Boston, MA, USA (G) No Place Like Home: Selections From the Sue and John Wieland Collection of Contemporary Art, Brigham Young University Museum of Art, Provo, Utah, USA (G) The Surface as Carrier of Meaning in 21st Century Sculpture, Lehmbruck Museum, Duisburg, Germany (G) 2015 FACES: between figures, portraits and masks, Neues Museum, Nuremberg, Germany (G) Making It: Sculpture in Britain , Longside Gallery, Yorkshire Sculpture Park, Yorkshire, UK: Mead Art Gallery, Warwick Arts Centre, University of Warwick, Warwick, UK; City Art Centre, Edinburgh, UK (G) Artists for Ikon, Ikon Gallery, Birmingham, UK (G) 2014 Ikon Icon 2000s, Ikon Gallery, Birmingham, UK (S) Keywords, Tate Liverpool, Liverpool, UK (G) 2013 Winter, and Other Seasons: Landscapes by Julian Opie, British Council, London UK (S) Mortality: Death and the Imagination, Holden Gallery, Manchester Metropolitan University, Manchester, UK (S) Looking at the View, Tate Britain, London, UK (G) 2012/13 Pop Art Accrochage, Fluegel-Roncak Gallery, Nürnberg, Germany (G) Looking at the View, Tate Britain, London (England) 2012 The Gallery Collection, Bob van Orsouw, Zürich, Switzerland Der Blick, das Wort, die Geste ( The look, the word, the gesture - works from the Kunstmuseum Liechtenstein Collection), RLB Kunstbrücke Innsbruck, Austria Schau mir in die Aug..., Kunstmuseum Liechtenstein Spotlights Video Art, Essl Museum, Vienna, Austria 2011 The Art of Deceleration: Motion and Rest in Art from Casper David Friedrich to Ai Weiwei, Kunstmuseum Wolfsburg, Germany (G) 2010 Bilder über Bilder, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria (G) Realism: The Adventure of Reality, Kunsthalle der Hypo- Kulturstiftung, Munich, Germany; Kunsthalle in Emden, Emden, Germany (G) Paradise Lost, Istanbul Modern, Istanbul, Turkey(G) From Here to There: Contemporary Work from the Arts Council Collection, Herbert Art Gallery and Museum, Coventry, UK (G) What Is Beautiful, Deutches Hygiene-Museum Dresden, Dresden, Germany (G) Fast Forward: British Contemporary Art in Brazil, Brazilian British Centre Galleries, Pinheiros, Brazil (G)

67 Anna Oppermann Anna Oppermann Objects of Contemplation on the Theme of Admiration Reason: Goethe, 1981 / 1984 Photo emulsion on canvas, hand-coloured 150 x 125 cm

68 Anna Oppermann CV 1940 born in Eutin, Germany, lived in Hamburg and Celle, Germany Education Studied graphics and painting at the Academy of visual Arts Hamburg and philosophy at the University of Hamburg, Germany Assistant teacher at the Academy of Visual Arts Hamburg, Germany Professor for communication and design at the University of Wuppertal, Germany Professor at the Academy of Fine Arts Berlin, Germany 1993 Anna Oppermann died in Celle, Germany Grants and Awards 1968/69 DAAD-Stipendium, residency in Paris, France (grant) 1977 Edwin-Scharff-Preis of the City of Hamburg, Germany (award) Villa-Romana-Preis, residency in Florence, Italy (award and grant) Förderpreis des Kulturkreises im BDI, Germany (award) 1980 Förderpreis Glockengasse, Germany (award) 1981 Stipendium Cité International des Arts, residency in Paris, France (grant) 1982 Kunstpreis Berlin - Förderungspreis Bildende Kunst, Germany (award) 1985 Preis der Heitland-Foundation, Germany (award) 1987 Barkenhoff-Stipendium, residency in Worpswede, Germany (grant) 1989 Niedersächsisches Künstlerstipendium, Germany (grant) Selected Exhibitions 2010 Anna Oppermann Künstler sein, Galerie Barbara Thumm, Berlin, Germany (S) Squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle, Berlin, Germany (G) 2011 gehen blühen fließen - Naturverhältnisse in der Kunst, Stadtgalerie Kiel, Germany (G) 2012 SuperBodies, 3rd Triennale voor Beeldende Kunst, Mode&Design, Hasselt, Belgium (G) The Institut of Savage Archives, Centre National d Art Contemporain, Villa Arson, Nice, France (G) The Imminence of Poetics, 30th Sao Paulo Biennial, Sao Paulo, Brazil (G) 2013 Anna Oppermann / Andrea Pinheiro / Marianne Wex, House Gallery, Vancouver, Canada (G) Das Fruehwerk, Galerie Barbara Thumm, Berlin, Germany (S) Vom Zaudern: Motive des Aufschubs, Übergangs und Abschweifens, Württembergischer Kunstverein Stuttgart, Germany (G) Monday Begins on Saturday, curated by Ekaterina Degot and David Riff, 1st Bergen Assembly, Bergen, Norway (G) Ruhe-Störung Streifzüge durch die Welten der Collage, MARTa Herford, Herford, Germany (G) Künstlerräume Anna Oppermann, Stiftung Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Düsseldorf, Germany (S) 2014 Playtime Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, Germany (G) INPUT/OUTPUT, Worpsweder Kunsthalle, Worpswede, Germany (G) 2015 Le Souffleur. Schürmann trifft Ludwig, from the Gaby and Wilhelm Schürmann collection, Sammlung Ludwig Forum, Aachen, Germany (G) 2016 The Unfaithful Replica, curated by Nuria Enguita and Nacho París, Centro de Arte Dos de Mayo (CA2M), Madrid, Spain (G) Paradoxe Intentionen, Galerie Barbara Thumm, Berlin, Germany (S) 2017 Hanna Darboven - Gepackte Zeit, Deichtorhallen Hamburg / Sammlung Falckenberg, Hamburg (G) The Everywhere Studio, Institute of Contemporary Art Miami, USA (G) Neverending Paradox. Philosophical Ensembles of the late 1980s curated by Ute Vorkoeper and Martin Germann, S.M.A.K. Gent, Belgium (s) In the sixties, Anna Oppermann developed her radial open and dialogical language. Her intricate assemblages of drawings, photographs and objects grew into large scale overboarding spacial installations for which the artist coined the phrase Ensemble. The gallery represents the Anna Oppermann estate since 2010.

69 Antonio Paucar Antonio Paucar Guardián del maizal, 2013 Photography framed 45,7 x 33,7 x 4 cm Edition of 5 + 1AP

70 Antonio Paucar CV 1973 born in Huancayo, Peru lives and works in Berlin and Peru Education 2005 Master in Fine Arts, adviser: Prof. Rebecca Horn, Universität der Künste, Berlin, Germany 2004 Chelsea College of Art and Design in London, UK, Erasmus (European student exchange programme) Fine arts in class of Prof. Rebecca Horn, Prof. Lothar Baumgarten, Universität der Künste Berlin, Germany Bachelor in Fine Arts, Kunsthochschule Berlin-Weissensee, Germany Philosophy Studies, Humboldt University Berlin, Germany Awards/Grants 2014 Villa Aurora, Los Angeles, USA 2013 LARA Latin American Roaming Art, Ollantaytambo, Peru Stiftung Kunstfonds Bonn, Germany 2011 Zeitsicht-Kunstpreis 2011, Germany DAAD 2006 NaFöG -Stipendium (Förderung des künstlerischen Nachwuchses an den künstlerischen Hochschulen Berlin), Berlin, Germany Selected Exhibitions 2017 Your Story! Geschichten von Flucht und Migration, Kunsthalle Emden, Germany (G) 2016/17 Stosunki pracy / Labor Relations, From the international contemporary art collection of Wrocław Contemporary Museum MWW Muzeum Wspólczesne Wroclaw, Wroclaw, Poland (G) 2016 Sala Luis Miró Quesada Garland, Miraflores, Peru (S) MALI - Museo de Arte de Lima, MALI in situ, Lima, Peru (S) In/Tangible, curated by Cecilia Fajardo-Hill, Galerie Barbara Thumm, Berlin, Germany (G) 2015/16 Historias Locales / Prácticas Globales, curated by Nydia Gutiérrez, Tony Evanko, Fernando Escobar, Sharon Lerner and Edi Muka, MDE15 Encuentro Internacional de Arte de Medellín 2015, Medellín, Colombia (G) 2015 Recent Video from Latin America, curated by Glenn Phillips and Elena Shtromberg, The Getty Research Institute, Los Angeles, USA (G) LARA (Latin American Roaming Artist), curated by Tatiana Cuevas and José Roca, Museo de Arte Carrillo Gil, Mexico City, Mexico (G) LARA project, White Cube Gallery of the Metropolitan Museum of Manila, Philippines (G) Mythologies, curated by Claudia Segura Campins and Özge Ersoy, Mardin Biennial, Mardin, Turkey (G) 2014 Antonio Paucar, Galerie Barbara Thumm, Berlin, Germany (S) CUERPO PRESENTE. FOTOGRAFÍA, VIDEO, PERFORMANCE., Bienal de Fotografía de Lima Espacio Fundación Telefónica, Lima, Peru (G) LATIN AMERICAN ROAMING ART, curated by Miguél Lopez and José Roca, Museo Arte Contemporaneo, MAC, Lima, Peru (G) Movement Matters, Kunstverein Göttingen, Germany (G) Wall Works, Hamburger Bahnhof, Museum für Gegenwartskunst, Berlin, Germany (G) Ruta Mística, Museo de Arte Contemporáneo de Monterrey, Mexico (G) 2012 Das Blut im Wein zeichnet, Moontower Fondation, Bad König-Zell, Germany (S) MARIBOR PROJECT / Rebecca Horn & Guests, UGM Maribor Art Gallery in cooperation with Maribor 2012 European Capital of Culture and Institute for Foreign Cultural Relations (ifa), Slovenia (G) 2011 Staatsgalerie Moderne Kunst und Zentrum für Gegenwartskunst im Glaspalast, Augsburg, Germany (S) Proyección de Video Arte Peruano, Museo de Arte Contemporáneo MAC- Lima, Peru (G) 2010 Spiegel im Spiegel, Kunstverein Oberer Neckar, Germany (G) The core of Paucar s work lies in his performances in which he creates a dense body of readings which are beyond language. Highly concentrated and subtle movements through natural, urban and public spaces demarcate intense imaginary world, loaded with symbolic and cultural readings. The meaning in his work can be found in the poignant staging of cultural difference.

71 Chloe Piene Chloe Piene BRUDER, 2016 Paper & Tape Drawing framed 83,5 x 70,8 x 4,1 cm

72 Chloe Piene Chloe Piene CHIN STRAP, 2017 Paper & Tape Drawing framed 83,5 x 70,8 x 4,1 cm

73 Chloe Piene CV 1972 born in the USA lives and works in New York, USA and Berlin, Germany Education 1993 Columbia University, New York, USA, BA 1997 Goldsmiths College, London, UK, MFA Selected Exhibitions 2017 SURGERY, Galerie Barbara Thumm, Berlin (S) Gutes Sterben Falscher Tod, Museum für Neue Kunst Freiburg, Germany (G) 2016/17 The Collector s Eye. Nine Personal Collections, Museum of Modern and Contemporary Art, Strasbourg, France (G) 2016 Todestanz, Museum Villa Stuck, Museum für Moderne Kunst, Munich, Germany (G) 2015 The Bottom Line, Smak, Ghent, Belgium (G) The Marked Self, curated by Roman Grabner, Neue Galerie Graz, Austria Körpersprache, Galerie Curtze und Seiser, Salzburg, Austria (G) Drawing Now, curated by Elsy Lahner, Albertina, Vienna, Austria (G) 2014/15 QUEENSIZE Female Artists from the Olbricht Collection, me Collections Room Berlin / Stiftung Olbricht, Berlin, Germany (G) 2014 Astralis, L Espace culturel Louis Vuitton, Paris, France (G) 2013 Liebe, Tod und Teufel, Kunsthalle des Von der Heydt-Museum, Wuppertal-Barmen, Germany (G) Someone Else Dunedin Art Gallery, New Zealand, touring exhibition: Villa Romana, Florence, Italy; Oberösterreichisches Landesmuseum, Linz, Austria (G) 2012 Eiserne Frau, Galerie Barbara Thumm, Berlin, Germany (S) MDD - Museum Dhondt-Dhaenens, Belgium (S Les Maitres du Desordre, Musée des Arts Premiers, quai Branly, Paris, France (G) Highpoint Editions: Decade One, Curated by Tom Rassieur Minneapolis Institute of Arts, Minneapolis, USA (G) 2011 Compass, MOMA, Martin Gropius Bau, Berlin, Germany (G) 2010/11 Je mehr ich zeichne. Zeichnung als Weltentwurf, Museum für Gegenwartskunst, Siegen, Germany (G) 2010 Compass in Hand, Drawing in Contemporary Art Now, Museum of Modern Art, New York, USA(G) Zeitgenossische Zeichnungen, Museum Folkwang, Essen, Germany (G) Chloe Piene has been heralded nationally and internationally for her unique and powerful draftsmanship a medium she considers to be the blood of everything. Her work has included diverse associations as prisoners, love letters, ironworkers, Jewish mysticism, disaster, ruin, violence and Alchemy. The energy of her line, both powerful and delicate, explodes the notion of what a single mark, and material can do. For Piene drawing sits deeply at the root and origin of architecture, engineering, fashion, design, planning, thinking, mapping and sculpting. All of Piene s media, including her sculpture and video, reflect a depth of inquiry into the human condition which is often fearless, and to that point, directly questions notions of fear, courage and fortitude. Piene has lately staged performances and public speeches which tie together these concerns in ways which unravel the human form, and future, as it wavers between something idolized and real.

74 Michael Raedecker Michael Raedecker Flag, 2017 Acrylic, transfer & thread on canvas 100 x 78 cm

75 Michael Raedecker CV 1963 born in the Amsterdam, Netherlands lives and works in London, UK Education MA Fine Art, Goldsmiths College, London, United Kingdom Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands BA Fashion Design, Gerrit Rietveld Academie, Amsterdam, Netherlands Collections Astrup Fearnley Museet for Moderne Kunst, Oslo British Art Council, London Guggenheim Museum, New York Gemeentemuseum Den Haag, The Hague MAXXI National Museum of XXI Century Arts, Rome The Saatchi Gallery, London Tate Britain, London Museum Voorlinden, Wassenaar Walker Art Gallery, Liverpool Awards 1994 Nomination Prix de Rome John Moores Award Solo Exhibitions (selected) 2016 camouflage GRIMM, Amsterdam 2015 Le fil rouge, Espace Louis Vuitton, Munich, Germany. Travels to: Espace Louis Vuitton, Paris, France and Espace Louis Vuitton, Tokyo (G) 2014 The Hidden Picture, Cobra Museum of Modern Art, Amstelveen, Netherlands,(G) Michael Raedecker, Galerie Max Hetzler, Berlin record, Galerie Max Hetzler, Berlin, Germany 2014/2013 Michael Raedecker, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany and Sprengel Museum, Hannover, Germany (S) tour, Andrea Rosen Gallery, New York, NY 2012 volume, Hauser & Wirth, London, United Kingdom 2010 line-up, Carré d Art, Nîmes Michael Raedecker, GEM, Museum of Contemporary Art, The Hague Michael Raedecker, Galerie Max Hetzler, Berlin Group Exhibitions (selected) 2017 Nature Morte, Guildhall Art Galley, London 2015 Le fil rouge, Espace Louis Vuitton, Munich, Germany & Espace Louis Vuitton, Paris, France & Espace Louis Vuitton, Tokyo 2014 The Hidden Picture, Cobra Museum of Modern Art, Amstelveen, Netherlands Halftone: Through the Grid, Galerie Max Hetzler, Berlin, Germany 2013 Cobra to Dumas. Collection De Heus-Zomer, Singer Museum, Laren, Netherlands Still Life from 17th and 21st Century Buitenplaats Beeckestijn, Velsen-Zuid, Netherlands Wonder, Museum Kranenburgh, Bergen Rijksakademie in Collectie, Mondriaantoren, Amsterdam 2012 Pencil and Paper, Poppy Sebire, London, England Through an Open Window: Contemporary Art from the RaboArt Collection, Institut Néerlandais, Paris, France, 2011 Façade: Through a Glass Darkly, National Glass Centre, Sunderland, England 2010 Art. Curated by Michael Craig-Martin, Haas & Fuchs Gallery, Berlin, Germany Changing Times New Worlds, Gemeentemuseum Den Haag, The Hague, Netherlands

76 Naufus Ramírez-Figueroa Naufus Ramírez-Figueroa Illustration Toward a Guide to Birding in the Spirit World #2, 2016 Technical pen and watercolour on A3 paper, watercolour on A4 paper (dyptich) Diptych, 29,6 x 21,2 cm / 42 x 30 cm

77 Naufus Ramírez-Figueroa CV 1978 born in Guatemala City, Guatemala. works and lives in Guatemala City, Guatemala. Education 2008 The School of the Art Institute of Chicago, Chicago, US Master of Fine Arts Trustee Merit Scholarship 2006 Emily Carr University, Vancouver, Canada Bachelor of Media Arts Awards/Grants 2015 DAAD Berlin Premio ARCO Comunidad de Madrid para Jóvenes Artistas Cisneros, Fontanals Art Foundation (CIFO) 2013 Jan Van Eyck Academie 2012 ACC Weimar Illy Future Prize award John Simon Guggenheim Fellowship 2011 Akademie Schloss Solitude selected by Dan Graham 2010 British Columbia Arts Council 2006 Performance Art Fund, the Franklin Furnace & the City of New York 2002 VADA Award, The Contemporary Art Gallery City of Vancouver 2014 A Chronicle of Interventions, curated by Shoair Mavlin and Inti Guerrro,Tate Modern, London (G) Ras Le Bol, curated by Éve Dorais, Montreal; XIX Paiz Bienal, curated bycecilia Fajardo-Hill, Guatemala City; Guatemala Group Exhibition, curated by Elena Lydia Scipioni, Friche Belle de Mai, Marseille (G) 2011 Bitch On A Bent Palm Tree, Hirsch Gang, Akademie Schloss Solitude Stuttgart, Germany (S) Leer y Beber el Arco Iris, Casa America, Madrid (S) 2010 La Reina Ha Muerto, El Alce La Mató, Proyectos Ultra Violeta, Guatemala city, Guatemala (S) Naufus Ramírez Figueroa & Beatriz Santiago, Invited by Des Pacio, San José, Costa Rica / La Otra Bienal, Bogotá, Colombia (S) Selected Exhibitions 2017 Two Flamingos Copulating on a Tin Roof, Haus Lange & Haus Esters Museum, Germany, Krefeld (S) Shit-Baby and the Crumpled Giraffe, Kunsthalle Lissabon, Portugal, Lisbon (S) La Biennale di Venezia - Venice Biennale 2017, La Biennale di Venezia, Italy, Venice (G) The Conundrum of Imagination, Leopold Museum, Austria, Vienna (G) A Universal History of Infamy, Los Angeles County Museum of Art, USA, Park La Brea (G) In/Tangible, Galerie Barbara Thumm, Berlin, Germany (G) Biennial of Visual Arts of the Central American Isthmus (BAVIC) (G) 2015 God s Reptilian Finger, Gasworks, London (S) Con la lengua negra de tanto lamer la noche Bogotá, Colombia (S) A Decolonial Atlas: Videos from the Americas, , curated by Pilar Tompkins Rivas, Something Else, Off Biennial, Cairo, EG (G) Rendez-Vous, Jeune Création Internationale, Lyon Biennal, IAC VIlleurbanne (G) 2014 Props for Eréndira 10th Gwangju Biennal, Gwangju, Korea (S) History of Interventions, curated by Shoair Mavlian and Inti Guerrero,Tate Modern, UK (G) Zipacna, The Creator of Mountains, with Federico Herrero, Sultana, Paris, France; 10th Gwangju Biennale, curated by Jessica Morgan and cocurated by Emiliano Valdes and Fatos Ustek, Gwangju, Korea (G)

78 Jason Rhoades / Jorge Pardo Jason Rhoades / Jorge Pardo Ranch, 1996 mini bike, helmet, two wooden wheels, pink two part pajamas with long sleeves and pants, round stereo and surround-sound audio tapes Dimension variable Edition 5/10

79 Ann-Sofi Sidén Ann-Sofi Sidén Eva x 2, 2001 Diptych C-Print, diasec 150 x 78 cm each Edition 1/3 + 2 AP

80 Ann-Sofi Sidén CV 1962 born in Stockholm lives and works in Stockholm Education Hochschule der Künste (Meisterschülerin 1990), Berlin, Germany Royal University College of Fine Arts, Stockholm, Sweden Awards/Grants 2012 Dagens Nyheter s Culture Prize, Stockholm, Sweden 2009 The Friends of Moderna Museet Sculpture Award - The K.A. Lind Honorary Award 2003 Atelier Augarten, Vienna, Austria 2002 ArtPace International Artist-in-Residence Program, San Antonio, Texas, US DAAD, Berlin, Germany 1998 First Prize in Statens Kunstrad Public Sculpture Contest, Stockholm 1993/1994 PS.1 International Studioprogram, New York, USA 1989 Skohegan School of Painting and Sculpture, Maine, USA pers.sing.-the artist s body in contemporary art, curated by Johannes Sperling, b-05, Montabaur, Germany (G) Bienal Internacional de Curitiba, curated by Teixeira Coelho & Ticio Escobar Curitiba, Brasil (G) 2012/13 Open End, Haus der Kunst (in of cooperation Sammlung Goetz), München, Germany (G) 2012 Curtain Callers, Galerie Barbara Thumm, Berlin, Germany (S) 2011 CURATIN CALLERS, DRAMATEN, The Royal Theatre, Stockholm, Sweden (S) CURTAIN CALLERS (Entracte), MAP, MAP, Västra Stallet, Stockholm, Sweden (S) A View From Outside - Reloaded - The Wigmakers, Freud Museum, Wien, Austria (S) 42nd International Film Festival Rotterdam, Rotterdam, The Netherlands (G) 2010 My Country (Somewhere in Sweden), Galerie Barbara Thumm, Schaulager, Berlin, Germany (S) The Moderna exhibition, Moderna Museet, Stockholm, Sweden (G) Selected Exhibitions 2016/17 Sound in Motion. Internationale Video- und Performancekunst. - Theater, Theater: Ein Panorama in Bild und Ton with Jonathan Bepler, Kunstmuseum Stuttgart, Stuttgart, Germany (G) 2016 Watched!, curated by Loise Wholters, Hasselblad Foundation in collaboration with Valand Academy, traveling exhibition: Kunsthal (G) Aarhus, Aarhus, Denmark / Image Gallery and C/O Berlin., Germany / Hasselblad Foundation, Gothenburg, Sweden (G) 2015 Framing Bodies, curated by Dragana Vujanovic and Louise Wolthers, Hasselblad Foundation, Gothenburg, Sweden (G) Travestie für Fortgeschrittene, curated by Julia Schäfer and Franciska Zólyom, GfZK Galerie für Zeitgenössische Kunst Leipzig, Germany (G) Fiona Banner Ann-Sofi Sidén, Galerie Barbara Thumm, Berlin, Germany (G) 2014 You Imagine What You Desire presenting Curtain Callers in collaboration with Jonathan Bepler, 19th Sydney Biennale, Sydney, Australia (G) Ann-Sofi Sidén is a key figure in a generation of artists who developed an anti-formal approach in the 1980s using performance, sculpture, photo and film as essential components of their work. In portrayals of the human condition she explores dimensions of hierarchal structures, often through site specific investigations, from which she brings to the surface hidden conflicts, abnormality, vulnerability and ultimately the individual s loss of control. In her work with moving images, she tears down the only story with a myriad of voices, situations, moments and narratives. She persistently negotiates space to suggest an alternative cinematic experience of the world.

81 Mike Silva Mike Silva Michael, 2017 Oil on linen 80 x 60 cm

82 Mike Silva Mike Silva Jason (Summer), 2017 Oil on linen 76 x 61 cm

83 Mike Silva CV 1970 born in Sweden lives and works in London, UK Education Hastings College of Art Middlesex University (B.A. Fine Art) Royal College of Art, London (M.A. Fine Art) Selected Exhibitions 2014 John Moores Painting Prize Walker Art Gallery, Liverpool Guarda dove vai / Look where to go - Galleria Enrico Astuni - Bologna, Bologna 2013 Unknown Sitter - The Lion and Lamb Gallery, London 2012 The Perfect Nude - Charlie Smith London, London 2010 Super Natural - Charlie Dutton Gallery, London

84 Bridget Smith Bridget Smith Blueprint for a Curtain (Domestic interior), 2015 Cyanotype print framed 138 x 107 x 5 cm Edition 1 of AP

85 Bridget Smith CV 1966 Born in Essex, England lives and works in London, UK Education Central School of Art and Design, London Goldsmiths College, London Goldsmiths College, London AWARDS AND COMMISSIONS 2018 Public art commission for the Beecroft Building, Department of Physics, University of Oxford 2016 Projection I, art commission for MediaWorks, White City Place, London 2015 /2016 Artist in Residence, The Swedenborg Society 2015 Relativity, Commission for Thirteen Ways and The Space in partnership with Forward Arts Foundation and the BBC 2009 Rose Award for Photography, Royal Academy of Arts, London 2006 Artist in Residence, Two Rooms, Auckland, New Zealand 2003/2006 Commission for De La Warr Pavilion, Bexhill-on-Sea Tate Tokyo Residency 1999 Commission for Vertigo: The Future of the City, Glasgow Commission for BMW Financial Services Commission for Manchester Museum 1991 GLA (LAB) Women s Photography Award London (G) 2015 If You Want To Talk About Light You Have To Talk About Waves, Focal Point Gallery, Southend-on-Sea (S) 2011 Government Art Collection: Selected by Cornelia Parker: Richard of York Gave Battle In Vain, Whitechapel Gallery, London (G) 2010 Nobody Else Even Knows, Peer Gallery, London (S) Fourteen Interventions, Swedenborg Society, London Peeping Tom, Vegas Gallery, London (G) PUBLIC COLLECTIONS Arts Council of England Collecíon Siglo XXI, Madrid Contemporary Art Society, London Victoria & Albert Museum, London BMW Metropolitan Savings Bank, Ohio Simmons & Simmons Government Art Collection Royal Bank of Scotland Scottish National Gallery of Modern Art, Edinburgh Jumex Collection, Mexico City Denver Art Museum Cranford Collection, London Neue Galerie am Landesmuseum Joanneum, Graz Selected Exhibitions 2017 SightUnseen, Dyson Gallery, Royal College of Art, London (G) 20th Anniversary Exhibition: Simon Martin, Augustas Serapinas, Bridget Smith, Stanley Picker Gallery, Kingston (G) 2016 Now It Is Permitted: 24 Wayside Pulpits (curator), Swedenborg House,

86 Heidi Specker Heidi Specker Speckergruppen (14), 1995/96 Inkjetprint on aluminium 135 x 90 cm Edition of 3

87 Heidi Specker CV 1962 born in Damme, Niedersachsen (DE) Lives and works in Berlin (DE) Education 1991 Grant of DFJW, German-French Youth Assocciation 1993 Working Grant of Niedersachsen 1996 Working Grand, (Berlinstipendium) 1999 Working Grand, Kunstfond, Bonn 2002 Working Grand, (Berlinstipendium) AWARDS AND COMMISSIONS 1996 European Photography Award, Deutsche Leasing AG, Bad Homburg Award of the Senat of Berlin for Fotography, Berlin 1997/98 Award of BDI, Ars Viva, (Media Art Prize) Dlf 1874: Die Biografie Der Bilder Eine Iventur Der Voraussetzungen - Halle 14, Leipzig (G) State of the Art Photography - NRW-Forum Kultur und Wirtschaft, Dusseldorf(G) 2011 Photography Calling! - The Sound of Downloading Makes Me Want to Upload - Sprengel Museum Hannover, Hannover (G) Things are Queer - Highlights der Sammlung UniCredit - MARTa Herford, Herford (G) Leipzig. Fotografie seit heute - Museum der bildenden Künste Leipzig, Leipzig (G) Selected Exhibitions 2017 Heidi Specker: Saat Seed - Mies van der Rohe Haus, Berlin (S) Artist s Books for Everything / Künstlerbücher für Alles - Weserburg Museum für moderne Kunst, Bremen (G) Die fotografierte Ferne - Fotografen auf Reisen ( ) - Berlinische Galerie, Berlin (G) Ich bin nicht meine Zielgruppe - Kunsthaus Dresden, Dresden (G) The Brutalism Appreciation Society - HMKV - Hartware MedienKunstVerein, Dortmund (G) 2016 Heidi Specker In Front Of - Fotografien 2005/ Berlinische Galerie, Berlin(S) Sammlung Opitz-Hoffmann - Stadtmuseum & Kunstsammlung Jena, Jena (G) 2015 Heidi Specker. Re-Prise - Kunstareal München, Munich(S) trinkets for the rich - Nationalmuseum Berlin, Berlin (G) 2014 dis order Muster und Strukturen in der Sammlung - Museum Folkwang, Essen (G) Die Stadt Als Baustelle - Skulpturenmuseum Glaskasten Marl, Marl (G) 2013 Heidi Specker - Termini - Brancolini Grimaldi - London, London (S) Nutzflächen - OWL3 - MARTa Herford, Herford (G) Im Fokus! Zeitgenössische Fotografie und Videokunst aus der Sammlung - Kunsthalle Bremen, Bremen (G) The Legend of the Shelves - Autocenter, Berlin (G) 2012 Heidi Specker. Termini - Leopold Hoesch Museum, Düren (S) Heidi Specker s photographs are dedicated to architecture and its constituents. In an almost encyclopedic or archive-like manner she has been taken pictures of modernist buildings, mainly throughout Berlin, assembling them to overviews of stereotype facades and structures, which are yet of an astonishing beauty. In her series Teilchentheorie Heidi Specker has focused on architectural details that can be observed on modular buildings throughout every major city. The photographs of these architectural components can be arranged freely allowing ever new combininations.

88 Neal Tait Neal Tait Untitled, 2016 Gouche, acrylic and tempera on canvas 61 x 51 x 2 cm

89 Neal Tait Neal Tait Untitled, 2017 Oil on canvas 70 x 55 x 2 cm

90 Neal Tait CV 1965 born in Edinburgh, Scotland Lives and works in London, UK Education 1993 MA, Royal College of Art, London, England 1991 BA, Chelsea School of Art, London, England AWARDS AND COMMISSIONS 2001 Residency British School at Rome 1993 Henderson & Parkinson Travel Award Selected Exhibitions 2016 Passage, ACME., Los Angeles (G) 2013 Neal Tait, Peles Empire, London (S) Neal Tait, Galleria Marabini, Bologna (S) 2013 Speak, Clown!, (Performance) FOLD Gallery, London (G) Mudlark, FOLD Gallery, London (G) 2012 The Battle for Middle You, Simon Oldfield, London (S) About Face, ACME., Los Angeles (G) th Biennale de Lyon, Lyon, France (G) Works of Pape r, ACME., Los Angeles (G) Among Flesh, Alison Jacques, London (G) Der Menschen Klee, Kunst Im Tunnel, Dusseldorf (G) Watercolour, Tate Britain, London (G) Works of Paper, ACME., Los Angeles, CA(G) Antje Majewski: The World of Gimel. How to Make Objects Talk, Kunsthaus Graz, Austria (G) A Terrible Beauty is Born, 11th Biennial of Lyon, Lyon (G) 2010 The Milkplus Bar, Josh Lilley Gallery, London (G) Kupferstichkabinett - Between Thought & Action, White Cube, London (G) Once, Removed, Apartment Gallery, Athens What Have I Done?, Fine Art Society, London (G) 2009 Les Toits de Parise, White Cube, London (S)

91 Jorinde Voigt Jorinde Voigt Radical Relaxation X, 2016 Ink, gold leaf, oil crayon, pastel, pencil on paper 51 x 36 cm Unique

92 Jorinde Voigt Jorinde Voigt From Below, 2015 Ink, feathers, oil crayon, India ink, pencil on paper framed 188,5 x 132 cm